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Justine? Let's go and find out where Mummy is, shall we? | 0:00:02 | 0:00:05 | |
'So, he kills Mum. Waits an hour or so... | 0:00:08 | 0:00:11 | |
'kills daughter. At some point, finds time | 0:00:11 | 0:00:14 | |
'to knock a bloody great big hole in the son's skull, too.' | 0:00:14 | 0:00:17 | |
There's no running home from this one. | 0:00:17 | 0:00:19 | |
Get off me! | 0:00:19 | 0:00:20 | |
You're assuming it's the father. | 0:00:20 | 0:00:22 | |
-Did you know Stuart Thompson well? -Yeah, all my life. | 0:00:22 | 0:00:25 | |
Then he married your ex, Justine. Bet that put the cat among the pigeons. | 0:00:25 | 0:00:29 | |
So, I'd like to get on with the postmortem as soon as possible. | 0:00:29 | 0:00:32 | |
I don't think that's a very good idea. You knew Justine. | 0:00:32 | 0:00:35 | |
Justine was pregnant and she had an eclamptic seizure. | 0:00:35 | 0:00:37 | |
Luckily, I was able to help. | 0:00:37 | 0:00:40 | |
Your brother - Kevin, is it? | 0:00:41 | 0:00:44 | |
Were you in love with her? | 0:00:45 | 0:00:47 | |
You're actually the same age as the boy, Charlie, aren't you? And Gemma. | 0:00:53 | 0:00:57 | |
-So, are you guys all friends, then? -Gemma mostly. | 0:00:57 | 0:01:01 | |
Even if they were having sex, | 0:01:02 | 0:01:04 | |
they weren't blood related, they were stepsiblings. | 0:01:04 | 0:01:06 | |
TYRES SCREECH, CRASH | 0:01:06 | 0:01:08 | |
She was arranged. | 0:01:10 | 0:01:11 | |
# Testator Silens | 0:01:18 | 0:01:25 | |
# Costestes e spiritu | 0:01:26 | 0:01:34 | |
# Silentium. # | 0:01:34 | 0:01:40 | |
Mm. | 0:02:07 | 0:02:08 | |
When did you last see him? | 0:02:10 | 0:02:11 | |
Yesterday. | 0:02:14 | 0:02:16 | |
Did you talk? | 0:02:16 | 0:02:17 | |
Yeah. We talked. | 0:02:19 | 0:02:20 | |
And how would you describe his state of mind? | 0:02:20 | 0:02:23 | |
Erm... | 0:02:23 | 0:02:25 | |
Would you say you were close? | 0:02:25 | 0:02:27 | |
-I was more like his dad. -Even though you were the younger brother? | 0:02:31 | 0:02:34 | |
Is that why you let him stay at your flat rent-free all those years? | 0:02:37 | 0:02:41 | |
-No, he paid rent. -Market rate? | 0:02:41 | 0:02:44 | |
What's that got to do with anything? | 0:02:45 | 0:02:47 | |
I'm just trying to establish... | 0:02:48 | 0:02:50 | |
No. | 0:02:50 | 0:02:51 | |
I let him live there cheap. | 0:02:51 | 0:02:54 | |
-We bought the flat years ago. -We? | 0:02:54 | 0:02:57 | |
Yeah, me and my first wife. Tanya. | 0:02:58 | 0:03:01 | |
So, you were helping him out. | 0:03:09 | 0:03:11 | |
D'you think he resented your help? | 0:03:14 | 0:03:16 | |
In light of what's happened, I'm sorry to ask, but... | 0:03:19 | 0:03:23 | |
d'you think he might have wanted to harm your family? | 0:03:23 | 0:03:25 | |
I just want this to stop, OK? I want it to stop. | 0:03:27 | 0:03:31 | |
Where were you at 10.15 last night, Mr Thompson? | 0:03:31 | 0:03:35 | |
I was in my hotel. Where d'you bloody think I was? | 0:03:35 | 0:03:38 | |
The road, where he crashed. | 0:03:38 | 0:03:40 | |
That's en route to your hotel. | 0:03:40 | 0:03:43 | |
-So? -D'you think he might have been coming to see you? | 0:03:43 | 0:03:47 | |
What does it matter? He's dead. | 0:03:47 | 0:03:49 | |
-None of this matters! -I'm just trying to gauge his state of mind. | 0:03:49 | 0:03:53 | |
We have a report from a witness who said they saw him | 0:03:53 | 0:03:56 | |
driving erratically before he crashed. | 0:03:56 | 0:03:58 | |
My brother had a drugs problem for 20 years. | 0:03:58 | 0:04:02 | |
He's clean now. | 0:04:02 | 0:04:04 | |
You're looking for reasons why he was driving like that. | 0:04:05 | 0:04:08 | |
Yesterday you questioned him. Today he's dead. | 0:04:08 | 0:04:12 | |
If you want someone to blame, take a bloody long look in the mirror! | 0:04:12 | 0:04:15 | |
Oh. Was he sober? | 0:04:21 | 0:04:23 | |
We don't know yet. | 0:04:23 | 0:04:24 | |
Not until you've cut him open, had a good rummage around. | 0:04:25 | 0:04:28 | |
Did you do that with Gemma? | 0:04:30 | 0:04:32 | |
Justine? Must have been weird with Justine. | 0:04:33 | 0:04:36 | |
For you, I mean. | 0:04:36 | 0:04:38 | |
Stuart. | 0:04:46 | 0:04:47 | |
We didn't have any secrets, me and Justine. | 0:04:47 | 0:04:49 | |
She fessed up a couple of weeks later. | 0:04:49 | 0:04:52 | |
Became the big family joke. | 0:04:52 | 0:04:54 | |
Charlie, especially. | 0:04:54 | 0:04:56 | |
Wouldn't shut up about it - | 0:04:56 | 0:04:58 | |
the time Mum got pissed and snogged the doctor. | 0:04:58 | 0:05:00 | |
Hah! Made me laugh a lot. | 0:05:00 | 0:05:03 | |
He was a funny kid. | 0:05:04 | 0:05:06 | |
He is a funny kid. | 0:05:06 | 0:05:08 | |
Cos I know he's going to be OK. | 0:05:09 | 0:05:12 | |
Family Liaison rang. They said he's showing signs of recovery. | 0:05:14 | 0:05:18 | |
I just worry that he's going to wake up and I won't be there. | 0:05:20 | 0:05:23 | |
There won't be anybody there. | 0:05:24 | 0:05:26 | |
I'll visit him... | 0:05:28 | 0:05:30 | |
if you like. | 0:05:30 | 0:05:32 | |
Yeah, thanks. | 0:05:32 | 0:05:34 | |
Yeah, Linda, it's me. | 0:05:38 | 0:05:39 | |
-Yeah. -No, no, please, don't hang... | 0:05:39 | 0:05:41 | |
You realise this is the forensic equivalent | 0:05:57 | 0:05:59 | |
of photocopying your arse. | 0:05:59 | 0:06:01 | |
LAUGHTER | 0:06:01 | 0:06:03 | |
INDISTINCT CONVERSATION CONTINUES | 0:06:03 | 0:06:05 | |
Will you look at them? | 0:06:09 | 0:06:11 | |
Looking. | 0:06:13 | 0:06:14 | |
What d'you see? | 0:06:14 | 0:06:16 | |
Two professionals going about their business in an amiable manner. | 0:06:16 | 0:06:20 | |
It's practically foreplay. | 0:06:20 | 0:06:22 | |
LAUGHTER | 0:06:22 | 0:06:23 | |
-Charlie and Gemma? -Nikki thinks Gemma may have been suffering | 0:06:23 | 0:06:27 | |
from glandular fever at the time of her death, | 0:06:27 | 0:06:29 | |
-and the hospital says Charlie has it, too. -I haven't got time for... | 0:06:29 | 0:06:32 | |
Epstein-Barr can be transmitted through the air, but the chances of catching it are greatly increased | 0:06:32 | 0:06:37 | |
if there is an exchange of saliva. | 0:06:37 | 0:06:38 | |
-You're talking kissing, right? -Yeah. | 0:06:38 | 0:06:41 | |
Two teens, same house, similar age. It does happen. | 0:06:41 | 0:06:44 | |
So, not only have I got two murders, one attempted, and a bike smash, | 0:06:44 | 0:06:48 | |
-you want to throw in incest. -Hardly incest. | 0:06:48 | 0:06:50 | |
Try telling the tabloids that. | 0:06:50 | 0:06:52 | |
There are multiple small abrasions | 0:07:18 | 0:07:21 | |
and...also signs of blunt trauma to the face and head, | 0:07:21 | 0:07:25 | |
consistent with impact against the wall. | 0:07:25 | 0:07:28 | |
There is a marked pallor to the skin... | 0:07:28 | 0:07:30 | |
..but no external signs of a significant bleed. | 0:07:32 | 0:07:36 | |
Could be an internal haemorrhage. | 0:07:38 | 0:07:39 | |
We see that sometimes, with motorbike accidents. | 0:07:39 | 0:07:42 | |
Disruption to the thoracic aorta within the descending portion. | 0:07:48 | 0:07:51 | |
Cause of death is aortic disruption, | 0:07:51 | 0:07:53 | |
due to blunt force trauma to the chest. | 0:07:53 | 0:07:55 | |
By the way, the, erm... four tattoos that he has. | 0:08:04 | 0:08:07 | |
The degradation of the fine detail suggests that three of them | 0:08:07 | 0:08:10 | |
are at least ten years old, but this one here...is new. | 0:08:10 | 0:08:13 | |
The tattoo's healed, but the skin is new. | 0:08:13 | 0:08:16 | |
I'd say the procedure was carried out at least four-to-six weeks ago. | 0:08:16 | 0:08:20 | |
If you're still considering him a suspect without an alibi, | 0:08:20 | 0:08:23 | |
you might want to find someone called Stacey. | 0:08:23 | 0:08:25 | |
-Did you say Stacey? -Yeah. | 0:08:25 | 0:08:27 | |
DIALS ON MOBILE | 0:08:29 | 0:08:31 | |
Yeah, Billy. It's me. I need that cleaned-up CCTV, like yesterday. | 0:08:32 | 0:08:36 | |
Fractures to tibia and fibula - | 0:08:40 | 0:08:42 | |
seems like a straightforward bike collision, to me. | 0:08:42 | 0:08:46 | |
Only there was no reason for him to crash. | 0:08:46 | 0:08:49 | |
Apart from speed, perhaps. | 0:08:50 | 0:08:51 | |
Traffic investigation team said there were no brake marks at scene. | 0:08:51 | 0:08:55 | |
So there was no evidence he even attempted to stop. | 0:08:56 | 0:08:59 | |
He could have been drunk or drugged. | 0:08:59 | 0:09:01 | |
-We won't get toxicology back... -Why does it matter, anyway? | 0:09:01 | 0:09:03 | |
Possible suicide. | 0:09:03 | 0:09:05 | |
By motorbike? | 0:09:05 | 0:09:07 | |
LAUGHS | 0:09:07 | 0:09:10 | |
I'm trying to keep all the options open. | 0:09:10 | 0:09:12 | |
Disgruntled ex-junkie with a crush on his brother's missus. | 0:09:15 | 0:09:19 | |
We haul him in for questioning... | 0:09:19 | 0:09:21 | |
..he's unconvincing, to say the least, | 0:09:22 | 0:09:24 | |
and a couple of hours later, he's dead by the side of the road. | 0:09:24 | 0:09:27 | |
Maybe he had a guilty conscience. | 0:09:30 | 0:09:32 | |
Maybe he just knew that the game was up. | 0:09:32 | 0:09:35 | |
Whatever he thought, last night, | 0:09:36 | 0:09:38 | |
he decides to jump on his bike and smash it into a wall at 70... | 0:09:38 | 0:09:41 | |
You can't infer suicide, either from the evidence at scene, | 0:09:41 | 0:09:43 | |
or that postmortem. | 0:09:43 | 0:09:45 | |
Yeah, and you can't infer it wasn't! | 0:09:45 | 0:09:47 | |
Suicide or not, we need to get DNA samples straight over to forensics. | 0:09:49 | 0:09:53 | |
-Rule him in or out at the Thompson scene. -I'll drop it round later. | 0:09:53 | 0:09:57 | |
Thanks. | 0:09:57 | 0:09:59 | |
Billy. | 0:09:59 | 0:10:01 | |
'The boy next door. Joel Barron. I'm worried he might have done something.' | 0:10:02 | 0:10:07 | |
'What do you think he might have done?' | 0:10:07 | 0:10:09 | |
OK, check it out. | 0:10:10 | 0:10:12 | |
KNOCK AT DOOR | 0:10:17 | 0:10:19 | |
Do you mind if we come in? | 0:10:19 | 0:10:21 | |
Someone's left in a hurry. | 0:10:34 | 0:10:36 | |
Where is he, Mrs Barron? | 0:10:37 | 0:10:40 | |
< Sir! | 0:10:46 | 0:10:48 | |
-Have you checked his school? -Yep. And he's not there. | 0:11:13 | 0:11:16 | |
I spoke to his head of year. Says the kid's a persistent truant. | 0:11:16 | 0:11:19 | |
He's got no friends to speak of - certainly no girls. | 0:11:19 | 0:11:22 | |
Last year, he received a fixed-term exclusion for attacking a classmate. | 0:11:22 | 0:11:26 | |
-His mum still says she was with him night of the murder? -That's right. | 0:11:26 | 0:11:29 | |
Of course she does. She's his mum. | 0:11:29 | 0:11:31 | |
By the way, the tech boys have nearly cleaned up the Nottingham CCTV. | 0:11:31 | 0:11:34 | |
About time. | 0:11:34 | 0:11:37 | |
The bat that was used to assault Charlie was hidden under the shed | 0:11:38 | 0:11:41 | |
at the house next door. | 0:11:41 | 0:11:43 | |
That leaves one weapon outstanding. | 0:11:43 | 0:11:44 | |
Well, a cricket bat couldn't have used for Justine's head injury. | 0:11:44 | 0:11:47 | |
-You sure? -Yeah. | 0:11:47 | 0:11:49 | |
Whatever caused the damage to her skull was circular... | 0:11:49 | 0:11:52 | |
and sharp and heavy enough to penetrate bone. | 0:11:52 | 0:11:54 | |
The knife that was used in the secondary attack on Justine... | 0:11:56 | 0:11:59 | |
It was washed up and left at the house, wasn't it? | 0:12:00 | 0:12:02 | |
You think the other weapon might still be there? | 0:12:02 | 0:12:05 | |
So, why haven't they found it yet? | 0:12:06 | 0:12:07 | |
Well, maybe... Maybe they didn't know what they were looking for. | 0:12:08 | 0:12:13 | |
You said that this machine could be used to analyse a bite mark... | 0:12:16 | 0:12:19 | |
-Mm-hm. -..left on a body, | 0:12:19 | 0:12:20 | |
to produce a...a...replica jaw based on that mark. | 0:12:20 | 0:12:24 | |
So, why can't we do the same thing with Justine's head injury - | 0:12:27 | 0:12:30 | |
fabricate a replica weapon? | 0:12:30 | 0:12:31 | |
May be possible. But you'd need a CT scan. | 0:12:31 | 0:12:35 | |
Ah. I'm not sure if I can swing that at short notice. | 0:12:35 | 0:12:39 | |
You really do underestimate your charms, Leo. | 0:12:39 | 0:12:41 | |
Ring me when you've set it up. | 0:12:42 | 0:12:45 | |
Charlie Thompson, please. | 0:12:51 | 0:12:52 | |
Ah. Take a seat, please. He's got a friend with him at the moment. | 0:12:52 | 0:12:56 | |
-Who? -I don't know, erm, a neighbour or something. | 0:12:56 | 0:13:00 | |
Excuse me. | 0:13:03 | 0:13:05 | |
Excuse me! You can't.... | 0:13:05 | 0:13:06 | |
Where is he? | 0:13:30 | 0:13:31 | |
Stay where you are. | 0:13:35 | 0:13:36 | |
Joel? | 0:13:38 | 0:13:39 | |
It wasn't me! | 0:13:40 | 0:13:41 | |
No-one's saying it was. | 0:13:42 | 0:13:44 | |
All right? | 0:13:45 | 0:13:47 | |
Come on, now, mate. | 0:13:52 | 0:13:53 | |
Joel? Joel! | 0:14:00 | 0:14:02 | |
Put it down. | 0:14:38 | 0:14:40 | |
Put it down. | 0:14:40 | 0:14:42 | |
I'm about to have a heart attack as it is. | 0:14:42 | 0:14:44 | |
What is going on, Joel? Why'd you come and see Charlie? | 0:14:50 | 0:14:53 | |
The police think that you put him in here. You know that? | 0:14:53 | 0:14:56 | |
They found a cricket bat in your garden. | 0:14:56 | 0:14:58 | |
And I can guarantee, right now, they think you killed them all. | 0:14:58 | 0:15:02 | |
Forensics will be doing tests on it. | 0:15:02 | 0:15:04 | |
-Chances are, they'll find Charlie's blood on it. -Wasn't me! | 0:15:04 | 0:15:07 | |
I found the bat in the house. I picked it up cos I was scared! | 0:15:07 | 0:15:10 | |
They're going to say I killed them, but I never! | 0:15:14 | 0:15:17 | |
Been in love with her for years. D'you see?! | 0:15:17 | 0:15:19 | |
So when I saw them two together, I wanted it to stop. | 0:15:20 | 0:15:23 | |
-I loved Gemma. Remember that. -Joel! | 0:15:40 | 0:15:42 | |
He said he was in love with Gemma, saw them together and wanted it to stop. | 0:15:53 | 0:15:57 | |
I think there's a possibility he was talking about Charlie and Gemma. | 0:15:57 | 0:16:00 | |
The glandular fever incest theory. | 0:16:00 | 0:16:03 | |
-Sorry. -Just trying to do my job. | 0:16:05 | 0:16:07 | |
No police outside Charlie's room. Are you sure you're doing yours? | 0:16:07 | 0:16:11 | |
His custody sergeant says that he hasn't moved. | 0:16:19 | 0:16:21 | |
That he won't eat, won't talk. | 0:16:21 | 0:16:23 | |
Hasn't even taken a piss. Total shut down. | 0:16:23 | 0:16:26 | |
Scared shitless, most likely. | 0:16:26 | 0:16:29 | |
-Mum still sticking to the story? -Yeah. | 0:16:29 | 0:16:31 | |
See how that holds up in court. | 0:16:31 | 0:16:32 | |
Chloroform? | 0:16:36 | 0:16:38 | |
And phenol. | 0:16:38 | 0:16:39 | |
For stripping out DNA? | 0:16:39 | 0:16:42 | |
Top of the class. | 0:16:42 | 0:16:45 | |
Any luck with the CT scan? | 0:16:45 | 0:16:46 | |
Yes. I managed to call in a favour. | 0:16:46 | 0:16:49 | |
You see? People just can't say no to you, Leo. | 0:16:49 | 0:16:52 | |
Er, what about blood? | 0:16:56 | 0:16:58 | |
We found Charlie's blood on the bat, but no trace of Justine. | 0:16:58 | 0:17:02 | |
OK. | 0:17:03 | 0:17:04 | |
Do you want to take a look? | 0:17:04 | 0:17:06 | |
Yes. | 0:17:06 | 0:17:08 | |
Normal red blood cells | 0:17:09 | 0:17:11 | |
and you see this bunch? | 0:17:11 | 0:17:14 | |
Neutrophil. | 0:17:14 | 0:17:16 | |
I can give you a better look. | 0:17:16 | 0:17:17 | |
There, see? | 0:17:17 | 0:17:19 | |
I'm sorry. ..I'm sorry. | 0:17:59 | 0:18:02 | |
I think I'd better leave. | 0:18:06 | 0:18:07 | |
Haven't had time to get home. Do you mind if I grab a shower? | 0:18:22 | 0:18:25 | |
Be my guest. | 0:18:25 | 0:18:27 | |
Look, I might have been a bit out of order at the hospital, | 0:18:29 | 0:18:33 | |
and earlier, after the PM. | 0:18:33 | 0:18:34 | |
Haven't exactly covered myself in glory. | 0:18:34 | 0:18:37 | |
I shouldn't be telling you how to do your job. Sorry. | 0:18:39 | 0:18:42 | |
Maybe I needed telling. I'm being a bit distracted. | 0:18:42 | 0:18:45 | |
My wife. We've been separated the last three months. | 0:18:50 | 0:18:53 | |
But she's willing to give me another chance... | 0:18:56 | 0:18:59 | |
..and I would appreciate it if you could, too. | 0:19:00 | 0:19:02 | |
PHONE RINGING | 0:19:10 | 0:19:11 | |
Hello? | 0:19:14 | 0:19:16 | |
Stuart? | 0:19:16 | 0:19:18 | |
Think you've had enough yet? | 0:20:07 | 0:20:09 | |
Sound like Justine. | 0:20:10 | 0:20:12 | |
I miss her. | 0:20:18 | 0:20:19 | |
Miss all of them. | 0:20:21 | 0:20:23 | |
You know? | 0:20:23 | 0:20:24 | |
Charlie and Gemma... | 0:20:24 | 0:20:26 | |
my little girl... Ellie. | 0:20:26 | 0:20:28 | |
I had a dream about her, | 0:20:31 | 0:20:33 | |
about Ellie. | 0:20:33 | 0:20:35 | |
It was a good dream. | 0:20:37 | 0:20:38 | |
You'll see her again soon. | 0:20:39 | 0:20:41 | |
Yeah, I'm...sort of focusing on... | 0:20:41 | 0:20:43 | |
seeing her and holding... you know...Charlie. | 0:20:43 | 0:20:47 | |
I'm, er... | 0:20:50 | 0:20:52 | |
I'm not allowed to speak to his doctors, to check. | 0:20:52 | 0:20:56 | |
I know. | 0:20:56 | 0:20:58 | |
Stops it hurting. | 0:20:58 | 0:21:00 | |
I have no idea what you must be going through at the moment, but... | 0:21:04 | 0:21:07 | |
LAUGHS | 0:21:07 | 0:21:10 | |
Oh, um... | 0:21:10 | 0:21:11 | |
..I don't mean that kind of hurting. | 0:21:13 | 0:21:15 | |
LAUGHS | 0:21:15 | 0:21:17 | |
It's my head. | 0:21:17 | 0:21:18 | |
Oh. | 0:21:18 | 0:21:19 | |
I fell over... | 0:21:19 | 0:21:20 | |
..and hurt my head. | 0:21:22 | 0:21:23 | |
LAUGHS | 0:21:26 | 0:21:28 | |
If you didn't laugh, you'd cry, wouldn't you? | 0:21:28 | 0:21:30 | |
LAUGHS | 0:21:30 | 0:21:32 | |
Get yourself to Nottingham. | 0:21:54 | 0:21:55 | |
Yeah. Well, I can't do it, so you'll have to. End of. | 0:21:55 | 0:21:58 | |
Stacey Leach? | 0:21:58 | 0:22:00 | |
DC Myers. Middlesex Police. | 0:22:01 | 0:22:03 | |
I'm sorry we had to meet here. | 0:22:03 | 0:22:06 | |
My mum's got Alzheimer's and, er... | 0:22:06 | 0:22:08 | |
she doesn't like strange people round at the house. | 0:22:08 | 0:22:11 | |
Sure. | 0:22:11 | 0:22:13 | |
So, how did you meet Kevin? | 0:22:14 | 0:22:15 | |
We met when we was both using. | 0:22:15 | 0:22:19 | |
When was that? | 0:22:19 | 0:22:21 | |
I don't know, about three years ago. | 0:22:21 | 0:22:23 | |
It was a pretty dark time... | 0:22:25 | 0:22:26 | |
..but Kevin kept me safe. | 0:22:28 | 0:22:30 | |
So, you were like, what? | 0:22:30 | 0:22:33 | |
Boyfriend, girlfriend? | 0:22:33 | 0:22:34 | |
No, we was getting married. | 0:22:34 | 0:22:37 | |
He was gonna get me a proper big ring, when he'd sorted himself out. | 0:22:37 | 0:22:42 | |
-Was he clean? -Yeah, he was clean! | 0:22:43 | 0:22:46 | |
He worked really damn hard at it and he kept me clean, too. | 0:22:46 | 0:22:50 | |
Kevin wasn't what people thought. | 0:22:50 | 0:22:51 | |
All he wanted was, like, a future. He was... | 0:22:51 | 0:22:54 | |
He was just a really lovely bloke. | 0:22:56 | 0:22:59 | |
Is this the only hotel in Nottingham? | 0:23:07 | 0:23:09 | |
-Why d'you ask me that? -Well, it's just that this is the same hotel | 0:23:09 | 0:23:12 | |
Stuart Thompson stays in when he comes to Nottingham, so... | 0:23:12 | 0:23:15 | |
-So? So, what? It's probably where he got the idea from? -What idea? | 0:23:15 | 0:23:20 | |
Hope you get some sleep. | 0:23:24 | 0:23:26 | |
Yeah. | 0:23:26 | 0:23:27 | |
-Well, thanks for picking me up, patching me up. -It's nothing at all. | 0:23:29 | 0:23:33 | |
No, it is. I know it is. | 0:23:33 | 0:23:35 | |
My situation, most people would run a mile. | 0:23:35 | 0:23:39 | |
Ellie - I'll, er... I'll do what I can. | 0:23:41 | 0:23:44 | |
You've done enough. You've been a mate. | 0:23:44 | 0:23:48 | |
See you. | 0:23:50 | 0:23:52 | |
PHONE RINGING | 0:23:53 | 0:23:55 | |
Hello? | 0:23:57 | 0:23:58 | |
Me again. | 0:24:05 | 0:24:06 | |
Stuart Thompson, I'm arresting you for the murder | 0:24:09 | 0:24:12 | |
of Justine Thompson and Gemma McAteer | 0:24:12 | 0:24:14 | |
on the night of Wednesday the 12th of October. | 0:24:14 | 0:24:16 | |
You do not have to say anything, | 0:24:16 | 0:24:18 | |
but anything you do say may be given in evidence. | 0:24:18 | 0:24:21 | |
When I interviewed you on Thursday the 13th of October, | 0:24:31 | 0:24:35 | |
I asked you where you'd been. | 0:24:35 | 0:24:36 | |
-Can you remember what you said? -Nottingham. | 0:24:36 | 0:24:39 | |
Is that true? | 0:24:43 | 0:24:44 | |
For the tape. | 0:24:47 | 0:24:50 | |
Look, what is this? | 0:24:51 | 0:24:52 | |
That's your brother's girlfriend, Stacey. | 0:25:06 | 0:25:08 | |
And that... | 0:25:13 | 0:25:15 | |
is you. | 0:25:15 | 0:25:18 | |
Why? | 0:25:18 | 0:25:20 | |
Because the receptionist at the hotel that you drove to in your BMW | 0:25:20 | 0:25:24 | |
on the night your wife and stepdaughter were killed says it is. | 0:25:24 | 0:25:27 | |
And she should know. | 0:25:28 | 0:25:29 | |
You've been staying there on and off for a while now, haven't you? | 0:25:30 | 0:25:33 | |
You stayed there, and, | 0:25:33 | 0:25:36 | |
on the morning after your wife and stepdaughter were killed, | 0:25:36 | 0:25:39 | |
you used your credit card to pay for a double room, | 0:25:39 | 0:25:42 | |
two bottles of cheap plonk and a dirty movie. | 0:25:42 | 0:25:46 | |
And that must be you, because that's what you told us. | 0:25:46 | 0:25:49 | |
But that's not you, after all, is it? | 0:26:03 | 0:26:05 | |
That's your brother, Kevin. | 0:26:05 | 0:26:08 | |
We had our tech guys clean up the picture. | 0:26:08 | 0:26:11 | |
So, why Nottingham? | 0:26:12 | 0:26:14 | |
Because that's where Kevin wanted to go. | 0:26:15 | 0:26:18 | |
And if Justine ever checked the credit card statements, | 0:26:18 | 0:26:21 | |
it would look true. | 0:26:21 | 0:26:24 | |
So, you lend him your car | 0:26:24 | 0:26:25 | |
for him to zoom up the M1 and have a bit of nooky at your expense. | 0:26:25 | 0:26:29 | |
Meanwhile, you're doing what, exactly? | 0:26:29 | 0:26:32 | |
I know that you said that your brother needed | 0:26:32 | 0:26:34 | |
a lot of looking after, but, come on, | 0:26:34 | 0:26:35 | |
this kinds of takes the biscuit, doesn't it? | 0:26:35 | 0:26:38 | |
Come on, Stuart. | 0:26:38 | 0:26:40 | |
There must have been summat in it for you, mustn't there? | 0:26:40 | 0:26:43 | |
Where were you between 6pm on the Wednesday, October 12th, | 0:26:46 | 0:26:49 | |
and 6am Thursday morning? | 0:26:49 | 0:26:51 | |
-We, erm... -We? | 0:26:55 | 0:26:57 | |
KNOCKING | 0:26:57 | 0:26:58 | |
You, er, didn't seem to have any bunnies. | 0:27:12 | 0:27:15 | |
Thought I'd boil a kettle instead. | 0:27:15 | 0:27:17 | |
You fancy a cuppa? | 0:27:20 | 0:27:22 | |
Yeah. | 0:27:22 | 0:27:24 | |
I don't really do awkward silences, so... | 0:27:32 | 0:27:36 | |
Please. Let me explain. | 0:27:36 | 0:27:38 | |
Leo, it's fine. | 0:27:38 | 0:27:40 | |
No, it's not. | 0:27:40 | 0:27:41 | |
Thing is, I have a partner. | 0:27:45 | 0:27:46 | |
-Her name is Janet. -I knew that. | 0:27:48 | 0:27:49 | |
So, that makes me as culpable as you. | 0:27:51 | 0:27:56 | |
So, why don't we do what I always do in embarrassing situations? | 0:27:58 | 0:28:02 | |
I just...get my brush and I... sweep it under the nearest carpet. | 0:28:02 | 0:28:05 | |
LAUGHS | 0:28:05 | 0:28:07 | |
I'm sorry. | 0:28:08 | 0:28:10 | |
I'm sorry, I should have told you... | 0:28:10 | 0:28:12 | |
No, no, no, no... | 0:28:12 | 0:28:14 | |
..confessions, or... | 0:28:15 | 0:28:18 | |
guilt, or... | 0:28:18 | 0:28:20 | |
talking it over. | 0:28:20 | 0:28:22 | |
I have no truck with any of it. | 0:28:22 | 0:28:24 | |
Just brush...carpet. | 0:28:24 | 0:28:27 | |
Right. | 0:28:29 | 0:28:30 | |
Where are you going? | 0:28:43 | 0:28:44 | |
I'm gonna visit Charlie Thompson. I told Stuart I'd sit with him. | 0:28:44 | 0:28:47 | |
-Is he awake? -No. | 0:28:47 | 0:28:49 | |
What happens if, when he wakes up, he says that Stuart...? | 0:28:50 | 0:28:54 | |
Well...I promised Stuart. | 0:28:56 | 0:28:59 | |
Ready? | 0:29:02 | 0:29:03 | |
Yeah. | 0:29:04 | 0:29:05 | |
How long have you been having a relationship | 0:29:44 | 0:29:46 | |
with Stuart Thompson, Miss Barron? | 0:29:46 | 0:29:47 | |
A year or so. | 0:29:51 | 0:29:52 | |
Or so? | 0:29:52 | 0:29:54 | |
18 months. | 0:29:57 | 0:29:58 | |
Was it just sex, or was there more to it? | 0:29:59 | 0:30:02 | |
Are you asking if I have feelings for Deborah? | 0:30:02 | 0:30:05 | |
Yeah. Yeah, I suppose I am. | 0:30:06 | 0:30:09 | |
Well, then, yes, I suppose I did. | 0:30:09 | 0:30:12 | |
Did? Do? | 0:30:12 | 0:30:15 | |
Either way, we're not exactly talking | 0:30:17 | 0:30:20 | |
about one of the century's greatest romances, are we? | 0:30:20 | 0:30:23 | |
Or maybe you're downplaying the significance of the relationship | 0:30:23 | 0:30:26 | |
to try and make it sound less likely | 0:30:26 | 0:30:29 | |
that it was a motive for you killing your family. | 0:30:29 | 0:30:32 | |
We never talked about being together longer term. | 0:30:36 | 0:30:38 | |
Why not? | 0:30:38 | 0:30:39 | |
I don't know. It...just never came up. | 0:30:42 | 0:30:44 | |
Stuart had Justine. | 0:30:49 | 0:30:51 | |
Justine was my friend. | 0:30:54 | 0:30:56 | |
See, this is what I don't get. | 0:31:00 | 0:31:03 | |
You arrive home... | 0:31:04 | 0:31:06 | |
..the worst thing imaginable has just happened... | 0:31:07 | 0:31:11 | |
to you... | 0:31:11 | 0:31:13 | |
..and your family. | 0:31:14 | 0:31:16 | |
And most people's first reaction would be to just call us | 0:31:16 | 0:31:20 | |
and to tell the truth, | 0:31:20 | 0:31:21 | |
because the truth is going to lead us | 0:31:21 | 0:31:24 | |
and help us to find the person who's responsible | 0:31:24 | 0:31:26 | |
for doing this terrible thing to the people that you love the most. | 0:31:26 | 0:31:30 | |
But you didn't tell the truth. | 0:31:32 | 0:31:34 | |
Why didn't you just tell us there and then what you were doing? | 0:31:36 | 0:31:39 | |
Because I was ashamed. | 0:31:42 | 0:31:44 | |
We were at his brother's flat, at Kevin's flat. | 0:31:47 | 0:31:51 | |
Kevin borrowed my car, drove it to Nottingham, | 0:31:51 | 0:31:54 | |
and then he could use my card in the hotel. That was how it worked. | 0:31:54 | 0:31:58 | |
And in return you got to shag your lady friend round at his. | 0:31:58 | 0:32:02 | |
No meeting in seedy hotels - home from home. | 0:32:02 | 0:32:05 | |
Scatter rose petals on the bed for you and all, did he? | 0:32:07 | 0:32:10 | |
And he was at the flat all night? | 0:32:11 | 0:32:13 | |
You sure about that? | 0:32:15 | 0:32:16 | |
I got your message, yes. | 0:32:18 | 0:32:19 | |
How else do you think I knew to come home? | 0:32:19 | 0:32:22 | |
Yeah, three and a half hours after I contacted you to you turning up. | 0:32:22 | 0:32:25 | |
The message just said I had to contact you, that it was important. | 0:32:25 | 0:32:29 | |
I thought we'd been burgled or something. | 0:32:29 | 0:32:31 | |
So you waited for your brother to get back. | 0:32:33 | 0:32:35 | |
So I could come back in my car, | 0:32:35 | 0:32:37 | |
so my wife wouldn't think I was having a bloody affair. | 0:32:37 | 0:32:42 | |
But you kept telling us that you were at home all night. Why? | 0:32:42 | 0:32:46 | |
Because if you were with Stuart Thompson, | 0:32:47 | 0:32:50 | |
you couldn't possibly know where your son was on the night of the murders. | 0:32:50 | 0:32:54 | |
The phone call to the emergency services - that was you wasn't it? | 0:32:57 | 0:33:03 | |
If you suspected that your son was involved, | 0:33:07 | 0:33:09 | |
why didn't you come straight to us? | 0:33:09 | 0:33:12 | |
Because he can't ever know I gave him up. | 0:33:12 | 0:33:15 | |
Charge her with perverting the course of justice. | 0:33:19 | 0:33:21 | |
You must have been really sure to make that call. | 0:33:24 | 0:33:27 | |
In fact, you must have been positive. | 0:33:28 | 0:33:31 | |
What is it you're not telling us, Deborah? | 0:33:31 | 0:33:33 | |
He always...had a thing for Gemma. | 0:33:54 | 0:33:58 | |
Everyone knew. | 0:34:02 | 0:34:05 | |
Bang goes your Daddy-Did-It theory. | 0:34:15 | 0:34:18 | |
I'm getting used to it. | 0:34:20 | 0:34:21 | |
MOBILE RINGS | 0:34:21 | 0:34:23 | |
So you got me message? | 0:34:25 | 0:34:27 | |
Of course you have reservations about Stuart seeing Charlie, | 0:34:27 | 0:34:29 | |
'I see that, but Ellie is not a witness, is she?' | 0:34:29 | 0:34:31 | |
Surely in the circumstances, it'd be best for her to see her dad. | 0:34:31 | 0:34:35 | |
All right, I'll see what I can do... | 0:34:35 | 0:34:38 | |
HE SIGHS | 0:34:39 | 0:34:41 | |
Both Thompson brothers still have alibis. | 0:34:42 | 0:34:45 | |
-We're in the Dark Ages here. -We got plenty. | 0:34:47 | 0:34:49 | |
Photos tell us that Joel Barron was at the scene. | 0:34:49 | 0:34:51 | |
Got the murder weapon underneath the shed. | 0:34:51 | 0:34:53 | |
Yeah, but why visit Kevin Thompson two nights later? | 0:34:53 | 0:34:57 | |
I mean, what's he trying to do? | 0:34:57 | 0:34:59 | |
Whether he talks or not, we've got enough to charge him, guv. | 0:34:59 | 0:35:02 | |
I'm off. Don't stay up too late. | 0:35:03 | 0:35:07 | |
You can see Ellie. | 0:35:19 | 0:35:21 | |
Chaperoned, but still. | 0:35:22 | 0:35:24 | |
Social Services will call you later on. | 0:35:24 | 0:35:27 | |
Thanks. | 0:35:28 | 0:35:30 | |
I don't know what to say. | 0:35:35 | 0:35:36 | |
To her. | 0:35:40 | 0:35:42 | |
I don't know what to say to her. | 0:35:42 | 0:35:43 | |
She'll ask about her mum. | 0:35:45 | 0:35:47 | |
I'm sure her care worker will give you some advice. | 0:35:47 | 0:35:51 | |
And you're her dad, you know? You'll know what she needs. | 0:35:51 | 0:35:55 | |
Yeah. | 0:35:57 | 0:35:58 | |
My colleague thinks we should charge you with murder here and now. | 0:36:14 | 0:36:17 | |
What do you think? | 0:36:17 | 0:36:19 | |
You might want to tell your client it's in his interests to start talking to me, | 0:36:31 | 0:36:36 | |
or he's going to find himself locked up for a very long time. | 0:36:36 | 0:36:40 | |
Kevin was my friend. | 0:36:50 | 0:36:52 | |
I went to him cos I didn't know where else to go to. | 0:36:52 | 0:36:55 | |
Why? Because you were scared? | 0:36:57 | 0:36:59 | |
What were you scared of, Joel? | 0:37:01 | 0:37:03 | |
-Why didn't you charge him? -Cos it doesn't feel right. | 0:37:09 | 0:37:11 | |
Not even close. Look, I may be screwing up everywhere else in my life, | 0:37:11 | 0:37:14 | |
-but I've still got me guts. -Come on, guv. | 0:37:14 | 0:37:17 | |
First he runs, and then we nick him, he shuts up, | 0:37:17 | 0:37:19 | |
even though he knows how bad that looks. Why? | 0:37:19 | 0:37:21 | |
-Cos he's guilty. -No, you plonker, cos he's scared. | 0:37:21 | 0:37:24 | |
He's scared and wants to be locked up cos he thinks it's safer in here than out there. | 0:37:24 | 0:37:27 | |
-HARRY: -What's Joel said? | 0:37:29 | 0:37:31 | |
Not a great deal. | 0:37:31 | 0:37:33 | |
But the photo of the dead girl's not helping his case. | 0:37:33 | 0:37:36 | |
All that actually proves is that he saw her sometime after she was killed. | 0:37:36 | 0:37:39 | |
Gemma? | 0:37:43 | 0:37:44 | |
Gem? | 0:37:45 | 0:37:47 | |
You have an inexplicable event married to an inexplicable time gap. | 0:37:47 | 0:37:50 | |
Gemma was killed face down. | 0:37:50 | 0:37:51 | |
She lay for several hours face down and then someone turned her body. | 0:37:51 | 0:37:54 | |
He called on them every morning, didn't he? We know Mum had a key to the property. | 0:38:07 | 0:38:11 | |
Could he have just come in as usual, found Gemma, turned her? | 0:38:11 | 0:38:15 | |
Joel told me that he that he wanted this to stop. | 0:38:32 | 0:38:35 | |
But he never said how. Could he have shown these photos to someone else? | 0:38:35 | 0:38:39 | |
Joel's angry, he's got big news, but he hasn't got the bottle. | 0:38:43 | 0:38:46 | |
What if he shows those photos to the one person he thinks WILL do something about it? | 0:38:46 | 0:38:50 | |
Frank McAteer. | 0:38:50 | 0:38:51 | |
I had a little dig. | 0:38:59 | 0:39:01 | |
Off-licence at the end of Magnolia Drive. | 0:39:01 | 0:39:03 | |
Checked the CCTV, and night of the murder, | 0:39:03 | 0:39:06 | |
his Subaru was parked right outside. | 0:39:06 | 0:39:09 | |
Well, it's made something. I'm not quite sure what. | 0:39:24 | 0:39:28 | |
How could something like that penetrate the human skull? | 0:39:29 | 0:39:32 | |
The temporal bone is relatively thin. | 0:39:32 | 0:39:35 | |
That looks to me like it's definitely a smaller part of a larger, heavier object. | 0:39:35 | 0:39:41 | |
So what's this all about? | 0:39:52 | 0:39:54 | |
Monday the 17th October, 12:02pm. Persons present, myself - DC Myers, | 0:39:54 | 0:39:58 | |
and Frank McAteer. | 0:39:58 | 0:40:00 | |
Thanks a lot. | 0:40:04 | 0:40:05 | |
Right, well, let's have one last look. | 0:40:26 | 0:40:29 | |
I guess we share it out, go room to room. | 0:40:31 | 0:40:35 | |
-MYERS: -Perhaps you could tell us why your car was parked | 0:40:37 | 0:40:39 | |
at the end of Magnolia Drive on Wednesday night. | 0:40:39 | 0:40:41 | |
Was it? | 0:40:42 | 0:40:43 | |
We have CCTV footage. | 0:40:43 | 0:40:45 | |
If you say so. | 0:40:47 | 0:40:49 | |
Did you visit number 26 Magnolia Drive on Wednesday night? | 0:40:51 | 0:40:55 | |
No. | 0:40:55 | 0:40:57 | |
RONSON: He's got five previous convictions. | 0:40:57 | 0:40:59 | |
Nothing in the last ten years, but still... | 0:40:59 | 0:41:01 | |
All because his daughter was sleeping with her stepbrother? | 0:41:01 | 0:41:04 | |
Dads and their daughters. Always want 'em to stay little girls. | 0:41:04 | 0:41:08 | |
His ears... | 0:41:08 | 0:41:10 | |
DI Ronson has entered the room. | 0:41:12 | 0:41:14 | |
So, Frank... | 0:41:31 | 0:41:32 | |
..when did you find out Charlie was shagging Gemma, your daughter? | 0:41:34 | 0:41:38 | |
How did that make you feel, | 0:41:39 | 0:41:40 | |
seeing the photos, | 0:41:40 | 0:41:43 | |
to know that they were shagging each other's brains out, | 0:41:43 | 0:41:45 | |
your daughter and him? | 0:41:45 | 0:41:47 | |
Your daughter. | 0:41:50 | 0:41:52 | |
Your son. | 0:41:52 | 0:41:53 | |
How did you know? | 0:41:55 | 0:41:56 | |
I noticed at the hospital Charlie suffers from hypertrichosis pinnae. | 0:41:58 | 0:42:02 | |
It's a condition that causes excessive hair growth | 0:42:02 | 0:42:06 | |
localised round the ears. | 0:42:06 | 0:42:07 | |
See where the hair's growing back there? And there's some scar tissue. | 0:42:07 | 0:42:11 | |
He's probably nicked himself shaving at some point. | 0:42:11 | 0:42:14 | |
OK, so the kid's got hairy ears. | 0:42:17 | 0:42:20 | |
So does Frank McAteer. | 0:42:20 | 0:42:21 | |
Hypertrichosis pinnae is a genetic condition. | 0:42:21 | 0:42:25 | |
It's Y chromosome related, meaning it passes from father to son, | 0:42:25 | 0:42:28 | |
only Stuart doesn't have it. | 0:42:28 | 0:42:29 | |
All right. But you can't say for certain that Frank's Charlie's father. | 0:42:29 | 0:42:33 | |
Not yet. But I can tell you, in all likelihood, Stuart isn't. | 0:42:33 | 0:42:37 | |
HE SIGHS | 0:43:13 | 0:43:16 | |
Joel came to see me in the garage. | 0:43:18 | 0:43:21 | |
I mean, I hardly knew the kid. | 0:43:21 | 0:43:24 | |
He was angry... | 0:43:25 | 0:43:27 | |
..and he showed me the photographs. | 0:43:30 | 0:43:33 | |
Why do you think he brought them to you, Frank? | 0:43:33 | 0:43:36 | |
Maybe it's because he knew you wouldn't like it. | 0:43:40 | 0:43:43 | |
Of course, what he didn't realise was how much you wouldn't like it. | 0:43:45 | 0:43:48 | |
And then you did what, Frank? | 0:43:48 | 0:43:50 | |
I rang Justine. | 0:43:52 | 0:43:54 | |
Said that I needed to talk to her. | 0:43:56 | 0:43:58 | |
She said I could drop round later. No car. Stuart was away. | 0:43:58 | 0:44:03 | |
She was always worried about what the neighbours might think. | 0:44:03 | 0:44:07 | |
So, you went round... | 0:44:07 | 0:44:12 | |
showed her the photographs... | 0:44:12 | 0:44:14 | |
Where did you get these? | 0:44:21 | 0:44:22 | |
Doesn't matter. | 0:44:22 | 0:44:23 | |
Did you pay someone to take them? | 0:44:27 | 0:44:31 | |
No, of course not. | 0:44:31 | 0:44:33 | |
OK... | 0:44:36 | 0:44:38 | |
I'll have a chat to them, OK? | 0:44:38 | 0:44:40 | |
Yeah, well, that's not enough. It's got to stop. | 0:44:40 | 0:44:43 | |
They're 16 and 17 years old. I can't stop them doing... | 0:44:44 | 0:44:47 | |
It has to stop! | 0:44:47 | 0:44:49 | |
So after all these years, you want to come play dad? | 0:44:51 | 0:44:55 | |
It's not a bloody cameo role, Frank! | 0:44:55 | 0:44:58 | |
It's unfortunate, and it's embarrassing... | 0:45:06 | 0:45:11 | |
..but they're just two kids having sex. The way you're going on | 0:45:14 | 0:45:17 | |
-you'd think they were related. -They are! | 0:45:17 | 0:45:19 | |
I had... | 0:45:22 | 0:45:24 | |
..a bit of a thing with Stuart's wife, Tanya. | 0:45:27 | 0:45:31 | |
Couple of months after Charlie was born... | 0:45:41 | 0:45:43 | |
..she told me he was mine. | 0:45:46 | 0:45:48 | |
And then...she was dead. | 0:45:50 | 0:45:52 | |
You didn't tell Stuart? | 0:45:53 | 0:45:56 | |
Stuart was crazy about Tanya. She was dead. | 0:45:57 | 0:46:00 | |
Charlie was all he had. | 0:46:00 | 0:46:03 | |
She's in the playroom. Just through here. | 0:46:10 | 0:46:12 | |
Ellie... | 0:46:16 | 0:46:18 | |
-NIKKI: -Leo? | 0:47:12 | 0:47:14 | |
PHONE RINGS | 0:47:22 | 0:47:24 | |
Hi, Nikki. | 0:47:26 | 0:47:27 | |
We think we've found the weapon used in the initial attack on Justine. | 0:47:27 | 0:47:31 | |
It's a child's hobby horse. | 0:47:31 | 0:47:33 | |
'It's in Ellie's bedroom with all her other toys. | 0:47:34 | 0:47:36 | |
'Dimensions of the 3-D fabrication match the handles on either side of the head, | 0:47:36 | 0:47:40 | |
'and Gill thinks that she's found blood traces.' | 0:47:40 | 0:47:42 | |
'In Ellie's bedroom? The attack was in the kitchen, it must have come from the kitchen.' | 0:47:42 | 0:47:46 | |
'Well, it could have been. Just means the attacker moved it.' | 0:47:46 | 0:47:49 | |
Oh... | 0:48:04 | 0:48:05 | |
Oh, yes... | 0:48:06 | 0:48:08 | |
'Jack and Jill, in the ditch,' | 0:48:21 | 0:48:24 | |
I spy the wicked witch. | 0:48:24 | 0:48:28 | |
Wicked witch over the wood, | 0:48:33 | 0:48:35 | |
I spy Robin Hood. | 0:48:37 | 0:48:39 | |
Robin Hood in his den, | 0:48:39 | 0:48:42 | |
I spy the bears again. | 0:48:44 | 0:48:46 | |
Three bears, out hunting, | 0:48:48 | 0:48:52 | |
-They spy Baby Bunting... -We found Ellie's hobby horse, Stuart. | 0:48:52 | 0:48:56 | |
Baby Bunting, safe and dry... | 0:48:57 | 0:49:01 | |
You put it back in her room. | 0:49:01 | 0:49:03 | |
Who else would do that? | 0:49:04 | 0:49:06 | |
I spy plum pie. | 0:49:07 | 0:49:10 | |
Eh...? | 0:49:13 | 0:49:14 | |
Erm...do you want to take her for a bit, yeah? | 0:49:15 | 0:49:20 | |
Bye-bye, gorgeous. | 0:49:21 | 0:49:23 | |
There's a good girl. There we go... | 0:49:24 | 0:49:28 | |
Shall we go? | 0:49:30 | 0:49:32 | |
Erm... | 0:50:02 | 0:50:03 | |
..when Justine called, Deborah was asleep. | 0:50:04 | 0:50:08 | |
Tablets - once she's gone, she's gone. | 0:50:08 | 0:50:11 | |
MOBILE TEXT ALERT | 0:50:14 | 0:50:16 | |
'She said she needed me back home. That it was urgent.' | 0:50:19 | 0:50:23 | |
Gemma and Charlie... | 0:50:23 | 0:50:25 | |
..they were sleeping together. | 0:50:27 | 0:50:29 | |
But you were meant to be in Nottingham. | 0:50:29 | 0:50:31 | |
That's what you told her, right? | 0:50:33 | 0:50:35 | |
Well, if they're having sex, that's down to you. | 0:50:38 | 0:50:40 | |
Me? How the hell d'you work that out? | 0:50:40 | 0:50:43 | |
Cos you're their mum. You set the tone, they can do what they want, | 0:50:43 | 0:50:46 | |
they can watch what they want, on their own... | 0:50:46 | 0:50:48 | |
So I'm a hopeless mother? Just cos I'm not bloody Tanya! | 0:50:48 | 0:50:51 | |
-It's nothing to do with Tanya. -You don't think that's relevant? -Course not. | 0:50:51 | 0:50:54 | |
From day one, it's always been Charlie, the little prince, | 0:50:54 | 0:50:57 | |
-and me and Gem feeding on the scraps... -He's my son! | 0:50:57 | 0:50:59 | |
No difference between them, we said. | 0:50:59 | 0:51:01 | |
Of course that's what we said - but when it comes down to it | 0:51:01 | 0:51:03 | |
I'm bound to have stronger feelings for him, not because he's Tanya's, because he's mine. | 0:51:03 | 0:51:07 | |
-No, he isn't. -What? | 0:51:07 | 0:51:09 | |
He's not yours, Stuart. | 0:51:14 | 0:51:16 | |
What? | 0:51:18 | 0:51:19 | |
Look at him. | 0:51:20 | 0:51:22 | |
He's not yours. | 0:51:22 | 0:51:25 | |
He's Frank's. | 0:51:25 | 0:51:27 | |
She did that to you. | 0:51:30 | 0:51:31 | |
Your lovely Tanya did that to you. | 0:51:33 | 0:51:37 | |
Well, how long have you... how long have you known that? | 0:51:40 | 0:51:44 | |
I didn't know until tonight. | 0:51:44 | 0:51:46 | |
-No, don't bullshit me. -Tonight! | 0:51:47 | 0:51:50 | |
But Justine wasn't dead, was she? | 0:52:05 | 0:52:07 | |
JUSTINE GROANS IN PAIN | 0:52:10 | 0:52:12 | |
So you stabbed her. | 0:52:29 | 0:52:30 | |
STUART GRUNTS, JUSTINE GASPS | 0:52:35 | 0:52:37 | |
Mum? | 0:52:43 | 0:52:45 | |
Go to bed, Gem. | 0:52:45 | 0:52:46 | |
Mum and I had a row, yeah? | 0:52:46 | 0:52:48 | |
She's gone out to walk it off. | 0:52:48 | 0:52:51 | |
OK? Yes? | 0:52:51 | 0:52:53 | |
Yes? Yes...? | 0:52:53 | 0:52:55 | |
OK... | 0:52:55 | 0:52:56 | |
OK. | 0:52:59 | 0:53:00 | |
I just... | 0:53:14 | 0:53:16 | |
..couldn't see a way through it. | 0:53:17 | 0:53:23 | |
'I just sat there for about an hour, | 0:53:37 | 0:53:41 | |
'and then it all became clear.' | 0:53:41 | 0:53:42 | |
'The kids... | 0:54:01 | 0:54:03 | |
'can't know what I've done.' | 0:54:03 | 0:54:05 | |
'They just can't know.' | 0:54:08 | 0:54:09 | |
CAR APPROACHING | 0:54:21 | 0:54:23 | |
See you, Charlie. > | 0:54:26 | 0:54:28 | |
Charlie Thompson, please. | 0:54:34 | 0:54:36 | |
Haven't you heard? | 0:54:36 | 0:54:38 | |
He's out of his coma and chatting to his dad. | 0:54:38 | 0:54:40 | |
Well, maybe we could... | 0:54:42 | 0:54:44 | |
we could do something on a weekend or something... | 0:54:44 | 0:54:49 | |
But you...you didn't kill Ellie. | 0:54:50 | 0:54:53 | |
Why didn't you kill Ellie? | 0:54:57 | 0:54:59 | |
'When I looked down at her... | 0:55:10 | 0:55:12 | |
'..she was all I've got to be proud of.' | 0:55:14 | 0:55:17 | |
She had nothing to do with any of it. | 0:55:26 | 0:55:28 | |
She was my future. | 0:55:30 | 0:55:32 | |
And now you don't have a future. | 0:55:35 | 0:55:37 | |
And nor do they. | 0:55:39 | 0:55:41 | |
Justine, Gemma, Kevin. | 0:55:41 | 0:55:45 | |
And be under no illusions. | 0:55:46 | 0:55:49 | |
His blood's on your hands, Stuart. | 0:55:49 | 0:55:51 | |
I think in the end he knew what you'd done... | 0:55:51 | 0:55:55 | |
..he couldn't live with it. | 0:55:57 | 0:55:58 | |
How will you? | 0:55:58 | 0:56:00 | |
# But, baby, now I'm here for you | 0:56:35 | 0:56:39 | |
# Cos, baby, yeah | 0:56:40 | 0:56:44 | |
# I am so in love with you | 0:56:45 | 0:56:48 | |
# I'm gonna stand by my woman now | 0:56:48 | 0:56:55 | |
# I'm gonna stand by my woman now | 0:56:56 | 0:57:03 | |
# Cos I can't live my life alone... # | 0:57:04 | 0:57:10 | |
-Admit it, you've enjoyed yourself. -I'm happy to. I've had a lovely time. | 0:57:11 | 0:57:15 | |
Hold the front page: Perennial Bachelor Enjoys Family Party Shock! | 0:57:15 | 0:57:20 | |
Family... | 0:57:20 | 0:57:22 | |
Family? | 0:57:22 | 0:57:24 | |
You never know. Maybe. | 0:57:25 | 0:57:27 | |
One day. Might be nice. | 0:57:28 | 0:57:30 | |
# I'm gonna stand by my woman now | 0:57:32 | 0:57:38 | |
# I'm gonna stand by my woman now | 0:57:39 | 0:57:46 | |
# Cos I can't live my life alone | 0:57:48 | 0:57:54 | |
# Without a home | 0:57:54 | 0:57:57 | |
# Without a home. # | 0:57:58 | 0:58:01 | |
My brother was an evil man. I feel guilty about what he did. | 0:58:06 | 0:58:09 | |
Aaagh! | 0:58:09 | 0:58:11 | |
-Nikki! -MAN SCREAMS | 0:58:11 | 0:58:13 | |
Leo, what is going on? Where are you? | 0:58:13 | 0:58:15 | |
-Do you really think that her work got her killed? -I can't prove anything. | 0:58:15 | 0:58:18 | |
My daughter has spina bifida. | 0:58:18 | 0:58:21 | |
Are you personally going to guarantee her safety? | 0:58:21 | 0:58:24 | |
I'd rather go down for a bit of dealing than double murder. | 0:58:24 | 0:58:28 | |
My sense was that she'd made some kind of breakthrough. | 0:58:28 | 0:58:31 | |
# Testator silens | 0:58:31 | 0:58:38 | |
# Silentium | 0:58:39 | 0:58:49 | |
# Silentium. # | 0:58:54 | 0:58:57 | |
Subtitles by Red Bee Media Ltd | 0:58:57 | 0:58:58 |