Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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'Don't you worry. | 0:00:25 | 0:00:28 | |
'Got some plasters in the car.' | 0:00:30 | 0:00:31 | |
HE GASPS | 0:00:54 | 0:00:55 | |
COUGHS | 0:00:59 | 0:01:01 | |
BANG ON DOOR Hey! Hey! | 0:01:02 | 0:01:04 | |
Hey! | 0:01:04 | 0:01:05 | |
COUGHS | 0:01:05 | 0:01:08 | |
Hey! | 0:01:08 | 0:01:09 | |
-HE COUGHS -Have a drink of water. | 0:01:09 | 0:01:11 | |
A doctor! | 0:01:11 | 0:01:12 | |
-You're fine. -Doctor! | 0:01:12 | 0:01:14 | |
Sir. | 0:01:14 | 0:01:15 | |
COUGHS | 0:01:15 | 0:01:17 | |
I'm sure he's faking it. | 0:01:17 | 0:01:19 | |
Doctor! | 0:01:19 | 0:01:21 | |
A doctor. | 0:01:21 | 0:01:24 | |
COUGHS | 0:01:24 | 0:01:26 | |
Oh, sweet. Picking something out for your niece, are you? | 0:01:26 | 0:01:29 | |
Please, Office Kessler. | 0:01:29 | 0:01:32 | |
Please! | 0:01:32 | 0:01:33 | |
COUGHS | 0:01:33 | 0:01:35 | |
Open the cell door and call Doctor Ross. | 0:01:35 | 0:01:38 | |
COUGHING | 0:01:38 | 0:01:39 | |
GASPS | 0:01:51 | 0:01:53 | |
This is Gordon Cairns at Redhill. | 0:02:04 | 0:02:07 | |
I'm afraid I've got some bad news about your brother. | 0:02:07 | 0:02:10 | |
He died in his cell earlier today. | 0:02:10 | 0:02:13 | |
The prison doctor thinks it was a heart attack - | 0:02:13 | 0:02:16 | |
unrelated to his cancer. | 0:02:16 | 0:02:18 | |
Well, at least it was quick. | 0:02:19 | 0:02:21 | |
Miss Wade? | 0:02:24 | 0:02:25 | |
Yes, I'm still here. | 0:02:25 | 0:02:27 | |
Look, I need to go now. Er... | 0:02:27 | 0:02:29 | |
You have my condolences. | 0:02:29 | 0:02:31 | |
Thank you. | 0:02:33 | 0:02:34 | |
# Testator silens | 0:03:13 | 0:03:20 | |
# Costestes e spiritu | 0:03:20 | 0:03:28 | |
# Silentium... # | 0:03:28 | 0:03:36 | |
# No matter where you come from | 0:03:44 | 0:03:48 | |
# No matter who you are... # | 0:03:48 | 0:03:50 | |
What's the occasion? | 0:03:51 | 0:03:52 | |
Do we need an occasion? | 0:03:52 | 0:03:54 | |
# You don't need no ID... # | 0:03:54 | 0:03:57 | |
It's a bit damp. | 0:03:57 | 0:03:58 | |
Oh, it'll clear up. | 0:03:58 | 0:03:59 | |
Where's your sense of adventure? | 0:03:59 | 0:04:01 | |
Will it keep? | 0:04:03 | 0:04:04 | |
I've got to nip into work for an hour. | 0:04:05 | 0:04:07 | |
Maybe longer. | 0:04:07 | 0:04:09 | |
Sure. It'll keep. | 0:04:09 | 0:04:11 | |
# You might be a child of the streets... # | 0:04:14 | 0:04:15 | |
You're working too hard. | 0:04:15 | 0:04:17 | |
Just one thing after another, really. | 0:04:17 | 0:04:19 | |
Love you. | 0:04:20 | 0:04:22 | |
Love you too. | 0:04:22 | 0:04:23 | |
Hello! | 0:06:07 | 0:06:08 | |
My daughter... | 0:06:29 | 0:06:31 | |
I was on the phone to my daughter. | 0:06:31 | 0:06:33 | |
Need to call her back. | 0:06:33 | 0:06:35 | |
What's your name? | 0:06:35 | 0:06:37 | |
Rachel. | 0:06:37 | 0:06:39 | |
OK, Rachel. Right... | 0:06:39 | 0:06:41 | |
Stay, wait, no, no... | 0:06:41 | 0:06:43 | |
Stay with me, Ra... | 0:06:43 | 0:06:45 | |
Stay with me. Stay! | 0:06:45 | 0:06:48 | |
Come on, Rachel! | 0:06:58 | 0:07:00 | |
Come on! | 0:07:00 | 0:07:02 | |
She died in my arms. | 0:07:16 | 0:07:17 | |
She died right... | 0:07:17 | 0:07:19 | |
I saw her eyes just... | 0:07:21 | 0:07:23 | |
There's what looks like a... a healed bullet wound in the back, | 0:07:30 | 0:07:33 | |
and this bruising - extensive bruising - but there's nothing | 0:07:33 | 0:07:36 | |
that explains all this blood. | 0:07:36 | 0:07:37 | |
Have you been drinking? | 0:07:37 | 0:07:38 | |
HE SIGHS | 0:07:38 | 0:07:41 | |
What of it? I've had a couple, yeah. Come on! | 0:07:41 | 0:07:43 | |
For Christ's sake! She's not carrying any ID or wallet, yeah? | 0:07:43 | 0:07:47 | |
She's got no shoes on. | 0:07:47 | 0:07:48 | |
She's got no seat belt mark across her chest - | 0:07:48 | 0:07:50 | |
wherever she was coming from, she was in a screaming hurry | 0:07:50 | 0:07:53 | |
and she's covered in blood that is still wet and that isn't hers. | 0:07:53 | 0:07:56 | |
There is another victim out there somewhere! | 0:07:56 | 0:07:59 | |
Make sure you get that written up when you get back to the station. | 0:08:07 | 0:08:09 | |
Yeah, OK, right. | 0:08:09 | 0:08:11 | |
Have you had any luck IDing her from the car? | 0:08:11 | 0:08:13 | |
Lease car, innit? | 0:08:13 | 0:08:15 | |
Gave them a call, went straight through to voice mail. | 0:08:15 | 0:08:17 | |
Leo? | 0:08:20 | 0:08:21 | |
Looks like she reversed hard into a white post. | 0:08:23 | 0:08:27 | |
Don't suppose you know which direction she was driving in? | 0:08:29 | 0:08:32 | |
Stop! | 0:08:51 | 0:08:53 | |
Leo, maybe we should wait for the police. | 0:09:05 | 0:09:08 | |
Fine. I'm going in. | 0:09:09 | 0:09:10 | |
That woman had a healed bullet wound in her back - | 0:09:13 | 0:09:15 | |
we've no idea what she was mixed up in. | 0:09:15 | 0:09:16 | |
The person who lost all that blood might still be alive. | 0:09:16 | 0:09:19 | |
Hello? | 0:09:23 | 0:09:24 | |
Hello? | 0:09:27 | 0:09:28 | |
PHONE LINE BEEPING | 0:09:28 | 0:09:30 | |
Oh, Christ. | 0:09:32 | 0:09:33 | |
Leo. | 0:09:36 | 0:09:37 | |
Looks like he was bludgeoned with something. | 0:10:02 | 0:10:04 | |
Well, it wasn't for money. | 0:10:08 | 0:10:10 | |
Nick Owen, 28. | 0:10:10 | 0:10:13 | |
I'll make some calls. | 0:10:13 | 0:10:14 | |
PHONE LINE BEEPING | 0:10:25 | 0:10:27 | |
I was on the phone to my daughter. | 0:10:34 | 0:10:36 | |
Need to call her back. | 0:10:36 | 0:10:38 | |
Laptop charger's still warm, but no laptop. | 0:10:59 | 0:11:02 | |
DOOR CREAKS | 0:11:35 | 0:11:36 | |
-Ow! -Nikki? | 0:11:39 | 0:11:40 | |
Nikki! | 0:11:40 | 0:11:41 | |
-You OK? What happened? -I'm fine. Go! | 0:11:42 | 0:11:44 | |
See if you can get a look at him. | 0:11:44 | 0:11:46 | |
LEAVES RUSTLING | 0:11:55 | 0:11:57 | |
LEAVES RUSTLING | 0:12:02 | 0:12:04 | |
BOTH GRUNTING | 0:12:14 | 0:12:17 | |
COUGHS | 0:12:20 | 0:12:22 | |
Ugh. | 0:12:28 | 0:12:30 | |
CAR ENGINE STARTS | 0:12:39 | 0:12:41 | |
You OK? | 0:12:46 | 0:12:48 | |
-I'll survive. -Sure? | 0:12:48 | 0:12:51 | |
Shit! Shit! Shit! | 0:12:52 | 0:12:53 | |
Leo, we... | 0:12:53 | 0:12:55 | |
She worked for the Prison Review Agency. | 0:12:55 | 0:12:57 | |
The victim. | 0:12:57 | 0:12:58 | |
-Leo? Wha....? -Maybe she was killed because of her work. | 0:12:58 | 0:13:02 | |
We need fresh eyes on this. | 0:13:02 | 0:13:03 | |
Get yourself checked out, won't you? And "I'll be fine" are famous last words | 0:13:03 | 0:13:07 | |
-as far as head injuries are concerned. -All right, I will. | 0:13:07 | 0:13:09 | |
Nikki, why did you go into the house? | 0:13:10 | 0:13:13 | |
Why didn't you wait until help arrived? | 0:13:13 | 0:13:15 | |
We were worried in case someone was hurt. | 0:13:15 | 0:13:17 | |
You mean you were worried and Leo couldn't reason with you. | 0:13:17 | 0:13:20 | |
Actually, it was the other way around. | 0:13:20 | 0:13:22 | |
So, where were you heading when you found her? | 0:13:22 | 0:13:25 | |
I was on my way home. | 0:13:25 | 0:13:26 | |
From? | 0:13:26 | 0:13:28 | |
Highgate. | 0:13:28 | 0:13:29 | |
-MOBILE PHONE RINGS -Sorry. | 0:13:29 | 0:13:31 | |
RINGING TONE | 0:13:33 | 0:13:34 | |
Home? | 0:13:38 | 0:13:39 | |
-Yes. -Tell me about it! | 0:13:39 | 0:13:41 | |
I'm supposed to be at my son's school concert. | 0:13:41 | 0:13:44 | |
So, what were you doing in Highgate? Seeing friends? | 0:13:44 | 0:13:48 | |
No. No, just, um... | 0:13:48 | 0:13:50 | |
...spending some time there. | 0:13:51 | 0:13:52 | |
Fair enough. Don't go anywhere. | 0:13:54 | 0:13:57 | |
Killer knocks on the front doors, Rachel's on the phone in the kitchen... | 0:13:59 | 0:14:03 | |
..so Nick says he'll get it. | 0:14:04 | 0:14:06 | |
Rising spatter along the walls suggests he was retreating | 0:14:09 | 0:14:12 | |
as he was beaten with some heavy and as yet unidentified object. | 0:14:12 | 0:14:17 | |
Smashed watch - he tried to protect his face as he backed away... | 0:14:17 | 0:14:22 | |
Boot treads should give us a make. | 0:14:25 | 0:14:27 | |
And the blood gives us chronology. | 0:14:28 | 0:14:30 | |
I think she slipped and fell on her way out. | 0:14:30 | 0:14:32 | |
That explains the blood on her legs. | 0:14:32 | 0:14:34 | |
I think you're right. | 0:14:36 | 0:14:37 | |
And even with a massive skull fracture, | 0:14:37 | 0:14:40 | |
it would've taken some time for the blood to pool like that. | 0:14:40 | 0:14:42 | |
So she was hiding... trying to find her car keys? | 0:14:42 | 0:14:45 | |
How terrified must she have been? | 0:14:47 | 0:14:49 | |
Shall we? | 0:14:54 | 0:14:56 | |
Professor Dalton. | 0:14:59 | 0:15:01 | |
Nail on the right ring finger is chipped. | 0:15:06 | 0:15:09 | |
Might be a defensive injury. | 0:15:09 | 0:15:11 | |
Murderer's left something behind. | 0:15:11 | 0:15:14 | |
I want to swab his eyes too. | 0:15:14 | 0:15:16 | |
Skull fracture could explain the redness - it could be a... | 0:15:16 | 0:15:19 | |
Subconjunctival haemorrhage? | 0:15:19 | 0:15:20 | |
-Mm. -Yes, | 0:15:20 | 0:15:21 | |
but that doesn't explain the puffiness. | 0:15:21 | 0:15:23 | |
Give you that. | 0:15:26 | 0:15:27 | |
See? Faculties undimmed. | 0:15:27 | 0:15:29 | |
Still going to see Matron, though. | 0:15:29 | 0:15:30 | |
You're sure he went in that direction? | 0:15:32 | 0:15:34 | |
What with being punched in the face and everything? | 0:15:34 | 0:15:36 | |
100%. | 0:15:36 | 0:15:37 | |
OK, we'll check CCTV. Might get lucky. | 0:15:37 | 0:15:40 | |
Picked up her husband, guv. Peter Kruger. | 0:15:40 | 0:15:41 | |
Coming in for questioning. | 0:15:41 | 0:15:43 | |
Great. | 0:15:43 | 0:15:44 | |
Well, if he's a suspect, | 0:15:44 | 0:15:45 | |
you should ask my colleague Dr Cunningham to examine him. | 0:15:45 | 0:15:48 | |
Tonight! When I grabbed his legs, he must have fallen hard on that drain. | 0:15:48 | 0:15:52 | |
So he might have some abrasions? | 0:15:52 | 0:15:54 | |
Yeah. And it'll fade. | 0:15:54 | 0:15:55 | |
I'm gonna need you to take your shirt off, Mr Kruger. | 0:15:55 | 0:15:58 | |
What do you think? | 0:16:12 | 0:16:13 | |
I don't know. Maybe. | 0:16:17 | 0:16:20 | |
I think he would've had some bruising from the drain cover. | 0:16:20 | 0:16:23 | |
Why don't you hang around for a bit, see if anything comes back? | 0:16:23 | 0:16:25 | |
So, you and your daughter Liesel were staying with Rachel's mother | 0:16:30 | 0:16:34 | |
-less than an hour away? -Yes. | 0:16:34 | 0:16:36 | |
Why go through the hassle of staying the night? | 0:16:38 | 0:16:40 | |
My wife was very busy with work. | 0:16:41 | 0:16:43 | |
She was a director of the Prison Review Agency. | 0:16:45 | 0:16:49 | |
She was finalising a report. | 0:16:49 | 0:16:51 | |
Which is why Nick Owen was at your house? | 0:16:51 | 0:16:53 | |
Yes. He's her assistant. | 0:16:53 | 0:16:55 | |
Hmm. | 0:16:55 | 0:16:56 | |
And you had no problem with a young, handsome guy like that | 0:16:56 | 0:16:59 | |
spending time with your wife, in your house, | 0:16:59 | 0:17:01 | |
-while you were baby-sitting down the road? -No. | 0:17:01 | 0:17:04 | |
What was wrong with the office? | 0:17:04 | 0:17:06 | |
Rachel, erm... | 0:17:08 | 0:17:09 | |
Rachel liked to drink in the evening. | 0:17:10 | 0:17:12 | |
Fair enough. | 0:17:12 | 0:17:13 | |
And I take it your mother-in-law can provide you with an alibi. | 0:17:13 | 0:17:16 | |
I popped out to the pub for an hour. | 0:17:21 | 0:17:23 | |
On my own. | 0:17:23 | 0:17:25 | |
Talk to anyone? | 0:17:27 | 0:17:29 | |
No. | 0:17:29 | 0:17:30 | |
And afterwards, I, erm, | 0:17:32 | 0:17:34 | |
I didn't go straight home. | 0:17:36 | 0:17:38 | |
No? | 0:17:38 | 0:17:39 | |
No, I, erm... | 0:17:39 | 0:17:40 | |
I walked around the village for a bit. Er... | 0:17:40 | 0:17:43 | |
Half an hour or so. | 0:17:43 | 0:17:45 | |
You "walked around the village"? | 0:17:45 | 0:17:47 | |
I needed some headspace. | 0:17:48 | 0:17:50 | |
OK. | 0:17:50 | 0:17:52 | |
What was on your mind? | 0:17:52 | 0:17:53 | |
(SIGHS) I was formulating a proposition. | 0:17:54 | 0:17:57 | |
An ultimatum. | 0:17:58 | 0:17:59 | |
I was gonna tell Rachel she had to choose between her work or her family. | 0:18:02 | 0:18:07 | |
Why? | 0:18:09 | 0:18:10 | |
Because her work was putting us in danger. | 0:18:11 | 0:18:13 | |
Are you suggesting your wife's murder is related | 0:18:15 | 0:18:17 | |
to her work at the Prison Review Agency? | 0:18:17 | 0:18:19 | |
Yes. Specifically her review of Redhill Prison. | 0:18:19 | 0:18:23 | |
Were there any threats to Rachel's life that would support that theory? | 0:18:27 | 0:18:30 | |
No. | 0:18:32 | 0:18:33 | |
Any other kind of intimidation? | 0:18:33 | 0:18:36 | |
We found skin tissue under Nick Owen's fingernails | 0:18:40 | 0:18:43 | |
that almost certainly belongs to the killer. | 0:18:43 | 0:18:45 | |
It's being tested now for DNA. | 0:18:45 | 0:18:47 | |
Is there anything you wanna tell me, Peter? | 0:18:50 | 0:18:52 | |
Anything at all? | 0:18:54 | 0:18:56 | |
Are my daughter and mother-in-law still here? | 0:19:01 | 0:19:03 | |
Yes. | 0:19:03 | 0:19:05 | |
Then I need to be with them. | 0:19:05 | 0:19:08 | |
She's got her man. They're j-just waiting on the DNA. | 0:19:11 | 0:19:14 | |
The jealous husband motive doesn't add up. | 0:19:16 | 0:19:19 | |
I don't know - Nick Owen was tall and handsome, fine physique. | 0:19:19 | 0:19:21 | |
Right, so Kruger kills him in a jealous rage, chases his wife to her death, | 0:19:21 | 0:19:26 | |
then goes back to the scene of the crime and steals the laptop... | 0:19:26 | 0:19:29 | |
OK. | 0:19:29 | 0:19:30 | |
Sorry. | 0:19:32 | 0:19:34 | |
Sorry for everything. | 0:19:36 | 0:19:37 | |
You've had quite a night. I think you should go home. | 0:19:37 | 0:19:41 | |
Night-night. | 0:19:41 | 0:19:42 | |
BOTH: Night. | 0:19:42 | 0:19:43 | |
Do you think he's OK? | 0:19:47 | 0:19:48 | |
Yeah. | 0:19:48 | 0:19:50 | |
Had a shock, that's all. | 0:19:50 | 0:19:52 | |
He's used to the dead, not the dying. | 0:19:52 | 0:19:54 | |
No, I mean generally. | 0:19:54 | 0:19:56 | |
Have you noticed he never talks about her any more? | 0:19:56 | 0:19:59 | |
-Who? -Janet! | 0:19:59 | 0:20:00 | |
Oh. Can't say I noticed. | 0:20:00 | 0:20:02 | |
-Course you hadn't. -What's that supposed to mean? | 0:20:02 | 0:20:05 | |
I'm sensitive! | 0:20:05 | 0:20:06 | |
I intuit. | 0:20:07 | 0:20:08 | |
I'm so sorry. | 0:20:10 | 0:20:12 | |
That's OK. I'll do the whole recital when you get home. | 0:20:12 | 0:20:16 | |
Oh, I don't know, that could be on the late side. | 0:20:16 | 0:20:19 | |
I'm keeping my tux on and everything. | 0:20:19 | 0:20:21 | |
(LAUGHS) | 0:20:21 | 0:20:23 | |
All right, sweetheart. | 0:20:23 | 0:20:25 | |
I'll see you soon. I'm so proud of you. | 0:20:25 | 0:20:27 | |
Bye. | 0:20:27 | 0:20:28 | |
Bye. | 0:20:28 | 0:20:29 | |
Everything OK? | 0:20:32 | 0:20:33 | |
(SIGHS) Be better when we've shot more holes in Kruger's alibi. | 0:20:35 | 0:20:38 | |
There'll be other concerts. | 0:20:41 | 0:20:43 | |
See you tomorrow, Steve. | 0:20:46 | 0:20:47 | |
See you. | 0:20:48 | 0:20:49 | |
All right. | 0:20:58 | 0:20:59 | |
That's it. | 0:20:59 | 0:21:01 | |
Peter. | 0:21:06 | 0:21:08 | |
My name is Leo Dalton. | 0:21:10 | 0:21:11 | |
I'm the man who tried to...help your wife. | 0:21:11 | 0:21:13 | |
I'm so sorry. | 0:21:15 | 0:21:16 | |
CAR HORN BEEPS | 0:21:16 | 0:21:17 | |
Did she...did she say anything? | 0:21:19 | 0:21:22 | |
She was severely concussed. | 0:21:24 | 0:21:25 | |
She did say something about, um, being on the phone to her daughter and... | 0:21:29 | 0:21:33 | |
that she'd have to get back to her. | 0:21:33 | 0:21:35 | |
Was that it? | 0:21:37 | 0:21:38 | |
Nothing else. | 0:21:39 | 0:21:40 | |
SIGHS | 0:21:43 | 0:21:44 | |
Do you really think that her work got her killed? | 0:21:47 | 0:21:49 | |
Why do you care? | 0:21:50 | 0:21:52 | |
Because, from what I've seen, | 0:21:52 | 0:21:54 | |
the police are very keen to wrap this up quick. | 0:21:54 | 0:21:56 | |
I'm a pathologist, and my colleagues are working on the case. | 0:21:59 | 0:22:01 | |
I can't prove anything. | 0:22:03 | 0:22:05 | |
Well, do you know anyone who can? | 0:22:05 | 0:22:07 | |
Someone from the Prison Review Agency? | 0:22:07 | 0:22:10 | |
Phoebe. | 0:22:10 | 0:22:13 | |
Phoebe Harron - Rachel's co-director. | 0:22:13 | 0:22:15 | |
She might know something. | 0:22:15 | 0:22:17 | |
Can you give me her number? | 0:22:17 | 0:22:18 | |
You give me your number and if she wants to contact you, she can. | 0:22:21 | 0:22:24 | |
Um... | 0:22:25 | 0:22:27 | |
Rachel... | 0:22:27 | 0:22:29 | |
had what looked like a... a healed bullet wound in her back. | 0:22:29 | 0:22:33 | |
She was shot in Basra in 2003. | 0:22:34 | 0:22:36 | |
Royal Military Police. | 0:22:36 | 0:22:38 | |
Bullet lodged in her spine and it stayed there. | 0:22:38 | 0:22:40 | |
But it was migrating. | 0:22:42 | 0:22:44 | |
One day, it was gonna kill her. | 0:22:45 | 0:22:47 | |
Made life pretty hard for all of us, you know. | 0:22:48 | 0:22:51 | |
Especially for her. I need to, er... | 0:22:53 | 0:22:56 | |
Cheer up, Ellis. | 0:24:13 | 0:24:14 | |
Want some wings? | 0:24:49 | 0:24:51 | |
We have too much. | 0:24:51 | 0:24:53 | |
-No, I'm all right. -Go on. | 0:24:53 | 0:24:55 | |
I don't like waste. | 0:24:58 | 0:25:00 | |
CHUCKLES | 0:25:00 | 0:25:01 | |
Not built for this, are you, Roberts? | 0:25:24 | 0:25:26 | |
MOBILE PHONE RINGS | 0:25:32 | 0:25:35 | |
Hello? | 0:25:40 | 0:25:41 | |
This is Phoebe Harron. I can meet you tonight. | 0:25:41 | 0:25:43 | |
We worked at Her Majesty's Inspectorate of Prisons | 0:25:43 | 0:25:47 | |
before we started the agency | 0:25:47 | 0:25:49 | |
and, erm... | 0:25:49 | 0:25:51 | |
Rachel... | 0:25:55 | 0:25:56 | |
Rachel... (SIGHS) ..was the shining star of the Inspectorate, | 0:25:58 | 0:26:02 | |
so we instantly got more work than we could handle. | 0:26:02 | 0:26:05 | |
Who commissioned the review into Redhill? | 0:26:07 | 0:26:10 | |
Home Office. | 0:26:10 | 0:26:12 | |
There were five drug-related fatalities in as many months | 0:26:12 | 0:26:15 | |
and then, er, the suspicious death of James Wade. | 0:26:15 | 0:26:19 | |
GASPS | 0:26:19 | 0:26:21 | |
Didn't Wade have cancer? | 0:26:22 | 0:26:24 | |
Yeah. But he was in remission, | 0:26:24 | 0:26:27 | |
and the rumours that it was a hit wouldn't go away. | 0:26:27 | 0:26:30 | |
Rumours supported by the postmortem findings? | 0:26:30 | 0:26:33 | |
What do you know about fentanyl? | 0:26:34 | 0:26:36 | |
Erm... | 0:26:37 | 0:26:38 | |
it's approximately 80 times more potent than morphine, | 0:26:38 | 0:26:41 | |
mainly used in the pain management of cancer patients. | 0:26:41 | 0:26:44 | |
Mm. But it can kill you if you're opiate-intolerant, | 0:26:44 | 0:26:47 | |
like James Wade. | 0:26:47 | 0:26:48 | |
What? They found... | 0:26:51 | 0:26:53 | |
They found fentanyl in Wade's bloodstream? | 0:26:53 | 0:26:56 | |
COUGHING | 0:26:56 | 0:26:58 | |
A journalist made a link to the alleged bounty on Wade's head | 0:26:59 | 0:27:03 | |
and suggested he'd been killed by someone | 0:27:03 | 0:27:06 | |
with knowledge of his opiate intolerance. | 0:27:06 | 0:27:08 | |
A member of the prison service? | 0:27:08 | 0:27:10 | |
Not a crazy conclusion. | 0:27:13 | 0:27:15 | |
No - and it made the independent inquiry inevitable. | 0:27:15 | 0:27:19 | |
Was Rachel close to proving that Wade was murdered? | 0:27:21 | 0:27:25 | |
She kept her cards close to her chest during a review. Um... | 0:27:25 | 0:27:28 | |
But I'll speak to our IT firm - see if I can access her files and e-mails. | 0:27:28 | 0:27:33 | |
Yeah, come on, you were her colleague. | 0:27:33 | 0:27:36 | |
You must have an inkling of her progress. | 0:27:36 | 0:27:38 | |
She hinted at endemic drug dealing amongst the officers at Redhill. | 0:27:41 | 0:27:45 | |
Any names? | 0:27:47 | 0:27:48 | |
No. | 0:27:48 | 0:27:50 | |
Anyone I could talk to? | 0:27:51 | 0:27:53 | |
You know, | 0:27:56 | 0:27:58 | |
Rachel always said, | 0:27:58 | 0:28:00 | |
every investigation needs a white knight, | 0:28:00 | 0:28:03 | |
an insider with a conscience. | 0:28:03 | 0:28:06 | |
The prison doctor. | 0:28:06 | 0:28:08 | |
Don't tell me - you thought he was faking it? | 0:28:08 | 0:28:12 | |
James Wade raped and murdered nine little girls. | 0:28:12 | 0:28:16 | |
-Aren't you glad he's dead? -That's not the bloody point, is it? | 0:28:16 | 0:28:19 | |
Imagine if he'd come after your daughter, | 0:28:19 | 0:28:23 | |
if he'd come after your Julie. | 0:28:23 | 0:28:25 | |
Couldn't even have run away, could she? | 0:28:25 | 0:28:27 | |
Get out of my sight, Kessler! | 0:28:31 | 0:28:35 | |
(GASPS) Wow! | 0:28:48 | 0:28:51 | |
Look at you! | 0:28:51 | 0:28:52 | |
Do a twirl, do a twirl, show me. | 0:28:52 | 0:28:54 | |
(GASPS) Oh, don't you look handsome? | 0:28:54 | 0:28:58 | |
Ohh! | 0:28:58 | 0:29:00 | |
Oh. Mm! | 0:29:00 | 0:29:01 | |
Sorry I'm so late, Nige. | 0:29:01 | 0:29:03 | |
Liesel? | 0:29:21 | 0:29:22 | |
Liesel? | 0:29:24 | 0:29:25 | |
Grandma's outside. | 0:29:25 | 0:29:28 | |
Should we go and see if she's all right? | 0:29:28 | 0:29:30 | |
No, no, no. She, er... | 0:29:30 | 0:29:31 | |
I think she wants to be on her own. | 0:29:33 | 0:29:35 | |
Come back to bed. | 0:29:35 | 0:29:36 | |
Too tight. | 0:29:51 | 0:29:52 | |
Sorry. | 0:29:52 | 0:29:53 | |
It's OK. | 0:29:53 | 0:29:54 | |
Is it worse... | 0:30:03 | 0:30:05 | |
to lose your mum... | 0:30:05 | 0:30:06 | |
..or your daughter? | 0:30:08 | 0:30:09 | |
I don't... | 0:30:18 | 0:30:20 | |
I don't know. | 0:30:20 | 0:30:21 | |
SIGHS | 0:30:24 | 0:30:25 | |
Where have you been? | 0:30:47 | 0:30:48 | |
And don't say "work", because I know that's bullshit. | 0:30:48 | 0:30:51 | |
Oh, my God. | 0:30:51 | 0:30:52 | |
What happened? | 0:30:53 | 0:30:55 | |
So, before you found her, you said you were just... | 0:31:09 | 0:31:12 | |
...driving around? | 0:31:14 | 0:31:16 | |
Yeah. | 0:31:16 | 0:31:17 | |
That's not you. | 0:31:17 | 0:31:18 | |
Leo, what is going on? Where are you? | 0:31:20 | 0:31:23 | |
I've seen how you are around children. | 0:31:26 | 0:31:28 | |
When children are mentioned, even, in conversation. | 0:31:30 | 0:31:33 | |
You still want to adopt as much as ever, | 0:31:36 | 0:31:39 | |
and I feel a lot of guilt because of that. | 0:31:39 | 0:31:42 | |
And your way of dealing with it is to avoid me like the plague, is it? | 0:31:42 | 0:31:45 | |
I don't blame you, Leo. Really, I don't. | 0:31:47 | 0:31:51 | |
Give it time. | 0:31:52 | 0:31:53 | |
"Give it time"? (LAUGHS) | 0:31:58 | 0:32:00 | |
You know, er, you almost sound like you want this to be a thing. Do you? | 0:32:00 | 0:32:05 | |
Leo? | 0:32:05 | 0:32:07 | |
This... | 0:32:08 | 0:32:09 | |
This decision... | 0:32:10 | 0:32:11 | |
The weight of my decision... | 0:32:11 | 0:32:13 | |
Yeah, well... | 0:32:13 | 0:32:15 | |
-..denied you happ... -..if I can live with that decision, | 0:32:15 | 0:32:17 | |
then so can you. | 0:32:17 | 0:32:18 | |
-Janet... -I mean it. | 0:32:18 | 0:32:20 | |
However painful, we came to an understanding | 0:32:20 | 0:32:23 | |
and picking over it again and again for no good reason whatsoever is just cruel. | 0:32:23 | 0:32:27 | |
Unless you've changed your mind, of course. | 0:32:28 | 0:32:30 | |
-Thought not. -I'm sorry. | 0:32:33 | 0:32:35 | |
I've got an early start. | 0:32:35 | 0:32:36 | |
DOOR CLOSES | 0:32:46 | 0:32:47 | |
Janet! | 0:32:56 | 0:32:57 | |
RINGING TONE | 0:32:57 | 0:32:58 | |
In an updated version of my book Child Catcher, I make the case | 0:33:02 | 0:33:06 | |
that James Wade was poisoned by someone who knew of his rare opiate intolerance - | 0:33:06 | 0:33:10 | |
someone who went on to collect a substantial bounty. | 0:33:10 | 0:33:12 | |
Now, I wasn't alone in that suspicion. | 0:33:12 | 0:33:14 | |
Rachel Kruger began an investigation | 0:33:14 | 0:33:16 | |
for the Prison Review Agency | 0:33:16 | 0:33:17 | |
and now she too has been murdered, along with her colleague Nick Owen. | 0:33:17 | 0:33:21 | |
There's something rotten at the heart of Redhill Prison | 0:33:21 | 0:33:23 | |
and I think Rachel Kruger found it | 0:33:23 | 0:33:25 | |
-- and has paid the highest price... -PHONE RINGS | 0:33:25 | 0:33:27 | |
Yeah? | 0:33:29 | 0:33:30 | |
There's a Miriam Wade to see you, Dr Cunningham. | 0:33:30 | 0:33:32 | |
Don't know her. What does she, er... | 0:33:34 | 0:33:36 | |
Wade? | 0:33:36 | 0:33:38 | |
I've got...exactly five minutes. | 0:33:53 | 0:33:55 | |
Take a seat. | 0:33:55 | 0:33:56 | |
Thank you. I'll stand. | 0:33:56 | 0:33:58 | |
I'm here to give...fair warning. | 0:33:59 | 0:34:03 | |
I know that police are already pursuing a domestic motive | 0:34:03 | 0:34:06 | |
for Rachel Kruger's murder, when it's blindingly obvious | 0:34:06 | 0:34:09 | |
that her death relates to her review of Redhill Prison, | 0:34:09 | 0:34:11 | |
and the death of my brother in particular. | 0:34:11 | 0:34:14 | |
OK. Got all that... | 0:34:15 | 0:34:17 | |
..except for the warning part. | 0:34:18 | 0:34:20 | |
Well, no doubt you'll be pressured by police to toe the official line - | 0:34:20 | 0:34:24 | |
ie, that Peter Kruger killed his wife... | 0:34:24 | 0:34:27 | |
"Toe the official line"? | 0:34:27 | 0:34:28 | |
..but I intend to secure a second PM so there'll be nowhere to hide. | 0:34:28 | 0:34:31 | |
We don't get pressurised by the police... | 0:34:31 | 0:34:33 | |
(LAUGHS) Who d'you think you're talking to? | 0:34:33 | 0:34:35 | |
..and on the rare occasions that we do, we are very adept at dealing with it. | 0:34:35 | 0:34:39 | |
Fair warning. | 0:34:41 | 0:34:42 | |
OK. All right. | 0:34:48 | 0:34:51 | |
Why do you think the police investigation will be...less than rigorous? | 0:34:53 | 0:34:57 | |
My law firm has a great team of PIs. | 0:34:59 | 0:35:02 | |
Ex-CID and Fraud Office to a man. | 0:35:02 | 0:35:04 | |
-On twice the salary, no doubt. -A little bit more than that, actually. | 0:35:04 | 0:35:08 | |
Anyway... | 0:35:08 | 0:35:10 | |
Anyway, last night they made a startling discovery. | 0:35:10 | 0:35:14 | |
Detective Inspector Andrea Bridges, the lead investigator, | 0:35:14 | 0:35:17 | |
and Redhill's senior guard, Daniel Kessler, used to work together | 0:35:17 | 0:35:21 | |
back when he was a copper in Vice. | 0:35:21 | 0:35:23 | |
I think my five minutes are up. Thank you, Dr Cunningham. | 0:35:26 | 0:35:29 | |
Why do you care who killed Rachel Kruger? | 0:35:29 | 0:35:33 | |
My brother was an evil man. | 0:35:37 | 0:35:38 | |
I feel guilty about what he did. | 0:35:40 | 0:35:42 | |
I feel guilty... | 0:35:42 | 0:35:44 | |
about grieving for him. | 0:35:44 | 0:35:45 | |
I even feel guilty about having the same name as him. | 0:35:45 | 0:35:47 | |
I'm getting married in a month and - thank God - | 0:35:49 | 0:35:52 | |
I won't be a Wade any more. | 0:35:52 | 0:35:53 | |
Passport, driving licence, credit cards - can't wait. | 0:35:53 | 0:35:57 | |
But Rachel Kruger didn't think like that. | 0:35:59 | 0:36:01 | |
To her, a life was a life and if your brother had been murdered, | 0:36:01 | 0:36:04 | |
then that was a crime that should be punished. | 0:36:04 | 0:36:05 | |
I want to honour that. | 0:36:07 | 0:36:08 | |
There are ante-mortem abrasions | 0:36:10 | 0:36:14 | |
on...both left and right knees. | 0:36:14 | 0:36:19 | |
Embedded in the abrasions are fibres consistent with | 0:36:20 | 0:36:24 | |
a carpet seen in the reception room of the Kruger house. | 0:36:24 | 0:36:27 | |
There are light marks on the back that resemble fingernail scratches. | 0:36:35 | 0:36:41 | |
Scabbing on these is quite advanced, | 0:36:41 | 0:36:43 | |
suggesting they were sustained some days before death. | 0:36:43 | 0:36:47 | |
Er, there is also scarring on the back, consistent with a ballistic injury | 0:36:47 | 0:36:53 | |
that the deceased sustained in 2003 when she was serving in Iraq. | 0:36:53 | 0:36:59 | |
Corroded fragment of metal, presumably from the aforementioned | 0:37:06 | 0:37:09 | |
bullet wound of 2003. | 0:37:09 | 0:37:11 | |
An accumulation of fat inside the liver, | 0:37:16 | 0:37:18 | |
and the liver was... What was it, Colin? | 0:37:18 | 0:37:21 | |
1,900. | 0:37:21 | 0:37:23 | |
1,900 grams is considerably enlarged. | 0:37:23 | 0:37:26 | |
Possible sign of alcoholism. | 0:37:26 | 0:37:27 | |
That's not a complete surprise. | 0:37:27 | 0:37:29 | |
She had a conviction for drink driving. | 0:37:30 | 0:37:32 | |
One more strike and she would've faced a custodial sentence. | 0:37:32 | 0:37:34 | |
Making her position as a prison inspector untenable? | 0:37:34 | 0:37:38 | |
Indeed. | 0:37:38 | 0:37:39 | |
Evidence of coup and contrecoup injury suggests the victim's head | 0:37:48 | 0:37:52 | |
struck the steering wheel and/or dashboard with sufficient force | 0:37:52 | 0:37:56 | |
to cause traumatic brain injury, and then pressure from extradural haemorrhage | 0:37:56 | 0:38:00 | |
following this... was the eventual cause of death. | 0:38:00 | 0:38:04 | |
There's inflammation and puffiness around his eyes. | 0:38:12 | 0:38:16 | |
Swabs taken should tell us if the killer used pepper spray. | 0:38:16 | 0:38:19 | |
That's odd. A white button down the back of his throat. | 0:38:28 | 0:38:32 | |
Check if it belongs to the victim's shirt, will you? | 0:38:32 | 0:38:34 | |
Yeah. | 0:38:34 | 0:38:35 | |
In addition to a dozen roughly four-centimetre-thick bruises, | 0:38:35 | 0:38:39 | |
there are three sets of parallel bruises. | 0:38:39 | 0:38:42 | |
Two different marks, two different weapons? | 0:38:42 | 0:38:44 | |
-MOBILE PHONE RINGS -No, the bruises are overlapping. | 0:38:44 | 0:38:46 | |
They come from a cylinder of some sort. | 0:38:46 | 0:38:48 | |
When a smooth, cylindrical, hard object strikes | 0:38:48 | 0:38:51 | |
-the fleshier parts of the body... -Hello? | 0:38:51 | 0:38:53 | |
..the central part compresses, but shearing forces laterally | 0:38:53 | 0:38:56 | |
-leave two parallel bruises. -One weapon, multiple hits. | 0:38:56 | 0:38:58 | |
Probably. | 0:38:58 | 0:38:59 | |
You're sure? | 0:38:59 | 0:39:00 | |
OK. | 0:39:00 | 0:39:01 | |
Nikki, no buttons are missing. | 0:39:01 | 0:39:03 | |
Results have just come in on the deposits under his fingernails. | 0:39:04 | 0:39:08 | |
It's dead skin. DNA says it belongs to Rachel Kruger. | 0:39:08 | 0:39:12 | |
I need copies of the postmortem photos. | 0:39:14 | 0:39:17 | |
His brief's ten grand an hour, and guess who's footing the bill. | 0:39:23 | 0:39:26 | |
Miriam Wade, sister of James. | 0:39:26 | 0:39:28 | |
Photographs. | 0:39:28 | 0:39:29 | |
Professor Dalton? | 0:39:29 | 0:39:31 | |
Oh, you made it sound urgent. | 0:39:31 | 0:39:33 | |
I get that work required Rachel and Nick to spend a lot of time together, I do. | 0:39:33 | 0:39:38 | |
But it doesn't quite explain the deposits of your wife's skin | 0:39:38 | 0:39:41 | |
under Nick's fingernails, | 0:39:41 | 0:39:43 | |
or the corresponding scratches on her back. | 0:39:43 | 0:39:46 | |
Here's what I think. You confronted Rachel about the affair. | 0:39:47 | 0:39:51 | |
It turned physical and she banished you for a few days. | 0:39:51 | 0:39:55 | |
I made those scratches. | 0:39:59 | 0:40:01 | |
We made love on Monday night. | 0:40:02 | 0:40:05 | |
Charity shag. | 0:40:05 | 0:40:07 | |
She felt guilty. | 0:40:07 | 0:40:08 | |
You wanna see the scratches on my back? | 0:40:08 | 0:40:10 | |
Peter. | 0:40:10 | 0:40:11 | |
No. Bottom line - her skin was under Nick's fingernails. | 0:40:12 | 0:40:17 | |
SIGHS | 0:40:20 | 0:40:21 | |
In the crash, did my wife sustain an injury, | 0:40:29 | 0:40:32 | |
or any bruising on her right forearm? | 0:40:32 | 0:40:34 | |
Why? | 0:40:34 | 0:40:35 | |
You may have missed it. Nail marks that Nick made on her arm. | 0:40:35 | 0:40:40 | |
No nail marks. | 0:40:59 | 0:41:00 | |
He was right about the bruise on the arm, though, wasn't he? | 0:41:00 | 0:41:02 | |
Just hang on a sec. | 0:41:02 | 0:41:03 | |
Can you e-mail me over the scene-of-the-crime photographs | 0:41:05 | 0:41:07 | |
for Rachel Kruger, immediately? | 0:41:07 | 0:41:09 | |
We've got the PM pictures - what's the difference? | 0:41:09 | 0:41:12 | |
12 hours. | 0:41:12 | 0:41:14 | |
By this morning, lividity had obscured the nail marks. | 0:41:19 | 0:41:22 | |
Hello, Leo. | 0:41:30 | 0:41:31 | |
It's not Nick's fault. | 0:41:34 | 0:41:35 | |
If he hadn't have done it, I would. | 0:41:35 | 0:41:38 | |
Perhaps we need to take a break, Peter. | 0:41:38 | 0:41:39 | |
No, I am going to confront him now! | 0:41:39 | 0:41:41 | |
Wait until tomorrow. | 0:41:41 | 0:41:42 | |
You are not gonna stop me. | 0:41:42 | 0:41:43 | |
-Rachel, come on, wait a minute. -He lied to us. | 0:41:43 | 0:41:46 | |
Peter! Peter! | 0:41:46 | 0:41:47 | |
CAR ENGINE STARTS | 0:41:47 | 0:41:49 | |
Rachel! Rachel! Stop the car! | 0:41:49 | 0:41:51 | |
Nick! Nick, just get off... get off the car! | 0:41:51 | 0:41:53 | |
-Stop the car, stop it now! Stop! -Just get off! | 0:41:53 | 0:41:56 | |
My wife lived with an extremely painful life-threatening injury | 0:41:56 | 0:41:58 | |
and she self-medicated with Pinot Noir - a lot of it. | 0:41:58 | 0:42:02 | |
-Get her out. Rachel, please. -All right, all right! | 0:42:02 | 0:42:05 | |
You can't just drive off. What are you doing? | 0:42:05 | 0:42:07 | |
-Just leave me, leave me. -Mummy! | 0:42:07 | 0:42:09 | |
Oh. I'm sorry, I'm sorry. Take Liesel to my mother's for a few days. | 0:42:09 | 0:42:14 | |
No, no, no. Why? Why? | 0:42:14 | 0:42:15 | |
Just to be on the safe side. | 0:42:15 | 0:42:16 | |
Rachel, no! | 0:42:16 | 0:42:17 | |
So where was she going? | 0:42:17 | 0:42:19 | |
Who did Rachel feel compelled to confront at ten o'clock at night? | 0:42:19 | 0:42:22 | |
We never discussed her investigation until she'd finished her report. | 0:42:22 | 0:42:25 | |
My sense was that she'd made some kind of breakthrough. | 0:42:25 | 0:42:27 | |
DOOR OPENS | 0:42:27 | 0:42:28 | |
Guv... | 0:42:28 | 0:42:29 | |
He's on the CCTV of a picture-framers down the road from the pub. | 0:42:34 | 0:42:37 | |
Time fits and everything. Sorry, guv. | 0:42:37 | 0:42:40 | |
Definite match, | 0:43:15 | 0:43:17 | |
and who uses these batons except for police officers and security guards? | 0:43:17 | 0:43:20 | |
My turn. | 0:43:20 | 0:43:21 | |
What do you get when you add pelargonic acid | 0:43:21 | 0:43:23 | |
and synthetic capsaicinoid to an aqueous ethanol solvent? | 0:43:23 | 0:43:26 | |
Pot Noodle? | 0:43:26 | 0:43:28 | |
Pepper spray. | 0:43:28 | 0:43:29 | |
A bespoke nitrogen-propelled mix | 0:43:29 | 0:43:31 | |
manufactured for Her Majesty's Prison Service. | 0:43:31 | 0:43:34 | |
So, we're gonna spin his cell at five. | 0:43:50 | 0:43:52 | |
If he gives you any more grief, just send him down the box, yeah? | 0:43:52 | 0:43:55 | |
OK, no worries, that's fine. | 0:43:55 | 0:43:56 | |
Andrea. | 0:43:57 | 0:43:58 | |
This is a surprise. | 0:44:00 | 0:44:01 | |
Hello, sir. | 0:44:01 | 0:44:03 | |
Daniel. | 0:44:03 | 0:44:04 | |
"Sir" is good, "Sir" works. | 0:44:04 | 0:44:06 | |
Quite a party you've got here. You got an invitation? | 0:44:10 | 0:44:14 | |
Blimey. | 0:44:23 | 0:44:24 | |
You care to elaborate? | 0:44:28 | 0:44:30 | |
I have to sell this to my staff. | 0:44:30 | 0:44:32 | |
It's a warrant. You don't have to sell it to anybody. | 0:44:32 | 0:44:35 | |
There's compelling physical evidence linking the murders | 0:44:35 | 0:44:37 | |
of Rachel Kruger and Nick Owen to one or more prison officers... | 0:44:37 | 0:44:40 | |
What is this compelling evidence? | 0:44:40 | 0:44:42 | |
Nick Owen was beaten to death with a cylindrical object | 0:44:44 | 0:44:46 | |
that exactly matches the dimensions of the batons carried by your officers. | 0:44:46 | 0:44:50 | |
We also matched these treads to tac boots, | 0:44:50 | 0:44:54 | |
which are bought in bulk by HMPS. | 0:44:54 | 0:44:57 | |
That it? That all you got? | 0:44:59 | 0:45:01 | |
No, it's not. | 0:45:01 | 0:45:02 | |
We found a mix of PAVA spray in Owen's eyes, which in the UK, | 0:45:02 | 0:45:06 | |
is almost exclusively produced for the prison service. | 0:45:06 | 0:45:09 | |
Oh, come on. | 0:45:09 | 0:45:10 | |
You can drive a horse and cart through "almost exclusively". | 0:45:10 | 0:45:14 | |
Not when you consider that Kruger and Owen were carrying out a review of this prison. | 0:45:14 | 0:45:18 | |
CHUCKLES | 0:45:18 | 0:45:19 | |
I got budget cuts, staff cuts. I got chronic overcrowding, | 0:45:21 | 0:45:25 | |
I got A and D Blocks demanding sharia law, | 0:45:25 | 0:45:29 | |
and you waste my time with this shite. | 0:45:29 | 0:45:32 | |
Shame on you. | 0:45:33 | 0:45:34 | |
Daniel, see that our visitors are accommodated | 0:45:35 | 0:45:38 | |
within the terms of their warrant, and not a comma more. | 0:45:38 | 0:45:43 | |
Thank you. | 0:45:44 | 0:45:46 | |
Sorry about the old man. | 0:45:49 | 0:45:50 | |
Bit of a throwback? | 0:45:50 | 0:45:51 | |
Oh, he is that. | 0:45:51 | 0:45:52 | |
Personally, I'd be up for a bit of sharia law myself - | 0:45:53 | 0:45:56 | |
sorts out the junkies. | 0:45:56 | 0:45:57 | |
So, what are you after? | 0:46:00 | 0:46:01 | |
DNA samples from all your staff, plus we need to borrow their boots. | 0:46:01 | 0:46:04 | |
Why? | 0:46:04 | 0:46:05 | |
To test the soles for blood. | 0:46:05 | 0:46:07 | |
Where's your mate got to? | 0:46:08 | 0:46:10 | |
I have it on good authority that you were Rachel Kruger's white knight. | 0:46:14 | 0:46:18 | |
The only one brave enough to speak to her. | 0:46:18 | 0:46:20 | |
Hang on. Good authority from whom? | 0:46:20 | 0:46:22 | |
Do you think that the information that you gave her could've led to her murder? | 0:46:22 | 0:46:26 | |
That sounds like a question the police should be asking. | 0:46:26 | 0:46:29 | |
As I'm sure you know, the police and the prison service | 0:46:29 | 0:46:31 | |
enjoy a close kinship. | 0:46:31 | 0:46:32 | |
I'm sorry, I...I can't help you. | 0:46:35 | 0:46:37 | |
I know...I know that Rachel made a significant breakthrough | 0:46:37 | 0:46:40 | |
two nights before she was killed. | 0:46:40 | 0:46:42 | |
Did that break in that inquiry come from you? | 0:46:42 | 0:46:44 | |
I can't help you. | 0:46:44 | 0:46:45 | |
She was looking into the case of James Wade. | 0:46:48 | 0:46:50 | |
Do you think that he was poisoned? | 0:46:50 | 0:46:52 | |
It's possible. | 0:46:55 | 0:46:56 | |
It's equally possible he obtained the fentanyl himself. | 0:46:57 | 0:47:00 | |
What about his opiate allergy? | 0:47:03 | 0:47:04 | |
He was in denial about it. | 0:47:04 | 0:47:06 | |
Always asking if I could dilute the fentanyl. | 0:47:07 | 0:47:10 | |
Didn't like the idea the only drugs that could help him were off limits? | 0:47:10 | 0:47:13 | |
Rumour had it, his sister kept him in funds and...for a price, well... | 0:47:17 | 0:47:22 | |
Any and every drug is available in here. | 0:47:22 | 0:47:25 | |
Much to my personal and professional chagrin. | 0:47:26 | 0:47:29 | |
Available from who? | 0:47:29 | 0:47:30 | |
All the physical signs suggest that Kruger and Owen | 0:47:35 | 0:47:38 | |
were killed by a prison officer. | 0:47:38 | 0:47:40 | |
Who would Wade have gone to | 0:47:41 | 0:47:43 | |
to have got fentanyl? Daniel Kessler? | 0:47:43 | 0:47:46 | |
My... | 0:47:49 | 0:47:51 | |
My daughter has spina bifida. | 0:47:51 | 0:47:54 | |
She's housebound, and her carer leaves two hours before I get home. | 0:47:54 | 0:48:00 | |
Are you personally gonna guarantee her safety? | 0:48:00 | 0:48:03 | |
Because if not, you have no business trying to bully me. | 0:48:06 | 0:48:11 | |
What time did you come on shift? | 0:48:15 | 0:48:16 | |
10 o'clock. | 0:48:16 | 0:48:17 | |
10pm? | 0:48:17 | 0:48:19 | |
Yeah. 10pm. | 0:48:19 | 0:48:20 | |
So, where were you before that? | 0:48:21 | 0:48:24 | |
At home. With my wife. | 0:48:24 | 0:48:27 | |
Can I have a word, Detective Inspector? | 0:48:29 | 0:48:30 | |
We're in the middle of an interview here. | 0:48:30 | 0:48:31 | |
How's Nige? Still got his shed? | 0:48:51 | 0:48:54 | |
Looking at you, I'd say, er... yeah, still got his shed, all right. | 0:48:55 | 0:49:01 | |
Good old Nige. | 0:49:01 | 0:49:02 | |
What? What? I'd love a shed, me. | 0:49:03 | 0:49:06 | |
Seriously. | 0:49:06 | 0:49:08 | |
I'd love nothing more. | 0:49:08 | 0:49:10 | |
To lead the kind of life where a shed was a viability. | 0:49:10 | 0:49:13 | |
Hobbies. | 0:49:13 | 0:49:15 | |
Sheds. | 0:49:15 | 0:49:17 | |
Cars. | 0:49:17 | 0:49:18 | |
Angling. | 0:49:18 | 0:49:19 | |
I miss out, I really do. | 0:49:19 | 0:49:21 | |
Factor in the wife, the kids, | 0:49:22 | 0:49:25 | |
the job, the dog, the ex-wife, | 0:49:25 | 0:49:27 | |
the other kids, | 0:49:27 | 0:49:29 | |
and there's no shed at the end of the garden for Daniel L Kessler. | 0:49:29 | 0:49:32 | |
No, sir. | 0:49:32 | 0:49:34 | |
Call Fatso off. | 0:49:36 | 0:49:37 | |
Please. | 0:49:38 | 0:49:39 | |
-I can't. -You're his DI. Course you can. | 0:49:41 | 0:49:44 | |
I'm gonna go now. | 0:49:46 | 0:49:47 | |
Funny. | 0:49:50 | 0:49:51 | |
I was thinking the other night | 0:49:52 | 0:49:54 | |
about that little mole | 0:49:54 | 0:49:56 | |
right between your breasts. | 0:49:56 | 0:49:58 | |
You know... | 0:49:58 | 0:50:00 | |
where the sweat gathers. | 0:50:00 | 0:50:01 | |
What would Alex want you to do, I wonder? | 0:50:07 | 0:50:09 | |
Help out his old dad or shun him like a leper? | 0:50:09 | 0:50:13 | |
You're not his dad. | 0:50:13 | 0:50:15 | |
Not...not in any way that means anything. | 0:50:15 | 0:50:17 | |
Really? | 0:50:17 | 0:50:18 | |
Put that to the test, shall we? | 0:50:18 | 0:50:20 | |
Give good old Nige a call. | 0:50:20 | 0:50:23 | |
See if he agrees. | 0:50:23 | 0:50:25 | |
Fret not. | 0:50:34 | 0:50:36 | |
I was working when Kruger and Pretty Boy were killed. | 0:50:38 | 0:50:41 | |
Approximately 137 cameras will bear that out. | 0:50:41 | 0:50:44 | |
Got everything you need? | 0:50:59 | 0:51:01 | |
We'll test the boots for blood, see if we can do up our stray button. | 0:51:01 | 0:51:04 | |
What are you matching the DNA to? | 0:51:04 | 0:51:07 | |
19 unknown male profiles were found at the Kruger house - | 0:51:07 | 0:51:10 | |
we'll start there. | 0:51:10 | 0:51:11 | |
Is it just me... | 0:51:11 | 0:51:12 | |
or is the idea of a prison guard being dumb enough | 0:51:12 | 0:51:14 | |
to beat someone to death with his own baton in his own uniform...? | 0:51:14 | 0:51:17 | |
It is just you. | 0:51:17 | 0:51:18 | |
OK. Let's go. | 0:51:18 | 0:51:19 | |
They've asked for an alibi for the murders. | 0:51:32 | 0:51:34 | |
I lied. | 0:51:36 | 0:51:38 | |
I had to. I said I was at home. I was collecting the gear! | 0:51:38 | 0:51:40 | |
We'll do this later, OK? | 0:51:41 | 0:51:43 | |
No, it's not OK. | 0:51:43 | 0:51:45 | |
They want me to give a signed statement. | 0:51:45 | 0:51:47 | |
Stick to your story, keep your head... | 0:51:51 | 0:51:54 | |
Listen, sorry and everything, but if it comes to it, | 0:51:54 | 0:51:56 | |
I'd rather go down for a bit of dealing than double murder. | 0:51:56 | 0:51:58 | |
WHEEZES | 0:51:59 | 0:52:01 | |
OK. | 0:52:12 | 0:52:13 | |
Sorry, Daniel. | 0:52:22 | 0:52:24 | |
It's been a long day. | 0:52:34 | 0:52:36 | |
Hey. | 0:52:53 | 0:52:54 | |
-Sorry I'm later than I said. -Are you? I didn't notice. | 0:52:56 | 0:53:00 | |
What time did Alex leave? | 0:53:01 | 0:53:02 | |
Dad, I'm fine in the house for a few hours. | 0:53:02 | 0:53:05 | |
I know. | 0:53:07 | 0:53:08 | |
How do you think I'm gonna cope at college? Hm? | 0:53:10 | 0:53:13 | |
PHONE RINGS | 0:53:26 | 0:53:28 | |
WOMAN: We found out more - a lot more - about Daniel Kessler and DI Bridges. | 0:53:31 | 0:53:35 | |
None of it fit for the telephone. | 0:53:35 | 0:53:37 | |
Hello, Miriam. | 0:53:37 | 0:53:39 | |
This is Alan. | 0:53:40 | 0:53:42 | |
-Harry. Hi. -Hi. | 0:53:42 | 0:53:44 | |
Wedding bells? | 0:53:47 | 0:53:49 | |
Oh, don't. Two weeks to go and the bloody caterer's just pulled out. | 0:53:49 | 0:53:52 | |
No, you won't find any pictures of James. | 0:54:00 | 0:54:02 | |
-Sorry. -Not even as a child. | 0:54:02 | 0:54:04 | |
Mind you... | 0:54:04 | 0:54:06 | |
Never mind. | 0:54:08 | 0:54:09 | |
Having said that, it doesn't mean you don't have... | 0:54:11 | 0:54:14 | |
mixed feelings about his death. | 0:54:14 | 0:54:17 | |
Especially if he...was murdered. | 0:54:17 | 0:54:19 | |
You're very perceptive. | 0:54:21 | 0:54:23 | |
He was your brother. | 0:54:26 | 0:54:28 | |
Even with the cancer, he was strong as an ox. | 0:54:31 | 0:54:34 | |
Could've lived another 20 years. | 0:54:37 | 0:54:39 | |
So...my chaps spent the day digging into Daniel Kessler. | 0:54:40 | 0:54:44 | |
Bit of a ladies' man, our Daniel. | 0:54:44 | 0:54:47 | |
Intimate with rafts of female police officers, | 0:54:47 | 0:54:49 | |
but we'll get to that later. | 0:54:49 | 0:54:51 | |
My chaps would kill me if they knew you'd seen this - | 0:54:53 | 0:54:56 | |
it was obtained somewhat illegally. | 0:54:56 | 0:54:58 | |
Oh, really? Can something, er, be "somewhat illegal"? | 0:54:58 | 0:55:02 | |
I'd live in a much smaller house if it couldn't. | 0:55:02 | 0:55:05 | |
What is this? | 0:55:09 | 0:55:10 | |
Sodomised corpse of Craig Potter - drug dealer and pimp. | 0:55:10 | 0:55:14 | |
First officers on the scene were Detective Inspector Daniel Kessler | 0:55:14 | 0:55:16 | |
and Detective Sergeant Andrea Bridges. | 0:55:16 | 0:55:19 | |
Fret not. | 0:55:23 | 0:55:24 | |
I was working when Kruger and Pretty Boy were killed. | 0:55:26 | 0:55:30 | |
Approximately 137 cameras will bear that out. | 0:55:30 | 0:55:32 | |
MUFFLED YELLING | 0:56:06 | 0:56:07 | |
DANIEL: Do you want to mug me off again, do you? | 0:56:07 | 0:56:09 | |
Do you want to mug me off again? | 0:56:09 | 0:56:10 | |
WAILING | 0:56:10 | 0:56:11 | |
GRUNTING | 0:56:11 | 0:56:13 | |
Oh, get right up... There you go. | 0:56:17 | 0:56:19 | |
Yeah, yeah, yeah, shut it. | 0:56:21 | 0:56:23 | |
WAILING | 0:56:23 | 0:56:26 | |
GRUNTING | 0:56:26 | 0:56:28 | |
SCREAMING Shut it! | 0:56:28 | 0:56:30 | |
Hey, look who's here! | 0:56:33 | 0:56:34 | |
Mum! Where have you been? You're late. | 0:56:36 | 0:56:40 | |
MUFFLED GROANS | 0:56:49 | 0:56:51 | |
Looks like one of Craig's rivals worked him over. | 0:56:52 | 0:56:55 | |
What about the blood? | 0:56:55 | 0:56:56 | |
Slipped in it, didn't I? | 0:56:59 | 0:57:00 | |
You'd better not have AIDS, you dirty...! | 0:57:02 | 0:57:04 | |
GRUNTING | 0:57:04 | 0:57:06 | |
Nah. No reception. Call from the street. | 0:57:11 | 0:57:14 | |
Andrea? | 0:57:19 | 0:57:22 | |
COUGHS AND SPITS | 0:57:22 | 0:57:23 | |
Found him like this, didn't we? | 0:57:25 | 0:57:27 | |
Together. | 0:57:28 | 0:57:30 | |
YELLING | 0:57:40 | 0:57:42 | |
Things have changed, Daniel. A blind man can see that. | 0:57:43 | 0:57:47 | |
Please don't make me have to call security. | 0:57:47 | 0:57:48 | |
-He's not himself. -Come on, she doesn't believe that. | 0:57:48 | 0:57:51 | |
He's holding the baby over her - it's bloody obvious! | 0:57:51 | 0:57:53 | |
NIKKI: He's angry about something. | 0:57:53 | 0:57:55 | |
And it's not about Rachel Kruger or this case. | 0:57:55 | 0:57:58 | |
He just thinks it is. | 0:57:58 | 0:57:59 | |
What is it with you and the ladies, eh? Just doesn't quite pan out, does it, Leo? | 0:57:59 | 0:58:03 | |
Gotcha! | 0:58:03 | 0:58:04 | |
# Testator silens | 0:58:04 | 0:58:12 | |
# Silentium... # | 0:58:12 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:27 | 0:58:30 |