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Contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:04 | |
Contains some strong language. | 0:00:04 | 0:00:06 | |
Drew McColl called in. His daughter seems to be missing. | 0:00:06 | 0:00:09 | |
She's been there about ten to 12 hours. | 0:00:09 | 0:00:11 | |
Malone was at the festival. I saw him. | 0:00:11 | 0:00:13 | |
Kevin's DNA isn't a match to the DNA that we found on Lizzie's scarf. | 0:00:13 | 0:00:19 | |
Who's Alan's real father? | 0:00:19 | 0:00:21 | |
My real dad's in here somewhere. | 0:00:21 | 0:00:23 | |
Did something happen to you? | 0:00:23 | 0:00:25 | |
It's just I noticed all the locks. | 0:00:25 | 0:00:27 | |
I was in an abusive relationship. | 0:00:27 | 0:00:29 | |
Detective Bleymann has volunteered, despite this being his day off. | 0:00:29 | 0:00:33 | |
There's someone in my room. | 0:00:33 | 0:00:35 | |
SHE GRUNTS Tosh? | 0:00:35 | 0:00:37 | |
-I'm glad you're OK. -I'm glad you're here. | 0:00:37 | 0:00:39 | |
Soderland has been an active member of the NDA for the past ten months. | 0:00:39 | 0:00:43 | |
That's the guy from last night. | 0:00:43 | 0:00:45 | |
I think you are a good man. | 0:00:45 | 0:00:47 | |
Is everything OK? | 0:00:49 | 0:00:51 | |
The black van behind us. It's been following us all day. | 0:00:51 | 0:00:54 | |
-Who is it? -I don't know | 0:00:54 | 0:00:55 | |
and I don't want to find out. | 0:00:55 | 0:00:56 | |
CLANGING | 0:01:23 | 0:01:26 | |
DOOR CREAKS | 0:01:29 | 0:01:33 | |
DOOR OPENS | 0:01:50 | 0:01:53 | |
This is Agent Nielsen from E15, counterterrorism. | 0:02:09 | 0:02:13 | |
DI Perez, DS McIntosh, Shetland Police. | 0:02:13 | 0:02:16 | |
I'm sorry for bringing you out here in the dead of night. | 0:02:18 | 0:02:21 | |
You must be wondering what this is all about. | 0:02:21 | 0:02:24 | |
Oh, I imagine it's because you want me | 0:02:25 | 0:02:27 | |
to stop investigating Mathias Soderland. | 0:02:27 | 0:02:30 | |
That's true, yes. | 0:02:30 | 0:02:32 | |
But we also know how important he is to your investigation. | 0:02:32 | 0:02:35 | |
No, he's more than important. | 0:02:35 | 0:02:37 | |
He's our main suspect. | 0:02:37 | 0:02:38 | |
Unfortunately, he is gathering intelligence on the NDA, | 0:02:38 | 0:02:42 | |
which makes him equally important to us. | 0:02:42 | 0:02:45 | |
He works for you? | 0:02:47 | 0:02:48 | |
That makes him sound vaguely heroic, | 0:02:48 | 0:02:50 | |
in truth, he's little more than an informer. | 0:02:50 | 0:02:52 | |
You do know Soderland broke into my hotel room? | 0:02:52 | 0:02:55 | |
He's clearly dangerous. | 0:02:55 | 0:02:56 | |
Well, in our line of work we don't always pick our allies. | 0:02:56 | 0:02:59 | |
You can't ignore the fact that he may have killed a journalist. | 0:02:59 | 0:03:02 | |
"May have," is our get-out-of-jail card. | 0:03:02 | 0:03:05 | |
We need to look at the bigger picture. | 0:03:05 | 0:03:07 | |
The NDA are dangerous, you know, and their support is growing, | 0:03:07 | 0:03:11 | |
and we believe there's a faction within the NDA | 0:03:11 | 0:03:13 | |
planning a campaign of terror. | 0:03:13 | 0:03:15 | |
We have various possible targets, none confirmed. | 0:03:15 | 0:03:18 | |
Mathias Soderland can give us details of these plans, | 0:03:18 | 0:03:20 | |
so that's why it's imperative that you and DS McIntosh | 0:03:20 | 0:03:24 | |
leave him be... | 0:03:24 | 0:03:26 | |
..for now. | 0:03:26 | 0:03:27 | |
If we don't move now we're going to lose him. | 0:03:27 | 0:03:29 | |
Because once you've got what you want he's just going to disappear, | 0:03:30 | 0:03:34 | |
probably with your help. | 0:03:34 | 0:03:36 | |
That may be the case, or we could hand him over to you. | 0:03:36 | 0:03:40 | |
And you can give me your word on that? | 0:03:42 | 0:03:44 | |
With due respect, DI Perez | 0:03:44 | 0:03:45 | |
is investigating a crime that has happened, | 0:03:45 | 0:03:47 | |
while you're talking about a what-if situation. | 0:03:47 | 0:03:49 | |
We are trying to stop potential loss of life, | 0:03:49 | 0:03:53 | |
Detective Perez is dealing with a death that has already occurred. | 0:03:53 | 0:03:56 | |
Which is more important? | 0:03:56 | 0:03:58 | |
Surely we can come to some kind of compromise. | 0:03:58 | 0:04:00 | |
It's regrettable, but we need to prioritise. | 0:04:00 | 0:04:03 | |
So, you're on the first flight in the morning. | 0:04:03 | 0:04:05 | |
You have a safe journey. | 0:04:05 | 0:04:06 | |
I need to know if Mathias Soderland was in Shetland | 0:04:14 | 0:04:17 | |
and I need to know if he was using the name Jan Hansen. | 0:04:17 | 0:04:19 | |
I've got a grieving father back home | 0:04:19 | 0:04:21 | |
and I'm not leaving without some answers. | 0:04:21 | 0:04:22 | |
You don't have any choice. | 0:04:22 | 0:04:24 | |
I have orders to take you to the airport myself. | 0:04:25 | 0:04:27 | |
I'm not trying to jeopardise E15's operation. | 0:04:27 | 0:04:31 | |
It's the opposite, in fact. | 0:04:31 | 0:04:33 | |
Anke? | 0:04:33 | 0:04:34 | |
DOOR CLOSES | 0:04:38 | 0:04:40 | |
Sally McColl's mobile phone and her laptop are missing. | 0:04:40 | 0:04:43 | |
Now, what if she had the same information on the NDA | 0:04:43 | 0:04:46 | |
that E15 are looking for? | 0:04:46 | 0:04:48 | |
I understand. I do. | 0:04:48 | 0:04:50 | |
But they won't listen to mere mortals like us. | 0:04:52 | 0:04:54 | |
I know. I know, I know it's a lot I'm asking for. | 0:04:54 | 0:04:58 | |
Yeah. | 0:04:58 | 0:05:00 | |
What if I could get what we both want? | 0:05:00 | 0:05:02 | |
I might be able to get what we both want and I'll keep you out of it. SHE SIGHS | 0:05:03 | 0:05:07 | |
This is the address that Hagan is sending Mathias money to. | 0:05:14 | 0:05:17 | |
You know it? | 0:05:19 | 0:05:20 | |
SHE SIGHS | 0:05:21 | 0:05:23 | |
It's near the harbour, the NDA use it as a headquarters. | 0:05:25 | 0:05:28 | |
SHE CHUCKLES | 0:05:29 | 0:05:31 | |
If you do find him, his cover cannot be broken. | 0:05:31 | 0:05:33 | |
And remember who you're dealing with. | 0:05:36 | 0:05:38 | |
E15 was not exaggerating. | 0:05:38 | 0:05:41 | |
HE SPEAKS NORWEGIAN | 0:05:55 | 0:05:58 | |
Get in the car. | 0:06:10 | 0:06:11 | |
So if you're going to go in there and to talk to the NDA, | 0:06:35 | 0:06:38 | |
you need to be very careful. | 0:06:38 | 0:06:39 | |
I mean, these guys, they try to | 0:06:40 | 0:06:42 | |
look like a mainstream political party, but they're not. | 0:06:42 | 0:06:46 | |
I think I've got a pretty good idea of who I'm dealing with. | 0:06:46 | 0:06:49 | |
LARS SIGHS | 0:06:49 | 0:06:51 | |
OK, I but think you're going to need a translator. | 0:06:51 | 0:06:55 | |
OK. | 0:07:04 | 0:07:05 | |
OK, let's go. | 0:07:07 | 0:07:09 | |
INDISTINCT CONVERSATIONS | 0:07:43 | 0:07:46 | |
Excuse me, does anybody here speak English? | 0:07:49 | 0:07:51 | |
-IN NORWEGIAN: -Does anybody speak English? | 0:07:55 | 0:07:57 | |
I do. | 0:08:03 | 0:08:05 | |
How can I help? | 0:08:05 | 0:08:07 | |
I'm looking for a Mathias Soderland. Is he here? | 0:08:07 | 0:08:10 | |
I don't think I know anyone with that name. | 0:08:12 | 0:08:15 | |
What's this about? | 0:08:20 | 0:08:22 | |
Just tell him where he can find Mathias Soderland. | 0:08:22 | 0:08:25 | |
Yeah, I already told you, I do not know a Mathias Soderland. | 0:08:25 | 0:08:28 | |
How come he gets his mail delivered here? | 0:08:31 | 0:08:34 | |
Perhaps we had someone with that name, | 0:08:34 | 0:08:36 | |
but I can assure you he's no longer part of our organisation. | 0:08:36 | 0:08:42 | |
It's just that he may have been involved in the death of a young woman, | 0:08:42 | 0:08:45 | |
and if that's the case, and if you're protecting him.... | 0:08:45 | 0:08:49 | |
Are you threatening me? | 0:08:49 | 0:08:50 | |
You shouldn't believe everything you hear or read about us. | 0:08:52 | 0:08:57 | |
All we want to do is make our streets safe again. | 0:08:57 | 0:09:01 | |
This is my country, it's not yours, | 0:09:01 | 0:09:05 | |
and I do not have to speak to you. | 0:09:05 | 0:09:07 | |
-IN NORWEGIAN: -OK. Just give me the address. | 0:09:07 | 0:09:12 | |
That's all you have to do. | 0:09:15 | 0:09:17 | |
Say the address. | 0:09:18 | 0:09:19 | |
Sorligata 63. | 0:09:21 | 0:09:23 | |
Sorligata 63. | 0:09:25 | 0:09:27 | |
-IN ENGLISH: -That's not too far away from here. | 0:09:27 | 0:09:29 | |
Is that the guy? | 0:09:48 | 0:09:49 | |
Let's make sure! Tosh, cut him off on that street! | 0:09:49 | 0:09:53 | |
Mathias, stop! | 0:09:53 | 0:09:54 | |
-Lars?! -Keep going! | 0:10:39 | 0:10:41 | |
SHUTTER CLICKS | 0:11:26 | 0:11:29 | |
THEY PANT | 0:11:35 | 0:11:37 | |
You lost him. | 0:11:39 | 0:11:40 | |
Argh! | 0:11:42 | 0:11:43 | |
HE PANTS | 0:11:44 | 0:11:47 | |
Sir? | 0:12:26 | 0:12:27 | |
I'm through here. | 0:12:30 | 0:12:32 | |
SHE SIGHS | 0:12:33 | 0:12:36 | |
We lost him. | 0:12:36 | 0:12:38 | |
Oh, my God. | 0:12:41 | 0:12:42 | |
That the man you saw in your room? | 0:12:46 | 0:12:48 | |
Yeah. | 0:12:50 | 0:12:52 | |
What's does the sign say, Lars? | 0:12:52 | 0:12:53 | |
"Forraeder," it means traitor. | 0:12:54 | 0:12:57 | |
Oh, shit. | 0:13:09 | 0:13:10 | |
I knew this would happen. | 0:13:13 | 0:13:14 | |
This could mean my job. You realise that? | 0:13:16 | 0:13:18 | |
This was entirely my fault. | 0:13:18 | 0:13:20 | |
I pushed too hard at the NDA office for the address | 0:13:20 | 0:13:23 | |
and I blew his cover. | 0:13:23 | 0:13:24 | |
No, they already knew he was an informer. | 0:13:24 | 0:13:27 | |
-They did? -Sure. | 0:13:27 | 0:13:28 | |
Otherwise why kill him? | 0:13:29 | 0:13:31 | |
-Well... -SHE SIGHS | 0:13:31 | 0:13:35 | |
..I doubt we'll ever know if he was your mysterious Jan Hansen now. | 0:13:35 | 0:13:38 | |
Look, I still need his prints and his DNA, | 0:13:38 | 0:13:41 | |
because if he killed Sally, I still need to know about. | 0:13:41 | 0:13:43 | |
I have a feeling E15 won't be that helpful. | 0:13:43 | 0:13:47 | |
-But, it's not just up to them. I'll see what I can do, OK? -OK. | 0:13:51 | 0:13:54 | |
-Now go home, please. -OK. | 0:13:55 | 0:13:56 | |
Lars. | 0:13:58 | 0:14:00 | |
Tosh, I'm going to text you | 0:14:05 | 0:14:08 | |
some e-mail addresses from Soderland's laptop, | 0:14:08 | 0:14:11 | |
-you run a check on them as soon as you can. -Yeah, sure. -OK. ENGINE STARTS | 0:14:11 | 0:14:14 | |
Lizzie. | 0:14:24 | 0:14:25 | |
THOMAS MOANS | 0:14:25 | 0:14:27 | |
Lizzie? | 0:14:31 | 0:14:32 | |
DOOR OPENS | 0:14:58 | 0:15:01 | |
-Good morning. -Morning. | 0:15:11 | 0:15:12 | |
Here. | 0:15:14 | 0:15:15 | |
It was on the floor. | 0:15:17 | 0:15:18 | |
Em... About last night. | 0:15:26 | 0:15:29 | |
I-I had far too much to drink and I'm...I'm sorry. | 0:15:29 | 0:15:32 | |
No, don't... Don't apologise. | 0:15:32 | 0:15:34 | |
Look, erm.... | 0:15:37 | 0:15:38 | |
..I really need to get ready. | 0:15:38 | 0:15:40 | |
-OK. -I'm late. | 0:15:40 | 0:15:42 | |
Thank you. | 0:15:46 | 0:15:48 | |
SHE SIGHS | 0:15:54 | 0:15:56 | |
Cassie? | 0:16:40 | 0:16:41 | |
DOOR OPENS | 0:16:45 | 0:16:47 | |
Jimmy, are you back? | 0:16:47 | 0:16:48 | |
Yeah. | 0:16:49 | 0:16:50 | |
I heard that, erm, Kevin Killick wasn't Alan's father. | 0:16:53 | 0:16:58 | |
Is that right? | 0:16:58 | 0:16:59 | |
Where did you hear that? | 0:17:00 | 0:17:01 | |
Oh, you know what this place is like. | 0:17:01 | 0:17:03 | |
Is it true? | 0:17:03 | 0:17:05 | |
-You want a coffee? -No, ta. | 0:17:05 | 0:17:08 | |
-Cass been OK? -Oh, yeah. | 0:17:08 | 0:17:10 | |
Still hanging about with Alan. | 0:17:10 | 0:17:12 | |
Well, look, if it makes you feel any better, | 0:17:12 | 0:17:14 | |
we're trying to ID the last person that was seen with Sally. | 0:17:14 | 0:17:18 | |
And it wisnae Alan. | 0:17:18 | 0:17:19 | |
But he's still a suspect? | 0:17:19 | 0:17:22 | |
Aw, Jimmy. | 0:17:23 | 0:17:24 | |
You're not putting my mind at ease. | 0:17:26 | 0:17:28 | |
Doesn't it bother you she might be in danger? | 0:17:29 | 0:17:32 | |
I'll forget you said that. | 0:17:34 | 0:17:35 | |
I'm just... | 0:17:38 | 0:17:39 | |
I just want you to tell me you've got it sorted. That... | 0:17:40 | 0:17:43 | |
..you know, nobody else is going to get hurt. | 0:17:43 | 0:17:46 | |
You know what Cassie's like. If we tell her not to see him, | 0:17:46 | 0:17:49 | |
she's only going to see him all the more. | 0:17:49 | 0:17:52 | |
So, all we can do is keep an eye on it. | 0:17:52 | 0:17:54 | |
Yeah. Yeah, yeah. | 0:17:54 | 0:17:56 | |
Oh, God. Erm... | 0:18:01 | 0:18:03 | |
Eh, Mary wants you two to come over for dinner tomorrow, | 0:18:04 | 0:18:08 | |
thinks it's about time we all got together. | 0:18:08 | 0:18:11 | |
And that's OK with you? | 0:18:11 | 0:18:12 | |
HE LAUGHS | 0:18:12 | 0:18:14 | |
About seven o'clock, all right? | 0:18:14 | 0:18:15 | |
-OK. -See you. | 0:18:15 | 0:18:17 | |
INDISTINCT CONVERSATION | 0:18:22 | 0:18:25 | |
Alan. | 0:18:36 | 0:18:38 | |
Hi. | 0:18:38 | 0:18:39 | |
What's happening? | 0:18:39 | 0:18:41 | |
I was just about to text you. | 0:18:42 | 0:18:44 | |
Drew was wanting us to organise a memorial for Sally. | 0:18:44 | 0:18:48 | |
So, I was wondering if there was anything you're wanting | 0:18:48 | 0:18:50 | |
to put on the memory table. | 0:18:50 | 0:18:52 | |
Why didn't you tell me sooner? I could've helped. | 0:18:52 | 0:18:54 | |
Drew just decided this morning. | 0:18:54 | 0:18:57 | |
Yeah, we've got some drinks. | 0:18:57 | 0:18:58 | |
Cass suggested that we write some letters and put them | 0:18:58 | 0:19:00 | |
in the bottles. | 0:19:00 | 0:19:02 | |
That's sounds lovely. | 0:19:05 | 0:19:06 | |
I've got a drawing at home, I'll bring it. | 0:19:08 | 0:19:12 | |
Yeah, that'll be nice. | 0:19:12 | 0:19:14 | |
Thank you. | 0:19:33 | 0:19:34 | |
So, how much did she see? | 0:19:37 | 0:19:38 | |
Enough to get the picture. | 0:19:41 | 0:19:43 | |
SHE SIGHS | 0:19:43 | 0:19:45 | |
She just doesn't understand what's going on, that's all. | 0:19:47 | 0:19:51 | |
And, to be honest... | 0:19:51 | 0:19:52 | |
..neither do I. | 0:19:53 | 0:19:55 | |
Well, lucky it's none of your business then. | 0:19:55 | 0:19:57 | |
Look, I'm speaking as a friend, Kate. | 0:19:57 | 0:20:00 | |
If you carry on with Thomas you will lose Molly. | 0:20:01 | 0:20:05 | |
Look, I've no intention of "carrying on" with Thomas. | 0:20:05 | 0:20:10 | |
I was really drunk, Sandy, I told you. | 0:20:10 | 0:20:12 | |
HE SIGHS | 0:20:12 | 0:20:14 | |
Maybe you should think about the future and forget the past. | 0:20:14 | 0:20:16 | |
That's what I'm trying to do. | 0:20:16 | 0:20:18 | |
Because unless someone confesses, he's a suspect and always will be. | 0:20:18 | 0:20:23 | |
But, Sandy, you remember his mum. | 0:20:23 | 0:20:25 | |
She was unbelievably cruel to him. | 0:20:25 | 0:20:27 | |
I mean, he's had shit since he was a kid. | 0:20:27 | 0:20:29 | |
That doesn't mean he didn't do it. | 0:20:29 | 0:20:31 | |
Can you honestly say that you are 100% sure | 0:20:33 | 0:20:36 | |
he did not kill Lizzie? | 0:20:36 | 0:20:39 | |
Cos if you have the slightest doubt, Kate, | 0:20:39 | 0:20:42 | |
you can't have him in your life. | 0:20:42 | 0:20:44 | |
It's too big a risk. | 0:20:46 | 0:20:47 | |
And it's not you who'll be in danger. | 0:20:49 | 0:20:51 | |
It's Molly. | 0:20:52 | 0:20:53 | |
Remind me not to return your phone calls in the future. | 0:21:06 | 0:21:09 | |
I'm sorry, it was very full-on over there. | 0:21:09 | 0:21:13 | |
So I gather. | 0:21:13 | 0:21:14 | |
They want statements from you both, | 0:21:15 | 0:21:16 | |
and you'll have to go back over for the inquest - and the trial, | 0:21:16 | 0:21:19 | |
if they find Soderland's killer. | 0:21:19 | 0:21:21 | |
Sure, whatever they need. | 0:21:21 | 0:21:22 | |
He's still a suspect? | 0:21:22 | 0:21:24 | |
He is until I know any different. | 0:21:24 | 0:21:26 | |
I'm still waiting for his prints and DNA. | 0:21:26 | 0:21:28 | |
So, when were you going to mention Malone's hearsay file? | 0:21:30 | 0:21:34 | |
Billy said that Drew gave you a copy. | 0:21:34 | 0:21:36 | |
-That's not relevant. -Which part? | 0:21:36 | 0:21:38 | |
The report from teachers about inappropriate language to girls | 0:21:38 | 0:21:41 | |
or the statement from the friend who said | 0:21:41 | 0:21:42 | |
he tried to choke her with a scarf? | 0:21:42 | 0:21:44 | |
A scarf, Jimmy. | 0:21:44 | 0:21:45 | |
All this stuff came out after he was arrested. | 0:21:45 | 0:21:48 | |
They were just jumping on a bandwagon. | 0:21:48 | 0:21:51 | |
If the CCRC had seen this | 0:21:51 | 0:21:53 | |
they might have binned the whole appeal. | 0:21:53 | 0:21:55 | |
It was a lynch mob mentality back then | 0:21:55 | 0:21:57 | |
and it's a lynch mob mentality now. | 0:21:57 | 0:22:00 | |
Well, it's not your problem any more. | 0:22:00 | 0:22:03 | |
Glasgow have deployed a major investigation team. | 0:22:03 | 0:22:06 | |
They want you to concentrate on Sally McColl | 0:22:06 | 0:22:08 | |
and leave Lizzie Kilmuir to them. | 0:22:08 | 0:22:11 | |
I know you're pissed off about it, but it's standard practice now. | 0:22:14 | 0:22:19 | |
They arrive first thing tomorrow morning. | 0:22:19 | 0:22:22 | |
Great.. | 0:22:22 | 0:22:23 | |
..a bunch of people that just think we knit jumpers up here. | 0:22:25 | 0:22:28 | |
Any luck with those e-mail addresses from Soderland's laptop? | 0:22:30 | 0:22:33 | |
Mostly NDA members, | 0:22:33 | 0:22:35 | |
but this one, it's weird - [email protected]. | 0:22:35 | 0:22:39 | |
It's registered to a Jo Halley. | 0:22:39 | 0:22:41 | |
The e-mail address [email protected], | 0:23:03 | 0:23:07 | |
that's registered to you? | 0:23:07 | 0:23:09 | |
That's my old e-mail address. I haven't used it for years. | 0:23:09 | 0:23:12 | |
I got a new one when I split up with my husband. | 0:23:12 | 0:23:15 | |
So, you have no idea how it would | 0:23:15 | 0:23:17 | |
get into the hands of a Mathias Soderland in Bergen? | 0:23:17 | 0:23:21 | |
No. I don't know him. | 0:23:21 | 0:23:23 | |
Is it possible it might have been on Sally's phone? | 0:23:23 | 0:23:25 | |
Maybe, if I used it by mistake. | 0:23:25 | 0:23:27 | |
Has anyone hacked into your e-mail accounts? | 0:23:27 | 0:23:30 | |
I don't think so. | 0:23:30 | 0:23:32 | |
So, you've had no communication with him | 0:23:32 | 0:23:34 | |
or anybody else involved in the Norwegian Defence Army? | 0:23:34 | 0:23:38 | |
Absolutely not. | 0:23:38 | 0:23:39 | |
No. | 0:23:41 | 0:23:43 | |
And are you sure about what you saw at the festival? | 0:23:43 | 0:23:46 | |
Sally speaking Norwegian to someone in a hoodie. | 0:23:46 | 0:23:49 | |
Yes. | 0:23:49 | 0:23:50 | |
-Did you know that Sally had plans to leave? -Yes. | 0:23:52 | 0:23:55 | |
And Alan didn't know about that, did he? | 0:23:56 | 0:23:59 | |
Sally was going away for work. | 0:23:59 | 0:24:01 | |
Nothing to do with Alan. | 0:24:01 | 0:24:02 | |
But he would still have felt rejected if he'd found out, I imagine. | 0:24:03 | 0:24:07 | |
Maybe. | 0:24:07 | 0:24:09 | |
But he was a kind person, he'd understand. | 0:24:09 | 0:24:12 | |
Sally didn't know what she had. | 0:24:12 | 0:24:13 | |
Was he too good for her? | 0:24:13 | 0:24:15 | |
I didn't mean it like that. | 0:24:15 | 0:24:17 | |
Jo, we're going to have to take your computer | 0:24:19 | 0:24:22 | |
and do a forensic search of the croft. | 0:24:22 | 0:24:24 | |
Is that OK with you? | 0:24:24 | 0:24:25 | |
Now? | 0:24:25 | 0:24:27 | |
I want to go to Sally's memorial. | 0:24:30 | 0:24:32 | |
You can still do that. | 0:24:32 | 0:24:33 | |
And Sally's keys? I want them back. | 0:24:33 | 0:24:36 | |
I don't like the idea that somebody might copy them. | 0:24:36 | 0:24:38 | |
Don't worry, Jo. | 0:24:38 | 0:24:39 | |
They're safe just now, and we'll return them with your computer. | 0:24:39 | 0:24:42 | |
-DREW: -Thank you all for coming. | 0:24:48 | 0:24:50 | |
I appreciate it. | 0:24:50 | 0:24:51 | |
As would Sally. | 0:24:51 | 0:24:53 | |
As a wee girl she loved this beach. | 0:24:53 | 0:24:55 | |
I remember the smell of the sea in her hair like it was yesterday. | 0:24:55 | 0:24:59 | |
And when her mother was alive, | 0:24:59 | 0:25:01 | |
they'd walk along there every morning together. | 0:25:01 | 0:25:04 | |
They were happy memories for Sally. | 0:25:04 | 0:25:06 | |
So, today I'd like you to say a prayer, | 0:25:06 | 0:25:10 | |
write a message, put it in a bottle, | 0:25:10 | 0:25:12 | |
and imagine Sally and her mother reunited, | 0:25:12 | 0:25:15 | |
and remember... | 0:25:15 | 0:25:17 | |
..how kind she was... | 0:25:20 | 0:25:21 | |
-..how funny... -HE CHUCKLES SOFTLY | 0:25:23 | 0:25:26 | |
..how special. | 0:25:26 | 0:25:28 | |
My girl... | 0:25:32 | 0:25:35 | |
..my wee girl. | 0:25:38 | 0:25:39 | |
What are you doing here? | 0:26:27 | 0:26:28 | |
I just... I just want... | 0:26:28 | 0:26:30 | |
I just wanted to see you. | 0:26:30 | 0:26:31 | |
Now's not a good time. | 0:26:31 | 0:26:33 | |
Look, what happened between us, it's not going to happen again. | 0:26:33 | 0:26:37 | |
With our past it's not going to work. | 0:26:37 | 0:26:40 | |
Molly's not comfortable with it and I do really need to put her first. | 0:26:40 | 0:26:44 | |
-Just like you did with Lizzie. -What? | 0:26:44 | 0:26:46 | |
You put her first and you sacrificed what you wanted, | 0:26:46 | 0:26:49 | |
-and you're doing the same thing again with Molly. -No... | 0:26:49 | 0:26:51 | |
Listen to me, just maybe | 0:26:51 | 0:26:54 | |
just think about yourself every now and then. | 0:26:54 | 0:26:56 | |
-Jeez, being a single parent makes it a wee bit difficult. -Oh, come on. -No, come on. | 0:26:56 | 0:26:59 | |
-I that you would at least understand. -You know what? You're just like your sister. | 0:26:59 | 0:27:02 | |
-What do you mean by that? -Hey, is everything OK here? -Yeah. | 0:27:02 | 0:27:05 | |
-Thomas was just going. -What's he doing here? | 0:27:07 | 0:27:09 | |
-No, Drew, don't, don't, don't. -Just... | 0:27:09 | 0:27:11 | |
-Just go! -Really? | 0:27:11 | 0:27:12 | |
Yeah, go, Thomas. | 0:27:12 | 0:27:14 | |
-Just go! -Really!? | 0:27:14 | 0:27:17 | |
Ah! | 0:27:17 | 0:27:18 | |
Ah! Really?! | 0:27:18 | 0:27:21 | |
Thomas... | 0:27:21 | 0:27:23 | |
Get off me. | 0:27:23 | 0:27:24 | |
Get your hands off me. Get off. | 0:27:24 | 0:27:27 | |
Don't push your luck, you. | 0:27:27 | 0:27:29 | |
What you playing at? | 0:27:29 | 0:27:31 | |
Eh?! | 0:27:31 | 0:27:33 | |
You must've known you werenae going to be welcome here. | 0:27:33 | 0:27:35 | |
-Well, I do now. -Good. | 0:27:35 | 0:27:36 | |
Piss off. | 0:27:38 | 0:27:39 | |
Now. | 0:27:40 | 0:27:41 | |
I'm serious. | 0:27:43 | 0:27:44 | |
Away you go home. | 0:27:45 | 0:27:46 | |
You've got a visitor. | 0:28:41 | 0:28:42 | |
Alan Killick. | 0:28:42 | 0:28:44 | |
Sandy's taken him into the interview room. | 0:28:44 | 0:28:46 | |
Right. | 0:28:48 | 0:28:49 | |
So, this is a 8mm film I got transferred. | 0:28:53 | 0:28:58 | |
It's of my dad's 30th birthday party, | 0:28:58 | 0:29:00 | |
the one they had on the beach. | 0:29:00 | 0:29:02 | |
I thought it might've been helpful. | 0:29:02 | 0:29:04 | |
It could have my biological dad on. | 0:29:04 | 0:29:06 | |
Lizzie Kilmuir definitely is. | 0:29:06 | 0:29:08 | |
30th birthday, so that would be...? That would make it when? | 0:29:08 | 0:29:11 | |
The 5th of June, 1993. | 0:29:11 | 0:29:13 | |
The week before Lizzie was killed. | 0:29:13 | 0:29:15 | |
That's Lizzie. | 0:29:16 | 0:29:17 | |
Is that your dad? | 0:29:21 | 0:29:23 | |
Aye. That's him. | 0:29:23 | 0:29:26 | |
And there's Drew McColl. | 0:29:26 | 0:29:27 | |
Looks like everybody was there. | 0:29:32 | 0:29:34 | |
Who's that with your mum? Do you know him? | 0:29:34 | 0:29:36 | |
Nope. | 0:29:36 | 0:29:37 | |
And what about him? | 0:29:39 | 0:29:40 | |
Eh, nope, sorry. | 0:29:42 | 0:29:44 | |
That's Kate. | 0:29:54 | 0:29:56 | |
Is that Thomas Malone? | 0:30:03 | 0:30:05 | |
Molly really is Lizzie's image, isn't she? | 0:30:09 | 0:30:12 | |
-Can we hang onto this? -Mm-hm. -Make some copies. | 0:30:17 | 0:30:20 | |
-DOOR OPENS, SHOUTING -We've got a problem - | 0:30:20 | 0:30:23 | |
-it's Malone. He's been drinking all night by the sounds of it. -MALONE: -All my fucking life... | 0:30:23 | 0:30:27 | |
-Do you hear me? -He wants to speak to you. -Eh? | 0:30:27 | 0:30:29 | |
-I get the blame! Me! -Cheers. -Me! | 0:30:29 | 0:30:32 | |
As soon as something happens, it's all my fault! Eh? | 0:30:32 | 0:30:37 | |
Nobody gives a shit about me! | 0:30:37 | 0:30:41 | |
Nobody! | 0:30:41 | 0:30:43 | |
I'd be better off back inside. | 0:30:43 | 0:30:46 | |
Because at least they knew. | 0:30:46 | 0:30:48 | |
They knew the truth. | 0:30:48 | 0:30:51 | |
They knew the truth! | 0:30:51 | 0:30:54 | |
HITTING WALL, SHOUTING | 0:30:54 | 0:30:58 | |
Do you hear me? | 0:30:59 | 0:31:01 | |
HE CRIES | 0:31:03 | 0:31:06 | |
You done? | 0:31:08 | 0:31:09 | |
HE SIGHS | 0:31:11 | 0:31:13 | |
What's going on with you and Kate Kilmuir? | 0:31:28 | 0:31:30 | |
She told me she believed me. | 0:31:34 | 0:31:36 | |
I know, I heard her say it. | 0:31:36 | 0:31:37 | |
But now... | 0:31:40 | 0:31:41 | |
..she doesn't want me anywhere near her, nor her daughter. | 0:31:41 | 0:31:46 | |
Does that really surprise you, Thomas? | 0:31:49 | 0:31:51 | |
You know something, eh? | 0:32:06 | 0:32:08 | |
I think I'd be better off dead. | 0:32:11 | 0:32:12 | |
Nobody's better off dead. | 0:32:17 | 0:32:19 | |
THOMAS LAUGHS | 0:32:19 | 0:32:21 | |
No, I... I would be. | 0:32:23 | 0:32:25 | |
I was thinking Peter for the Hillswick run. | 0:32:48 | 0:32:50 | |
Do you think that'll work? | 0:32:50 | 0:32:52 | |
Janice, sorry, would you mind taking over? | 0:32:56 | 0:32:59 | |
So, how is he? | 0:33:04 | 0:33:06 | |
He'll be all right when he sobers up. | 0:33:08 | 0:33:10 | |
-SHE SIGHS -It's all my fault. | 0:33:10 | 0:33:13 | |
Why do you say that? | 0:33:13 | 0:33:14 | |
I did something really stupid. | 0:33:17 | 0:33:18 | |
I let... | 0:33:20 | 0:33:22 | |
I let Thomas spend the night... | 0:33:22 | 0:33:23 | |
..with me. | 0:33:25 | 0:33:26 | |
I instantly regretted it. | 0:33:29 | 0:33:30 | |
Thomas seems to think that you don't believe he's innocent any more. | 0:33:33 | 0:33:38 | |
While he was sleeping he called out Lizzie's name. | 0:33:39 | 0:33:41 | |
Then I went through his wallet - not sure why, but I did - | 0:33:44 | 0:33:48 | |
and there was a photograph of her inside it | 0:33:48 | 0:33:53 | |
with "RIP" written on it. | 0:33:53 | 0:33:56 | |
Now, I know there's probably loads of reasons why | 0:33:56 | 0:33:58 | |
he would do something like that, but it just really freaked me out. | 0:33:58 | 0:34:02 | |
OK, look, if he comes near you again, then you call me. | 0:34:03 | 0:34:10 | |
-OK? Right. -Yeah. | 0:34:10 | 0:34:12 | |
I'll let you get on. | 0:34:12 | 0:34:14 | |
Oh... | 0:34:14 | 0:34:15 | |
There is... There's just one more thing. | 0:34:17 | 0:34:19 | |
There's been some talk about Lizzie | 0:34:19 | 0:34:24 | |
possibly having a thing with an older man. | 0:34:24 | 0:34:26 | |
Have you got any idea who that might have been? | 0:34:28 | 0:34:31 | |
Well, I always assumed it was Kevin Killick. | 0:34:31 | 0:34:34 | |
He mistook me for Lizzie one time, and I always knew he fancied her. | 0:34:34 | 0:34:38 | |
But... | 0:34:38 | 0:34:39 | |
Yeah, the look of disappointment on his face | 0:34:41 | 0:34:43 | |
when he realised it was me was priceless. | 0:34:43 | 0:34:45 | |
That happened quite a few times. | 0:34:46 | 0:34:48 | |
I never understood the difference. | 0:34:48 | 0:34:51 | |
But they just always seemed to prefer Lizzie. | 0:34:51 | 0:34:53 | |
And, em... | 0:34:53 | 0:34:54 | |
..it's probably why I'm alive and she's dead. | 0:34:56 | 0:34:58 | |
Molly. You have to believe me. | 0:35:08 | 0:35:10 | |
-I didnae do it. -Leave me alone. -Look, no, just wait. | 0:35:10 | 0:35:13 | |
Just listen to me, will you! | 0:35:13 | 0:35:15 | |
I would never hurt you or your mother. | 0:35:15 | 0:35:17 | |
-Never. -I don't believe you! | 0:35:17 | 0:35:19 | |
You don't even know what happened. | 0:35:19 | 0:35:20 | |
It was over 20 years ago. You weren't even born! | 0:35:20 | 0:35:23 | |
Just go away! | 0:35:23 | 0:35:25 | |
Molly? | 0:35:26 | 0:35:27 | |
There's a man following me, please call the police. | 0:35:29 | 0:35:31 | |
Molly! | 0:35:31 | 0:35:32 | |
Just listen to me, will you! | 0:35:32 | 0:35:34 | |
Please, call them now! | 0:35:34 | 0:35:36 | |
-HE SIGHS -OK. It's OK. | 0:35:40 | 0:35:43 | |
OK. | 0:35:48 | 0:35:49 | |
I've got the background check on Jo Halley. | 0:35:50 | 0:35:53 | |
No criminal record. | 0:35:53 | 0:35:54 | |
She did lodge a complaint of assault against her ex-husband. | 0:35:54 | 0:35:57 | |
But I've been looking at her computer - she has got dozens | 0:35:57 | 0:36:01 | |
and dozens of images of Alan Killick on her photo stream. | 0:36:01 | 0:36:04 | |
In fact, that's pretty much all she's got. | 0:36:04 | 0:36:07 | |
What, she's obsessed? | 0:36:07 | 0:36:08 | |
Well, is it worth asking if there ever was a Norwegian? | 0:36:08 | 0:36:12 | |
But who booked into the hotel as Hansen? | 0:36:12 | 0:36:15 | |
Yeah, I think we need to bring her in. | 0:36:19 | 0:36:22 | |
Billy. | 0:36:22 | 0:36:24 | |
See if you can speak to this ex-husband in person | 0:36:24 | 0:36:27 | |
and find out what happened to that complaint. | 0:36:27 | 0:36:30 | |
We would like to ask you a few questions | 0:36:43 | 0:36:46 | |
about your relationship with Alan Killick. | 0:36:46 | 0:36:49 | |
OK. | 0:36:50 | 0:36:52 | |
You both get on really well. | 0:36:52 | 0:36:53 | |
Why do you think that is? | 0:36:53 | 0:36:56 | |
He's kind, | 0:36:56 | 0:36:58 | |
funny. | 0:36:58 | 0:37:00 | |
Not all men are. | 0:37:00 | 0:37:01 | |
And this...closeness | 0:37:01 | 0:37:04 | |
didn't cause any problems between you and Sally? | 0:37:04 | 0:37:06 | |
Why would it? | 0:37:06 | 0:37:08 | |
Well, it might have if she knew that you were in love with him. | 0:37:08 | 0:37:10 | |
-SHE CHUCKLES SOFTLY -I never said that. | 0:37:10 | 0:37:13 | |
You didn't have to. | 0:37:13 | 0:37:14 | |
The question is - did he feel the same way about you? | 0:37:14 | 0:37:18 | |
You'd need to ask him that. | 0:37:19 | 0:37:21 | |
Well, I think that you would know if he did. | 0:37:22 | 0:37:25 | |
Are you jealous of them, Jo? | 0:37:25 | 0:37:28 | |
Did you tell him how you felt? | 0:37:28 | 0:37:30 | |
He knows. | 0:37:31 | 0:37:32 | |
Alan's different from other men I've known. | 0:37:34 | 0:37:38 | |
Like your ex-husband, | 0:37:39 | 0:37:40 | |
Robert Downing. | 0:37:40 | 0:37:42 | |
Look, I'm sorry we have to go over this again, | 0:37:45 | 0:37:47 | |
but it's really important that you tell us the truth. | 0:37:47 | 0:37:50 | |
I don't know what I saw in him. | 0:37:50 | 0:37:51 | |
He was violent right from the start. | 0:37:53 | 0:37:55 | |
I was just desperate to be liked by someone, anyone. | 0:37:59 | 0:38:03 | |
When I look back on how pathetic I was I want to throw up. | 0:38:04 | 0:38:08 | |
You weren't pathetic, Jo, you were scared. | 0:38:08 | 0:38:11 | |
In those circumstances you do what you have to. | 0:38:11 | 0:38:13 | |
Have you seen your ex recently? | 0:38:13 | 0:38:16 | |
No. | 0:38:16 | 0:38:17 | |
Would I be right in saying that Alan was the first man that ever | 0:38:17 | 0:38:20 | |
showed you any... | 0:38:20 | 0:38:23 | |
..real affection? | 0:38:23 | 0:38:25 | |
But he was in love with somebody else. | 0:38:25 | 0:38:27 | |
It must have occurred to you that things might be very different | 0:38:27 | 0:38:31 | |
if Sally had left. | 0:38:31 | 0:38:32 | |
Maybe, but I didn't want that either. | 0:38:32 | 0:38:35 | |
So, you didn't get in contact the NDA and tell them | 0:38:35 | 0:38:38 | |
that Sally was investigating them? | 0:38:38 | 0:38:40 | |
You really think I'd want someone to hurt Sally? | 0:38:40 | 0:38:42 | |
Somebody did... | 0:38:42 | 0:38:43 | |
..and I'm beginning to wonder if it was someone she knew. | 0:38:45 | 0:38:48 | |
Nothing from the search of the croft. | 0:38:49 | 0:38:52 | |
I'm guessing the prints and DNA will belong to Jo, Sally and Alan. | 0:38:52 | 0:38:56 | |
Then what about the ex-husband? | 0:38:56 | 0:38:58 | |
Well, according to court records, he claimed it was self-defence. | 0:38:58 | 0:39:02 | |
He said Jo was unstable and volatile. | 0:39:02 | 0:39:04 | |
Jury didn't agree, he served 18 months. | 0:39:04 | 0:39:07 | |
-He was released six weeks ago. -And you believe him? | 0:39:07 | 0:39:09 | |
I'm just telling you what was said at the time. | 0:39:09 | 0:39:11 | |
Tosh. | 0:39:11 | 0:39:13 | |
She's in love with Sally's boyfriend. | 0:39:13 | 0:39:15 | |
We have to look at the possibility that she created Hansen | 0:39:15 | 0:39:17 | |
in order to deflect attention, | 0:39:17 | 0:39:19 | |
either from herself or from somebody else. | 0:39:19 | 0:39:21 | |
Then who is the guy on the hotel CCTV? | 0:39:21 | 0:39:24 | |
He's been living with his sister since he got out. | 0:39:29 | 0:39:31 | |
I called her, she claims he's gone away for a break. | 0:39:31 | 0:39:34 | |
She doesn't know where to. | 0:39:34 | 0:39:36 | |
Yeah, no, I don't like the sound of that. | 0:39:37 | 0:39:40 | |
Track him down, cos we need to talk to him. | 0:39:42 | 0:39:45 | |
OK. | 0:39:45 | 0:39:46 | |
Here. | 0:39:54 | 0:39:55 | |
I put too much milk in it, I'm sorry. | 0:39:57 | 0:39:59 | |
We just need to make sure Jo's story checks out, that's all. | 0:40:02 | 0:40:06 | |
Sandy's had it in for her from the start. | 0:40:06 | 0:40:08 | |
Well, if Sandy thinks the worst of her | 0:40:10 | 0:40:12 | |
and you think the best of her, | 0:40:12 | 0:40:14 | |
then, as usual, the truth's probably somewhere in between. | 0:40:14 | 0:40:18 | |
You still not sleeping? | 0:40:23 | 0:40:24 | |
I just keep thinking... | 0:40:26 | 0:40:27 | |
..this job is all about how you judge people... | 0:40:29 | 0:40:34 | |
..who to trust, who to believe... | 0:40:36 | 0:40:39 | |
-Alison. Alison. -..when to let your guard down, when you don't... | 0:40:39 | 0:40:42 | |
What happened to you could have happened to anybody. | 0:40:43 | 0:40:47 | |
You know that. | 0:40:49 | 0:40:51 | |
It had nothing to do with any of the choices that you made. | 0:40:51 | 0:40:54 | |
Do you really think that I would've let you go to Bergen | 0:40:57 | 0:41:00 | |
if I didn't think that you could handle it? | 0:41:00 | 0:41:04 | |
I just thought you were sick of the sight of me. | 0:41:04 | 0:41:06 | |
I know it's easy for me to say... | 0:41:06 | 0:41:09 | |
..but this time will pass. | 0:41:10 | 0:41:12 | |
Thanks, I appreciate it. | 0:41:18 | 0:41:19 | |
The tea.. | 0:41:20 | 0:41:21 | |
..not so much. | 0:41:23 | 0:41:24 | |
Hey. | 0:42:06 | 0:42:07 | |
Good day? | 0:42:12 | 0:42:13 | |
Molly... | 0:42:14 | 0:42:15 | |
..listen, I am really sorry about the other night. | 0:42:17 | 0:42:23 | |
I just want you to know that you come first. | 0:42:23 | 0:42:26 | |
You always will. | 0:42:26 | 0:42:28 | |
-Really? -Yes. | 0:42:28 | 0:42:29 | |
Look, I've told Thomas I won't be seeing him again | 0:42:32 | 0:42:36 | |
and that he needs to just leave us alone. | 0:42:36 | 0:42:38 | |
Well, he's not listening | 0:42:38 | 0:42:39 | |
-because he's just followed me home from school. -What? | 0:42:39 | 0:42:42 | |
He was waiting for me when I finished school. | 0:42:43 | 0:42:45 | |
He scared me, Mum, | 0:42:47 | 0:42:49 | |
-he really scared me. -Yeah. | 0:42:49 | 0:42:51 | |
Thomas? | 0:43:16 | 0:43:17 | |
Thomas? | 0:43:21 | 0:43:22 | |
Where are you? I want to speak to you. | 0:43:22 | 0:43:24 | |
Thom... | 0:43:26 | 0:43:27 | |
SHE GASPS | 0:43:34 | 0:43:36 | |
What are you doing here? | 0:43:36 | 0:43:38 | |
What are these doing on the wall? | 0:43:38 | 0:43:40 | |
You fooled me. Now, I may have fooled myself, | 0:43:45 | 0:43:48 | |
but if you go anywhere near Molly again, anywhere near her, | 0:43:48 | 0:43:52 | |
-I will kill you. -You're going to do what? | 0:43:52 | 0:43:56 | |
Hmm? | 0:43:57 | 0:43:58 | |
Get out my way! | 0:44:01 | 0:44:03 | |
Kate! | 0:44:07 | 0:44:08 | |
You stay away. You just stay away from me. | 0:44:10 | 0:44:14 | |
-Just stay away from me and leave me alone. -Open the door. | 0:44:15 | 0:44:18 | |
No! Get away and leave me alone! | 0:44:18 | 0:44:21 | |
Leave me alone. | 0:44:26 | 0:44:27 | |
Hey. | 0:44:42 | 0:44:43 | |
Still on for dinner at Duncan's? | 0:44:45 | 0:44:48 | |
Sure. | 0:44:48 | 0:44:49 | |
Is everything OK? | 0:44:50 | 0:44:52 | |
Got my marching orders from Alan's mum today. | 0:44:52 | 0:44:55 | |
You didn't give her a call, did you? | 0:44:55 | 0:44:57 | |
No, I did not. | 0:44:57 | 0:44:58 | |
Cos it doesn't mean I'm going to stop seeing Alan. | 0:44:58 | 0:45:01 | |
-He needs me right now, OK? -Cassie, I didn't say a word. | 0:45:01 | 0:45:03 | |
Yeah, but it's what you want, isn't it? | 0:45:03 | 0:45:06 | |
Yes, it is. | 0:45:07 | 0:45:08 | |
Cos I don't want you being involved in this. | 0:45:09 | 0:45:12 | |
We've been through this before, Dad. | 0:45:12 | 0:45:14 | |
I don't believe he harmed Sally and I don't think you do either. | 0:45:14 | 0:45:17 | |
I mean emotionally. | 0:45:17 | 0:45:18 | |
He's all over the place, so are you. | 0:45:18 | 0:45:21 | |
I told you before, it's not like that. | 0:45:21 | 0:45:23 | |
Yes, but it can become like that... | 0:45:23 | 0:45:25 | |
..cos stuff happens. | 0:45:26 | 0:45:28 | |
SHE SIGHS Now, I want to know what happened | 0:45:28 | 0:45:30 | |
to Sally before I'm comfortable with the situation. | 0:45:30 | 0:45:33 | |
It's as simple as that. | 0:45:33 | 0:45:34 | |
Alan has no reason to harm me. | 0:45:34 | 0:45:36 | |
HE SIGHS Oh, honey. | 0:45:38 | 0:45:40 | |
You know, Cassie, | 0:45:40 | 0:45:42 | |
I've got a young girl who's lying in a morgue | 0:45:42 | 0:45:45 | |
who probably thought something very similar. | 0:45:45 | 0:45:48 | |
I'll be careful, OK? | 0:45:50 | 0:45:52 | |
Aye, OK. | 0:45:56 | 0:45:58 | |
LAUGHTER | 0:46:02 | 0:46:05 | |
Oh. | 0:46:08 | 0:46:10 | |
What? THEY CHUCKLE | 0:46:11 | 0:46:13 | |
Something's coming my way, I can feel it. | 0:46:13 | 0:46:16 | |
Do you know what your problem is? | 0:46:16 | 0:46:19 | |
Oh, it's never a good sign when somebody starts a sentence with that. | 0:46:19 | 0:46:23 | |
You just know it's not going to end well. | 0:46:23 | 0:46:24 | |
Yeah, like, they're never going to say - | 0:46:24 | 0:46:26 | |
-"You know what your problem is? You're totally brilliant." -I don't know. | 0:46:26 | 0:46:29 | |
No, but you do know. | 0:46:29 | 0:46:31 | |
You think everything has to be perfect, | 0:46:31 | 0:46:32 | |
like it was with you and Fran, | 0:46:32 | 0:46:34 | |
but nothing is ever going to live up to that. | 0:46:34 | 0:46:37 | |
-He's got a point. -Really, you think so? I'm not sure. | 0:46:37 | 0:46:40 | |
You can't get put off too easily. | 0:46:40 | 0:46:42 | |
You've got to, you've got to... | 0:46:42 | 0:46:43 | |
..walk over the pebbles to get to the sea. | 0:46:45 | 0:46:48 | |
Oh, Mary. | 0:46:48 | 0:46:49 | |
How many pebbles did you have to walk over, darling? | 0:46:49 | 0:46:52 | |
Tonnes! My feet are still sore. | 0:46:52 | 0:46:55 | |
DUNCAN LAUGHS | 0:46:55 | 0:46:58 | |
You know, I had a blast from the past today. | 0:46:58 | 0:47:01 | |
Alan Killick showed some of his home movies. | 0:47:01 | 0:47:05 | |
Kevin Killick's 30th birthday party. | 0:47:06 | 0:47:09 | |
God, that must have been a trip down memory lane. | 0:47:09 | 0:47:12 | |
-Aye. -You were in it. -Was I? | 0:47:12 | 0:47:14 | |
I don't remember, that must have been a hell of a party. | 0:47:17 | 0:47:19 | |
No, it was on the beach at St Ninian's. There was loads of people there. | 0:47:19 | 0:47:22 | |
There was Donna and Kevin, Drew McColl... | 0:47:22 | 0:47:25 | |
..the Kilmuir sisters. | 0:47:26 | 0:47:28 | |
I didn't know you and Kevin Killick were friends. | 0:47:28 | 0:47:31 | |
Oh, we weren't, not really. | 0:47:31 | 0:47:32 | |
No, Duncan just liked a party. | 0:47:32 | 0:47:34 | |
But they were usually at your place, though. | 0:47:34 | 0:47:36 | |
Well, I liked to burn the candle at both ends. Guilty, m'lord. | 0:47:36 | 0:47:40 | |
CHUCKLING | 0:47:40 | 0:47:42 | |
You sure you don't remember? | 0:47:42 | 0:47:44 | |
Loads of people on the beach, dancing as the sun went down. | 0:47:44 | 0:47:47 | |
I mean, you know, it was pretty memorable. | 0:47:47 | 0:47:50 | |
I wish I did, it must have been fun. | 0:47:50 | 0:47:51 | |
Right, shall we go outside and, eh, take our drinks | 0:47:51 | 0:47:54 | |
and watch the sun go down, eh? | 0:47:54 | 0:47:55 | |
Why were you asking about Kevin Killick's party? | 0:48:00 | 0:48:02 | |
I just thought you might remember something useful. | 0:48:04 | 0:48:06 | |
Why would I? | 0:48:06 | 0:48:07 | |
Cos you and Lizzie seemed pretty chummy in it. | 0:48:09 | 0:48:12 | |
It was a party. I barely remember the girl. | 0:48:13 | 0:48:16 | |
I take it Fran wasnae there? | 0:48:16 | 0:48:18 | |
Oh... | 0:48:18 | 0:48:19 | |
All right, I was no angel. What are you getting at? | 0:48:20 | 0:48:23 | |
Why are you getting so touchy? | 0:48:26 | 0:48:28 | |
Because I didn't want to talk about all this in front of Cassie. | 0:48:28 | 0:48:31 | |
She doesn't know what I was like back then. | 0:48:31 | 0:48:33 | |
I'd rather it stayed that way. | 0:48:33 | 0:48:35 | |
I think she probably knows you better than you think. | 0:48:35 | 0:48:38 | |
Look, I'm just trying to form a picture. | 0:48:38 | 0:48:41 | |
You might remember something that doesnae seem important to you, | 0:48:41 | 0:48:43 | |
but it might be important to me. | 0:48:43 | 0:48:45 | |
I don't remember anything about the party, to be honest. | 0:48:48 | 0:48:51 | |
Lizzie might have been seeing an older man, | 0:48:51 | 0:48:54 | |
so I just wondered if he was at the party. | 0:48:54 | 0:48:57 | |
Do you think it was Kevin Killick? | 0:48:57 | 0:48:59 | |
I'm keeping my options open. | 0:48:59 | 0:49:01 | |
Well, I can assure you it wasnae me. | 0:49:01 | 0:49:04 | |
Do you want a top up? | 0:49:06 | 0:49:08 | |
We've got someone from Bergen wanting to talk to you | 0:49:20 | 0:49:22 | |
about this Soderland investigation. | 0:49:22 | 0:49:24 | |
It's the first I've heard. | 0:49:24 | 0:49:26 | |
Yeah, I missed the memo as well. | 0:49:26 | 0:49:27 | |
Hi. | 0:49:30 | 0:49:32 | |
Lars. | 0:49:32 | 0:49:33 | |
So, Anke wanted someone to take statements and I volunteered. | 0:49:33 | 0:49:36 | |
Besides, I've always wanted to see Shetland. | 0:49:36 | 0:49:39 | |
So, what was that stuff about earlier? | 0:49:45 | 0:49:47 | |
The stuff about the party. Duncan seemed embarrassed. | 0:49:47 | 0:49:50 | |
Oh, that's just cos he's flirting shamelessly in it. | 0:49:50 | 0:49:52 | |
And that irritated you? | 0:49:52 | 0:49:54 | |
He was a married man. | 0:49:54 | 0:49:56 | |
It's not because he was married, is it? | 0:49:56 | 0:49:58 | |
It's cos he was married to mum. | 0:49:58 | 0:50:00 | |
You're still fighting her corner and she's been dead for years. | 0:50:00 | 0:50:04 | |
What's wrong with that? | 0:50:04 | 0:50:06 | |
I want you to let her go. | 0:50:07 | 0:50:09 | |
I feel like it's stopping you meeting someone else. | 0:50:09 | 0:50:12 | |
Well, if you're talking about Asha, you know, | 0:50:12 | 0:50:14 | |
it was other stuff that got in the way, Cass. | 0:50:14 | 0:50:17 | |
You know, getting old and set in my ways. | 0:50:17 | 0:50:21 | |
You're not old. | 0:50:21 | 0:50:22 | |
There's plenty of time, you just need to get out there. | 0:50:22 | 0:50:25 | |
I'll think about it. | 0:50:25 | 0:50:27 | |
Well, if you do, you can't keep Mum's old boots and scarfs in the cupboard. | 0:50:27 | 0:50:30 | |
It's all getting a bit like Daphne du Maurier. | 0:50:30 | 0:50:33 | |
No-one wants to be the second Mrs de Winter. | 0:50:33 | 0:50:35 | |
Daphne du Maurier, is it? | 0:50:35 | 0:50:37 | |
I should never have let you go to university. | 0:50:37 | 0:50:38 | |
-SHE CHUCKLES -It's true, though. | 0:50:38 | 0:50:40 | |
Seriously, my first big mistake. | 0:50:40 | 0:50:42 | |
SHE CHUCKLES | 0:50:42 | 0:50:44 | |
So, how are things going? | 0:50:45 | 0:50:47 | |
I mean, with the investigation. | 0:50:47 | 0:50:49 | |
There's a debate about whether or not our key witness is that reliable. | 0:50:51 | 0:50:56 | |
She still maintains she saw Sally speaking Norwegian to someone. | 0:50:56 | 0:50:59 | |
What if she didn't? | 0:50:59 | 0:51:00 | |
Then we really screwed up. | 0:51:01 | 0:51:03 | |
I think she's genuine. | 0:51:04 | 0:51:06 | |
Well, I hope she is. | 0:51:06 | 0:51:08 | |
It's all we've got at the moment. | 0:51:08 | 0:51:10 | |
Why did you volunteer for this trip? | 0:51:14 | 0:51:17 | |
You're not that interested in seeing Shetland, are you? | 0:51:17 | 0:51:20 | |
No, I was just interested in seeing you again. | 0:51:20 | 0:51:23 | |
You know, things were just so chaotic | 0:51:24 | 0:51:26 | |
after the murder of Mathias Soderland, | 0:51:26 | 0:51:29 | |
I didn't really get the chance to tell you that I wanted to stay in touch. | 0:51:29 | 0:51:32 | |
-You could have phoned. -Yeah. -HE CHUCKLES | 0:51:32 | 0:51:35 | |
I guess that's true. | 0:51:35 | 0:51:38 | |
But I figured this would make more impact. | 0:51:38 | 0:51:40 | |
I've been thinking a lot about you, Tosh. | 0:51:44 | 0:51:47 | |
I should go. | 0:51:50 | 0:51:51 | |
Well, where are you staying? I'll give you a lift. | 0:51:55 | 0:51:57 | |
I was coming on too strong in the pub, wasn't I? | 0:52:00 | 0:52:03 | |
It's not that, Lars. | 0:52:04 | 0:52:06 | |
I'm just...not interested in a relationship at the moment. | 0:52:06 | 0:52:09 | |
Yeah, I understand if it's moving too fast. | 0:52:10 | 0:52:13 | |
I was just hoping we could stay in touch, | 0:52:14 | 0:52:17 | |
give me time to grow on you. | 0:52:17 | 0:52:19 | |
You should probably take a left here. | 0:52:22 | 0:52:24 | |
There are roadworks this way. | 0:52:24 | 0:52:26 | |
I waited for ages in the taxi from the airport. | 0:52:27 | 0:52:30 | |
Can I grab you for an hour tomorrow just to take a statement? | 0:52:48 | 0:52:50 | |
Of course. | 0:52:50 | 0:52:51 | |
And Detective Perez as well. | 0:52:52 | 0:52:54 | |
-I'll let him know. -All right. | 0:52:54 | 0:52:56 | |
And maybe we could have lunch before I leave. | 0:52:59 | 0:53:01 | |
Can I play that by ear? | 0:53:03 | 0:53:06 | |
I've got a lot on. | 0:53:06 | 0:53:07 | |
Yeah, of course. | 0:53:07 | 0:53:09 | |
Something happened to me. | 0:53:11 | 0:53:13 | |
It's difficult. | 0:53:17 | 0:53:19 | |
It's taking time for me to trust again. | 0:53:22 | 0:53:25 | |
Yeah. | 0:53:29 | 0:53:31 | |
Well, I've got time. | 0:53:33 | 0:53:34 | |
You going to see Drew? | 0:53:51 | 0:53:53 | |
I'll see you later. | 0:53:53 | 0:53:55 | |
I might not be in when you get back. I'm going to see Jo. | 0:53:55 | 0:53:58 | |
OK. | 0:53:58 | 0:54:00 | |
So you know...erm, | 0:54:01 | 0:54:03 | |
I've told Cassie not to come in tomorrow, so don't expect her. | 0:54:03 | 0:54:07 | |
Why did you do that? | 0:54:07 | 0:54:10 | |
There's not enough for her to do. | 0:54:10 | 0:54:12 | |
We're fine as we are. | 0:54:12 | 0:54:13 | |
No, we're not. | 0:54:13 | 0:54:15 | |
The council grant isn't enough. Cass was bringing money in. | 0:54:15 | 0:54:17 | |
I can do that. | 0:54:17 | 0:54:19 | |
I'll see you later. | 0:54:19 | 0:54:20 | |
This is exactly what you did with Sally! | 0:54:20 | 0:54:23 | |
Now, stop interfering with my life or I'm leaving! | 0:54:23 | 0:54:25 | |
And I mean it! | 0:54:25 | 0:54:26 | |
DOOR OPENS AND CLOSES | 0:54:29 | 0:54:32 | |
Alexander. | 0:55:45 | 0:55:46 | |
Billy. | 0:55:46 | 0:55:48 | |
You're not going to like this. | 0:55:48 | 0:55:50 | |
Jo Halley thinks there's someone outside her croft. | 0:55:51 | 0:55:55 | |
Jo? | 0:55:55 | 0:55:56 | |
-HE SIGHS -Again? | 0:55:57 | 0:55:59 | |
Aye, go and take a wee look, will you? | 0:55:59 | 0:56:02 | |
It's on your way home. | 0:56:02 | 0:56:03 | |
ALARM BLARES | 0:56:34 | 0:56:36 | |
Jo? | 0:56:42 | 0:56:43 | |
Jesus! | 0:56:48 | 0:56:49 | |
Jo! | 0:56:49 | 0:56:50 | |
PHONE RINGS | 0:56:57 | 0:57:00 | |
Sandy, everything OK? | 0:57:02 | 0:57:04 | |
I'm at Jo's croft. | 0:57:04 | 0:57:06 | |
The place has been turned over. | 0:57:08 | 0:57:10 | |
Someone ran out when I got here. | 0:57:12 | 0:57:14 | |
Is Jo OK? | 0:57:16 | 0:57:17 | |
I don't know. | 0:57:19 | 0:57:20 |