Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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Someone on campus? | 0:00:02 | 0:00:03 | |
-Andy Saich. Detective. -Are you really? | 0:00:03 | 0:00:04 | |
So, just a suicide, then? | 0:00:04 | 0:00:06 | |
The radial and ulnar arteries got a break in them. | 0:00:06 | 0:00:08 | |
He knew what he was doing. | 0:00:08 | 0:00:09 | |
Jason Renfrew's from Hemel Hempstead, not Peckham. | 0:00:09 | 0:00:13 | |
It's a car. | 0:00:13 | 0:00:15 | |
-That's not a car! -Jesus Christ. | 0:00:15 | 0:00:17 | |
There was a gun found on campus this morning. Now shut up! | 0:00:17 | 0:00:19 | |
PHONE RINGS | 0:00:21 | 0:00:22 | |
DC Saich. | 0:00:22 | 0:00:24 | |
GUNSHOT | 0:00:24 | 0:00:26 | |
'It's a young, adult male, he appears to be carrying a hand gun.' | 0:00:26 | 0:00:31 | |
Shit! Get down! | 0:00:31 | 0:00:33 | |
We're the only medics in the building. | 0:00:33 | 0:00:35 | |
What are you two doing there? | 0:00:35 | 0:00:36 | |
You know what I'm asking. | 0:00:36 | 0:00:37 | |
SO15 don't think it's terrorist-related. | 0:00:37 | 0:00:40 | |
What was that? | 0:00:41 | 0:00:42 | |
Harry Cunningham, is he OK? | 0:00:43 | 0:00:45 | |
SHOUTING | 0:00:45 | 0:00:47 | |
He's alive. | 0:00:47 | 0:00:48 | |
-'Is he going to make it?' -'He's lost a lot of blood.' | 0:00:48 | 0:00:51 | |
I'm Dr Cunningham. Can you hear me? | 0:00:55 | 0:00:57 | |
You've got to stay awake. | 0:00:57 | 0:00:59 | |
MOBILE PHONE RINGS REPEATEDLY | 0:01:34 | 0:01:36 | |
Could you hold him? Christ. Here, you try it, you try it. | 0:01:57 | 0:02:01 | |
I haven't had one this unwilling since a Jehovah's Witness, 2002. | 0:02:01 | 0:02:05 | |
-How long have you been working on him. -Why? | 0:02:05 | 0:02:08 | |
He's taken up a lot of time and resources. | 0:02:08 | 0:02:10 | |
-We've got to move on. -Aren't we trying to be indiscriminate? -No, that was him, Dr Cunningham. | 0:02:10 | 0:02:14 | |
We, unfortunately, have to prioritise. | 0:02:14 | 0:02:17 | |
'Paramedics required Corridor B, triage team reporting five red casualties in sector four.' | 0:02:17 | 0:02:22 | |
-Oscar One received. Dr Cunningham? -Yeah? | 0:02:22 | 0:02:26 | |
You'll be OK for a few minutes? | 0:02:26 | 0:02:27 | |
-Mmm. -We'll be back in five. | 0:02:27 | 0:02:29 | |
Hello? | 0:03:05 | 0:03:07 | |
Excuse me? | 0:03:09 | 0:03:11 | |
You shouldn't be here. | 0:03:14 | 0:03:16 | |
-What happened to him? How did he die? -Are you OK? Come with me. | 0:03:19 | 0:03:25 | |
I'm not going anywhere. | 0:03:25 | 0:03:26 | |
All right. | 0:03:27 | 0:03:28 | |
Can I see? | 0:03:45 | 0:03:47 | |
Did you fall? | 0:03:50 | 0:03:52 | |
You were very lucky. | 0:03:55 | 0:03:56 | |
Luckier than him. | 0:03:56 | 0:03:59 | |
Did you know him? | 0:03:59 | 0:04:01 | |
What's your name? | 0:04:03 | 0:04:05 | |
Can I call someone for you? Your parents? Girlfriend? | 0:04:07 | 0:04:11 | |
If you've already registered your details and name of student or staff member, | 0:04:15 | 0:04:19 | |
please move to the left-hand side of the hall so others can get to the desk. | 0:04:19 | 0:04:23 | |
It's our son. Scott Weston. Third of the third, 1990. He's a second-year politics student. | 0:04:23 | 0:04:27 | |
I've got a picture here. | 0:04:27 | 0:04:29 | |
That's all right. We have all the student pictures on file. | 0:04:29 | 0:04:31 | |
Is he on one of those lists? | 0:04:31 | 0:04:33 | |
We're checking everybody at the moment, we'll have information soon. | 0:04:33 | 0:04:37 | |
Does Scott have any distinguishing marks, moles, tattoos, operation scars, that sort of thing? | 0:04:37 | 0:04:42 | |
No, not Scott. He's never had an operation in his life. | 0:04:42 | 0:04:44 | |
He does have scars. | 0:04:44 | 0:04:46 | |
He was six, 34 stitches, he fell through a glass roof. Three long scars. | 0:04:46 | 0:04:51 | |
Here, here and here. | 0:04:51 | 0:04:54 | |
What is it? | 0:04:56 | 0:04:59 | |
He's dead, isn't he? | 0:04:59 | 0:05:00 | |
I don't understand these questions. You're not saying anything. | 0:05:01 | 0:05:04 | |
What are you talking to him for? Nobody knows what's going on. It's chaos. | 0:05:04 | 0:05:08 | |
This is Chief Superintendent Somerville, she's in overall command here. | 0:05:08 | 0:05:12 | |
Mr and Mrs Weston have identified Scott Edward Weston from these photographs. | 0:05:12 | 0:05:16 | |
Scott is a second-year politics student from Altrincham in Cheshire. | 0:05:16 | 0:05:20 | |
Tell me what's happened to my son. Is he going to die? | 0:05:20 | 0:05:23 | |
Mrs Weston, we are just trying to establish... | 0:05:23 | 0:05:25 | |
Your son has been injured. He's critical, but currently stable. | 0:05:25 | 0:05:28 | |
He got shot? What do you mean, critical? What's that, an arm, a leg? | 0:05:28 | 0:05:33 | |
Would you take a seat, please? | 0:05:33 | 0:05:34 | |
Do we have a name yet? | 0:05:36 | 0:05:37 | |
Matthew Frisk. | 0:05:37 | 0:05:40 | |
Member since 2006. | 0:05:40 | 0:05:42 | |
Thanks. | 0:05:43 | 0:05:45 | |
When did you last speak to your son? | 0:05:46 | 0:05:48 | |
What? | 0:05:48 | 0:05:49 | |
Was he upset? Had he had an argument with anyone or...? | 0:05:49 | 0:05:52 | |
Why are you asking me this? | 0:05:52 | 0:05:54 | |
We want to know how our son is. We want to see him. | 0:05:54 | 0:05:57 | |
He's receiving medical attention at the moment. | 0:05:57 | 0:05:59 | |
-Is he in hospital? Is he here? -Dominic. Stop talking. | 0:05:59 | 0:06:03 | |
I'm just trying to find out... | 0:06:03 | 0:06:04 | |
Mrs Weston, we believe that your son's injuries might have been self-inflicted. | 0:06:04 | 0:06:09 | |
Come on, Scott. You've got to stay awake, come on. | 0:06:13 | 0:06:16 | |
He had the gun in his right hand, didn't he? | 0:06:16 | 0:06:19 | |
Why? | 0:06:19 | 0:06:20 | |
It's rare enough for a suicide to shoot themselves in the side of the face. | 0:06:20 | 0:06:24 | |
But this guy shot himself in the left side. | 0:06:24 | 0:06:26 | |
A right-hander would naturally hold the gun to the right side. | 0:06:26 | 0:06:29 | |
You're saying he shot himself on the wrong side? Silly boy. | 0:06:29 | 0:06:33 | |
Maybe he turned his head. | 0:06:39 | 0:06:40 | |
Yeah, I suppose so. Ever considered a career in pathology? | 0:06:43 | 0:06:47 | |
There's an entry wound above the left clavicle, consistent with a 9mm projectile. | 0:06:47 | 0:06:51 | |
There is a second entry wound approximately two centimetres from the first. | 0:06:51 | 0:06:57 | |
This bullet has exited the body...at the shoulder. | 0:06:59 | 0:07:03 | |
Are they all multiple gunshots? | 0:07:06 | 0:07:09 | |
Yeah, I think so. | 0:07:09 | 0:07:12 | |
Similar groupings? | 0:07:12 | 0:07:14 | |
-That's strange. -What is? | 0:07:22 | 0:07:24 | |
It's the pattern. | 0:07:25 | 0:07:27 | |
It looks like controlled bursts from an automatic weapon. | 0:07:28 | 0:07:32 | |
But the gun they found with the boy in the toilets was a pistol. Single-shot. | 0:07:32 | 0:07:37 | |
There are similar wound patterns on all three bodies that I examined. | 0:07:37 | 0:07:41 | |
Some of the students reported hearing automatic fire. | 0:07:41 | 0:07:45 | |
We'd assumed it was just the echo of the pistol shots in a confined space. | 0:07:45 | 0:07:50 | |
What about the spent shells you found? Were they all 9mm? | 0:07:50 | 0:07:54 | |
Yeah. | 0:07:54 | 0:07:55 | |
-Consistent with the pistol? -Or a small automatic, | 0:07:55 | 0:07:59 | |
any of the black-market imports are converted to 9mm. | 0:07:59 | 0:08:02 | |
I'm a gun short, aren't I? | 0:08:04 | 0:08:06 | |
You shouldn't really be in here. This is a team area. | 0:08:09 | 0:08:12 | |
Why don't we go to my office and I'll make you a cup of tea? | 0:08:12 | 0:08:17 | |
I don't want to go anywhere. | 0:08:17 | 0:08:19 | |
I just want to stay here for a bit. | 0:08:19 | 0:08:21 | |
You must be in shock. | 0:08:21 | 0:08:23 | |
I know I am. | 0:08:23 | 0:08:26 | |
Why? Why are you in shock? | 0:08:26 | 0:08:31 | |
I was in there, when it happened. I saw it too. | 0:08:31 | 0:08:34 | |
What did you see? | 0:08:34 | 0:08:35 | |
Where are you going? | 0:08:39 | 0:08:41 | |
To make that cup of tea. | 0:08:41 | 0:08:44 | |
Come back! | 0:08:45 | 0:08:46 | |
If you don't stop, I'm going to have to hurt you. | 0:08:49 | 0:08:51 | |
Come here. | 0:08:57 | 0:08:58 | |
I've locked the doors. | 0:08:58 | 0:09:02 | |
-What do you want? -What's through there? | 0:09:02 | 0:09:05 | |
Nothing. Offices. | 0:09:05 | 0:09:08 | |
Is it quiet? | 0:09:08 | 0:09:10 | |
Well, I want to go there. | 0:09:11 | 0:09:14 | |
-There, turn round there. -Why? | 0:09:20 | 0:09:24 | |
-Just do it now. -But I... | 0:09:24 | 0:09:25 | |
Shut up and do it! | 0:09:25 | 0:09:27 | |
Turn around and face the wall! | 0:09:27 | 0:09:29 | |
-Kneel down. -Please don't... | 0:09:29 | 0:09:34 | |
What's your name? | 0:09:40 | 0:09:42 | |
-Nikki. -Nikki. | 0:09:42 | 0:09:46 | |
I don't feel comfortable with you. | 0:09:46 | 0:09:48 | |
'All units, report progress.' | 0:09:51 | 0:09:53 | |
'Yellow unit, no gun found yet, moving to second floor.' | 0:09:53 | 0:09:56 | |
'This is red unit, still searching corridor M.' | 0:09:56 | 0:09:59 | |
Dr Mears. | 0:10:03 | 0:10:05 | |
I'm Scott Weston's mother. | 0:10:05 | 0:10:08 | |
You know who my son is now, don't you? | 0:10:09 | 0:10:12 | |
I'm needed in the control room. | 0:10:12 | 0:10:14 | |
They won't talk to me. I just... I need to know what's happening. | 0:10:14 | 0:10:17 | |
I'm just saying, | 0:10:17 | 0:10:19 | |
if you're straight with me, maybe I can help you. | 0:10:19 | 0:10:24 | |
If you move, I'm going to shoot you. | 0:10:32 | 0:10:34 | |
I just want to chill out. | 0:10:36 | 0:10:39 | |
I want to relax. | 0:10:39 | 0:10:40 | |
They'll be coming here. | 0:10:40 | 0:10:42 | |
This is a mortuary, they need to bring the bodies here. | 0:10:43 | 0:10:46 | |
They're not bringing them here. They're taking them to the sports hall. I saw them. | 0:10:46 | 0:10:50 | |
But they'll be looking for you. | 0:10:52 | 0:10:54 | |
They're not looking for me. They're not looking for anyone. | 0:10:54 | 0:10:57 | |
Have you got a cigarette? Or any drugs? | 0:11:03 | 0:11:07 | |
Have you got any drugs here? | 0:11:07 | 0:11:08 | |
There's no drugs here, nothing you'd want to take. | 0:11:15 | 0:11:18 | |
No-one here smokes. | 0:11:18 | 0:11:20 | |
-Where's his jacket? -Who? | 0:11:21 | 0:11:24 | |
Him. | 0:11:24 | 0:11:25 | |
Did Scott ever mention a pupil called Jason Renfrew? | 0:11:28 | 0:11:30 | |
Jay? Scott said he was helping him with his studies. | 0:11:30 | 0:11:34 | |
One of Scott's strays, he was always bringing people home for me to feed. | 0:11:34 | 0:11:40 | |
Jason and Neil, and Matthew last year. | 0:11:40 | 0:11:45 | |
M...Matthew Frisk? | 0:11:45 | 0:11:46 | |
I don't know, he's stopped talking about him. | 0:11:46 | 0:11:49 | |
When he was little, there was this boy, Nicholas. | 0:11:52 | 0:11:55 | |
His parents had split up. He used to follow Scott around everywhere. | 0:11:55 | 0:11:58 | |
Scott's little shadow, we used to call him. | 0:11:58 | 0:12:02 | |
He used to look at me like he knew everything about me. | 0:12:04 | 0:12:08 | |
Like I was stupid. | 0:12:10 | 0:12:11 | |
Teenagers do. | 0:12:11 | 0:12:12 | |
He was six. | 0:12:14 | 0:12:16 | |
Don't have kids, do you? | 0:12:19 | 0:12:21 | |
Just tell me what he's done. | 0:12:26 | 0:12:28 | |
-Why aren't they looking for you? -Because I didn't do it, did I? | 0:12:33 | 0:12:38 | |
The guy in the toilet. He did it, didn't he? | 0:12:38 | 0:12:43 | |
Why did you do it? | 0:12:43 | 0:12:46 | |
You just stood there, pulling the trigger, again and again. | 0:12:46 | 0:12:50 | |
Watching them die and then looking for more and doing it again. | 0:12:50 | 0:12:54 | |
Reloading, and doing it again. They were crying. | 0:12:54 | 0:12:58 | |
-I heard them begging you not to, begging you for their lives. But you just kept on shooting. -Be quiet. | 0:12:58 | 0:13:03 | |
What sort of person does that? | 0:13:03 | 0:13:04 | |
You want to know? | 0:13:09 | 0:13:11 | |
It was fun. Watching them running around. | 0:13:13 | 0:13:18 | |
Banging into each other. | 0:13:18 | 0:13:20 | |
Trying to hide, like you couldn't see them under the table, | 0:13:20 | 0:13:24 | |
behind the sofa. | 0:13:24 | 0:13:26 | |
Behind each other. | 0:13:26 | 0:13:28 | |
Pop. | 0:13:30 | 0:13:31 | |
Pop. | 0:13:31 | 0:13:33 | |
Pop. | 0:13:35 | 0:13:37 | |
It wasn't just kids, was it? | 0:13:41 | 0:13:43 | |
-What? -How many? -How many what? -I lost count. | 0:13:43 | 0:13:48 | |
Those stupid bastards. | 0:13:48 | 0:13:50 | |
They were people, with mothers and fathers and... | 0:13:50 | 0:13:53 | |
No, they weren't. They were shadows. | 0:13:53 | 0:13:56 | |
Little bundles of grey noise. | 0:13:56 | 0:13:59 | |
Like you. | 0:13:59 | 0:14:01 | |
Are you going to shoot me too? | 0:14:04 | 0:14:06 | |
-Any sign of them? -No. | 0:14:09 | 0:14:11 | |
-Leo? It's me. -'Where the hell are you?' | 0:14:19 | 0:14:21 | |
-Listen, Leo. -'What is it?' | 0:14:21 | 0:14:23 | |
Is it possible this isn't the guy? | 0:14:23 | 0:14:25 | |
'Why shouldn't it be?' | 0:14:25 | 0:14:26 | |
I don't know. | 0:14:26 | 0:14:28 | |
It doesn't seem self-inflicted. | 0:14:30 | 0:14:31 | |
-'There's a gun missing.' -Is there? | 0:14:31 | 0:14:34 | |
'They're assuming he tossed it.' | 0:14:34 | 0:14:36 | |
Is it an automatic? | 0:14:46 | 0:14:47 | |
You got kids? | 0:14:47 | 0:14:50 | |
-Yeah, two. -They'd miss you, wouldn't they? And your mum, she'd be upset. | 0:14:50 | 0:14:57 | |
Even my mum would be a bit put out, and I'm a monster. | 0:14:57 | 0:15:00 | |
-Your friends, they'd be lost without you, right? -Yeah. That's right. | 0:15:00 | 0:15:05 | |
Yeah! What about your husband? You do have a husband? | 0:15:05 | 0:15:08 | |
Yes. I've got a husband. | 0:15:08 | 0:15:10 | |
Does it make a difference? | 0:15:10 | 0:15:12 | |
I'm not married, I've got no mum, | 0:15:13 | 0:15:18 | |
she's been dead and buried for 20 years. And I haven't got any children. That was a lie too. | 0:15:18 | 0:15:22 | |
No-one would miss me. | 0:15:22 | 0:15:25 | |
So are you going to shoot me? | 0:15:27 | 0:15:29 | |
Who is the guy on the floor of the toilet? | 0:15:32 | 0:15:35 | |
Hmm? | 0:15:35 | 0:15:38 | |
Is he up there? Is he one of the shadows on your little list? | 0:15:45 | 0:15:50 | |
-Turn it off! -Did you get them all? | 0:15:50 | 0:15:52 | |
Or didn't it matter by then? Which one is he? | 0:15:52 | 0:15:55 | |
I shot him. And I left him there. | 0:15:55 | 0:15:59 | |
Now everyone thinks it's him. | 0:16:01 | 0:16:04 | |
And Scott was my friend. | 0:16:05 | 0:16:08 | |
-Two more crews on site, Karen. -Get onto the chief medic. | 0:16:11 | 0:16:14 | |
I want them briefed and standing by. | 0:16:14 | 0:16:17 | |
Where are we with the second gun? | 0:16:17 | 0:16:19 | |
Nothing in sector one or sector two... | 0:16:19 | 0:16:21 | |
What about the other sectors? | 0:16:21 | 0:16:23 | |
-Where's that gun? -I think you've got a problem, Commander. -Just one? | 0:16:23 | 0:16:26 | |
Scott Weston didn't shoot himself. | 0:16:26 | 0:16:29 | |
It's not just a gun you're looking for. | 0:16:29 | 0:16:31 | |
So what was your great plan? | 0:16:34 | 0:16:36 | |
You and Jason? Couldn't Jason go through with it? | 0:16:36 | 0:16:39 | |
I don't want to talk about Jason. He let me down. | 0:16:39 | 0:16:42 | |
-Do you really think you're going to walk out of here? -Why not? | 0:16:42 | 0:16:45 | |
They've got their shooter. They're not going to look any further. | 0:16:45 | 0:16:49 | |
He's not dead, you know. | 0:16:49 | 0:16:51 | |
-Who? -Scott. | 0:16:51 | 0:16:54 | |
-He's not dead. -Are you lying? | 0:16:54 | 0:16:56 | |
Your accomplice kills himself before the fun, and the guy you're pinning it on is alive. | 0:16:57 | 0:17:01 | |
It's a bit of a mess, isn't it? | 0:17:01 | 0:17:03 | |
-You have no idea what you're talking about. -You chickened out. | 0:17:03 | 0:17:07 | |
Because that was the deal, wasn't it? | 0:17:07 | 0:17:09 | |
Shoot as many as you can, then put a bullet in your own head. | 0:17:09 | 0:17:12 | |
But you, you bottled out. | 0:17:12 | 0:17:14 | |
I'm not going to bottle out this time. | 0:17:14 | 0:17:16 | |
You think I'm so desperate to live? | 0:17:16 | 0:17:18 | |
Like it's some big deal? | 0:17:18 | 0:17:20 | |
I always try to be different. | 0:17:20 | 0:17:22 | |
But I always end up copying someone else! | 0:17:24 | 0:17:27 | |
'Code Orange. Repeat, Code Orange. | 0:17:27 | 0:17:29 | |
-'Confirm.' -JP, received. -What's a Code Orange? | 0:17:29 | 0:17:32 | |
Something must be up. They're locking us down. | 0:17:32 | 0:17:34 | |
Stop where you are! Get down! | 0:17:39 | 0:17:41 | |
-What's your name? -What does it matter? -I need to know what to put on your toe-tag. | 0:17:51 | 0:17:55 | |
Neil Corrigan. | 0:17:55 | 0:17:58 | |
I don't want to watch you die, Neil Corrigan. | 0:17:58 | 0:18:01 | |
What are you doing? | 0:18:04 | 0:18:07 | |
Look at this. This is what their parents and families are going to have to look at. | 0:18:07 | 0:18:12 | |
This is what they get to read. | 0:18:12 | 0:18:14 | |
I fill them in and they get to read them. | 0:18:14 | 0:18:16 | |
And let's imagine what this bit will say. | 0:18:16 | 0:18:19 | |
"Bullet severed temporal artery. | 0:18:19 | 0:18:20 | |
"Perforated lung due to gunshot wound. | 0:18:20 | 0:18:22 | |
"Gunshot wound to the chest." | 0:18:22 | 0:18:24 | |
Can you imagine getting this? | 0:18:25 | 0:18:27 | |
The mother of every child you killed will get one. | 0:18:27 | 0:18:30 | |
She'll be wondering, why her? She'll look at the date of death, cause of death. | 0:18:30 | 0:18:35 | |
All that stuff. And then there's your mother. | 0:18:35 | 0:18:39 | |
She'll be getting one of those too. | 0:18:39 | 0:18:41 | |
What do you think I should do then? | 0:18:41 | 0:18:43 | |
Give yourself up. | 0:18:44 | 0:18:46 | |
You know something? | 0:18:56 | 0:18:59 | |
What? | 0:18:59 | 0:19:01 | |
I'm still in control here. | 0:19:01 | 0:19:04 | |
Where are these paramedics? | 0:19:04 | 0:19:07 | |
-I told you. It's a lock-down. -We have got to get him out of here. Now! -Nobody in or out. | 0:19:07 | 0:19:11 | |
Stay with me. Please. | 0:19:14 | 0:19:17 | |
-Don't worry, Scott, I'm not leaving you here. -Thank you. | 0:19:17 | 0:19:21 | |
We're going to get out of here. | 0:19:21 | 0:19:22 | |
Sector four clear. Moving on to the lower level. | 0:19:30 | 0:19:33 | |
Find him, I need to get people out of there. | 0:19:33 | 0:19:36 | |
-What's that? -It's CCTV of the evacuation from earlier. | 0:19:36 | 0:19:41 | |
-It's the main exit. -Stop. | 0:19:41 | 0:19:42 | |
Go back, slowly, slowly. Stop. | 0:19:42 | 0:19:46 | |
Even I wouldn't go back for my bag. And mine's a Balenciaga. | 0:19:50 | 0:19:54 | |
What's he's trying to conceal? | 0:19:54 | 0:19:56 | |
It's not the bag the subject was carrying. | 0:19:56 | 0:19:58 | |
No, it's larger. | 0:19:58 | 0:20:01 | |
Could have anything in it. Make sure none of the evacuees have gone. | 0:20:04 | 0:20:08 | |
Get onto the hospitals, talk to every officer accompanying a casualty. | 0:20:08 | 0:20:12 | |
Circulate that picture to all units. Shit. | 0:20:12 | 0:20:17 | |
Elvis has left the building. | 0:20:17 | 0:20:20 | |
Are you worried about Harry? | 0:20:26 | 0:20:29 | |
Karen said he's doing a great job. | 0:20:29 | 0:20:31 | |
I thought I'd lost them both. | 0:20:34 | 0:20:36 | |
Nikki and Harry. | 0:20:36 | 0:20:37 | |
Janet wants to talk about having children. | 0:20:40 | 0:20:42 | |
Thought she was pregnant, false alarm. | 0:20:44 | 0:20:46 | |
How do you feel about that? | 0:20:46 | 0:20:49 | |
I don't think I could bear it. | 0:20:50 | 0:20:53 | |
Losing another family. | 0:20:55 | 0:20:57 | |
Have you got it, then? | 0:21:01 | 0:21:03 | |
-Show me. -Just wait. | 0:21:03 | 0:21:05 | |
-'Latest update on the shooting that took place today...' -Sit! | 0:21:10 | 0:21:16 | |
'The police have confirmed that there are least three dead and the number of injured may rise. | 0:21:16 | 0:21:22 | |
'Emergency services are dealing with the casualties | 0:21:22 | 0:21:25 | |
'and the campus is still completely | 0:21:25 | 0:21:28 | |
'sealed off. According to our police source, | 0:21:28 | 0:21:30 | |
-'it's believed there was only one gunman.' -So what will you tell them? | 0:21:30 | 0:21:34 | |
About you? Nothing. | 0:21:34 | 0:21:36 | |
I'm not going to help make you famous. | 0:21:36 | 0:21:39 | |
It's funny. We're both assuming you're walking out of here and I'm not. | 0:21:39 | 0:21:44 | |
-'A statement issued from Downing Street has condemned the shooting...' -Am I evil? | 0:21:47 | 0:21:52 | |
I believe in good and evil. Does that surprise you? | 0:21:55 | 0:21:58 | |
Ahh, but you don't though, do you? | 0:22:00 | 0:22:02 | |
-You're just one of those bleeding-heart bitches. -Whatever you want. | 0:22:02 | 0:22:06 | |
-You're the man with the big gun in his hand. You tell me what to say. -Are you patronising me? | 0:22:06 | 0:22:10 | |
DOOR OPENS | 0:22:11 | 0:22:13 | |
-Who's that? -It's my boss. | 0:22:15 | 0:22:17 | |
He's just a doctor! | 0:22:17 | 0:22:19 | |
Professor Dalton, yeah, I'm at the Lyell Centre, outside the lab, | 0:22:37 | 0:22:40 | |
I can't get in. | 0:22:40 | 0:22:42 | |
No, I have tried, but the door are closed. | 0:22:42 | 0:22:46 | |
I thought my colleague was in there, but I can't reach her. | 0:22:49 | 0:22:53 | |
Yeah, OK. | 0:22:53 | 0:22:54 | |
THUD | 0:23:10 | 0:23:12 | |
Commander Somerville, this is Leo Dalton. | 0:23:25 | 0:23:27 | |
I've found your missing gunman. He's in the Lyell Centre. | 0:23:27 | 0:23:30 | |
He's in my building. He's holding Dr Alexander. | 0:23:30 | 0:23:34 | |
Christ. Yes, I am sure! | 0:23:34 | 0:23:36 | |
Just, just go. Go now. Get out of here. | 0:23:41 | 0:23:45 | |
There's some bins you can climb and then get over the wall. | 0:23:45 | 0:23:49 | |
Leave the gun and go before they come. | 0:23:49 | 0:23:51 | |
They're coming, Neil. | 0:23:51 | 0:23:53 | |
Good. | 0:23:53 | 0:23:55 | |
Neil Corrigan. Glencarrick Flats, Ealing. | 0:23:55 | 0:23:58 | |
My unit's in position at the Lyell Centre, ma'am. No visual contact. | 0:23:58 | 0:24:01 | |
Shouldn't you try and contact him, to talk to him? | 0:24:01 | 0:24:04 | |
I'm not doing anything until I know who he is. | 0:24:04 | 0:24:06 | |
Know who he is?! You have a building full of dead bodies. | 0:24:06 | 0:24:10 | |
How much more do you need to know about him? If you go in there, he will kill her. | 0:24:10 | 0:24:14 | |
-I think you're sick. -That's another word for it. | 0:24:18 | 0:24:22 | |
What's that for? Were you planning a celebratory rave? | 0:24:25 | 0:24:28 | |
Yeah. Something like that. | 0:24:28 | 0:24:30 | |
Have you got a headache? Do you get a lot of those? | 0:24:35 | 0:24:39 | |
There was this guy in 1966, who shot dead 14 people in his university in Texas. | 0:24:39 | 0:24:45 | |
He wrote a suicide note, asked for them to cut him open. | 0:24:45 | 0:24:48 | |
The post-mortem found a tumour the size of a golf-ball pressing against his frontal lobe. | 0:24:49 | 0:24:54 | |
So it's a simple case of faulty wiring, | 0:24:54 | 0:24:57 | |
a few dud units? | 0:24:57 | 0:25:00 | |
What if YOU'RE the aberration, Little Miss Perfect? | 0:25:00 | 0:25:03 | |
I mean, history isn't exactly chock-full of heart-warming tales. | 0:25:03 | 0:25:08 | |
-It's just damage. Congenital or trauma. -Ah, nature and nurture. | 0:25:08 | 0:25:13 | |
-Promise it'll be you that cuts me open, Dr Alexander. -Wait. | 0:25:15 | 0:25:19 | |
That's better. I can't examine your brain if it's splattered all over my wall, can I? | 0:25:32 | 0:25:37 | |
Can we just stop playing games, Neil? | 0:25:39 | 0:25:41 | |
Clear! | 0:26:06 | 0:26:08 | |
-Mrs Eileen Corrigan? -'She hadn't eaten all day.' | 0:26:09 | 0:26:11 | |
She was waiting for him to give her lunch. | 0:26:11 | 0:26:14 | |
So he's her carer? | 0:26:14 | 0:26:16 | |
Christ. Did you find anything? | 0:26:16 | 0:26:17 | |
No weapons, no terrorist materials. | 0:26:17 | 0:26:20 | |
Glencarrick's a shithole. I'd go postal in there. | 0:26:20 | 0:26:23 | |
Students are queuing up to tell us what a weirdo he was. | 0:26:23 | 0:26:26 | |
Sir, we're ready for you. | 0:26:26 | 0:26:27 | |
Have you got anything to eat in here? | 0:26:27 | 0:26:30 | |
I'm hungry. | 0:26:30 | 0:26:32 | |
I haven't eaten since breakfast. It's been a long day. | 0:26:32 | 0:26:35 | |
Come on, you guys must eat here. There must be a sandwich or something. | 0:26:37 | 0:26:41 | |
This is a mortuary. | 0:26:41 | 0:26:43 | |
I've got a headache, I'm so hungry. I get a bit hypoglycaemic... | 0:26:43 | 0:26:47 | |
It doesn't have to be fancy, just a Mars bar or something! | 0:26:47 | 0:26:51 | |
Oh, my God. | 0:26:51 | 0:26:54 | |
Get off your arse and find me something to eat! | 0:26:54 | 0:26:58 | |
PHONE RINGS | 0:26:58 | 0:27:01 | |
PHONE RINGS | 0:27:14 | 0:27:17 | |
Pepperoni, double cheese, stuffed crust. | 0:27:21 | 0:27:23 | |
PHONE RINGS | 0:27:30 | 0:27:32 | |
They'll be wanting the address. | 0:27:34 | 0:27:36 | |
'Neil? My name's Jeremy Shaw. | 0:27:40 | 0:27:43 | |
'We haven't met. But I want to help you. | 0:27:43 | 0:27:47 | |
'There is a way out of this, Neil. Do you need anything? | 0:27:47 | 0:27:51 | |
'Are you hurt, Neil? | 0:27:51 | 0:27:54 | |
'I spoke to your mum. She asked me to...' PHONE HANGS UP | 0:27:54 | 0:27:57 | |
Brilliant. | 0:27:57 | 0:27:59 | |
-Leave it three minutes, and then try again. -Karen? | 0:27:59 | 0:28:01 | |
It's Hendricks at Lambeth control, about a news website in the States. They've received a video file. | 0:28:01 | 0:28:07 | |
They're saying it's a suicide note. | 0:28:07 | 0:28:10 | |
Karen Somerville. | 0:28:15 | 0:28:17 | |
No, YOU handle police press. | 0:28:17 | 0:28:20 | |
Handle this. | 0:28:20 | 0:28:21 | |
I don't care what jurisdiction they're in. Tell them if they post this, we'll sue them. | 0:28:21 | 0:28:26 | |
Wherever they are. Get Simpson onto FBI liaison. I need to see this. | 0:28:26 | 0:28:30 | |
-Did he post it anywhere else? -Lambeth haven't found anything. -This is what he's holding out for. | 0:28:30 | 0:28:36 | |
For his message to go live. | 0:28:36 | 0:28:38 | |
Neil. | 0:28:46 | 0:28:48 | |
There's a fridge upstairs. | 0:28:51 | 0:28:53 | |
You're hungry. It's hard to think straight when you're hungry. | 0:28:53 | 0:28:57 | |
Please, Neil, talk to me. | 0:29:01 | 0:29:03 | |
Neil? | 0:29:06 | 0:29:07 | |
Turn around. Don't look at me. | 0:29:07 | 0:29:10 | |
Was it for him? For Jason? | 0:29:15 | 0:29:19 | |
Revenge for what they did to him? | 0:29:19 | 0:29:21 | |
He cut his wrists, right? | 0:29:21 | 0:29:23 | |
Why did he do it? | 0:29:27 | 0:29:29 | |
I don't know. Maybe he didn't want to do this. | 0:29:30 | 0:29:36 | |
Maybe he was angry, wanted to hurt someone, but he didn't want to go through with your plan. | 0:29:36 | 0:29:42 | |
So he hurt himself instead. | 0:29:42 | 0:29:44 | |
That's not it. | 0:29:44 | 0:29:46 | |
What is it then? | 0:29:49 | 0:29:50 | |
You wouldn't know. Scott would know. | 0:29:51 | 0:29:55 | |
Scott knows everything. | 0:29:55 | 0:29:58 | |
What have I done? | 0:30:00 | 0:30:02 | |
"I am become death, destroyer of worlds." | 0:30:02 | 0:30:06 | |
No, that's not Oppenheimer's regret. That's his vanity. | 0:30:06 | 0:30:09 | |
I mean, the nuke is progress. | 0:30:09 | 0:30:12 | |
You don't have to like it but it's moved us on. | 0:30:12 | 0:30:14 | |
There's nothing essentially wrong with assassination. | 0:30:14 | 0:30:17 | |
It's like topless sunbathing. You've just got to take out the right tits. | 0:30:17 | 0:30:20 | |
Here, I think Neil wishes he'd said that. | 0:30:23 | 0:30:25 | |
He will, Jason. I guarantee it. | 0:30:25 | 0:30:27 | |
What are you saying? | 0:30:29 | 0:30:30 | |
Well, I mean we talk about it all the time, | 0:30:30 | 0:30:33 | |
but what about it? | 0:30:33 | 0:30:35 | |
Not murder, no, I'm talking about a cull. | 0:30:35 | 0:30:38 | |
Club a few seals for the greater good. | 0:30:38 | 0:30:40 | |
Scott? Scott! | 0:30:43 | 0:30:44 | |
His pupil's fixed and dilated and he's bradycardic. | 0:30:47 | 0:30:50 | |
Yeah. I hate it when that happens. | 0:30:50 | 0:30:53 | |
I think there's bleeding inside his skull. And if I'm right and the pressure isn't relieved, then... | 0:30:53 | 0:30:58 | |
George, hi, it's Harry Cunningham. | 0:31:00 | 0:31:02 | |
I'm in a bit of a situation. | 0:31:02 | 0:31:03 | |
I've got a guy in front of me with a gunshot wound to the face. | 0:31:03 | 0:31:06 | |
I'm thinking maybe extradural haematoma or subdural haematoma? | 0:31:06 | 0:31:12 | |
And there is a possible depressed fracture to the skull, and the pupil is fixed and I'm worried now... | 0:31:12 | 0:31:18 | |
Yeah, hang on, hang on. Yeah, go on. | 0:31:18 | 0:31:23 | |
And then, er... I was afraid you'd say that. | 0:31:27 | 0:31:30 | |
Maybe I should just wait till he's... | 0:31:30 | 0:31:32 | |
Tell me again. Yep. Tell me again. | 0:31:32 | 0:31:35 | |
And this is the most recent layout you've got, is it? 2000? | 0:31:35 | 0:31:40 | |
Well, there are more up-to-date plans, yeah. | 0:31:40 | 0:31:43 | |
In my office. | 0:31:46 | 0:31:47 | |
So you're saying a set of double doors here? | 0:31:49 | 0:31:53 | |
What's the problem? You're not worried we're going to break your test tubes, are you? | 0:31:53 | 0:31:57 | |
This isn't the way to sort this out. We've had enough... | 0:31:57 | 0:32:00 | |
Do you know what I've had enough of? | 0:32:00 | 0:32:02 | |
People like you saying, "There's been enough dying for one day." | 0:32:02 | 0:32:05 | |
Excuse me for being a blunt Northerner, but there's actually nothing wrong with people dying. | 0:32:05 | 0:32:09 | |
Just so long as it's the right person who dies. | 0:32:09 | 0:32:12 | |
Oh, so you can guarantee to smite only the wicked, can you? | 0:32:12 | 0:32:14 | |
I'd have a damn sight better chance if I knew where the bloody doors were. | 0:32:14 | 0:32:18 | |
Everything OK, Mr Dalton? | 0:32:18 | 0:32:20 | |
Yes, yeah, just discussing Stockwell tube station with Mr Kant. | 0:32:20 | 0:32:25 | |
I don't understand. Did Scott try to stop you? | 0:32:26 | 0:32:30 | |
Scott was there for me. | 0:32:30 | 0:32:32 | |
He was there for all of us. | 0:32:32 | 0:32:34 | |
He saved Jason. | 0:32:34 | 0:32:36 | |
-From bullies? -From everything. | 0:32:36 | 0:32:39 | |
Jay was lost before Scott found him. | 0:32:39 | 0:32:41 | |
Were you jealous? | 0:32:41 | 0:32:43 | |
-What? -Of Scott and Jason? | 0:32:43 | 0:32:45 | |
Are you nuts? Scott and Jason were my friends. | 0:32:46 | 0:32:50 | |
Do you even know what that means? It means you'd do anything for them. | 0:32:50 | 0:32:55 | |
You'd die for them. | 0:32:57 | 0:32:59 | |
Or kill for them? | 0:32:59 | 0:33:02 | |
But they wouldn't kill for you, would they? | 0:33:04 | 0:33:06 | |
-Those people in the pictures... -Oh, that was just a laugh, a bit of fun. | 0:33:10 | 0:33:14 | |
We'd sit up there and shoot them. | 0:33:14 | 0:33:16 | |
-Pop. Pop. Pop. -Fun? | 0:33:16 | 0:33:19 | |
I saw them dead. I saw Matthew dead, | 0:33:19 | 0:33:22 | |
and I saw that girl Claire that you shot in the back. | 0:33:22 | 0:33:25 | |
What did she do to get on your little list? | 0:33:25 | 0:33:29 | |
Stupid bitch wasn't on the list. | 0:33:29 | 0:33:30 | |
So why did you hurt her, then? | 0:33:30 | 0:33:32 | |
-What? She just got in your way? -Claire always got in the way. | 0:33:32 | 0:33:36 | |
If she'd loved him, | 0:33:36 | 0:33:38 | |
if she'd really loved Jason, he'd be alive now, wouldn't he? | 0:33:38 | 0:33:42 | |
Jason was with Claire? | 0:33:42 | 0:33:43 | |
If you were in love, you wouldn't kill yourself, would you? Not if you felt loved back. | 0:33:43 | 0:33:48 | |
That's right, isn't it? | 0:33:48 | 0:33:49 | |
You're asking the wrong person, Neil. | 0:33:52 | 0:33:55 | |
But I think it's tempting to confuse need with love. | 0:33:59 | 0:34:03 | |
I wasn't confused. | 0:34:03 | 0:34:05 | |
You loved Jason, didn't you? | 0:34:12 | 0:34:15 | |
What, you think I'm not capable? | 0:34:15 | 0:34:19 | |
Shit, shit, shit. | 0:34:21 | 0:34:23 | |
You were wrong? You were right? | 0:34:23 | 0:34:25 | |
Fragments of the skull have punctured the middle meningeal artery, | 0:34:25 | 0:34:29 | |
causing a haematoma to form behind the depressed fracture. | 0:34:29 | 0:34:33 | |
So...unless I can release the blood clot, | 0:34:33 | 0:34:36 | |
the pressure on his brain is going to kill him. | 0:34:36 | 0:34:39 | |
-Have you got anything? -For what? -Making a hole in his skull. | 0:34:39 | 0:34:43 | |
Yeah, really. Anything? | 0:34:43 | 0:34:45 | |
OK, good. | 0:34:48 | 0:34:52 | |
Sit there. | 0:34:57 | 0:34:58 | |
I want you to...hold his head. | 0:35:01 | 0:35:04 | |
Very firmly, carefully, because I don't want his brain on my shoe. | 0:35:05 | 0:35:08 | |
-Fine. Have you done this before? -A while ago. | 0:35:08 | 0:35:13 | |
The last guy didn't make it, did he? | 0:35:13 | 0:35:15 | |
You just hold onto him, OK? | 0:35:15 | 0:35:17 | |
OK. | 0:35:31 | 0:35:32 | |
OK. | 0:35:36 | 0:35:38 | |
Well? Is he going to make it? | 0:35:50 | 0:35:53 | |
I don't know. | 0:35:53 | 0:35:55 | |
How are we fixed, Kant? | 0:35:59 | 0:36:01 | |
'Still in position at the Lyell Building, ma'am. | 0:36:01 | 0:36:04 | |
'Awaiting your command.' | 0:36:04 | 0:36:05 | |
Evacuate all personnel and casualties from the campus. | 0:36:05 | 0:36:09 | |
-Yes, ma'am. -Yes, ma'am. | 0:36:09 | 0:36:10 | |
That's right, get them all out. | 0:36:15 | 0:36:17 | |
Nobody should see what's going to happen here. | 0:36:17 | 0:36:21 | |
You killed all those people because Jason turned you down? | 0:36:21 | 0:36:25 | |
They died because that's what I wanted. | 0:36:27 | 0:36:29 | |
I wanted them dead, and now they are. | 0:36:29 | 0:36:32 | |
Congratulations, Neil. | 0:36:32 | 0:36:35 | |
I thought you said you were hungry. There's food in that bag. | 0:36:43 | 0:36:46 | |
I forgot. It was a special tea for my mum. | 0:36:48 | 0:36:51 | |
Today didn't turn out quite the way I expected. | 0:36:51 | 0:36:53 | |
The 20th of October. | 0:36:55 | 0:36:57 | |
Your big day. | 0:36:57 | 0:36:58 | |
-How did you know? Hey, it makes me a Libra, doesn't it? -It's your birthday? | 0:36:58 | 0:37:04 | |
And all this is your gift to the world? | 0:37:04 | 0:37:07 | |
No, stupid. | 0:37:07 | 0:37:09 | |
This is my birthday surprise. | 0:37:09 | 0:37:12 | |
Extradural haematoma. The procedure was more RSPCA than RCS. | 0:37:14 | 0:37:18 | |
-Can I go with him? I'm his mother. -Yes. Come on, love. | 0:37:18 | 0:37:22 | |
-Thank you. -No, no, Scott asked me to stay with him, so... | 0:37:23 | 0:37:27 | |
But you did, didn't you? | 0:37:27 | 0:37:30 | |
You OK? | 0:37:33 | 0:37:35 | |
You know he didn't do it? | 0:37:36 | 0:37:38 | |
I thought we didn't care either way. | 0:37:38 | 0:37:40 | |
-All the best. -See you. | 0:37:40 | 0:37:42 | |
'Video feed coming through now, ma'am.' | 0:37:49 | 0:37:51 | |
'By now, you'll know the details. | 0:37:56 | 0:37:59 | |
'You'll know how many. You might even know how. | 0:37:59 | 0:38:02 | |
'You'll know the names, but you won't know why. | 0:38:02 | 0:38:05 | |
'You'll want to know that this could never happen again...' | 0:38:05 | 0:38:10 | |
Jennifer, do you know where Leo is? | 0:38:10 | 0:38:12 | |
'But you still won't know why. | 0:38:12 | 0:38:14 | |
'You don't understand. | 0:38:14 | 0:38:16 | |
'You're not capable. | 0:38:16 | 0:38:19 | |
'So I had to make it loud enough for you to hear. | 0:38:19 | 0:38:21 | |
'You're listening now though, aren't you? You see, even now | 0:38:21 | 0:38:26 | |
'you don't know how big this is going to be, how far it reaches. | 0:38:26 | 0:38:32 | |
'The effective range of this action. | 0:38:32 | 0:38:35 | |
'You still don't realise that I'm not even talking to you. | 0:38:37 | 0:38:40 | |
'And why would I? | 0:38:40 | 0:38:42 | |
'Are you going to try and write it off? | 0:38:43 | 0:38:45 | |
'"He was a loner, a depressive, | 0:38:45 | 0:38:48 | |
'"a sad little psycho." Same old shit, | 0:38:48 | 0:38:52 | |
but it keeps happening, don't it? | 0:38:52 | 0:38:55 | |
'You don't know how to make it stop. | 0:38:55 | 0:38:57 | |
'Because I am the light and you are the shadows.' | 0:38:59 | 0:39:05 | |
So you didn't know it was going to happen? | 0:39:08 | 0:39:11 | |
You thought you were going home to have dinner with your mum, your birthday dinner, and you didn't know? | 0:39:11 | 0:39:16 | |
I told you. It would have spoiled the surprise. | 0:39:16 | 0:39:19 | |
So what is it? What did you get me? | 0:39:23 | 0:39:26 | |
Oh, my! Can I touch it? | 0:39:26 | 0:39:29 | |
God. It's heavy. I thought you were joking. You told me it'd be something special. | 0:39:32 | 0:39:36 | |
This isn't even it. | 0:39:36 | 0:39:38 | |
-What did you have in mind, Mr Weston? -That depends. | 0:39:38 | 0:39:41 | |
Who would you most like to scare the living shit out of? | 0:39:41 | 0:39:45 | |
THEY LAUGH | 0:39:45 | 0:39:47 | |
Claire? | 0:39:49 | 0:39:51 | |
What do you want? | 0:39:51 | 0:39:52 | |
I just wanted to talk to you. | 0:39:54 | 0:39:57 | |
We sort of got off on the wrong foot. | 0:39:57 | 0:39:59 | |
Give him a chance, Claire. Life's too short not to get on. | 0:39:59 | 0:40:04 | |
I've got something for you. | 0:40:04 | 0:40:06 | |
I keep it in my pants. | 0:40:06 | 0:40:08 | |
Oh, for God's sake... | 0:40:08 | 0:40:10 | |
HE LAUGHS | 0:40:10 | 0:40:11 | |
Why can't you take a hint, just piss off and leave me and Jase alone. | 0:40:11 | 0:40:16 | |
I thought you were going to talk some sense into him, Scott? | 0:40:16 | 0:40:19 | |
Stop it. | 0:40:21 | 0:40:23 | |
Tell him, Scott. | 0:40:24 | 0:40:25 | |
It's heavy. | 0:40:27 | 0:40:29 | |
It's real. | 0:40:29 | 0:40:31 | |
Do you want to hold my piece? | 0:40:33 | 0:40:35 | |
-Look, come on, Neil, I think you're scaring her. -Do you think so? | 0:40:35 | 0:40:38 | |
I'm sure she's had a bigger one than this. Haven't you, Clairey? | 0:40:38 | 0:40:41 | |
Thank you for showing me your big piece, Neil. | 0:40:44 | 0:40:46 | |
Now I've got to go. | 0:40:46 | 0:40:49 | |
Now that's what I call a birthday surprise! | 0:40:55 | 0:40:58 | |
'This will matter. | 0:41:00 | 0:41:04 | |
'Are you getting this? | 0:41:04 | 0:41:06 | |
'You see even now, you haven't a clue, have you?' | 0:41:08 | 0:41:11 | |
You still don't know how big this is going to be. | 0:41:11 | 0:41:16 | |
Harry? | 0:41:19 | 0:41:20 | |
'Shhh.' | 0:41:20 | 0:41:22 | |
It's coming. | 0:41:23 | 0:41:25 | |
Were we watching the same thing in there? Scott Weston did this. | 0:41:25 | 0:41:28 | |
Not the other boy. | 0:41:28 | 0:41:30 | |
So why is Neil Corrigan pointing the murder weapon at one of your colleagues? | 0:41:30 | 0:41:33 | |
Nobody saw more than one gunman. One gunman, one video. | 0:41:33 | 0:41:36 | |
Two guns. They did it together. | 0:41:36 | 0:41:39 | |
Unfortunately, Neil chickened out of the suicide pact. | 0:41:39 | 0:41:43 | |
So now you're going to do it for him? | 0:41:43 | 0:41:45 | |
-What have you done, man? -I did what you wanted me to do. | 0:41:49 | 0:41:52 | |
-You always wanted her on the list. Jason wouldn't let you. -What? | 0:41:52 | 0:41:57 | |
No. I was, I was joking, having a laugh. | 0:41:59 | 0:42:02 | |
If I'd told you, it would have ruined the surprise. | 0:42:02 | 0:42:05 | |
Claire? Claire? | 0:42:07 | 0:42:09 | |
She was a moron, Neil. | 0:42:09 | 0:42:12 | |
This is real! | 0:42:12 | 0:42:13 | |
No, it isn't. She's not real. | 0:42:14 | 0:42:17 | |
None of them are real. | 0:42:17 | 0:42:19 | |
Look...I'll show you how it works. | 0:42:20 | 0:42:25 | |
They're just shadows. Come on. | 0:42:43 | 0:42:46 | |
You've no idea how good this feels. | 0:42:47 | 0:42:49 | |
-What's going on, Scott? -Nothing, Matty. | 0:42:53 | 0:42:56 | |
Change the world, Neil. | 0:43:02 | 0:43:04 | |
Yes, we can! | 0:43:05 | 0:43:07 | |
DISTANT SCREAMING | 0:43:17 | 0:43:20 | |
GUNSHOTS | 0:43:20 | 0:43:22 | |
SCREAMING | 0:43:24 | 0:43:25 | |
We have to stop this, Neil. | 0:43:42 | 0:43:43 | |
-Tell them, it wasn't you. -It was me. Haven't you been listening? | 0:43:46 | 0:43:50 | |
You just said that Scott... | 0:43:50 | 0:43:51 | |
No, Scott told the truth. | 0:43:51 | 0:43:54 | |
Always. | 0:43:54 | 0:43:55 | |
It's me. I'm the liar. I'm the one who hides. | 0:43:55 | 0:43:59 | |
KNOCK ON DOOR | 0:43:59 | 0:44:02 | |
Neil. Come on, man, I'm tired. | 0:44:02 | 0:44:04 | |
We got them, Neil. | 0:44:12 | 0:44:14 | |
At least ten of them. You should have seen them all running around. | 0:44:14 | 0:44:18 | |
Banging into each other. | 0:44:18 | 0:44:20 | |
Trying to hide like I couldn't see them, under tables, behind sofas. | 0:44:20 | 0:44:25 | |
Shit, man, | 0:44:27 | 0:44:29 | |
they were even hiding behind each other. | 0:44:29 | 0:44:32 | |
Pop. Pop. | 0:44:32 | 0:44:34 | |
Pop. They're all gone now. | 0:44:34 | 0:44:39 | |
I'll be out. Just give me a minute. | 0:44:39 | 0:44:42 | |
Come on, man. It's boring out here. | 0:44:42 | 0:44:44 | |
Hey. | 0:44:49 | 0:44:50 | |
Happy birthday. | 0:44:55 | 0:44:57 | |
PHONE BEEPS | 0:45:01 | 0:45:03 | |
Who you calling, man? | 0:45:03 | 0:45:05 | |
BANGING | 0:45:05 | 0:45:06 | |
Neil! | 0:45:06 | 0:45:08 | |
Who are you calling, Neil? Are you calling the police? | 0:45:08 | 0:45:11 | |
No. No. I wouldn't do that. | 0:45:11 | 0:45:13 | |
What have you done to him? | 0:45:18 | 0:45:20 | |
No, not Jason! | 0:45:21 | 0:45:24 | |
Look at you. | 0:45:24 | 0:45:25 | |
You're pathetic. Didn't you say the other night that you hated him? | 0:45:25 | 0:45:29 | |
-What are you talking about? -Yeah? | 0:45:29 | 0:45:31 | |
You killed him, didn't you? | 0:45:31 | 0:45:34 | |
I didn't have to. He did it all himself. | 0:45:34 | 0:45:37 | |
Why are you crying? | 0:45:39 | 0:45:41 | |
Jason's dead! | 0:45:42 | 0:45:44 | |
Did he not tell you he was going to do it? You know, cut his wrists? | 0:45:44 | 0:45:48 | |
Why did he do that, do you think? | 0:45:48 | 0:45:50 | |
-I've no idea... -No, no, no, I mean, why his wrists? | 0:45:50 | 0:45:54 | |
When anyone knows if you really want to die, | 0:45:54 | 0:45:57 | |
..you cut that big artery in your arm? | 0:45:58 | 0:46:01 | |
I saw him two days ago, we went shopping for your party. | 0:46:01 | 0:46:05 | |
It wasn't for my party. | 0:46:05 | 0:46:07 | |
-It was for your surprise. -He knew about this? -Yeah. | 0:46:09 | 0:46:14 | |
Course he did. | 0:46:14 | 0:46:16 | |
He was all up for it then... | 0:46:16 | 0:46:19 | |
But when it came down to it, he was just like you. | 0:46:19 | 0:46:22 | |
A shadow...of a man. | 0:46:22 | 0:46:25 | |
DISTANT GROANING | 0:46:25 | 0:46:27 | |
Can you hear them? | 0:46:27 | 0:46:29 | |
It's cruel, isn't it? | 0:46:29 | 0:46:32 | |
I should put them out of their misery. | 0:46:32 | 0:46:34 | |
Do you mind? It's just the MAC-10 nearly out of mags | 0:46:36 | 0:46:39 | |
and you don't look like you know what to do with it. | 0:46:39 | 0:46:41 | |
Ow! | 0:46:41 | 0:46:43 | |
-I never asked you to do any of this. -What? | 0:46:44 | 0:46:47 | |
You were always banging on about sticking them up against a wall. | 0:46:47 | 0:46:50 | |
Tell me the truth. Is Jason dead? | 0:46:50 | 0:46:53 | |
I do all this for you, and all you can talk about is him? | 0:46:53 | 0:46:58 | |
I'm feeling a little bit dissed. | 0:46:58 | 0:46:59 | |
What is it, Neil, | 0:46:59 | 0:47:01 | |
don't you fancy me as much as you fancy Jason? | 0:47:01 | 0:47:04 | |
-It's pathetic. -It's not. | 0:47:04 | 0:47:06 | |
No, not that, not your sad little queer thing. | 0:47:06 | 0:47:11 | |
The pathetic bit is that you never had the balls to tell him. | 0:47:11 | 0:47:14 | |
Maybe if he'd known, he might not have topped himself. | 0:47:14 | 0:47:17 | |
I mean, if you felt love, you wouldn't kill yourself, would you? | 0:47:17 | 0:47:20 | |
Not if someone told you they loved you. | 0:47:21 | 0:47:24 | |
But you don't feel anything strong enough, do you? | 0:47:26 | 0:47:28 | |
You don't hate enough to do what you want to do. You don't love enough to do anything about it. | 0:47:28 | 0:47:33 | |
I'm not you, Scott. I'm not strong enough. | 0:47:33 | 0:47:36 | |
You've always wanted to be me. You copy everything I do. | 0:47:36 | 0:47:38 | |
You even dress like me. | 0:47:38 | 0:47:40 | |
I always took it as a compliment. | 0:47:40 | 0:47:42 | |
MY little shadow. | 0:47:42 | 0:47:45 | |
Do you like fireworks? | 0:47:47 | 0:47:49 | |
You always used to. | 0:47:49 | 0:47:52 | |
Come on... | 0:47:59 | 0:48:01 | |
They'll think it was both of us, that we did this together. | 0:48:01 | 0:48:06 | |
They'll think you're as strong as I am. | 0:48:06 | 0:48:08 | |
You know what... | 0:48:14 | 0:48:15 | |
'You didn't do this, Neil.' | 0:48:18 | 0:48:20 | |
You didn't do it. | 0:48:20 | 0:48:22 | |
You stopped it. | 0:48:22 | 0:48:24 | |
-No. -Yes, and look at it this way. You saved a lot of people. -You think that's why I shot him, | 0:48:24 | 0:48:30 | |
to save you lot? I did it because I wanted him to stop talking. | 0:48:30 | 0:48:34 | |
I don't believe that. | 0:48:34 | 0:48:37 | |
I was going to tell Jason how I felt. | 0:48:37 | 0:48:40 | |
I had to write it down, cos I knew I'd mess it up. I was going to tell him that night. | 0:48:40 | 0:48:45 | |
Jason and me in the car driving round every corner shop in west London | 0:48:45 | 0:48:49 | |
trying to find those bloody glowsticks for Scott's party. | 0:48:49 | 0:48:53 | |
Took us half the night, just Jason and me freezing our arses off in his crappy car, cruising... | 0:48:53 | 0:48:59 | |
-laughing, shivering, the whole car glowing bright green with those stupid things. -Neil, listen to me. | 0:48:59 | 0:49:05 | |
Oh, shut up! Don't you think I know? | 0:49:05 | 0:49:08 | |
-Know what? -That cut. The one on Jason's arm. | 0:49:08 | 0:49:11 | |
The big artery in your elbow. | 0:49:11 | 0:49:12 | |
Scott did that to him. | 0:49:12 | 0:49:14 | |
Jason didn't want to die. | 0:49:19 | 0:49:21 | |
Please, Scott, don't do it... | 0:49:34 | 0:49:37 | |
You think I need your poxy little list? | 0:49:37 | 0:49:40 | |
You never had much imagination, did you, Jason? | 0:49:40 | 0:49:44 | |
-Neil. -He didn't want this. | 0:49:44 | 0:49:46 | |
Neil, listen to me. This isn't over. | 0:49:46 | 0:49:49 | |
I think I know what Scott was planning. | 0:49:49 | 0:49:51 | |
How many of these glowsticks did you buy? | 0:49:51 | 0:49:54 | |
I don't know, boxes of them. | 0:49:54 | 0:49:56 | |
-Who gives a shit? -Scott did. | 0:49:56 | 0:49:58 | |
I think this is part of it. | 0:49:58 | 0:50:00 | |
Jason had buccal nitrate on his skin. | 0:50:00 | 0:50:02 | |
We thought he'd come into contact with it at the dry-cleaner's. | 0:50:02 | 0:50:05 | |
It becomes highly explosive when you mix it with hydrogen bisulphate. | 0:50:05 | 0:50:09 | |
That's what these things are made of. | 0:50:09 | 0:50:11 | |
That's why Scott made you buy them. | 0:50:11 | 0:50:13 | |
You said that he was talking about fireworks. | 0:50:13 | 0:50:16 | |
I think Jason must have realised. | 0:50:16 | 0:50:18 | |
This wasn't for you, Neil. This wasn't about settling scores. | 0:50:18 | 0:50:21 | |
It wasn't even about the shooting. | 0:50:21 | 0:50:24 | |
The whole campus is full of people, | 0:50:24 | 0:50:26 | |
parents and students, police, medics... | 0:50:26 | 0:50:29 | |
Do you understand what I'm saying? | 0:50:29 | 0:50:31 | |
This isn't about you and me any more. | 0:50:31 | 0:50:33 | |
We've got to warn them. There are hundreds of people out there. | 0:50:33 | 0:50:36 | |
I saw them, Nikki. | 0:50:36 | 0:50:38 | |
All those people dead. I could have... I could have helped them. | 0:50:39 | 0:50:44 | |
And now I don't know what to do. | 0:50:44 | 0:50:46 | |
Just tell me what to do. | 0:50:46 | 0:50:48 | |
You know what to do, Neil. | 0:50:48 | 0:50:51 | |
-Neil! Neil? -Dr Alexander, are you all right? | 0:51:02 | 0:51:05 | |
You need to get everyone off the campus. | 0:51:08 | 0:51:11 | |
NOW! | 0:51:11 | 0:51:12 | |
Stay with me. | 0:51:39 | 0:51:41 | |
'You don't understand. | 0:51:51 | 0:51:54 | |
'You're not capable... | 0:51:54 | 0:51:56 | |
'..so I had to make it loud enough for you to hear. | 0:51:58 | 0:52:03 | |
'You're listening now though, aren't you? | 0:52:05 | 0:52:08 | |
'You see, even now, you don't know how big | 0:52:10 | 0:52:14 | |
'this is going to be. | 0:52:14 | 0:52:15 | |
'How far it reaches, the effective range of this action. | 0:52:17 | 0:52:21 | |
'Because I am the light... | 0:52:21 | 0:52:24 | |
'..and you are the shadows. | 0:52:27 | 0:52:30 | |
'Pop, pop, pop.' | 0:52:36 | 0:52:40 | |
Oh, Jesus. | 0:52:41 | 0:52:42 | |
It was a joke. | 0:52:55 | 0:52:57 | |
It was a really bad joke. I thought he knew that, Mum. | 0:52:59 | 0:53:03 | |
I see them. I see them every time I close my eyes. | 0:53:05 | 0:53:08 | |
Those people he killed. | 0:53:08 | 0:53:10 | |
I tried to stop him. I tried. But he just... | 0:53:12 | 0:53:17 | |
He shot me. He was my friend. | 0:53:17 | 0:53:21 | |
Neil. | 0:53:23 | 0:53:25 | |
I'm sorry. | 0:53:31 | 0:53:33 | |
There you go. Nikki? | 0:53:44 | 0:53:45 | |
Coffee's on the Home Office. It can't be good news. | 0:53:45 | 0:53:49 | |
Bad news? Fire the girl. Last in, first out. | 0:53:49 | 0:53:52 | |
Hmm. | 0:53:52 | 0:53:54 | |
Actually, there is something to do with me. | 0:53:54 | 0:53:56 | |
-You're not thinking of retiring? -No! How old do you think I am? | 0:53:56 | 0:54:01 | |
No, Janet and I have decided to try for a baby. | 0:54:02 | 0:54:05 | |
-That's fantastic, Leo! -Thank you. | 0:54:05 | 0:54:08 | |
How do you feel about that? | 0:54:08 | 0:54:10 | |
I feel like... | 0:54:10 | 0:54:12 | |
I'm beginning when I thought I was ending. | 0:54:12 | 0:54:15 | |
I feel very lucky, I mean, you know, after everything that's happened, to me and to all of us, | 0:54:15 | 0:54:21 | |
and to have Janet, | 0:54:21 | 0:54:22 | |
and both of you, | 0:54:22 | 0:54:24 | |
well, hmm... | 0:54:24 | 0:54:26 | |
I've got to go. | 0:54:28 | 0:54:30 | |
Oh, what? | 0:54:36 | 0:54:40 | |
He's happy. He deserves to be happy. | 0:54:40 | 0:54:42 | |
-Don't I deserve to be happy? -Not really, no. | 0:54:42 | 0:54:44 | |
People who stand under bombs deserve everything they get. | 0:54:44 | 0:54:48 | |
That's lovely. | 0:54:48 | 0:54:49 | |
When I was looking at that thing... | 0:54:49 | 0:54:51 | |
..I really thought that was it. Part of me was a little bit relieved. | 0:54:52 | 0:54:56 | |
There's so much I do want out of life, but half the time I've no idea how to get it. | 0:54:56 | 0:55:01 | |
You don't get off the hook that easily. | 0:55:01 | 0:55:04 | |
It's almost enough to make you believe in a higher power. | 0:55:05 | 0:55:08 | |
Or human nature. | 0:55:08 | 0:55:10 | |
-Have you not read the explosives report? -No. -You were right about the two chemicals. -Mm-hm? | 0:55:10 | 0:55:16 | |
-But something had been added to the mixture to stop them detonating. -What? | 0:55:16 | 0:55:20 | |
-No. -Tell me. | 0:55:20 | 0:55:24 | |
No, you're not ready. | 0:55:24 | 0:55:26 | |
Tell me. | 0:55:26 | 0:55:28 | |
-Sugar. -Mm-hm. | 0:55:31 | 0:55:34 | |
The sugar they found on Jason. | 0:55:34 | 0:55:36 | |
He diluted the mixture. | 0:55:36 | 0:55:37 | |
-And sabotaged the bombs. -I think Jason wanted to stand up | 0:55:37 | 0:55:40 | |
to Scott but, er...Scott could be pretty persuasive, as we know. | 0:55:40 | 0:55:43 | |
And he's still trying to pin it on the two dead boys. | 0:55:43 | 0:55:48 | |
God, they would probably never have done anything more serious than 40 in a 30mph limit. | 0:55:48 | 0:55:54 | |
They just wanted someone to believe in. | 0:55:54 | 0:55:56 | |
Who you meet, isn't it? Who you collide with. | 0:55:56 | 0:55:59 | |
You try and steer clear. | 0:56:00 | 0:56:02 | |
How's that working out for you? | 0:56:05 | 0:56:07 | |
You still don't realise I'm not even talking to you. | 0:56:18 | 0:56:21 | |
And why would I? | 0:56:22 | 0:56:23 | |
You're going to try and write it off. | 0:56:25 | 0:56:28 | |
"He was a loner. | 0:56:28 | 0:56:30 | |
"A depressive. A sad little psycho." | 0:56:30 | 0:56:32 | |
The same old shit. | 0:56:32 | 0:56:34 | |
But it keeps happening, don't it? | 0:56:34 | 0:56:36 | |
And you don't know how to make it stop. | 0:56:39 | 0:56:41 | |
Subtitles by Red Bee Media Ltd | 0:57:08 | 0:57:11 |