Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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BABY CRIES | 0:00:35 | 0:00:38 | |
BABY CRIES | 0:00:58 | 0:01:01 | |
Justine? | 0:01:05 | 0:01:06 | |
Justine, it's me, Debs. Used my key. | 0:01:11 | 0:01:14 | |
BABY CRIES | 0:01:15 | 0:01:18 | |
Justine? | 0:01:27 | 0:01:29 | |
Oh! Oh, Ellie! | 0:01:50 | 0:01:54 | |
Oh, come here, darling. Oh, dear. | 0:01:54 | 0:01:59 | |
Oh, come on. | 0:01:59 | 0:02:02 | |
Oh, come on, sweet pea. | 0:02:02 | 0:02:04 | |
Let's go and find out where Mummy is, shall we? | 0:02:04 | 0:02:07 | |
Oh, poor you. | 0:02:07 | 0:02:09 | |
Come on, then. | 0:02:09 | 0:02:11 | |
Come on, then. What a good girl. | 0:02:11 | 0:02:14 | |
Let's go down the stairs. | 0:02:14 | 0:02:16 | |
Good girl. | 0:02:18 | 0:02:20 | |
Oh. | 0:02:20 | 0:02:21 | |
It's OK. | 0:02:27 | 0:02:29 | |
It's OK, Ellie. | 0:02:31 | 0:02:33 | |
It's OK. | 0:02:37 | 0:02:38 | |
Let's go and find where Mummy is. | 0:02:42 | 0:02:44 | |
Let's go and find... | 0:02:46 | 0:02:48 | |
Oh! Oh, God! Oh, God! | 0:02:53 | 0:02:57 | |
# Testator silens | 0:02:57 | 0:03:05 | |
# Costestes e spiritu | 0:03:05 | 0:03:12 | |
# Silentium. # | 0:03:12 | 0:03:20 | |
'I can't take your call. | 0:03:49 | 0:03:50 | |
'Leave a message and I'll call back.' | 0:03:50 | 0:03:52 | |
Harry, I've got the coffees this morning. See you in a bit. | 0:03:52 | 0:03:55 | |
And not a magnolia in sight. | 0:04:12 | 0:04:15 | |
Now, now, don't be such a misery. | 0:04:15 | 0:04:17 | |
Put your party face on. | 0:04:17 | 0:04:20 | |
Please don't do that ever again. | 0:04:20 | 0:04:22 | |
Yep, we'll go down the park. Try out your new boots. | 0:04:24 | 0:04:28 | |
Yeah, yeah. Yeah, all right. | 0:04:28 | 0:04:30 | |
Look, you be good a lad for Mum. | 0:04:30 | 0:04:32 | |
DI Ronson. Jim. | 0:04:32 | 0:04:34 | |
Harry Cunningham. | 0:04:34 | 0:04:36 | |
-Three dead? -Well, not quite. | 0:04:36 | 0:04:37 | |
Paramedics worked on the son at the scene. Managed to resuscitate him. | 0:04:37 | 0:04:40 | |
Took a couple of cracks to the skull. They're talking brain damage. | 0:04:40 | 0:04:45 | |
Ex-husband. Frank McAteer, Father of Gemma, the dead girl. | 0:04:45 | 0:04:49 | |
Poor bastard. | 0:04:49 | 0:04:51 | |
They're nice people, might be fun. | 0:04:55 | 0:04:57 | |
Oh, look! | 0:04:57 | 0:04:59 | |
We could've just slipped away after the service, you know that? | 0:04:59 | 0:05:02 | |
And miss the unveiling? | 0:05:02 | 0:05:03 | |
-What? -They've commissioned a statue of you. | 0:05:03 | 0:05:06 | |
Please kill me now... | 0:05:12 | 0:05:14 | |
Everything all right? | 0:05:14 | 0:05:16 | |
Hi, it's Nikki Alexander. Yeah, hi. | 0:05:24 | 0:05:27 | |
My colleague, Harry Cunningham, | 0:05:27 | 0:05:28 | |
was just called out to an address in Staines... | 0:05:28 | 0:05:31 | |
Can you just confirm the names of the victims for me, please? | 0:05:31 | 0:05:34 | |
One day I was over at their lab, picking something up | 0:05:34 | 0:05:37 | |
and Justine was pregnant, very pregnant. | 0:05:37 | 0:05:41 | |
Almost full-term, in fact, | 0:05:41 | 0:05:43 | |
and she had an eclamptic seizure. | 0:05:43 | 0:05:47 | |
Luckily, I was able to help. | 0:05:47 | 0:05:48 | |
Thank you. | 0:05:48 | 0:05:50 | |
What was that about? | 0:05:52 | 0:05:53 | |
The receptionist at Forensics... Justine Thompson. | 0:05:55 | 0:05:58 | |
Yeah, what did she want? | 0:05:58 | 0:06:00 | |
She's been murdered. | 0:06:00 | 0:06:01 | |
It's not as if I knew her very well. | 0:06:03 | 0:06:07 | |
And after the party we'd spoken on the phone, | 0:06:07 | 0:06:11 | |
but just work stuff. | 0:06:11 | 0:06:13 | |
Where's the father? | 0:06:16 | 0:06:18 | |
Oh, we haven't managed to contact him yet. | 0:06:18 | 0:06:20 | |
-Stuart, isn't it? -Yeah. | 0:06:20 | 0:06:23 | |
Ah, our angel of mercy, Doctor! | 0:06:24 | 0:06:29 | |
-What can I get you? Beer? Wine? -Beer'd be great. Thank you. | 0:06:29 | 0:06:31 | |
Great, and Mrs C? | 0:06:31 | 0:06:33 | |
No, Nikki's not... I mean, I say we're not married, we're... | 0:06:33 | 0:06:36 | |
-Just colleagues. -We're colleagues. | 0:06:36 | 0:06:38 | |
That's all right, it's allowed. Great, come through. | 0:06:38 | 0:06:40 | |
Red-letter day. Young Gemma was due to take a dance exam. | 0:07:01 | 0:07:06 | |
The initial attack on the mother was here. | 0:07:06 | 0:07:10 | |
No void areas... Probably attacked from behind. | 0:07:16 | 0:07:19 | |
Blood pattern analysis suggests the blow to the head happened in here. | 0:07:19 | 0:07:22 | |
But she's still conscious... | 0:07:22 | 0:07:24 | |
She somehow manages to get herself out of the kitchen... | 0:07:26 | 0:07:29 | |
Makes it to the stairs. | 0:07:33 | 0:07:34 | |
Trying to go up? | 0:07:34 | 0:07:36 | |
That's where her kids were. | 0:07:37 | 0:07:39 | |
-So the killer followed her here, stabbed her in the back. -But her body wasn't found here? | 0:07:41 | 0:07:45 | |
-No. -Then she was moved. | 0:07:45 | 0:07:46 | |
Blood loss on that scale, she almost certainly would have been dead. | 0:07:46 | 0:07:50 | |
So her attacker moved her from here, | 0:07:50 | 0:07:53 | |
through into the front room. | 0:07:53 | 0:07:55 | |
I know. Anyway, I know you need to stop. | 0:08:09 | 0:08:13 | |
Oh... Look at him. | 0:08:16 | 0:08:18 | |
Chatting to a beautiful woman, and he hasn't even had to pay her. | 0:08:18 | 0:08:21 | |
She's smilier than I thought she'd be. | 0:08:21 | 0:08:23 | |
Pathologist. | 0:08:23 | 0:08:26 | |
I speak to her on the phone most weeks. | 0:08:26 | 0:08:28 | |
It's funny though, I had her down as more of a librarian type. | 0:08:28 | 0:08:31 | |
So she's not with...? | 0:08:31 | 0:08:33 | |
No. Why? Do you fancy a crack? | 0:08:33 | 0:08:36 | |
Just think, Debs... He knows your body better than you do. | 0:08:38 | 0:08:42 | |
The head injury wasn't caused by a knife. | 0:08:55 | 0:08:57 | |
The wound's larger. | 0:08:57 | 0:09:00 | |
Roughly circular. | 0:09:00 | 0:09:02 | |
So he used two weapons? | 0:09:02 | 0:09:04 | |
Why change? | 0:09:04 | 0:09:06 | |
Rigor firmly established in the larger joints. | 0:09:06 | 0:09:09 | |
She's been dead in this environment a while. | 0:09:11 | 0:09:15 | |
Roughly ten to 12 hours. | 0:09:15 | 0:09:16 | |
It's 11 now, so... | 0:09:16 | 0:09:18 | |
that takes us from 11 till one in the morning. | 0:09:18 | 0:09:20 | |
Does that fit with your time frame? | 0:09:20 | 0:09:22 | |
We don't have a time frame. | 0:09:22 | 0:09:23 | |
Well, we've just started interviews, but we think she was last seen | 0:09:23 | 0:09:27 | |
pulling on the drive at about six last night. | 0:09:27 | 0:09:30 | |
That's where the boy was lying. | 0:09:30 | 0:09:32 | |
Charlie Thompson, Justine's stepson, but Stuart's son. | 0:09:32 | 0:09:35 | |
Oh! Oh, God! Oh, God! | 0:09:37 | 0:09:40 | |
We've got press at the end of the road. | 0:09:51 | 0:09:53 | |
Keep them there. You found Dad? | 0:09:53 | 0:09:56 | |
No. | 0:09:56 | 0:09:58 | |
If he's responsible, knows he can't escape this. | 0:09:58 | 0:10:00 | |
Doubt he'll even try. | 0:10:00 | 0:10:02 | |
So he's topped himself. | 0:10:02 | 0:10:04 | |
Focus on the car, Billy. | 0:10:04 | 0:10:07 | |
Picnic areas, lay-bys, woodland, | 0:10:07 | 0:10:09 | |
anywhere he can park out of sight. | 0:10:09 | 0:10:10 | |
Use your imagination. 20 miles, max. | 0:10:10 | 0:10:13 | |
Yeah, sure. | 0:10:13 | 0:10:14 | |
-Got everything you need? -Did SOCOs find any weapons? | 0:10:18 | 0:10:21 | |
They think the knife used on the mum came from the kitchen. | 0:10:21 | 0:10:24 | |
They found one with a similar blade profile washed up | 0:10:24 | 0:10:26 | |
and sitting on the draining board. | 0:10:26 | 0:10:28 | |
-They've taken it for analysis. -Washed up? | 0:10:28 | 0:10:30 | |
As if he'd just finished chopping the veg. | 0:10:30 | 0:10:33 | |
But the weapon used to inflict the head injury, the weapon used on the boy... | 0:10:33 | 0:10:37 | |
Not found them yet. | 0:10:37 | 0:10:38 | |
I'll bet they came from the house too. | 0:10:38 | 0:10:41 | |
Using a knife you found in the kitchen? | 0:10:41 | 0:10:44 | |
Doesn't sound like the murderer came with intent. | 0:10:44 | 0:10:46 | |
We've considered burglary, but nothing's been taken, | 0:10:46 | 0:10:49 | |
no sign of forced entry. | 0:10:49 | 0:10:51 | |
And all... All the windows and doors were locked. | 0:10:51 | 0:10:53 | |
Are you ready for upstairs? | 0:10:55 | 0:10:58 | |
What's upstairs? | 0:10:58 | 0:11:00 | |
This party is so retarded... | 0:11:00 | 0:11:02 | |
-Ah, can we get a photo? -Oh, quick one. I'm not very good with babies. | 0:11:02 | 0:11:06 | |
She's a natural. Look at her. | 0:11:06 | 0:11:07 | |
Come and get a photo of the Doc with Ellie. | 0:11:07 | 0:11:09 | |
I wouldn't mind a few photos of his girlfriend. | 0:11:09 | 0:11:11 | |
Yeah? You've got to admire his ambition, eh? | 0:11:11 | 0:11:13 | |
-Dad. -Come on. | 0:11:13 | 0:11:15 | |
The toddler was in the cot when the neighbour came in. | 0:11:30 | 0:11:34 | |
Any sign her room had been entered? | 0:11:34 | 0:11:35 | |
No. | 0:11:35 | 0:11:37 | |
Suggesting he's making a distinction between Gemma and her. | 0:11:37 | 0:11:40 | |
Also suggests he knew who slept where. | 0:11:40 | 0:11:43 | |
Are you ready? | 0:11:44 | 0:11:45 | |
You'd think she'd just fallen asleep. | 0:11:55 | 0:11:57 | |
Suffocated? | 0:12:05 | 0:12:06 | |
Possibly. | 0:12:08 | 0:12:09 | |
Rigor established in the fingers, but... | 0:12:20 | 0:12:24 | |
still getting going in the elbows, which means... | 0:12:24 | 0:12:26 | |
She was killed later than her mother. | 0:12:26 | 0:12:28 | |
Best guess? | 0:12:29 | 0:12:31 | |
Nine to ten hours, approximately. | 0:12:31 | 0:12:33 | |
Somewhere between half two | 0:12:36 | 0:12:38 | |
and half three in the morning. | 0:12:38 | 0:12:41 | |
Leo! | 0:13:00 | 0:13:02 | |
Good to meet you at last. | 0:13:02 | 0:13:04 | |
Gill. | 0:13:04 | 0:13:06 | |
What? | 0:13:06 | 0:13:08 | |
Nothing... | 0:13:08 | 0:13:10 | |
Just on the basis off all those phone calls, | 0:13:10 | 0:13:12 | |
I'd built up a mental image. | 0:13:12 | 0:13:14 | |
Do I look disappointed? | 0:13:16 | 0:13:17 | |
Come on, I'll show you the Batcave. | 0:13:17 | 0:13:19 | |
Pathology meets Forensics. | 0:13:19 | 0:13:22 | |
It's like Nixon in China all over again. | 0:13:22 | 0:13:26 | |
Our new toy. | 0:13:26 | 0:13:27 | |
3D Fabricator. | 0:13:27 | 0:13:29 | |
We think he was an eight-year-old boy. | 0:13:34 | 0:13:38 | |
Police found two thirds of his skull in the Thames. | 0:13:38 | 0:13:41 | |
CT scan, imaging software, 3D printer. | 0:13:41 | 0:13:44 | |
And there you have it. | 0:13:44 | 0:13:47 | |
Maybe now, they can find out who he was. | 0:13:47 | 0:13:49 | |
Jealous? | 0:13:51 | 0:13:52 | |
A little. | 0:13:54 | 0:13:55 | |
Is that why you're here? | 0:13:56 | 0:13:59 | |
To steal my secrets? | 0:13:59 | 0:14:00 | |
No. | 0:14:00 | 0:14:02 | |
I thought you might not have heard yet and I wanted to tell you myself, not over the phone. | 0:14:07 | 0:14:11 | |
It's about your receptionist, Justine Thompson. | 0:14:11 | 0:14:14 | |
So he kills Mum. | 0:14:15 | 0:14:17 | |
Waits an hour or so and kills Daughter. | 0:14:18 | 0:14:21 | |
And at some point finds time to knock a bloody great big hole | 0:14:21 | 0:14:24 | |
in the son's skull too. | 0:14:24 | 0:14:26 | |
Taking his time. | 0:14:26 | 0:14:27 | |
No, there's no running home from this one. | 0:14:27 | 0:14:30 | |
Because you think he already was at home. | 0:14:30 | 0:14:33 | |
You're assuming it's the father. | 0:14:33 | 0:14:35 | |
Why? Because statistics say so. | 0:14:35 | 0:14:37 | |
Statistics also suggest that... | 0:14:37 | 0:14:40 | |
perpetrators of familicide very rarely leave a family member alive. | 0:14:40 | 0:14:43 | |
True. | 0:14:43 | 0:14:45 | |
But Ellie was untouched. | 0:14:45 | 0:14:47 | |
Family dead. | 0:14:47 | 0:14:48 | |
Dad vanished, incommunicado. | 0:14:48 | 0:14:50 | |
Hardly statistical whitewash. | 0:14:50 | 0:14:52 | |
Look, I don't want it to be him any more than you... | 0:14:55 | 0:14:58 | |
Choice between Dad and some toerag who's just walked in off the street? | 0:14:58 | 0:15:01 | |
You want it to be Toerag. But... | 0:15:01 | 0:15:04 | |
We don't get to choose. | 0:15:04 | 0:15:06 | |
Oi, stop perving Gemma up, you mong. | 0:15:37 | 0:15:39 | |
I wasn't. | 0:15:39 | 0:15:41 | |
KNOCK AT DOOR | 0:15:50 | 0:15:53 | |
Joel? | 0:15:53 | 0:15:55 | |
Joel? | 0:15:55 | 0:15:56 | |
Why do you always keep this door locked? | 0:15:56 | 0:15:59 | |
Are you OK? | 0:16:06 | 0:16:08 | |
Are you? | 0:16:12 | 0:16:14 | |
Linda, it's me. | 0:16:31 | 0:16:32 | |
Just give me a ring back. | 0:16:34 | 0:16:37 | |
Where's Family Liaison? | 0:16:42 | 0:16:43 | |
Two down and rushed off their feet. They said they'd be here as soon as they can. | 0:16:43 | 0:16:46 | |
Ring them again. Give them a rocket. | 0:16:46 | 0:16:49 | |
Can't leave the ex-husband out there all day. | 0:16:49 | 0:16:52 | |
Oh, and Billy, get a team doing door-to-door. | 0:16:52 | 0:16:55 | |
There would have been eyes all over that house. | 0:16:55 | 0:16:57 | |
I want to know when every member of this family checked in. | 0:16:57 | 0:16:59 | |
I want to know if anyone saw any strangers, any vehicles... | 0:16:59 | 0:17:03 | |
-Check for private surveillance, neighbourhood watch, the works. -Sure. | 0:17:03 | 0:17:06 | |
-Have you found him yet? -Mr McAteer... | 0:17:09 | 0:17:11 | |
He did this. You know he did this. | 0:17:11 | 0:17:13 | |
I don't know anything for sure right now. | 0:17:13 | 0:17:15 | |
Do you? | 0:17:15 | 0:17:16 | |
Did you know Stuart Thompson well? | 0:17:26 | 0:17:29 | |
Yeah, all my life. | 0:17:29 | 0:17:31 | |
You were friends? | 0:17:31 | 0:17:32 | |
When we were younger. | 0:17:32 | 0:17:33 | |
But then he married your ex, Justine. | 0:17:33 | 0:17:35 | |
Bet that put the cat among the pigeons? | 0:17:35 | 0:17:37 | |
Not really. We were done. You move on. | 0:17:37 | 0:17:39 | |
But you kept in contact? | 0:17:39 | 0:17:42 | |
You think I'd abandon my daughter? | 0:17:42 | 0:17:44 | |
It's hard, I know it is, but try not to jump to any conclusions. | 0:17:53 | 0:17:57 | |
Things may not be what they seem. | 0:17:57 | 0:18:00 | |
D'you believe that? | 0:18:04 | 0:18:05 | |
'Course not. Case like this? | 0:18:05 | 0:18:08 | |
You bet your life, Daddy did it. | 0:18:08 | 0:18:10 | |
Baby has to be Charlie I think, | 0:18:35 | 0:18:37 | |
so I suppose this must be Stuart's first wife. | 0:18:37 | 0:18:39 | |
Charlie's at the hospital. | 0:18:39 | 0:18:41 | |
No-one seems able to tell me if he has other relatives. | 0:18:41 | 0:18:43 | |
-I thought I might give him a visit. -Yeah. | 0:18:43 | 0:18:46 | |
The little girl's been taken into temporary care, apparently. | 0:18:46 | 0:18:50 | |
They think Stuart's responsible. | 0:18:53 | 0:18:55 | |
I know that psychologically, statistically, | 0:18:57 | 0:19:00 | |
they're probably right, but... | 0:19:00 | 0:19:02 | |
I remember... | 0:19:04 | 0:19:06 | |
I remember leaving here, thinking... | 0:19:06 | 0:19:10 | |
I'd quite like that. | 0:19:10 | 0:19:12 | |
Just an ordinary family. | 0:19:12 | 0:19:14 | |
That was just one day. | 0:19:16 | 0:19:18 | |
I guess no-one really knows what goes on inside a family. | 0:19:18 | 0:19:21 | |
How can you judge people? | 0:19:24 | 0:19:26 | |
Think of that man we met, I... | 0:19:27 | 0:19:30 | |
just cannot imagine it. | 0:19:30 | 0:19:33 | |
I cannot imagine it. | 0:19:33 | 0:19:35 | |
Can I help you, sir? | 0:19:42 | 0:19:43 | |
What's going on? | 0:19:45 | 0:19:47 | |
'Tried to stop him, guv. But we got a fella heading your way.' | 0:19:47 | 0:19:50 | |
Charlie! Justine! Justine! | 0:19:58 | 0:20:01 | |
Where are they? | 0:20:01 | 0:20:03 | |
Let him go, let him go, let him go! | 0:20:03 | 0:20:05 | |
Let him go! | 0:20:05 | 0:20:06 | |
All right, all right. | 0:20:06 | 0:20:07 | |
Get off me! Get off me! | 0:20:07 | 0:20:09 | |
All right, all right! | 0:20:09 | 0:20:11 | |
-No! -All right, all right. -No! | 0:20:11 | 0:20:13 | |
Stuart? | 0:20:30 | 0:20:32 | |
Stuart. | 0:20:36 | 0:20:38 | |
It's Harry. | 0:20:38 | 0:20:40 | |
Harry Cunningham. You remember me? | 0:20:40 | 0:20:42 | |
I'm sorry. | 0:20:46 | 0:20:48 | |
Mr Thompson, we'll need to speak to you. | 0:20:51 | 0:20:53 | |
-Now? -Won't take long. | 0:20:53 | 0:20:55 | |
What if you're wrong? | 0:20:59 | 0:21:00 | |
Spoke to his employers. | 0:21:06 | 0:21:08 | |
They said Stuart was worried he'd lost his touch. | 0:21:08 | 0:21:10 | |
He hadn't made a sale in seven months. | 0:21:10 | 0:21:12 | |
How did that affect him? | 0:21:12 | 0:21:13 | |
70% of his take-home was commission-generated. | 0:21:13 | 0:21:16 | |
So how does he keep up the lifestyle? | 0:21:16 | 0:21:18 | |
He borrowed. Borrowed like mad. I checked out his credit history. | 0:21:18 | 0:21:21 | |
And he really was about to lose the lot. | 0:21:21 | 0:21:23 | |
Go on... | 0:21:25 | 0:21:27 | |
OK, he's got a joint bank account and that's kept funded all right, | 0:21:27 | 0:21:30 | |
but then he's got a separate sole bank account | 0:21:30 | 0:21:32 | |
and it is a proper horror show, guv. | 0:21:32 | 0:21:34 | |
I'm talking about nine grand overdrawn. | 0:21:34 | 0:21:35 | |
That's not unusual nowadays. | 0:21:35 | 0:21:37 | |
Add on 35 grand's worth of credit card debt. | 0:21:37 | 0:21:39 | |
And another 20 grand's worth of car finance secured against... | 0:21:39 | 0:21:42 | |
-Wait for it... -The house. | 0:21:42 | 0:21:44 | |
Just missed his third payment to the finance company. | 0:21:44 | 0:21:46 | |
And to cap it all, hasn't paid the mortgage in two months. | 0:21:46 | 0:21:50 | |
Sinking fast. | 0:21:51 | 0:21:52 | |
His job's on the slide. | 0:21:52 | 0:21:54 | |
He's going to lose the house. | 0:21:54 | 0:21:56 | |
It's textbook context for family annihilation. | 0:21:56 | 0:21:59 | |
Looks like you were right, guv. | 0:21:59 | 0:22:01 | |
OK, the neighbour who found them. Have a word. | 0:22:05 | 0:22:08 | |
-But... -I'll handle the father. Go on. | 0:22:08 | 0:22:11 | |
I suppose I should try to arrange some kind of counselling. | 0:22:28 | 0:22:31 | |
That's what you're supposed to do, isn't it? | 0:22:31 | 0:22:33 | |
Might help. | 0:22:33 | 0:22:35 | |
Stuart must be devastated. | 0:22:35 | 0:22:36 | |
Yes, dreadful. | 0:22:36 | 0:22:38 | |
Just when they seemed to have turned a corner. | 0:22:38 | 0:22:41 | |
Justine left him for a while. | 0:22:43 | 0:22:45 | |
Couple of years back. | 0:22:45 | 0:22:47 | |
For a few months after Ellie was born. | 0:22:47 | 0:22:50 | |
But then she went back. | 0:22:50 | 0:22:52 | |
I got the impression things were on the mend. | 0:22:52 | 0:22:55 | |
Where were you last night, Stuart? | 0:22:57 | 0:23:00 | |
Nottingham. | 0:23:00 | 0:23:02 | |
Business? | 0:23:04 | 0:23:05 | |
Where did you stay? | 0:23:09 | 0:23:11 | |
Stuart? | 0:23:14 | 0:23:15 | |
Where did you stay? | 0:23:17 | 0:23:18 | |
'I don't know anything much about their finances.' | 0:23:44 | 0:23:48 | |
Not sure Justine did either, to be honest. | 0:23:48 | 0:23:51 | |
Stuart liked handling all that kind of stuff. | 0:23:51 | 0:23:54 | |
Weren't in trouble, were they? | 0:23:57 | 0:23:59 | |
Did Justine ever say anything? | 0:23:59 | 0:24:00 | |
No. But Stuart was doing well. | 0:24:00 | 0:24:02 | |
He kept making all these big sales. | 0:24:02 | 0:24:05 | |
Employee of the month. | 0:24:05 | 0:24:07 | |
And they gave him that new car only a few months back. | 0:24:07 | 0:24:10 | |
Yeah, the car was bought on finance. | 0:24:10 | 0:24:12 | |
His boss said that he thought maybe Stuart was depressed. | 0:24:15 | 0:24:18 | |
D'you think he's depressed? | 0:24:18 | 0:24:20 | |
Mrs Barron? | 0:24:24 | 0:24:25 | |
Stuart. | 0:24:26 | 0:24:28 | |
Do you think he's depressed? | 0:24:28 | 0:24:29 | |
No, not really. | 0:24:31 | 0:24:33 | |
Did he have a good marriage? | 0:24:34 | 0:24:36 | |
What's a good marriage? | 0:24:36 | 0:24:38 | |
Well, if you don't know, why you asking the question? | 0:24:40 | 0:24:44 | |
I'm sorry... | 0:24:44 | 0:24:46 | |
They struggled sometimes. | 0:24:49 | 0:24:52 | |
Justine used to say Tanya cast a long shadow... | 0:24:52 | 0:24:56 | |
Tanya? | 0:24:56 | 0:24:57 | |
His first wife. | 0:24:57 | 0:24:58 | |
And is Tanya still on the scene? | 0:24:58 | 0:25:02 | |
She died. Car crash. | 0:25:02 | 0:25:05 | |
Charlie must have been less than a year old. | 0:25:05 | 0:25:08 | |
Stuart raised him. | 0:25:08 | 0:25:11 | |
Really loves that boy. | 0:25:11 | 0:25:13 | |
We've spoken to Charlie's friends. | 0:25:16 | 0:25:18 | |
They said they dropped him off at the end of the road | 0:25:20 | 0:25:22 | |
at about quarter to three this morning. | 0:25:22 | 0:25:24 | |
Is he usually out that late? | 0:25:26 | 0:25:27 | |
Has your son ever been out that late before? | 0:25:29 | 0:25:33 | |
Not when I was around. | 0:25:33 | 0:25:35 | |
Nikki's gone to see him, Stuart. | 0:25:37 | 0:25:39 | |
She'll talk to his doctors and stay a while. | 0:25:39 | 0:25:43 | |
I should be with him. | 0:25:43 | 0:25:45 | |
I'm afraid that's not possible. | 0:25:45 | 0:25:48 | |
Who are you to say when I can see my son? | 0:25:48 | 0:25:51 | |
Look, he's a witness, Mr Thompson. | 0:25:51 | 0:25:53 | |
Ellie? | 0:25:53 | 0:25:56 | |
She's being looked after by a great bunch of people. | 0:25:56 | 0:25:59 | |
Don't suppose I can... | 0:25:59 | 0:26:00 | |
No. Not yet. | 0:26:00 | 0:26:02 | |
I'm sorry. | 0:26:04 | 0:26:05 | |
Have you got kids? | 0:26:09 | 0:26:11 | |
Yes. | 0:26:14 | 0:26:15 | |
Girls or boys? | 0:26:15 | 0:26:17 | |
Two sons. | 0:26:19 | 0:26:20 | |
Your brother Kevin, is it? | 0:26:27 | 0:26:31 | |
He lives locally, doesn't he? | 0:26:31 | 0:26:33 | |
Shall I ring him? See if you can stay? | 0:26:33 | 0:26:35 | |
I don't think I can deal with him just now. | 0:26:35 | 0:26:38 | |
Look, I just want to see how he's doing, that's all. | 0:26:38 | 0:26:41 | |
-Calm yourself, maybe... -Look, you have to let me see him, I'm his uncle! | 0:26:41 | 0:26:44 | |
-Could take a seat and...? -I don't want to take a seat! | 0:26:44 | 0:26:46 | |
Excuse me, are you Charlie's uncle? | 0:26:46 | 0:26:47 | |
-Yeah, who are you? -I am Nikki Alexander. | 0:26:47 | 0:26:50 | |
Sorry, you don't know me, but I met your brother a couple of years ago. | 0:26:50 | 0:26:53 | |
Did you sleep with the curtains closed last night? | 0:27:04 | 0:27:06 | |
Yeah, I think so. | 0:27:06 | 0:27:08 | |
So you didn't see anything or hear anything? | 0:27:10 | 0:27:12 | |
No. I'm sorry. | 0:27:12 | 0:27:15 | |
No need to be sorry, mate. | 0:27:15 | 0:27:17 | |
You're actually the same age as the boy, Charlie, aren't you? | 0:27:22 | 0:27:25 | |
And Gemma too? | 0:27:25 | 0:27:26 | |
Yeah, so are you guys all friends, then? | 0:27:27 | 0:27:30 | |
Gemma, mostly. | 0:27:30 | 0:27:32 | |
Joel, can you think of anyone who would have wanted to hurt Gemma? | 0:27:35 | 0:27:39 | |
PHONE RINGS | 0:27:41 | 0:27:45 | |
What about her uncle, Kevin Thompson? What's he like? | 0:27:49 | 0:27:52 | |
Well, your mum said that you guys, you really get along. | 0:27:54 | 0:27:58 | |
You like your motorbikes and stuff so... | 0:27:58 | 0:28:00 | |
What did Gemma think about Kevin? | 0:28:00 | 0:28:02 | |
She didn't like him. | 0:28:04 | 0:28:06 | |
Extradural haematoma, cerebral contusion. | 0:28:12 | 0:28:15 | |
Whoever attacked him, hit him more than once. | 0:28:15 | 0:28:17 | |
And hard. | 0:28:17 | 0:28:19 | |
But he'll be OK? | 0:28:19 | 0:28:20 | |
Hard to tell. | 0:28:20 | 0:28:22 | |
So he may never recover? | 0:28:22 | 0:28:24 | |
Tenner says that she was shagging a neighbour and he found out. | 0:29:02 | 0:29:05 | |
Got time for a swift one? | 0:29:08 | 0:29:09 | |
No, not tonight. | 0:29:09 | 0:29:11 | |
See, that's why I'm never having kids. | 0:29:11 | 0:29:13 | |
Steal your life. | 0:29:13 | 0:29:14 | |
That's him. That's Kevin Thompson. | 0:29:23 | 0:29:26 | |
You know him? | 0:29:26 | 0:29:27 | |
Yeah, I nicked him when I was in uniform. | 0:29:27 | 0:29:29 | |
Shoplifting to feed his habit. I thought the name was familiar. | 0:29:29 | 0:29:32 | |
This family gets more and more interesting by the minute, doesn't it? | 0:29:32 | 0:29:36 | |
OK, we're missing something here. | 0:29:38 | 0:29:42 | |
OK, let's dig into the Thompson brothers. | 0:29:42 | 0:29:44 | |
Find out who is this Uncle Kevin, | 0:29:46 | 0:29:49 | |
why is he calling in on Deborah Barron and where was he last night? | 0:29:49 | 0:29:54 | |
And Stuart Thompson's story. | 0:29:54 | 0:29:56 | |
Put some heat under it. | 0:29:56 | 0:29:58 | |
You should get yourself home, | 0:30:18 | 0:30:20 | |
ask Linda to pour you some whisky. | 0:30:20 | 0:30:22 | |
She's left me, Billy. | 0:30:26 | 0:30:27 | |
What? | 0:30:29 | 0:30:31 | |
HE CHUCKLES | 0:30:31 | 0:30:32 | |
Nah. Linda? | 0:30:32 | 0:30:34 | |
You serious? | 0:30:38 | 0:30:40 | |
Look, guv, I mean... | 0:30:42 | 0:30:43 | |
You know she'll be back. | 0:30:43 | 0:30:45 | |
She's probably just making a point. | 0:30:45 | 0:30:47 | |
Yeah, that's what I thought. | 0:30:47 | 0:30:49 | |
This time it's different. | 0:30:49 | 0:30:51 | |
We arranged to meet up last night. | 0:30:51 | 0:30:54 | |
I waited for her for, for over an hour. | 0:30:54 | 0:30:58 | |
She didn't turn up. | 0:30:58 | 0:30:59 | |
And then I get back home, | 0:30:59 | 0:31:02 | |
find she's used the time to clear out the rest of her stuff. | 0:31:02 | 0:31:05 | |
I'm sorry, Guv. | 0:31:07 | 0:31:08 | |
No, it's my fault. | 0:31:09 | 0:31:11 | |
I've spent too many hours here and I should have been there. | 0:31:12 | 0:31:16 | |
No, it's too late. | 0:31:18 | 0:31:19 | |
There's a significant disparity in times of death. | 0:31:23 | 0:31:27 | |
Er... The mother, Justine, was killed first. | 0:31:27 | 0:31:32 | |
But there's then a time gap of as much as two hours, | 0:31:32 | 0:31:35 | |
which can't really be explained by environmental factors. | 0:31:35 | 0:31:39 | |
So I'd like to get on with the postmortem as soon as possible. | 0:31:39 | 0:31:41 | |
I don't think that's a very good idea. | 0:31:43 | 0:31:45 | |
You knew Justine, you'd met her daughter. | 0:31:45 | 0:31:49 | |
Fleetingly. But... | 0:31:49 | 0:31:51 | |
Still... | 0:31:51 | 0:31:52 | |
I think I'd better do the postmortems. | 0:31:52 | 0:31:54 | |
OK. | 0:31:58 | 0:31:59 | |
You decided to pass this one up? | 0:32:20 | 0:32:22 | |
DI Ronson, Nikki Alexander | 0:32:24 | 0:32:27 | |
-Hi. -Hi. | 0:32:27 | 0:32:28 | |
The temporal bone on the left side has been pierced... | 0:32:31 | 0:32:35 | |
and the entry wound is roughly circular... | 0:32:35 | 0:32:38 | |
Surrounding bone is fractured. | 0:32:40 | 0:32:42 | |
There's evidence of blunt trauma to the surrounding skin. | 0:32:44 | 0:32:48 | |
There's contusion and swelling evident above the left ear, | 0:32:48 | 0:32:51 | |
which suggests, first of all, that the blow didn't kill her. | 0:32:51 | 0:32:54 | |
As for the weapon, I don't know what is was, | 0:32:54 | 0:32:57 | |
but whatever it was that hit her, | 0:32:57 | 0:32:59 | |
it had a protruding part that entered into her skull, | 0:32:59 | 0:33:02 | |
and was part of something larger | 0:33:02 | 0:33:04 | |
that accounted for the surrounding bruising... | 0:33:04 | 0:33:07 | |
and it must have been pretty heavy as well. | 0:33:07 | 0:33:10 | |
The middle meningeal artery has ruptured... | 0:33:14 | 0:33:17 | |
BPA patterning at scene was consistent with this kind of injury. | 0:33:17 | 0:33:21 | |
There were no void areas. | 0:33:23 | 0:33:25 | |
Well, that suggests the attacker approached her from behind. | 0:33:25 | 0:33:28 | |
Speculative, but... | 0:33:30 | 0:33:32 | |
Yeah, it's supported by the fact | 0:33:33 | 0:33:35 | |
that there are no defence marks on her hands or arms. | 0:33:35 | 0:33:38 | |
So it looks like the victim was | 0:33:38 | 0:33:40 | |
either unaware that the attacker was approaching from behind... | 0:33:40 | 0:33:43 | |
or that she was comfortable enough to turn her back on him. | 0:33:43 | 0:33:46 | |
There are two stab wounds, to the middle of the back. | 0:33:47 | 0:33:51 | |
As I say, I think she was still alive when she was stabbed. | 0:33:51 | 0:33:54 | |
Maybe unconscious. | 0:33:54 | 0:33:56 | |
Where was she found again? | 0:33:56 | 0:33:57 | |
The living room floor. | 0:33:57 | 0:34:00 | |
But we think she died at the bottom of the stairs | 0:34:00 | 0:34:02 | |
and was moved postmortem. | 0:34:02 | 0:34:04 | |
Stab wounds to the back have pierced the right lung | 0:34:11 | 0:34:14 | |
and the heart respectively. | 0:34:14 | 0:34:17 | |
Cause of death is hypovolemic shock due to the stab wounds. | 0:34:17 | 0:34:20 | |
So this wouldn't have been a quiet death, Professor. | 0:34:20 | 0:34:24 | |
No. It would not. | 0:34:24 | 0:34:26 | |
It's a small house. | 0:34:26 | 0:34:28 | |
Toddler and Gemma upstairs. | 0:34:28 | 0:34:29 | |
Why didn't they wake? | 0:34:29 | 0:34:31 | |
How do you know that they didn't? | 0:34:32 | 0:34:34 | |
'Pull Stuart Thompson in.' | 0:35:01 | 0:35:02 | |
But we're still waiting on traffic to check out his journey. What's happened? | 0:35:02 | 0:35:05 | |
OK, this is the situation. | 0:35:05 | 0:35:08 | |
The mum's dying. | 0:35:08 | 0:35:09 | |
'She's screaming. | 0:35:09 | 0:35:10 | |
'It's a small house. The girls would have woken up. | 0:35:10 | 0:35:12 | |
'But we know that Gemma was reassured enough to go back to sleep.' | 0:35:12 | 0:35:17 | |
So she must have known him. Pull him in. | 0:35:17 | 0:35:20 | |
The deceased has what looks like | 0:35:28 | 0:35:32 | |
threads of white material underneath her fingernails. | 0:35:32 | 0:35:35 | |
Could be from the attacker's clothing. | 0:35:35 | 0:35:38 | |
Or her bed sheet. | 0:35:38 | 0:35:39 | |
Any hypostasis on her back, Leo? | 0:35:39 | 0:35:42 | |
Just give me a chance. | 0:35:42 | 0:35:43 | |
If she was violently assaulted, | 0:35:45 | 0:35:46 | |
but she looked, for all the world, like she'd just fallen asleep. | 0:35:46 | 0:35:49 | |
That's what you said. She wasn't just left. | 0:35:49 | 0:35:51 | |
She was arranged. | 0:35:51 | 0:35:53 | |
Have you thought maybe she was seeing someone? | 0:36:05 | 0:36:09 | |
Justine? | 0:36:09 | 0:36:11 | |
'Course she bloody wasn't. | 0:36:11 | 0:36:13 | |
Think about it. All the times you've been away. It's possible, isn't it? | 0:36:13 | 0:36:16 | |
She wouldn't do that... Have done. | 0:36:16 | 0:36:19 | |
Stay strong, Kevin. Mm? | 0:36:34 | 0:36:36 | |
There's evidence of hypostasis on her front and back. | 0:37:01 | 0:37:04 | |
According to Dr Cunningham's notes, she was found lying on her back. | 0:37:06 | 0:37:09 | |
Which means that she must have been turned postmortem. | 0:37:09 | 0:37:14 | |
Hypostasis on her front and her back. | 0:37:15 | 0:37:18 | |
When blood stops circulating round the body, | 0:37:19 | 0:37:21 | |
gravity pulls it down to a pool on the lowest point. | 0:37:21 | 0:37:24 | |
And you can see evidence of the pools through the skin, it's called hypostasis. | 0:37:24 | 0:37:27 | |
If Gemma was killed on her back, we would expect to see hypostasis on her back. | 0:37:27 | 0:37:30 | |
But just her back, yeah? | 0:37:30 | 0:37:32 | |
So whoever killed her turned her over? | 0:37:32 | 0:37:34 | |
Possibly. But hypostasis takes several hours to set in. | 0:37:34 | 0:37:36 | |
So she would have to have been lying on her front | 0:37:36 | 0:37:39 | |
for two to three hours postmortem before being turned. | 0:37:39 | 0:37:43 | |
So she was killed, she was left and then she was moved onto her back. | 0:37:43 | 0:37:47 | |
But that happened much, much later. | 0:37:47 | 0:37:50 | |
The liver and spleen are enlarged, | 0:38:36 | 0:38:39 | |
but I'm satisfied they neither contributed to, | 0:38:39 | 0:38:41 | |
nor was caused by her death. | 0:38:41 | 0:38:43 | |
Seems likely that she was smothered while asleep on her front. | 0:38:43 | 0:38:48 | |
She was suffocated, she died and then her body was turned. | 0:38:48 | 0:38:52 | |
Why would somebody do that? | 0:38:52 | 0:38:55 | |
Does it suggest a certain amount of respect for the victim? | 0:38:55 | 0:38:58 | |
The way she was killed. | 0:38:58 | 0:38:59 | |
That she wasn't stabbed or bludgeoned like her mother or brother? | 0:38:59 | 0:39:03 | |
Oh, dear. | 0:39:07 | 0:39:09 | |
I'm sorry to tell you | 0:39:11 | 0:39:13 | |
your stepdaughter was pregnant when she died. | 0:39:13 | 0:39:16 | |
Did she have a boyfriend? | 0:39:22 | 0:39:23 | |
What makes you think that? | 0:39:27 | 0:39:28 | |
Cos she would've told her mum. | 0:39:30 | 0:39:33 | |
And your wife would've told you. | 0:39:33 | 0:39:35 | |
Because you had a good relationship. | 0:39:37 | 0:39:40 | |
Of course... Is this even relevant? | 0:39:41 | 0:39:44 | |
I'm just trying to get an insight. | 0:39:44 | 0:39:47 | |
You'd be amazed how many couples don't even have two words for each other one day to the next. | 0:39:47 | 0:39:53 | |
But that wasn't you. | 0:39:53 | 0:39:55 | |
So she had any problems, she'd come to you and vice versa? | 0:39:56 | 0:40:00 | |
So you talked about stuff? | 0:40:02 | 0:40:04 | |
Of course we talked about stuff. | 0:40:04 | 0:40:06 | |
Did you talk about the amount of debt you were in? | 0:40:06 | 0:40:09 | |
No. | 0:40:11 | 0:40:13 | |
Did she know you were about to lose the house? | 0:40:13 | 0:40:15 | |
That must have been very difficult for you. | 0:40:18 | 0:40:21 | |
Having to keep something so important a secret from her. | 0:40:21 | 0:40:25 | |
Why didn't you tell her? | 0:40:26 | 0:40:27 | |
I just expect you thought you could sort it all out | 0:40:29 | 0:40:32 | |
before it got out of hand. Is that it? | 0:40:32 | 0:40:35 | |
KNOCK ON DOOR | 0:40:35 | 0:40:37 | |
What? | 0:40:38 | 0:40:40 | |
He couldn't have done it, guv. | 0:40:40 | 0:40:42 | |
ANPR cams clocked Thompson's BMW travelling north on Wednesday afternoon | 0:40:44 | 0:40:47 | |
and south again on Thursday morning. Nothing else. | 0:40:47 | 0:40:50 | |
That just means his car was in Nottingham. | 0:40:50 | 0:40:53 | |
Nottingham CID interviewed the hotel receptionist. | 0:40:53 | 0:40:55 | |
They are sending down CCTV footage. | 0:40:55 | 0:40:57 | |
She actually knows Thompson personally. | 0:40:57 | 0:40:59 | |
He's stayed there upwards over a dozen times in the past two years. | 0:40:59 | 0:41:03 | |
She took his credit card payment in the morning face to face. | 0:41:03 | 0:41:05 | |
He was in Nottingham all night, guv. Just like he said. | 0:41:05 | 0:41:08 | |
Leo? | 0:41:15 | 0:41:16 | |
Gill? | 0:41:18 | 0:41:19 | |
-Harry Cunningham? -Yes. -Hi. | 0:41:19 | 0:41:22 | |
And you must be Nikki Alexander? | 0:41:22 | 0:41:26 | |
Hi. | 0:41:26 | 0:41:27 | |
Leo in? | 0:41:27 | 0:41:28 | |
I think so, yes. He's in the cutting room, I think. | 0:41:28 | 0:41:31 | |
I brought him a new toy. | 0:41:31 | 0:41:33 | |
Way of saying thank you for taking the time to visit yesterday. | 0:41:33 | 0:41:36 | |
Gill. | 0:41:36 | 0:41:37 | |
Hi. | 0:41:37 | 0:41:39 | |
-Thanks for coming. Shall we...? -Yeah. | 0:41:39 | 0:41:41 | |
Lovely to see you. | 0:41:43 | 0:41:45 | |
So you could use it to reconstruct broken or degraded bone. | 0:41:45 | 0:41:48 | |
Yup. | 0:41:48 | 0:41:49 | |
-Tissue? -Yup. | 0:41:49 | 0:41:50 | |
Could you scan a bite mark? Build an image of the biter's teeth? | 0:41:50 | 0:41:53 | |
If you can scan it, you can print it. | 0:41:53 | 0:41:55 | |
It'll be magic ! | 0:41:55 | 0:41:56 | |
You off? | 0:41:58 | 0:42:00 | |
Yeah, thought I'd go and sit with Charlie again. | 0:42:00 | 0:42:02 | |
No relatives? | 0:42:02 | 0:42:04 | |
-Kevin Thompson. He was at the hospital. -Was he? | 0:42:04 | 0:42:06 | |
You went straight from the scene. How would he have heard about the attack? | 0:42:06 | 0:42:09 | |
Kevin? Stuart's brother Kevin? | 0:42:09 | 0:42:11 | |
Yeah, do you know him? | 0:42:11 | 0:42:12 | |
I know the damage he caused. | 0:42:12 | 0:42:14 | |
About a year ago, Justine was getting a lot of calls from Kevin Thompson. | 0:42:14 | 0:42:18 | |
She asked him to stop, but he just kept on ringing | 0:42:18 | 0:42:22 | |
and eventually she had to get a block put on his number. | 0:42:22 | 0:42:25 | |
And when Nikki went to visit Charlie in hospital, | 0:42:25 | 0:42:29 | |
she said that Kevin Thompson was already there. | 0:42:29 | 0:42:32 | |
What's odd about that? | 0:42:32 | 0:42:33 | |
Just a few hours after the bodies had been found. | 0:42:33 | 0:42:35 | |
Stuart couldn't have told him. Stuart didn't find out until he showed up at the house. | 0:42:35 | 0:42:39 | |
But any one of a dozen neighbours could have called him. Bad news travels fast. | 0:42:39 | 0:42:43 | |
True. But you've already established that whoever did this | 0:42:43 | 0:42:45 | |
either was allowed into the house or had means of access. | 0:42:45 | 0:42:48 | |
You've got two children upstairs asleep. | 0:42:48 | 0:42:51 | |
Mum gets attacked. It's noisy and you've said you think it's likely | 0:42:51 | 0:42:54 | |
that one or both of those children would have woken up. | 0:42:54 | 0:42:57 | |
And that somebody would have had to talk them down. | 0:42:57 | 0:42:59 | |
Mm. | 0:42:59 | 0:43:01 | |
So what about Kevin? | 0:43:01 | 0:43:02 | |
Why do I get the feeling you know something I don't? | 0:43:05 | 0:43:08 | |
What's going on? | 0:43:08 | 0:43:09 | |
It's Uncle Kevin, he's off his head. | 0:43:09 | 0:43:12 | |
Stuart won't have him in the house if he's wasted. | 0:43:12 | 0:43:14 | |
Shouldn't be so hard on him. | 0:43:14 | 0:43:16 | |
Is everything all right? | 0:43:20 | 0:43:21 | |
Yes, just my brother, think he's come straight from the pub! | 0:43:21 | 0:43:24 | |
-You all right? -Yeah. | 0:43:24 | 0:43:26 | |
Come on, it's fine, honestly. | 0:43:26 | 0:43:29 | |
Just ignore him. | 0:43:29 | 0:43:31 | |
Oh, what's she doing now? | 0:43:31 | 0:43:34 | |
Soft cow. | 0:43:34 | 0:43:35 | |
PHONE RINGS | 0:43:52 | 0:43:57 | |
Billy. | 0:44:02 | 0:44:04 | |
'Just in, guv. | 0:44:04 | 0:44:05 | |
'CCTV footage from the hotel Stuart Thompson stayed in in Nottingham.' | 0:44:05 | 0:44:08 | |
This is the hotel CCTV footage from Wednesday night. | 0:44:08 | 0:44:11 | |
-Nottingham CID watch this? -No. | 0:44:11 | 0:44:14 | |
Sloppy. | 0:44:14 | 0:44:15 | |
Just interviewed the hotel receptionist. | 0:44:15 | 0:44:17 | |
She seemed to know Stuart and she confirmed it was him. | 0:44:17 | 0:44:20 | |
Stacy Leech, ex-prostitute, ex-junkie. | 0:44:22 | 0:44:26 | |
And there he is. | 0:44:26 | 0:44:28 | |
The time and date on the tape, they can verify it? | 0:44:31 | 0:44:34 | |
Yes. | 0:44:34 | 0:44:36 | |
Make sure the tech boys clean it up and get it to evidence. | 0:44:36 | 0:44:41 | |
Oh, good work, Billy. | 0:44:41 | 0:44:43 | |
Thanks. | 0:44:43 | 0:44:45 | |
PHONE RINGS | 0:44:45 | 0:44:47 | |
You OK, guv? | 0:44:49 | 0:44:52 | |
Never better. | 0:44:52 | 0:44:53 | |
-Were you in love with her? -Justine? | 0:44:56 | 0:44:58 | |
Why did you assume I meant Justine? | 0:44:58 | 0:45:01 | |
So, were you? | 0:45:05 | 0:45:07 | |
She was married to my brother, Stuart. | 0:45:09 | 0:45:11 | |
Didn't stop Giggsy. | 0:45:11 | 0:45:14 | |
You, Stuart and Frank, Justine's first husband. | 0:45:14 | 0:45:18 | |
You used to knock about together when you were young. | 0:45:18 | 0:45:22 | |
And Justine, she was part of the scene too, wasn't she? | 0:45:22 | 0:45:24 | |
I bet you fancied her. | 0:45:24 | 0:45:27 | |
Fancied lots of people. | 0:45:28 | 0:45:30 | |
How did you feel when her and Frank got together? | 0:45:33 | 0:45:38 | |
And later, when she came on the market again, who should snap her up? | 0:45:38 | 0:45:41 | |
Little brother Stuart. | 0:45:41 | 0:45:43 | |
That's got to hurt. | 0:45:45 | 0:45:46 | |
Tell me about the nuisance calls. | 0:45:52 | 0:45:54 | |
They weren't nuisance calls. | 0:45:54 | 0:45:57 | |
She blocked your number. | 0:45:57 | 0:45:58 | |
D'you have a key to 26 Magnolia Drive, Kevin? | 0:46:01 | 0:46:05 | |
Yeah. | 0:46:07 | 0:46:08 | |
Where were you on Wednesday night? | 0:46:08 | 0:46:11 | |
At home. | 0:46:11 | 0:46:12 | |
Alone? | 0:46:12 | 0:46:14 | |
So you don't have anyone who can verify that's where you were? | 0:46:16 | 0:46:19 | |
No. | 0:46:19 | 0:46:22 | |
Did you know your brother was going to be away that night? | 0:46:22 | 0:46:25 | |
Yeah. | 0:46:25 | 0:46:26 | |
Why are you doing this? | 0:46:31 | 0:46:33 | |
There's only a couple of you that could have done this crime, Kevin. | 0:46:33 | 0:46:36 | |
Motive and opportunity. | 0:46:36 | 0:46:38 | |
I'm fishing in a very small pond. | 0:46:39 | 0:46:41 | |
There's only a couple of you down there, swimming around. | 0:46:41 | 0:46:46 | |
In the depths. | 0:46:46 | 0:46:48 | |
Do you like him for it? | 0:46:53 | 0:46:54 | |
Maybe. | 0:46:54 | 0:46:56 | |
But you let him go? | 0:46:56 | 0:46:57 | |
Let's see his next move. | 0:46:59 | 0:47:01 | |
Hello. | 0:48:03 | 0:48:04 | |
Hi. | 0:48:04 | 0:48:05 | |
Sounds like everybody's having a good time. | 0:48:05 | 0:48:07 | |
Yes, Stuart's doing his paso doble. | 0:48:07 | 0:48:10 | |
Strictly's got a lot to answer for. | 0:48:10 | 0:48:14 | |
I should be going, I'm afraid. | 0:48:16 | 0:48:17 | |
Yeah, er... | 0:48:17 | 0:48:19 | |
One question before you do. | 0:48:19 | 0:48:22 | |
Mm? | 0:48:22 | 0:48:23 | |
The world's full of women, right? | 0:48:23 | 0:48:25 | |
-It is. -Millions of us. | 0:48:25 | 0:48:28 | |
And yet, here you are, Harry Cunningham. | 0:48:28 | 0:48:32 | |
Unclaimed. | 0:48:32 | 0:48:33 | |
You're good-looking, got a great job, | 0:48:33 | 0:48:37 | |
still got all your own teeth. | 0:48:37 | 0:48:40 | |
Stuart? | 0:49:12 | 0:49:13 | |
What are you doing here? | 0:49:17 | 0:49:19 | |
Gemma was pregnant. | 0:49:19 | 0:49:21 | |
I just keep thinking about all the lads we know of... | 0:49:26 | 0:49:30 | |
And we thought... one of Charlie's mates... | 0:49:30 | 0:49:32 | |
who could have got her pregnant? And then I think... | 0:49:32 | 0:49:34 | |
What's the bloody point? She's dead. | 0:49:34 | 0:49:37 | |
They still won't let me see my little girl or Charlie, | 0:49:40 | 0:49:42 | |
which means they still think that I did it. | 0:49:42 | 0:49:44 | |
-They're just following procedure, that's all. -Will you not talk like them! | 0:49:44 | 0:49:48 | |
I'm sorry. | 0:49:52 | 0:49:53 | |
It's all right. | 0:49:53 | 0:49:54 | |
I feel like I'm dreaming with my eyes open. | 0:49:57 | 0:50:01 | |
I just don't know what to do with myself. | 0:50:03 | 0:50:05 | |
And then I have these moments... | 0:50:07 | 0:50:09 | |
..when I don't even think about it, you know? | 0:50:12 | 0:50:15 | |
Like minutes or seconds. | 0:50:15 | 0:50:18 | |
And then it all, all comes rushing in. | 0:50:18 | 0:50:21 | |
It's like getting hit by a truck, over and over. | 0:50:25 | 0:50:29 | |
Did you get any sleep last night? | 0:50:32 | 0:50:34 | |
I could arrange for a prescription for you. | 0:50:36 | 0:50:40 | |
Said I don't want that. | 0:50:40 | 0:50:41 | |
Could help, a sedative. | 0:50:41 | 0:50:43 | |
To shut this out? | 0:50:43 | 0:50:45 | |
No, I want to feel this. | 0:50:45 | 0:50:49 | |
I deserve it all. | 0:50:49 | 0:50:51 | |
PHONE RINGS | 0:51:04 | 0:51:07 | |
TV: 'When we see the civil war being played out in Sierra Leone and the bloodshed there is...' | 0:51:40 | 0:51:44 | |
Just popping down the shop. Need anything? | 0:51:44 | 0:51:47 | |
No, thanks, lovely. | 0:51:47 | 0:51:48 | |
All right, the kid from next door's just shown up. | 0:52:17 | 0:52:20 | |
INSISTENT KNOCKING ON DOOR | 0:52:20 | 0:52:22 | |
Please, Kev. Just let me in! | 0:52:25 | 0:52:26 | |
Please, Kev! | 0:52:35 | 0:52:37 | |
Kev! | 0:52:44 | 0:52:45 | |
OK, I dunno what that was all about. | 0:52:58 | 0:53:01 | |
But he's off again now. | 0:53:01 | 0:53:03 | |
Shit. | 0:53:06 | 0:53:08 | |
Charlie was slightly jaundiced. | 0:54:30 | 0:54:32 | |
He has a rash on his chest and his lymph nodes were right up. | 0:54:32 | 0:54:35 | |
So I talked to the nurse | 0:54:35 | 0:54:36 | |
and she said she didn't think the rash was related to his injuries. | 0:54:36 | 0:54:39 | |
She'd thought that it looked like it might be something that you'd get with mononucleosis. | 0:54:39 | 0:54:43 | |
Glandular fever? | 0:54:43 | 0:54:45 | |
Remember what Leo said in Gemma's PM? Enlarged liver and spleen. | 0:55:03 | 0:55:06 | |
Not contributory, but present. I know it might not be relevant, but... | 0:55:06 | 0:55:09 | |
No, no, no... | 0:55:09 | 0:55:11 | |
Whoa, Charlie. | 0:55:11 | 0:55:13 | |
Stuart said he thought Gemma didn't have a boyfriend, but... | 0:55:15 | 0:55:17 | |
Wouldn't be the first teenage girl not to tell her parents. | 0:55:17 | 0:55:20 | |
-No. -And particularly if it was her stepbrother. | 0:55:20 | 0:55:23 | |
Even if they were having sex, | 0:55:34 | 0:55:36 | |
even if Charlie was the father of Gemma's baby, | 0:55:36 | 0:55:38 | |
they weren't blood related, they were step-siblings. | 0:55:38 | 0:55:41 | |
Must happen all the time. | 0:55:41 | 0:55:43 | |
Hardly a motive for a double murder, is it? | 0:55:43 | 0:55:46 | |
Ah! | 0:56:00 | 0:56:01 | |
TYRES SQUEAL | 0:56:11 | 0:56:13 | |
CRASH! | 0:56:13 | 0:56:14 | |
SIREN WAILS | 0:56:36 | 0:56:38 | |
Someone's left in a hurry. | 0:56:50 | 0:56:52 | |
Joel? | 0:56:56 | 0:56:57 | |
You really do underestimate your charms, Leo. | 0:56:57 | 0:56:59 | |
Look, what is this? | 0:56:59 | 0:57:01 | |
There are multiple small abrasions | 0:57:01 | 0:57:02 | |
and signs of blunt trauma to the face and head. | 0:57:02 | 0:57:06 | |
It has to stop! | 0:57:06 | 0:57:08 | |
We're in the Dark Ages here, Billy. | 0:57:08 | 0:57:10 | |
We got plenty. Photos tell us Joel Barron was at the scene. | 0:57:10 | 0:57:13 | |
They're going to say I killed them. But I never. | 0:57:13 | 0:57:16 | |
Yesterday you questioned him. Today he's dead. | 0:57:19 | 0:57:21 | |
Joel! | 0:57:24 | 0:57:26 | |
If you want someone to blame, take a bloody long look in the mirror! | 0:57:26 | 0:57:30 | |
# Testator silens | 0:57:30 | 0:57:37 | |
# Silentium | 0:57:37 | 0:57:44 | |
# Silentium... # | 0:57:51 | 0:57:54 | |
Subtitles by Red Bee Media Ltd | 0:57:54 | 0:57:57 |