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My brother was evil. I feel guilty about what he did. I feel guilty about grieving for him. | 0:00:02 | 0:00:04 | |
-Do you really think her work got her killed? -I can't prove anything. | 0:00:04 | 0:00:08 | |
Who did Rachel feel compelled to confront? | 0:00:08 | 0:00:10 | |
My sense was that she'd made some kind of breakthrough. | 0:00:10 | 0:00:12 | |
My daughter has spina bifida. | 0:00:12 | 0:00:15 | |
Are you personally going to guarantee her safety? | 0:00:15 | 0:00:18 | |
Leo, what is going on? Where are you? | 0:00:18 | 0:00:20 | |
Found him like this, didn't we? Together. | 0:00:20 | 0:00:23 | |
# Testator silens | 0:00:29 | 0:00:37 | |
# Costestes e spiritu | 0:00:37 | 0:00:44 | |
# Silentium... # | 0:00:45 | 0:00:52 | |
INDISTINCT CHATTER | 0:00:59 | 0:01:00 | |
He wants to see you. | 0:01:08 | 0:01:11 | |
Gotta go. | 0:01:11 | 0:01:12 | |
DOOR UNLOCKS | 0:01:15 | 0:01:18 | |
DOOR CLOSES | 0:01:22 | 0:01:24 | |
Right. | 0:01:24 | 0:01:26 | |
Here I am. | 0:01:26 | 0:01:28 | |
I just wanted to... express my sympathy. | 0:01:30 | 0:01:32 | |
I'm talking about all the unwanted attention you're getting | 0:01:34 | 0:01:37 | |
from coppers, forensics and the rest. | 0:01:37 | 0:01:40 | |
Must be very stressful. | 0:01:40 | 0:01:42 | |
I mean, you're...under the microscope, aren't you? | 0:01:42 | 0:01:45 | |
Business as usual. That's my motto. | 0:01:47 | 0:01:50 | |
Looks bad, though, that woman dying like that. | 0:01:50 | 0:01:54 | |
Kruger. Looks like she found something. | 0:01:54 | 0:01:57 | |
Not your problem, though, is it? | 0:01:59 | 0:02:01 | |
Things have changed, Daniel. | 0:02:01 | 0:02:03 | |
A blind man can see that. | 0:02:03 | 0:02:05 | |
And that change needs to be reflected. | 0:02:05 | 0:02:08 | |
You think I can't go elsewhere for my needs, you're deluded. | 0:02:15 | 0:02:19 | |
How much? | 0:02:25 | 0:02:26 | |
We'll figure out the details later. | 0:02:26 | 0:02:28 | |
It's the principle. | 0:02:28 | 0:02:29 | |
All right. | 0:02:34 | 0:02:36 | |
I'll sleep on it. How's that? | 0:02:36 | 0:02:38 | |
Daniel Kessler left the Met under... something of a cloud, to put it mildly. | 0:02:45 | 0:02:50 | |
He had a reputation for taking kickbacks and beating up suspects and so on, | 0:02:50 | 0:02:54 | |
but he had an arrest sheet a mile long, so... | 0:02:54 | 0:02:57 | |
So, chalk it up to professional enthusiasm? | 0:02:57 | 0:02:58 | |
Right, until... | 0:02:58 | 0:03:00 | |
this unfortunate event. | 0:03:00 | 0:03:03 | |
-Christ. -Yes. | 0:03:06 | 0:03:07 | |
Kessler said that he was looking for Potter in one of his known haunts | 0:03:07 | 0:03:11 | |
and found him like this. | 0:03:11 | 0:03:14 | |
He wasn't just murdered, he was...brutalised. | 0:03:14 | 0:03:16 | |
-How did he explain this? -He said he slipped in the blood. | 0:03:18 | 0:03:21 | |
Potter was one of Kessler's sources. | 0:03:21 | 0:03:23 | |
And a couple of months before, he had fed him some dud intelligence | 0:03:23 | 0:03:26 | |
and left Kessler with a bit of egg on his face in Old Bailey Court Number One. | 0:03:26 | 0:03:30 | |
He was never charged with this? | 0:03:30 | 0:03:32 | |
No. His partner corroborated the whole story, said they had found him like this. | 0:03:32 | 0:03:35 | |
-DI Bridges? -DS Bridges, as was. | 0:03:35 | 0:03:37 | |
Rumour has it that Kessler was the father of Bridges' child. | 0:04:11 | 0:04:14 | |
Whoa. | 0:04:14 | 0:04:15 | |
If true, is some leverage. | 0:04:15 | 0:04:18 | |
If. The provenance of all this scandalous info is Miriam Wade. | 0:04:18 | 0:04:21 | |
Yeah, well, the team of her guys at her law firm, but yes. | 0:04:21 | 0:04:24 | |
What's her angle on it? She must have an angle on it. | 0:04:24 | 0:04:27 | |
She thinks that Rachel Kruger and Owen had found proof | 0:04:27 | 0:04:30 | |
that her brother was murdered and that's why they were killed. | 0:04:30 | 0:04:33 | |
-Have you told Leo about this? -I'm just gonna ring him now. | 0:04:33 | 0:04:35 | |
Maybe wait until tomorrow. | 0:04:35 | 0:04:37 | |
Why? | 0:04:37 | 0:04:39 | |
He's not himself. | 0:04:39 | 0:04:40 | |
Can't put my finger on it. | 0:04:40 | 0:04:42 | |
Try. | 0:04:42 | 0:04:43 | |
He's angry about something. | 0:04:43 | 0:04:45 | |
And it's not about Rachel Kruger or this case. He just thinks it is. | 0:04:45 | 0:04:49 | |
Thank you very...much! | 0:04:49 | 0:04:53 | |
Ashley, don't do that. See why your missus left you! | 0:04:53 | 0:04:56 | |
LAUGHTER | 0:04:56 | 0:04:58 | |
Who wants another drink, boys? Yeah. | 0:04:58 | 0:05:00 | |
You gettin' one? Sweet. | 0:05:00 | 0:05:02 | |
Here y'are, darlin'. | 0:05:02 | 0:05:03 | |
Daniel. | 0:05:07 | 0:05:09 | |
I don't wanna do it any more. | 0:05:09 | 0:05:10 | |
I'll remortgage the house. I'll... | 0:05:15 | 0:05:16 | |
I'll take out another credit card. | 0:05:18 | 0:05:20 | |
When you gonna pay that credit card back, Ellis? | 0:05:21 | 0:05:24 | |
When you win the lottery? | 0:05:24 | 0:05:26 | |
Come here. | 0:05:28 | 0:05:29 | |
I hear you, Daniel, I do. | 0:05:29 | 0:05:31 | |
How much are you on? | 0:05:35 | 0:05:36 | |
What, 19 grand? | 0:05:36 | 0:05:39 | |
18. | 0:05:40 | 0:05:41 | |
18 grand. | 0:05:41 | 0:05:43 | |
You think that's what you're worth? | 0:05:45 | 0:05:48 | |
Risking your life, | 0:05:48 | 0:05:50 | |
hanging out with kiddie boffers, | 0:05:50 | 0:05:51 | |
mopping up cum and puke, | 0:05:51 | 0:05:53 | |
peering up arseholes for carving knives. | 0:05:53 | 0:05:55 | |
What do footballers get paid, eh? | 0:05:57 | 0:05:59 | |
What do pop stars get paid? | 0:06:00 | 0:06:02 | |
What's the Home Secretary on? | 0:06:04 | 0:06:05 | |
It's just us, mate. | 0:06:08 | 0:06:09 | |
No-one else gives a shit. | 0:06:09 | 0:06:12 | |
It's not that I'm not grateful. I am. | 0:06:15 | 0:06:19 | |
You cut me in and I appreciate that, always, I do. I just... | 0:06:21 | 0:06:25 | |
Don't wanna do it any more. | 0:06:28 | 0:06:31 | |
Then don't. | 0:06:35 | 0:06:37 | |
I respect your decision. | 0:06:37 | 0:06:39 | |
Really? | 0:06:41 | 0:06:43 | |
Really. | 0:06:43 | 0:06:44 | |
Come here, you nutter. | 0:06:49 | 0:06:50 | |
-Sorry. -Jesus Christ! | 0:07:02 | 0:07:04 | |
Say no more. I'll take this reprobate home with me. | 0:07:04 | 0:07:06 | |
-No, sorry... -No, it's fine, honestly. | 0:07:06 | 0:07:08 | |
He can stay the night at mine | 0:07:08 | 0:07:09 | |
and in the morning, me kids'll jump on his head. | 0:07:09 | 0:07:11 | |
That'll teach him! | 0:07:11 | 0:07:12 | |
That's a really kind offer, but there's no way I can accept. | 0:07:12 | 0:07:15 | |
-OK, if you're sure. -Yeah. | 0:07:15 | 0:07:17 | |
Right, come on, you. In you get, that's it. | 0:07:17 | 0:07:20 | |
-Go on. -HE BURPS | 0:07:20 | 0:07:21 | |
There you go. Oh, nice(!) | 0:07:21 | 0:07:22 | |
Wait there. | 0:07:22 | 0:07:25 | |
Sorry. | 0:07:25 | 0:07:26 | |
Oi! | 0:07:26 | 0:07:28 | |
I think he's ready for bed. | 0:07:29 | 0:07:31 | |
Right. Er, it's upstairs on the right. | 0:07:31 | 0:07:33 | |
Right, on the right. | 0:07:33 | 0:07:35 | |
-Thank you. Thank you so much. -Sweet. No worries. | 0:07:35 | 0:07:37 | |
Oi, come on. | 0:07:37 | 0:07:39 | |
It's, er, it's Daniel, by the way. | 0:07:39 | 0:07:41 | |
Oh, it's Sharon. | 0:07:41 | 0:07:43 | |
Sharon, would love a quick cup of coffee, if there's one going. | 0:07:43 | 0:07:47 | |
Of course. | 0:07:47 | 0:07:48 | |
-He didn't! -Yes, he did. | 0:07:48 | 0:07:50 | |
Ohh. | 0:07:50 | 0:07:52 | |
Oh, no. | 0:07:52 | 0:07:54 | |
Ellis told me about your job falling through. | 0:07:58 | 0:08:00 | |
Yeah, it was a blow. | 0:08:00 | 0:08:02 | |
I mean, it was the whole reason we came here in the first place. | 0:08:02 | 0:08:05 | |
Pff... | 0:08:05 | 0:08:06 | |
Some welcome to the Beautiful South that turned out to be. | 0:08:06 | 0:08:09 | |
My own fault. We shouldn't have come without a contract. | 0:08:09 | 0:08:12 | |
Ellis has settled in well. | 0:08:18 | 0:08:19 | |
Yeah, that's thanks to you, I hear. | 0:08:20 | 0:08:24 | |
Big change, you know. Moving down to London. | 0:08:24 | 0:08:27 | |
Going from Cat C to Cat A. | 0:08:27 | 0:08:29 | |
Hear you've got some right scary bastards. | 0:08:29 | 0:08:31 | |
Nah, they don't scare me. It's all posture. Front. | 0:08:32 | 0:08:36 | |
They're the ones who are scared. | 0:08:36 | 0:08:38 | |
In their hearts, they know they're worthless. | 0:08:38 | 0:08:40 | |
Still, someone's got to deal with them. | 0:08:40 | 0:08:43 | |
Well...I've taken up enough of your time. | 0:08:47 | 0:08:49 | |
No, no. | 0:08:49 | 0:08:50 | |
Don't be silly. | 0:08:50 | 0:08:52 | |
It's nice... | 0:08:52 | 0:08:54 | |
to have someone to talk to. | 0:08:54 | 0:08:57 | |
Oh. | 0:08:57 | 0:08:59 | |
Sorry. That sounded really lame. | 0:08:59 | 0:09:01 | |
No. No, it didn't. | 0:09:02 | 0:09:04 | |
You probably haven't made many friends down here yet, have you? | 0:09:06 | 0:09:08 | |
No. No, I haven't. | 0:09:10 | 0:09:13 | |
Ahh. You're desperately homesick, aren't you? | 0:09:14 | 0:09:17 | |
Oh, come on. | 0:09:20 | 0:09:22 | |
Oh, Sharon. | 0:09:22 | 0:09:24 | |
You know? Everyone needs someone to talk to. | 0:09:24 | 0:09:27 | |
You know? | 0:09:27 | 0:09:29 | |
OK, you've got Ellis, but... | 0:09:29 | 0:09:31 | |
well, he strikes me as the, er... | 0:09:31 | 0:09:34 | |
(NORTHERN ACCENT) ...keep-it-all-in type, you know? A man's man. | 0:09:34 | 0:09:39 | |
That's a rubbish Northern accent! | 0:09:39 | 0:09:41 | |
Well, on that very low note, I shall take my leave. | 0:09:42 | 0:09:45 | |
Sorry about last night. Dunno what happened there. | 0:10:59 | 0:11:03 | |
You let your hair down. We all did. | 0:11:03 | 0:11:05 | |
Now, come on, get that down you. | 0:11:06 | 0:11:09 | |
We need to go and have a word with a certain person. | 0:11:09 | 0:11:11 | |
We're putting things on ice for a bit. | 0:11:13 | 0:11:16 | |
All this scrutiny, we'd be mad not to. | 0:11:16 | 0:11:18 | |
CLASSICAL MUSIC PLAYS | 0:11:31 | 0:11:33 | |
So, I slept on it. | 0:11:38 | 0:11:40 | |
Get rid of him. | 0:11:40 | 0:11:41 | |
Oi, don't you talk to one of my officers like that. | 0:11:41 | 0:11:45 | |
Righty-o. | 0:11:47 | 0:11:49 | |
Right. Bend over. | 0:11:59 | 0:12:02 | |
Only joking. | 0:12:10 | 0:12:14 | |
BUZZER | 0:13:18 | 0:13:20 | |
Jesus Christ. Stay with me. Come on. | 0:13:25 | 0:13:29 | |
Daniel, move! | 0:13:30 | 0:13:31 | |
This is my blood. And this is expirated blood. | 0:13:55 | 0:13:58 | |
It's blood. I couldn't tell you yet whether it's expirated or not. | 0:13:58 | 0:14:02 | |
No, I'm telling you it is. | 0:14:02 | 0:14:04 | |
He coughed it up when I was clearing his airways. | 0:14:04 | 0:14:07 | |
COUGHS | 0:14:07 | 0:14:09 | |
Good memory for a man who's just been stabbed. | 0:14:10 | 0:14:12 | |
There's a deep incision to his throat and extensive blood deposits. | 0:14:23 | 0:14:27 | |
Body in a foetal position, | 0:14:27 | 0:14:29 | |
consistent with victim trying to protect himself from repeated blows. | 0:14:31 | 0:14:34 | |
He's just killed a prison guard - he's not the bloody victim. | 0:14:34 | 0:14:37 | |
It's OK, Gordon. It's...it's not what he means. | 0:14:37 | 0:14:41 | |
Any attempt made to save this man? | 0:14:41 | 0:14:42 | |
Dr Ross? | 0:14:44 | 0:14:46 | |
I, er, focused my efforts on Ellis Roberts. He was still alive. | 0:14:46 | 0:14:51 | |
Too bloody right. | 0:14:51 | 0:14:53 | |
So you were walking past the cellblock entrance and heard what? | 0:15:02 | 0:15:08 | |
Screaming. | 0:15:08 | 0:15:09 | |
I didn't know it was Roberts. | 0:15:09 | 0:15:11 | |
Just came running. | 0:15:11 | 0:15:13 | |
Johnson was holding the shank and kneeling next to Roberts' body. | 0:15:13 | 0:15:19 | |
Like he was going to stab him again? | 0:15:19 | 0:15:21 | |
Yeah. | 0:15:23 | 0:15:24 | |
That's when I waded in. | 0:15:24 | 0:15:26 | |
Detective Sergeant? | 0:15:38 | 0:15:41 | |
Twist of cellophane found in a hollow in his shoe. | 0:15:41 | 0:15:44 | |
I need access to Ellis Roberts' locker and his car, please. | 0:15:48 | 0:15:49 | |
-Why? -What's going on? -It doesn't concern you. | 0:15:49 | 0:15:53 | |
It doesn't concern me? | 0:15:53 | 0:15:55 | |
I just seen that kid die right in front of my eyes, | 0:15:55 | 0:16:00 | |
so don't tell me it doesn't concern me! | 0:16:00 | 0:16:02 | |
Hey... What...? | 0:16:04 | 0:16:05 | |
There. Take as many pictures as you want. | 0:16:07 | 0:16:10 | |
Move! | 0:16:12 | 0:16:14 | |
Get back here now! | 0:16:19 | 0:16:21 | |
Harry? | 0:16:47 | 0:16:49 | |
No! No! No! | 0:16:51 | 0:16:54 | |
No! No! | 0:16:54 | 0:16:56 | |
SOBBING: No! | 0:16:56 | 0:16:58 | |
SHE HYPERVENTILATES | 0:17:02 | 0:17:05 | |
No! | 0:17:05 | 0:17:08 | |
I deserve that. | 0:17:08 | 0:17:10 | |
I know I do. | 0:17:10 | 0:17:12 | |
The presence of bilateral periorbital haematomas | 0:17:17 | 0:17:21 | |
and...a nasal fracture | 0:17:21 | 0:17:24 | |
suggests a sustained blunt-force traumatic assault to the head. | 0:17:24 | 0:17:30 | |
The tramlined bruises across the arms and hands | 0:17:30 | 0:17:34 | |
are consistent with the victim attempting to defend himself | 0:17:34 | 0:17:37 | |
from heavy blows with some cylindrical object. | 0:17:37 | 0:17:40 | |
As well as the bruises, | 0:17:40 | 0:17:43 | |
x-rays show that he sustained six broken fingers - | 0:17:43 | 0:17:47 | |
four on the left hand, two on the right. | 0:17:47 | 0:17:49 | |
These injuries would've made it impossible | 0:17:51 | 0:17:53 | |
for Johnson to hold onto the blade. | 0:17:53 | 0:17:55 | |
What's your point? | 0:17:55 | 0:17:57 | |
Kessler claimed that he beat Johnson to death as an act of self-defence. | 0:17:57 | 0:18:01 | |
He was defending Ellis Roberts, who was still alive and bleeding heavily. | 0:18:01 | 0:18:04 | |
Once Johnson was unable to hold onto the blade, | 0:18:04 | 0:18:08 | |
who or what was Kessler defending them against? | 0:18:08 | 0:18:10 | |
Let's move on. | 0:18:11 | 0:18:13 | |
They found cocaine in Ellis's car. | 0:18:15 | 0:18:18 | |
Drugs? No. | 0:18:18 | 0:18:20 | |
No. | 0:18:20 | 0:18:21 | |
-No, there's no way... -Sharon. Sharon, they found them. | 0:18:21 | 0:18:24 | |
They found them. | 0:18:24 | 0:18:26 | |
They did, I'm sorry. | 0:18:26 | 0:18:27 | |
Now, look, what this means is, | 0:18:29 | 0:18:32 | |
they're gonna try and build on it. | 0:18:32 | 0:18:34 | |
The police. | 0:18:34 | 0:18:36 | |
They'll try and pin the murders of the two prison inspectors on him. | 0:18:37 | 0:18:40 | |
Yeah, I used to be a copper, I know how they tick. | 0:18:40 | 0:18:44 | |
Dead men can't defend themselves. | 0:18:44 | 0:18:46 | |
Now, look... | 0:18:48 | 0:18:49 | |
Of course we know it's all a pack of lies, don't we? | 0:18:49 | 0:18:52 | |
But we have to back him up. | 0:18:52 | 0:18:54 | |
What? Who? | 0:18:54 | 0:18:56 | |
-Who? -Ellis. | 0:18:56 | 0:18:58 | |
Look, when they asked him where he was on Sunday night, | 0:18:58 | 0:19:02 | |
he said he was home with you. | 0:19:02 | 0:19:04 | |
But...he wasn't. | 0:19:08 | 0:19:10 | |
There is a single slash wound to the throat | 0:19:13 | 0:19:15 | |
consistent with the tangential movement | 0:19:15 | 0:19:17 | |
of a sharp implement across the skin surface. | 0:19:17 | 0:19:20 | |
The combination of a short blade, | 0:19:20 | 0:19:22 | |
consistent with the one found at the crime scene, and a deep wound. | 0:19:22 | 0:19:25 | |
A possible explanation is that the victim's head | 0:19:25 | 0:19:27 | |
was drawn back to expose the throat. | 0:19:27 | 0:19:29 | |
I think that we should check his forehead for fingerprints or palm prints, maybe. | 0:19:33 | 0:19:36 | |
So, Johnson crept up on him from behind? | 0:19:36 | 0:19:39 | |
Or Roberts trusted the killer and the attack was a surprise. | 0:19:39 | 0:19:42 | |
If Roberts was in business with Johnson, he probably wasn't expecting to get stabbed by him. | 0:19:42 | 0:19:45 | |
If. | 0:19:45 | 0:19:47 | |
We found drugs in his car | 0:19:47 | 0:19:48 | |
and Johnson controlled all the traffic going in and out of Redhill. | 0:19:48 | 0:19:51 | |
What's more, Roberts had no alibi | 0:19:51 | 0:19:53 | |
worthy of the name for the night of the Kruger and Owen murders - | 0:19:53 | 0:19:56 | |
murders all the evidence suggests were carried out by a prison guard. | 0:19:56 | 0:19:59 | |
Well, it sounds like you've solved four murders in one morning. | 0:19:59 | 0:20:03 | |
That must be some sort of a record. | 0:20:03 | 0:20:04 | |
OK. Let's all take a breath, shall we? | 0:20:04 | 0:20:07 | |
I share your frustration. | 0:20:15 | 0:20:16 | |
Do you share my doubts? | 0:20:16 | 0:20:18 | |
What, about The Kessler Version? Too bloody right. | 0:20:18 | 0:20:20 | |
Roberts' throat was cut from left to right and Johnson was left-handed. | 0:20:20 | 0:20:23 | |
And why would he want to kill him in the first place? | 0:20:23 | 0:20:24 | |
Johnson was ambidextrous, or close enough, | 0:20:24 | 0:20:26 | |
and drug dealers kill each other all the time. | 0:20:26 | 0:20:28 | |
Well, yes. It's a lot of niggling questions, | 0:20:28 | 0:20:31 | |
all of which can, to some extent, be answered. Thanks. | 0:20:31 | 0:20:33 | |
She could be right about Roberts killing Kruger and Owen. | 0:20:33 | 0:20:36 | |
Maybe they were getting close to exposing Kessler's illegal activities. | 0:20:36 | 0:20:39 | |
Mm. And Kessler is smart. He would know that if anything did happen to them, | 0:20:39 | 0:20:42 | |
that he would be the prime suspect, so... | 0:20:42 | 0:20:43 | |
So, he gets Roberts to kill them | 0:20:43 | 0:20:45 | |
and then makes sure he's on every camera in Redhill when the deed is done. | 0:20:45 | 0:20:48 | |
Wonderful. If only we could prove a bloody word of it. | 0:20:48 | 0:20:50 | |
But the bottom line is, DI Bridges hasn't behaved unprofessionally | 0:20:50 | 0:20:53 | |
and the fact that she worked with Kessler isn't grounds to try and get her removed. | 0:20:53 | 0:20:56 | |
So, we're stuck with her and her belief | 0:20:56 | 0:20:58 | |
that now all four murders have been solved. | 0:20:58 | 0:21:00 | |
Come on, she doesn't believe that! | 0:21:00 | 0:21:02 | |
He's holding a baby over her - it's bloody obvious! | 0:21:02 | 0:21:04 | |
Miriam, it's Harry Cunningham. | 0:21:13 | 0:21:15 | |
Look, these rumours about, er, | 0:21:15 | 0:21:17 | |
Daniel Kessler being the father of Bridges' child... | 0:21:17 | 0:21:20 | |
How hard would it be to, er, put them to the test? | 0:21:21 | 0:21:27 | |
Would you like one of these? | 0:21:36 | 0:21:38 | |
My little one won't mind. | 0:21:38 | 0:21:40 | |
-Oh, that's kind, but... -Yes, please. | 0:21:40 | 0:21:42 | |
-All right, then. Thanks. -No problem. | 0:21:42 | 0:21:45 | |
I'll get rid of that. | 0:21:55 | 0:21:57 | |
WOMAN SPEAKS IN EASTERN EUROPEAN LANGUAGE | 0:24:20 | 0:24:22 | |
LAUGHTER | 0:24:26 | 0:24:27 | |
WOMEN CHATTER | 0:24:30 | 0:24:32 | |
GUNS COCK | 0:24:32 | 0:24:34 | |
GLASS SMASHES | 0:24:57 | 0:24:59 | |
BOTH SCOFF | 0:25:26 | 0:25:27 | |
He just drove off? | 0:25:27 | 0:25:29 | |
-Yeah. -Did you get his number? | 0:25:29 | 0:25:31 | |
-No. -But you're OK? | 0:25:31 | 0:25:33 | |
Could've been worse, I suppose. | 0:25:34 | 0:25:36 | |
You'll, er, need to file a police report. | 0:25:37 | 0:25:39 | |
-Insurance. -Sure. | 0:25:40 | 0:25:42 | |
Yeah, I'll do it first thing. | 0:25:42 | 0:25:44 | |
I was calling and calling and calling you. | 0:25:45 | 0:25:48 | |
Your phone must be on silent. | 0:25:48 | 0:25:50 | |
Here, Chris? | 0:26:10 | 0:26:12 | |
Chris, come and help Daddy. | 0:26:12 | 0:26:13 | |
Come on, be a good boy. | 0:26:13 | 0:26:15 | |
There you go. | 0:26:15 | 0:26:16 | |
Let's do Daddy's work. | 0:26:16 | 0:26:18 | |
Will you hold this for me? | 0:26:18 | 0:26:21 | |
Yeah? Be careful. | 0:26:21 | 0:26:22 | |
That's it. You're a big boy now, ain't ya? | 0:26:22 | 0:26:24 | |
Gotcha! | 0:26:35 | 0:26:37 | |
Leo? | 0:26:37 | 0:26:38 | |
Who said chivalry's dead? | 0:26:42 | 0:26:44 | |
He's keeping her close. | 0:26:46 | 0:26:48 | |
Good afternoon. | 0:26:49 | 0:26:51 | |
Professor Dalton. | 0:26:51 | 0:26:53 | |
Sharon's come to... view her husband's body. | 0:26:53 | 0:26:56 | |
Family members only, I'm afraid. | 0:26:57 | 0:26:59 | |
I won't come in. Just here for support. You OK? | 0:26:59 | 0:27:02 | |
Daniel? | 0:27:05 | 0:27:07 | |
Nikki Alexander. | 0:27:08 | 0:27:10 | |
-Of course. -How are you doing? | 0:27:10 | 0:27:12 | |
Just...wish I'd got to that cell ten seconds earlier, you know? | 0:27:13 | 0:27:18 | |
Actually, on that note, we're trying to dot the I's and cross the T's | 0:27:19 | 0:27:22 | |
on the forensics. | 0:27:22 | 0:27:23 | |
There's no chance that I could take your palm print, is there? | 0:27:23 | 0:27:25 | |
My...palm print? | 0:27:25 | 0:27:27 | |
Ah, sweet. | 0:27:30 | 0:27:32 | |
-Yours? -Godson. | 0:27:33 | 0:27:35 | |
Don't leave it too long. | 0:27:39 | 0:27:40 | |
You won't be...35 for ever. | 0:27:40 | 0:27:43 | |
Good guess. | 0:27:45 | 0:27:46 | |
So, come on, then. | 0:27:50 | 0:27:51 | |
What is it? | 0:27:51 | 0:27:53 | |
A, B, or C? | 0:27:53 | 0:27:54 | |
You don't want kids. | 0:27:55 | 0:27:57 | |
You're waiting for Mr Right. | 0:27:57 | 0:27:59 | |
You've met Mr Right, but Mr Right's a bloody idiot | 0:27:59 | 0:28:03 | |
who doesn't know what's good for him. | 0:28:03 | 0:28:04 | |
Done. | 0:28:07 | 0:28:08 | |
You don't have to answer that. | 0:28:08 | 0:28:11 | |
Here. | 0:28:13 | 0:28:14 | |
That's my lot. | 0:28:14 | 0:28:15 | |
Four! | 0:28:17 | 0:28:18 | |
Glutton for punishment. | 0:28:18 | 0:28:21 | |
Wow. | 0:28:21 | 0:28:22 | |
Ellis. | 0:28:25 | 0:28:27 | |
I'm sorry, I'm sorry. | 0:28:32 | 0:28:34 | |
I'm sorry. | 0:28:36 | 0:28:38 | |
I'm so sorry! | 0:28:38 | 0:28:39 | |
I'm so sorry. | 0:28:39 | 0:28:41 | |
I'm sorry. | 0:28:54 | 0:28:55 | |
Match for what? | 0:29:10 | 0:29:12 | |
We found a very distinct palm print on Ellis Roberts's forehead, | 0:29:12 | 0:29:16 | |
suggesting that his head was held with force. | 0:29:16 | 0:29:19 | |
My palm print? | 0:29:19 | 0:29:21 | |
That's right. That's it. | 0:29:26 | 0:29:27 | |
Um...when I was staunching the wound, he had a spasm. | 0:29:27 | 0:29:31 | |
A spasm? | 0:29:31 | 0:29:33 | |
Yeah. His head started banging on the floor, | 0:29:33 | 0:29:35 | |
so I, you know, tried to hold him steady. | 0:29:35 | 0:29:38 | |
Could you show me? | 0:29:38 | 0:29:39 | |
Yeah, course. | 0:29:41 | 0:29:43 | |
So, I held the wound like this | 0:29:45 | 0:29:46 | |
and his head like that. | 0:29:46 | 0:29:48 | |
No. That's not it. | 0:29:51 | 0:29:54 | |
You see, the palmar flexion creases tell me that the hand | 0:29:54 | 0:29:58 | |
was the other way around, with the thumb up, not down. | 0:29:58 | 0:30:02 | |
Yeah, that's right. | 0:30:04 | 0:30:06 | |
Where's Sharon? | 0:30:09 | 0:30:11 | |
Well, she was in a bad way. We put her in a car. | 0:30:11 | 0:30:14 | |
What do you mean, you put her in a car? Where is she? | 0:30:14 | 0:30:16 | |
She's gone. | 0:30:16 | 0:30:17 | |
I think you'd better leave, too. | 0:30:19 | 0:30:21 | |
What did you say to her? | 0:30:23 | 0:30:25 | |
Please don't make me have to call security. | 0:30:25 | 0:30:26 | |
-Hi. -Hi. | 0:30:35 | 0:30:37 | |
-Are you OK? -Yeah. | 0:30:41 | 0:30:43 | |
Overkill on the old wedding plans, eh? | 0:30:43 | 0:30:45 | |
The wedding's off. | 0:30:45 | 0:30:47 | |
He bailed. | 0:30:47 | 0:30:49 | |
Gotta love the British press. | 0:30:49 | 0:30:51 | |
You know, I thought when, er... when he died, the headlines would die with him. | 0:30:53 | 0:30:57 | |
But it's, um... He's a myth now. He's a bogeyman. | 0:30:57 | 0:30:59 | |
What did he say? Alan? | 0:31:01 | 0:31:03 | |
Um, that it was about the children that we...that we planned to have. | 0:31:05 | 0:31:09 | |
They cancelled the wedding. | 0:31:09 | 0:31:11 | |
It's their future he was...worried about, | 0:31:12 | 0:31:16 | |
the shadow they'd...grow up in. | 0:31:16 | 0:31:19 | |
I'm sorry. | 0:31:19 | 0:31:21 | |
I told myself this one was different. | 0:31:25 | 0:31:26 | |
'I'll get rid of that.' | 0:31:40 | 0:31:42 | |
Bloody hell. | 0:31:44 | 0:31:46 | |
Bloody hell, indeed. | 0:31:47 | 0:31:49 | |
Are you sure you're not in over your head, Dr Cunningham? | 0:31:51 | 0:31:54 | |
'Emergency. Which service do you require?' | 0:32:34 | 0:32:36 | |
Yeah, police! | 0:32:36 | 0:32:37 | |
All clear. | 0:32:39 | 0:32:40 | |
I'm sorry, I just... | 0:32:43 | 0:32:46 | |
-Thanks. -Best to be safe than sorry. | 0:32:46 | 0:32:48 | |
100% match. | 0:32:50 | 0:32:52 | |
Daniel Kessler is Alex Bridges' father. | 0:32:52 | 0:32:54 | |
So, what's the plan? | 0:33:01 | 0:33:03 | |
We threaten a senior police officer with an illegally obtained DNA sample? | 0:33:03 | 0:33:07 | |
We give her an opportunity to come clean. | 0:33:08 | 0:33:10 | |
We don't know that she covered for him. | 0:33:10 | 0:33:12 | |
Look... | 0:33:12 | 0:33:13 | |
Does this really look to you | 0:33:14 | 0:33:18 | |
like he slipped in the blood? | 0:33:18 | 0:33:20 | |
-It's not impossible. -Given all we know. | 0:33:20 | 0:33:22 | |
-I'll do it. -You'll do it? | 0:33:28 | 0:33:30 | |
I'll speak to her. | 0:33:30 | 0:33:32 | |
Woman to woman. | 0:33:32 | 0:33:34 | |
No, stay on campus and I'll come and collect you. | 0:33:34 | 0:33:37 | |
I'll explain later. It's nothing to worry about. | 0:33:39 | 0:33:42 | |
Yeah. | 0:33:42 | 0:33:44 | |
Love you. | 0:33:44 | 0:33:45 | |
Liar. | 0:33:45 | 0:33:46 | |
I think this is yours. | 0:33:50 | 0:33:52 | |
Mm. | 0:33:53 | 0:33:55 | |
Nice house. | 0:33:56 | 0:33:58 | |
Shame you don't own it. | 0:33:58 | 0:33:59 | |
I haven't met Janet, but I did drive by this morning | 0:34:01 | 0:34:04 | |
and see her leave for work. | 0:34:04 | 0:34:05 | |
Get out of my house! | 0:34:05 | 0:34:07 | |
What are you gonna do? | 0:34:07 | 0:34:09 | |
Call the cops again? | 0:34:09 | 0:34:10 | |
Think they'll come? | 0:34:10 | 0:34:12 | |
No. | 0:34:14 | 0:34:16 | |
I don't think she's happy, Leo. | 0:34:16 | 0:34:18 | |
What's changed? | 0:34:18 | 0:34:20 | |
In the pictures on your phone, she seems carefree, confident. | 0:34:21 | 0:34:25 | |
That special look women have when they're loved and cherished. | 0:34:25 | 0:34:28 | |
What is it with you and the ladies, eh? | 0:34:28 | 0:34:30 | |
Just doesn't quite pan out, does it, Leo? | 0:34:30 | 0:34:32 | |
Couldn't save Rachel Kruger. | 0:34:32 | 0:34:34 | |
Couldn't save Theresa. | 0:34:36 | 0:34:37 | |
Couldn't save Cassie. | 0:34:37 | 0:34:39 | |
Some loser ran my wife and kids over, they would die screaming, | 0:34:40 | 0:34:43 | |
I can tell you. | 0:34:43 | 0:34:45 | |
Sod the law, screw the consequences. | 0:34:46 | 0:34:49 | |
Did you? Get even, Leo? | 0:34:49 | 0:34:52 | |
Did you do right by your Theresa? Your Cassie? | 0:34:52 | 0:34:55 | |
Nah. | 0:35:02 | 0:35:04 | |
You did nothing, did you? | 0:35:04 | 0:35:06 | |
You sat at home, moping and crying. | 0:35:07 | 0:35:11 | |
Sat at home wishing you were the kind of man that could do something. | 0:35:11 | 0:35:15 | |
Mm. Hm. | 0:35:21 | 0:35:22 | |
I'll give you that one. | 0:35:29 | 0:35:31 | |
Just that one. | 0:35:31 | 0:35:34 | |
And no more. | 0:35:34 | 0:35:35 | |
Ever. | 0:35:35 | 0:35:37 | |
You should've called. I'm kind of in the thick of it. | 0:35:48 | 0:35:50 | |
Can we talk in your office? | 0:35:50 | 0:35:52 | |
About what? | 0:35:52 | 0:35:53 | |
It's a private matter. | 0:35:53 | 0:35:55 | |
It's about Daniel Kessler. | 0:35:58 | 0:36:00 | |
Daniel Kessler is not someone you need to worry your pretty little... | 0:36:00 | 0:36:02 | |
What about your husband? Does he need to worry about him? | 0:36:02 | 0:36:05 | |
You accepted Kessler's account of what happened in that cell at face value, | 0:36:05 | 0:36:09 | |
and you're not asking the questions you should be asking... | 0:36:09 | 0:36:11 | |
-Let's get back to my husband. -In a minute. | 0:36:11 | 0:36:13 | |
In 2003, you were a key witness in an inquiry into Kessler's activities, | 0:36:13 | 0:36:17 | |
specifically the death of his source, Craig Potter. | 0:36:17 | 0:36:20 | |
That's public knowledge. So what? | 0:36:20 | 0:36:22 | |
Without your exculpatory testimony, Kessler would've faced a murder charge. | 0:36:22 | 0:36:26 | |
He didn't kill Potter, we found him like that, | 0:36:26 | 0:36:28 | |
and that's what I told the inquiry. | 0:36:28 | 0:36:30 | |
So...what? | 0:36:30 | 0:36:31 | |
So, why, as you were such a staunch defender of him then, | 0:36:31 | 0:36:35 | |
can you not even bear to look at him now? | 0:36:35 | 0:36:37 | |
I know that Daniel Kessler is the father of your son, Alex. | 0:36:47 | 0:36:52 | |
How dare you? | 0:36:59 | 0:37:00 | |
Is that what he held over you when it came to Potter's death? | 0:37:00 | 0:37:03 | |
How dare you! | 0:37:03 | 0:37:04 | |
Look at these pictures... | 0:37:05 | 0:37:07 | |
..and tell me that's how you found him. | 0:37:09 | 0:37:12 | |
-Look at them. -How did you get Alex's DNA? | 0:37:13 | 0:37:16 | |
-Look at them, Andrea. -I have a right to know. | 0:37:16 | 0:37:18 | |
No, you have more important things to worry about. | 0:37:18 | 0:37:20 | |
If you lied about Craig Potter to save your marriage | 0:37:20 | 0:37:22 | |
then the blood of Kessler's other victims is on your hands. | 0:37:22 | 0:37:24 | |
What other victims? | 0:37:24 | 0:37:25 | |
Oh, come on, Andrea. We both know that he killed Johnson and Roberts | 0:37:25 | 0:37:29 | |
and we both know that one of the guards - probably Roberts - | 0:37:29 | 0:37:31 | |
killed Kruger and Owen at his command. | 0:37:31 | 0:37:33 | |
So, I have one question - is he going to get away with it again? | 0:37:33 | 0:37:36 | |
Blackmailing a police officer. | 0:37:36 | 0:37:38 | |
That's not the end of your career. That's prison. | 0:37:38 | 0:37:42 | |
No-one deserves to die like this. | 0:37:43 | 0:37:46 | |
No-one. | 0:37:46 | 0:37:48 | |
Nigel, he... | 0:38:14 | 0:38:15 | |
We had problems conceiving. | 0:38:17 | 0:38:19 | |
We called Alex our little miracle. | 0:38:19 | 0:38:22 | |
Our gift from God. | 0:38:23 | 0:38:24 | |
I beg you. | 0:38:29 | 0:38:31 | |
Alex is just a little boy. | 0:38:31 | 0:38:33 | |
This will destroy him. | 0:38:35 | 0:38:37 | |
Please. | 0:38:39 | 0:38:42 | |
If there was another way, | 0:38:42 | 0:38:43 | |
but there isn't. | 0:38:43 | 0:38:45 | |
Is there? | 0:38:46 | 0:38:48 | |
COMPUTER BEEPS. | 0:38:50 | 0:38:53 | |
It's draft e-mails, it's letters, er, interview transcripts, | 0:38:54 | 0:38:58 | |
-aide memoires. -Peter. | 0:38:58 | 0:39:00 | |
-It's going to tell us who killed her, Leo. -Peter, slow down. | 0:39:00 | 0:39:01 | |
-Just give me the headlines. -OK. | 0:39:01 | 0:39:03 | |
At the beginning of last week, she got a warrant via the Home Office, | 0:39:03 | 0:39:06 | |
granting access to the bank records of all the staff at Redhill. | 0:39:06 | 0:39:09 | |
OK. Anything to do with the death of James Wade? | 0:39:09 | 0:39:13 | |
OK... | 0:39:13 | 0:39:14 | |
She wrote to the coroner, | 0:39:14 | 0:39:16 | |
requesting digital copies of Wade's postmortem pictures. | 0:39:16 | 0:39:19 | |
I mean, she had hard copies. | 0:39:19 | 0:39:21 | |
But, Leo, she wanted to blow them up. | 0:39:21 | 0:39:23 | |
Any sense of what she was looking for? | 0:39:23 | 0:39:24 | |
No. | 0:39:25 | 0:39:27 | |
-No, I'm sorry. I... -It's OK. | 0:39:27 | 0:39:29 | |
It's OK, we can get hold of those photographs ourselves. | 0:39:29 | 0:39:32 | |
What are these? | 0:39:32 | 0:39:33 | |
Blanket fibres, maybe? | 0:39:36 | 0:39:38 | |
Fibres are the same grey as the blanket on Benjamin Johnson's bed, | 0:39:46 | 0:39:49 | |
so presumably standard Redhill issue. | 0:39:49 | 0:39:52 | |
Yeah, but it's stuck to his skin with some kind of adhesive. | 0:39:52 | 0:39:55 | |
Is there anything in the death report about a medical patch? | 0:39:56 | 0:40:01 | |
No. | 0:40:01 | 0:40:03 | |
Nothing. | 0:40:05 | 0:40:06 | |
I need to give a formal statement. | 0:40:18 | 0:40:20 | |
Give a statement or take a statement? | 0:40:21 | 0:40:23 | |
Give a statement. | 0:40:25 | 0:40:27 | |
After I pronounced Wade dead, I checked him for external injuries - | 0:40:27 | 0:40:30 | |
I would have found a patch. | 0:40:30 | 0:40:31 | |
Yeah, but if it was Kessler who smuggled in the patch to Wade, | 0:40:31 | 0:40:34 | |
it makes sense that Kessler would have removed it before you arrived. | 0:40:34 | 0:40:38 | |
Yes. | 0:40:38 | 0:40:39 | |
He'd also have had a strong financial incentive to do that. | 0:40:39 | 0:40:43 | |
What? | 0:40:43 | 0:40:44 | |
The fentanyl can be extracted from the patches | 0:40:45 | 0:40:47 | |
and converted into China White. | 0:40:47 | 0:40:49 | |
That patch could be worth £1,000 in the prison market. | 0:40:50 | 0:40:53 | |
I can think of another reason why Kessler would've removed the patch. | 0:40:55 | 0:40:58 | |
Didn't you say all the staff knew about Wade's opiate intolerance? | 0:40:58 | 0:41:01 | |
What, he supplied him the patch with the intention of poisoning him? | 0:41:01 | 0:41:05 | |
Well, Wade had a bounty on his head. | 0:41:05 | 0:41:07 | |
You want a prisoner taken out at Redhill, who better to go to? | 0:41:07 | 0:41:10 | |
Hang on. | 0:41:10 | 0:41:12 | |
Why would Wade take a drug which he knew was going to kill him? | 0:41:12 | 0:41:16 | |
He was in agony with the cancer, put him in total denial. | 0:41:16 | 0:41:20 | |
I think Rachel saw the adhesive residue | 0:41:20 | 0:41:22 | |
as evidence of a medical patch, put it all together... | 0:41:22 | 0:41:25 | |
So, who removed it and why? | 0:41:25 | 0:41:27 | |
...and then, with a couple of glasses of wine inside her, | 0:41:27 | 0:41:29 | |
decided to confront Kessler there and then. | 0:41:29 | 0:41:31 | |
-Rachel, Rachel, stop the car! -Nick, just get off! Get off the car! | 0:41:33 | 0:41:35 | |
-Stop! Stop the car. -Just get off! | 0:41:35 | 0:41:36 | |
I've got a visitor for you, Daniel. | 0:41:43 | 0:41:45 | |
Daniel Kessler, I'm arresting you on suspicion of the murder | 0:41:46 | 0:41:49 | |
of Craig Potter in June 2003. | 0:41:49 | 0:41:51 | |
You do not have to say anything, but it may harm your defence | 0:41:51 | 0:41:53 | |
if you do not mention, when questioned, something which you later... | 0:41:53 | 0:41:56 | |
Craig Potter. | 0:41:56 | 0:41:58 | |
Potter, Potter, Potter. | 0:41:59 | 0:42:01 | |
Pimp, right? | 0:42:03 | 0:42:04 | |
Dead on the toilet. | 0:42:04 | 0:42:05 | |
Like Elvis. | 0:42:05 | 0:42:07 | |
This isn't a joke, Daniel. | 0:42:07 | 0:42:09 | |
Ooh. | 0:42:09 | 0:42:10 | |
Using me first name. | 0:42:10 | 0:42:12 | |
Very clever. | 0:42:12 | 0:42:13 | |
Make it personal. | 0:42:13 | 0:42:15 | |
Cor, me guard's down now. | 0:42:15 | 0:42:17 | |
What was your question again? | 0:42:19 | 0:42:20 | |
I said, this isn't a joke. | 0:42:20 | 0:42:23 | |
Yeah, it is. | 0:42:23 | 0:42:24 | |
Bloke like Craig had a ton of enemies. | 0:42:24 | 0:42:27 | |
We found him like that. | 0:42:27 | 0:42:29 | |
Not according to our new eyewitness. | 0:42:29 | 0:42:31 | |
-Oh, yeah? -Yeah. | 0:42:31 | 0:42:33 | |
One Detective Inspector Andrea Bridges. | 0:42:33 | 0:42:36 | |
She wouldn't. | 0:42:37 | 0:42:39 | |
She already did. | 0:42:39 | 0:42:41 | |
Kessler's been arrested for Craig Potter's murder. | 0:42:44 | 0:42:47 | |
Christ, your chat with Bridges did the trick. | 0:42:47 | 0:42:50 | |
I think it was the DNA test on her son that did the trick. | 0:42:50 | 0:42:52 | |
If Kessler's back is up against the wall, | 0:42:52 | 0:42:54 | |
he might be disposed to fill in some blanks. | 0:42:54 | 0:42:56 | |
There are questions we need to put to him about Wade's death - | 0:42:58 | 0:43:00 | |
questions which Rachel Kruger wanted answers to. | 0:43:00 | 0:43:03 | |
Where did Nikki Alexander dig her dirt on my friend? | 0:43:03 | 0:43:05 | |
Miriam Wade. | 0:43:05 | 0:43:06 | |
And you didn't have a problem with that? | 0:43:07 | 0:43:09 | |
Getting leverage from James Wade's sister? | 0:43:09 | 0:43:11 | |
Getting the truth, as it turned out. | 0:43:11 | 0:43:13 | |
You tell me your questions, I'll put 'em to him. | 0:43:14 | 0:43:17 | |
Did Rachel Kruger question you about the death of James Wade? | 0:43:18 | 0:43:23 | |
As the Buddha once said - | 0:43:25 | 0:43:28 | |
what's in it for me? | 0:43:28 | 0:43:29 | |
Depending on the quality of your answers, | 0:43:29 | 0:43:32 | |
your co-operation will be noted. | 0:43:32 | 0:43:35 | |
Yeah. | 0:43:39 | 0:43:40 | |
Twice. | 0:43:40 | 0:43:42 | |
Let's start with the second time. | 0:43:42 | 0:43:44 | |
Last... | 0:43:44 | 0:43:46 | |
Thursday, I got an e-mail from Kruger asking to meet urgently | 0:43:46 | 0:43:51 | |
and not at Redhill. | 0:43:51 | 0:43:53 | |
But we were short-handed at the prison, | 0:43:53 | 0:43:55 | |
so I ended up speaking to her on the phone. | 0:43:55 | 0:43:57 | |
And what was so urgent? | 0:43:57 | 0:44:00 | |
She wanted to know if, | 0:44:00 | 0:44:02 | |
when I'd given Wade CPR, I'd seen a...a plaster, | 0:44:02 | 0:44:06 | |
a medical patch on him. | 0:44:06 | 0:44:07 | |
Ellis Roberts had said he was wearing one, | 0:44:07 | 0:44:11 | |
but Dr Ross said he wasn't. | 0:44:11 | 0:44:12 | |
And what did you tell her? | 0:44:12 | 0:44:14 | |
The truth - | 0:44:14 | 0:44:16 | |
he was wearing a patch. | 0:44:16 | 0:44:18 | |
Was Dr Ross ever alone with Wade's body in the cell? | 0:44:19 | 0:44:23 | |
Yeah. | 0:44:27 | 0:44:29 | |
Yeah, he was... | 0:44:29 | 0:44:31 | |
Get out of my sight. | 0:44:31 | 0:44:33 | |
The patch. Why's it so important? | 0:44:46 | 0:44:48 | |
It was almost certainly the delivery mechanism | 0:44:48 | 0:44:50 | |
for the fentanyl which killed Wade. | 0:44:50 | 0:44:52 | |
-The fact it wasn't recovered... -Is suspicious in itself. | 0:44:52 | 0:44:54 | |
Right, Kessler's telling the truth. | 0:44:54 | 0:44:56 | |
If he had supplied and removed the patch, he wouldn't admit to seeing it at all. | 0:44:56 | 0:44:59 | |
DOOR CLOSES | 0:44:59 | 0:45:01 | |
KNOCK ON DOOR | 0:45:07 | 0:45:08 | |
Oh, sorry. Um... | 0:45:12 | 0:45:13 | |
I'm Professor Leo Dalton. I've been working with your father. | 0:45:13 | 0:45:18 | |
Oh, right. | 0:45:18 | 0:45:19 | |
Um...he's out, but he'll be home soon. | 0:45:19 | 0:45:22 | |
Is he expecting you? | 0:45:22 | 0:45:24 | |
Um, | 0:45:25 | 0:45:26 | |
well, as a matter of fact, I'm a bit early. | 0:45:26 | 0:45:29 | |
FIRE CRACKLES | 0:45:32 | 0:45:34 | |
D'you want me to call him and find out where he is? | 0:45:40 | 0:45:42 | |
Oh, look, don't worry. | 0:45:42 | 0:45:43 | |
I'm not in a hurry. | 0:45:44 | 0:45:46 | |
All right. | 0:45:46 | 0:45:47 | |
Can I use the toilet? | 0:45:54 | 0:45:55 | |
Er, yeah, sure. It's down there, on the left. | 0:45:55 | 0:45:58 | |
Thanks. | 0:45:58 | 0:45:59 | |
What are you doing? | 0:46:19 | 0:46:22 | |
That's my medication! | 0:46:22 | 0:46:24 | |
-Who are you? -I'm sorry. | 0:46:39 | 0:46:41 | |
What's going on? | 0:46:41 | 0:46:43 | |
-Julie. -Dad. | 0:46:43 | 0:46:45 | |
I think you'd better leave, Professor Dalton. | 0:46:53 | 0:46:55 | |
Open up your shirt. | 0:46:55 | 0:46:58 | |
You must have hit that drain cover pretty hard. | 0:47:00 | 0:47:02 | |
Dad, what's he talking about? | 0:47:04 | 0:47:05 | |
Dad? | 0:47:05 | 0:47:08 | |
Everything's going be all right, Julie. | 0:47:21 | 0:47:23 | |
Everything's going be all right. | 0:47:25 | 0:47:27 | |
CAMERA SHUTTER CLICKS | 0:47:28 | 0:47:30 | |
I was approached anonymously by a man | 0:47:32 | 0:47:34 | |
representing the families of Wade's victims. | 0:47:34 | 0:47:36 | |
A man? | 0:47:36 | 0:47:38 | |
All our contact was by phone. | 0:47:39 | 0:47:42 | |
We never met face to face. | 0:47:42 | 0:47:43 | |
But he knew all about my financial problems arising from Julie's illness. | 0:47:43 | 0:47:49 | |
He offered you a fee to kill Wade? | 0:47:49 | 0:47:51 | |
200,000. | 0:47:54 | 0:47:56 | |
Half now... | 0:47:58 | 0:47:59 | |
...half later. | 0:48:00 | 0:48:01 | |
But Wade was dying anyway... and painfully. | 0:48:04 | 0:48:07 | |
Yeah, I told him that. | 0:48:07 | 0:48:09 | |
He said Wade was strong as an ox, he could live for another 20 years. | 0:48:10 | 0:48:14 | |
That's what he said? | 0:48:16 | 0:48:18 | |
"As strong as an ox"? | 0:48:20 | 0:48:21 | |
What of it? | 0:48:21 | 0:48:22 | |
How did, er... | 0:48:28 | 0:48:29 | |
...how did you convince Wade to... put the noose round his neck? | 0:48:30 | 0:48:34 | |
Thought I was allergic. | 0:48:34 | 0:48:37 | |
It's just a turbo-charged aspirin. | 0:48:37 | 0:48:41 | |
It'll take the edge off. | 0:48:41 | 0:48:42 | |
Lay it on me, then, Doc. | 0:48:44 | 0:48:45 | |
Rachel Kruger found the payments | 0:48:52 | 0:48:53 | |
when she ordered the disclosure of your bank records. | 0:48:53 | 0:48:56 | |
I told her they were for private consultations | 0:48:56 | 0:48:59 | |
and she cut me some slack. | 0:48:59 | 0:49:02 | |
200 grand for a consultation? Hope it was something serious. | 0:49:02 | 0:49:05 | |
It was a wealthy private patient. | 0:49:05 | 0:49:09 | |
I'll still need to see the invoice. | 0:49:09 | 0:49:11 | |
Yeah, sure, it's... | 0:49:11 | 0:49:14 | |
It's in my files at home. | 0:49:14 | 0:49:15 | |
How about you pop it by my office first thing? | 0:49:15 | 0:49:18 | |
You'd seen enough of her to know she'd see through any bullshit invoices? | 0:49:18 | 0:49:21 | |
I knew if she was killed... | 0:49:22 | 0:49:24 | |
..Kessler and the guards in his pocket would fall under suspicion. | 0:49:27 | 0:49:31 | |
When we were talking about the payments, she took a call... | 0:49:33 | 0:49:36 | |
..from her husband. | 0:49:38 | 0:49:40 | |
Don't let Mum go to too much trouble, or I'll never hear the end of it. | 0:49:40 | 0:49:43 | |
Sure, see you both tomorrow. Love you. | 0:49:45 | 0:49:48 | |
Sorry. | 0:49:51 | 0:49:52 | |
You expected her to be home alone? | 0:49:54 | 0:49:56 | |
Had the shock of my life when Nick Owen opened the door. | 0:49:58 | 0:50:00 | |
Did you know that Rachel had a bullet lodged in her spine | 0:51:37 | 0:51:40 | |
from her days with the Military Police? | 0:51:40 | 0:51:42 | |
Yes. She told me. | 0:51:44 | 0:51:46 | |
So, you knew that she lived with the spectre of sudden death | 0:51:46 | 0:51:51 | |
every minute of her day. | 0:51:51 | 0:51:53 | |
That every time she... she kissed her daughter goodnight, | 0:51:54 | 0:51:56 | |
she knew she could be saying goodbye. | 0:51:56 | 0:51:59 | |
How could a doctor, of all people, | 0:52:01 | 0:52:04 | |
kill someone so manifestly decent | 0:52:04 | 0:52:07 | |
and courageous... | 0:52:07 | 0:52:09 | |
..and worthy of whatever life she had left? | 0:52:10 | 0:52:14 | |
Do you have children of your own, Professor? | 0:52:16 | 0:52:19 | |
Then I'm sorry. | 0:52:24 | 0:52:26 | |
There's no possible way you can understand. | 0:52:28 | 0:52:31 | |
MIRIAM: Even with the cancer, he was strong as an ox. | 0:52:41 | 0:52:44 | |
The police can't prove it. I certainly can't prove it. | 0:53:02 | 0:53:05 | |
But I know it. | 0:53:06 | 0:53:08 | |
You didn't want to be a Wade any more. | 0:53:08 | 0:53:10 | |
You wanted him gone... | 0:53:10 | 0:53:13 | |
before the wedding. | 0:53:13 | 0:53:14 | |
And the cancer wasn't killing him fast enough, was it? | 0:53:14 | 0:53:17 | |
And all you did was get two innocent people killed and... | 0:53:20 | 0:53:23 | |
..now you will be a Wade | 0:53:25 | 0:53:28 | |
until the day you die. | 0:53:28 | 0:53:30 | |
Yes, I will. | 0:53:35 | 0:53:36 | |
I know you tried. | 0:53:41 | 0:53:42 | |
Tried to help Peter Kruger by feeding us Kessler. | 0:53:42 | 0:53:45 | |
Got away with so many crimes he did commit, | 0:53:48 | 0:53:50 | |
why not get him sent him down for one he didn't? | 0:53:50 | 0:53:54 | |
I was his first. | 0:54:07 | 0:54:09 | |
Practise. | 0:54:12 | 0:54:13 | |
A chance to...find out what he liked and didn't like. | 0:54:14 | 0:54:19 | |
Hone his tastes. | 0:54:20 | 0:54:22 | |
And all my parents did was send him to see an expensive shrink... | 0:54:26 | 0:54:29 | |
..and urge me to keep my top on on summer holidays. | 0:54:31 | 0:54:34 | |
Like I needed persuading. | 0:54:34 | 0:54:37 | |
-Hi. -Hi. | 0:55:47 | 0:55:49 | |
Leo, I'm... | 0:55:53 | 0:55:54 | |
I'm going to say something | 0:55:54 | 0:55:56 | |
and your instinct is going to be to disbelieve it, but... | 0:55:56 | 0:56:00 | |
-Well, until you say it, I... -Basically, | 0:56:00 | 0:56:02 | |
I would really like you to shut up and listen. | 0:56:02 | 0:56:05 | |
OK. | 0:56:05 | 0:56:07 | |
Um... | 0:56:09 | 0:56:11 | |
The other day, I asked you if you'd changed your mind about adopting. | 0:56:12 | 0:56:17 | |
I didn't mean it. | 0:56:19 | 0:56:21 | |
I was just angry. | 0:56:21 | 0:56:23 | |
-But you had every right to be. -Leo. | 0:56:23 | 0:56:25 | |
Sorry. | 0:56:25 | 0:56:26 | |
The truth is, I've more than accepted your decision. | 0:56:28 | 0:56:32 | |
The truth is, | 0:56:33 | 0:56:35 | |
I don't want a child any more. | 0:56:35 | 0:56:36 | |
Your loss, your terrible, terrible loss | 0:56:38 | 0:56:41 | |
and the way you deal with it, your courage, | 0:56:41 | 0:56:44 | |
is so much a part of you, so much a part of the man I love that... | 0:56:44 | 0:56:48 | |
I know it sounds crazy, but I'm happy with our decision. | 0:56:48 | 0:56:53 | |
It says everything about how much we already have, | 0:56:55 | 0:56:59 | |
about...our life, | 0:56:59 | 0:57:01 | |
-our wonderful, wonderful life together. -Janet... | 0:57:01 | 0:57:04 | |
-So, as of now... -Janet. | 0:57:04 | 0:57:06 | |
...the whole... | 0:57:08 | 0:57:10 | |
question is over with. | 0:57:10 | 0:57:13 | |
Settled. Finished. | 0:57:15 | 0:57:16 | |
OK? | 0:57:16 | 0:57:18 | |
Leo. | 0:57:21 | 0:57:22 | |
I love you. | 0:57:24 | 0:57:26 | |
I'm sorry, Janet. | 0:57:31 | 0:57:32 | |
I'm sorry, but it's not enough. | 0:57:39 | 0:57:41 | |
I just don't love you any more. | 0:57:48 | 0:57:50 | |
SOBBING | 0:58:10 | 0:58:12 | |
That's the girl you asked me about. And they never know how she died. | 0:58:12 | 0:58:16 | |
You thought that her death was suspicious, but you didn't tell me. | 0:58:16 | 0:58:18 | |
You think I did something to her. You think I hurt her. | 0:58:18 | 0:58:20 | |
Is it in us? Is it in my son? | 0:58:20 | 0:58:21 | |
SPEAKS LATIN | 0:58:21 | 0:58:23 | |
SCREAMS | 0:58:23 | 0:58:26 | |
INDISTINCT LATIN AND SCREAMS | 0:58:26 | 0:58:28 | |
# Testator silens | 0:58:28 | 0:58:34 | |
# Silentium | 0:58:35 | 0:58:42 | |
# Silentium... # | 0:58:51 | 0:58:55 |