
Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Maybe if you had a name? | 0:00:02 | 0:00:03 | |
Robbie. | 0:00:03 | 0:00:04 | |
He never got off that ferry. | 0:00:05 | 0:00:07 | |
Michael Thompson and Robbie Morton both have the same tattoo. | 0:00:07 | 0:00:11 | |
They are connected. | 0:00:11 | 0:00:12 | |
You're seeing something that isn't there. | 0:00:12 | 0:00:15 | |
GUNSHOT | 0:00:15 | 0:00:16 | |
Michael Maguire's here on witness protection. | 0:00:16 | 0:00:20 | |
Arthur McCall, that's who Michael Thompson was testifying against. | 0:00:20 | 0:00:23 | |
He is no longer a client I want to represent. | 0:00:23 | 0:00:26 | |
Neither is he a client I can afford to offend. | 0:00:26 | 0:00:29 | |
Asha Israni. Michael Thompson's dedicated handler. | 0:00:29 | 0:00:31 | |
-It's about how men are with women. -SHE LAUGHS | 0:00:31 | 0:00:34 | |
He said I was a message... | 0:00:34 | 0:00:37 | |
you couldn't ignore. | 0:00:37 | 0:00:38 | |
I don't want you to look at me! | 0:00:41 | 0:00:43 | |
Robbie Morton and Michael Thompson, they are father and son. | 0:00:43 | 0:00:48 | |
Who raped you? | 0:00:48 | 0:00:50 | |
Ben Brennan. | 0:00:50 | 0:00:51 | |
So Phyllis Brennan's son commits a rape... | 0:00:51 | 0:00:53 | |
Ben, darling, you remember Rhona? | 0:00:53 | 0:00:55 | |
How could I forget? | 0:00:55 | 0:00:57 | |
..and Arthur McCall makes it go away. | 0:00:57 | 0:00:59 | |
That's bigger than just Arthur McCall. | 0:00:59 | 0:01:02 | |
Someone's covering something and we're definitely looking | 0:01:02 | 0:01:04 | |
in the right place, or they wouldn't have bothered trying to warn us off. | 0:01:04 | 0:01:08 | |
SALSA MUSIC PLAYS | 0:02:08 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
Hello? | 0:02:13 | 0:02:14 | |
Hello, come in. | 0:02:14 | 0:02:15 | |
Sorry to bother you at home. | 0:02:15 | 0:02:16 | |
-Oh, don't be daft! Do you want a drink? -No. | 0:02:16 | 0:02:19 | |
Are you going to stay for some food? | 0:02:19 | 0:02:21 | |
No, no, I'm fine, thanks. | 0:02:21 | 0:02:23 | |
Look, I was wondering, erm... | 0:02:23 | 0:02:25 | |
Can I talk to Phyllis alone? | 0:02:25 | 0:02:27 | |
Just for a couple minutes. | 0:02:27 | 0:02:28 | |
Yes, yeah, course. I'll, er... | 0:02:29 | 0:02:32 | |
What's this about, Jimmy? | 0:02:39 | 0:02:40 | |
Your son, Ben. | 0:02:41 | 0:02:42 | |
And Level Nine. | 0:02:44 | 0:02:45 | |
Sorry, I don't really know what you're talking about. Um...? | 0:02:46 | 0:02:49 | |
There was a nightclub in Glasgow that was owned by Arthur McCall | 0:02:49 | 0:02:54 | |
and Ben was there the night a girl called Kelly Paterson got attacked. | 0:02:56 | 0:02:59 | |
-Really, when was this? -Ten years ago. -Ah! | 0:02:59 | 0:03:02 | |
Ben was accused of rape. Calvin Sarwar made it go away, | 0:03:02 | 0:03:06 | |
and Michael Thompson was a witness, | 0:03:06 | 0:03:07 | |
so that's why we're talking about it. | 0:03:07 | 0:03:10 | |
Now, is there anything to do with the death of Michael Thompson that you're not telling me? | 0:03:10 | 0:03:17 | |
Absolutely nothing. | 0:03:17 | 0:03:18 | |
You know... | 0:03:19 | 0:03:20 | |
..I'd always assumed that Michael Thompson was killed | 0:03:23 | 0:03:27 | |
to protect Arthur McCall. | 0:03:27 | 0:03:28 | |
Now I'm not so sure. | 0:03:30 | 0:03:31 | |
Now I'm thinking Calvin Sarwar had him killed | 0:03:32 | 0:03:35 | |
to protect HIS relationship with you. | 0:03:35 | 0:03:37 | |
You know people like Sarwar, they do things for a reason. | 0:03:39 | 0:03:43 | |
Thought he'd have wanted something in return for saving Ben. | 0:03:43 | 0:03:47 | |
Are you saying I made a pact with Sarwar? | 0:03:49 | 0:03:51 | |
What, to protect Ben? | 0:03:51 | 0:03:52 | |
It's possible. | 0:03:54 | 0:03:55 | |
You're right. | 0:03:59 | 0:04:00 | |
There was an allegation, but, um... | 0:04:01 | 0:04:03 | |
Ben did not need protecting. | 0:04:03 | 0:04:05 | |
She withdrew her statement because she was lying | 0:04:07 | 0:04:10 | |
and she knew that nobody would believe her. | 0:04:10 | 0:04:14 | |
Phyllis, | 0:04:14 | 0:04:15 | |
I've seen the medical report. | 0:04:15 | 0:04:18 | |
Trust me, somebody would've believed her. | 0:04:18 | 0:04:20 | |
Now, I'm asking you again... | 0:04:22 | 0:04:23 | |
..did Sarwar want anything in return? | 0:04:25 | 0:04:27 | |
No. | 0:04:29 | 0:04:30 | |
You know, Phyllis, I'm going to request access to every single case | 0:04:32 | 0:04:36 | |
that came across your desk which Sarwar represented | 0:04:36 | 0:04:40 | |
and see if there's even a trace of a deal. | 0:04:40 | 0:04:42 | |
I'll find it. | 0:04:44 | 0:04:45 | |
I'm sorry. | 0:04:53 | 0:04:54 | |
I want you to check all the cases you can find involving | 0:05:31 | 0:05:35 | |
Calvin Sarwar and Phyllis Brennan. | 0:05:35 | 0:05:38 | |
You're looking for signs of collusion. | 0:05:38 | 0:05:40 | |
OK. | 0:05:40 | 0:05:41 | |
And then I want you to call DS Boyd in Glasgow | 0:05:41 | 0:05:44 | |
and I want you to tell him that we're going to need a search warrant | 0:05:44 | 0:05:48 | |
for Calvin Sarwar's home and his office, as soon as possible. | 0:05:48 | 0:05:51 | |
And tell him we're looking for signs of financial irregularity, | 0:05:51 | 0:05:54 | |
money laundering and false accounting. | 0:05:54 | 0:05:56 | |
Untangling all that could take months. | 0:05:56 | 0:05:59 | |
Yes, so, we better get started. | 0:05:59 | 0:06:00 | |
KNOCK ON DOOR | 0:06:00 | 0:06:02 | |
Come in. | 0:06:02 | 0:06:03 | |
Got an ID on our catch of the day. Eddie Kerr. | 0:06:04 | 0:06:08 | |
Known associate of McCall's. Looks like our Arthur's in trouble. | 0:06:09 | 0:06:13 | |
That's what Calvin Sarwar wants us to think. | 0:06:13 | 0:06:15 | |
-Billy, can you get me on the next flight to Glasgow? -Aye. | 0:06:17 | 0:06:20 | |
I'm thinking I should press charges against Ben Brennan. | 0:06:25 | 0:06:28 | |
You don't think I should? | 0:06:31 | 0:06:33 | |
No, no, it's... It's not that. It... | 0:06:33 | 0:06:35 | |
..just won't be easy. | 0:06:37 | 0:06:39 | |
Especially for somebody with a past like mine? | 0:06:39 | 0:06:41 | |
It was a long time ago, Kelly. | 0:06:41 | 0:06:43 | |
The prosecution won't have any forensic evidence. | 0:06:44 | 0:06:47 | |
It will just be your word against his. | 0:06:47 | 0:06:50 | |
And the fact that you dropped the case won't help. | 0:06:50 | 0:06:52 | |
It wasn't a long time ago for me. | 0:06:52 | 0:06:54 | |
I think about it every day. | 0:06:56 | 0:06:57 | |
I'm not saying you shouldn't, I'm just saying... | 0:06:57 | 0:07:00 | |
..you need to be prepared. | 0:07:01 | 0:07:03 | |
I believe you, | 0:07:04 | 0:07:06 | |
but the court might not. | 0:07:06 | 0:07:08 | |
I don't care. | 0:07:10 | 0:07:11 | |
He made me feel worthless. | 0:07:13 | 0:07:15 | |
Like I didn't matter. | 0:07:15 | 0:07:16 | |
Well, I'm sick of feeling like this. | 0:07:16 | 0:07:19 | |
Like a victim. | 0:07:19 | 0:07:20 | |
I'm pressing charges. | 0:07:23 | 0:07:24 | |
In that case, I'll give you all the help I can. | 0:07:25 | 0:07:28 | |
That's a promise. | 0:07:29 | 0:07:30 | |
I have to speak to him. | 0:07:46 | 0:07:47 | |
DS Macintosh was raped by one of McCall's men. | 0:07:54 | 0:07:58 | |
It's their way of trying to intimidate us. | 0:08:00 | 0:08:03 | |
And I thought you should know that. | 0:08:03 | 0:08:05 | |
I see. | 0:08:08 | 0:08:09 | |
How is Bella? | 0:08:27 | 0:08:28 | |
I've, er, told Craig I'll keep an eye on his granny for him. | 0:08:28 | 0:08:32 | |
A lot better now. She'll be pleased to see you. | 0:08:32 | 0:08:34 | |
-LAUGHING: -I've made you a present, Bella! Do you want to see it? | 0:08:34 | 0:08:38 | |
SHE LAUGHS | 0:08:38 | 0:08:40 | |
It's a Kokkaloorie chain. | 0:08:40 | 0:08:42 | |
-'It was good of you to take Leanne in like this.' -Do you like it? | 0:08:42 | 0:08:45 | |
'How is she doing?' | 0:08:45 | 0:08:47 | |
Settling in. | 0:08:47 | 0:08:48 | |
'Fits perfectly.' | 0:08:48 | 0:08:49 | |
She's having trouble sleeping. | 0:08:49 | 0:08:51 | |
Nightmares. | 0:08:51 | 0:08:54 | |
I think she's dreaming about the day she was shot. | 0:08:54 | 0:08:56 | |
Has she said anything to you about what happened? | 0:08:56 | 0:08:59 | |
Remembered anything new? | 0:08:59 | 0:09:01 | |
No. Nothing. | 0:09:01 | 0:09:03 | |
She cries out, that's all. And in the morning, she seems fine. | 0:09:03 | 0:09:06 | |
The first daisies of the year! | 0:09:07 | 0:09:10 | |
Calvin, I've just had a call. | 0:09:14 | 0:09:17 | |
The police are searching your home as we speak. | 0:09:17 | 0:09:19 | |
What exactly is it they're looking for? | 0:09:19 | 0:09:21 | |
Material evidence likely to aid a criminal investigation, apparently. | 0:09:21 | 0:09:25 | |
What investigation? | 0:09:25 | 0:09:26 | |
It's related to financial irregularities, | 0:09:26 | 0:09:28 | |
-but, er, that's all they'll say. -OK. | 0:09:28 | 0:09:32 | |
Get over there, will you? Keep an eye on them. | 0:09:32 | 0:09:34 | |
Well, the girl has made another statement. | 0:09:37 | 0:09:40 | |
It's part of an investigation into Arthur McCall. | 0:09:40 | 0:09:45 | |
They'll use whatever they can to bring him down, of course, it's just that I'm... | 0:09:45 | 0:09:48 | |
-I'm worried that you're going to be dragged into it. -After all this time? | 0:09:50 | 0:09:53 | |
Rhona's really angry, she... | 0:09:54 | 0:09:57 | |
thinks I should have let events just run their course. | 0:09:57 | 0:10:00 | |
But I did the right thing, I know I did. | 0:10:01 | 0:10:04 | |
I... I-I did do the right thing, didn't I, Ben? | 0:10:07 | 0:10:11 | |
-Oh, of course. -Ha. | 0:10:11 | 0:10:12 | |
It's just... | 0:10:14 | 0:10:15 | |
It's just that the girl was really badly hurt. | 0:10:16 | 0:10:21 | |
-Were you aware of that? -Why're you asking me this? | 0:10:21 | 0:10:23 | |
Because we have to be prepared if this goes to court. | 0:10:24 | 0:10:28 | |
'Rape Crisis, hello? | 0:10:54 | 0:10:56 | |
'Take your time. There's no pressure to say anything. | 0:11:00 | 0:11:04 | |
'We're still here with you.' | 0:11:05 | 0:11:07 | |
I remember hardly anything about that night. | 0:11:20 | 0:11:24 | |
You don't know how she got her injuries? | 0:11:24 | 0:11:26 | |
Well, did you hurt her? | 0:11:29 | 0:11:31 | |
Er... Maybe, er... | 0:11:32 | 0:11:34 | |
M-maybe I would behave differently now that I have my own daughter. | 0:11:35 | 0:11:39 | |
I mean, you see things differently don't you, when you... | 0:11:39 | 0:11:41 | |
when you become a parent? | 0:11:41 | 0:11:43 | |
"Behave differently"?! Behave differently? What do you mean? | 0:11:43 | 0:11:45 | |
What do you mean, Ben? | 0:11:47 | 0:11:48 | |
Oh, my God. You've got to tell me what happened. | 0:11:52 | 0:11:54 | |
We were drunk! She... She said she wanted to have some fun, | 0:11:56 | 0:12:00 | |
things got out of hand. | 0:12:00 | 0:12:01 | |
-It didn't feel like I was doing anything wrong, I... -Did you rape her? | 0:12:01 | 0:12:05 | |
-Maybe I grabbed her, maybe I was a bit rough... -That's NOT what I asked. | 0:12:05 | 0:12:08 | |
You know, I've tried to remember what happened that night. | 0:12:10 | 0:12:12 | |
For years I have tried! | 0:12:12 | 0:12:14 | |
I mean, maybe part of me doesn't want to, eh? | 0:12:15 | 0:12:18 | |
You should have told me the truth. | 0:12:23 | 0:12:25 | |
OK, so we've found two mobile phones at Sarwar's house, | 0:12:39 | 0:12:43 | |
both Sim cards missing, | 0:12:43 | 0:12:44 | |
all the files on his computers are encrypted | 0:12:44 | 0:12:47 | |
and it seems like he's run all his transactions through | 0:12:47 | 0:12:50 | |
onion browsers, so it means we cannae trace them. | 0:12:50 | 0:12:53 | |
Basically, he's covered his tracks extremely well. | 0:12:53 | 0:12:55 | |
Any good news? | 0:12:56 | 0:12:58 | |
Forensics think they can piece the files together, but that could take weeks, if not months. | 0:12:58 | 0:13:01 | |
-So in a word, no. -Perez! | 0:13:01 | 0:13:03 | |
I want to make a statement. | 0:13:05 | 0:13:07 | |
Whenever you're ready. | 0:13:09 | 0:13:11 | |
When Ben called that night from Level Nine, | 0:13:13 | 0:13:16 | |
he was in a terrible state. He told me what had happened, | 0:13:16 | 0:13:19 | |
that the girl was making false allegations of rape. | 0:13:19 | 0:13:22 | |
He said he was with Arthur McCall's lawyer, | 0:13:22 | 0:13:25 | |
Calvin Sarwar, and that he'd offered to help. | 0:13:25 | 0:13:27 | |
So I spoke to him on the phone and... | 0:13:27 | 0:13:29 | |
He said that Ben was innocent but the girl was very convincing. | 0:13:32 | 0:13:36 | |
He thought she was trying to extort money because she knew who I was. | 0:13:36 | 0:13:39 | |
He said he could make it all go away. | 0:13:43 | 0:13:45 | |
A few days later, he called, he said that the matter was settled, | 0:13:46 | 0:13:49 | |
there was nothing to worry about and that she had, um... | 0:13:49 | 0:13:53 | |
POLICE SIREN WAILS IN DISTANCE | 0:13:53 | 0:13:55 | |
She'd come to her senses. | 0:13:55 | 0:13:57 | |
Did you ask why she changed her story? | 0:13:59 | 0:14:01 | |
No. I was simply relieved. | 0:14:06 | 0:14:07 | |
So what did Sarwar want in return? | 0:14:09 | 0:14:11 | |
Nothing... Not at first, um... | 0:14:11 | 0:14:14 | |
But after a few months I got a call. | 0:14:16 | 0:14:18 | |
And he implied that if I didn't help him, | 0:14:20 | 0:14:22 | |
word would get around about what happened that night. | 0:14:22 | 0:14:25 | |
He, um... | 0:14:28 | 0:14:30 | |
wanted me to block any investigations | 0:14:30 | 0:14:32 | |
into his financial activities. | 0:14:32 | 0:14:34 | |
How would you do that? | 0:14:37 | 0:14:38 | |
He has a company he uses to launder money for Arthur McCall. | 0:14:38 | 0:14:42 | |
I suspect he's robbing McCall blind in the process. | 0:14:42 | 0:14:45 | |
I kept the Serious Crime Squad away | 0:14:48 | 0:14:51 | |
by diverting the investigation down other avenues. | 0:14:51 | 0:14:54 | |
What was the name of the company? | 0:14:55 | 0:14:58 | |
Dolos. | 0:14:59 | 0:15:01 | |
It's the spirit of treachery in Greek mythology. | 0:15:01 | 0:15:03 | |
Did you give him information regarding the whereabouts of Michael Thompson? | 0:15:05 | 0:15:09 | |
-I would never have put anybody at risk... -That's not what I asked you. | 0:15:09 | 0:15:12 | |
No. | 0:15:14 | 0:15:16 | |
And the murder of Robbie Morton? | 0:15:16 | 0:15:18 | |
I don't know anything about that. | 0:15:18 | 0:15:19 | |
Are you sure? | 0:15:19 | 0:15:21 | |
Y... Yeah. | 0:15:21 | 0:15:23 | |
Because two people have died and one of my officers, DS Macintosh, | 0:15:23 | 0:15:26 | |
was attacked, to protect you, Phyllis. | 0:15:26 | 0:15:28 | |
I couldn't live with myself if that were the case, I really couldn't. | 0:15:31 | 0:15:35 | |
Yeah, you'd be surprised what people can live with. | 0:15:35 | 0:15:38 | |
Now... | 0:15:38 | 0:15:39 | |
..Sarwar will have covered his tracks. | 0:15:40 | 0:15:42 | |
He'll have hid behind Arthur McCall and I doubt any of this is going | 0:15:42 | 0:15:45 | |
to lead directly to him. | 0:15:45 | 0:15:46 | |
I'm going to need more. | 0:15:46 | 0:15:47 | |
I don't know what else I can give you. | 0:15:50 | 0:15:51 | |
I really don't know what else I can do. | 0:15:51 | 0:15:53 | |
You know, I think you've got a wee bit of a crush on me, Perez, hm? | 0:16:06 | 0:16:09 | |
Can't stay away. | 0:16:11 | 0:16:12 | |
So, what's this about Michael? | 0:16:14 | 0:16:16 | |
You arrest the bastard that did it? | 0:16:18 | 0:16:20 | |
No need. | 0:16:20 | 0:16:21 | |
He turned up dead in one of our fishing nets. | 0:16:24 | 0:16:26 | |
Funnily enough, he's an old pal of yours, Eddie Kerr. | 0:16:28 | 0:16:31 | |
You're joining up dots that aren't there, Perez. | 0:16:33 | 0:16:36 | |
I know. | 0:16:37 | 0:16:38 | |
You'd never do something so...obvious, would you? | 0:16:40 | 0:16:44 | |
Like ordering the rape of a young DS. | 0:16:45 | 0:16:47 | |
I mean, you're stupid, | 0:16:48 | 0:16:51 | |
but are you that stupid? | 0:16:51 | 0:16:52 | |
Because that would be suicidal, wouldn't it? | 0:16:53 | 0:16:55 | |
Trying to intimidate us like that? | 0:16:55 | 0:16:57 | |
Because then you'd have every cop in Scotland after your blood. | 0:16:57 | 0:17:01 | |
And that's why I don't think you'd anything to do with it. | 0:17:03 | 0:17:06 | |
Calvin Sarwar. | 0:17:08 | 0:17:09 | |
It was him that ordered the hit on Michael. | 0:17:11 | 0:17:14 | |
And the attack on my DS. | 0:17:15 | 0:17:17 | |
He's been systematically setting you up. | 0:17:19 | 0:17:22 | |
He's got a fiscal in his pocket. | 0:17:22 | 0:17:24 | |
Yet you still ended up in the jail. How's that? | 0:17:24 | 0:17:27 | |
Or your money? | 0:17:29 | 0:17:30 | |
You looked at your accounts lately? | 0:17:32 | 0:17:34 | |
He's just about cleaned you out. | 0:17:36 | 0:17:38 | |
It's not going to be that long before everybody knows it. | 0:17:39 | 0:17:42 | |
How's that going to look? Calvin Sarwar making a fool out of you? | 0:17:42 | 0:17:45 | |
I mean, your boys aren't going to be that loyal for very long, are they? | 0:17:47 | 0:17:51 | |
You're done, Arthur. | 0:17:53 | 0:17:54 | |
And he's done you. | 0:17:55 | 0:17:57 | |
You see Mr Perez to the door, would you? | 0:18:01 | 0:18:03 | |
It's Detective Inspector Perez to you. | 0:18:05 | 0:18:09 | |
And I know my own way out. | 0:18:09 | 0:18:10 | |
It's not a great idea for us to be seen together, | 0:18:31 | 0:18:34 | |
you DO know that. | 0:18:34 | 0:18:36 | |
Then I'll be quick. | 0:18:36 | 0:18:37 | |
Thank you. | 0:18:37 | 0:18:38 | |
I need to know exactly what you've gotten me into. | 0:18:41 | 0:18:43 | |
I'm not sure I follow. | 0:18:43 | 0:18:45 | |
People have died to keep our arrangement secret. | 0:18:47 | 0:18:51 | |
You knew who Arthur McCall was before you signed up to this. | 0:18:51 | 0:18:54 | |
McCall had nothing to do with the death of Michael Thompson... | 0:18:54 | 0:18:57 | |
I'd be very careful if I was you. | 0:18:57 | 0:18:59 | |
If you talk, you'll only incriminate yourself and your son. | 0:18:59 | 0:19:02 | |
What kind of a man are you? | 0:19:04 | 0:19:05 | |
-A survivor. Just like you. -I never killed anybody. -No. | 0:19:05 | 0:19:08 | |
But you ruined that girl's life, the one your son raped. | 0:19:08 | 0:19:12 | |
Kelly. That's her name, by the way, in case you forgot. | 0:19:12 | 0:19:16 | |
You could have asked so many questions about that night, | 0:19:16 | 0:19:18 | |
but you didn't. Not once. So, don't take the moral high ground. | 0:19:18 | 0:19:21 | |
You just sound like the hypocrite you are. | 0:19:21 | 0:19:24 | |
I need to know exactly what happened to Robbie Morton | 0:19:25 | 0:19:28 | |
and Michael Thompson before I continue to protect you. | 0:19:28 | 0:19:31 | |
No, you don't! | 0:19:31 | 0:19:32 | |
I don't kill people, Phyllis. But I know guys who do. | 0:19:34 | 0:19:36 | |
So, just keep your mouth shut. For all our sakes. | 0:19:36 | 0:19:39 | |
Is there any way my son can be kept out of this? | 0:19:56 | 0:19:58 | |
PHONE RINGS | 0:20:09 | 0:20:11 | |
Jimmy Perez. | 0:20:12 | 0:20:13 | |
Yeah, I can meet you there. | 0:20:16 | 0:20:18 | |
My father worked in these shipyards all his life. | 0:20:29 | 0:20:31 | |
Dangerous job. | 0:20:33 | 0:20:34 | |
Men had to look out for each other's backs. | 0:20:36 | 0:20:38 | |
-HE SCOFFS -Not today. | 0:20:40 | 0:20:42 | |
All run by people like Sarwar. | 0:20:43 | 0:20:45 | |
Suits. | 0:20:45 | 0:20:47 | |
Only looking out for themselves. | 0:20:49 | 0:20:51 | |
Ah, come on, Arthur. | 0:20:51 | 0:20:52 | |
Spare me the working-class hero spiel, yeah? | 0:20:52 | 0:20:55 | |
The man you want to speak to is, er, Danny Torr. | 0:20:57 | 0:21:02 | |
Owns a tanning salon in town. | 0:21:03 | 0:21:06 | |
He's not one of my people, but I've had a wee word with him. | 0:21:06 | 0:21:09 | |
Sarwar paid Eddie Kerr... | 0:21:11 | 0:21:13 | |
..to have Michael killed. | 0:21:14 | 0:21:16 | |
All the money went through him. | 0:21:16 | 0:21:18 | |
He'll testify. | 0:21:25 | 0:21:26 | |
Sir, I found this in the Dolos file. | 0:21:43 | 0:21:46 | |
Cheers, Jamie. | 0:21:46 | 0:21:47 | |
Result! | 0:21:50 | 0:21:52 | |
Anonymous e-mail sent to Calvin Sarwar | 0:21:52 | 0:21:54 | |
just a day before Michael Thompson was shot | 0:21:54 | 0:21:57 | |
revealing his name and address on Shetland. | 0:21:57 | 0:21:59 | |
We've got him. | 0:22:01 | 0:22:03 | |
For the benefit of the tape, | 0:22:05 | 0:22:07 | |
we are now showing Mr Sarwar a CCTV image that we received. | 0:22:07 | 0:22:12 | |
Would you mind having a look at that and telling me | 0:22:12 | 0:22:14 | |
whether or not you recognise either of those two men? | 0:22:14 | 0:22:17 | |
The one on the left is Eddie Kerr. The other one is Danny Torr. | 0:22:17 | 0:22:21 | |
Never seen either of them before. | 0:22:24 | 0:22:26 | |
Danny Torr is willing to testify | 0:22:26 | 0:22:28 | |
that you asked him to pay Eddie Kerr £30,000 to kill Michael Thompson. | 0:22:28 | 0:22:32 | |
He would say that - he's protecting Arthur McCall. | 0:22:32 | 0:22:34 | |
For the benefit of the tape, I'm now showing Mr Sarwar an e-mail. | 0:22:34 | 0:22:39 | |
Apparently, you knew where Michael Thompson was living. | 0:22:40 | 0:22:42 | |
I've never seen that e-mail. | 0:22:43 | 0:22:45 | |
We found it on your computer in a file named "Dolos". | 0:22:45 | 0:22:48 | |
See, Phyllis Brennan told us almost everything | 0:22:50 | 0:22:53 | |
that we need to know about you. Or rather, YOU did. | 0:22:53 | 0:22:56 | |
-PHYLLIS ON TAPE: -'I need to know exactly what happened | 0:22:58 | 0:23:01 | |
'to Robbie Morton and Michael Thompson | 0:23:01 | 0:23:03 | |
-'before I continue to protect you.' -SARWAR ON TAPE: -'No, you don't. | 0:23:03 | 0:23:07 | |
'I don't kill people, Phyllis. But I know guys who do.' | 0:23:07 | 0:23:09 | |
You see, we went through every single one of her cases, | 0:23:09 | 0:23:12 | |
and every time your name came up... FOLDERS SLAP ON DESK | 0:23:12 | 0:23:15 | |
..it was followed by "No Further Action". | 0:23:15 | 0:23:18 | |
You OK, Mr Sarwar? | 0:23:19 | 0:23:21 | |
Time is 17.42. Interview with Calvin Sarwar | 0:23:24 | 0:23:27 | |
is being suspended for a comfort break. | 0:23:27 | 0:23:30 | |
Yeah, I know what you did. | 0:23:34 | 0:23:36 | |
-Did you really think you were going to get away with that? -With what? | 0:23:37 | 0:23:41 | |
-Sir? -You know what I'm talking about. | 0:23:42 | 0:23:45 | |
Haven't you got more important things to worry about | 0:23:45 | 0:23:47 | |
than some stupid tart who goes off with the first man she meets? | 0:23:47 | 0:23:51 | |
Look on the bright side. | 0:23:52 | 0:23:54 | |
She probably enjoyed it. | 0:23:55 | 0:23:57 | |
Are we finished here, sir? | 0:23:57 | 0:24:00 | |
Are we, Perez? | 0:24:00 | 0:24:02 | |
No. | 0:24:02 | 0:24:03 | |
Not yet. | 0:24:05 | 0:24:06 | |
Calvin Sarwar, I'm charging you with aiding and abetting | 0:24:08 | 0:24:12 | |
in the murder of Michael Thompson, | 0:24:12 | 0:24:14 | |
whereby you paid a third party to carry out the murder. | 0:24:14 | 0:24:17 | |
I'm also charging you with fraud, extortion and blackmail. | 0:24:17 | 0:24:20 | |
Now, do you understand the charge? | 0:24:20 | 0:24:21 | |
Is there anything that you would like to say in reply to the charge? | 0:24:23 | 0:24:27 | |
Fine. | 0:24:33 | 0:24:34 | |
Don't even think about bail. | 0:24:34 | 0:24:35 | |
HE SIGHS | 0:24:38 | 0:24:39 | |
You OK? | 0:24:42 | 0:24:43 | |
What? | 0:24:43 | 0:24:44 | |
Are you all right? | 0:24:44 | 0:24:46 | |
Aye, I'm fine. | 0:24:47 | 0:24:48 | |
Are we not charging him with Robbie Morton's murder? | 0:24:48 | 0:24:51 | |
No. | 0:24:53 | 0:24:54 | |
Robbie Morton was dead before that e-mail was sent. | 0:24:55 | 0:24:59 | |
I know those murders are connected, I just don't know how. | 0:25:00 | 0:25:04 | |
Not yet. | 0:25:05 | 0:25:07 | |
Will you keep the techie boys on top of that e-mail? | 0:25:09 | 0:25:11 | |
-Because I do want to know who sent it. -OK. | 0:25:11 | 0:25:14 | |
And he doesnae get any bail. | 0:25:14 | 0:25:16 | |
And you give him vulnerable prisoner status | 0:25:16 | 0:25:18 | |
because I want to keep him out of harm's way. | 0:25:18 | 0:25:20 | |
At least until I can shed a wee bit more light on this. OK? | 0:25:20 | 0:25:23 | |
All right, will do. | 0:25:23 | 0:25:25 | |
Welcome to the VP wing. | 0:25:27 | 0:25:29 | |
Under Rule 42, you're to be segregated for your own protection. | 0:25:29 | 0:25:33 | |
You will not leave this wing. | 0:25:33 | 0:25:34 | |
You will not associate with any other prisoners. | 0:25:34 | 0:25:37 | |
You'll only use the education room | 0:25:37 | 0:25:38 | |
when other prisoners are not using it. | 0:25:38 | 0:25:40 | |
You'll have a separate work regime, separate exercise times, | 0:25:40 | 0:25:44 | |
and you'll have your own cell. | 0:25:44 | 0:25:45 | |
SHE TAPS | 0:25:59 | 0:26:01 | |
Fancy a drink? | 0:26:02 | 0:26:04 | |
It must be great to be able to express yourself the way you do. | 0:26:14 | 0:26:19 | |
Aye. | 0:26:20 | 0:26:22 | |
Did something happen to you, Lowrie? | 0:26:27 | 0:26:29 | |
Is that why you paint the things you paint? | 0:26:30 | 0:26:33 | |
HE CLEARS HIS THROAT | 0:26:35 | 0:26:37 | |
When I was at, um... | 0:26:37 | 0:26:39 | |
..art school... | 0:26:40 | 0:26:41 | |
..my younger brother and myself | 0:26:44 | 0:26:46 | |
were on our way home from a night out. | 0:26:46 | 0:26:50 | |
We were set upon by a... | 0:26:56 | 0:26:58 | |
..a group of lads. | 0:27:00 | 0:27:01 | |
There was no rhyme nor reason for...for it. | 0:27:02 | 0:27:05 | |
One pulled a knife. | 0:27:11 | 0:27:12 | |
It was over in seconds... | 0:27:16 | 0:27:18 | |
..and my brother was gone. | 0:27:23 | 0:27:24 | |
We always said he died because... | 0:27:31 | 0:27:34 | |
..he had such a big heart. | 0:27:35 | 0:27:37 | |
They couldn't miss it. | 0:27:39 | 0:27:40 | |
That much was true. | 0:27:43 | 0:27:45 | |
I'm so sorry. | 0:27:54 | 0:27:56 | |
And me for you. | 0:28:01 | 0:28:03 | |
What are you doing here? | 0:28:34 | 0:28:35 | |
-I wanted to spend a few days with you before I go to Brazil. -Aww! | 0:28:35 | 0:28:40 | |
HE CHUCKLES | 0:28:40 | 0:28:42 | |
I thought we could watch an old movie tonight? | 0:28:44 | 0:28:47 | |
OK, what have you got? | 0:28:47 | 0:28:48 | |
Elf. | 0:28:48 | 0:28:50 | |
BOTH LAUGH | 0:28:50 | 0:28:52 | |
-Do you remember? -Yeah. | 0:28:52 | 0:28:54 | |
-Right, well, you stick it on. I've got popcorn. -OK. | 0:28:54 | 0:28:57 | |
KEYS CLACK | 0:28:58 | 0:29:01 | |
SCREAMING | 0:29:03 | 0:29:05 | |
ALARM BEEPS | 0:29:05 | 0:29:06 | |
NO! | 0:29:06 | 0:29:08 | |
-NO! -WHIMPERING | 0:29:11 | 0:29:12 | |
Leanne? | 0:29:12 | 0:29:14 | |
NO! NO! | 0:29:16 | 0:29:18 | |
Leanne... | 0:29:18 | 0:29:19 | |
You're OK. You're OK... | 0:29:19 | 0:29:21 | |
You're just having a bad dream, that's all. | 0:29:21 | 0:29:23 | |
SHE PANTS | 0:29:23 | 0:29:25 | |
SHE WHIMPERS | 0:29:31 | 0:29:33 | |
PHONE VIBRATES | 0:29:39 | 0:29:42 | |
KEYPAD TONE | 0:29:42 | 0:29:44 | |
Iain? | 0:29:44 | 0:29:45 | |
'Sorry to call so late, boss. I thought you should know this.' | 0:29:45 | 0:29:48 | |
The...e-mail Calvin received. | 0:29:48 | 0:29:50 | |
It's a proxy account | 0:29:52 | 0:29:53 | |
set up under some random name, | 0:29:53 | 0:29:55 | |
but I've managed to trace the IP address. | 0:29:55 | 0:29:58 | |
Lerwick. | 0:30:00 | 0:30:01 | |
Can you be more specific? | 0:30:03 | 0:30:05 | |
Um, not yet. | 0:30:05 | 0:30:06 | |
We're working on it. | 0:30:06 | 0:30:07 | |
OK, Witness Protection are maintaining | 0:30:13 | 0:30:16 | |
that there was only five people | 0:30:16 | 0:30:17 | |
who knew that Michael Thompson was on Shetland. | 0:30:17 | 0:30:20 | |
So, that means that one of them must have been here on the 14th, | 0:30:20 | 0:30:23 | |
the day the e-mail was sent. | 0:30:23 | 0:30:25 | |
-So, that's who we have to find. -Is there anyone else? | 0:30:25 | 0:30:28 | |
-Someone we've overlooked? -PHONE RINGS | 0:30:28 | 0:30:30 | |
Sorry. | 0:30:30 | 0:30:31 | |
Hey, how's things? | 0:30:33 | 0:30:35 | |
'Good, good.' | 0:30:35 | 0:30:36 | |
Listen, I've got a couple of days' leave | 0:30:36 | 0:30:39 | |
and I thought I'd spend them in Shetland, if that's OK with you? | 0:30:39 | 0:30:42 | |
Sure, of course. | 0:30:42 | 0:30:44 | |
Well, that's a relief. Cos I'm on the 11.45. | 0:30:44 | 0:30:47 | |
'You going to pick me up from the airport?' | 0:30:47 | 0:30:49 | |
Yeah, I'll see you there. | 0:30:49 | 0:30:51 | |
Grace, from the care home, wants to talk to you about Leanne. | 0:30:51 | 0:30:55 | |
Oh, yeah, they're worried about her. | 0:30:55 | 0:30:57 | |
I called in on them yesterday. | 0:30:57 | 0:30:58 | |
OK. Well, call her back | 0:30:58 | 0:31:00 | |
and tell her I'll drop by later on this afternoon. | 0:31:00 | 0:31:03 | |
-Hi. -Hey. | 0:31:07 | 0:31:09 | |
-How was your flight? -Yeah, I'm still not used to the runway | 0:31:09 | 0:31:11 | |
-being quite so close to the sea. -HE CHUCKLES | 0:31:11 | 0:31:14 | |
-You OK...with me...being here? -Yes, I am. | 0:31:16 | 0:31:19 | |
-I have to go to Herder House for two minutes, is that OK? -Yeah, fine. | 0:31:23 | 0:31:27 | |
I thought we could meet up for dinner when you finish work? | 0:31:31 | 0:31:34 | |
Sure. I don't know when that's going to be, though. | 0:31:34 | 0:31:36 | |
Oh, don't worry, whenever. | 0:31:36 | 0:31:39 | |
Oh, and there's another thing, | 0:31:39 | 0:31:40 | |
my daughter Cassie's home for a few days so... | 0:31:40 | 0:31:44 | |
I've got a room at the Lighthouse. | 0:31:45 | 0:31:46 | |
OK. | 0:31:48 | 0:31:49 | |
I'll be two minutes. | 0:31:57 | 0:31:59 | |
Right, Sandy was saying she's still having nightmares. | 0:32:05 | 0:32:07 | |
Yes, and it's getting worse. | 0:32:07 | 0:32:09 | |
I'm sure now she's reliving the trauma of being shot. | 0:32:09 | 0:32:12 | |
There's something else. | 0:32:12 | 0:32:13 | |
Leanne's prescription from the hospital. | 0:32:22 | 0:32:24 | |
Anti-depressants. High dosage. | 0:32:24 | 0:32:26 | |
She'd been taking them for years. Long before this happened. | 0:32:26 | 0:32:28 | |
OK. I can get in contact with Victim Support, | 0:32:31 | 0:32:35 | |
-see what help they can offer. -That'll be great. -OK. | 0:32:35 | 0:32:37 | |
Hello. | 0:32:42 | 0:32:44 | |
Hello. | 0:32:44 | 0:32:45 | |
How are you feeling? | 0:32:49 | 0:32:50 | |
Yeah... | 0:32:50 | 0:32:52 | |
Yeah, a lot better, thanks. | 0:32:52 | 0:32:54 | |
Are you not sleeping so good? | 0:32:55 | 0:32:56 | |
I dream. | 0:32:57 | 0:32:59 | |
What's that about? | 0:32:59 | 0:33:00 | |
The shooting? | 0:33:00 | 0:33:02 | |
Think so. | 0:33:02 | 0:33:04 | |
Well, you know, if you think of anything new... | 0:33:05 | 0:33:08 | |
..doesn't matter if you don't think it's important, you must tell me. | 0:33:10 | 0:33:14 | |
Because it might not make sense to you, but it might make sense to me. | 0:33:15 | 0:33:18 | |
I will. | 0:33:19 | 0:33:21 | |
OK. | 0:33:21 | 0:33:22 | |
Promise? | 0:33:22 | 0:33:23 | |
I promise. | 0:33:25 | 0:33:27 | |
I knew it was too good to be true. | 0:33:30 | 0:33:32 | |
What's that? | 0:33:33 | 0:33:34 | |
You being single. | 0:33:34 | 0:33:36 | |
She's a colleague. | 0:33:49 | 0:33:50 | |
I'm just dropping her off at the Lighthouse. | 0:33:50 | 0:33:53 | |
-I believe you. -Good. -Yes. -Uh-huh. -I mean, thousands wouldn't. | 0:33:53 | 0:33:57 | |
SHE GIGGLES | 0:33:57 | 0:33:59 | |
You know, if you want to talk to anybody. | 0:34:03 | 0:34:06 | |
I can arrange that for you, OK? | 0:34:07 | 0:34:10 | |
You just have to tell me. | 0:34:11 | 0:34:13 | |
PHONE VIBRATES | 0:34:16 | 0:34:20 | |
I'm going to have to take this. | 0:34:21 | 0:34:23 | |
-'Tosh?' -I've checked the list of people who knew where Michael was. | 0:34:27 | 0:34:31 | |
-'And?' -All of them were in Glasgow. | 0:34:31 | 0:34:33 | |
Except Asha Israni. | 0:34:33 | 0:34:35 | |
'She was here visiting Michael on the 14th.' | 0:34:35 | 0:34:37 | |
Are you sure? | 0:34:39 | 0:34:40 | |
Positive. | 0:34:40 | 0:34:41 | |
Right, I'll need to look into her background. Um... | 0:34:41 | 0:34:46 | |
Her training, her university, everything. | 0:34:46 | 0:34:49 | |
See if there's a link to either McCall or Sarwar. | 0:34:49 | 0:34:52 | |
Why don't you text me when you've finished work | 0:35:03 | 0:35:05 | |
and we can meet up in the fish restaurant by the harbour? | 0:35:05 | 0:35:07 | |
I don't think that I'm going to be able to make dinner. | 0:35:07 | 0:35:10 | |
There's been a development on a case. | 0:35:10 | 0:35:13 | |
Oh, of course. Don't worry about it. | 0:35:14 | 0:35:16 | |
You still have to sleep though, don't you? | 0:35:19 | 0:35:22 | |
Yeah. | 0:35:24 | 0:35:26 | |
Right, have we got anything? | 0:35:44 | 0:35:47 | |
Yeah, this from the university alumni page. | 0:35:47 | 0:35:52 | |
A list of the Debating Society circa '93. | 0:35:52 | 0:35:55 | |
Asha and Calvin Sarwar were both in the Debating Society. | 0:35:55 | 0:35:59 | |
Doesn't mean they necessarily knew each other, does it? | 0:35:59 | 0:36:02 | |
Those WP files in yet? | 0:36:04 | 0:36:05 | |
Yeah, just got access. | 0:36:05 | 0:36:07 | |
OK, start digging. | 0:36:07 | 0:36:08 | |
And go through the passenger manifesto again. | 0:36:10 | 0:36:13 | |
I want to know if Asha was on the ferry | 0:36:13 | 0:36:16 | |
the night that Robbie went missing. | 0:36:16 | 0:36:18 | |
Sandy, get me Leanne's initial statement. | 0:36:19 | 0:36:22 | |
We're going to have to go back to the beginning | 0:36:22 | 0:36:25 | |
-cos we missed something. -OK. | 0:36:25 | 0:36:27 | |
Billy, I need Leanne's initial statement. | 0:36:27 | 0:36:30 | |
Leanne's first statement. | 0:36:35 | 0:36:37 | |
Right, get on to the hotel in Aberdeen | 0:36:37 | 0:36:41 | |
where Asha and Michael met, | 0:36:41 | 0:36:43 | |
talk to the staff that were on that day. | 0:36:43 | 0:36:45 | |
Did anybody see Asha meeting anybody else | 0:36:45 | 0:36:48 | |
-before or after that meeting? -OK. | 0:36:48 | 0:36:50 | |
PHONE RINGS | 0:36:50 | 0:36:52 | |
DS Boyd. | 0:36:54 | 0:36:56 | |
'Sir, I've managed to track down the e-mail to its source. | 0:36:56 | 0:36:59 | |
'It came from Lerwick Library.' | 0:36:59 | 0:37:02 | |
OK, thanks. I'll keep you posted. | 0:37:02 | 0:37:04 | |
Sir! | 0:37:16 | 0:37:17 | |
Asha's Witness Protection files. | 0:37:17 | 0:37:19 | |
Spotted one I think you'll be interested in. | 0:37:19 | 0:37:22 | |
Her first. The Gilborne family from Shetland. | 0:37:22 | 0:37:25 | |
-OK, go. -Anne Gilborne was a single mother, | 0:37:28 | 0:37:31 | |
she witnessed a crime while on holiday on the mainland. | 0:37:31 | 0:37:34 | |
Her testimony could've brought down several heavy-duty targets. | 0:37:34 | 0:37:37 | |
Despite threats, she agreed to testify. | 0:37:37 | 0:37:39 | |
But she never gave evidence. The case collapsed on a technicality. | 0:37:39 | 0:37:42 | |
And she was relocated from Shetland to the mainland? | 0:37:42 | 0:37:44 | |
From what I can gather from the file, Anne didn't adjust. | 0:37:44 | 0:37:47 | |
She killed herself. | 0:37:47 | 0:37:49 | |
And are there any links in this case | 0:37:49 | 0:37:51 | |
-to Arthur McCall or Calvin Sarwar? -Not that I can see. | 0:37:51 | 0:37:55 | |
Right. See what you can find out about the family. | 0:37:55 | 0:37:57 | |
In fact, try the Gazette. | 0:37:57 | 0:37:59 | |
-See if they've got anything in the archives. -OK. | 0:37:59 | 0:38:02 | |
The 14th. | 0:38:03 | 0:38:05 | |
Pretty quiet that day. | 0:38:06 | 0:38:07 | |
Do you remember anybody using the computer? | 0:38:08 | 0:38:11 | |
They are there for the public. Tourists mostly. | 0:38:11 | 0:38:13 | |
We have sites of local interest bookmarked. | 0:38:13 | 0:38:16 | |
Is there anybody stands out? | 0:38:20 | 0:38:22 | |
Not really. | 0:38:23 | 0:38:24 | |
What about an Asian woman? | 0:38:24 | 0:38:26 | |
Not that I remember. | 0:38:26 | 0:38:28 | |
Oh, one thing though, someone wiped the history. | 0:38:28 | 0:38:31 | |
It was a bloody nuisance, to be honest. | 0:38:31 | 0:38:33 | |
OK, thanks, Vicky. | 0:38:34 | 0:38:36 | |
Oh, how's the wee girl getting on? | 0:38:38 | 0:38:41 | |
The one that got shot. | 0:38:41 | 0:38:42 | |
Er, she's fine, she's on the mend. | 0:38:43 | 0:38:46 | |
Glad to hear it. She's a lovely girl. | 0:38:46 | 0:38:49 | |
Do you know her? | 0:39:02 | 0:39:03 | |
Aye. She was in a here a few times, before it happened. | 0:39:04 | 0:39:08 | |
Did she use the computer? | 0:39:10 | 0:39:12 | |
She did. | 0:39:13 | 0:39:15 | |
TEXT ALERT | 0:39:40 | 0:39:42 | |
Hotel confirms Asha checked out at the same time as Michael left. | 0:39:56 | 0:40:01 | |
Well, there's no sign of her on the manifesto. | 0:40:01 | 0:40:03 | |
Although she could have been a foot passenger. | 0:40:03 | 0:40:05 | |
They did say the one person we could've checked with | 0:40:05 | 0:40:08 | |
was the chambermaid, but she left her job that same day. | 0:40:08 | 0:40:10 | |
Oh, let me look at Leanne's statement again... | 0:40:10 | 0:40:13 | |
"Occupation. | 0:40:16 | 0:40:18 | |
"Chambermaid. | 0:40:18 | 0:40:19 | |
"Oakhill Hotel, Aberdeen." | 0:40:21 | 0:40:23 | |
"Kokkaloorie". | 0:40:30 | 0:40:31 | |
-Kokkaloorie. It's the old Shetland word... -For daisy. | 0:40:31 | 0:40:35 | |
Hardly anybody uses it any more, but Leanne did, | 0:40:35 | 0:40:38 | |
the other day with Bella. | 0:40:38 | 0:40:39 | |
Yeah, she also knew the Driftwood Rule. | 0:40:39 | 0:40:41 | |
'I got the impression she'd never been to Shetland before. | 0:40:41 | 0:40:43 | |
'Yes, so did I. | 0:40:43 | 0:40:45 | |
'Right, we need to talk to her... | 0:40:46 | 0:40:47 | |
'..because she sent the e-mail.' | 0:40:50 | 0:40:52 | |
Jimmy? | 0:40:52 | 0:40:54 | |
-What? -Just got the word from Glasgow. | 0:40:54 | 0:40:56 | |
Calvin Sarwar was found dead in the VP wing. | 0:40:58 | 0:41:00 | |
Hanged himself. | 0:41:00 | 0:41:02 | |
It's McCall. | 0:41:04 | 0:41:05 | |
What did you expect was going to happen? | 0:41:05 | 0:41:08 | |
Well, not that. | 0:41:09 | 0:41:10 | |
Sir, just got a photograph from the Gazette. Anne Gilborne. | 0:41:10 | 0:41:13 | |
Notice a resemblance? | 0:41:15 | 0:41:17 | |
She's her daughter. | 0:41:17 | 0:41:18 | |
Leanne's Lena Gilborne. | 0:41:18 | 0:41:20 | |
She followed Michael onto the ferry, | 0:41:26 | 0:41:28 | |
but it wasn't him she was after, | 0:41:28 | 0:41:30 | |
it was Asha. | 0:41:30 | 0:41:31 | |
She's just in here. | 0:41:37 | 0:41:39 | |
She was. | 0:41:39 | 0:41:41 | |
-Has anyone seen Leanne? -No. | 0:41:41 | 0:41:43 | |
Leanne? | 0:41:43 | 0:41:44 | |
Leanne! | 0:41:46 | 0:41:48 | |
-What is it? -My car! | 0:41:53 | 0:41:55 | |
It's gone! | 0:41:55 | 0:41:57 | |
SHE EXHALES | 0:42:11 | 0:42:13 | |
KNOCK AT DOOR | 0:42:17 | 0:42:19 | |
Hi! | 0:42:26 | 0:42:28 | |
Hi. | 0:42:28 | 0:42:29 | |
Remember me? | 0:42:31 | 0:42:32 | |
I'm sorry. Can I help you? | 0:42:35 | 0:42:36 | |
You don't remember? | 0:42:39 | 0:42:40 | |
Lena? | 0:42:43 | 0:42:44 | |
SHE CHUCKLES | 0:42:44 | 0:42:46 | |
Can I come in? | 0:42:47 | 0:42:49 | |
Yeah, yeah. | 0:42:49 | 0:42:51 | |
How have you been? | 0:43:01 | 0:43:02 | |
You look well. | 0:43:19 | 0:43:21 | |
I can't believe you'd forgotten us. | 0:43:23 | 0:43:25 | |
I never forgot you. | 0:43:27 | 0:43:29 | |
Lena... | 0:43:30 | 0:43:32 | |
what is it that you want? | 0:43:32 | 0:43:33 | |
PHONE RINGS | 0:43:36 | 0:43:38 | |
I'm sorry. | 0:43:42 | 0:43:44 | |
Don't! | 0:43:44 | 0:43:45 | |
-I need to get this. -Leave it! | 0:43:45 | 0:43:47 | |
GRUNTING | 0:43:47 | 0:43:49 | |
SHE GASPS | 0:43:49 | 0:43:51 | |
SHE PANTS | 0:43:55 | 0:43:57 | |
SHE GROANS | 0:44:05 | 0:44:07 | |
SHE PANTS | 0:44:07 | 0:44:10 | |
-VOICEMAIL: -'Hi, this is the phone of Asha Israni. | 0:44:16 | 0:44:18 | |
-'Please leave a message after the tone. Thank you.' -BEEPING | 0:44:18 | 0:44:21 | |
Asha, it's Jimmy. I need to speak to you. | 0:44:21 | 0:44:24 | |
Can you call me as soon as you pick this up, please? | 0:44:24 | 0:44:27 | |
SHE GROANS | 0:44:27 | 0:44:30 | |
Any word on Grace's stolen car? | 0:44:37 | 0:44:39 | |
Willie at Brae said it's just been sighted heading to Wadbister. | 0:44:39 | 0:44:42 | |
That's where the Gilborne family lived. | 0:44:42 | 0:44:45 | |
'So, that's why Leanne was there when she was shot.' | 0:44:45 | 0:44:47 | |
She was visiting her old family home. | 0:44:47 | 0:44:49 | |
Right, I'm heading over there now. | 0:44:49 | 0:44:51 | |
Tosh, check the Lighthouse Hotel. | 0:44:51 | 0:44:54 | |
Asha's not picking up her phone. | 0:44:54 | 0:44:56 | |
And then try the harbour restaurant. | 0:44:56 | 0:44:58 | |
-I want to make sure that Leanne hasn't taken her... -'OK.' | 0:44:58 | 0:45:01 | |
HE KNOCKS | 0:45:25 | 0:45:27 | |
DOOR RATTLES | 0:45:31 | 0:45:33 | |
Where's Asha? | 0:45:43 | 0:45:45 | |
Where is she? | 0:45:46 | 0:45:48 | |
She said that we would have a new life. | 0:45:48 | 0:45:51 | |
A better life. Well, she lied! | 0:45:52 | 0:45:54 | |
I know what happened to you and your mother and I'm very sorry. | 0:45:54 | 0:45:57 | |
But if you've harmed Asha, I really need to know. | 0:45:57 | 0:46:00 | |
She abandoned us when we weren't useful any more, | 0:46:00 | 0:46:02 | |
and she didn't care what happened! | 0:46:02 | 0:46:04 | |
She is the reason my mother killed herself. | 0:46:04 | 0:46:06 | |
SHE SNIFFLES | 0:46:09 | 0:46:11 | |
She didn't even know who I was! | 0:46:11 | 0:46:13 | |
-She didn't even recognise me! -When? | 0:46:15 | 0:46:18 | |
When didn't she recognise you? | 0:46:18 | 0:46:20 | |
When, Leanne?! | 0:46:21 | 0:46:22 | |
Just now... | 0:46:25 | 0:46:26 | |
..at the hotel. | 0:46:28 | 0:46:29 | |
Tosh! | 0:46:34 | 0:46:35 | |
Sir! | 0:46:35 | 0:46:36 | |
Tosh, Asha's still at the hotel. | 0:46:36 | 0:46:38 | |
-'And I think she's hurt.' -On it! | 0:46:38 | 0:46:40 | |
Billy, we need an ambulance to the Lighthouse Hotel! Now! | 0:46:44 | 0:46:47 | |
GLASS SMASHES | 0:46:54 | 0:46:57 | |
Asha? | 0:46:59 | 0:47:01 | |
Asha, can you hear me? | 0:47:01 | 0:47:02 | |
You're going to be OK. | 0:47:02 | 0:47:05 | |
How long are they going to be? | 0:47:05 | 0:47:06 | |
She's suffered a piercing trauma to the chest... | 0:47:07 | 0:47:10 | |
Looks like a kitchen knife. | 0:47:11 | 0:47:13 | |
Weapon is still in the wound. | 0:47:13 | 0:47:15 | |
Help is coming. | 0:47:15 | 0:47:16 | |
Just hold on, Asha. It's going to be fine. | 0:47:16 | 0:47:19 | |
When I saw her at the hotel... | 0:47:19 | 0:47:21 | |
..I knew who she was. | 0:47:23 | 0:47:25 | |
But then, she was gone. | 0:47:26 | 0:47:28 | |
And Michael? | 0:47:29 | 0:47:30 | |
I saw the two of them together. | 0:47:30 | 0:47:33 | |
I knew he was in Witness Protection. There was just something about him. | 0:47:35 | 0:47:38 | |
The way that his eyes never stopped moving. | 0:47:39 | 0:47:41 | |
-So, I followed him onto the ferry. -Because you thought that... | 0:47:43 | 0:47:47 | |
..he would lead you to Asha? | 0:47:48 | 0:47:50 | |
Yeah. | 0:47:51 | 0:47:52 | |
And what about Robbie? | 0:47:54 | 0:47:55 | |
Robbie... | 0:47:57 | 0:47:59 | |
He was upset after the argument with Michael | 0:47:59 | 0:48:02 | |
and he got really drunk. | 0:48:02 | 0:48:04 | |
I told him, he should report Michael to the police, but he wouldn't. | 0:48:05 | 0:48:09 | |
You wanted Michael to get into trouble... | 0:48:09 | 0:48:11 | |
..so that Asha would have to show her face to save him? | 0:48:12 | 0:48:16 | |
I told Robbie... | 0:48:16 | 0:48:17 | |
..about my mum. | 0:48:19 | 0:48:20 | |
But he... He still... He wouldn't help me. | 0:48:21 | 0:48:23 | |
Well, no, Leanne, he wouldn't help you because Michael was his father. | 0:48:23 | 0:48:27 | |
SHE SIGHS | 0:48:31 | 0:48:33 | |
How did Robbie get locked in the container? | 0:48:37 | 0:48:40 | |
We went down to the car deck to smoke some weed. | 0:48:42 | 0:48:44 | |
And... | 0:48:45 | 0:48:47 | |
..he thought it was a funny idea to get inside it. | 0:48:49 | 0:48:51 | |
That it would be a good place for us to be alone. | 0:48:52 | 0:48:55 | |
He was totally wasted. | 0:48:56 | 0:48:58 | |
And then, he passed out. | 0:49:01 | 0:49:03 | |
You walked away... | 0:49:05 | 0:49:06 | |
..and you closed the door, | 0:49:08 | 0:49:09 | |
and then, you just left him there? | 0:49:09 | 0:49:12 | |
And you just pretended to look for him? | 0:49:15 | 0:49:17 | |
I wanted Michael to get the blame | 0:49:17 | 0:49:19 | |
when Robbie was reported missing. | 0:49:19 | 0:49:21 | |
I thought you would find him! I did! I really, really did! | 0:49:21 | 0:49:24 | |
Then, you sent the e-mail to Calvin Sarwar, | 0:49:24 | 0:49:27 | |
that ruined Michael and Freya's lives... | 0:49:27 | 0:49:30 | |
..all in the hope that Asha would have to come back to Shetland? | 0:49:31 | 0:49:35 | |
My mother... | 0:49:39 | 0:49:40 | |
SHE SOBS AND GASPS | 0:49:43 | 0:49:46 | |
..she was so beautiful... | 0:49:46 | 0:49:48 | |
..and she was so kind. | 0:49:51 | 0:49:52 | |
I just want her back! | 0:49:56 | 0:49:59 | |
What have you done? | 0:50:02 | 0:50:04 | |
SHE WEEPS | 0:50:04 | 0:50:06 | |
What have you done? | 0:50:08 | 0:50:10 | |
What have you done...? | 0:50:14 | 0:50:16 | |
I'm sorry. | 0:50:37 | 0:50:39 | |
For what? | 0:50:40 | 0:50:41 | |
For this, or for thinking that I was the leak? | 0:50:43 | 0:50:46 | |
For both. | 0:50:49 | 0:50:51 | |
I guess that's what makes you so good at your job, isn't it? | 0:50:51 | 0:50:54 | |
Being naturally suspicious. | 0:50:55 | 0:50:57 | |
Seeing everyone as guilty until proven innocent. | 0:50:59 | 0:51:03 | |
Yeah, it's not a great start, is it? | 0:51:05 | 0:51:07 | |
No. | 0:51:10 | 0:51:12 | |
Tosh is going to take your statement now, if that's OK? | 0:51:17 | 0:51:21 | |
She's all yours. | 0:51:32 | 0:51:34 | |
Time to go, Leanne. | 0:51:46 | 0:51:48 | |
These men will escort you to the mainland. | 0:51:48 | 0:51:50 | |
It's Lena. | 0:51:54 | 0:51:56 | |
HANDCUFFS CLINK | 0:52:00 | 0:52:01 | |
My name is Lena. | 0:52:04 | 0:52:06 | |
-Hey. -Hi. | 0:52:14 | 0:52:16 | |
-How are you doing? -OK. | 0:52:19 | 0:52:22 | |
Listen... | 0:52:26 | 0:52:27 | |
Now that we've got Sarwar's mobile phone records, | 0:52:29 | 0:52:32 | |
we could track down the man who attacked you. | 0:52:32 | 0:52:34 | |
If you want, that is. | 0:52:35 | 0:52:37 | |
I already know who he is. | 0:52:40 | 0:52:41 | |
He was among the mugshots. | 0:52:43 | 0:52:44 | |
But I don't want to take it further. | 0:52:46 | 0:52:48 | |
We both know what a court case would be like. | 0:52:50 | 0:52:52 | |
It wouldn't make me feel any better. | 0:52:53 | 0:52:55 | |
The man who attacked me was a weapon. | 0:53:00 | 0:53:03 | |
Sarwar pulled the trigger. | 0:53:03 | 0:53:04 | |
I know that. | 0:53:04 | 0:53:06 | |
We both know that. | 0:53:07 | 0:53:09 | |
Again, it's your call. | 0:53:10 | 0:53:12 | |
I mean, the SARC will keep the evidence for seven years. | 0:53:15 | 0:53:18 | |
So, you could change your mind. | 0:53:21 | 0:53:22 | |
I could. | 0:53:23 | 0:53:24 | |
I have to do what's best for me. | 0:53:27 | 0:53:29 | |
Request for a transfer. | 0:53:40 | 0:53:42 | |
I need to stand on my own two feet. | 0:53:45 | 0:53:48 | |
It's time. | 0:53:50 | 0:53:51 | |
-Right, that's me! -Sure you don't want a lift to the airport? | 0:54:15 | 0:54:18 | |
Nah, this is better. | 0:54:18 | 0:54:19 | |
-You got everything? Your passport? -Yep, check. | 0:54:19 | 0:54:22 | |
-Spanish phrase book? -No, but I do have my Portuguese phrase book. | 0:54:22 | 0:54:25 | |
OK, I'll shut up now. | 0:54:25 | 0:54:27 | |
Probably best. | 0:54:27 | 0:54:29 | |
-Call us when you get there. -Aye. Or text. | 0:54:29 | 0:54:31 | |
-E-mail. -Or Facebook. | 0:54:31 | 0:54:33 | |
Yeah. No excuses. | 0:54:33 | 0:54:34 | |
All right! OK! I will. Relax, both of you! | 0:54:34 | 0:54:37 | |
See you later. | 0:54:38 | 0:54:40 | |
Bye, Dad. | 0:54:43 | 0:54:44 | |
You have a great time. | 0:54:45 | 0:54:47 | |
Yeah, I will. | 0:54:47 | 0:54:49 | |
See you. | 0:54:49 | 0:54:50 | |
Have fun! | 0:54:51 | 0:54:52 | |
CAR ENGINE STARTS | 0:54:52 | 0:54:54 | |
Do you want a cup of tea? | 0:55:27 | 0:55:29 | |
No, um... I'm going to get going. | 0:55:29 | 0:55:31 | |
I phoned Mary last night, had a chat and, er... | 0:55:33 | 0:55:35 | |
Well, I think I'm going to give it another bash. | 0:55:37 | 0:55:39 | |
Good. | 0:55:40 | 0:55:41 | |
Aye! Aye! | 0:55:41 | 0:55:42 | |
I'm worried, though. | 0:55:44 | 0:55:46 | |
About Cassie? | 0:55:46 | 0:55:47 | |
No, no, no. Not about Cassie. | 0:55:47 | 0:55:49 | |
She's got a good head on her shoulders. You did a great job. | 0:55:49 | 0:55:53 | |
I'm talking about you. | 0:55:54 | 0:55:55 | |
What? | 0:55:58 | 0:56:00 | |
Cass was always your reason to get up in the morning. | 0:56:00 | 0:56:02 | |
Now she's gone... | 0:56:04 | 0:56:05 | |
..and you're going to have to rejoin the human race. | 0:56:06 | 0:56:09 | |
You know, get back out there and... | 0:56:10 | 0:56:13 | |
Aye, OK. | 0:56:13 | 0:56:15 | |
Go on, away you go! | 0:56:15 | 0:56:16 | |
Oh! What, what about this...um...Asha? | 0:56:22 | 0:56:25 | |
HE SIGHS | 0:56:25 | 0:56:29 | |
Yeah... | 0:56:29 | 0:56:30 | |
I think that might be just a wee bit too difficult. | 0:56:32 | 0:56:35 | |
It's always difficult, Jimmy. | 0:56:38 | 0:56:39 | |
-See you later. -See you. | 0:56:42 | 0:56:44 | |
KEYPAD TONES | 0:57:11 | 0:57:14 | |
RINGING TONE | 0:57:14 | 0:57:16 | |
Hi, Asha. | 0:57:20 | 0:57:22 | |
It's me... It's Jimmy. | 0:57:23 | 0:57:25 | |
I was, um... | 0:57:26 | 0:57:28 | |
I was just wondering how you are. | 0:57:28 | 0:57:31 | |
Oh, I'm glad to hear that... | 0:57:32 | 0:57:34 | |
CONVERSATION FADES | 0:57:34 | 0:57:37 | |
WATER LAPS | 0:57:37 | 0:57:40 |