Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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This programme contains scenes of sexual violence and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:08 | |
DRILLING HE GROANS | 0:00:08 | 0:00:11 | |
'Hi, it's Shannon. Leave me a message.' | 0:00:12 | 0:00:15 | |
-Shannon, it's Amy. -CAR HORN PEEPS | 0:00:15 | 0:00:18 | |
TALKING AND HEAVY BASS | 0:00:18 | 0:00:20 | |
SPEECH INDISTINCT | 0:00:22 | 0:00:24 | |
MAN: Best paid taxi drivers in London. | 0:00:27 | 0:00:30 | |
'Where are you? Where did you go last night? | 0:00:33 | 0:00:36 | |
'Can you tell me what happened? Call me back, yeah?' | 0:00:36 | 0:00:38 | |
CAR HORNS PEEP | 0:00:45 | 0:00:47 | |
DRILLING | 0:00:47 | 0:00:49 | |
DRILLING | 0:00:57 | 0:01:00 | |
MOBILE PHONE RINGS | 0:01:06 | 0:01:08 | |
NIKKI: Hello? | 0:01:09 | 0:01:10 | |
-DRILLING -I can't sleep. | 0:01:10 | 0:01:13 | |
-Poor baby. -Not funny. I was at a scene until five. | 0:01:13 | 0:01:16 | |
I cannot switch off, beginning to panic. The builders next door are killing me. | 0:01:16 | 0:01:22 | |
What's that noise in the background? | 0:01:22 | 0:01:24 | |
I'm running a bath. Trying to block out the noise and calm me down a bit. | 0:01:24 | 0:01:28 | |
-Is it working? -Not so far. | 0:01:28 | 0:01:29 | |
I need some peace. | 0:01:29 | 0:01:32 | |
-So you called me because you couldn't get hold of your therapist? -Please stop(!) | 0:01:32 | 0:01:35 | |
My sides are sore from laughing. Who else would I call? | 0:01:35 | 0:01:37 | |
CAR HORN BLARES | 0:01:37 | 0:01:39 | |
I've got to go. I think I've got to save someone's life. | 0:01:39 | 0:01:42 | |
She's not breathing. | 0:01:47 | 0:01:48 | |
I'm a doctor. Call 999. | 0:01:48 | 0:01:50 | |
DRILLING | 0:02:07 | 0:02:10 | |
Six, seven, eight, nine, ten, | 0:02:11 | 0:02:14 | |
eleven, twelve, thirteen... | 0:02:14 | 0:02:16 | |
SIRENS WAIL | 0:02:18 | 0:02:20 | |
My day gets better and better. | 0:02:26 | 0:02:29 | |
COUGHS | 0:02:35 | 0:02:36 | |
-Oh, she's alive. Oh! -Well done. | 0:02:36 | 0:02:39 | |
BEEPING | 0:02:41 | 0:02:43 | |
# Testator silens | 0:02:47 | 0:02:55 | |
# Costestes e spiritu | 0:02:55 | 0:03:02 | |
# Silentium... # | 0:03:03 | 0:03:13 | |
SIRENS WAIL | 0:03:14 | 0:03:16 | |
You're OK. You've been hit by a car But you're all right. | 0:03:16 | 0:03:19 | |
-Who are you? -I'm Dr Alexander. | 0:03:19 | 0:03:21 | |
-Am I in hospital? -Not yet. | 0:03:21 | 0:03:24 | |
Please make sure he doesn't hurt me. | 0:03:24 | 0:03:26 | |
-Who? -SHE SCREAMS | 0:03:26 | 0:03:29 | |
You're OK. No-one's going to harm you. | 0:03:29 | 0:03:30 | |
I'm Rash, Ambulance Service. She'll be fine. We'll take care of her. | 0:03:30 | 0:03:33 | |
-You're OK. -You'll be all right. | 0:03:33 | 0:03:35 | |
Any neck pains? Back pains? | 0:03:35 | 0:03:37 | |
She's been hit by a car and been down approximately 15 minutes. | 0:03:37 | 0:03:40 | |
What's your name, love? | 0:03:40 | 0:03:42 | |
My name's Timothy, Ambulance Service. | 0:03:42 | 0:03:45 | |
Just gonna put some oxygen on you, OK? Just stay nice and still for me. | 0:03:45 | 0:03:48 | |
Take a picture. | 0:04:13 | 0:04:15 | |
Go on! | 0:04:19 | 0:04:21 | |
Give it me. | 0:04:23 | 0:04:25 | |
I think it needs a flash. | 0:04:30 | 0:04:32 | |
I thought the door was locked, but she ran. | 0:04:38 | 0:04:42 | |
I thought she was asleep. | 0:04:42 | 0:04:44 | |
I cleaned up the sick, yeah. | 0:04:46 | 0:04:48 | |
I had her shoes an' all. But she just ran. | 0:04:49 | 0:04:52 | |
You weren't paying attention, Younis. That's your problem. | 0:05:00 | 0:05:02 | |
I thought she... | 0:05:02 | 0:05:04 | |
What happened to that freaky guy? | 0:05:08 | 0:05:11 | |
Who's that? | 0:05:11 | 0:05:12 | |
Who's that? You know, that guy with all the ink on his body. | 0:05:12 | 0:05:15 | |
Oh, the man with the tattoos. We took him to the chippy. | 0:05:15 | 0:05:19 | |
Oh, the one on the bridge? | 0:05:19 | 0:05:20 | |
Yo, listen, Umar. The dude was off his head, fam. You get me? | 0:05:20 | 0:05:25 | |
We should find her, make sure she's OK. | 0:05:25 | 0:05:27 | |
-Who's that? -That's you, fam. You know who. | 0:05:27 | 0:05:29 | |
I'm sure she knows I'm worried about her. | 0:05:29 | 0:05:32 | |
Get her something nice, something pretty. You know what I'm saying. | 0:05:32 | 0:05:35 | |
Yeah, safe, fam. Yeah. | 0:05:35 | 0:05:36 | |
-Tomorrow. -Cool. | 0:05:36 | 0:05:37 | |
-They put her in an ambulance? -Yeah. | 0:05:37 | 0:05:40 | |
-A&E? -TEXT ALERT | 0:05:40 | 0:05:42 | |
Yeah, think. | 0:05:42 | 0:05:43 | |
-You think? What? -Yeah. | 0:05:43 | 0:05:45 | |
Oh-ohh! | 0:05:45 | 0:05:47 | |
What? What you saying? | 0:05:47 | 0:05:49 | |
-Check that out, yeah? -Oh, man! My man's on the next table. | 0:05:49 | 0:05:52 | |
Check this out, yeah? | 0:05:52 | 0:05:54 | |
Oh, my belonging! | 0:05:54 | 0:05:56 | |
-Like it, yeah? -Oh, my! Look at those. | 0:05:56 | 0:05:58 | |
Next. Next. | 0:05:58 | 0:06:00 | |
- Let's have a look. - Pass it me, man. | 0:06:00 | 0:06:03 | |
Man, I've got girls. I got girls in every area code, you get me? | 0:06:03 | 0:06:07 | |
I'm not even bothered if you show me. - Why not, fam? | 0:06:07 | 0:06:10 | |
Mine's getting it in real life. You can keep it. | 0:06:10 | 0:06:13 | |
-When I get to meet her? -Soon, man. She not ready yet. | 0:06:13 | 0:06:17 | |
-She got a girlfriend? -Yeah, course. | 0:06:17 | 0:06:19 | |
Check this out, man. | 0:06:19 | 0:06:20 | |
You bastard! You said you loved me. What is wrong with you? You like lying? | 0:06:20 | 0:06:25 | |
-You just wanna get at me. -Calm down. | 0:06:25 | 0:06:26 | |
What do you mean, calm down? | 0:06:26 | 0:06:27 | |
-You know I love you. -No, you don't. I hate you. | 0:06:27 | 0:06:31 | |
-Why are you laughing? What are you laughing at? -You? | 0:06:31 | 0:06:34 | |
Hey, baby. Look at me. Come on. | 0:06:45 | 0:06:48 | |
No, you lie. | 0:06:48 | 0:06:50 | |
I know you're upset, but you know I love you. | 0:06:50 | 0:06:52 | |
Come on. You're my little princess. Look at me. | 0:06:52 | 0:06:57 | |
Come on, princess. Put your arms around me. | 0:06:57 | 0:07:01 | |
That's it, that's it. | 0:07:01 | 0:07:03 | |
I want to collect the personal effects found on or with the body. | 0:07:06 | 0:07:10 | |
This is for...? | 0:07:10 | 0:07:11 | |
A death last night. The body was found collapsed in the street in Hounslow. | 0:07:11 | 0:07:16 | |
There was no identification on the body. | 0:07:16 | 0:07:18 | |
As a consequence, the victim remains unidentified. | 0:07:18 | 0:07:20 | |
Ah! That wasn't my case. | 0:07:20 | 0:07:22 | |
Probably best if you speak to the pathologist in attendance. | 0:07:22 | 0:07:26 | |
If he's retained any items, | 0:07:26 | 0:07:27 | |
he'll make sure they're ready for collection by the time of the PM. | 0:07:27 | 0:07:29 | |
-When can I expect the postmortem? -Ah... | 0:07:29 | 0:07:32 | |
Yes, here we are. Dr Cunningham was at the scene. | 0:07:32 | 0:07:35 | |
I'll speak with him when he comes in and make sure that he liaises with you. | 0:07:35 | 0:07:39 | |
Thank you, Professor. | 0:07:39 | 0:07:40 | |
He's not in now? | 0:07:41 | 0:07:43 | |
We stagger shifts. | 0:07:43 | 0:07:45 | |
Oh! Do you? | 0:07:45 | 0:07:47 | |
Yes, we do. | 0:07:47 | 0:07:48 | |
That's good to know. | 0:07:48 | 0:07:51 | |
Was there something unusual about the scene? | 0:07:53 | 0:07:55 | |
No. | 0:07:56 | 0:07:57 | |
Body was covered in tattoos. | 0:07:59 | 0:08:01 | |
MAN: Lot 91. Five pieces of unclaimed luggage from Stansted Airport. | 0:08:09 | 0:08:13 | |
Do I hear 25? 25. Looking for 30. 30. | 0:08:13 | 0:08:17 | |
I have 30. 35. Do I have 35? 35. | 0:08:17 | 0:08:20 | |
Do I have 40? 40? Any advance on 35? | 0:08:20 | 0:08:25 | |
Going once, twice... Sold. | 0:08:25 | 0:08:28 | |
DIY? | 0:08:35 | 0:08:36 | |
Don't ask. | 0:08:36 | 0:08:38 | |
When are you going to do the postmortem on last night's arrival? | 0:08:39 | 0:08:42 | |
Why? Has he got somewhere to go? | 0:08:42 | 0:08:44 | |
I had a detective inspector asking me about it. | 0:08:44 | 0:08:46 | |
The one with no obvious social skills or discernible sense of humour? | 0:08:46 | 0:08:49 | |
That's the one. | 0:08:49 | 0:08:50 | |
I was hoping to do it tonight but I'm not sure I'm up to it. | 0:08:50 | 0:08:53 | |
Hiya. Sorry I'm so late. I got caught up in an RTC. | 0:08:53 | 0:08:56 | |
Hope you weren't the one involved. | 0:08:56 | 0:08:58 | |
No. Someone got knocked down. | 0:08:58 | 0:08:59 | |
-H&R? -No. | 0:08:59 | 0:09:01 | |
-DOS? -No. TTH. | 0:09:01 | 0:09:03 | |
-Mm. RLS? -What? | 0:09:03 | 0:09:05 | |
Hit and run, dead on the scene. TTH - taken to hospital? | 0:09:05 | 0:09:09 | |
RLS - red lights and sirens. | 0:09:09 | 0:09:10 | |
Good. | 0:09:10 | 0:09:12 | |
What happened to you? | 0:09:12 | 0:09:13 | |
MFBU. | 0:09:13 | 0:09:15 | |
What? | 0:09:15 | 0:09:17 | |
My flat blew up. | 0:09:17 | 0:09:18 | |
GREEK MUSIC | 0:09:52 | 0:09:54 | |
LAUGHS | 0:10:37 | 0:10:40 | |
DOOR OPENS | 0:10:40 | 0:10:43 | |
Custom and Excise, stay where you are! | 0:10:43 | 0:10:45 | |
Firemen thought the builders must have dinged my neighbour's gas pipe. | 0:10:47 | 0:10:51 | |
I ran my bath, fumes reached my boiler. | 0:10:51 | 0:10:53 | |
What? The builders who were killing you? | 0:10:53 | 0:10:55 | |
Almost literally killed me, yes. | 0:10:55 | 0:10:57 | |
You could do with a rest. | 0:10:59 | 0:11:01 | |
I'll do your postmortem for you. | 0:11:01 | 0:11:02 | |
Always admired you, Leo. | 0:11:02 | 0:11:03 | |
-I can help, if you want. -Great. | 0:11:03 | 0:11:05 | |
Thanks. Do you remember the name of the DI? | 0:11:05 | 0:11:07 | |
Vickers. | 0:11:07 | 0:11:09 | |
Only I'd better give him a call. | 0:11:10 | 0:11:11 | |
Here's his card. | 0:11:13 | 0:11:14 | |
Thanks. | 0:11:15 | 0:11:17 | |
Go home. Have a rest. HARRY LAUGHS | 0:11:17 | 0:11:19 | |
Well, go...somewhere and have a rest. | 0:11:19 | 0:11:23 | |
Where are you going to stay? | 0:11:23 | 0:11:24 | |
A hotel until I can find a flat to rent. | 0:11:24 | 0:11:26 | |
You can stay at mine, if you want. I've got a spare bedroom. | 0:11:26 | 0:11:28 | |
No. Couldn't do that. | 0:11:30 | 0:11:32 | |
-Of course you can. -No. | 0:11:32 | 0:11:34 | |
-Wouldn't be right. -Why not? | 0:11:34 | 0:11:36 | |
Will you be late? Please don't... | 0:11:44 | 0:11:47 | |
You sure? | 0:11:50 | 0:11:51 | |
The Illustrated Man. | 0:12:13 | 0:12:15 | |
Ray Bradbury? | 0:12:15 | 0:12:16 | |
Yeah. | 0:12:16 | 0:12:17 | |
That is extraordinary. | 0:12:19 | 0:12:21 | |
A work of art. | 0:12:21 | 0:12:23 | |
I'm not sure I'd go that far. | 0:12:23 | 0:12:25 | |
Look, he's writing already. We haven't even started yet. | 0:12:32 | 0:12:34 | |
WHISPERS: He likes to take notes. | 0:12:37 | 0:12:39 | |
Could you take some photos of the tattoos? | 0:12:43 | 0:12:45 | |
Mm-hm. | 0:12:45 | 0:12:46 | |
Help the police with their identification. | 0:12:46 | 0:12:49 | |
There can't be many missing persons who are human canvasses. | 0:12:49 | 0:12:53 | |
Look at this. | 0:12:57 | 0:12:59 | |
There's evidence of infection around what looks like the most recent tattoo. | 0:12:59 | 0:13:05 | |
It's started to look impetiginised. | 0:13:05 | 0:13:07 | |
There are crusty looking lesions on the skin. | 0:13:07 | 0:13:10 | |
There is desquamation on the soles of the feet | 0:13:10 | 0:13:14 | |
and on the palms. | 0:13:14 | 0:13:17 | |
What are you looking for? | 0:13:28 | 0:13:30 | |
Staph or strep. | 0:13:30 | 0:13:31 | |
Where was he found? | 0:13:33 | 0:13:35 | |
He was collapsed on the street in the early hours. | 0:13:35 | 0:13:37 | |
People avoided him cos they thought he was drunk. | 0:13:37 | 0:13:40 | |
-Blood? -Please. | 0:13:40 | 0:13:42 | |
-Thanks for doing this. -No worries. You were nice to help him. | 0:13:49 | 0:13:53 | |
Well, um... | 0:13:53 | 0:13:54 | |
..I FBFH, PB. | 0:13:56 | 0:13:59 | |
Hm? | 0:13:59 | 0:14:00 | |
I felt bad for him, poor bastard. LAUGHS | 0:14:00 | 0:14:02 | |
SITAR MUSIC | 0:14:06 | 0:14:09 | |
-AMY: They said they saw you in a club getting with Shannon. -That's not true. | 0:14:21 | 0:14:26 | |
Why would they say it, then? | 0:14:28 | 0:14:29 | |
It's a mistake. | 0:14:29 | 0:14:32 | |
No. | 0:14:33 | 0:14:34 | |
I looked at her profile. She had your photo on her wall. | 0:14:35 | 0:14:38 | |
All right. Log in and show me, then. | 0:14:44 | 0:14:46 | |
Go on. Log in. | 0:14:46 | 0:14:47 | |
Go on. | 0:14:48 | 0:14:49 | |
What's she playing at? She was meant to be my best mate. | 0:14:57 | 0:14:59 | |
You're chuffed. You bastard! | 0:14:59 | 0:15:02 | |
What is wrong with you? You lie to me all the time. | 0:15:02 | 0:15:04 | |
Why can't you just be truthful with me for more than five seconds? | 0:15:04 | 0:15:08 | |
-Look at me. -Tell me the truth, then. | 0:15:08 | 0:15:10 | |
Look at me. | 0:15:10 | 0:15:12 | |
You're the one that I wanna be with, you know. | 0:15:12 | 0:15:14 | |
You're special. | 0:15:14 | 0:15:16 | |
I picked you. | 0:15:16 | 0:15:18 | |
I love you. | 0:15:24 | 0:15:26 | |
Come here. | 0:15:28 | 0:15:30 | |
Come here. | 0:15:32 | 0:15:33 | |
Come here. | 0:15:33 | 0:15:35 | |
Come here! Come here! SHE LAUGHS | 0:15:36 | 0:15:39 | |
-I got you something. -Really? | 0:15:46 | 0:15:49 | |
HUMS FANFARE | 0:15:51 | 0:15:54 | |
It's...it's really nice. | 0:15:56 | 0:15:58 | |
You like it? | 0:15:58 | 0:16:00 | |
I love it. | 0:16:01 | 0:16:03 | |
Thank you. | 0:16:03 | 0:16:04 | |
Thanks. | 0:16:04 | 0:16:06 | |
D'you want one? | 0:16:12 | 0:16:14 | |
What are they? | 0:16:14 | 0:16:15 | |
Pills to make life easy. | 0:16:15 | 0:16:17 | |
Go on, then. | 0:16:23 | 0:16:25 | |
Wash that down. | 0:16:28 | 0:16:30 | |
More! More! More, he says. More! | 0:16:30 | 0:16:33 | |
She shouted you, yeah? | 0:16:38 | 0:16:40 | |
Yeah, man. Here we go. | 0:16:40 | 0:16:43 | |
Here we go, man. | 0:16:43 | 0:16:46 | |
Hello, hello, hello! Check you out, all flossed up, yeah. | 0:16:46 | 0:16:49 | |
Who's your friend? | 0:16:49 | 0:16:51 | |
This is Hannah. She's my mate at school. | 0:16:51 | 0:16:53 | |
Yeah? Nice to meet you. You look lovely. This is my mate, Kamran. | 0:16:53 | 0:16:59 | |
You all right? | 0:16:59 | 0:17:00 | |
That's for you. | 0:17:00 | 0:17:01 | |
-You like that, yeah? -Yeah. | 0:17:01 | 0:17:04 | |
I've got some ciggies to go with it. | 0:17:04 | 0:17:07 | |
Smoke, yeah? | 0:17:07 | 0:17:08 | |
I seen a photo of you. | 0:17:10 | 0:17:11 | |
You're not supposed to show anyone. | 0:17:11 | 0:17:13 | |
Hey! Sorry. Didn't mean for him to see. | 0:17:13 | 0:17:16 | |
He glanced over my shoulder. Don't want him looking at my girl, yeah? | 0:17:16 | 0:17:20 | |
So what are we gonna do, then? | 0:17:20 | 0:17:22 | |
- So what's your name? - Don't know. What do you wanna do? | 0:17:22 | 0:17:25 | |
There's a small amount of undigested food in the stomach. | 0:17:28 | 0:17:32 | |
Potato - possibly...chips. | 0:17:32 | 0:17:36 | |
And... | 0:17:36 | 0:17:37 | |
..that. | 0:17:39 | 0:17:40 | |
Anybody's guess. | 0:17:44 | 0:17:46 | |
Agh! Gaffer! | 0:18:06 | 0:18:08 | |
PHONE RINGS | 0:18:15 | 0:18:16 | |
Hello? | 0:18:16 | 0:18:18 | |
I need to speak to Professor Dalton. | 0:18:18 | 0:18:20 | |
Sorry, we're doing a postmortem at the moment. | 0:18:20 | 0:18:22 | |
Could I get him to call you back? | 0:18:22 | 0:18:23 | |
Yeah, I know. It's DI Vickers. | 0:18:23 | 0:18:25 | |
I need him to attend a crime scene immediately. | 0:18:25 | 0:18:27 | |
OK, I'll... I'll let him know. | 0:18:29 | 0:18:32 | |
Thank you. | 0:18:32 | 0:18:33 | |
He just got a call and he's calling you | 0:18:36 | 0:18:39 | |
because he needs you to attend with him. | 0:18:39 | 0:18:42 | |
I don't know anything about it. | 0:18:47 | 0:18:49 | |
Why won't anyone listen to what I have to say? | 0:18:49 | 0:18:51 | |
I bought it today at the auction. | 0:18:51 | 0:18:53 | |
Unclaimed luggage from the airport. | 0:18:57 | 0:18:59 | |
I admit about the cigarettes. I put my hands up to that. I told the man. | 0:19:00 | 0:19:04 | |
I put my hands up to that. I am guilty of smuggling. | 0:19:05 | 0:19:09 | |
I told the other man. I am guilty of that, but this... | 0:19:09 | 0:19:12 | |
This has nothing to do with me. | 0:19:12 | 0:19:14 | |
I never, never would do anything like this. | 0:19:14 | 0:19:17 | |
You have to believe me! Never! | 0:19:17 | 0:19:19 | |
Can you tell me anything? | 0:19:27 | 0:19:29 | |
A young woman. Looks like she's been dead at least two months. | 0:19:31 | 0:19:35 | |
Possibly as long as six, depending on where the suitcase was kept. | 0:19:35 | 0:19:38 | |
Temperature, humidity. | 0:19:38 | 0:19:40 | |
I'll know more when I get her back to the Lyell Centre. | 0:19:43 | 0:19:46 | |
LAUGHING | 0:20:00 | 0:20:02 | |
MUSIC PLAYS THROUGH HEADPHONES | 0:20:08 | 0:20:11 | |
You look at them, you know, | 0:20:15 | 0:20:17 | |
and you wonder | 0:20:17 | 0:20:19 | |
why they are like this. | 0:20:19 | 0:20:22 | |
Why? | 0:20:24 | 0:20:26 | |
They've got nothing to show them the way. | 0:20:27 | 0:20:30 | |
To make them whole. | 0:20:31 | 0:20:33 | |
They think they're worth summat but they're not, you know. | 0:20:34 | 0:20:37 | |
They just wanna get drunk, show off, get wasted. | 0:20:37 | 0:20:40 | |
Worth nothing to nobody, don't even know what their culture is. | 0:20:43 | 0:20:46 | |
Empty, that's what it is, you know. | 0:20:46 | 0:20:48 | |
FAWAD: She's a sket, fam. | 0:20:49 | 0:20:50 | |
Get shit-faced, fall down, laugh, open their legs. Aagh! | 0:20:50 | 0:20:55 | |
I'm horny now, fam. Straight up, man. Horny. | 0:20:55 | 0:20:58 | |
They don't know from this. | 0:21:00 | 0:21:02 | |
-Younis, what you sayin', blud? -No. | 0:21:02 | 0:21:04 | |
White pussy, blud. | 0:21:04 | 0:21:05 | |
I'm good. | 0:21:05 | 0:21:07 | |
No, I'm good. | 0:21:07 | 0:21:09 | |
I'm on it right now. | 0:21:09 | 0:21:11 | |
She's a sket, fam, so it's all good, innit? | 0:21:11 | 0:21:13 | |
Oh! SHE LAUGHS | 0:21:18 | 0:21:20 | |
Hello! | 0:21:20 | 0:21:22 | |
Oh! | 0:21:23 | 0:21:25 | |
My little princess. | 0:21:28 | 0:21:30 | |
OK, OK. | 0:21:34 | 0:21:37 | |
OK. | 0:21:40 | 0:21:42 | |
Ssh! | 0:21:44 | 0:21:45 | |
Ssh! | 0:21:49 | 0:21:51 | |
SHE WHIMPERS | 0:21:51 | 0:21:54 | |
See if Fawad wants some of this, then, yeah? | 0:21:55 | 0:21:58 | |
- Look at me. - No, please. | 0:22:01 | 0:22:03 | |
- No. - No, no, no. | 0:22:03 | 0:22:05 | |
-It's good. It's gonna be OK. -Fam's on it. | 0:22:05 | 0:22:09 | |
OK, OK. | 0:22:09 | 0:22:12 | |
- OK. - I don't like it. | 0:22:12 | 0:22:16 | |
Higher, higher, higher, higher! | 0:22:29 | 0:22:32 | |
LAUGHING | 0:22:32 | 0:22:35 | |
Go on, go on, please. | 0:22:37 | 0:22:40 | |
It's been in my phone. | 0:22:40 | 0:22:42 | |
Go on. Give us a little treat. Give us a little treat. Yay! | 0:22:43 | 0:22:48 | |
She was a young girl. Judging by the state of her teeth, post pubescent. | 0:22:51 | 0:22:55 | |
15 to 18, possibly older. | 0:22:55 | 0:22:57 | |
Try and narrow the window as much as possible. | 0:22:57 | 0:23:00 | |
Makes it easier to crosscheck the missing person reports. | 0:23:00 | 0:23:03 | |
She's in a suitcase. She could be from anywhere. | 0:23:03 | 0:23:06 | |
Anywhere in the world. | 0:23:06 | 0:23:07 | |
Vickers is trying to trace the movements of the suitcase. | 0:23:07 | 0:23:10 | |
See if he can find the place of origin. | 0:23:10 | 0:23:12 | |
Hi. Do you remember me? | 0:24:03 | 0:24:06 | |
-You were there. The accident. -Yeah. | 0:24:10 | 0:24:12 | |
How are you feeling? | 0:24:12 | 0:24:14 | |
Sore. | 0:24:14 | 0:24:15 | |
But all right, yeah. | 0:24:17 | 0:24:19 | |
D'you want to see my bruise? | 0:24:20 | 0:24:21 | |
Sure. | 0:24:21 | 0:24:23 | |
Wow! | 0:24:24 | 0:24:25 | |
That's a pretty spectacular haematoma. | 0:24:25 | 0:24:29 | |
-You've got to help me, please. -NURSE: Five minutes, Mrs Hamilton. | 0:24:29 | 0:24:32 | |
Excuse me? | 0:24:32 | 0:24:34 | |
Excuse me! | 0:24:34 | 0:24:35 | |
I'll be right back. | 0:24:36 | 0:24:38 | |
Excuse me, what kind of medication is she on? | 0:24:49 | 0:24:51 | |
-I really can't... -She seems very anxious. | 0:24:51 | 0:24:53 | |
-We are keeping an eye. -Is she in withdrawal? | 0:24:53 | 0:24:55 | |
-Doctor's aware. So are the police. -Could I have the doctor's name? | 0:24:55 | 0:24:58 | |
Who are you? | 0:24:58 | 0:24:59 | |
-What's your interest? -Dr Nikki Alexander. | 0:24:59 | 0:25:01 | |
I tended to her at the scene just before the paramedics arrived. | 0:25:01 | 0:25:04 | |
I just wanted to check she was OK. | 0:25:04 | 0:25:05 | |
She's on the mend. I'll get you the name of the doctor who's been treating her. | 0:25:05 | 0:25:08 | |
Apparently you're on the mend. | 0:25:14 | 0:25:16 | |
-I need to get out of here. -I don't understand. | 0:25:16 | 0:25:18 | |
He's going to find me. | 0:25:18 | 0:25:20 | |
Who? | 0:25:20 | 0:25:22 | |
You don't have to tell me, but can you tell your parents? | 0:25:22 | 0:25:25 | |
They'd look after you. | 0:25:25 | 0:25:27 | |
Or the police? They'd protect you. | 0:25:27 | 0:25:30 | |
-If I tell the police, he's gonna... -Tell the police, Shannon. | 0:25:30 | 0:25:34 | |
Tell someone. | 0:25:34 | 0:25:36 | |
This has got my mobile number on. | 0:25:39 | 0:25:42 | |
If you need someone to talk to. | 0:25:42 | 0:25:44 | |
You have a present. | 0:26:05 | 0:26:07 | |
SOBS | 0:26:36 | 0:26:37 | |
-It's all right, I'm awake. -Are we? | 0:26:47 | 0:26:50 | |
-Long night? -Yeah. | 0:26:50 | 0:26:51 | |
I slept absolutely brilliantly. Very, very long, no interruptions. | 0:26:51 | 0:26:58 | |
I'm delighted. | 0:26:58 | 0:26:59 | |
It's amazing the way it just changes your whole view of the world. | 0:26:59 | 0:27:02 | |
-I'm sure. Your illustrated man... -Our illustrated man, Leo. | 0:27:02 | 0:27:05 | |
What's mine is yours, you know that. | 0:27:05 | 0:27:07 | |
Yeah, except sleep. | 0:27:07 | 0:27:08 | |
He presents with severe desquamation of the feet | 0:27:08 | 0:27:12 | |
and palms of his hand. | 0:27:12 | 0:27:14 | |
Does he? | 0:27:14 | 0:27:15 | |
This is not a hypothetical. | 0:27:15 | 0:27:17 | |
Have you ruled out Stevens-Johnson syndrome? | 0:27:17 | 0:27:19 | |
Scarlet fever? Necrotising fasciitis? | 0:27:19 | 0:27:21 | |
Not particularly, no. | 0:27:21 | 0:27:23 | |
He has an infection of the skin | 0:27:23 | 0:27:25 | |
with crusty lesions around a recently applied tattoo. | 0:27:25 | 0:27:30 | |
-And he's got exudates on his tonsils. -Probably a strep infection. | 0:27:30 | 0:27:34 | |
That coupled with the desquamation, I would say TLSS or SDSS. | 0:27:34 | 0:27:37 | |
I haven't seen toxic shock for a long time. | 0:27:37 | 0:27:39 | |
No, nor me. Let's see what microbiology throws up. | 0:27:39 | 0:27:42 | |
Anyway, now that you are up to speed, | 0:27:42 | 0:27:44 | |
I'm handing our illustrated man over to you. | 0:27:44 | 0:27:48 | |
What are you looking for? | 0:27:53 | 0:27:55 | |
My wallet and my spare keys. You've still got the main set, haven't you? | 0:27:55 | 0:27:59 | |
Yeah. | 0:27:59 | 0:28:00 | |
What did I do with my wallet? | 0:28:00 | 0:28:02 | |
When did you last see it? | 0:28:02 | 0:28:03 | |
I don't know. | 0:28:03 | 0:28:05 | |
What's this? You trying to matchmake me again? | 0:28:05 | 0:28:07 | |
I don't know who she is. She came in a suitcase. | 0:28:07 | 0:28:10 | |
Have you got the lab results for Illustrated Man, by the way? | 0:28:10 | 0:28:12 | |
Should be back any time. | 0:28:12 | 0:28:13 | |
I'll have a look at them. Thanks for letting me stay. I slept beautifully. | 0:28:13 | 0:28:17 | |
You looked peaceful. | 0:28:17 | 0:28:19 | |
Do you think I could have left it in the kitchen? | 0:28:19 | 0:28:21 | |
Don't know. Possibility. I don't remember seeing them, to be honest. | 0:28:21 | 0:28:25 | |
-Did you make your bed and do your dishes before you left? -Yeah, I did that. | 0:28:25 | 0:28:29 | |
AEROPLANE OVERHEAD | 0:29:09 | 0:29:11 | |
SOBS | 0:29:47 | 0:29:49 | |
Umar! | 0:29:49 | 0:29:50 | |
Umar, can you open the door? | 0:29:50 | 0:29:54 | |
Open the door! Please open the door! | 0:29:54 | 0:29:58 | |
CONTINUES CRYING | 0:30:14 | 0:30:18 | |
AEROPLANE OVERHEAD | 0:30:18 | 0:30:21 | |
Right, well, he did test positive for both Staphylococcus aureus | 0:30:24 | 0:30:30 | |
and Streptococcus pyogenes. | 0:30:30 | 0:30:33 | |
He was also suffering from multiple infections, | 0:30:33 | 0:30:36 | |
including pharyngitis, impetigo. | 0:30:36 | 0:30:38 | |
As you saw, very heavy smoker - | 0:30:38 | 0:30:40 | |
cilia had gone, lungs full of tar and mucus, arteries congested. | 0:30:40 | 0:30:44 | |
Very little right with him at the best of times. | 0:30:44 | 0:30:46 | |
Immuno-suppressed, the strep had penetrated in deep layers of the skin | 0:30:46 | 0:30:50 | |
and here we can see the presence of necrotising fasciitis. | 0:30:50 | 0:30:55 | |
Was it the tattoo needle that introduced the bacterium? | 0:30:55 | 0:30:57 | |
I think it, I'm almost certain of it, but I can't prove it. | 0:30:57 | 0:31:00 | |
All you can say is he was riddled with strep | 0:31:00 | 0:31:02 | |
and presenting with all the visible consequences, | 0:31:02 | 0:31:04 | |
but the invisible consequence killed him. | 0:31:04 | 0:31:06 | |
Toxic shock syndrome, renal collapse, pulmonary collapse. | 0:31:06 | 0:31:09 | |
One tattoo too many. | 0:31:09 | 0:31:10 | |
-A dirty needle, huh? -All of the above. | 0:31:10 | 0:31:14 | |
To top it all, look at these bloods. | 0:31:14 | 0:31:16 | |
A sort of walking large pharmaceutical cocktail. | 0:31:16 | 0:31:21 | |
Cocaine, oxycodone. | 0:31:21 | 0:31:22 | |
Wouldn't even have felt ill until he died where he dropped. | 0:31:22 | 0:31:26 | |
Toxic shock strikes fast, matter of hours. | 0:31:26 | 0:31:29 | |
Do we know if police have traced next of kin? | 0:31:29 | 0:31:30 | |
Vickers posted the photographs on a tattooists' social networking site. | 0:31:30 | 0:31:34 | |
And a woman is on her way down from Burnley. | 0:31:34 | 0:31:36 | |
KNOCK AT DOOR | 0:31:36 | 0:31:38 | |
Hello. Sorry to disturb you. I'm looking for... | 0:31:38 | 0:31:43 | |
Dr Nick Alexander. | 0:31:43 | 0:31:44 | |
Nikki Alexander. | 0:31:44 | 0:31:46 | |
Oh, I'm so sorry. That is totally inexcusable. | 0:31:46 | 0:31:48 | |
I'll get over it. | 0:31:48 | 0:31:49 | |
I'm DS Masood. Can we speak privately, please? | 0:31:49 | 0:31:53 | |
-The office? -Thank you. -Follow me. | 0:31:53 | 0:31:55 | |
She walked out of the hospital just after lunch | 0:31:57 | 0:31:59 | |
and the nurse said that you had come to see her. | 0:31:59 | 0:32:02 | |
She walked out of her own free will? | 0:32:02 | 0:32:04 | |
Yes. That's the operating assumption. Why? | 0:32:04 | 0:32:08 | |
-Thank you. -It's just... | 0:32:09 | 0:32:12 | |
she told me she needed help. | 0:32:12 | 0:32:15 | |
She needed to get out of the hospital because he'd find her. | 0:32:15 | 0:32:19 | |
Who's he? | 0:32:19 | 0:32:20 | |
I don't know. I'm just hoping he didn't. | 0:32:20 | 0:32:22 | |
Did she say anything else? | 0:32:22 | 0:32:24 | |
Um... No... | 0:32:25 | 0:32:26 | |
CAR HORN BLARES | 0:32:26 | 0:32:28 | |
She was incredibly anxious when I tried to help her | 0:32:28 | 0:32:31 | |
after she'd been hit by the car. | 0:32:31 | 0:32:33 | |
It was like she was running away from something | 0:32:33 | 0:32:36 | |
or someone down the street. | 0:32:36 | 0:32:38 | |
She became hysterical when she saw the paramedic. | 0:32:38 | 0:32:41 | |
-The paramedic? -Yes. | 0:32:41 | 0:32:42 | |
Why? What did they look like? | 0:32:42 | 0:32:44 | |
Male, 30s, Asian. | 0:32:44 | 0:32:46 | |
-Asian? -Yes. | 0:32:46 | 0:32:48 | |
Well, subcontinent - Indian, Bangladeshi, Pakistani. | 0:32:48 | 0:32:52 | |
-I didn't ask where he was from. -And you couldn't tell? | 0:32:52 | 0:32:54 | |
No. His country of origin wasn't my priority at that moment. | 0:32:54 | 0:32:57 | |
I see. | 0:32:57 | 0:32:58 | |
And you say she became hysterical? | 0:32:58 | 0:33:00 | |
When she saw him. | 0:33:00 | 0:33:01 | |
Well, she was coming off oxycodone. It was still in her blood. | 0:33:03 | 0:33:07 | |
And apparently that can make you generally very anxious. | 0:33:07 | 0:33:10 | |
Withdrawal from oxycodone would account for anxiety, | 0:33:11 | 0:33:14 | |
but then so would running away from someone you are scared of, so... | 0:33:14 | 0:33:18 | |
-She reached out to me. -I feel bad... | 0:33:20 | 0:33:22 | |
Dr Alexander. | 0:33:22 | 0:33:24 | |
Shannon Kelly is 15 years old | 0:33:25 | 0:33:28 | |
and the doctors at the hospital discovered that... | 0:33:28 | 0:33:30 | |
no, they suspect that she was sexually abused. | 0:33:30 | 0:33:33 | |
They got a counselllor in to try and speak to her and they called us, | 0:33:34 | 0:33:37 | |
but before I could get there, she walked out of the hospital. | 0:33:37 | 0:33:41 | |
I just need to make a list of possible abusers and try and identify them | 0:33:41 | 0:33:44 | |
so she feels safe talking to us. | 0:33:44 | 0:33:47 | |
You've been extremely helpful. | 0:33:48 | 0:33:50 | |
AEROPLANE OVERHEAD | 0:34:15 | 0:34:18 | |
CRIES | 0:34:19 | 0:34:22 | |
-Mrs Dear. -Hello. | 0:34:31 | 0:34:33 | |
-Cheryl. -Hello. Harry Cunningham. | 0:34:33 | 0:34:35 | |
I was told you've got my husband here. | 0:34:35 | 0:34:37 | |
I'm afraid we might do, yes. It would be good if you could identify him. | 0:34:37 | 0:34:41 | |
The police are on their way. | 0:34:41 | 0:34:42 | |
Can I just see him? I've come a long way. I just want to see him. | 0:34:42 | 0:34:45 | |
Er... OK. | 0:34:45 | 0:34:47 | |
Of course. Why not? Follow me. | 0:34:47 | 0:34:49 | |
They didn't tell me how he died. | 0:34:50 | 0:34:52 | |
He didn't fall off a motorcycle or anything gruesome? | 0:34:52 | 0:34:55 | |
No, no. | 0:34:55 | 0:34:56 | |
So how did he die? | 0:34:56 | 0:34:58 | |
It might be best if we just get the identification done... | 0:34:58 | 0:35:02 | |
-Drug overdose? -No. | 0:35:02 | 0:35:04 | |
-..make sure it is your husband. -Better be. I've told everyone it is. | 0:35:04 | 0:35:07 | |
Did he have a tattoo of three wizards? | 0:35:07 | 0:35:09 | |
And the middle one's holding a golden orb? | 0:35:09 | 0:35:12 | |
-Oh, it was an orb? -Yeah, it were definitely an orb. | 0:35:12 | 0:35:15 | |
-Right. -I should know. I did it. | 0:35:15 | 0:35:17 | |
-Right. -Yeah. | 0:35:17 | 0:35:18 | |
You did...you did all his tattoos? | 0:35:18 | 0:35:21 | |
Yeah. That's how we met. I'm an artist. | 0:35:21 | 0:35:24 | |
You certainly are. | 0:35:24 | 0:35:26 | |
I think I'm proudest of the one of the devil coming out of hell on his belly. | 0:35:26 | 0:35:32 | |
-You seen that one? -Yes, I did. It was, um... | 0:35:32 | 0:35:35 | |
lovely. So you did all his tattoos? Even the most recent one? | 0:35:35 | 0:35:39 | |
The one that said "Cheryl", heart and then the word "eternity"? | 0:35:39 | 0:35:41 | |
-Right. -Yeah, Cheryl. | 0:35:41 | 0:35:43 | |
-That's me, of course. -Of course. | 0:35:43 | 0:35:45 | |
No-one else was going to touch his body. | 0:35:45 | 0:35:47 | |
Quite. | 0:35:47 | 0:35:48 | |
So, three or four days ago, would that have been? The most recent one? | 0:35:48 | 0:35:52 | |
Yeah. | 0:35:52 | 0:35:53 | |
I won an award for the tattoo of the devil bursting out of hell on his belly. | 0:35:53 | 0:35:59 | |
Congratulations. | 0:36:00 | 0:36:02 | |
OK. | 0:36:12 | 0:36:13 | |
Yeah, that's my Johnny. | 0:36:24 | 0:36:26 | |
What a lovely man he was. | 0:36:28 | 0:36:29 | |
What a faithful, lovely man. | 0:36:29 | 0:36:33 | |
Heart attack? | 0:36:35 | 0:36:36 | |
-Not exactly. -Erm... | 0:36:38 | 0:36:40 | |
I told him to lay off the salt. | 0:36:40 | 0:36:42 | |
It was a system failure due to a bacterial infection. | 0:36:42 | 0:36:47 | |
Right. That doesn't sound good, does it? | 0:36:47 | 0:36:50 | |
Guess it don't matter how you go. It's all the same destination. | 0:36:50 | 0:36:54 | |
I'm going to miss him. | 0:36:55 | 0:36:57 | |
We're going to have a big do for him in Burnley. | 0:36:57 | 0:37:01 | |
Be a good night. | 0:37:01 | 0:37:03 | |
-Claire Kelly? -Yes. | 0:37:23 | 0:37:25 | |
-Mother of Shannon Kelly? -Yes? | 0:37:25 | 0:37:28 | |
Has she been arrested? | 0:37:28 | 0:37:30 | |
Your daughter, Shannon Kelly, was hit by a car yesterday | 0:37:30 | 0:37:34 | |
-and taken into hospital. -Is she OK? | 0:37:34 | 0:37:36 | |
Far as I know. | 0:37:36 | 0:37:37 | |
Why wasn't I told? | 0:37:37 | 0:37:39 | |
-Because she asked the doctors not to. -But they have no right. | 0:37:39 | 0:37:41 | |
Your daughter has the right. | 0:37:41 | 0:37:43 | |
She's underage. | 0:37:43 | 0:37:44 | |
Gillick's competence allows her the right to receive treatment | 0:37:44 | 0:37:46 | |
without her parents being informed. | 0:37:46 | 0:37:48 | |
I want to see her. | 0:37:48 | 0:37:50 | |
Well, she walked out of the hospital and we don't know where she is. | 0:37:50 | 0:37:53 | |
I take it you haven't seen or heard from her? | 0:37:53 | 0:37:56 | |
No. | 0:37:56 | 0:37:57 | |
Is your partner in? I'd like to speak to him. | 0:37:57 | 0:37:59 | |
My husband? | 0:37:59 | 0:38:02 | |
No, he's at work. | 0:38:02 | 0:38:04 | |
Excuse me. Does a Mr Abdul Aziz work here? | 0:38:04 | 0:38:08 | |
Abdul! | 0:38:08 | 0:38:10 | |
Shannon Kelly is your stepdaughter. Is that right, Mr Aziz? | 0:38:12 | 0:38:16 | |
Yeah, that's right. What's this about? | 0:38:16 | 0:38:18 | |
Do you recognise this? | 0:38:18 | 0:38:20 | |
No. Never seen it before. | 0:38:21 | 0:38:23 | |
When was the last time you saw your stepdaughter? | 0:38:23 | 0:38:26 | |
I don't know. About five months ago. | 0:38:26 | 0:38:29 | |
We had a falling out. | 0:38:29 | 0:38:31 | |
God, that's a long falling out! | 0:38:31 | 0:38:33 | |
I suppose it happens. She's a teenager, but... | 0:38:33 | 0:38:35 | |
five months? | 0:38:35 | 0:38:37 | |
What did you fall out over? | 0:38:37 | 0:38:39 | |
Didn't want her going out with the boy she was seeing. | 0:38:39 | 0:38:42 | |
Were you jealous? | 0:38:42 | 0:38:44 | |
Jealous? What is this? | 0:38:45 | 0:38:47 | |
Well, I just don't understand. | 0:38:47 | 0:38:49 | |
She goes out with somebody you don't like so you cut her off completely? | 0:38:49 | 0:38:54 | |
That's the behaviour of someone who's jealous. | 0:38:54 | 0:38:55 | |
No. It's the behaviour of someone who doesn't want some animals | 0:38:55 | 0:38:58 | |
giving drugs to his daughter. | 0:38:58 | 0:39:00 | |
I expect to be respected in my own house. | 0:39:00 | 0:39:02 | |
If my daughter can't respect me then she's not my daughter. | 0:39:02 | 0:39:05 | |
Does your wife feel the same way | 0:39:05 | 0:39:07 | |
or was your relationship with your daughter sort of...special? | 0:39:07 | 0:39:10 | |
Secret, maybe. | 0:39:11 | 0:39:12 | |
If you want to accuse me of something, why don't you just come out and say it? | 0:39:14 | 0:39:16 | |
Did you have sexual relations with your stepdaughter? | 0:39:16 | 0:39:18 | |
No. | 0:39:18 | 0:39:20 | |
You disgust me. | 0:39:20 | 0:39:22 | |
DOOR UNLOCKING | 0:39:27 | 0:39:29 | |
Hey! | 0:39:46 | 0:39:48 | |
Hello, princess. | 0:39:50 | 0:39:52 | |
How are you feeling? | 0:39:52 | 0:39:53 | |
I've got something for you. | 0:39:55 | 0:39:57 | |
What have you got for me? | 0:39:58 | 0:40:00 | |
Ah, you're good to me. | 0:40:08 | 0:40:10 | |
It's because I love you. | 0:40:10 | 0:40:12 | |
-You wanna smoke it? -Yeah. | 0:40:16 | 0:40:19 | |
Have you heard from Shannon? | 0:40:26 | 0:40:29 | |
I love Shannon. | 0:40:29 | 0:40:32 | |
Seriously. | 0:40:32 | 0:40:34 | |
She went away. You told me she went away. | 0:40:40 | 0:40:45 | |
You just wanna get with her. It's all you want to do. | 0:40:48 | 0:40:52 | |
I'm with you. | 0:41:00 | 0:41:02 | |
Ah! | 0:41:12 | 0:41:13 | |
GIGGLES | 0:41:13 | 0:41:14 | |
You get it. I'm telling you, you get it. | 0:41:20 | 0:41:22 | |
I've logged into Amy's page. Now you frape her, | 0:41:22 | 0:41:25 | |
send Shannon a message from Amy, see where she is, | 0:41:25 | 0:41:28 | |
see if she left the hospital or something. | 0:41:28 | 0:41:31 | |
And you. You take care of things with Amy. | 0:41:31 | 0:41:35 | |
Yeah. See? | 0:41:35 | 0:41:37 | |
Oh! Oh! Off! | 0:41:37 | 0:41:40 | |
50 pound, you. It's quality, I tell you. | 0:41:43 | 0:41:45 | |
- 50? - 50. | 0:41:45 | 0:41:47 | |
She's young, she's white, she's 14, something like that. It's £50. | 0:41:47 | 0:41:52 | |
- 50's too much. - Then you piss off somewhere else. | 0:41:52 | 0:41:54 | |
-Don't you speak to me... -Hey! | 0:41:54 | 0:41:56 | |
The man says it's 50, then it's 50, yeah? | 0:41:56 | 0:41:59 | |
Why you acting like you're gonna get any pussy on your own for? | 0:41:59 | 0:42:01 | |
See the way you look, bruv? | 0:42:01 | 0:42:03 | |
Jabba, pay the man. | 0:42:03 | 0:42:05 | |
-Go on, get out, man. -Make sure you take some of that Viagra | 0:42:05 | 0:42:09 | |
cos I'm telling you you're gonna need that, man. | 0:42:09 | 0:42:11 | |
Oh, Kamran. | 0:42:12 | 0:42:14 | |
Yo? | 0:42:14 | 0:42:15 | |
In case she needs it. | 0:42:15 | 0:42:16 | |
This way, this way. | 0:42:19 | 0:42:21 | |
Younis, you take care of Salman and the new girl, yeah? | 0:42:21 | 0:42:23 | |
What, me? | 0:42:24 | 0:42:25 | |
-Bro, you mad! -All right, all right. | 0:42:25 | 0:42:29 | |
New girl, yeah! | 0:42:29 | 0:42:31 | |
Younis gonna get some pussy tonight, yeah? | 0:42:31 | 0:42:34 | |
What the fuck...? | 0:42:34 | 0:42:35 | |
I'm trying to do it for you, help you out, bro. | 0:42:35 | 0:42:37 | |
There you go. | 0:42:41 | 0:42:43 | |
Enjoy. | 0:42:43 | 0:42:45 | |
CHILDREN CHATTER IN BACKGROUND | 0:43:17 | 0:43:21 | |
Hi. | 0:43:41 | 0:43:43 | |
Hi, I'm Hannah. | 0:43:43 | 0:43:44 | |
Younis. | 0:43:44 | 0:43:45 | |
You all right? | 0:43:49 | 0:43:50 | |
Yeah. | 0:43:50 | 0:43:51 | |
Cool. | 0:43:53 | 0:43:54 | |
After you. | 0:43:57 | 0:43:59 | |
Thanks. | 0:43:59 | 0:44:01 | |
SLMAN: You want that one? - No. | 0:44:12 | 0:44:13 | |
SALMAN: Come on, what d'you want? | 0:44:13 | 0:44:15 | |
I'll get you. Come on. | 0:44:15 | 0:44:18 | |
SHE GIGGLES | 0:44:18 | 0:44:20 | |
SALMAN: Come on. Anything you want, babe. Anything you want. | 0:44:20 | 0:44:25 | |
Come on. Come on. | 0:44:28 | 0:44:29 | |
Come on. Let's go. | 0:44:54 | 0:44:56 | |
Oh, you ladies. | 0:45:02 | 0:45:03 | |
I...I think you're a very pretty girl. | 0:45:31 | 0:45:35 | |
Thanks. | 0:45:35 | 0:45:36 | |
I want to go. | 0:45:40 | 0:45:41 | |
What's wrong with you? Come on, they're nice. | 0:45:41 | 0:45:43 | |
The other one's weird. I just wanna go. | 0:45:43 | 0:45:46 | |
-No, come on. For me, please. -OK. | 0:45:46 | 0:45:49 | |
Go on. Let me see your titties, yeah? | 0:46:00 | 0:46:03 | |
GIGGLING | 0:46:03 | 0:46:04 | |
Go on. Take your pants off. | 0:46:06 | 0:46:08 | |
GIGGLING I can't. No! | 0:46:08 | 0:46:10 | |
SALMAN: Come on! Come on! | 0:46:10 | 0:46:13 | |
SALMAN: Oh, yeah, babe. That's a good one. | 0:46:15 | 0:46:18 | |
TEXT ALERT | 0:46:18 | 0:46:19 | |
Customs and Excise say the suitcase was wrapped in plastic | 0:47:01 | 0:47:04 | |
when they confiscated it. | 0:47:04 | 0:47:05 | |
It hadn't been opened | 0:47:05 | 0:47:07 | |
and yet...airport security and the baggage handlers can't explain | 0:47:07 | 0:47:10 | |
how the suitcase could have arrived in Britain, have no identifying tags, | 0:47:10 | 0:47:14 | |
not be claimed and yet not be opened. | 0:47:14 | 0:47:16 | |
Mm. | 0:47:16 | 0:47:18 | |
Could it have been X-rayed? | 0:47:19 | 0:47:20 | |
It can't have been subject to an X-ray | 0:47:20 | 0:47:22 | |
or the body would've been seen in the suitcase. | 0:47:22 | 0:47:24 | |
DNA database? | 0:47:24 | 0:47:26 | |
How should we proceed? | 0:47:30 | 0:47:32 | |
Dr Alexander has begun the postmortem | 0:47:32 | 0:47:35 | |
but I suspect it'll be a slow process, | 0:47:35 | 0:47:38 | |
given the circumstances. | 0:47:38 | 0:47:40 | |
Ready to go? | 0:47:55 | 0:47:57 | |
Yes, honey! | 0:47:57 | 0:47:58 | |
Just let me look at one more slide, will you? | 0:47:58 | 0:48:01 | |
-Shall we get a takeaway? -Mm. Lebanese? | 0:48:01 | 0:48:04 | |
You know I don't like Lebanese. | 0:48:04 | 0:48:06 | |
You're right. I said it just to wind you up. | 0:48:06 | 0:48:08 | |
-Indian? -Not my favourite. | 0:48:08 | 0:48:10 | |
But you could live with it. | 0:48:10 | 0:48:12 | |
Did you find anything, by the way? | 0:48:14 | 0:48:16 | |
No, it's so strange. I can't find them anywhere. | 0:48:16 | 0:48:19 | |
Never meant your keys. The suitcase girl. | 0:48:19 | 0:48:21 | |
Fibres and spores. There's something to work with. | 0:48:21 | 0:48:25 | |
Mind you, there's always something to work with. | 0:48:25 | 0:48:28 | |
# COLDPLAY: The Scientist | 0:48:28 | 0:48:31 | |
Do you want some more? | 0:48:31 | 0:48:33 | |
No, thanks. It will spoil the muesli | 0:48:33 | 0:48:36 | |
that I'm going to eat at four o'clock in the morning when I wake up starving. | 0:48:36 | 0:48:39 | |
-Did I say thank you for the flowers? -No. | 0:48:40 | 0:48:44 | |
Don't have to say thank you for a thank-you present. | 0:48:44 | 0:48:46 | |
Where would it end? | 0:48:46 | 0:48:48 | |
-Thank you. They're lovely. -# ..It's such a shame for us to part | 0:48:48 | 0:48:54 | |
# Nobody said it was easy | 0:48:54 | 0:49:00 | |
# No-one ever said it would be this hard... # | 0:49:01 | 0:49:07 | |
DOOR CLOSING | 0:49:15 | 0:49:17 | |
Harry? | 0:49:17 | 0:49:19 | |
Harry? | 0:49:19 | 0:49:20 | |
-Harry? -What? | 0:49:22 | 0:49:24 | |
-Was that you? -Was what me? | 0:49:24 | 0:49:26 | |
You OK? | 0:49:28 | 0:49:29 | |
Yeah, I'm fine. | 0:49:30 | 0:49:31 | |
Oh, good. You're fine. | 0:49:31 | 0:49:33 | |
-I'm awake. -Do you want a cup of tea? | 0:49:33 | 0:49:37 | |
And some muesli? | 0:49:38 | 0:49:40 | |
Why not? | 0:49:40 | 0:49:42 | |
Wide awake now. | 0:49:42 | 0:49:44 | |
My wallet. | 0:49:58 | 0:50:00 | |
And my keys. | 0:50:00 | 0:50:02 | |
How did th...? | 0:50:02 | 0:50:04 | |
Shannon? | 0:50:05 | 0:50:07 | |
I didn't know where to go. | 0:50:07 | 0:50:09 | |
I wasn't feeling well, | 0:50:09 | 0:50:11 | |
-and you said you were a doctor. -What do you think? | 0:50:11 | 0:50:14 | |
She's burning. We need to call an ambulance. | 0:50:14 | 0:50:15 | |
-No, please don't. -Scarlet fever. | 0:50:15 | 0:50:18 | |
-She'll need antibiotics. -It's OK. | 0:50:18 | 0:50:19 | |
I'm going to make sure you're safe. | 0:50:19 | 0:50:21 | |
POLICE RADIO CRACKLES | 0:50:25 | 0:50:27 | |
You promised me. | 0:50:32 | 0:50:33 | |
You're ill, Shannon. You need treatment. | 0:50:33 | 0:50:35 | |
-It's the best thing. -He's going to find me. | 0:50:35 | 0:50:37 | |
Dr Alexander, can I...? | 0:50:37 | 0:50:40 | |
We've picked up her stepfather, | 0:50:44 | 0:50:46 | |
we've questioned him and we're gonna keep an eye on him. | 0:50:46 | 0:50:48 | |
Please don't worry. We'll take care of her. | 0:50:48 | 0:50:50 | |
How do you know it's him? | 0:50:50 | 0:50:51 | |
We can't be sure, but Shannon accused him on her Facebook page. | 0:50:51 | 0:50:55 | |
So once her condition improves, we'll question her directly. | 0:50:55 | 0:50:59 | |
Oh! | 0:50:59 | 0:51:01 | |
He's Asian. | 0:51:01 | 0:51:02 | |
It's the right thing to do. She's very ill. | 0:51:18 | 0:51:21 | |
Can't take responsibility for her. | 0:51:21 | 0:51:23 | |
I still feel responsible, though. | 0:51:23 | 0:51:25 | |
If it's the right thing to do, why do you look so concerned? | 0:51:26 | 0:51:29 | |
I haven't seen a severe case of strep infection for quite a while, but... | 0:51:29 | 0:51:33 | |
now in the last 24 hours from the same area of London, we have two. | 0:51:33 | 0:51:37 | |
TSS and scarlet fever. | 0:51:37 | 0:51:39 | |
There you go. Told you she was beautiful. | 0:51:51 | 0:51:54 | |
Oh, yes, babe. That is prime. You look boom! Good enough to rrrr! | 0:52:04 | 0:52:11 | |
There you go, sir. Enjoy. | 0:52:13 | 0:52:16 | |
Yes, babe. That looks great. | 0:52:20 | 0:52:22 | |
-A bit short. -You look great. | 0:52:22 | 0:52:25 | |
Trust me. I'm a man who knows. You get me? | 0:52:25 | 0:52:28 | |
-Yeah. -Definitely. | 0:52:28 | 0:52:30 | |
Whoo-hoo-hoo! My, oh my, oh my! | 0:52:30 | 0:52:34 | |
DOOR LOCKS | 0:53:07 | 0:53:09 | |
Please. | 0:53:10 | 0:53:12 | |
SOBS | 0:53:15 | 0:53:18 | |
Please, Umar. | 0:53:19 | 0:53:22 | |
So, I'm thinking, yeah... | 0:53:23 | 0:53:25 | |
We get a little bite to eat, you guys change up into your little summat-summat | 0:53:25 | 0:53:30 | |
and then we go and meet some friends, yeah? | 0:53:30 | 0:53:33 | |
BOTH: Yeah. | 0:53:33 | 0:53:34 | |
SOBS | 0:53:37 | 0:53:39 | |
Yo! Stay in the car, yeah? | 0:54:19 | 0:54:21 | |
Come on, girls. | 0:54:21 | 0:54:23 | |
Yo! This is my boy, Umar. | 0:54:39 | 0:54:41 | |
You're gonna love him. | 0:54:41 | 0:54:43 | |
Yay, boy! | 0:54:43 | 0:54:44 | |
Ah! You're... Hannah, Lauren? | 0:54:46 | 0:54:50 | |
No? Hannah, Lauren. That's what I'm talking about. | 0:54:50 | 0:54:54 | |
What you saying? What's goin' on? | 0:54:54 | 0:54:57 | |
Sit down. | 0:54:57 | 0:54:59 | |
PHONE RINGS | 0:55:22 | 0:55:25 | |
-WHISPERS: -Sorry! Sorry. | 0:55:33 | 0:55:35 | |
RINGING STOPS | 0:55:37 | 0:55:38 | |
Don't recognise the number. | 0:55:38 | 0:55:40 | |
-You on call? -No. You? | 0:55:40 | 0:55:43 | |
No. | 0:55:43 | 0:55:44 | |
Call them back. | 0:55:45 | 0:55:47 | |
MOBILE PHONE VIBRATES | 0:55:50 | 0:55:51 | |
Night! | 0:56:27 | 0:56:28 | |
Night! | 0:56:28 | 0:56:29 | |
SIRENS WAILING | 0:56:38 | 0:56:40 | |
The SOCOs are already inside. It is safe to go in. | 0:56:42 | 0:56:45 | |
I asked for you. | 0:56:48 | 0:56:50 | |
It's a young girl. | 0:56:51 | 0:56:53 | |
AEROPLANE OVERHEAD | 0:56:54 | 0:56:58 | |
NIKKI: Her name is Amy Chester. | 0:57:27 | 0:57:29 | |
She was locked inside the room. That's murder. | 0:57:29 | 0:57:32 | |
You were meant to look after things. | 0:57:32 | 0:57:34 | |
She knows who murdered Amy Chester. That's why she's so terrified. | 0:57:34 | 0:57:37 | |
Shannon Kelly can make trouble for us. | 0:57:37 | 0:57:39 | |
She tells somebody a story, somebody believes her... | 0:57:39 | 0:57:41 | |
-She ain't gonna say nothing. -SCREAMS | 0:57:41 | 0:57:44 | |
I'm investigating a group of men. | 0:57:44 | 0:57:47 | |
I think they're rapists and I think they groom white girls. | 0:57:47 | 0:57:50 | |
-LEO: The girl in the suitcase. -Yes, something resembling her. | 0:57:50 | 0:57:54 | |
I've been waiting for you to come. They found her. | 0:57:54 | 0:57:56 | |
I've done bad things. They said I could go to prison. | 0:57:56 | 0:57:59 | |
Shannon, we've found your DNA on Johnny Dear's dead body. | 0:57:59 | 0:58:01 | |
UMAR: OK, are we sure what we got, then? | 0:58:01 | 0:58:03 | |
-No, I don't want to. -Come on. You trust me, don't you? | 0:58:03 | 0:58:06 | |
SHANNON: It wasn't supposed to be like this. | 0:58:07 | 0:58:10 | |
-I fell in love. -Who with? | 0:58:10 | 0:58:12 | |
# Testator silens | 0:58:14 | 0:58:21 | |
# Costestes e spiritu | 0:58:22 | 0:58:29 | |
# Silentium... # | 0:58:29 | 0:58:39 |