Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
All you need to remember... | 0:00:03 | 0:00:07 | |
is that I am not going anywhere. | 0:00:07 | 0:00:10 | |
And neither are you! | 0:00:12 | 0:00:14 | |
We've had some trouble, that's no secret. | 0:00:14 | 0:00:18 | |
We've all read the papers, and the bank's not making life easier. | 0:00:18 | 0:00:21 | |
Why would they? We are going to get through this. | 0:00:21 | 0:00:26 | |
This place...is my life. | 0:00:29 | 0:00:33 | |
It's my name on the label. | 0:00:33 | 0:00:36 | |
-So let me make it clear - from the horse's mouth. -Horse's arse! | 0:00:36 | 0:00:41 | |
LAUGHTER You're not wrong. | 0:00:41 | 0:00:43 | |
But at least I'm YOUR horse's arse! | 0:00:43 | 0:00:47 | |
So with your help, the help of Kenny Barber and his union - YOUR union... | 0:00:47 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:53 | |
..we are going to fight for this place. AWA! Yeah! | 0:00:53 | 0:00:58 | |
CHANTING AND CHEERING | 0:00:58 | 0:01:02 | |
You squeeze me and squeeze me till there's nothing left, Kenny. | 0:01:14 | 0:01:17 | |
Don't you sell us out, you greedy bastard. | 0:01:17 | 0:01:19 | |
Do you know what kind of a fight I'm in? | 0:01:19 | 0:01:21 | |
-I'm trying to keep this company alive! -They made YOU rich! | 0:01:21 | 0:01:24 | |
30% pay cut or 30% job losses, you tell your membership! | 0:01:26 | 0:01:31 | |
You're just dressing it up to sell...aren't you? | 0:01:34 | 0:01:37 | |
I'm trying to save it, Kenny! | 0:01:41 | 0:01:43 | |
CROWD SHOUTS AND CHEERS | 0:01:43 | 0:01:44 | |
-Mr Briggs, this way. -Hello, Annette. | 0:01:51 | 0:01:54 | |
-Evening, Michael. -John. -Any luck? | 0:01:55 | 0:01:57 | |
I'm trying to stop them, but they're going to print with the story. | 0:01:57 | 0:02:01 | |
-They say it's in the public interest. -Prurient bastards! | 0:02:01 | 0:02:04 | |
I'm not going to keep you a secret any more. | 0:02:04 | 0:02:07 | |
-They say you trade on a family image. -Can we get an injunction? | 0:02:08 | 0:02:12 | |
The QC thinks it's unlikely. | 0:02:12 | 0:02:15 | |
It's Kenny Barber and his union behind this. | 0:02:15 | 0:02:17 | |
You're just dressing it up to sell, aren't you? | 0:02:17 | 0:02:20 | |
This is a gentlemanly bout - no hits whilst on the floor, | 0:02:22 | 0:02:25 | |
there are absolutely no elbows, do you understand? | 0:02:25 | 0:02:28 | |
-BELL RINGS -Separate into your corners. | 0:02:28 | 0:02:30 | |
You know Peter Hornsby from the bank. | 0:02:30 | 0:02:33 | |
And Emmett Schwartzman from Wetherby Capital. | 0:02:33 | 0:02:35 | |
CROWD CHEERS AND SHOUTS | 0:02:37 | 0:02:40 | |
Mr Schwartzman is interested in the brand. | 0:02:40 | 0:02:43 | |
Well, Hornsby thinks it's an old-fashioned brand, don't you, Hornsby? | 0:02:43 | 0:02:47 | |
That's why the bank turned the taps off. | 0:02:47 | 0:02:49 | |
I'm sure Mr Hornsby and Mr Schwartzman have had a good chat about it. | 0:02:50 | 0:02:54 | |
I never said that brand was... | 0:02:54 | 0:02:55 | |
Don't make any difference at this point, does it, Hornsby? | 0:02:55 | 0:02:58 | |
As long as the price is right, you can say whatever you want. | 0:02:58 | 0:03:01 | |
-Have you seen my offer? -Hmm? | 0:03:05 | 0:03:07 | |
I'm not going to let you rape my company the way you raped | 0:03:23 | 0:03:26 | |
those care homes you bought. | 0:03:26 | 0:03:27 | |
CROWD JEERS AND BOOS | 0:03:38 | 0:03:40 | |
HE GASPS | 0:03:45 | 0:03:47 | |
KLAXON BLARES | 0:03:55 | 0:03:57 | |
BELL RINGS | 0:04:00 | 0:04:02 | |
CROWD CHEERS | 0:04:02 | 0:04:04 | |
You like that? | 0:04:17 | 0:04:19 | |
Pathologist? | 0:04:33 | 0:04:34 | |
Forensics. | 0:04:35 | 0:04:36 | |
Victim. | 0:04:36 | 0:04:38 | |
# Testator silens | 0:04:41 | 0:04:47 | |
# Costestes e spiritu | 0:04:49 | 0:04:57 | |
# Silentium. # | 0:04:57 | 0:05:02 | |
He hit the corner of the table as he fell. | 0:05:09 | 0:05:11 | |
Instinctively puts his hand to his head, it's bleeding. | 0:05:11 | 0:05:14 | |
He transfers the blood to his hand so when he falls again | 0:05:14 | 0:05:17 | |
he leaves it on the carpet. | 0:05:17 | 0:05:19 | |
He's trying to get to the door. | 0:05:21 | 0:05:23 | |
I guess it's plausible. | 0:05:23 | 0:05:25 | |
-I try not to guess. -Isn't that a relief(?) | 0:05:25 | 0:05:29 | |
His name's John Briggs, owns the candy company. Well, used to own it. | 0:05:29 | 0:05:34 | |
65 years old - good shape! | 0:05:34 | 0:05:37 | |
He's had some help. | 0:05:37 | 0:05:39 | |
-Big night? -Car accident. | 0:05:41 | 0:05:44 | |
KNOCK AT DOOR Not yet. Don't want to contaminate the scene. | 0:05:44 | 0:05:48 | |
Paramedics thought it was a heart attack. | 0:05:48 | 0:05:51 | |
-Police think it's a crime scene? -Mmm. | 0:05:51 | 0:05:53 | |
-You do? -Yes. | 0:05:53 | 0:05:55 | |
Lots of people unplug telephones in their hotel rooms. | 0:05:56 | 0:05:59 | |
He owns a big company - he's used to giving instructions, not doing things himself. | 0:05:59 | 0:06:03 | |
Why doesn't he tell reception not to disturb him? | 0:06:03 | 0:06:06 | |
He could have, he didn't. | 0:06:06 | 0:06:08 | |
Old man gets on his hands and knees, crawls under the desk, | 0:06:10 | 0:06:14 | |
unplugs the line. Why does he try to make a call? He knows it's unplugged. | 0:06:14 | 0:06:19 | |
He forgot? He's having a heart attack, he panics, he forgets. | 0:06:21 | 0:06:26 | |
He's having a heart attack, he panics, he forgets. | 0:06:26 | 0:06:29 | |
Plausible. | 0:06:30 | 0:06:31 | |
Where is the photographer? | 0:06:33 | 0:06:34 | |
I tried to call you last night. | 0:06:44 | 0:06:47 | |
How did the dinner go? | 0:06:47 | 0:06:48 | |
Did they make a deal? | 0:06:48 | 0:06:49 | |
I should have been there, Annette! | 0:06:51 | 0:06:53 | |
Why did he exclude me? | 0:06:53 | 0:06:55 | |
I left messages for him, he's never called me back! | 0:06:55 | 0:06:57 | |
Your brother's dead, Phillip. | 0:07:00 | 0:07:02 | |
They found his body in his hotel room this morning. | 0:07:04 | 0:07:07 | |
I'm sorry. | 0:07:10 | 0:07:11 | |
I need to contact his daughter. | 0:07:18 | 0:07:19 | |
-Cocaine? -Talcum powder. | 0:07:26 | 0:07:28 | |
-Sure? -Want a taste? | 0:07:28 | 0:07:30 | |
-That's great, thanks. -Good morning. | 0:07:32 | 0:07:35 | |
Detective Sergeant Seetha Gold. | 0:07:35 | 0:07:37 | |
-This is DC Gus Cook. -Nikki Alexander. -Forensics? -No, that's... | 0:07:37 | 0:07:40 | |
-Jack Hodgson. -Nice face(!) | 0:07:40 | 0:07:43 | |
-Sorry. -Oh, no problem. | 0:07:43 | 0:07:46 | |
-So was he staying in the room by himself? -According to reception. | 0:07:46 | 0:07:50 | |
God, hotel deaths are a pig, aren't they? | 0:07:50 | 0:07:53 | |
Next of kin, all that guilt, would he have been all right | 0:07:53 | 0:07:55 | |
-if he'd stayed at home? -No sign of forced entry. | 0:07:55 | 0:07:58 | |
-Oh, I love these! -No! | 0:07:58 | 0:08:01 | |
-It's a crime scene. -I'll decide if it's a crime scene! | 0:08:01 | 0:08:05 | |
-Drug use? -No... -No paraphernalia. | 0:08:05 | 0:08:07 | |
-I'll know more later. -Kinky sex? | 0:08:09 | 0:08:11 | |
-Now I know what counts as kinky. -Found by the chambermaid? -Yeah. | 0:08:13 | 0:08:17 | |
-Blunt trauma injury to the head. -He fell. -I'll know more later. | 0:08:17 | 0:08:21 | |
-The victim is... -John Briggs, yes. Already on the web. | 0:08:23 | 0:08:26 | |
One of you on retainer or do you tip them off a la carte? | 0:08:26 | 0:08:31 | |
-You're not really insinuating that one of us... -Of course not. | 0:08:31 | 0:08:34 | |
It'll be the chambermaid or the girls on reception. | 0:08:34 | 0:08:36 | |
Not a policeman? | 0:08:36 | 0:08:37 | |
I'm just trying to break the ice. It's broken! | 0:08:39 | 0:08:43 | |
OK, so we have an old, white man, | 0:08:43 | 0:08:47 | |
dead in a six-star hotel room, | 0:08:47 | 0:08:49 | |
no sign of forced entry, no drug paraphernalia. Why are we here? | 0:08:49 | 0:08:53 | |
-It's a murder. -Of course it is. | 0:08:53 | 0:08:56 | |
What do you think? | 0:08:56 | 0:08:58 | |
-She'll know more later. -Are you insinuating something? | 0:08:58 | 0:09:01 | |
I'm not insinuating at all. | 0:09:01 | 0:09:03 | |
You're a doctor - you won't go out on a limb, | 0:09:03 | 0:09:05 | |
you'll wait for a consensus and then agree. | 0:09:05 | 0:09:08 | |
-Now we know why his face looks like that! -I like you. | 0:09:08 | 0:09:10 | |
I won't be able to definitively establish cause of death until... | 0:09:10 | 0:09:14 | |
-After the postmortem, OK. -Well, I hope so. No guarantees. | 0:09:14 | 0:09:17 | |
So what part of what I said was wrong? | 0:09:17 | 0:09:19 | |
We're making cuts across the board. | 0:09:21 | 0:09:23 | |
There's no escaping it, Professor Dalton. | 0:09:23 | 0:09:25 | |
The Lyle Centre will need to change or die. | 0:09:25 | 0:09:28 | |
Apt choice of words. | 0:09:30 | 0:09:32 | |
I'm sorry? | 0:09:32 | 0:09:34 | |
Oh, yes, I see what you mean. | 0:09:34 | 0:09:36 | |
-Are you all right? -Oh, yeah. | 0:09:48 | 0:09:52 | |
Bad meeting. Funding review. | 0:09:52 | 0:09:55 | |
-Down. -Never gets reviewed up. I've worked here | 0:09:55 | 0:09:59 | |
for a long time. I... I thought I was doing a good job. | 0:09:59 | 0:10:03 | |
You're not fishing for compliments, are you? | 0:10:03 | 0:10:05 | |
You sit there and you listen to the review and everything, | 0:10:07 | 0:10:10 | |
EVERYTHING is quantified, measured. | 0:10:10 | 0:10:12 | |
Like a postmortem, I suppose. | 0:10:12 | 0:10:15 | |
You are! You're looking for compliments! | 0:10:15 | 0:10:17 | |
And at one point they called the way I did things "old fashioned"! | 0:10:17 | 0:10:22 | |
We've got state-of-the-art equipment! | 0:10:23 | 0:10:26 | |
You're not doing a good job, you're doing a brilliant job. | 0:10:26 | 0:10:29 | |
-You're one of the most amazing doctors I've ever met. -Stop it! | 0:10:29 | 0:10:32 | |
-Really. Insightful, diligent. -They thought, given the skills and equipment we have, | 0:10:32 | 0:10:35 | |
that we should be doing more. | 0:10:35 | 0:10:37 | |
We're down a senior member of staff. They know that, right? | 0:10:37 | 0:10:40 | |
It's not so much the amount that we do, but the way that we do it. | 0:10:40 | 0:10:44 | |
No, they thought that the way I run things was old-fashioned | 0:10:46 | 0:10:50 | |
and unimaginative, that is the cold, hard truth. | 0:10:50 | 0:10:55 | |
You're considerate, good with families and imaginative, | 0:10:56 | 0:11:00 | |
-then there are technical skills. -Nikki, stop it, seriously. | 0:11:00 | 0:11:03 | |
I AM being serious! There's no-one better than you! | 0:11:03 | 0:11:06 | |
No-one I could learn as much from, no-one I'd prefer to work with. | 0:11:06 | 0:11:09 | |
Really? | 0:11:10 | 0:11:12 | |
See how much better you feel? | 0:11:12 | 0:11:14 | |
-See, I knew you were winding me up! -No, I'm not, Leo! | 0:11:14 | 0:11:17 | |
We're just too embarrassed to say the nice things that we think. | 0:11:17 | 0:11:20 | |
Or to hear them. | 0:11:20 | 0:11:21 | |
They told me that the Lyle Centre needed to change or die. | 0:11:22 | 0:11:25 | |
-Harry knew that - probably why he left. -That's rubbish! | 0:11:25 | 0:11:28 | |
Harry was offered a full professorship in New York. | 0:11:28 | 0:11:30 | |
As much as I love you, if they'd offered it to me, I'd be calling Virgin Atlantic! | 0:11:30 | 0:11:34 | |
Well, that really cheers me up(!) | 0:11:34 | 0:11:36 | |
No, what I'm trying to say is that it's nothing to do with you | 0:11:36 | 0:11:38 | |
and everything to do with him. End of. | 0:11:38 | 0:11:41 | |
OK. | 0:11:43 | 0:11:44 | |
So? | 0:11:45 | 0:11:47 | |
So? | 0:11:48 | 0:11:49 | |
We change. Well, we're not going to die, are we? | 0:11:50 | 0:11:54 | |
We change, Leo. There's nothing to be afraid of, everything changes. | 0:11:54 | 0:11:58 | |
We change. | 0:12:00 | 0:12:01 | |
How are we going to change? | 0:12:02 | 0:12:04 | |
No idea. | 0:12:06 | 0:12:07 | |
-WOMAN: -Can I help you? | 0:12:26 | 0:12:28 | |
Swipe card entry to the rooms. | 0:12:30 | 0:12:32 | |
Hotel employees use their ID cards. We'll need the electronic records. | 0:12:32 | 0:12:36 | |
-We can compile a list of suspects based on access. -Jack. | 0:12:36 | 0:12:38 | |
I'll also need any CCTV covering reception | 0:12:38 | 0:12:40 | |
-and access points to the upper floors. -Jack. | 0:12:40 | 0:12:42 | |
-Presumably there's a phone record for calls in and out of the room. -Jack! | 0:12:42 | 0:12:46 | |
-Yeah? -I admire your enthusiasm. | 0:12:46 | 0:12:48 | |
I wouldn't call it enthusiasm, it's just normal. | 0:12:48 | 0:12:51 | |
-Enthusiasm was a euphemism. -Was it? | 0:12:51 | 0:12:54 | |
I'm the detective and you're the scientist. | 0:12:54 | 0:12:56 | |
-I tell you what to do, not the other way round. Have you got it? -Got it. | 0:12:56 | 0:12:59 | |
Good. | 0:12:59 | 0:13:01 | |
-You know, I thought you were more... robust. -Robust? | 0:13:01 | 0:13:04 | |
-Yeah, it's a euphemism. -For what? | 0:13:04 | 0:13:06 | |
Not an arsehole. | 0:13:06 | 0:13:08 | |
Now I'm an arsehole. | 0:13:09 | 0:13:11 | |
That's good we cleared that up. | 0:13:13 | 0:13:15 | |
You get to work with me. Lucky boy! | 0:13:15 | 0:13:18 | |
Creams, lotion, soap, everything. | 0:13:39 | 0:13:43 | |
Try the telephone. | 0:14:04 | 0:14:05 | |
Television remote. | 0:14:08 | 0:14:09 | |
JACK SIGHS | 0:14:12 | 0:14:14 | |
Bed. | 0:14:25 | 0:14:26 | |
Bag 'em. | 0:14:34 | 0:14:36 | |
I didn't know you'd be here. | 0:14:50 | 0:14:51 | |
I thought I should be. We're family. | 0:14:52 | 0:14:55 | |
I'm... I'm sorry about your father. | 0:15:03 | 0:15:06 | |
Thank you. | 0:15:07 | 0:15:08 | |
-He'd been trying to reach out to you over the last few months. -I know. | 0:15:10 | 0:15:14 | |
Your father left explicit instructions | 0:15:17 | 0:15:19 | |
in the event of his death. | 0:15:19 | 0:15:21 | |
He left his shareholding in the family trust to you. | 0:15:21 | 0:15:25 | |
You run the company. | 0:15:27 | 0:15:29 | |
Why? I don't know anything about the company. | 0:15:29 | 0:15:34 | |
-Why would he do this? -It's his final insult to me, isn't it? | 0:15:34 | 0:15:38 | |
I've drawn up a document appointing your uncle, Phillip, as chairman | 0:15:38 | 0:15:42 | |
and chief executive. | 0:15:42 | 0:15:43 | |
The funds set aside for you and your sister in the trust will be | 0:15:43 | 0:15:48 | |
-released upon the sale of the company. -My sister? | 0:15:48 | 0:15:52 | |
-I didn't know about a sister. Did my father remarry? -No! | 0:15:52 | 0:15:57 | |
-I wasn't speaking to you. -Not that I'm aware of. | 0:15:57 | 0:15:59 | |
Just here. | 0:16:01 | 0:16:02 | |
It's important that we effect the transition of leadership quickly. | 0:16:09 | 0:16:12 | |
Your father was in the middle of selling the company. | 0:16:12 | 0:16:15 | |
We don't want any delay in concluding the agreement. They might withdraw the offer. | 0:16:15 | 0:16:19 | |
I also need your signatures on the documents with Wetherby Capital. | 0:16:19 | 0:16:24 | |
They're the buyer. | 0:16:24 | 0:16:25 | |
That company was his life. | 0:16:31 | 0:16:33 | |
Do you want to sell the company, Phillip? | 0:16:35 | 0:16:37 | |
Absolutely. I mean, it's the right thing. It's the only thing to do. | 0:16:37 | 0:16:42 | |
-And I sign here and it puts Phillip in charge? -That's right. | 0:16:44 | 0:16:48 | |
I haven't seen him in 19 years. | 0:17:01 | 0:17:04 | |
19 - I counted them on the train. | 0:17:04 | 0:17:07 | |
He never spoke about the business, never involved me. | 0:17:07 | 0:17:10 | |
You've worked here all your life. He knew you wanted to sell. | 0:17:12 | 0:17:16 | |
Why am I here? | 0:17:16 | 0:17:17 | |
Why has he put me here? | 0:17:19 | 0:17:21 | |
It's me. There's a photo of me in the paper. What's this about? | 0:17:50 | 0:17:54 | |
Just call me back. | 0:17:56 | 0:17:57 | |
Phillip. | 0:18:15 | 0:18:16 | |
-I'm very sorry. -Thank you. | 0:18:17 | 0:18:20 | |
But you don't have to pretend, Michael. | 0:18:20 | 0:18:22 | |
-Schwartzman called, sends his condolences. -That was good of him. | 0:18:22 | 0:18:26 | |
The headlines could damage the value of the company. | 0:18:28 | 0:18:31 | |
You need to sign the heads of agreement right away. | 0:18:31 | 0:18:34 | |
He's put his daughter in charge. | 0:18:34 | 0:18:36 | |
His daughter?! | 0:18:36 | 0:18:37 | |
-I didn't know... -I thought you knew everything, Michael - | 0:18:39 | 0:18:42 | |
everything about everyone. | 0:18:42 | 0:18:44 | |
You contacted his daughter? | 0:18:53 | 0:18:55 | |
Well, I had to. Corporate governance. | 0:18:55 | 0:18:58 | |
Then how much does she know? | 0:19:00 | 0:19:01 | |
Well, Mr Briggs was going to tell her | 0:19:01 | 0:19:04 | |
but she never responded to any of his messages. | 0:19:04 | 0:19:07 | |
I don't know how to handle it. | 0:19:07 | 0:19:08 | |
Will she sign? | 0:19:09 | 0:19:11 | |
Do you think he suffered? | 0:19:16 | 0:19:17 | |
Sorry? | 0:19:18 | 0:19:20 | |
In your professional opinion. | 0:19:20 | 0:19:22 | |
Do you think he suffered? | 0:19:22 | 0:19:24 | |
I don't know. | 0:19:24 | 0:19:25 | |
I don't know either. | 0:19:26 | 0:19:28 | |
I can't decide if there's any point in knowing. | 0:19:29 | 0:19:32 | |
I mean, the suffering's over now. For him. | 0:19:32 | 0:19:35 | |
Have you lost a parent? | 0:19:38 | 0:19:40 | |
Both. | 0:19:40 | 0:19:41 | |
Snap. I'm an orphan. | 0:19:41 | 0:19:43 | |
Mind you, I lost him a long time ago. | 0:19:45 | 0:19:48 | |
Or rather, he lost me. | 0:19:50 | 0:19:53 | |
I don't feel anything. Is that strange? | 0:19:57 | 0:20:00 | |
Not so strange. | 0:20:01 | 0:20:02 | |
Did you? Feel? | 0:20:04 | 0:20:05 | |
Eventually. | 0:20:07 | 0:20:08 | |
Peace. | 0:20:12 | 0:20:13 | |
So deceptive. | 0:20:14 | 0:20:16 | |
It almost looks as though he might be... | 0:20:18 | 0:20:21 | |
good. | 0:20:21 | 0:20:22 | |
-Hi. -Hi. How did you get in? | 0:20:28 | 0:20:30 | |
Loading bay. Door is locked. | 0:20:30 | 0:20:32 | |
-They lock it for a reason. -Really? Not just to be awkward? | 0:20:32 | 0:20:35 | |
-You read that?! -I'm done with it. Do you want it? | 0:20:36 | 0:20:39 | |
Reading that is like sniffing glue. Why would I want it? | 0:20:39 | 0:20:42 | |
Filling myself in on Briggs. | 0:20:42 | 0:20:44 | |
Quicker than asking the detectives. | 0:20:44 | 0:20:46 | |
-Apparently, "we're doing everything in our power". -I already knew that. | 0:20:46 | 0:20:50 | |
-He had a taste for escort girls. -Is that right? | 0:20:50 | 0:20:54 | |
There's a photo of a girl coming into the hotel lobby. | 0:20:54 | 0:20:56 | |
Apparently, she was going to visit him. | 0:20:56 | 0:20:59 | |
Have the police found her? | 0:21:02 | 0:21:03 | |
How do you think they got that photo? They didn't know he was going to die. | 0:21:05 | 0:21:09 | |
Private detective following him? Extortion? What do you think? | 0:21:09 | 0:21:12 | |
-Do you like conspiracy theories? -I wouldn't say I like them. | 0:21:12 | 0:21:16 | |
-From his bathroom. -Oh, thanks. -When's the post-mortem? | 0:21:16 | 0:21:21 | |
-This afternoon. Why? -My theory is falling apart. | 0:21:21 | 0:21:24 | |
-To be fair, it wasn't really built on very much. -Cheers(!) | 0:21:24 | 0:21:27 | |
Does Detective Gold know? | 0:21:27 | 0:21:28 | |
She wasn't really a believer in the first place. | 0:21:28 | 0:21:30 | |
-No, I think you were the only one that was. -Cash tap is closing fast. | 0:21:30 | 0:21:34 | |
I have to get "budget sign-off" on every test I want to run. | 0:21:34 | 0:21:38 | |
A sure sign they're letting this one go cold. | 0:21:38 | 0:21:41 | |
No evidence of murder, that's what Gold's saying. | 0:21:41 | 0:21:43 | |
Two sets of towels used. Organic material on his sheets. | 0:21:43 | 0:21:46 | |
I'm sure there was someone in that room with him. | 0:21:46 | 0:21:49 | |
Doesn't mean that he was murdered. | 0:21:49 | 0:21:51 | |
The guy lives in Surrey, he has a driver, but stays in a hotel. | 0:21:51 | 0:21:54 | |
-A lover? -A hooker. -How does that get you to murder? | 0:21:54 | 0:21:57 | |
-Do you know how bad you look? -Yeah. | 0:22:01 | 0:22:05 | |
I'm guessing that's why your security guard wouldn't let me in. | 0:22:05 | 0:22:08 | |
Sometimes it's best to let a very thin theory go, particularly | 0:22:08 | 0:22:11 | |
if there's no science to support it. | 0:22:11 | 0:22:13 | |
There was absolutely nothing on the phone jack. No finger prints. | 0:22:13 | 0:22:16 | |
-Nothing organic. -Nothing? | 0:22:16 | 0:22:18 | |
well, that SUPPORTS your theory. | 0:22:19 | 0:22:21 | |
Somebody's DNA should be on it, even if it is | 0:22:21 | 0:22:23 | |
-the guy who's installed the phone. -Unless you consciously decided to wipe it. -And that's what you think? | 0:22:23 | 0:22:28 | |
There were no fingerprints on the furniture, the TV remote, | 0:22:28 | 0:22:32 | |
-any of the flat surfaces. -Get something off the sheets? | 0:22:32 | 0:22:34 | |
Possibly, but it won't prove intent, | 0:22:34 | 0:22:36 | |
not the sort I'm after anyway. | 0:22:36 | 0:22:38 | |
Your theory's not falling apart. It is just not getting anywhere. | 0:22:40 | 0:22:44 | |
They have to get under the desk to unplug the phone. | 0:22:48 | 0:22:52 | |
They get down on their hands and knees. It's carpet. | 0:22:52 | 0:22:55 | |
The last person to touch the carpet would have been the one to unplug the phone. | 0:22:55 | 0:22:59 | |
I've got to go. | 0:22:59 | 0:23:01 | |
Did you really not think about sampling the carpet for DNA? | 0:23:01 | 0:23:04 | |
Of course I did. | 0:23:04 | 0:23:05 | |
-I'm very sorry to hear about your father. -What do you do? | 0:23:19 | 0:23:23 | |
I work with the media. Helping with image and brand. | 0:23:25 | 0:23:29 | |
My name is Michael Trenter. | 0:23:29 | 0:23:31 | |
-I was your father's adviser for the sale of the company. -I see. | 0:23:31 | 0:23:34 | |
Will you make lots of money when the company is sold? | 0:23:35 | 0:23:39 | |
I think I need to update you on where we are with the bank, | 0:23:39 | 0:23:42 | |
and the kind of pressure your father was under. | 0:23:42 | 0:23:45 | |
The heart is enlarged and diseased, | 0:25:14 | 0:25:16 | |
although not beyond what might be expected in a man of his age. | 0:25:16 | 0:25:19 | |
And we found high levels of histamines in the heart. | 0:25:19 | 0:25:22 | |
Oedema in the larynx and glottis, | 0:25:22 | 0:25:24 | |
causing restriction to the airways, | 0:25:24 | 0:25:26 | |
dilation of the peripheral blood vessels in the arms and legs, | 0:25:26 | 0:25:29 | |
all contributing to the strain on the heart, leading me | 0:25:29 | 0:25:32 | |
to believe that the most likely cause of death is anaphylaxis. | 0:25:32 | 0:25:36 | |
-Shock caused by an allergic reaction. -Shock. | 0:25:36 | 0:25:39 | |
-Were their elevated levels of MCT? -Yes. | 0:25:39 | 0:25:42 | |
Allergen specific immunoglobulin E? | 0:25:42 | 0:25:45 | |
Just trying to help. | 0:25:45 | 0:25:47 | |
-He died of an allergic reaction? -Yes. | 0:25:47 | 0:25:50 | |
A lack of oxygen to the organs would have caused shock to the heart, stopping it. | 0:25:50 | 0:25:54 | |
-But the underlying reason is anaphylaxis. -Something he ate? | 0:25:54 | 0:25:58 | |
Possibly. Probably. | 0:25:58 | 0:25:59 | |
I'll run tests on the stomach contents, allergy tests on the body. | 0:25:59 | 0:26:02 | |
-How much will that cost? -You'll need to speak to Professor Dalton. | 0:26:02 | 0:26:06 | |
What are these marks? | 0:26:06 | 0:26:09 | |
Hyperpigmented macular skin markings, | 0:26:09 | 0:26:12 | |
possibly as a result of blunt trauma injury. | 0:26:12 | 0:26:15 | |
And it appears that he might not have been whipped in the past... | 0:26:15 | 0:26:19 | |
-Whipped?! -Yes. -I looked at the carpet at the crime scene. | 0:26:19 | 0:26:23 | |
-Ran some tests. -Who authorised the tests? | 0:26:23 | 0:26:26 | |
There's not enough probable cause for me... | 0:26:26 | 0:26:28 | |
-How did the newspaper get the photograph of the escort girl? -Can you let me finish? | 0:26:28 | 0:26:32 | |
To feel comfortable making additional expenditure. | 0:26:32 | 0:26:34 | |
-Do you know who she is? -They could just be making a story up. | 0:26:34 | 0:26:37 | |
They don't like Briggs. | 0:26:37 | 0:26:38 | |
He threatened to sue one of the tabloids last year | 0:26:38 | 0:26:40 | |
and they've had their shock troops on hurting him ever since. | 0:26:40 | 0:26:43 | |
-It might be worth following up. -To what end? Can we place at the scene? | 0:26:43 | 0:26:46 | |
It would help if we knew who wish she was. | 0:26:46 | 0:26:49 | |
I don't have any finger prints or DNA on any of the flat surfaces in the room. | 0:26:49 | 0:26:53 | |
-None on the telephone itself. -You've got no evidence. | 0:26:53 | 0:26:56 | |
When did a lack of evidence become evidence? | 0:26:56 | 0:26:59 | |
-Are you saying he died of an allergy? -Allergic reaction. | 0:26:59 | 0:27:02 | |
Well, that's bad luck. Not a crime! | 0:27:02 | 0:27:04 | |
Is the phone plug was wiped, | 0:27:04 | 0:27:05 | |
then it must show intent to prevent detection. | 0:27:05 | 0:27:07 | |
We found the unknown DNA on the carpet by the phone jack. | 0:27:07 | 0:27:10 | |
It would be useful | 0:27:10 | 0:27:12 | |
if you found the unknown escort girl the newspapers are banging on about. | 0:27:12 | 0:27:15 | |
Sorry to disturb you. | 0:27:33 | 0:27:36 | |
Did my father really want to sell this? | 0:27:41 | 0:27:44 | |
He wanted to protect it, so he was willing to let it go. | 0:27:46 | 0:27:50 | |
I don't really care much for the money. | 0:27:53 | 0:27:56 | |
I only cared about what he thought. | 0:27:56 | 0:27:59 | |
That doesn't make much sense, does it? | 0:27:59 | 0:28:02 | |
Not if you haven't seen him in 19 years. | 0:28:02 | 0:28:04 | |
Did you know my father well? | 0:28:06 | 0:28:08 | |
Yes. | 0:28:10 | 0:28:12 | |
Yeah, yeah, I guess I did. | 0:28:12 | 0:28:14 | |
I didn't. | 0:28:14 | 0:28:15 | |
Did he speak about me? | 0:28:20 | 0:28:22 | |
Yes. | 0:28:23 | 0:28:24 | |
To lots of people? | 0:28:25 | 0:28:27 | |
To me. | 0:28:28 | 0:28:29 | |
Did he think I'd let him down? | 0:28:34 | 0:28:35 | |
He thought he let you down. | 0:28:39 | 0:28:41 | |
Wouldn't it have been nice if he had told me that before he died? | 0:28:47 | 0:28:50 | |
Did he tell you why? | 0:28:58 | 0:28:59 | |
-You know she's not my sister? -Yes. | 0:29:04 | 0:29:07 | |
I have her phone number. | 0:29:20 | 0:29:22 | |
How, how? | 0:29:27 | 0:29:29 | |
She contacted your father... | 0:29:29 | 0:29:31 | |
..five months ago. | 0:29:33 | 0:29:35 | |
And...what did my father tell her about me? | 0:29:37 | 0:29:41 | |
I'm not sure, exactly. | 0:29:41 | 0:29:43 | |
Gentlemen. | 0:29:54 | 0:29:55 | |
So, er, I don't get the fancy restaurant? | 0:29:55 | 0:29:59 | |
Too common, am I? | 0:29:59 | 0:30:01 | |
Sorry I'm late. | 0:30:04 | 0:30:06 | |
-What are you drinking? -Sparkling water for me. | 0:30:06 | 0:30:08 | |
So you've, er, dragged me out on a miserable night, | 0:30:13 | 0:30:16 | |
taken me to a shithole of a public house to be served by foreigners. | 0:30:16 | 0:30:19 | |
So I'm clutching at straws that there might be | 0:30:19 | 0:30:22 | |
something at the end of all this that makes it worth my while. | 0:30:22 | 0:30:25 | |
Bit more than a glass of fizzy water, eh? | 0:30:25 | 0:30:28 | |
Shall we play Let's Make A Deal, Mr Schwartzman? You can start. | 0:30:31 | 0:30:34 | |
I've come to listen to you. | 0:30:34 | 0:30:36 | |
Can you hear that? | 0:30:38 | 0:30:39 | |
That's my sensible brain telling me to go home. | 0:30:40 | 0:30:43 | |
No point staying further. | 0:30:43 | 0:30:45 | |
Oh, sorry about your brother, Phillip. | 0:30:46 | 0:30:49 | |
No, you're not. | 0:30:50 | 0:30:52 | |
He's right. I'm not. | 0:30:53 | 0:30:54 | |
Nasty piece of work, that one. | 0:30:54 | 0:30:57 | |
He was a nasty, mean little man lurking behind the "family brand". | 0:30:59 | 0:31:04 | |
Bollocks. Serial shagger. | 0:31:06 | 0:31:09 | |
Sounds as though he died like he lived. | 0:31:10 | 0:31:13 | |
Still, at least we won't be getting humped by him again. | 0:31:13 | 0:31:16 | |
So, you think about what makes my members happy | 0:31:18 | 0:31:21 | |
and give me a call, eh? | 0:31:21 | 0:31:22 | |
Gentlemen. | 0:31:23 | 0:31:24 | |
Is he coming back? | 0:31:27 | 0:31:29 | |
What do we know about him? | 0:31:29 | 0:31:31 | |
What do we know we can use, Michael? | 0:31:31 | 0:31:33 | |
Miss Briggs? | 0:31:42 | 0:31:44 | |
I'm going to head home. | 0:31:44 | 0:31:45 | |
You can call me Geraldine. | 0:31:45 | 0:31:48 | |
Do you need anything, Geraldine? | 0:31:49 | 0:31:51 | |
Er, did Phillip know about my sister? | 0:31:53 | 0:31:58 | |
John told him she was a love child who had tracked him down. | 0:32:00 | 0:32:05 | |
But that's all he knows. | 0:32:05 | 0:32:06 | |
A love child? | 0:32:08 | 0:32:09 | |
OK. | 0:32:10 | 0:32:11 | |
-Good night. -Night. | 0:32:12 | 0:32:14 | |
It's OK. | 0:32:30 | 0:32:32 | |
Have you seen what they're saying about me? | 0:32:34 | 0:32:36 | |
You've got to make them stop. | 0:32:37 | 0:32:40 | |
Why don't we take a walk? | 0:32:41 | 0:32:43 | |
I think the best thing is you go away for a while. | 0:32:52 | 0:32:54 | |
I'm in every newspaper as the escort girl linked to John Briggs. | 0:32:54 | 0:32:58 | |
If I go away, they're going to start thinking that I killed him. | 0:32:58 | 0:33:01 | |
It's the story of the moment. It'll soon pass. | 0:33:01 | 0:33:04 | |
Besides, you need to go away. To get over your grief. | 0:33:05 | 0:33:09 | |
-Right. Well, I'm going to need some money. -Of course you do. | 0:33:09 | 0:33:13 | |
Wait! I didn't do anything. | 0:33:13 | 0:33:14 | |
If they start saying things, you've got to tell them the truth. | 0:33:14 | 0:33:17 | |
No-one needs to say anything. You are a secret. | 0:33:17 | 0:33:21 | |
You do realise that, Deanna? A family secret. | 0:33:21 | 0:33:24 | |
You know, it's a Pandora's box. | 0:33:25 | 0:33:28 | |
There are certain questions it would be better not to ask | 0:33:28 | 0:33:30 | |
and others it would be better not to answer. | 0:33:30 | 0:33:33 | |
-Silence really is golden. -Yeah. It's going to need to be... | 0:33:33 | 0:33:36 | |
Leave it with me. | 0:33:36 | 0:33:37 | |
Why don't you go some place with a beach until this has passed? OK? | 0:33:38 | 0:33:43 | |
Don't speak to anyone. | 0:33:43 | 0:33:44 | |
When Pandora opened her box, all the evil escaped. | 0:33:45 | 0:33:48 | |
-And you know what was left? -You're messing with me, right? -Hope. | 0:33:48 | 0:33:51 | |
That's you, Deanna. For Geraldine Briggs, that's you. | 0:33:53 | 0:33:58 | |
-Morning. -Morning. Seen this? | 0:34:27 | 0:34:31 | |
Some journalist has got an inside track. | 0:34:33 | 0:34:35 | |
-Somebody needs to talk less. -Yeah. | 0:34:37 | 0:34:40 | |
How would you go about ascertaining a deadly allergen in someone | 0:34:40 | 0:34:44 | |
who has already proved it to be... | 0:34:44 | 0:34:46 | |
-well, you know...deadly? -Briggs? | 0:34:46 | 0:34:48 | |
Definitely a victim of anaphylaxis. | 0:34:48 | 0:34:51 | |
-I want to isolate the allergen. -Do you need to? | 0:34:51 | 0:34:55 | |
Well, something is not right. I think it's possible it's foul play. | 0:34:55 | 0:35:00 | |
-Instinct? -Not just mine. -The other detectives? -No. Forensic bloke. | 0:35:00 | 0:35:04 | |
-"Forensic bloke"? -Well, scientist. | 0:35:06 | 0:35:10 | |
-Ha, ha! The one who lost the fight? -I guess. | 0:35:10 | 0:35:13 | |
"But you should see the other guy!" | 0:35:14 | 0:35:16 | |
Actually, I think the other guy came out of it OK. | 0:35:16 | 0:35:19 | |
-Any good? -Jury's out. | 0:35:20 | 0:35:23 | |
See if you can narrow down the potential allergens. | 0:35:24 | 0:35:27 | |
Speak to the relatives, family, work colleagues. | 0:35:27 | 0:35:29 | |
They may know something, particularly if the allergy was potentially deadly. | 0:35:29 | 0:35:33 | |
-OK. -And then when you've narrowed down the list... | 0:35:33 | 0:35:36 | |
..We can test the body. | 0:35:37 | 0:35:38 | |
So he wasn't murdered by an escort girl? | 0:35:52 | 0:35:54 | |
No. An allergic reaction. | 0:35:54 | 0:35:57 | |
The escort girl sounded so much more exotic. | 0:35:57 | 0:36:01 | |
-I'd wondered if you might know what caused it. -He couldn't eat nuts. | 0:36:01 | 0:36:05 | |
Couldn't have peanut butter. Ironic, isn't it? | 0:36:05 | 0:36:08 | |
You know, one of our biggest sellers is Brigg's Balls. Peanut butter. | 0:36:09 | 0:36:13 | |
It was the first product he couldn't actually quality control. | 0:36:13 | 0:36:17 | |
-You know, our first ad campaign was "Lick our balls". -Funny(!) | 0:36:17 | 0:36:22 | |
Well, my brother was a churchgoer. | 0:36:22 | 0:36:24 | |
Had a living relationship with God, whatever that means, | 0:36:24 | 0:36:27 | |
so the ad shocked him. | 0:36:27 | 0:36:28 | |
It took me months to convince him to go with it. | 0:36:30 | 0:36:33 | |
We ran an ad in the magazine Nuts. Whole page. One issue. | 0:36:33 | 0:36:37 | |
Then pulled it. | 0:36:38 | 0:36:40 | |
We got more press from pulling it because it damaged | 0:36:40 | 0:36:44 | |
the family image of the business than we would be able to afford. | 0:36:44 | 0:36:47 | |
Genius. | 0:36:48 | 0:36:50 | |
You know, they actually study it in advertising courses. | 0:36:50 | 0:36:53 | |
Something to be proud of. | 0:36:53 | 0:36:55 | |
Do you have any idea of where he had dinner that night before he died? | 0:36:55 | 0:36:59 | |
MOBILE PHONE RINGS | 0:37:18 | 0:37:21 | |
Hello? | 0:37:25 | 0:37:26 | |
-Deanna? -'Who's this?' | 0:37:26 | 0:37:29 | |
It's...your mother. | 0:37:32 | 0:37:33 | |
Oh, er... | 0:37:37 | 0:37:38 | |
'Sorry. I don't really know what to say.' | 0:37:40 | 0:37:44 | |
'I would like to meet you. Would you like to meet me?' | 0:37:44 | 0:37:47 | |
Yeah, I would... I'd like it a lot. | 0:38:00 | 0:38:02 | |
Great. | 0:38:02 | 0:38:04 | |
Well...can you come now? | 0:38:05 | 0:38:07 | |
OK. OK. Well, let's meet at the Briggs building. | 0:38:07 | 0:38:11 | |
Yeah, I can see you there. | 0:38:11 | 0:38:14 | |
OK. I'll see you soon. | 0:38:14 | 0:38:17 | |
-OK. -'Bye.' | 0:38:17 | 0:38:19 | |
Bye. | 0:38:20 | 0:38:21 | |
KNOCKS ON DOOR | 0:39:04 | 0:39:06 | |
Sorry. | 0:39:06 | 0:39:07 | |
When do you need me? | 0:39:08 | 0:39:10 | |
Soon. | 0:39:11 | 0:39:12 | |
Um... | 0:39:12 | 0:39:14 | |
Very soon. | 0:39:14 | 0:39:15 | |
As soon as you can. | 0:39:17 | 0:39:18 | |
Yeah, I'll be right there. | 0:39:18 | 0:39:19 | |
Sorry about that. | 0:39:21 | 0:39:22 | |
Are you going to invite me to interview with you? | 0:39:23 | 0:39:26 | |
-Of course, when I get it down to a shortlist. -How is it going? | 0:39:26 | 0:39:29 | |
Slowly. | 0:39:30 | 0:39:31 | |
We'll put the gastric fluid through the sieve | 0:39:31 | 0:39:34 | |
and then we'll test the blood for specific antibodies to nuts. | 0:39:34 | 0:39:38 | |
And how are you getting on? | 0:39:46 | 0:39:49 | |
Fine. | 0:39:49 | 0:39:50 | |
Not too much on? | 0:39:54 | 0:39:56 | |
No. | 0:39:56 | 0:39:58 | |
Nothing. | 0:40:02 | 0:40:04 | |
I'm sure it's been difficult without Harry. | 0:40:13 | 0:40:16 | |
Who's Harry? | 0:40:17 | 0:40:18 | |
I miss him too. | 0:40:20 | 0:40:23 | |
No-one I interview comes close. | 0:40:23 | 0:40:25 | |
-Leo... -I can't help but compare. | 0:40:25 | 0:40:27 | |
We agreed to move on. | 0:40:27 | 0:40:29 | |
-We did. -So move on. | 0:40:29 | 0:40:31 | |
I am. | 0:40:33 | 0:40:34 | |
Not fast enough. | 0:40:35 | 0:40:37 | |
Nothing. No indication of allergen. | 0:40:38 | 0:40:41 | |
-Jack? -Yes. -Leo Dalton. | 0:40:58 | 0:41:01 | |
-Professor Leo Dalton? -That's right. | 0:41:01 | 0:41:04 | |
Holy shit. | 0:41:04 | 0:41:06 | |
Sorry. It's just this is a great honour for me. | 0:41:06 | 0:41:10 | |
Well, that's very kind. | 0:41:10 | 0:41:12 | |
When I was at university at Imperial, | 0:41:12 | 0:41:14 | |
we studied several of your cases, | 0:41:14 | 0:41:16 | |
and that paper you wrote 20 years ago, assessing the benefits | 0:41:16 | 0:41:19 | |
of amalgamating forensic pathology with the other forensic sciences - | 0:41:19 | 0:41:22 | |
very interesting to see how allied the separate disciplines are, how they reinforce each other. | 0:41:22 | 0:41:28 | |
You're always being called a forward thinker in lectures. | 0:41:28 | 0:41:31 | |
So, do you actually do science any more? | 0:41:31 | 0:41:33 | |
Work in the lab, get your hands dirty, | 0:41:33 | 0:41:36 | |
-or are you stuck in an office pushing papers? -Oh, no, I get my hands dirty. | 0:41:36 | 0:41:41 | |
You're a legend! I stand here talking to a legend. | 0:41:41 | 0:41:44 | |
I don't quite know what to say. | 0:41:45 | 0:41:48 | |
Probably better not to say anything, you can only go downhill. | 0:41:48 | 0:41:52 | |
-You know what I mean. -Absolutely. | 0:41:52 | 0:41:54 | |
-You don't read this, do you? -Me? No. -Nor do I. You don't mind if I...? | 0:41:54 | 0:41:59 | |
Of course. | 0:41:59 | 0:42:00 | |
-Hiya. -Hi. -You two have met? | 0:42:00 | 0:42:03 | |
It's nothing he ate. | 0:42:03 | 0:42:04 | |
How he came into contact with it may help us understand | 0:42:07 | 0:42:10 | |
-whether it was an accident or not. -Feels like or not. | 0:42:10 | 0:42:13 | |
Does science really feel, Jack? | 0:42:13 | 0:42:16 | |
Test everything he may have come into contact with in his hotel room, | 0:42:16 | 0:42:20 | |
-sheets, towels, soaps. -I'll get started right away, Professor Dalton. | 0:42:20 | 0:42:24 | |
Professor Dalton. | 0:42:26 | 0:42:27 | |
He's a nice lad. | 0:42:29 | 0:42:31 | |
I like him. | 0:42:32 | 0:42:34 | |
Ah. | 0:42:34 | 0:42:35 | |
-Thanks very much, we will be in touch. -Thanks. | 0:43:02 | 0:43:05 | |
Dr Alexander, Mr Hodgson, am I closing this file? | 0:43:13 | 0:43:17 | |
The fact that they haven't found the allergen does not mean that it wasn't an unlawful death. | 0:43:17 | 0:43:21 | |
No, of course not. But we are not able to do anything about it, are we? | 0:43:21 | 0:43:25 | |
-Jack, it could have been a tragic accident. -He was profoundly allergic to nuts. -He was allergic. | 0:43:25 | 0:43:30 | |
I'm more inclined to think it was a result of multiple insults. | 0:43:30 | 0:43:32 | |
-Are you saying he had heart disease? -Common at his age. | 0:43:32 | 0:43:35 | |
-The phone, lack of prints... -A reasonable theory. | 0:43:35 | 0:43:37 | |
-It's more than that. -Not much more. -Bed sheets? -Briggs' DNA. | 0:43:37 | 0:43:42 | |
-Only Briggs? -Someone was in that room with him. | 0:43:42 | 0:43:46 | |
-That alone doesn't mean anything. -Why haven't they come forward? | 0:43:46 | 0:43:49 | |
-Do I have a suspect? -No. -No. | 0:43:49 | 0:43:52 | |
We agree on something. | 0:43:53 | 0:43:55 | |
Dr Alexander is right to push for scientific facts, | 0:43:55 | 0:43:58 | |
But here's what my gut says. The sweets which he liked so much... | 0:43:58 | 0:44:01 | |
-Peanut butter ones? -..were put out in an open bowl to try | 0:44:01 | 0:44:05 | |
and lead the forensic pathologist astray in the hope that even if | 0:44:05 | 0:44:07 | |
anaphylaxis was identified as the cause of death, | 0:44:07 | 0:44:10 | |
its allergen source as a premeditated act of murder would not be discovered. | 0:44:10 | 0:44:14 | |
That is something I hadn't considered. | 0:44:16 | 0:44:19 | |
Professor Dalton? | 0:44:20 | 0:44:21 | |
I'm just...listening. | 0:44:23 | 0:44:25 | |
Have you checked the sweets for DNA or prints? | 0:44:25 | 0:44:28 | |
It hasn't been authorised and it may have been contaminated. | 0:44:28 | 0:44:31 | |
You have a possible suspect you haven't found or spoken to. | 0:44:33 | 0:44:36 | |
How can you close the file? | 0:44:36 | 0:44:38 | |
Is that the incident room? | 0:44:47 | 0:44:49 | |
Yeah, that woman that you're looking for, her name is Deanna Collier. | 0:44:51 | 0:44:54 | |
Yeah, I know where you can find her. | 0:44:57 | 0:44:59 | |
Deanna? | 0:45:11 | 0:45:13 | |
I never wanted to lose you, you have to believe me. | 0:45:39 | 0:45:43 | |
I believe you. | 0:45:43 | 0:45:44 | |
I was made to let you go... | 0:45:46 | 0:45:49 | |
and I am so glad you've come back. | 0:45:49 | 0:45:52 | |
-Do you think Jack Hodgson is selling stories to the press? -No. | 0:46:06 | 0:46:10 | |
At least... | 0:46:13 | 0:46:14 | |
..I hope not. | 0:46:16 | 0:46:18 | |
Is that "no" or is that "I hope not"? | 0:46:18 | 0:46:20 | |
Let's stick with no... I hope not. | 0:46:22 | 0:46:25 | |
-Now try. -Thank you. | 0:46:43 | 0:46:44 | |
Day after a day of salacious stories in the press about Briggs and the company. | 0:46:49 | 0:46:53 | |
None of which is true and I am trying to work with editors. | 0:46:53 | 0:46:56 | |
It doesn't matter if it's true, it's damaging. | 0:46:56 | 0:46:59 | |
It reduces the company's ability to meet its obligations. | 0:46:59 | 0:47:03 | |
It not impacting on the sales. | 0:47:03 | 0:47:05 | |
We won't be able to extend you any further time on the restructuring. | 0:47:06 | 0:47:10 | |
We have seven days, | 0:47:11 | 0:47:13 | |
at which time I'm afraid we will ask that you be put into administration. | 0:47:13 | 0:47:17 | |
-Why isn't Geraldine here? -She's got to sign. She has to sign. | 0:47:32 | 0:47:37 | |
-Somebody has to explain it to her. -Where is she? | 0:47:37 | 0:47:41 | |
She's with her daughter. | 0:47:41 | 0:47:43 | |
I didn't know she had a daughter. | 0:47:43 | 0:47:46 | |
-Detective Sgt Gold. -Hello. | 0:48:05 | 0:48:07 | |
We are looking for this woman, we believe her name is Deanna Collier. | 0:48:07 | 0:48:11 | |
We had a phone call to say we might be able to find her here. | 0:48:11 | 0:48:14 | |
-I am Deanna. -She's my daughter. | 0:48:17 | 0:48:20 | |
I was looking for my birth mother... I had tried when I was a teenager | 0:48:22 | 0:48:28 | |
but I didn't get very far. | 0:48:28 | 0:48:29 | |
I knew that I had been a church adoption, | 0:48:29 | 0:48:32 | |
I knew vaguely the area and the date. I narrowed it down. | 0:48:32 | 0:48:37 | |
I wrote letters, one was to Mr Briggs and then Annette contacted me. | 0:48:37 | 0:48:41 | |
He didn't want anyone else in the firm to know. | 0:48:46 | 0:48:49 | |
He wanted it kept private. | 0:48:49 | 0:48:50 | |
Mr Briggs loved her... | 0:48:52 | 0:48:54 | |
He loved her like a daughter. | 0:48:55 | 0:48:57 | |
Granddaughter? | 0:49:01 | 0:49:02 | |
We have got Briggs' DNA, it should turn up as a familiar match. | 0:49:02 | 0:49:05 | |
-She doesn't think she touched anything. -She remembers? | 0:49:05 | 0:49:08 | |
It's his granddaughter. No, it's confirmed. | 0:49:09 | 0:49:14 | |
Anybody want anything? | 0:49:14 | 0:49:16 | |
-No. -No thanks. | 0:49:16 | 0:49:18 | |
That's peculiar. | 0:49:19 | 0:49:20 | |
Got to go. | 0:49:26 | 0:49:27 | |
Cheers, mate, see you at the weekend. | 0:49:27 | 0:49:31 | |
-Want a coffee? -Tea, please. | 0:49:32 | 0:49:34 | |
What? | 0:49:44 | 0:49:45 | |
Nothing. | 0:49:46 | 0:49:47 | |
You could use some arnica. | 0:49:50 | 0:49:52 | |
-Do you mind me asking how you really got your...? -I like to fight. | 0:49:52 | 0:49:56 | |
-Sport. -I see. A beginner then? | 0:49:56 | 0:49:59 | |
-What do you think you're doing? -Being a good daughter. | 0:50:08 | 0:50:12 | |
You look nervous, | 0:50:12 | 0:50:13 | |
why don't you go somewhere with a beach | 0:50:13 | 0:50:16 | |
while I pour a little hope back into my mother? | 0:50:16 | 0:50:18 | |
You're making a mistake. | 0:50:20 | 0:50:21 | |
-Am I? Doesn't feel like it. -You'll get found out. | 0:50:21 | 0:50:24 | |
You worrying about me or you? | 0:50:24 | 0:50:26 | |
Pleased to meet you, come this way. | 0:50:33 | 0:50:36 | |
-You are a union hotel? -Allied Workers Alliance. -Everyone? | 0:50:42 | 0:50:46 | |
Front of house, cleaning and housekeeping. | 0:50:46 | 0:50:48 | |
You know that photo of Deanna Collier, the one the newspapers were all using? | 0:50:48 | 0:50:52 | |
It was taken in the lobby of your hotel. | 0:50:52 | 0:50:54 | |
-That employee is no longer with us. -What, AWA? -Yes, I'm not worried. | 0:50:54 | 0:50:58 | |
Gross misconduct, they won't cause any trouble. | 0:50:59 | 0:51:02 | |
Perhaps they already have. | 0:51:02 | 0:51:04 | |
-Have we got the printout of the swipe card entry to the room? -Yes, I'll get it for you. | 0:51:04 | 0:51:08 | |
She's going in. | 0:51:14 | 0:51:15 | |
And leaving. | 0:51:19 | 0:51:20 | |
Briggs leaving for dinner. | 0:51:25 | 0:51:28 | |
And then... | 0:51:28 | 0:51:29 | |
..we found this. | 0:51:31 | 0:51:33 | |
-What do you need, Philip? -A little support, Michael. Too much to ask? | 0:51:43 | 0:51:47 | |
-Where did she come from? -Who? | 0:51:48 | 0:51:50 | |
That girl. Geraldine's daughter. | 0:51:50 | 0:51:53 | |
I heard John was looking for her, she tracked him down... | 0:51:54 | 0:51:58 | |
-So they were both looking for each other? -Hmm. | 0:51:58 | 0:52:00 | |
Convenient. | 0:52:00 | 0:52:02 | |
So she suddenly appears out of nowhere. | 0:52:02 | 0:52:04 | |
I'm going to find out about her. Everything about her. | 0:52:06 | 0:52:09 | |
If there is anything I can do to help, just let me know. | 0:52:09 | 0:52:12 | |
This company should be mine. My brother built it up. | 0:52:12 | 0:52:16 | |
I should be making the decisions, not her. | 0:52:17 | 0:52:20 | |
Because of that girl. | 0:52:20 | 0:52:22 | |
Do we want to sell the company, Philip? | 0:52:22 | 0:52:24 | |
Just stay focused on that. | 0:52:26 | 0:52:28 | |
-I pay you too much. -Nice talking to you, Philip. | 0:52:29 | 0:52:31 | |
-I'm Philip. -Oh, I don't think we've met. I'm Deanna. | 0:52:47 | 0:52:51 | |
Geraldine's daughter. | 0:52:51 | 0:52:52 | |
Yeah. | 0:52:54 | 0:52:55 | |
Family secret. | 0:52:55 | 0:52:56 | |
Every family has secrets. | 0:52:59 | 0:53:01 | |
They lie to each other and to themselves. Don't they? | 0:53:01 | 0:53:05 | |
My brother had plenty of secrets, | 0:53:07 | 0:53:10 | |
we are particularly good at them in this family. | 0:53:10 | 0:53:12 | |
You're John's brother. | 0:53:15 | 0:53:16 | |
Do you think the long-lost granddaughters of poor people | 0:53:18 | 0:53:23 | |
bother to track them down? | 0:53:23 | 0:53:25 | |
Philip! | 0:53:25 | 0:53:26 | |
I don't want you to speak to my daughter, | 0:53:34 | 0:53:36 | |
be alone with her try to develop any kind of relationship with her. | 0:53:36 | 0:53:39 | |
BOTH LAUGH | 0:53:56 | 0:53:58 | |
You know, when I lost you, my father gave me this bracelet... | 0:54:07 | 0:54:11 | |
..as though it may somehow replace... | 0:54:13 | 0:54:17 | |
There's a charm for all of my memories. | 0:54:19 | 0:54:23 | |
All the places I've been and all the things I've seen. | 0:54:23 | 0:54:26 | |
And I'd like to give these memories to you. | 0:54:29 | 0:54:31 | |
Come quick! | 0:55:32 | 0:55:33 | |
You think it was an accident? | 0:56:05 | 0:56:07 | |
SHE SOBS | 0:56:40 | 0:56:42 | |
Two deaths in one week, that's a lot of bad lot for one family. | 0:56:52 | 0:56:56 | |
-What sort of mood was Deanna in when she left you? -Laughing. | 0:56:56 | 0:56:59 | |
Did you argue? | 0:56:59 | 0:57:00 | |
There are no more obstacles, Philip Briggs wants to get this done. | 0:57:00 | 0:57:03 | |
-We need stability. -That's not going to happen. | 0:57:03 | 0:57:06 | |
-Wasn't it a dark family secret? -Not any more. | 0:57:06 | 0:57:08 | |
Your man Cook leaked stories to the press. | 0:57:10 | 0:57:12 | |
If you can't prove it, keep your mouth shut. | 0:57:12 | 0:57:14 | |
We all have to work together. | 0:57:14 | 0:57:16 | |
Uh! | 0:57:16 | 0:57:17 | |
You can't fight them. They make up stories, | 0:57:17 | 0:57:20 | |
if they can't find a newspaper they put it on the internet. | 0:57:20 | 0:57:22 | |
-Clarissa Mullery. -How do you know Jack Hodgson? -I work with him. | 0:57:22 | 0:57:26 | |
We need to find out where Deanna died. | 0:57:26 | 0:57:28 | |
We are trying to triangulate the last known position of her mobile phone. | 0:57:28 | 0:57:32 | |
-Shit, I'm wrong. -What do we do if floods? -Run. | 0:57:32 | 0:57:35 | |
# Testator silens | 0:57:37 | 0:57:44 | |
# Costestes e Spiritu | 0:57:45 | 0:57:52 | |
# Silencium. # | 0:57:52 | 0:58:00 | |
Subtitles by Red Bee Media Ltd | 0:58:02 | 0:58:04 |