Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Thomas Malone, convicted in 1994 for the murder of Lizzie Kilmuir. | 0:00:02 | 0:00:04 | |
Her body was found inside a kiln on Unst. | 0:00:04 | 0:00:07 | |
Why did you go after Malone in the first place? | 0:00:07 | 0:00:09 | |
A witness came forward putting him on the Unst ferry | 0:00:09 | 0:00:12 | |
the day Lizzie went missing. | 0:00:12 | 0:00:13 | |
All I know is that if I hadn't spoken up, | 0:00:13 | 0:00:15 | |
that pervert Malone might have got away with it. | 0:00:15 | 0:00:17 | |
Drew McColl called in. His daughter seems to be missing. | 0:00:17 | 0:00:19 | |
It looks like she was strangled. | 0:00:19 | 0:00:21 | |
He did it then, and he's done it again. | 0:00:21 | 0:00:23 | |
He's laughing at us, Jimmy! He's laughing at all of us! | 0:00:23 | 0:00:26 | |
I was able to cross-reference Sally's movements | 0:00:28 | 0:00:30 | |
with security footage from Norway two minutes after she arrived. | 0:00:30 | 0:00:33 | |
Hagan. | 0:00:33 | 0:00:34 | |
Norway called. They've found Hagan. | 0:00:34 | 0:00:36 | |
I thought I'd nip home and grab a bag. | 0:00:36 | 0:00:37 | |
As long as you're up to it... | 0:00:37 | 0:00:39 | |
The sample of DNA we took from Allan Killick, | 0:00:39 | 0:00:41 | |
it's a partial match for the DNA found on the scarf | 0:00:41 | 0:00:43 | |
used to strangle Lizzie Kilmuir. | 0:00:43 | 0:00:45 | |
He wasn't even born when Lizzie was murdered. | 0:00:45 | 0:00:47 | |
No, I said a partial match. | 0:00:47 | 0:00:49 | |
We have to find out who that DNA belongs to, Jimmy. | 0:00:49 | 0:00:51 | |
It is bad enough you dig Kevin up in the first place | 0:02:17 | 0:02:20 | |
without coming here and asking me a question like that. | 0:02:20 | 0:02:23 | |
It'll be a mistake. | 0:02:23 | 0:02:25 | |
No mistake. | 0:02:25 | 0:02:27 | |
It must be. | 0:02:27 | 0:02:28 | |
Kevin's DNA isn't a match to the DNA that we found on Lizzie's scarf, | 0:02:29 | 0:02:35 | |
which means that it isn't a match to Allan either. | 0:02:35 | 0:02:37 | |
They're not related. | 0:02:37 | 0:02:39 | |
Donna... | 0:02:41 | 0:02:42 | |
..who's Allan's real father? | 0:02:44 | 0:02:45 | |
How is that your business? | 0:02:49 | 0:02:51 | |
Because whoever he is, he's now a suspect in Lizzie Kilmuir's murder. | 0:02:51 | 0:02:55 | |
A man. | 0:03:02 | 0:03:04 | |
Aye. I'd worked that out. | 0:03:04 | 0:03:05 | |
That's all I can tell you. | 0:03:05 | 0:03:07 | |
It was stupid, OK? | 0:03:12 | 0:03:13 | |
Some rigger from down south I met one night in The Claymore. | 0:03:13 | 0:03:17 | |
I was drinking. A lot. | 0:03:17 | 0:03:19 | |
I'm sure you can guess the rest. | 0:03:20 | 0:03:22 | |
Did you get a name? | 0:03:22 | 0:03:24 | |
I might have done but I was in no fit state to remember. | 0:03:24 | 0:03:26 | |
Did you try and trace him? | 0:03:29 | 0:03:31 | |
Why would I? | 0:03:32 | 0:03:34 | |
He's the father of your son. | 0:03:34 | 0:03:35 | |
You never met my husband. | 0:03:36 | 0:03:39 | |
Didn't take much to light his fuse. | 0:03:39 | 0:03:41 | |
More often than not, that's when the fists came out. | 0:03:41 | 0:03:44 | |
If he'd even thought Allan was another man's child, | 0:03:49 | 0:03:51 | |
he would have made damn sure Allan paid for it, too. | 0:03:51 | 0:03:54 | |
Is there nothing that you can tell me that would help me | 0:03:57 | 0:04:00 | |
to trace this guy? | 0:04:00 | 0:04:01 | |
I remember he was kind. | 0:04:04 | 0:04:06 | |
You'll have to tell him. | 0:04:19 | 0:04:21 | |
Donna. | 0:04:23 | 0:04:24 | |
Allan's going to find out who his dad is sooner or later. | 0:04:25 | 0:04:28 | |
It's better if it comes from you. | 0:04:28 | 0:04:30 | |
I'll need time. | 0:04:30 | 0:04:31 | |
I can give you the morning. | 0:04:32 | 0:04:34 | |
-SANDY: -You must be kidding. -No, we have to find him. | 0:04:40 | 0:04:43 | |
How? We don't have a name. We don't have an address. | 0:04:43 | 0:04:45 | |
All we know is that he worked on the rigs 30 years ago. | 0:04:45 | 0:04:49 | |
Billy? The Claymore pub? | 0:04:50 | 0:04:53 | |
Closed down in the '90s. | 0:04:53 | 0:04:54 | |
Right, do you remember anybody who used to work there | 0:04:54 | 0:04:57 | |
that we could still talk to? | 0:04:57 | 0:04:59 | |
Jim Orr. He was the barman. | 0:04:59 | 0:05:01 | |
Jim Orr, start with him. | 0:05:02 | 0:05:04 | |
If we're lucky, maybe he'll remember who this guy was. | 0:05:05 | 0:05:08 | |
Oh, it'll take some feat of memory, that. | 0:05:08 | 0:05:10 | |
What did Donna Killick say? | 0:05:10 | 0:05:12 | |
Well, apparently Allan Killick is the product of a one-night stand. | 0:05:12 | 0:05:17 | |
-Who's the lucky bloke? -She says she can't remember. | 0:05:17 | 0:05:20 | |
But for the time being we have to take her word for it. | 0:05:21 | 0:05:24 | |
What about Hagan? | 0:05:24 | 0:05:26 | |
Tosh is seeing Bergen Police this morning. | 0:05:26 | 0:05:29 | |
And Tosh can handle it? | 0:05:30 | 0:05:31 | |
Sure. | 0:05:33 | 0:05:34 | |
-KNOCK ON DOOR BILLY: -Call from the hospital. | 0:05:34 | 0:05:37 | |
And? | 0:05:37 | 0:05:38 | |
Benny Ray's been attacked. | 0:05:38 | 0:05:40 | |
-WOMAN: -DI Perez didn't travel with you? | 0:05:59 | 0:06:01 | |
TOSH: He had to stay on Shetland. | 0:06:01 | 0:06:02 | |
But he said you might have an idea where Hagan is. | 0:06:02 | 0:06:05 | |
Hagan, he has a hunting cabin in Voss. | 0:06:05 | 0:06:08 | |
We think that's where he's hiding out. | 0:06:08 | 0:06:11 | |
You mean, no-one's checked? | 0:06:11 | 0:06:13 | |
I'm not sure how it is on Shetland, DS McIntosh, | 0:06:13 | 0:06:15 | |
but here we try not to waste resources chasing other forces' suspects. | 0:06:15 | 0:06:19 | |
Of course. Understood. | 0:06:19 | 0:06:21 | |
However, Detective Bleymann has volunteered to drive you to Voss... | 0:06:21 | 0:06:24 | |
..despite this being his day off. | 0:06:26 | 0:06:27 | |
Don't worry about her, she's not always like that - | 0:06:29 | 0:06:31 | |
just stressed because we are merging departments. | 0:06:31 | 0:06:34 | |
-Lars. -Tosh. | 0:06:35 | 0:06:36 | |
-Your name is Tosh? -It's more of a nickname. | 0:06:36 | 0:06:39 | |
-Sorry about your day off. -No, no, don't be. | 0:06:40 | 0:06:43 | |
I have no life. | 0:06:45 | 0:06:46 | |
Jesus Christ, Benny. Who did this to you? | 0:07:14 | 0:07:17 | |
Take a guess. | 0:07:17 | 0:07:18 | |
Malone? | 0:07:18 | 0:07:20 | |
Jumped me at the garage last night. | 0:07:20 | 0:07:22 | |
Now, why would Thomas Malone attack you, Benny? | 0:07:24 | 0:07:26 | |
OK. What time did it happen? | 0:07:30 | 0:07:32 | |
Just before midnight. | 0:07:32 | 0:07:34 | |
Was there anybody else there? | 0:07:34 | 0:07:35 | |
Malone's too smart to pull a stunt like this in front of witnesses. | 0:07:35 | 0:07:38 | |
What you doing here? | 0:07:41 | 0:07:42 | |
Benny called me. | 0:07:43 | 0:07:44 | |
Oh, is that right? | 0:07:46 | 0:07:48 | |
Just here for moral support. | 0:07:48 | 0:07:49 | |
Right, when you're feeling up to it, I'll get somebody from the station | 0:07:50 | 0:07:53 | |
-to come down and take your statement. -He's not giving a statement. | 0:07:53 | 0:07:56 | |
Why not? | 0:07:57 | 0:07:58 | |
Fear of reprisal. | 0:07:58 | 0:08:00 | |
If it wasn't for me, you wouldn't even know about this. | 0:08:00 | 0:08:03 | |
Without a statement, without witnesses, you're tying my hands. | 0:08:03 | 0:08:06 | |
Right. I'll talk to Malone. | 0:08:09 | 0:08:10 | |
What's going on? | 0:08:21 | 0:08:22 | |
Just wondering why Benny would chose to call you before he called us. | 0:08:24 | 0:08:28 | |
Me and Benny go back. | 0:08:28 | 0:08:29 | |
That's what's worrying me. | 0:08:30 | 0:08:32 | |
Sorry if you feel you were passed over, Jimmy. | 0:08:32 | 0:08:34 | |
But the fact remains that Malone assaulted an innocent man. | 0:08:34 | 0:08:37 | |
-He's hardly innocent. -Benny's turning his life around. | 0:08:37 | 0:08:40 | |
Yeah, he also tried to bury Thomas Malone alive last week. | 0:08:40 | 0:08:42 | |
Now, look, I know how you feel about Malone | 0:08:44 | 0:08:47 | |
but this isn't your case any more. | 0:08:47 | 0:08:49 | |
You had your chance over 23 years ago... | 0:08:50 | 0:08:52 | |
..and you blew it. | 0:08:53 | 0:08:55 | |
-LARS: -Hello? | 0:09:32 | 0:09:33 | |
Apne opp! Det er politiet! | 0:09:40 | 0:09:43 | |
All right. Stay here. | 0:09:48 | 0:09:50 | |
I'm going to go round the back and check the shore, OK? | 0:09:50 | 0:09:52 | |
OK. | 0:09:52 | 0:09:54 | |
Hello? | 0:09:57 | 0:09:58 | |
Ikke ror deg. | 0:10:40 | 0:10:42 | |
Snu deg! | 0:10:43 | 0:10:44 | |
-I don't... -Snu deg! | 0:10:45 | 0:10:47 | |
I don't know what you're saying. | 0:10:48 | 0:10:51 | |
Turn around. | 0:10:51 | 0:10:52 | |
What are you doing here? | 0:10:59 | 0:11:00 | |
I'm DS McIntosh. Shetland Police. | 0:11:02 | 0:11:05 | |
I'm looking for Andreas Hagan. | 0:11:07 | 0:11:09 | |
This is Detective Lars Bleymann. | 0:11:10 | 0:11:12 | |
Dumb bitch. | 0:11:17 | 0:11:18 | |
Lucky I didn't shoot you in the back. | 0:11:19 | 0:11:21 | |
LOUD KNOCK AT DOOR DI PEREZ: Thomas! | 0:11:31 | 0:11:34 | |
KNOCKING PERSISTS | 0:11:34 | 0:11:36 | |
Thomas. Open up! | 0:11:36 | 0:11:37 | |
Err...the door's open. | 0:11:39 | 0:11:41 | |
Where were you last night? | 0:11:43 | 0:11:45 | |
-Er...I was here. -Really? | 0:11:46 | 0:11:48 | |
Cos Benny Ray said you were over at his garage and you attacked him. | 0:11:48 | 0:11:52 | |
-What? He said that? -Oh, aye, he said that. | 0:11:52 | 0:11:54 | |
-Well, he's lying. -Why would he lie? | 0:11:56 | 0:11:58 | |
The same reason he lied about seeing me on the ferry | 0:11:58 | 0:12:01 | |
the day Lizzie died... | 0:12:01 | 0:12:02 | |
The man just doesn't like me. | 0:12:02 | 0:12:04 | |
Do you want to go back to prison? | 0:12:08 | 0:12:10 | |
Cos that's where this is heading. | 0:12:10 | 0:12:12 | |
The whole island wants to see you back inside and right now | 0:12:12 | 0:12:14 | |
I'm struggling to disagree with them. | 0:12:14 | 0:12:16 | |
-There's me thinking that we were pals, eh? -Did you? | 0:12:16 | 0:12:19 | |
I was prepared to give you the benefit of the doubt. | 0:12:19 | 0:12:21 | |
But after the stunt you pulled at Benny's, that's done. | 0:12:21 | 0:12:23 | |
You step out of line one more time, | 0:12:24 | 0:12:27 | |
I'll drive you back to prison myself. | 0:12:27 | 0:12:29 | |
You make such a big noise about being innocent... | 0:12:34 | 0:12:37 | |
That's because I am innocent. | 0:12:37 | 0:12:39 | |
No. Innocent people don't go around breaking other people's fingers. | 0:12:39 | 0:12:42 | |
-HAGAN: -So, you came all the way to Norway to talk to me about Sally McColl. | 0:12:48 | 0:12:53 | |
Sally was murdered, Mr Hagan. | 0:12:54 | 0:12:56 | |
And the reason I came all the way out here is because you refused | 0:12:58 | 0:13:01 | |
our requests for a formal interview. | 0:13:01 | 0:13:03 | |
I'm on vacation. | 0:13:19 | 0:13:20 | |
Right. | 0:13:22 | 0:13:23 | |
Tell me - your choice to come here or did Forst Energy insist? | 0:13:24 | 0:13:29 | |
What do you want? | 0:13:33 | 0:13:35 | |
Sally McColl was investigating you before she died. | 0:13:35 | 0:13:37 | |
She was writing a story on a cover-up - your cover up - | 0:13:37 | 0:13:40 | |
of the Forst Energy rig accident. | 0:13:40 | 0:13:42 | |
The inquiry concluded that the incident | 0:13:47 | 0:13:50 | |
was caused by a crew member. | 0:13:50 | 0:13:51 | |
Danny Hamilton wasn't to blame. | 0:13:51 | 0:13:53 | |
But the report says otherwise. | 0:13:53 | 0:13:55 | |
Were you worried Sally was about to publish her article? | 0:13:57 | 0:13:59 | |
No. | 0:14:03 | 0:14:05 | |
On the contrary. I wanted her to publish it, so we could sue her. | 0:14:05 | 0:14:09 | |
Where were you on the night she died? | 0:14:13 | 0:14:15 | |
Were you at the Shetland folk festival? | 0:14:16 | 0:14:18 | |
We have a witness who saw Sally talking to a Norwegian man. | 0:14:19 | 0:14:22 | |
That wasn't me. | 0:14:25 | 0:14:26 | |
The last time I saw her was in Bergen, three weeks ago. | 0:14:27 | 0:14:30 | |
-You sure about that? -Yes, I'm sure. | 0:14:33 | 0:14:36 | |
Sally was in Bergen last week. | 0:14:36 | 0:14:37 | |
I want you to leave now. | 0:14:39 | 0:14:41 | |
-I have more questions. -Then talk to my lawyer. | 0:14:41 | 0:14:43 | |
DI PEREZ: Well, it sounds like you touched a nerve. | 0:14:47 | 0:14:49 | |
-TOSH: -Didn't get me very far, though. | 0:14:49 | 0:14:51 | |
And nothing that could force an arrest. | 0:14:51 | 0:14:53 | |
What's your gut on Hagan? | 0:14:53 | 0:14:55 | |
Well, he's got motive to kill Sally and his alibi is weak, but... | 0:14:55 | 0:14:58 | |
But what? | 0:14:59 | 0:15:00 | |
When I told him Sally was in Bergen last week, he kind of freaked out. | 0:15:00 | 0:15:04 | |
-Why would that freak him out? -Dunno. | 0:15:04 | 0:15:06 | |
But if she wasn't here to see him, why was she here? | 0:15:06 | 0:15:09 | |
Does that matter? | 0:15:09 | 0:15:11 | |
I'd like to know. | 0:15:11 | 0:15:13 | |
OK, well, see what you can find out. | 0:15:13 | 0:15:15 | |
Any chance you could get me access to the CCTV from Bergen airport? | 0:15:19 | 0:15:23 | |
Yeah, sure. | 0:15:24 | 0:15:25 | |
-ALLAN: -All those years and he wasn't even my real dad. | 0:15:31 | 0:15:35 | |
ERIN: Was he a good dad, though? | 0:15:35 | 0:15:36 | |
He was never a good man, far from it. He was a bastard. | 0:15:38 | 0:15:41 | |
Spent most of my childhood living in fear. | 0:15:42 | 0:15:44 | |
There were good days, too? | 0:15:47 | 0:15:48 | |
Every Friday he used to get off early from work | 0:15:49 | 0:15:52 | |
and pick up a Chinese on his way home | 0:15:52 | 0:15:55 | |
and we'd sit in front of the TV for a few hours. | 0:15:55 | 0:15:57 | |
Before he got too drunk, he was almost fun. | 0:15:57 | 0:16:00 | |
Do you know what I've just realised? | 0:16:05 | 0:16:07 | |
We've got four dads between us! | 0:16:08 | 0:16:09 | |
-Yeah, you've got the best two. -What makes you so sure? | 0:16:11 | 0:16:13 | |
Well, one of mine's dead | 0:16:13 | 0:16:15 | |
and the other might have killed Lizzie Kilmuir. | 0:16:15 | 0:16:17 | |
OK, fair enough. | 0:16:17 | 0:16:19 | |
Look, whoever your real dad is... | 0:16:24 | 0:16:28 | |
..doesn't change who YOU are. | 0:16:28 | 0:16:29 | |
Our parents don't define us. | 0:16:35 | 0:16:37 | |
-DI PEREZ: Did you get anything from the barman? SANDY: -Nothing useful. | 0:16:55 | 0:16:58 | |
Jim Orr's memory of his time at The Claymore is hazy. | 0:16:58 | 0:17:01 | |
So he didn't remember Donna Killick, then? | 0:17:01 | 0:17:03 | |
Doesn't remember anything. I got the feeling he took his wages in beer. | 0:17:03 | 0:17:06 | |
OK, back in the '90s, most of the oil workers were recruited through two agencies. | 0:17:06 | 0:17:12 | |
-Best get on to them. -And say what? | 0:17:12 | 0:17:15 | |
"Is there any chance one of your clients got a woman up the duff | 0:17:15 | 0:17:18 | |
"back in the day?" | 0:17:18 | 0:17:19 | |
Just find him, Sandy. | 0:17:22 | 0:17:24 | |
What happened with Drew? | 0:17:26 | 0:17:28 | |
Nothing. Why? | 0:17:28 | 0:17:30 | |
He's just left a message on my phone. | 0:17:30 | 0:17:32 | |
A five-minute drunken rant. | 0:17:32 | 0:17:34 | |
He didn't make much sense but the gist of it is, | 0:17:34 | 0:17:36 | |
you're wrecking his life. | 0:17:36 | 0:17:38 | |
Well, I think he's being a wee bit overdramatic. | 0:17:38 | 0:17:40 | |
You see, that's what I'm worried about. | 0:17:40 | 0:17:41 | |
Drew has never expressed an emotion in his life. Not before this! | 0:17:41 | 0:17:44 | |
So, what happened at the hospital? | 0:17:44 | 0:17:46 | |
Benny Ray says Malone attacked him. | 0:17:48 | 0:17:51 | |
Drew was with him at the hospital. | 0:17:51 | 0:17:53 | |
I felt he was interfering, so we had some words. | 0:17:53 | 0:17:56 | |
Did Malone attack Benny? | 0:17:56 | 0:17:58 | |
-Aye, I think so. -OK, I'm worried about Drew. Find him. | 0:17:58 | 0:18:01 | |
Make sure he's OK. | 0:18:01 | 0:18:03 | |
-LARS: -We think Sally landed round about now. | 0:18:09 | 0:18:12 | |
There. | 0:18:14 | 0:18:15 | |
What about arrivals? | 0:18:16 | 0:18:18 | |
There, look, see - there she is. | 0:18:20 | 0:18:21 | |
Do you recognise that logo? | 0:18:24 | 0:18:26 | |
Rask Tur. | 0:18:30 | 0:18:32 | |
-It means fast ride. -Taxi company. -Hmm. | 0:18:32 | 0:18:35 | |
PHONE VIBRATES | 0:18:36 | 0:18:38 | |
Hallo? | 0:18:40 | 0:18:42 | |
Greit. Jeg er pa vei. | 0:18:44 | 0:18:47 | |
I'm sorry. I have to go. It's an emergency. | 0:18:48 | 0:18:51 | |
-Is everything OK? -Yeah, yeah, sure, don't worry. | 0:18:53 | 0:18:55 | |
-Hi. -Any chance you speak English? | 0:19:38 | 0:19:41 | |
Yes, a little. | 0:19:41 | 0:19:43 | |
I'm looking for information on this woman. Her name's Sally McColl. | 0:19:43 | 0:19:47 | |
I spoke with a taxi driver who said he'd brought her here from the airport last Tuesday afternoon. | 0:19:47 | 0:19:52 | |
I don't recognise her. | 0:19:52 | 0:19:54 | |
She was a journalist. I think she might have been working on a story. | 0:19:54 | 0:19:57 | |
Maybe she met someone here? Someone who worked in the oil industry? | 0:19:57 | 0:20:00 | |
If you could just take another look. | 0:20:01 | 0:20:03 | |
She doesn't need another look. | 0:20:04 | 0:20:06 | |
The woman wasn't here. | 0:20:06 | 0:20:07 | |
Taxi driver said she was. | 0:20:08 | 0:20:10 | |
Then he made a mistake. | 0:20:11 | 0:20:13 | |
Maybe I could ask around? | 0:20:13 | 0:20:15 | |
KNOCK AT DOOR | 0:20:39 | 0:20:41 | |
Drew! | 0:20:43 | 0:20:45 | |
Drew! | 0:21:24 | 0:21:25 | |
Drew! | 0:21:27 | 0:21:29 | |
Drew, what the hell are you doing, man? | 0:21:29 | 0:21:30 | |
What's it to you? | 0:21:32 | 0:21:33 | |
Come on out of the water. | 0:21:33 | 0:21:35 | |
You don't think much of me, do you? | 0:21:35 | 0:21:37 | |
-Well, I think you're grieving. I think you're in a lot of pain. -I mean as a cop. | 0:21:38 | 0:21:42 | |
You don't think I was up to the job. | 0:21:42 | 0:21:44 | |
You think I had to go and frame your wee pal. | 0:21:44 | 0:21:46 | |
Drew, come on back to the car. | 0:21:46 | 0:21:48 | |
-Fine where I am. -You'll freeze. -Good. | 0:21:48 | 0:21:51 | |
Drew, did anybody ever tell you you're a pain in the arse? | 0:21:53 | 0:21:55 | |
The wife used to say that. | 0:21:57 | 0:21:59 | |
Said I was too stubborn for my own good. | 0:21:59 | 0:22:01 | |
I wish she was here. | 0:22:02 | 0:22:03 | |
She would've found a way to make sense of all this | 0:22:05 | 0:22:07 | |
cos I sure as hell can't. | 0:22:07 | 0:22:09 | |
I know how you feel. | 0:22:10 | 0:22:12 | |
Trust me, I do. | 0:22:12 | 0:22:14 | |
And there's nothing I can say that's going to make this any easier. | 0:22:16 | 0:22:19 | |
You can arrest Malone. | 0:22:19 | 0:22:21 | |
-Drew, I'm not sure he did it. -You're not sure? | 0:22:21 | 0:22:23 | |
That how you work, Jimmy? | 0:22:25 | 0:22:27 | |
It's all about how you feel? | 0:22:27 | 0:22:29 | |
Give me one piece of evidence that even suggests Malone is innocent. | 0:22:29 | 0:22:33 | |
There's another suspect out there. | 0:22:35 | 0:22:36 | |
The DNA and the scarf isn't a match for Kevin. | 0:22:40 | 0:22:43 | |
Allan's got a different father. | 0:22:43 | 0:22:44 | |
Who? | 0:22:45 | 0:22:47 | |
Donna says she cannae remember. | 0:22:47 | 0:22:49 | |
Come on. | 0:22:53 | 0:22:55 | |
Come on, eh? | 0:22:58 | 0:23:01 | |
-I told you I can't help. -Please. It's important. | 0:23:18 | 0:23:21 | |
No. You're going to get me fired. | 0:23:21 | 0:23:23 | |
-You remember her, don't you? -No. | 0:23:23 | 0:23:25 | |
She was murdered last week. | 0:23:25 | 0:23:27 | |
She came here, didn't she? | 0:23:29 | 0:23:32 | |
-Yes. -Did she meet with someone? | 0:23:32 | 0:23:34 | |
His name is Mati. | 0:23:38 | 0:23:40 | |
I don't know his other name. They just call him Mati. | 0:23:40 | 0:23:43 | |
He's in the NDA. | 0:23:43 | 0:23:45 | |
Norske Forsvaret Haeren. Norwegian Defence Army. | 0:23:46 | 0:23:50 | |
Far right. Like, er, fascists. | 0:23:51 | 0:23:53 | |
Why was Sally meeting with him? | 0:23:55 | 0:23:56 | |
Mati got angry and said he was going to kill her. | 0:23:56 | 0:24:00 | |
Then he threw her out of the bar. | 0:24:00 | 0:24:01 | |
Where can I find this Mati? | 0:24:02 | 0:24:04 | |
He hasn't been here since. | 0:24:04 | 0:24:06 | |
Can you get me his address? | 0:24:06 | 0:24:08 | |
Are you stupid? I don't want to end up like your friend. | 0:24:08 | 0:24:11 | |
Stay there. | 0:24:49 | 0:24:51 | |
Take a look at this. | 0:25:04 | 0:25:05 | |
What's that? | 0:25:07 | 0:25:09 | |
Proof that Malone was more than just a good suspect. | 0:25:09 | 0:25:12 | |
That goes back years. | 0:25:12 | 0:25:13 | |
Social work reports, interviews with teachers, neighbours, friends. | 0:25:13 | 0:25:17 | |
And all of them agree that Malone was dangerous. | 0:25:17 | 0:25:20 | |
So why wasn't it used in court? | 0:25:20 | 0:25:22 | |
Hearsay. It was inadmissible. | 0:25:22 | 0:25:25 | |
But it doesn't mean it's not true. | 0:25:25 | 0:25:26 | |
When are you going to believe me, Jimmy? | 0:25:31 | 0:25:33 | |
-Kate? -Thomas? -Er... | 0:25:57 | 0:25:59 | |
I saw you through the window. | 0:26:01 | 0:26:03 | |
Listen, about the phone... | 0:26:03 | 0:26:06 | |
Look, it's fine. See, good as new. | 0:26:06 | 0:26:08 | |
-Can I buy you a drink anyway, or...? -Yeah. | 0:26:11 | 0:26:14 | |
What do you want? | 0:26:14 | 0:26:15 | |
Look, Thomas is going to have a drink with us. | 0:26:17 | 0:26:20 | |
He's not joining me. | 0:26:20 | 0:26:22 | |
-He's a creep. -Molly! | 0:26:22 | 0:26:24 | |
Wait... Thomas! | 0:26:30 | 0:26:32 | |
Seals giving you hell, were they? | 0:27:01 | 0:27:03 | |
How was Allan? | 0:27:17 | 0:27:19 | |
He told you, then? | 0:27:24 | 0:27:25 | |
Of course he did. | 0:27:26 | 0:27:27 | |
How is he feeling about that? | 0:27:31 | 0:27:32 | |
-Don't do that. -Don't do what? | 0:27:33 | 0:27:36 | |
That thing you do when you pretend we're having a normal conversation | 0:27:37 | 0:27:40 | |
when really you're just working. | 0:27:40 | 0:27:42 | |
You want to know how Allan feels? Go and talk to him. | 0:27:42 | 0:27:44 | |
I'm not your spy, Dad. | 0:27:44 | 0:27:46 | |
Fine. | 0:27:49 | 0:27:50 | |
PHONE RINGS | 0:27:55 | 0:27:58 | |
Tosh. | 0:28:02 | 0:28:03 | |
-TOSH: -Last time Sally McColl was here, she met with a Norwegian called Mati. | 0:28:03 | 0:28:07 | |
He's part of some far-right group based here in Bergen | 0:28:07 | 0:28:10 | |
and I have a witness who saw him threaten to kill her. | 0:28:10 | 0:28:13 | |
I'm wondering if maybe she was doing a story on them. | 0:28:13 | 0:28:15 | |
I don't remember any mention of far-right groups in her file. | 0:28:15 | 0:28:19 | |
-What about the name Mati? -I don't know, I'd need to go back and check. | 0:28:19 | 0:28:23 | |
OK, well, call me if you find anything. | 0:28:23 | 0:28:25 | |
-Hey! -What are you doing here? | 0:28:42 | 0:28:45 | |
I just wanted to say sorry for before. | 0:28:45 | 0:28:47 | |
There was just a little problem with my grandfather. | 0:28:47 | 0:28:50 | |
I'm sorry. Is he OK? | 0:28:50 | 0:28:52 | |
Sure. He's in a hospital, his mind is not so good. | 0:28:52 | 0:28:56 | |
Anyway, I went back to the office to check on the airport CCTV | 0:28:58 | 0:29:01 | |
and I found Sally again on the way back. | 0:29:01 | 0:29:03 | |
If you're not too busy right now, I could show you what I found... | 0:29:04 | 0:29:08 | |
..maybe over a drink. | 0:29:08 | 0:29:09 | |
-Sure. -Yeah? -Why not? | 0:29:12 | 0:29:15 | |
This is just before she boarded her flight back to Shetland. | 0:29:18 | 0:29:21 | |
She's right there, see? | 0:29:21 | 0:29:23 | |
-Do you see that? -What am I looking at? | 0:29:25 | 0:29:28 | |
There is some interaction, right? | 0:29:28 | 0:29:30 | |
-You think I'm an idiot? -No. | 0:29:31 | 0:29:34 | |
I appreciate you bringing it to me. I'm just not sure it's significant. | 0:29:34 | 0:29:38 | |
It looks like she just asked her the time. | 0:29:38 | 0:29:40 | |
But, now that you're here... | 0:29:43 | 0:29:46 | |
..maybe you could fill me in on the NDA. | 0:29:46 | 0:29:49 | |
Why are you interested in them? | 0:29:50 | 0:29:51 | |
I think Sally might have been doing a story on a group here in Bergen. | 0:29:52 | 0:29:56 | |
Ten years ago, groups like the NDA, they were nowhere. | 0:29:58 | 0:30:02 | |
But now, they have organisation, they have money. | 0:30:02 | 0:30:06 | |
They've gained support, become mainstream. | 0:30:06 | 0:30:09 | |
We think that they're behind a number of attacks | 0:30:10 | 0:30:13 | |
on immigrant communities. | 0:30:13 | 0:30:15 | |
But we are monitoring these groups, you know, gathering names, | 0:30:15 | 0:30:18 | |
so we can identify major players. | 0:30:18 | 0:30:20 | |
Then there's a list? | 0:30:20 | 0:30:21 | |
HE CHUCKLES | 0:30:21 | 0:30:23 | |
What? | 0:30:23 | 0:30:25 | |
Do you ever stop working? | 0:30:25 | 0:30:26 | |
What else is there to do? | 0:30:28 | 0:30:29 | |
Lots. Drink, dance, have fun. | 0:30:31 | 0:30:35 | |
It's not your scene? | 0:30:41 | 0:30:42 | |
Something like that. | 0:30:43 | 0:30:45 | |
-What is it with this country? -Hmm? -You're all like super models. | 0:30:52 | 0:30:55 | |
Makes me feel like a Hobbit. | 0:30:55 | 0:30:56 | |
You haven't heard? | 0:30:56 | 0:30:58 | |
Norway's a multicultural paradise right now. | 0:30:58 | 0:31:00 | |
Everyone is welcome here, | 0:31:00 | 0:31:02 | |
especially Hobbits. | 0:31:02 | 0:31:03 | |
So, erm...by the way, | 0:31:05 | 0:31:08 | |
what is your real name? | 0:31:08 | 0:31:09 | |
Alison. | 0:31:11 | 0:31:12 | |
Yeah, I think I prefer Tosh. | 0:31:14 | 0:31:16 | |
Me too. | 0:31:17 | 0:31:18 | |
PHONE RINGS | 0:31:35 | 0:31:37 | |
-Sir? -Looks as though you were right... | 0:31:38 | 0:31:41 | |
You found something? | 0:31:41 | 0:31:42 | |
It's fragments mostly. | 0:31:42 | 0:31:45 | |
Research notes, interview transcripts, articles. | 0:31:45 | 0:31:48 | |
But if you put them all together, | 0:31:48 | 0:31:52 | |
then it looks as though Sally was looking to do an article | 0:31:52 | 0:31:56 | |
on the Scandinavian far right. | 0:31:56 | 0:31:59 | |
Any mention of Mati? | 0:31:59 | 0:32:01 | |
No, there's none that I can see. | 0:32:01 | 0:32:03 | |
I mean, I did find a profile on the NDA in her notes. | 0:32:03 | 0:32:07 | |
You think that's why she was killed? | 0:32:07 | 0:32:09 | |
Um... Hagan still has motive and opportunity, | 0:32:09 | 0:32:13 | |
but we can't rule it out. | 0:32:13 | 0:32:16 | |
BANGING | 0:32:16 | 0:32:18 | |
Tosh, can you hear me? | 0:32:20 | 0:32:21 | |
Hello? | 0:32:28 | 0:32:29 | |
There's someone in my room.... | 0:32:31 | 0:32:33 | |
SHE GRUNTS Tosh? | 0:32:35 | 0:32:37 | |
SHE GROANS Tosh, are you there? | 0:32:40 | 0:32:43 | |
Yeah, I'm here. I'm fine. | 0:32:43 | 0:32:46 | |
What happened? | 0:32:46 | 0:32:47 | |
Someone broke into my room. | 0:32:47 | 0:32:49 | |
OK. Get out of there. Get out of there now, | 0:32:49 | 0:32:51 | |
go downstairs, go somewhere public. | 0:32:51 | 0:32:53 | |
I'll phone through and get some help for you, OK? | 0:32:53 | 0:32:56 | |
LIFT DINGS | 0:33:02 | 0:33:04 | |
SHE EXHALES | 0:33:11 | 0:33:14 | |
Listen if you're worried about something, you need to tell me. | 0:33:27 | 0:33:32 | |
If you could just keep an eye on Cassie, that'll be great. | 0:33:32 | 0:33:34 | |
Is it about Allan Killick? | 0:33:34 | 0:33:36 | |
I just need your help. | 0:33:37 | 0:33:38 | |
Well, why didn't you just say? | 0:33:43 | 0:33:45 | |
-HE CHUCKLES -Go on. You'll miss your flight. | 0:33:45 | 0:33:48 | |
I'll see you. | 0:33:48 | 0:33:49 | |
DOORBELL RINGS | 0:34:01 | 0:34:03 | |
I'm heading into town. I wondered if you wanted to come. | 0:34:23 | 0:34:26 | |
Not up for it. | 0:34:26 | 0:34:27 | |
You all right? | 0:34:29 | 0:34:30 | |
I saw Perez yesterday. | 0:34:31 | 0:34:33 | |
Anything you want to tell me? | 0:34:34 | 0:34:36 | |
Nothing I can think of. | 0:34:37 | 0:34:39 | |
Right then. | 0:34:48 | 0:34:50 | |
Call me when you're feeling more yourself. | 0:34:50 | 0:34:52 | |
ENGINE STARTS | 0:34:59 | 0:35:02 | |
You found me, then. | 0:35:22 | 0:35:24 | |
-Are you OK? -Yeah. Thanks. | 0:35:24 | 0:35:26 | |
Anke take care of you? | 0:35:27 | 0:35:29 | |
Sent some uniforms to the hotel. | 0:35:29 | 0:35:31 | |
Look, I'm fine, really. | 0:35:33 | 0:35:34 | |
They reckon it was just a thief chancing his arm. | 0:35:34 | 0:35:37 | |
I'm glad you're OK. | 0:35:38 | 0:35:39 | |
I'm glad you're here. | 0:35:41 | 0:35:43 | |
I spent the flight reading up on the NDA. | 0:35:45 | 0:35:49 | |
I found this from a couple of years ago. | 0:35:49 | 0:35:51 | |
It's an arson attack on a current-affairs magazine in Oslo. | 0:35:51 | 0:35:55 | |
Nobody was charged for it, but they were about to do | 0:35:56 | 0:35:59 | |
an expose on the NDA. | 0:35:59 | 0:36:01 | |
The NDA did this? | 0:36:01 | 0:36:03 | |
No, they couldn't prove it. | 0:36:03 | 0:36:04 | |
But if Sally was trying to dig the dirt on these guys, | 0:36:04 | 0:36:07 | |
then that would've made her a target. | 0:36:07 | 0:36:09 | |
So we need to talk to this guy, Mati. | 0:36:10 | 0:36:13 | |
Sorry, it's out of the question. | 0:36:17 | 0:36:19 | |
So we just need to look at the list. | 0:36:33 | 0:36:35 | |
Not just any list - an important list, | 0:36:35 | 0:36:38 | |
a very sensitive list. | 0:36:38 | 0:36:39 | |
I hear you're trying to merge departments. | 0:36:41 | 0:36:43 | |
I'm trying to, yes. | 0:36:43 | 0:36:45 | |
It's not an easy task, is it? | 0:36:45 | 0:36:47 | |
-SHE SIGHS -It is not. | 0:36:47 | 0:36:49 | |
The last thing in the world you need really | 0:36:49 | 0:36:51 | |
is a couple of foreign cops getting in your way. | 0:36:51 | 0:36:53 | |
Mm-hm. | 0:36:53 | 0:36:54 | |
The sooner you let us see the list, the sooner we're out of your hair. | 0:36:56 | 0:36:59 | |
Allan? | 0:37:23 | 0:37:24 | |
Allan? | 0:37:32 | 0:37:34 | |
-Allan? -DOOR OPENS | 0:37:41 | 0:37:43 | |
Just coming. | 0:37:43 | 0:37:44 | |
Hi. | 0:37:46 | 0:37:48 | |
The office is locked up. | 0:37:48 | 0:37:49 | |
Aye, I know. | 0:37:49 | 0:37:51 | |
-Are you having a clear out? -No, my mum likes to tell everyone | 0:37:51 | 0:37:54 | |
that she doesn't keep anything, but I know her better that that. | 0:37:54 | 0:37:57 | |
She's just as sentimental as the rest of us. | 0:37:57 | 0:37:59 | |
Come on. You can give us a hand. | 0:38:03 | 0:38:04 | |
My real dad's in here somewhere. | 0:38:10 | 0:38:12 | |
Can't we just access the database? | 0:38:16 | 0:38:18 | |
No, Anke prefers it like this. | 0:38:18 | 0:38:21 | |
Fascism must be popular in Norway. | 0:38:21 | 0:38:23 | |
This is not all far right. | 0:38:23 | 0:38:25 | |
We monitor Muslim radicals, anarchists, | 0:38:25 | 0:38:28 | |
left-wing activists, hackers. | 0:38:28 | 0:38:32 | |
Anyone we consider to be a potential threat. | 0:38:32 | 0:38:34 | |
What was this guy's name again? | 0:38:36 | 0:38:37 | |
-Mati. -Mathias Mati Soderland, | 0:38:37 | 0:38:40 | |
active in far-right groups for the past five years. | 0:38:40 | 0:38:44 | |
He's based here in Bergen. | 0:38:44 | 0:38:46 | |
OK, I'll go tell Anke. | 0:38:48 | 0:38:50 | |
SHE CHUCKLES | 0:38:56 | 0:38:57 | |
Look at you in your wee kilt. | 0:38:57 | 0:38:59 | |
My mum bought me that for a friend's wedding. | 0:38:59 | 0:39:02 | |
It itched like mad. | 0:39:02 | 0:39:03 | |
-DOOR OPENS -There's my mum. | 0:39:07 | 0:39:10 | |
Let's put it back, put everything back. | 0:39:10 | 0:39:12 | |
-DOOR OPENS -Quick, come on, hurry up. | 0:39:12 | 0:39:14 | |
What are you doing in here? | 0:39:22 | 0:39:23 | |
It's my house too. | 0:39:24 | 0:39:26 | |
-What are doing with that? -Watch what you're doing. | 0:39:26 | 0:39:29 | |
Let me help. | 0:39:29 | 0:39:30 | |
Leave it! Get your hands off. | 0:39:30 | 0:39:33 | |
I should go. | 0:39:34 | 0:39:35 | |
-Aye, you should. -No, she can stay. | 0:39:35 | 0:39:37 | |
I'll see you tomorrow, OK? | 0:39:37 | 0:39:39 | |
You had no right to talk to her like that. | 0:39:41 | 0:39:43 | |
My house, I'll talk as I please. | 0:39:43 | 0:39:44 | |
What are you thinking? | 0:39:47 | 0:39:49 | |
Sally isn't even in the ground | 0:39:49 | 0:39:51 | |
and you're running around with a new girl. | 0:39:51 | 0:39:53 | |
Look, Cass is a friend. | 0:39:53 | 0:39:55 | |
She's Perez's daughter. | 0:39:55 | 0:39:56 | |
-So? -So being around her is just drawing attention to yourself. | 0:39:56 | 0:40:00 | |
Look, the only person that Perez is interested in here is you. | 0:40:00 | 0:40:04 | |
What do you mean about that? | 0:40:05 | 0:40:06 | |
Whoever my father was, well, he was close to Lizzie before she died. | 0:40:06 | 0:40:10 | |
And this "Rigger from England" story that's... | 0:40:10 | 0:40:12 | |
that's not fooling anyone. | 0:40:12 | 0:40:14 | |
Get out! | 0:40:14 | 0:40:15 | |
DOOR CLOSES | 0:40:19 | 0:40:21 | |
SHE SIGHS | 0:40:21 | 0:40:24 | |
Mati Soderland. Born in Bergen, | 0:40:28 | 0:40:30 | |
4th of September, 1989. | 0:40:30 | 0:40:32 | |
Soderland has been an active member of the NDA for the past ten months. | 0:40:34 | 0:40:37 | |
That's the guy from last night. | 0:40:37 | 0:40:39 | |
He was the one in my room. | 0:40:39 | 0:40:40 | |
So what do we know about him? | 0:40:43 | 0:40:44 | |
A history of assault on women. | 0:40:44 | 0:40:46 | |
Two years ago he was charged with rape and attempted murder. | 0:40:46 | 0:40:50 | |
And he's still walking free? | 0:40:50 | 0:40:52 | |
The charges were dropped. | 0:40:52 | 0:40:54 | |
So what now? | 0:40:55 | 0:40:56 | |
Eh, give the mug-shot to Sandy, | 0:40:57 | 0:40:59 | |
see if he can get Jo to identify him. | 0:40:59 | 0:41:01 | |
If he was charged, you'd still have his prints on file, right? | 0:41:01 | 0:41:05 | |
We'll get them, yeah. | 0:41:06 | 0:41:07 | |
And in the meantime? | 0:41:09 | 0:41:11 | |
We'll need his address. | 0:41:13 | 0:41:14 | |
Yep, OK. | 0:41:14 | 0:41:16 | |
SHE KNOCKS ON DOOR | 0:41:28 | 0:41:30 | |
Thomas? | 0:41:30 | 0:41:31 | |
Thomas? | 0:41:35 | 0:41:37 | |
OK. | 0:41:37 | 0:41:38 | |
Hello. | 0:41:43 | 0:41:44 | |
How you doing? | 0:41:44 | 0:41:45 | |
-Come in. -Thanks. | 0:41:46 | 0:41:48 | |
Molly had no right to speak to you in that way, she's just... | 0:41:50 | 0:41:53 | |
-It's fine. -SHE SIGHS | 0:41:53 | 0:41:56 | |
Is that water cold? | 0:41:58 | 0:42:00 | |
Aye, the generator's gone off again. | 0:42:00 | 0:42:03 | |
Well, how are you cooking? | 0:42:03 | 0:42:04 | |
HE CHUCKLES | 0:42:08 | 0:42:10 | |
Right, that's it. Come on, let's go. | 0:42:10 | 0:42:13 | |
-Look, Kate, it's fine. -No. | 0:42:13 | 0:42:14 | |
Now, you can put a wash on at mine, | 0:42:14 | 0:42:17 | |
and we'll get some proper food in you. Come on. | 0:42:17 | 0:42:19 | |
-Are you sure? -Get your coat on. | 0:42:19 | 0:42:21 | |
OK. | 0:42:21 | 0:42:22 | |
Mrs Soderland? | 0:42:34 | 0:42:35 | |
Yes. | 0:42:35 | 0:42:36 | |
Eh, do you speak English? | 0:42:36 | 0:42:38 | |
Yes, I do. A little. | 0:42:38 | 0:42:40 | |
I'm DI Perez, this is DS Macintosh, | 0:42:40 | 0:42:43 | |
we're from the Shetland Police... | 0:42:43 | 0:42:45 | |
..and we're looking for your son Mati. | 0:42:48 | 0:42:51 | |
SHE SIGHS | 0:42:51 | 0:42:53 | |
Mati, he... He hasn't lived here for a good number of years. Ah. | 0:42:53 | 0:42:59 | |
Do you know where he is now? | 0:42:59 | 0:43:00 | |
No. | 0:43:00 | 0:43:02 | |
Not even a contact address? | 0:43:02 | 0:43:04 | |
No, I'm afraid not. | 0:43:04 | 0:43:05 | |
My son and I haven't talked in many years. | 0:43:05 | 0:43:10 | |
-Would you like to come inside? -Uh-huh. Thank you. | 0:43:13 | 0:43:16 | |
Please. | 0:43:16 | 0:43:17 | |
Mati and I are different people. | 0:43:24 | 0:43:27 | |
He-he took after his father, you see, | 0:43:27 | 0:43:31 | |
and, unfortunately, he left when Mati was young | 0:43:31 | 0:43:37 | |
and I was no substitute. | 0:43:37 | 0:43:39 | |
So, as soon as he was old enough... | 0:43:39 | 0:43:42 | |
..Mati left home. | 0:43:43 | 0:43:46 | |
Oh, for the oil industry? | 0:43:46 | 0:43:48 | |
No, he worked on cargo ships. | 0:43:48 | 0:43:51 | |
But then something happened. | 0:43:51 | 0:43:53 | |
He lost his job, so he stopped going to sea, | 0:43:53 | 0:43:55 | |
stopped coming home. | 0:43:55 | 0:43:57 | |
Was Mati interested in politics? | 0:43:59 | 0:44:01 | |
Was he involved with the NDA? | 0:44:05 | 0:44:08 | |
All I can say is that he began to hold some very extreme views. | 0:44:08 | 0:44:13 | |
Ugly, ugly ideas. | 0:44:13 | 0:44:15 | |
Mrs Soderland, we are investigating the murder | 0:44:15 | 0:44:18 | |
of a young woman in Shetland... | 0:44:18 | 0:44:20 | |
..and we have reason to believe that she and Mati | 0:44:22 | 0:44:25 | |
may have had an argument recently. | 0:44:25 | 0:44:28 | |
And you think Mati killed this woman? | 0:44:29 | 0:44:33 | |
Would that surprise you? | 0:44:34 | 0:44:36 | |
No. | 0:44:39 | 0:44:40 | |
Thank you. | 0:44:50 | 0:44:51 | |
Yeah, I keep it the same. No idea why. | 0:45:17 | 0:45:20 | |
He was always called Mati? | 0:45:25 | 0:45:27 | |
Yes, he never liked Mathias. | 0:45:27 | 0:45:31 | |
Sir? | 0:45:45 | 0:45:46 | |
Do you mind if we have a look through this? | 0:45:52 | 0:45:54 | |
-Mrs Soderland? -Yes? -Is this Mati? | 0:46:13 | 0:46:15 | |
Yes, that's him with his father. | 0:46:16 | 0:46:19 | |
Tosh. | 0:46:22 | 0:46:24 | |
His father is Andreas Hagan? | 0:46:27 | 0:46:29 | |
Yes. | 0:46:29 | 0:46:31 | |
Why was Sally McColl running around Bergen meeting with Hagan's son? | 0:46:32 | 0:46:35 | |
I don't know. There's only one way to find out. | 0:46:35 | 0:46:39 | |
PHONE RINGS | 0:46:39 | 0:46:43 | |
Anke? | 0:46:43 | 0:46:44 | |
We don't have Mati Soderland's prints. | 0:46:44 | 0:46:47 | |
But he was arrested, processed and charged - | 0:46:47 | 0:46:49 | |
they must have taken them. | 0:46:49 | 0:46:51 | |
Of course. That's procedure. | 0:46:51 | 0:46:53 | |
Right, well, so where are they, then? | 0:46:53 | 0:46:56 | |
Maybe they're lost or were mixed up. | 0:46:56 | 0:46:58 | |
OK. Well, thanks anyway. | 0:46:58 | 0:47:02 | |
Is everything OK? | 0:47:02 | 0:47:03 | |
Let's go see Hagan. | 0:47:07 | 0:47:09 | |
KNOCK ON WINDOW, SHE GASPS | 0:48:01 | 0:48:03 | |
He isn't the same man your boss showed me the other day. | 0:48:14 | 0:48:17 | |
No. This is another guy. | 0:48:17 | 0:48:19 | |
-What happened to the other man? -We're looking at them both. | 0:48:19 | 0:48:23 | |
Is there any chance this was the one you saw talking to Sally | 0:48:23 | 0:48:26 | |
at the festival? | 0:48:26 | 0:48:28 | |
I don't know. | 0:48:32 | 0:48:33 | |
Before, I thought it was the other man but maybe it was this one. | 0:48:35 | 0:48:37 | |
-It's hard to remember. -Were you even at the festival? | 0:48:37 | 0:48:40 | |
Sorry. | 0:48:42 | 0:48:44 | |
All this is... | 0:48:44 | 0:48:46 | |
It's as frustrating for me as it is for you. | 0:48:46 | 0:48:50 | |
You think this Malone killed her. | 0:48:52 | 0:48:54 | |
It wasn't Malone I saw with her. | 0:48:55 | 0:48:57 | |
Why don't you take another look? | 0:49:02 | 0:49:04 | |
How does this thing even work? | 0:49:07 | 0:49:10 | |
You're kidding. | 0:49:12 | 0:49:14 | |
No. | 0:49:14 | 0:49:15 | |
You don't know how to use a washing machine? | 0:49:15 | 0:49:18 | |
Not one like this. | 0:49:18 | 0:49:19 | |
My mother had one, but that was about 20 year ago. | 0:49:19 | 0:49:23 | |
This thing looks like it was built by NASA. | 0:49:23 | 0:49:26 | |
So no laundries in prison neither? | 0:49:26 | 0:49:28 | |
-Some do. Some send all the washing out to other prisons, too. -Uh-huh. | 0:49:28 | 0:49:32 | |
-Friday was laundry day. It was a waste of time. -Why? | 0:49:32 | 0:49:36 | |
You always ended up getting somebody else's kit back. | 0:49:36 | 0:49:39 | |
Even their underwear? | 0:49:39 | 0:49:41 | |
-DOOR OPENS -Especially underwear. | 0:49:41 | 0:49:43 | |
-Well, it's not all bad, then? -It's not funny, y'know? | 0:49:43 | 0:49:46 | |
What the hell is this? | 0:49:46 | 0:49:48 | |
What is he doing here?! | 0:49:50 | 0:49:52 | |
Molly. Molly. | 0:49:52 | 0:49:56 | |
Molly, please. Come back. Come back here. | 0:49:56 | 0:49:59 | |
Molly! | 0:50:02 | 0:50:04 | |
Molly, come back. Where are you going, Molly? | 0:50:04 | 0:50:07 | |
CAR HORN TOOTS | 0:50:18 | 0:50:19 | |
Molly? | 0:50:28 | 0:50:29 | |
You OK, Molly? | 0:50:31 | 0:50:33 | |
You all right? Hey, what's happened? | 0:50:33 | 0:50:36 | |
Hey, it's OK. | 0:50:38 | 0:50:41 | |
I didn't do it. | 0:50:54 | 0:50:56 | |
Killing journalists is just not my style. | 0:50:56 | 0:50:59 | |
Is it your son Mati's style? | 0:51:02 | 0:51:04 | |
Why did he meet Sally McColl? | 0:51:10 | 0:51:12 | |
I took care of everything. | 0:51:14 | 0:51:16 | |
Made sure there were no loose ends. | 0:51:18 | 0:51:20 | |
Once she couldn't find anything on the accident, | 0:51:20 | 0:51:23 | |
she started to look into me instead. | 0:51:23 | 0:51:25 | |
OK, so that's how she found Mati? | 0:51:27 | 0:51:31 | |
Last time we met, | 0:51:31 | 0:51:34 | |
she said that if I didn't tell her the truth about the accident, | 0:51:34 | 0:51:37 | |
she'd expose Mati and.... | 0:51:37 | 0:51:39 | |
Embarrassing for you. | 0:51:39 | 0:51:42 | |
More than embarrassing. | 0:51:43 | 0:51:46 | |
It's not only me. | 0:51:46 | 0:51:47 | |
Poor Nina would not have coped if everyone knew. | 0:51:47 | 0:51:51 | |
So how long has Mati been NDA? | 0:51:51 | 0:51:54 | |
Nina warned me years ago that he was getting involved but... | 0:51:55 | 0:51:58 | |
..I thought it was only a phase. | 0:52:00 | 0:52:02 | |
What did you say when Sally threatened to expose your son? | 0:52:02 | 0:52:06 | |
I warned her to be careful. | 0:52:06 | 0:52:08 | |
It doesn't look like she took your advice. | 0:52:09 | 0:52:13 | |
She did track down Mati. | 0:52:13 | 0:52:14 | |
-Then he threatened to kill her. -Mati wouldn't hurt anyone. | 0:52:16 | 0:52:19 | |
Or at least not the Mati I knew. | 0:52:19 | 0:52:21 | |
Did he ever visit you in Shetland? | 0:52:23 | 0:52:25 | |
No. | 0:52:25 | 0:52:26 | |
He saw me as the enemy. | 0:52:27 | 0:52:29 | |
A corporate vampire, draining the lifeblood of this proud nation. | 0:52:30 | 0:52:34 | |
So if he had been at that festival, | 0:52:36 | 0:52:40 | |
you wouldn't have necessarily have known about it? | 0:52:40 | 0:52:44 | |
Look, Mr Hagan, | 0:52:48 | 0:52:51 | |
the best thing you can do is to help us track down Mati, | 0:52:51 | 0:52:55 | |
because then we can eliminate him as a suspect. | 0:52:55 | 0:52:58 | |
Even though Mati hates me, | 0:53:07 | 0:53:10 | |
he has no problem taking my money. | 0:53:10 | 0:53:14 | |
This is where I send it. | 0:53:15 | 0:53:17 | |
If you find him, tell him.... | 0:53:20 | 0:53:22 | |
Tell him his father loves him. | 0:53:26 | 0:53:28 | |
So why did you stay? | 0:53:50 | 0:53:53 | |
After Lizzie, I mean. | 0:53:53 | 0:53:55 | |
Didn't you want to leave? | 0:53:57 | 0:53:59 | |
I wanted to. | 0:54:01 | 0:54:03 | |
Mm-hm? | 0:54:03 | 0:54:05 | |
But I... | 0:54:05 | 0:54:06 | |
I felt that if I went I would be abandoning her. | 0:54:06 | 0:54:09 | |
Aye. | 0:54:10 | 0:54:12 | |
What about you? Why did you come back? | 0:54:15 | 0:54:18 | |
Shetland is my home. | 0:54:23 | 0:54:24 | |
It's not been that for a long time. | 0:54:26 | 0:54:28 | |
To prove a point. | 0:54:31 | 0:54:33 | |
To look everyone in the eye. | 0:54:36 | 0:54:39 | |
And to let them know I'm a... | 0:54:42 | 0:54:44 | |
I'm a good man. | 0:54:44 | 0:54:46 | |
I'll get some more wine. | 0:54:52 | 0:54:54 | |
I think you are a good man. | 0:54:55 | 0:54:57 | |
No. No... | 0:54:59 | 0:55:00 | |
I'm not going in there. | 0:55:15 | 0:55:17 | |
Whatever's going on between you and your mum, | 0:55:17 | 0:55:20 | |
you need to talk. | 0:55:20 | 0:55:22 | |
Molly? | 0:55:51 | 0:55:53 | |
-I'll give Lars a call. See if he can meet at Soderland's tomorrow. -OK. | 0:56:20 | 0:56:25 | |
Tosh, let's take a walk. | 0:56:34 | 0:56:37 | |
What's going on? | 0:56:42 | 0:56:44 | |
The black van behind us, it's been following us all day. | 0:56:44 | 0:56:47 | |
-Who is it? -I don't know. | 0:56:48 | 0:56:50 | |
And I don't want to find out. | 0:56:50 | 0:56:52 | |
Go left. | 0:57:07 | 0:57:08 |