Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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-I thought the door was locked but she ran. -What is it you're so scared of? -He's going to find me. | 0:00:02 | 0:00:05 | |
Make sure she knows I'm worried about her. | 0:00:05 | 0:00:08 | |
Get her something nice, something pretty. | 0:00:08 | 0:00:10 | |
Shannon Kelly is 15 years old and we suspect she was sexually abused. | 0:00:10 | 0:00:13 | |
I didn't know where to go. | 0:00:13 | 0:00:15 | |
This is the new girl. | 0:00:15 | 0:00:17 | |
-When do I get to meet her? -She's not ready yet. | 0:00:17 | 0:00:19 | |
-She got a girlfriend? -Yeah, course. | 0:00:19 | 0:00:21 | |
I'm here about a death last night. Body was found collapsed in the street. | 0:00:21 | 0:00:25 | |
Tattooed man was riddled with strep, but so high on oxycodone | 0:00:25 | 0:00:28 | |
he wouldn't have even felt ill until he died where he dropped. | 0:00:28 | 0:00:31 | |
This is DI Vickers. I need Professor Dalton to attend a crime scene immediately. | 0:00:31 | 0:00:34 | |
-She's in a suitcase - could be from anywhere. -Why don't you come out and say it? | 0:00:34 | 0:00:38 | |
Did you have sexual relations with your stepdaughter, Shannon Kelly? | 0:00:38 | 0:00:42 | |
She's young, she's white, she's 14 and she's £50. | 0:00:42 | 0:00:45 | |
Umar, can you open the door?! SHE SOBS | 0:00:45 | 0:00:48 | |
Body's still inside. It's a young girl. | 0:00:48 | 0:00:50 | |
This programme contains scenes of sexual violence | 0:00:50 | 0:00:55 | |
This programme contains scenes which some viewers may find upsetting | 0:00:55 | 0:00:59 | |
"Amy, I really need to speak to you. | 0:00:59 | 0:01:02 | |
"Please, please get in touch." | 0:01:02 | 0:01:04 | |
-PHONE RINGS -Mini Cab. | 0:01:33 | 0:01:35 | |
Is she dead? | 0:01:47 | 0:01:49 | |
# Testator silens | 0:01:54 | 0:02:02 | |
# Costestes e spiritu | 0:02:02 | 0:02:09 | |
# Silentium... # | 0:02:09 | 0:02:16 | |
BHANGRA MUSIC | 0:02:21 | 0:02:23 | |
PHONE RINGS | 0:02:26 | 0:02:28 | |
Where were you? Where were you? | 0:02:31 | 0:02:34 | |
Agh! | 0:02:34 | 0:02:36 | |
-Where were you? -I was tired. There was no-one there. | 0:02:36 | 0:02:38 | |
-You were meant to look after things. -Umar, Umar! | 0:02:38 | 0:02:42 | |
-Why are you stressing the man for, fam? It was a mistake. That's it. -That's it? | 0:02:42 | 0:02:46 | |
That's it, man. Why are you stressing over some white girl for? | 0:02:46 | 0:02:50 | |
They ain't got no respect so why are you stressing the man for? | 0:02:50 | 0:02:53 | |
We didn't do nothing to her. | 0:02:53 | 0:02:54 | |
Probably did it herself, probably trying to smoke a rock. Kamran did nothing. | 0:02:54 | 0:02:58 | |
-PHONE RINGS -At the end of the day, fam, she did that shit to herself, bruv. | 0:02:58 | 0:03:02 | |
Mini Cab. | 0:03:04 | 0:03:05 | |
Umar, she burnt her own self up, you know. | 0:03:05 | 0:03:07 | |
-What's your terminal? -That's what happened, yeah? | 0:03:07 | 0:03:09 | |
No comeback to us, innit? | 0:03:09 | 0:03:11 | |
I'm sorry. | 0:03:11 | 0:03:12 | |
A driver will be waiting for you in arrivals. | 0:03:13 | 0:03:17 | |
No problem. | 0:03:17 | 0:03:19 | |
OK. | 0:03:19 | 0:03:20 | |
-Agh! -Whoa! -Umar! | 0:03:31 | 0:03:33 | |
Huh? Huh? | 0:03:33 | 0:03:36 | |
I liked her. | 0:03:38 | 0:03:41 | |
Shannon Kelly can make trouble for us. | 0:03:45 | 0:03:47 | |
She tells somebody a story, somebody believes her... | 0:03:47 | 0:03:49 | |
She ain't going to say nothing. | 0:03:49 | 0:03:52 | |
You'd better hope he's right, you know. | 0:03:52 | 0:03:55 | |
Yeah. | 0:03:55 | 0:03:56 | |
Yeah. | 0:03:58 | 0:04:00 | |
Terminal 3 to Sindlesham. Where is Sindlesham? | 0:04:02 | 0:04:07 | |
Oh! Amy has a message. | 0:04:07 | 0:04:10 | |
From Shannon. | 0:04:12 | 0:04:14 | |
"Hi! Where are you? | 0:04:16 | 0:04:18 | |
"Do you want to hook up? I have got so much to tell you. | 0:04:18 | 0:04:22 | |
"I've been trying to get hold of you for ages. Where have you gone?" | 0:04:22 | 0:04:25 | |
"I'm in hospital. St Jacobs. | 0:04:27 | 0:04:30 | |
"Can't have visitors at the moment. Let you know when I can. | 0:04:30 | 0:04:33 | |
"Don't tell anyone, OK? I don't want my parents to find out." | 0:04:33 | 0:04:37 | |
Kamran. Yo, Kamran! | 0:04:41 | 0:04:43 | |
She's still in the hospital. | 0:04:46 | 0:04:48 | |
So this time, you go there | 0:04:48 | 0:04:51 | |
and you make sure she knows we're thinking about her. | 0:04:51 | 0:04:53 | |
I wanted to make sure you were all right. | 0:05:02 | 0:05:04 | |
I want to understand, you know, so that I can help. | 0:05:04 | 0:05:08 | |
OK, well, I'll... | 0:05:12 | 0:05:15 | |
check in with you later. | 0:05:15 | 0:05:16 | |
Have you talked to Shannon Kelly? | 0:05:43 | 0:05:46 | |
No, I went to see her. | 0:05:46 | 0:05:48 | |
Epic fail. | 0:05:48 | 0:05:49 | |
Didn't want to speak to you? | 0:05:49 | 0:05:51 | |
Did you ever want to run away as a child? | 0:05:55 | 0:05:58 | |
No. I was more a fan of confrontation. | 0:05:58 | 0:06:01 | |
You know, I see them in the street sometimes | 0:06:01 | 0:06:04 | |
and I get the Good Samaritan complex and want to help them get home. | 0:06:04 | 0:06:07 | |
What makes you think that going home would make her safe? | 0:06:07 | 0:06:10 | |
Nothing. | 0:06:10 | 0:06:12 | |
Where was Shannon knocked down? | 0:06:16 | 0:06:18 | |
Near the airport. | 0:06:18 | 0:06:19 | |
And where was she running from? | 0:06:19 | 0:06:21 | |
Here. | 0:06:27 | 0:06:28 | |
She ran across the street. | 0:06:29 | 0:06:31 | |
-About 500 yards away. -From where? | 0:06:31 | 0:06:33 | |
From where Johnny Dear was found. They both had serious strep infections. | 0:06:33 | 0:06:37 | |
Should probably inform the Health Protection Agency. What are these? | 0:06:37 | 0:06:41 | |
I think they're head lice. I'm having them tested for confirmation. | 0:06:41 | 0:06:44 | |
Do lice get confirmed? SHE LAUGHS | 0:06:44 | 0:06:47 | |
-Where are they from? -Suitcase girl. | 0:06:47 | 0:06:49 | |
Oh. We won't get very far with head lice. They're ubiquitous, I'm afraid. | 0:06:49 | 0:06:53 | |
-I might. You never know. -I do. You won't. Waste of effort. | 0:06:53 | 0:06:55 | |
-Must be hard being right all the time. -Mm, it's a burden. | 0:06:55 | 0:06:58 | |
And what is that, I wonder? | 0:06:58 | 0:07:01 | |
-Nothing. -They would be dead. | 0:07:01 | 0:07:03 | |
Of course. But it did cross my mind that I might've caught them from Shannon | 0:07:03 | 0:07:06 | |
-when she came to the flat. -Oh, Shannon had lice, did she? | 0:07:06 | 0:07:09 | |
-She might have. -Actually in the flat? -Well, obviously I hope not. | 0:07:09 | 0:07:12 | |
-Probably used my hairbrush and everything. -Yeah, mm-hm. -Nikki? | 0:07:12 | 0:07:15 | |
-Yeah? -The girl in the suitcase... | 0:07:15 | 0:07:17 | |
Just spoken to Vickers and the DNA has come back | 0:07:17 | 0:07:19 | |
and there is no match on the database. | 0:07:19 | 0:07:21 | |
-Interpol? -Nothing. | 0:07:21 | 0:07:23 | |
But Vickers has authorised funds to model the head to help with identification. | 0:07:24 | 0:07:28 | |
-You all right? -Yeah, nothing. | 0:07:28 | 0:07:30 | |
-What's this? -Nothing. | 0:07:30 | 0:07:32 | |
We found strep in our tattooed man, Johnny Dear, | 0:07:32 | 0:07:35 | |
and the girl that Nikki helped. | 0:07:35 | 0:07:37 | |
What girl? | 0:07:37 | 0:07:38 | |
The girl who was running away and the RTA she came to Nikki's flat. | 0:07:38 | 0:07:42 | |
-She came to your flat? -BOTH: Yes. | 0:07:42 | 0:07:44 | |
She had scarlet fever, strep infection. | 0:07:44 | 0:07:47 | |
They are connected by time of incubation | 0:07:47 | 0:07:49 | |
and loosely connected geographically, about 500 yards. | 0:07:49 | 0:07:52 | |
-The police found Johnny Dear's body here? -Yeah. | 0:07:52 | 0:07:55 | |
The flat that burned down, the young girl that was asphyxiated... | 0:07:55 | 0:07:59 | |
..was there. | 0:08:01 | 0:08:02 | |
What time did he die? | 0:08:14 | 0:08:16 | |
3.30, 4am. | 0:08:17 | 0:08:18 | |
I thought maybe he was heading down the bus station to catch a night bus. | 0:08:18 | 0:08:23 | |
Let's take a look up here. | 0:08:26 | 0:08:28 | |
He had partially digested chips in his stomach. | 0:08:30 | 0:08:33 | |
Maybe we should ask DI Vickers to take a look at that. | 0:08:38 | 0:08:41 | |
-Yeah. Where's the flat? -Up here. | 0:08:41 | 0:08:44 | |
POLICE RADIO CRACKLES | 0:08:48 | 0:08:51 | |
AEROPLANE OVERHEAD | 0:08:51 | 0:08:53 | |
Let's go and scrub up. | 0:08:58 | 0:09:00 | |
Excuse me, young man. You can't go in to see her just now. | 0:09:43 | 0:09:47 | |
-I'll put them in a vase and show them to her later. -Thanks. | 0:09:47 | 0:09:51 | |
SCREAMING | 0:09:54 | 0:09:55 | |
It's OK, it's OK. SHE SCREAMS | 0:09:58 | 0:10:02 | |
Leo. | 0:10:20 | 0:10:22 | |
Fibres. | 0:10:26 | 0:10:27 | |
Your stepfather denies the sexual abuse allegation | 0:11:18 | 0:11:21 | |
you made on your profile wall. | 0:11:21 | 0:11:23 | |
Like I'm going to put that on my wall. | 0:11:23 | 0:11:25 | |
Abdul's got nothing to do with anything. I got fraped, you stupid bitch. | 0:11:25 | 0:11:30 | |
Who are you afraid of? | 0:11:30 | 0:11:32 | |
Come on, Shannon. How can I help you if you won't talk to me? | 0:11:33 | 0:11:37 | |
You can't help me. | 0:11:37 | 0:11:38 | |
There's only one way out of this. | 0:11:39 | 0:11:41 | |
She died of smoke inhalation. DNA's being run now. | 0:11:50 | 0:11:54 | |
Smoke alarm batteries were dead. Window was locked, double glazed. | 0:11:54 | 0:11:59 | |
Door to the room was locked, no evidence of a key. | 0:11:59 | 0:12:02 | |
She was locked inside the room? Well, that's murder. | 0:12:02 | 0:12:05 | |
Was she inebriated? | 0:12:07 | 0:12:08 | |
Her blood showed a high concentration of oxycodone. | 0:12:08 | 0:12:11 | |
-Tattooed man, Johnny Dear... -Yeah, same as him. | 0:12:11 | 0:12:14 | |
It's become the fashionable drug of abuse. | 0:12:14 | 0:12:17 | |
She also had high levels of crack. | 0:12:17 | 0:12:19 | |
She's smoking a rock of crack cocaine, collapses, | 0:12:19 | 0:12:22 | |
the rock falls and ignites the bed clothes. | 0:12:22 | 0:12:25 | |
Fire inspectors say the fire started on the bed clothes | 0:12:25 | 0:12:28 | |
and radiated from there. | 0:12:28 | 0:12:30 | |
The nylon from the carpet fused with the skin on her cheek. | 0:12:30 | 0:12:33 | |
She'd have been lying on her front | 0:12:33 | 0:12:35 | |
with her right cheekbone pressed against the floor, | 0:12:35 | 0:12:38 | |
desperately trying to breathe through a gap at the bottom of the door. | 0:12:38 | 0:12:40 | |
Hardly the actions of a suicide. | 0:12:40 | 0:12:42 | |
KNOCK ON DOOR Leo, the fibres we found on Johnny Dear's body | 0:12:42 | 0:12:45 | |
match the carpet fibres from the room | 0:12:45 | 0:12:48 | |
so he was in that room some time before he died. | 0:12:48 | 0:12:50 | |
-Who owned the building? -Limited company, buy to let. | 0:12:58 | 0:13:01 | |
There's no evidence that she lived there. | 0:13:01 | 0:13:04 | |
So she doesn't live there, she's locked inside the room, she's on drugs... | 0:13:04 | 0:13:08 | |
Johnny Dear has the same painkillers in his system. | 0:13:08 | 0:13:10 | |
He's got the same fibres on his body. | 0:13:10 | 0:13:12 | |
I did find this dried film on her thigh. | 0:13:12 | 0:13:16 | |
I'm still waiting on the lab | 0:13:16 | 0:13:18 | |
but if we speculate that this film...is lubrication... | 0:13:18 | 0:13:22 | |
And these are condoms. | 0:13:22 | 0:13:24 | |
She was a prostitute? | 0:13:24 | 0:13:26 | |
Was Johnny Dear the client or the pimp? | 0:13:28 | 0:13:31 | |
Johnny Dear was from Burnley. | 0:13:31 | 0:13:34 | |
We can place him in the room but we can't place him with the girl. | 0:13:34 | 0:13:37 | |
Do you know what really bothers me? | 0:13:39 | 0:13:41 | |
She didn't have any shoes. | 0:13:41 | 0:13:44 | |
The girl in the suitcase? | 0:14:18 | 0:14:21 | |
Yes, or something resembling her. | 0:14:21 | 0:14:23 | |
I did find something that might be useful | 0:14:23 | 0:14:25 | |
in helping to identify where the body came from. | 0:14:25 | 0:14:28 | |
-Pediculus capitis. -Head lice. | 0:14:28 | 0:14:31 | |
Impressive. | 0:14:31 | 0:14:32 | |
Studied Latin. | 0:14:32 | 0:14:33 | |
Well, they were dead but clinging to the hair follicles. | 0:14:33 | 0:14:36 | |
How's this helpful? | 0:14:36 | 0:14:38 | |
Head lice in Britain have developed a resistance to malathion, | 0:14:38 | 0:14:40 | |
the active ingredient in most head lice treatments. | 0:14:40 | 0:14:43 | |
It's a very demonstrable resistance which we were able to measure. | 0:14:43 | 0:14:46 | |
Malathion was banned in Europe until last year | 0:14:46 | 0:14:49 | |
so I can't be certain but I'd guess that the lice that we found are British. | 0:14:49 | 0:14:54 | |
Perhaps they infected the deceased after she was in the suitcase. | 0:14:54 | 0:14:58 | |
The plastic wrap would have been a barrier. | 0:14:58 | 0:15:00 | |
Lice live off blood and die within 48 hours without it. | 0:15:00 | 0:15:03 | |
On balance, you're saying she never travelled anywhere. | 0:15:03 | 0:15:06 | |
Not unless you believe in heaven. | 0:15:06 | 0:15:08 | |
Mm. | 0:15:08 | 0:15:09 | |
Do we have a cause of death? | 0:15:09 | 0:15:11 | |
Not yet. | 0:15:11 | 0:15:12 | |
If we work on the assumption that she is British | 0:15:12 | 0:15:15 | |
then perhaps you should extend the DNA search to familial matches. | 0:15:15 | 0:15:18 | |
See if you get a manageable amount of hits. | 0:15:18 | 0:15:20 | |
-PHONE RINGS -Can you e-mail me a copy of this right away? -Mm-hm. | 0:15:20 | 0:15:24 | |
We need to go to the headmaster of every secondary school in the country. | 0:15:24 | 0:15:27 | |
She is, yep. Hang on a sec. Nikki. | 0:15:27 | 0:15:31 | |
DS Masood. | 0:15:31 | 0:15:32 | |
She won't talk to me. | 0:15:35 | 0:15:37 | |
What makes you think she'll talk to me? She hasn't wanted to so far. | 0:15:37 | 0:15:41 | |
Desperation. | 0:15:43 | 0:15:44 | |
Yours or hers? | 0:15:44 | 0:15:46 | |
Hi. | 0:15:57 | 0:15:58 | |
OK. Don't talk to me. | 0:16:00 | 0:16:03 | |
It's OK. There are hundreds of other people queuing up outside | 0:16:03 | 0:16:06 | |
waiting to be nice to you. | 0:16:06 | 0:16:07 | |
What does it matter to you? | 0:16:07 | 0:16:09 | |
-Oh, come on, Shannon. -I thought I could trust you. -Oh, that was just stupid, wasn't it? | 0:16:09 | 0:16:13 | |
I took one look at you | 0:16:15 | 0:16:16 | |
and saw that if I didn't get antibiotics in you straight away | 0:16:16 | 0:16:19 | |
then you were on your way to necrotising fasciitis. | 0:16:19 | 0:16:21 | |
And I've just seen a case in a dead man. | 0:16:21 | 0:16:24 | |
He was covered in tattoos all over him. I've never seen anything like it. | 0:16:27 | 0:16:31 | |
What? And he was dead? You must have done a pretty good job. | 0:16:32 | 0:16:36 | |
I'm a pathologist, Shannon. I deal with dead people every day. | 0:16:36 | 0:16:39 | |
-You are the exception. -Am I? | 0:16:39 | 0:16:40 | |
You know, he had the same strep infection as you have. | 0:16:40 | 0:16:44 | |
And just so you know, it becomes sores that never heal. | 0:16:45 | 0:16:49 | |
And the flesh begins to ooze pus and dies | 0:16:49 | 0:16:51 | |
and in order to save your life, they might have to cut off a leg | 0:16:51 | 0:16:55 | |
or an arm, or you can get brain damage. | 0:16:55 | 0:16:57 | |
Then you would live your life strapped in a chair | 0:16:57 | 0:16:59 | |
with some bored, disinterested person | 0:16:59 | 0:17:01 | |
shovelling food down your throat every day. | 0:17:01 | 0:17:03 | |
That's your reality. That's a kind of living death. | 0:17:03 | 0:17:05 | |
And I shopped you. I did. | 0:17:05 | 0:17:08 | |
For the same reason that I gave you mouth-to-mouth on the street | 0:17:08 | 0:17:11 | |
and that I stayed with you until you went to hospital. That was me. | 0:17:11 | 0:17:14 | |
That was the person that you can't trust. | 0:17:14 | 0:17:16 | |
Wait. | 0:17:20 | 0:17:21 | |
I'm sorry. | 0:17:23 | 0:17:24 | |
You eating something. Knickerbocker glory. | 0:17:28 | 0:17:31 | |
My man! | 0:17:31 | 0:17:32 | |
Ah! | 0:17:32 | 0:17:33 | |
For the hottest girls in London, innit? | 0:17:33 | 0:17:36 | |
Something to wear when you go clubbing tomorrow night. | 0:17:36 | 0:17:39 | |
Cos we're going to party hearty. | 0:17:39 | 0:17:40 | |
Make sure you got the same dresses. | 0:17:43 | 0:17:46 | |
You girls are going to look proper old, you know? Grown up. | 0:17:46 | 0:17:48 | |
Only the best for my girls, yeah. | 0:17:48 | 0:17:50 | |
The best will not rest until they are on your chest. | 0:17:50 | 0:17:53 | |
GIRLS GIGGLE | 0:17:53 | 0:17:55 | |
I've done bad things. | 0:17:56 | 0:17:59 | |
If my mum found out, she'd be so hurt. | 0:18:01 | 0:18:04 | |
They said I could go to prison. | 0:18:05 | 0:18:08 | |
You won't go to prison. | 0:18:08 | 0:18:09 | |
Is there a reason that you can't go home? | 0:18:09 | 0:18:12 | |
She'll never forgive me. | 0:18:12 | 0:18:14 | |
My stepdad's going to throw me out. | 0:18:14 | 0:18:16 | |
I mean, it's pointless. | 0:18:16 | 0:18:18 | |
It wasn't supposed to be like this. | 0:18:19 | 0:18:21 | |
I fell in love. | 0:18:24 | 0:18:26 | |
Come on. You don't have to be afraid. | 0:18:33 | 0:18:36 | |
You don't understand. | 0:18:36 | 0:18:38 | |
I just really wanted them to like me. | 0:18:39 | 0:18:41 | |
I just fell in love. | 0:18:43 | 0:18:45 | |
Who with? | 0:18:45 | 0:18:47 | |
They're going to hurt me. | 0:18:48 | 0:18:50 | |
I mean, they already know where I am. He came into my room. | 0:18:50 | 0:18:54 | |
-How do they know that you're here? -I don't know. | 0:18:54 | 0:18:57 | |
-Have you told anyone that you're in the hospital? Family? -No. -Friends? | 0:18:57 | 0:19:00 | |
I told my friend Amy. | 0:19:03 | 0:19:04 | |
Amy? Who's Amy? | 0:19:04 | 0:19:06 | |
-She's just a friend. -Could she have told them? | 0:19:06 | 0:19:08 | |
I told her not to say anything. | 0:19:08 | 0:19:11 | |
She sent me a message and... | 0:19:12 | 0:19:13 | |
..I said I was in hospital and couldn't see anyone. | 0:19:14 | 0:19:17 | |
I mean, it was a private message. It wasn't on her wall. | 0:19:17 | 0:19:20 | |
-What was her name again? -Amy Chester. | 0:19:20 | 0:19:23 | |
-And you can trust her? -Yeah. Can you show me the message? | 0:19:23 | 0:19:25 | |
What is it? | 0:19:35 | 0:19:37 | |
Her name is Amy Chester. | 0:19:40 | 0:19:42 | |
She and Shannon Kelly were good friends. | 0:19:44 | 0:19:46 | |
They'd known each other since primary school | 0:19:48 | 0:19:50 | |
and they went to dance classes together in their... | 0:19:50 | 0:19:53 | |
Both Amy's message and Shannon's response were sent after Amy had died in the fire. | 0:19:53 | 0:19:56 | |
They fraped her profile. Posed as Amy and sent Shannon a message to find out where she was. | 0:19:56 | 0:19:59 | |
That's how they posted the sexual abuse allegation | 0:19:59 | 0:20:02 | |
against Abdul Aziz, her stepfather. | 0:20:02 | 0:20:05 | |
-Who is "they"? -Shannon won't tell me. | 0:20:05 | 0:20:08 | |
-How can anyone help her, then? -She's afraid of what they might do. | 0:20:08 | 0:20:11 | |
What does she think that "they" might do? | 0:20:11 | 0:20:13 | |
Are we sure there is a "they"? | 0:20:13 | 0:20:15 | |
I've asked the nurses to keep a close eye on her, because I guess... | 0:20:16 | 0:20:19 | |
I'm worried that she might consider suicide. | 0:20:19 | 0:20:22 | |
There was something that she said... "Only one way out for me." | 0:20:22 | 0:20:25 | |
They can't hurt her if she's dead, can they? | 0:20:25 | 0:20:28 | |
-We're pretty sure there is a "they". -It's very melodramatic. | 0:20:28 | 0:20:31 | |
Have you had an empathy bypass? | 0:20:31 | 0:20:34 | |
They can't hurt her if she's dead. | 0:20:34 | 0:20:36 | |
So kill her. | 0:20:39 | 0:20:40 | |
It really wouldn't be normal policy. | 0:20:46 | 0:20:48 | |
-Mrs Kelly? -Yes. | 0:21:14 | 0:21:15 | |
Do you have a daughter called Shannon? | 0:21:15 | 0:21:18 | |
She's scared. She's scared of something, or... | 0:21:18 | 0:21:22 | |
someone. | 0:21:22 | 0:21:24 | |
Could she be scared of her stepfather? | 0:21:24 | 0:21:27 | |
No, of course not. | 0:21:27 | 0:21:29 | |
-She's scared to come home. -She doesn't have to be scared. | 0:21:29 | 0:21:32 | |
It's none of my business and I understand that and I apologise... | 0:21:32 | 0:21:36 | |
She doesn't have to be scared. | 0:21:36 | 0:21:38 | |
She's alone and...erm... | 0:21:39 | 0:21:41 | |
..I think she needs her mum. | 0:21:43 | 0:21:45 | |
She's my girl and I will do anything for her. | 0:21:46 | 0:21:50 | |
She just wouldn't listen. Please... | 0:21:50 | 0:21:53 | |
just tell me where she is. | 0:21:53 | 0:21:55 | |
She could still be contagious. | 0:22:07 | 0:22:09 | |
Mum. | 0:22:12 | 0:22:14 | |
Thank God. | 0:22:14 | 0:22:17 | |
-Thank God. I've prayed for this. -Thank God. -I love you, Mum. | 0:22:17 | 0:22:21 | |
I love you so much. | 0:22:21 | 0:22:24 | |
I love you. I love you so much. | 0:22:26 | 0:22:28 | |
CHATTING AND LAUGHING | 0:22:42 | 0:22:45 | |
When we go to that club tonight, you're going to be dancing. | 0:22:48 | 0:22:51 | |
You're going to be shaking it, going to be shaking it. | 0:22:51 | 0:22:54 | |
Banging. | 0:22:54 | 0:22:56 | |
Bangin'. | 0:22:56 | 0:22:58 | |
Boys are going to be hitting on you. I don't want nothing to happen to you. | 0:22:58 | 0:23:02 | |
It's best you take precautions. You on the pill? | 0:23:02 | 0:23:04 | |
Been thinking about it. | 0:23:04 | 0:23:06 | |
No. | 0:23:06 | 0:23:08 | |
No? Ah! | 0:23:08 | 0:23:10 | |
You know, the pill's good. | 0:23:10 | 0:23:11 | |
Makes your titties bigger. Eh? | 0:23:11 | 0:23:13 | |
Wah, wah, wah! | 0:23:13 | 0:23:16 | |
They give you everything you need in there for free. | 0:23:16 | 0:23:19 | |
Pills, morning-after pill, condoms. Just go in there. | 0:23:19 | 0:23:24 | |
They ask for your name. You give them a fake one. Who's going to know? | 0:23:24 | 0:23:28 | |
You OK, Hannah? | 0:23:31 | 0:23:32 | |
Yeah. | 0:23:32 | 0:23:34 | |
Yeah. | 0:23:34 | 0:23:35 | |
Come on, then. Get out. | 0:23:35 | 0:23:37 | |
White whores, man. | 0:23:41 | 0:23:44 | |
Don't look so surprised, Younis. It's how they're raised. | 0:23:44 | 0:23:47 | |
DOORBELL RINGS | 0:24:03 | 0:24:04 | |
I'm sorry, I was doing my job. | 0:24:04 | 0:24:07 | |
I was trying to protect your daughter and we had to pursue every possibility. | 0:24:07 | 0:24:11 | |
That includes the allegations made against you | 0:24:11 | 0:24:14 | |
that we now know to be untrue. | 0:24:14 | 0:24:16 | |
These men who Shannon is afraid of... | 0:24:17 | 0:24:21 | |
You believe they work for a minicab firm. | 0:24:21 | 0:24:23 | |
-Can you give us the name...? -My daughter's home. | 0:24:23 | 0:24:27 | |
She's safe. | 0:24:27 | 0:24:28 | |
She's asked me to just forget everything that's happened | 0:24:28 | 0:24:31 | |
so that's exactly what I'm going to do. | 0:24:31 | 0:24:33 | |
Forget. | 0:24:33 | 0:24:35 | |
Can you go in tight on the ventricle? | 0:24:47 | 0:24:49 | |
-Can you get Professor Dalton in? -Yes. | 0:24:52 | 0:24:55 | |
Arrhythmogenic right ventricular dysplasia. | 0:24:58 | 0:25:01 | |
That's not what I expected. | 0:25:01 | 0:25:03 | |
She died of natural causes. | 0:25:03 | 0:25:05 | |
A broken heart. | 0:25:05 | 0:25:06 | |
She wasn't murdered. | 0:25:06 | 0:25:09 | |
So why was she in a suitcase? | 0:25:09 | 0:25:12 | |
There were no other marks, no indentations, no signs of heavy blows. | 0:25:17 | 0:25:22 | |
This is the cause of death. | 0:25:22 | 0:25:23 | |
Her name is Megan Reid. | 0:25:25 | 0:25:28 | |
She left school unexpectedly just before her GCSEs. | 0:25:28 | 0:25:31 | |
She was very popular, well respected and liked by her peers. | 0:25:31 | 0:25:35 | |
-It's uncanny. -She had problems at home. | 0:25:35 | 0:25:38 | |
Her mother wrote to the school, said she'd left. | 0:25:38 | 0:25:41 | |
Shannon Kelly went to the same school. | 0:25:41 | 0:25:43 | |
Megan Reid's father worked in Flight Deck Catering for nine years, | 0:25:47 | 0:25:51 | |
senior operations manager | 0:25:51 | 0:25:52 | |
with access to all the secure areas of the airport, including left luggage. | 0:25:52 | 0:25:56 | |
Quit his job five months ago just after his daughter disappeared. | 0:25:56 | 0:26:00 | |
-Vernon! -What? | 0:26:00 | 0:26:02 | |
TELEVISION IN BACKGROUND | 0:26:02 | 0:26:04 | |
SWITCHES TV OFF He's...just coming. | 0:26:04 | 0:26:08 | |
We'd like to take a DNA sample from you and your husband if that's OK. | 0:26:08 | 0:26:12 | |
Oh, no! Oh, God, you've found something. | 0:26:12 | 0:26:15 | |
We hope to rule her out. | 0:26:15 | 0:26:16 | |
Yes. | 0:26:16 | 0:26:18 | |
Why did your daughter run away? | 0:26:20 | 0:26:23 | |
She and her father... I guess they were too similar. They fought. | 0:26:23 | 0:26:26 | |
-Fought? -They argued. | 0:26:26 | 0:26:28 | |
-Over? -Boys. | 0:26:28 | 0:26:30 | |
-Didn't like her friends. -Why? | 0:26:30 | 0:26:32 | |
Pakis. | 0:26:32 | 0:26:34 | |
He didn't like their ethnic origin? | 0:26:36 | 0:26:39 | |
No. He didn't like them because they gave our daughter drugs. | 0:26:39 | 0:26:42 | |
Can I help you? | 0:26:52 | 0:26:53 | |
-Yeah, erm... -We're looking for Shannon Kelly. | 0:26:53 | 0:26:56 | |
I'm sorry. Shannon Kelly has passed away. | 0:26:56 | 0:27:00 | |
She dead? | 0:27:00 | 0:27:02 | |
I'm afraid so. | 0:27:02 | 0:27:03 | |
Detective Sergeant Masood, please. | 0:27:14 | 0:27:16 | |
I've been waiting for you to come. | 0:27:22 | 0:27:24 | |
You've found her? | 0:27:24 | 0:27:26 | |
They don't know. | 0:27:26 | 0:27:27 | |
They need to take our DNA. | 0:27:27 | 0:27:29 | |
Can you open your mouth? | 0:27:38 | 0:27:39 | |
Thanks. | 0:27:39 | 0:27:41 | |
It might not be her. | 0:27:43 | 0:27:45 | |
Dr Alexander made a computer image | 0:27:46 | 0:27:49 | |
that was identified by Megan's former head teacher. | 0:27:49 | 0:27:52 | |
We found her body in a suitcase. | 0:27:52 | 0:27:54 | |
Oh, no! SHE SOBS | 0:27:54 | 0:27:58 | |
How did she die? | 0:27:58 | 0:28:00 | |
Do you know how she died? | 0:28:00 | 0:28:02 | |
She had a catastrophic congenital heart condition. | 0:28:02 | 0:28:05 | |
Heart condition? | 0:28:05 | 0:28:07 | |
Her heart just stopped. We don't know why. | 0:28:07 | 0:28:10 | |
She didn't suffer? | 0:28:10 | 0:28:12 | |
No. She would have died instantly. | 0:28:12 | 0:28:14 | |
Perhaps in the heat of an argument. | 0:28:14 | 0:28:16 | |
Or a struggle. | 0:28:18 | 0:28:19 | |
We'd like to know why someone put her in a suitcase | 0:28:20 | 0:28:23 | |
and not an ambulance. | 0:28:23 | 0:28:25 | |
That would be hard to understand. | 0:28:25 | 0:28:28 | |
You said you were waiting for us to come. | 0:28:29 | 0:28:31 | |
One day I...I knew you'd find her. | 0:28:33 | 0:28:37 | |
Alive or dead. | 0:28:37 | 0:28:39 | |
How did your daughter end up in a suitcase, Mr Reid? | 0:28:39 | 0:28:42 | |
I can't help you. | 0:28:42 | 0:28:43 | |
Just like I couldn't help her. | 0:28:45 | 0:28:48 | |
HE CONTINUES TO SOB | 0:28:53 | 0:28:56 | |
Sssh. | 0:29:03 | 0:29:05 | |
We've got nothing. He denies it. There's no physical evidence. | 0:29:05 | 0:29:10 | |
What, there's really nothing you can do? | 0:29:10 | 0:29:12 | |
Failure to report a death or failure to file with a coroner? | 0:29:12 | 0:29:16 | |
Failure to do something. | 0:29:17 | 0:29:20 | |
Failure. | 0:29:22 | 0:29:23 | |
He's guilty of failure. | 0:29:23 | 0:29:25 | |
UNLOCKS CAR | 0:29:25 | 0:29:27 | |
-Is that them? -According to the nurse. | 0:29:31 | 0:29:35 | |
Can you PNC that plate, please? | 0:29:36 | 0:29:38 | |
Pause and zoom in here? | 0:29:38 | 0:29:40 | |
And that's a minicab licence. | 0:29:40 | 0:29:42 | |
# From the height that I'm falling from | 0:29:44 | 0:29:47 | |
# The foregone conclusion is I'm going to hit rock bottom | 0:29:47 | 0:29:49 | |
# Less I find some cash real quick | 0:29:49 | 0:29:51 | |
# Don't know what the hell I'm doin' | 0:29:51 | 0:29:53 | |
# All this time that I've been wasting | 0:29:53 | 0:29:56 | |
# Like I'm waiting for something to happen... # | 0:29:56 | 0:29:58 | |
Fast Mini Cabs? | 0:30:00 | 0:30:02 | |
You need a car, lady? Where you goin'? | 0:30:02 | 0:30:04 | |
No, thanks. | 0:30:04 | 0:30:06 | |
Do you know a young woman called Shannon Kelly? | 0:30:06 | 0:30:09 | |
No, know nobody. | 0:30:09 | 0:30:11 | |
Is that all? Cos I've got work to do. | 0:30:11 | 0:30:13 | |
DANCE MUSIC BLARES | 0:30:21 | 0:30:24 | |
You want one, yeah? | 0:30:37 | 0:30:39 | |
They're good, you know. They make you feel...free. | 0:30:40 | 0:30:45 | |
-That's it. Swallow it down! -Whoo! | 0:30:49 | 0:30:52 | |
Are they legal? | 0:30:53 | 0:30:55 | |
They're about as legal as you are in this club. | 0:30:55 | 0:30:59 | |
Take it. It's nice. Trust me. | 0:31:03 | 0:31:05 | |
GIRLS LAUGH | 0:31:50 | 0:31:53 | |
-Are you awake? -I am now. | 0:32:20 | 0:32:23 | |
Is there a shame that great? | 0:32:26 | 0:32:28 | |
What? | 0:32:30 | 0:32:31 | |
A disgust so great that you could do that to your own child? | 0:32:38 | 0:32:42 | |
A suitcase? And pretend it didn't happen? | 0:32:42 | 0:32:44 | |
A shame that great? I don't know. | 0:32:47 | 0:32:49 | |
People are weak. | 0:32:49 | 0:32:51 | |
We're all weak. | 0:32:53 | 0:32:55 | |
One way or another. | 0:32:56 | 0:32:59 | |
I like having you here. | 0:33:12 | 0:33:14 | |
RAP MUSIC PLAYS IN CAR | 0:33:18 | 0:33:21 | |
Now, my cousin is the night clerk over here so we're going to get some drinks. | 0:33:24 | 0:33:29 | |
Are you listening to me? | 0:33:29 | 0:33:31 | |
-SHE LAUGHS -Easy. | 0:33:31 | 0:33:33 | |
Easy, easy, whoa, whoa, whoa! | 0:33:33 | 0:33:35 | |
Everyone was wondering who you were tonight, like some movie star. | 0:33:35 | 0:33:38 | |
Isn't that right, Fawad? A movie star. | 0:33:38 | 0:33:40 | |
No, I want to go home. | 0:33:40 | 0:33:42 | |
Hey, you don't want to leave your friend behind, do you? | 0:33:42 | 0:33:46 | |
Come on. Younis will drop you home. | 0:33:46 | 0:33:48 | |
We've still got some more partying to do, yeah? | 0:33:48 | 0:33:51 | |
-Yeah? -Yeah! | 0:33:51 | 0:33:54 | |
No. | 0:33:54 | 0:33:55 | |
-Hey, come on. Come on! -No. | 0:33:56 | 0:33:59 | |
Come on. You trust me, don't you? | 0:33:59 | 0:34:01 | |
Here, chill. | 0:34:04 | 0:34:05 | |
You're really beautiful, you know that? | 0:34:08 | 0:34:10 | |
-How's your mother and father? -Yeah, good, man. | 0:34:10 | 0:34:12 | |
-Give them my kindest regards, eh? -I will. | 0:34:12 | 0:34:14 | |
In there, yeah? Cool, bruv. | 0:34:16 | 0:34:19 | |
Two minutes, yeah? | 0:34:21 | 0:34:23 | |
Ooh! Can I get some? | 0:34:31 | 0:34:32 | |
SHE GIGGLES | 0:34:35 | 0:34:37 | |
What you looking at? | 0:34:44 | 0:34:46 | |
-Huh? -What you looking at? | 0:34:46 | 0:34:48 | |
CONTINUES TO GIGGLE | 0:34:50 | 0:34:53 | |
I'm looking at... | 0:34:53 | 0:34:55 | |
I'm looking at the most... | 0:34:55 | 0:34:57 | |
..the sexiest girl in the whole world. | 0:34:59 | 0:35:02 | |
I'm totally twatted. | 0:35:04 | 0:35:06 | |
No, no, no. Come on, come on. Can't be weak. | 0:35:06 | 0:35:11 | |
-Keep moving. -I've got the helicopters. | 0:35:11 | 0:35:14 | |
No. | 0:35:17 | 0:35:19 | |
No. | 0:35:19 | 0:35:20 | |
-No. -Huh? | 0:35:20 | 0:35:22 | |
No, please. | 0:35:22 | 0:35:23 | |
-No, no. -Come on. -No, I don't want to. | 0:35:23 | 0:35:26 | |
-Please, no, no. -It's OK. | 0:35:26 | 0:35:27 | |
MUFFLED SHOUTING | 0:35:27 | 0:35:30 | |
Don't do anything to me, OK? | 0:35:57 | 0:35:59 | |
Stop looking at me like that. | 0:36:02 | 0:36:03 | |
Why are you looking at me like that? | 0:36:03 | 0:36:06 | |
What are you going to do to me? I don't want to do anything. | 0:36:15 | 0:36:19 | |
-I'm not going to do anything to you. -You scare me. | 0:36:19 | 0:36:22 | |
MEN'S VOICES OUTSIDE DOOR | 0:36:37 | 0:36:39 | |
KEYS TURN IN THE LOCK | 0:36:39 | 0:36:41 | |
Make yourself sick. | 0:36:41 | 0:36:42 | |
In the toilet. Make yourself... | 0:36:42 | 0:36:45 | |
Quick. Hurry up. | 0:36:46 | 0:36:49 | |
Be sick, yeah. Be sick. | 0:36:49 | 0:36:51 | |
SHE VOMITS | 0:36:51 | 0:36:54 | |
SHE VOMITS AGAIN | 0:36:56 | 0:36:58 | |
-What? -What's going on? | 0:36:58 | 0:36:59 | |
Oh, man! | 0:36:59 | 0:37:01 | |
-Oh, man. -Ruined, man, ruined. -What did you do to that one? | 0:37:04 | 0:37:07 | |
-That makes me...hard. -THEY LAUGH | 0:37:07 | 0:37:11 | |
-Sick bastard! -All right, we'll party with her later. Later. | 0:37:11 | 0:37:15 | |
Come on, Fawad. | 0:37:15 | 0:37:17 | |
Give him the keys, man. | 0:37:17 | 0:37:19 | |
Yo, come on. | 0:37:22 | 0:37:23 | |
Take them to the office, put them in the flat. | 0:37:23 | 0:37:27 | |
-OK. -Huh? -Yeah. -OK, come. | 0:37:27 | 0:37:29 | |
Yo. Don't squash her, big man, now, yeah? | 0:37:31 | 0:37:34 | |
Hey. Come here. | 0:37:39 | 0:37:42 | |
You get your friend and I'll take you home, yeah? | 0:37:59 | 0:38:02 | |
Here. Go on. | 0:38:02 | 0:38:05 | |
Yo, fam... | 0:38:15 | 0:38:17 | |
make sure he gets them there. | 0:38:17 | 0:38:19 | |
-All right. Yeah, yeah. -Right? | 0:38:19 | 0:38:23 | |
KEYS TURN IN LOCK | 0:38:40 | 0:38:42 | |
Lauren, come on. Lauren, we need to go. Come on. | 0:38:44 | 0:38:48 | |
Come on. Please, Lauren, come on. Lauren, come on. | 0:38:48 | 0:38:51 | |
You need to pay for your rooms. | 0:38:51 | 0:38:53 | |
-Umar said that we didn't... -Umar? Who's Umar? | 0:38:53 | 0:38:55 | |
I don't have any money. | 0:38:55 | 0:38:57 | |
-I don't need any money. -Get off! | 0:38:57 | 0:38:59 | |
-Get off! -Oi! | 0:38:59 | 0:39:01 | |
We gotta go! We gotta go! Come on. | 0:39:08 | 0:39:10 | |
HE GROANS | 0:39:13 | 0:39:15 | |
What you sayin', Younis? | 0:39:17 | 0:39:19 | |
Man's taking the piss and that. I'll take care of these, yeah? | 0:39:20 | 0:39:23 | |
Ladies, do you want to follow me? Get in the back seat and that, yeah? | 0:39:23 | 0:39:26 | |
Hurry up, yeah? Jump in, jump in. | 0:39:26 | 0:39:30 | |
You know what, Younis? | 0:39:30 | 0:39:32 | |
What we do, yeah? We get back to the flat, bruv. | 0:39:32 | 0:39:36 | |
You can have a little one-on-one with the one you like, fam, yeah? | 0:39:36 | 0:39:39 | |
What you doin', bruv? | 0:39:40 | 0:39:42 | |
What you doin', bruv? | 0:39:42 | 0:39:44 | |
Agh! | 0:39:56 | 0:39:57 | |
Where are you taking us? | 0:40:17 | 0:40:19 | |
Younis, where are you taking us? | 0:40:19 | 0:40:21 | |
Take you...take you home, yeah? | 0:40:21 | 0:40:24 | |
T-Take you home. | 0:40:24 | 0:40:26 | |
You're bleeding. | 0:40:26 | 0:40:28 | |
I'm OK. I'm OK. It's all right. | 0:40:28 | 0:40:31 | |
I'd better get you home, yeah? | 0:40:31 | 0:40:33 | |
HE GROANS | 0:40:33 | 0:40:35 | |
-Younis...? -Yeah. Call your...call your mum, yeah? | 0:40:35 | 0:40:40 | |
Agh! | 0:40:40 | 0:40:41 | |
Are you awake? | 0:41:32 | 0:41:35 | |
As always. | 0:41:35 | 0:41:36 | |
Morning! | 0:41:36 | 0:41:38 | |
Is it? | 0:41:38 | 0:41:39 | |
Was Amy Chester wearing shoes when they found her? | 0:41:40 | 0:41:43 | |
No. | 0:41:43 | 0:41:44 | |
Did you check for Amy Chester's DNA | 0:41:46 | 0:41:47 | |
on the illustrated man's body? What was he called? | 0:41:47 | 0:41:50 | |
-Johnny Dear. -That's it. -No. We placed him in the same room with the fibres. | 0:41:50 | 0:41:54 | |
Why?! | 0:41:58 | 0:41:59 | |
She knows who murdered Amy Chester. That's why she's so terrified. | 0:41:59 | 0:42:03 | |
She doesn't even know Amy Chester is dead. | 0:42:03 | 0:42:05 | |
-That's not material. -What do you mean, that's not material? | 0:42:05 | 0:42:08 | |
-You're saying she knows who murdered a person she doesn't know has been murdered yet? -I'm sure of it. -Why? | 0:42:08 | 0:42:12 | |
She wasn't wearing any shoes. When she was hit by the car, she wasn't wearing any shoes. | 0:42:12 | 0:42:16 | |
When she came to the flat, she was wearing her hospital slippers. I gave her my trainers. | 0:42:16 | 0:42:20 | |
They took her shoes away for the same reason they took away Amy Chester's - | 0:42:20 | 0:42:23 | |
to make it hard to escape. | 0:42:23 | 0:42:25 | |
I think that we will find Shannon's DNA on Johnny Dear's body. | 0:42:25 | 0:42:28 | |
-We should tell DS Masood. -Yeah, we should. | 0:42:28 | 0:42:30 | |
But not before we've spoken to her. I don't want to frighten her. | 0:42:30 | 0:42:33 | |
-You won't be able to swab for DNA without her permission. -What's your point? | 0:42:33 | 0:42:36 | |
I suppose I'm saying that you can't swab her for DNA without her permission. | 0:42:36 | 0:42:40 | |
MOBILE PHONE RINGS | 0:42:40 | 0:42:42 | |
Hi, Leo. | 0:42:42 | 0:42:44 | |
OK. See you. | 0:42:48 | 0:42:49 | |
-What? -Leo's at the scene of an accident. | 0:42:49 | 0:42:53 | |
Two young girls, both drunk and drugged. Both underage. | 0:42:53 | 0:42:56 | |
TV: 'More now on the cuts affecting your local services. | 0:42:59 | 0:43:02 | |
'It's an intensely political issue...' | 0:43:02 | 0:43:04 | |
-You've got visitors. -Hiya. | 0:43:04 | 0:43:06 | |
Sorry. Can we have a word with Shannon alone for a minute? | 0:43:06 | 0:43:10 | |
Thanks. | 0:43:14 | 0:43:15 | |
Shannon, this is Dr Cunningham. He did a postmortem on... | 0:43:19 | 0:43:22 | |
SHE SWITCHES OFF TV | 0:43:24 | 0:43:26 | |
Dr Cunningham's just done a postmortem | 0:43:26 | 0:43:28 | |
on a man called Johnny Dear. | 0:43:28 | 0:43:30 | |
-I don't know anyone called that. -He was the guy covered in tattoos. | 0:43:30 | 0:43:33 | |
We found your DNA on his dead body. | 0:43:34 | 0:43:37 | |
Please can you just leave me alone? | 0:43:39 | 0:43:41 | |
We know you were with him. | 0:43:43 | 0:43:45 | |
Come on, Shannon. | 0:43:49 | 0:43:50 | |
They made me do it. | 0:43:54 | 0:43:55 | |
I mean, they made me take drugs. | 0:43:55 | 0:43:57 | |
They locked me in a room and I couldn't get out. | 0:43:57 | 0:44:00 | |
-Where? Where was it? -I don't know. | 0:44:00 | 0:44:02 | |
Somewhere near an airport. | 0:44:02 | 0:44:04 | |
I remember hearing the sound of planes. They locked me in the room. | 0:44:04 | 0:44:08 | |
Who are "they"? | 0:44:08 | 0:44:09 | |
Detective Sergeant. | 0:44:41 | 0:44:42 | |
-Apparently he worked for a minicab firm. -Fast Mini Cabs. | 0:44:45 | 0:44:49 | |
How do you know this? | 0:44:49 | 0:44:50 | |
We caught a car on the CCTV at the hospital. | 0:44:50 | 0:44:53 | |
There were two white girls on the back seat, | 0:44:53 | 0:44:55 | |
both with alcohol and oxycodone in their systems. | 0:44:55 | 0:44:58 | |
They say they don't remember anything. | 0:44:58 | 0:45:00 | |
Right. | 0:45:00 | 0:45:01 | |
I need someone... | 0:45:02 | 0:45:04 | |
I'm not sure how to say this. | 0:45:06 | 0:45:08 | |
There's issues relating to the cohesiveness | 0:45:08 | 0:45:11 | |
of the community involved in this investigation. | 0:45:11 | 0:45:13 | |
-Just say it. -Pakistani. Muslim. | 0:45:13 | 0:45:17 | |
I need someone who's Pakistani to work with me | 0:45:17 | 0:45:19 | |
so that no-one thinks this is a racially-motivated investigation. | 0:45:19 | 0:45:22 | |
Do you know, that makes me think that it is. | 0:45:22 | 0:45:24 | |
-You said, "Just say it." -I just did. | 0:45:24 | 0:45:25 | |
I'm investigating a group of British Asian men. | 0:45:26 | 0:45:28 | |
I think they are rapists and I think they groom white girls. | 0:45:28 | 0:45:33 | |
There are so many land mines involved with this that I need someone... | 0:45:33 | 0:45:37 | |
-To step on the land mines for you. -Someone to point out where they are | 0:45:37 | 0:45:40 | |
so that no-one gets their leg blown off. | 0:45:40 | 0:45:42 | |
Amy Chester, Megan Reid... | 0:45:48 | 0:45:51 | |
Not Megan. I mean, her mum said that she ran away. | 0:45:51 | 0:45:55 | |
You can stop them. You can identify them and stop them, Shannon. | 0:45:55 | 0:45:58 | |
Please can you just leave me alone? | 0:45:58 | 0:46:00 | |
Thank you for everything you've done, but please just leave me alone. | 0:46:00 | 0:46:05 | |
Nothing happened. I don't... | 0:46:10 | 0:46:12 | |
I don't remember anything. Nothing happened. | 0:46:12 | 0:46:15 | |
Perhaps we can come back later, or... | 0:46:15 | 0:46:18 | |
-you can give me a call. -She's got nothing to say to you. | 0:46:18 | 0:46:21 | |
These men are exploiting your dau... | 0:46:21 | 0:46:23 | |
You are not making my baby out to be some kind of slut. | 0:46:23 | 0:46:26 | |
She went clubbing. Nothing happened. | 0:46:26 | 0:46:29 | |
Now, get out of my house. Go on, get out. | 0:46:29 | 0:46:33 | |
She's got nothing to do with this. I'm not having you ruin her future. | 0:46:39 | 0:46:42 | |
-Your daughter had drugs in her system. -Her drink was spiked. -And alcohol. | 0:46:42 | 0:46:46 | |
Then go after the ones that sold it to her, and the club that let her in. | 0:46:46 | 0:46:49 | |
-Did he die? The driver? -Yes. | 0:46:49 | 0:46:52 | |
She don't know anything. She got nothing to tell you. | 0:46:52 | 0:46:55 | |
DOORBELL BUZZES | 0:47:16 | 0:47:19 | |
KNOCK ON DOOR | 0:47:29 | 0:47:32 | |
Yo. She's the one that was here asking about Shannon. | 0:47:39 | 0:47:43 | |
-Asking about Shannon? -Yeah. | 0:47:43 | 0:47:47 | |
-Looking for Shannon? -Yeah. | 0:47:47 | 0:47:49 | |
Don't worry about that Shannon. She's dead, you know, fam. She died. | 0:47:50 | 0:47:55 | |
Who told you? Huh? | 0:47:59 | 0:48:02 | |
The nurse. A nurse at the hospital. | 0:48:02 | 0:48:06 | |
-The nurse told you? -Yeah, the nurse told me. | 0:48:08 | 0:48:11 | |
HE MUMBLES | 0:48:13 | 0:48:16 | |
A nurse is going to tell you...? | 0:48:16 | 0:48:18 | |
You want it? You want it? | 0:48:18 | 0:48:21 | |
A nurse is going to tell you she's dead? | 0:48:21 | 0:48:24 | |
A nurse ain't going to tell you she's dead. You know why? | 0:48:24 | 0:48:28 | |
Cos you're not related. | 0:48:28 | 0:48:31 | |
She's a goria and you're not. | 0:48:31 | 0:48:34 | |
She's not dead. | 0:48:34 | 0:48:37 | |
She's not dead. | 0:48:37 | 0:48:38 | |
She just wants us to think she is. | 0:48:41 | 0:48:43 | |
Clever girl. | 0:48:46 | 0:48:48 | |
OK, OK. | 0:48:49 | 0:48:50 | |
OK, OK, OK. | 0:48:54 | 0:48:57 | |
OK. We'll show her what we got, then. | 0:48:59 | 0:49:02 | |
We shall shut her mouth. | 0:49:04 | 0:49:05 | |
I'm going to show her mum and dad what kind of sket she is. | 0:49:05 | 0:49:08 | |
I'm going to flick that shit over YouTube, man. | 0:49:08 | 0:49:11 | |
Bitch! Goria cutiya. Bitch! | 0:49:11 | 0:49:14 | |
TEXT MESSAGE CHIMES | 0:49:27 | 0:49:29 | |
Please... | 0:49:53 | 0:49:55 | |
SOBBING | 0:49:55 | 0:49:57 | |
Oh. | 0:50:10 | 0:50:12 | |
I can get into my flat tomorrow. | 0:50:13 | 0:50:15 | |
They can seal off the damaged bit and repair it. | 0:50:15 | 0:50:18 | |
Great news. | 0:50:18 | 0:50:19 | |
-Yeah. Be out of your hair. -Yeah, you were getting irritating. | 0:50:19 | 0:50:23 | |
Familiarity, contempt. | 0:50:23 | 0:50:25 | |
KNOCK ON DOOR Shannon. | 0:50:29 | 0:50:31 | |
KNOCK ON DOOR Shannon? | 0:50:33 | 0:50:36 | |
No! | 0:50:43 | 0:50:45 | |
MOBILE PHONE RINGS Hello? | 0:50:45 | 0:50:48 | |
Oh, no. | 0:51:37 | 0:51:39 | |
-Sorry. -It's all right. | 0:51:49 | 0:51:52 | |
And this is them leading Johnny Dear from the chip shop. | 0:51:59 | 0:52:03 | |
And this is them abandoning him in the street. | 0:52:10 | 0:52:14 | |
They knew he was ill. They had an obligation to help him, but they didn't? | 0:52:16 | 0:52:20 | |
I don't see a crime. Do you? | 0:52:20 | 0:52:23 | |
KNOCK ON DOOR | 0:52:23 | 0:52:25 | |
Hiya. | 0:52:35 | 0:52:36 | |
Sorry to interrupt. She insisted on seeing someone. | 0:52:36 | 0:52:39 | |
-Can I help you? -I...I... | 0:52:39 | 0:52:41 | |
I called the police and they said that he was here. I just... | 0:52:41 | 0:52:45 | |
I just wanted to see him. | 0:52:45 | 0:52:47 | |
Sorry, who? | 0:52:47 | 0:52:48 | |
I only know him as Younis. | 0:52:49 | 0:52:52 | |
But he...he saved me. | 0:52:52 | 0:52:55 | |
Do you want to tell me how you know him? | 0:53:16 | 0:53:18 | |
I can't. I... I can't. | 0:53:19 | 0:53:22 | |
Hannah... | 0:53:22 | 0:53:24 | |
I think I know what you might have been through. | 0:53:25 | 0:53:28 | |
A girl called Shannon Kelly asked me for help | 0:53:29 | 0:53:32 | |
because she was so frightened. | 0:53:32 | 0:53:35 | |
But she wouldn't tell me anything... | 0:53:35 | 0:53:37 | |
..and now I can't help her. | 0:53:38 | 0:53:40 | |
Will you let me help you? | 0:53:42 | 0:53:43 | |
SOBBING | 0:53:54 | 0:53:56 | |
'Come on. Come on, come on.' | 0:54:29 | 0:54:30 | |
SOBBING FROM VIDEO | 0:54:30 | 0:54:33 | |
'Please...' | 0:54:49 | 0:54:51 | |
PHONE RINGS | 0:55:05 | 0:55:08 | |
Mini Cab? | 0:55:16 | 0:55:17 | |
Fawad Kahn, Kamran Hussein? | 0:55:21 | 0:55:23 | |
-Yep. -You're under arrest. | 0:55:23 | 0:55:25 | |
Oh, yeah. Uh-huh. The golf club. Yeah, I know it. Yeah. | 0:55:32 | 0:55:37 | |
Would you like executive or standard? | 0:55:37 | 0:55:40 | |
Hoh! Hoh! Fast Mini Cabs. | 0:56:50 | 0:56:53 | |
Do you want me to put that in the back? | 0:56:53 | 0:56:56 | |
HE GROANS | 0:56:56 | 0:56:58 | |
WET CRACKING | 0:57:00 | 0:57:03 | |
PHONE RINGS | 0:57:22 | 0:57:24 | |
Harry? | 0:57:27 | 0:57:29 | |
Is that your phone? | 0:57:29 | 0:57:32 | |
Dr Alexander. | 0:57:40 | 0:57:42 | |
Yep. | 0:57:47 | 0:57:48 | |
I'll be right there. | 0:57:51 | 0:57:52 | |
Subtitles by Red Bee Media Ltd | 0:58:17 | 0:58:20 |