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-This place is my life. -Don't sell us out! | 0:00:02 | 0:00:03 | |
Mr Swartzman's interested in the brand. | 0:00:03 | 0:00:06 | |
Have you seen my offer? | 0:00:06 | 0:00:07 | |
HE GROANS | 0:00:07 | 0:00:09 | |
Forensics? | 0:00:09 | 0:00:11 | |
-The fixer's name is John Briggs. -Yes, already on the web. | 0:00:11 | 0:00:14 | |
You need to sign the agreement right away. | 0:00:14 | 0:00:16 | |
-He's put his daughter in charge. -His daughter? | 0:00:16 | 0:00:18 | |
There's a photo of a girl coming into the hotel lobby. | 0:00:18 | 0:00:20 | |
Apparently, she was going to visit him. | 0:00:20 | 0:00:22 | |
They told me that the Lyell Centre needed to change or die. | 0:00:22 | 0:00:25 | |
Harry must have known that, probably why he left. | 0:00:25 | 0:00:27 | |
She contacted your father. | 0:00:27 | 0:00:29 | |
-Deanna, it's your mother. -You'll get found out. | 0:00:29 | 0:00:32 | |
This company belongs to me! | 0:00:32 | 0:00:34 | |
He's a nasty, mean little man, lurking behind a family brand. | 0:00:34 | 0:00:40 | |
This programme contains some violent scenes | 0:00:42 | 0:00:46 | |
and some scenes which some viewers may find upsetting. | 0:00:46 | 0:00:50 | |
-Did he like her? -Very much. | 0:01:12 | 0:01:14 | |
She had fun with him? | 0:01:15 | 0:01:17 | |
Yeah. | 0:01:17 | 0:01:19 | |
Did they laugh? | 0:01:25 | 0:01:27 | |
Yeah. | 0:01:27 | 0:01:29 | |
I used to laugh with my father. | 0:01:29 | 0:01:32 | |
How long did you work for him? | 0:01:36 | 0:01:37 | |
Ten years. | 0:01:37 | 0:01:40 | |
You loved him. | 0:01:44 | 0:01:47 | |
SHE SIGHS | 0:01:47 | 0:01:48 | |
He could do unspeakable things and still be loved. | 0:01:49 | 0:01:53 | |
A talent. | 0:01:53 | 0:01:56 | |
The network's saying that her phone is on | 0:01:57 | 0:02:00 | |
somewhere in that area. | 0:02:00 | 0:02:02 | |
It's been in the same spot since 10:47 on the night she died. | 0:02:02 | 0:02:06 | |
That's got to help with time of death. | 0:02:06 | 0:02:08 | |
It's accurate to 100 metres. The technology's amazing. | 0:02:08 | 0:02:12 | |
I've given this a great deal of thought. | 0:02:20 | 0:02:23 | |
I know I'm not going to be here for ever, but... | 0:02:23 | 0:02:25 | |
-But now that Harry's gone... -Leo, no eulogies. | 0:02:25 | 0:02:28 | |
No, no, no. I'm just... I'm just saying... | 0:02:28 | 0:02:30 | |
I like to think that I'm more effective investigating in the cutting room, | 0:02:30 | 0:02:35 | |
doing the science, rather than sitting in my office, administrating. | 0:02:35 | 0:02:39 | |
And when I look ahead, I have to think about how the Lyell Centre can be competitive. | 0:02:39 | 0:02:43 | |
So I've been thinking how we might amalgamate forensic pathology with other forensic sciences. | 0:02:43 | 0:02:52 | |
We're changing?! | 0:02:52 | 0:02:53 | |
PHONE VIBRATES Yep. I've made a decision. | 0:02:53 | 0:02:56 | |
-I thought I was going to interview the shortlist. -You have. | 0:02:56 | 0:03:00 | |
I've asked Jack to be our Senior Forensic Scientist. | 0:03:03 | 0:03:07 | |
-Congratulations! -Thank you. | 0:03:10 | 0:03:12 | |
Thank you, Professor Dalton. | 0:03:12 | 0:03:14 | |
You don't have to call me "Professor". | 0:03:14 | 0:03:17 | |
-Oh! -What is it? -DNA results for Deanna Collier. | 0:03:17 | 0:03:22 | |
She's NOT Geraldine's daughter. | 0:03:22 | 0:03:26 | |
She deceived John Briggs for five months. | 0:03:27 | 0:03:29 | |
And presumably was intending to continue with the charade. | 0:03:29 | 0:03:32 | |
We ran the DNA through the database. She's been cautioned twice, once for theft. | 0:03:32 | 0:03:35 | |
-She lifted the wallet of a man who hired her as an escort. -Once for lewd behaviour. | 0:03:35 | 0:03:38 | |
-She looked so sweet. -We can't rule out her involvement in his death. | 0:03:38 | 0:03:41 | |
-Really. -She was conning John Briggs. | 0:03:41 | 0:03:43 | |
How did she know that Geraldine had a child? | 0:03:43 | 0:03:45 | |
How did she know the baby had been given away? | 0:03:45 | 0:03:47 | |
-Wasn't it a dark family secret? -Not any more. | 0:03:47 | 0:03:51 | |
Who would have known? | 0:03:51 | 0:03:52 | |
Phone number. The police want to speak to you. | 0:03:52 | 0:03:56 | |
I can sit in or you can get outside counsel. | 0:03:56 | 0:03:59 | |
I'm losing my appetite for buying the company. | 0:04:09 | 0:04:12 | |
GENERAL CHATTER | 0:04:12 | 0:04:15 | |
It's a business deal. There's too much noise around this now. | 0:04:15 | 0:04:18 | |
I have to ask myself, "Do I really need it"? | 0:04:18 | 0:04:21 | |
I have delivered this to you. | 0:04:21 | 0:04:23 | |
There are no more obstacles. Phillip Briggs wants to get this done. | 0:04:23 | 0:04:27 | |
-There are problems with the union. -That's going to be sorted. | 0:04:27 | 0:04:30 | |
The price is still too high. | 0:04:30 | 0:04:34 | |
Name recognition for "Briggs" has never been higher. | 0:04:34 | 0:04:37 | |
Do you tell the truth about anything, Michael? | 0:04:37 | 0:04:41 | |
Only when it doesn't matter. | 0:04:41 | 0:04:43 | |
How much are you going to earn from this? | 0:04:46 | 0:04:50 | |
Fees. | 0:04:50 | 0:04:51 | |
Trade your fees for equity. | 0:04:53 | 0:04:55 | |
You need something to live for, Michael. | 0:04:55 | 0:04:59 | |
CAT scan shows a transverse fracture to her right leg. | 0:04:59 | 0:05:02 | |
She could have broken her leg if she'd jumped from a bridge. | 0:05:02 | 0:05:05 | |
-This injury's consistent with an RTA. -How does she end up in the Thames? | 0:05:05 | 0:05:08 | |
We checked the logs for call-outs in Bermondsey that night. | 0:05:08 | 0:05:10 | |
There are no reported RTAs. Not with a pedestrian. | 0:05:10 | 0:05:13 | |
Did the accident kill her? | 0:05:13 | 0:05:14 | |
I'll have a preliminary report on cause of death by the end of today. | 0:05:14 | 0:05:17 | |
-Briggs? -Allergen still unknown. | 0:05:17 | 0:05:20 | |
Nobody here believes this is a coincidence, do they? | 0:05:20 | 0:05:23 | |
A printout of every entry into John Briggs' hotel room while he was there. | 0:05:23 | 0:05:26 | |
I'll need the fingerprints of every member of housekeeping | 0:05:26 | 0:05:28 | |
-that's been in the room. -CLEARS THROAT | 0:05:28 | 0:05:31 | |
WE'LL need them. | 0:05:31 | 0:05:33 | |
Can we get DNA as well? I mean, you know, can we afford it? | 0:05:33 | 0:05:37 | |
Detective? | 0:05:37 | 0:05:40 | |
Send me an invoice. | 0:05:40 | 0:05:42 | |
When's her post-mortem? | 0:05:43 | 0:05:45 | |
I just don't think it's a good idea. In here. | 0:06:03 | 0:06:07 | |
OK, I'll talk to him. | 0:06:07 | 0:06:08 | |
-Gus? -Yeah. -I want you to wait outside. | 0:06:13 | 0:06:16 | |
-Why? -Bad neighbourhood. I'm worried about the car. | 0:06:17 | 0:06:21 | |
She can't sleep. I've asked the doctor to bring her some pills. | 0:06:35 | 0:06:39 | |
Geraldine. | 0:06:42 | 0:06:44 | |
My mother, just before she died, told me | 0:06:59 | 0:07:01 | |
I was put on this earth to endure pain. | 0:07:01 | 0:07:04 | |
That must be God's purpose for me. | 0:07:07 | 0:07:09 | |
She has no other explanation. | 0:07:10 | 0:07:13 | |
I have two bodies to bury now. Wasn't she wise! | 0:07:14 | 0:07:17 | |
I need to speak to you about Deanna. | 0:07:20 | 0:07:23 | |
There's nothing more you can take from me now. | 0:07:23 | 0:07:27 | |
She's not your daughter. | 0:07:30 | 0:07:32 | |
-What? -The DNA is conclusive. No mistake. | 0:07:32 | 0:07:37 | |
I'm so sorry. I know how much this must hurt you. | 0:07:37 | 0:07:41 | |
How can you possibly know what I feel or what I don't feel?! | 0:07:41 | 0:07:45 | |
I lost a daughter. And now I've lost her twice! | 0:07:45 | 0:07:50 | |
Whatever you tell me, she is still lost! | 0:07:52 | 0:07:54 | |
Miss Briggs... I'm sorry to have to do this. | 0:07:56 | 0:08:00 | |
There are some questions I need to ask you. | 0:08:00 | 0:08:02 | |
SHE SOBS | 0:08:02 | 0:08:04 | |
Phillip... we are the kind of people who act, right? | 0:08:09 | 0:08:14 | |
Who do. We're masters of our own fate, aren't we? | 0:08:14 | 0:08:18 | |
-Nothing to be scared of. -Of course not. | 0:08:18 | 0:08:20 | |
I mean, this has been my life too, my whole life. | 0:08:20 | 0:08:24 | |
-It's not right what's happened. -Uh-uh. | 0:08:24 | 0:08:27 | |
You take what belongs to you, Phillip. | 0:08:27 | 0:08:31 | |
Don't let yourself be held hostage. | 0:08:31 | 0:08:33 | |
You had dinner with Deanna on the night she died | 0:08:35 | 0:08:38 | |
at Il Pagliaccio in Knightsbridge? | 0:08:38 | 0:08:41 | |
-That's right. -Just the two of you? | 0:08:41 | 0:08:44 | |
Er... yes. We wanted to get to know each other. | 0:08:44 | 0:08:49 | |
I didn't know anything about her, did I? | 0:08:49 | 0:08:51 | |
What sort of mood was Deanna in when she left you? | 0:08:51 | 0:08:56 | |
-Loving. -Did you argue? | 0:08:56 | 0:08:58 | |
No! No. We kissed each other good night and then we promised to see each other the next day. | 0:08:58 | 0:09:05 | |
Then we went our separate ways. What's this about? | 0:09:05 | 0:09:08 | |
-Sorry to have to ask. -You're sorry? | 0:09:08 | 0:09:10 | |
Did anyone see you "go your separate ways"? | 0:09:10 | 0:09:13 | |
I don't know! How would I know? | 0:09:13 | 0:09:16 | |
-Is there someone who can verify what time you got home? -No. | 0:09:16 | 0:09:21 | |
-You think that I...? -Is this some kind of a joke? | 0:09:21 | 0:09:25 | |
And you came back here? | 0:09:30 | 0:09:32 | |
-Yes. -To this house? | 0:09:32 | 0:09:36 | |
It's a nice house. | 0:09:39 | 0:09:41 | |
-You landed on your feet. -I don't think that's... | 0:09:41 | 0:09:43 | |
All that resentment towards your father. | 0:09:43 | 0:09:46 | |
Did you shed a tear when you heard he was dead? | 0:09:46 | 0:09:48 | |
That's enough! | 0:09:48 | 0:09:49 | |
Was there somebody else staying in the house when you arrived home? | 0:09:54 | 0:09:57 | |
-No. -It was raining that night, why didn't you offer her a ride home? | 0:09:57 | 0:10:02 | |
She didn't want one! | 0:10:02 | 0:10:04 | |
You'd just been reunited, It's raining out... | 0:10:04 | 0:10:06 | |
-She said she had an Oyster Card. -Of course. | 0:10:06 | 0:10:09 | |
You were the last person to see her alive. | 0:10:09 | 0:10:11 | |
-Please! -You don't have to answer any more questions. -You think that I killed her?! | 0:10:11 | 0:10:19 | |
I killed my mother... with disappointment. | 0:10:19 | 0:10:24 | |
She told me I was someone she didn't know. | 0:10:24 | 0:10:27 | |
I was 16 and pregnant. | 0:10:27 | 0:10:30 | |
That couldn't happen to their child. | 0:10:32 | 0:10:34 | |
I was raped. | 0:10:36 | 0:10:38 | |
Phillip... raped me. | 0:10:39 | 0:10:42 | |
I wanted an abortion and my father wouldn't allow it. | 0:10:44 | 0:10:49 | |
He waited until the baby was born, | 0:10:49 | 0:10:51 | |
-then... -SHE SOBS | 0:10:51 | 0:10:54 | |
..then just when I was able to love it, | 0:10:54 | 0:10:58 | |
he took her away from me. | 0:10:58 | 0:11:02 | |
I wanted to see my girl grow up. | 0:11:05 | 0:11:09 | |
They took that away from me. | 0:11:09 | 0:11:11 | |
I wanted to have a life. | 0:11:13 | 0:11:15 | |
I wanted to fall in love. They took everything from me! | 0:11:15 | 0:11:19 | |
-Were you the last person to see her alive? -No! -You can't! | 0:11:19 | 0:11:23 | |
I was not the last person to see her alive! | 0:11:23 | 0:11:25 | |
-You sure? -Yes! | 0:11:25 | 0:11:26 | |
-Who was? -The person who killed her! | 0:11:26 | 0:11:29 | |
Don't try and tell me what is appropriate during an interview! | 0:11:33 | 0:11:36 | |
She'd just told us she'd been raped by her uncle. | 0:11:36 | 0:11:38 | |
It might have been what she told us, or it may have been a confession note. | 0:11:38 | 0:11:42 | |
-She was in pain. You went too far. It wasn't necessary. -She's a possible suspect! | 0:11:42 | 0:11:46 | |
Well, now she knows she's a possible suspect, doesn't she? | 0:11:46 | 0:11:49 | |
Annette Kelly used her credit card to book Briggs' hotel room. | 0:11:49 | 0:11:53 | |
She knew about Geraldine's baby. | 0:11:53 | 0:11:55 | |
She was the one Deanna said first contacted her. | 0:11:55 | 0:11:58 | |
Three good reasons to suspect Annette Kelly. And she doesn't realise she's a suspect, does she? | 0:11:58 | 0:12:03 | |
Because the light is shining on someone else! | 0:12:03 | 0:12:05 | |
How'd it go? | 0:12:05 | 0:12:08 | |
This is ridiculous. My name is down, security should have been informed. | 0:12:11 | 0:12:15 | |
I'm not lost. Do I look lost? No. | 0:12:15 | 0:12:17 | |
I know what I look like and it isn't lost. | 0:12:17 | 0:12:20 | |
-If you want to see lost look in the mirror. -Can I help you? | 0:12:20 | 0:12:23 | |
I hope so. He doesn't seem capable of it. I'm trying to find the lab. | 0:12:23 | 0:12:28 | |
-The lab? -The lab. | 0:12:28 | 0:12:30 | |
I'm sorry, am I not enunciating? The lab. | 0:12:30 | 0:12:35 | |
-Who are you? -Clarissa Mullery. | 0:12:35 | 0:12:37 | |
-That means nothing. -Perhaps it means something to the person in charge. | 0:12:37 | 0:12:42 | |
CHUCKLES: Well, I am the person in charge. | 0:12:42 | 0:12:44 | |
Do you have an appointment? | 0:12:44 | 0:12:47 | |
Could you escort Miss Mullery from the building, please. | 0:12:47 | 0:12:49 | |
You're Leo Dalton. | 0:12:49 | 0:12:51 | |
Jack always talks about you. He's a shocking judge of character. | 0:12:51 | 0:12:56 | |
-How do you know Jack Hodgson? -I work with him. | 0:12:56 | 0:12:59 | |
-And what do you do? -I make him look clever. | 0:12:59 | 0:13:03 | |
Sorry I'm late. | 0:13:03 | 0:13:06 | |
-Did I forget to mention Clarissa? -I don't always succeed. | 0:13:06 | 0:13:09 | |
Ladies. | 0:13:19 | 0:13:20 | |
All right, Dave, how you doing? You... | 0:13:25 | 0:13:27 | |
-What are you playing at? -Stealing union funds? | 0:13:33 | 0:13:37 | |
-You've let your members down, Kenny. -That's a lie. You know that's a lie. | 0:13:37 | 0:13:42 | |
It's all over the internet. | 0:13:42 | 0:13:44 | |
It gets repeated. | 0:13:44 | 0:13:45 | |
Soon it becomes true cos you can't stop it. | 0:13:46 | 0:13:49 | |
They've all seen it. | 0:13:49 | 0:13:51 | |
Yeah, someone sent it to their email addresses. | 0:13:51 | 0:13:54 | |
It went viral. | 0:13:54 | 0:13:58 | |
Some of the lads want to start talking to another union. | 0:13:58 | 0:14:00 | |
To see if they might look after them. | 0:14:00 | 0:14:03 | |
That's not going to happen! | 0:14:03 | 0:14:05 | |
We need stability. After all that's happened. | 0:14:05 | 0:14:09 | |
We need a union we can work with. | 0:14:09 | 0:14:12 | |
Sometimes a rumour's as bad as the truth. | 0:14:12 | 0:14:14 | |
Now, I'm sure I can help you stop this spreading any further. | 0:14:14 | 0:14:20 | |
Do you want my help? | 0:14:20 | 0:14:22 | |
Hey! Stop! | 0:14:26 | 0:14:29 | |
-Whose shit is this? -Sorry... | 0:14:29 | 0:14:30 | |
-It belongs to... -The last guy who was lucky enough to sit here? | 0:14:33 | 0:14:35 | |
Yeah, him. | 0:14:35 | 0:14:37 | |
What would you like me to do with it? Should I just chuck it? | 0:14:37 | 0:14:40 | |
No. No, I'll look after it. | 0:14:40 | 0:14:45 | |
Thanks. | 0:14:47 | 0:14:48 | |
Why were you at the hotel the night your brother died? | 0:15:00 | 0:15:03 | |
-There was supposed to be a meeting. -With? -Mr Schwartzman. | 0:15:03 | 0:15:08 | |
I thought he was having dinner with your brother? | 0:15:08 | 0:15:11 | |
He wanted the meeting after the dinner. | 0:15:11 | 0:15:13 | |
I assumed they'd reached a decision and... wanted to make me Chief Executive. | 0:15:13 | 0:15:18 | |
-But you weren't? -Well, there was no meeting. | 0:15:18 | 0:15:21 | |
So you went home? | 0:15:21 | 0:15:23 | |
No. I went to the bar to look for some hookers. | 0:15:23 | 0:15:26 | |
Yeah, I went home. | 0:15:29 | 0:15:30 | |
-Did you know Deanna Collier? -Not really. | 0:15:30 | 0:15:33 | |
My brother said she was the product of a one night stand he had, some woman he rented for the evening. | 0:15:33 | 0:15:38 | |
You didn't know your niece had a child? | 0:15:38 | 0:15:40 | |
No. But it's hardly surprising, I mean she was a slut! | 0:15:40 | 0:15:42 | |
Couldn't keep her legs together. | 0:15:42 | 0:15:44 | |
His little princess was shagging anything that moved. | 0:15:46 | 0:15:49 | |
Including you? | 0:15:49 | 0:15:51 | |
Don't be ridiculous. | 0:15:51 | 0:15:53 | |
Where did you get that idea from? | 0:15:53 | 0:15:55 | |
So you work in the family business, | 0:15:57 | 0:16:01 | |
she's pregnant for nine months, has a child, and you didn't know? | 0:16:01 | 0:16:05 | |
Wasn't something my brother was going to broadcast. | 0:16:05 | 0:16:08 | |
-Who might have known? -It was a secret. | 0:16:08 | 0:16:12 | |
He wanted it to disappear. That's what happened. | 0:16:12 | 0:16:14 | |
Deanna Collier wasn't Geraldine's daughter. | 0:16:14 | 0:16:17 | |
-Well, who was she? -How could she have known that Geraldine's daughter existed? | 0:16:20 | 0:16:25 | |
-Nothing? -Nothing. | 0:16:35 | 0:16:37 | |
I was sure the phone would point us in the right direction. | 0:16:37 | 0:16:40 | |
They said it was there. The computer can see it transmitting. That's what they said. | 0:16:40 | 0:16:44 | |
Technology's shit! | 0:16:44 | 0:16:47 | |
HE SIGHS | 0:16:50 | 0:16:52 | |
Port of London Authority? Time of next low water in Bermondsey? | 0:17:06 | 0:17:09 | |
The combination of injuries make it difficult, but cause of death did ultimately reveal itself. | 0:17:15 | 0:17:20 | |
Now this injury is consistent with her being hit by a car. | 0:17:20 | 0:17:23 | |
Indentation of tissue, the large contusion and the transverse fracture | 0:17:23 | 0:17:30 | |
are at a height of 708 to 712mm, | 0:17:30 | 0:17:32 | |
which is consistent with the upper bumper reference line of an SUV. | 0:17:32 | 0:17:35 | |
Bumper height should narrow the possible SUV models. | 0:17:35 | 0:17:38 | |
Yeah. Now, the tissues had signs of oil and tar. | 0:17:38 | 0:17:42 | |
Which suggests that on impact, rather than being thrown up into the air, | 0:17:42 | 0:17:45 | |
she was dragged down under the car and pulled across the tarmac. | 0:17:45 | 0:17:48 | |
There were a number of other fractures. Whether they were caused by the car or not or... | 0:17:49 | 0:17:55 | |
-Or what? -Well, they might have occurred while she was in the river. | 0:17:55 | 0:17:58 | |
I initially thought that she'd drowned, | 0:17:58 | 0:18:01 | |
but then the content of her lungs doesn't support that. | 0:18:01 | 0:18:06 | |
-But she was dead by the time she reached the river. -So the body was dumped there? | 0:18:06 | 0:18:10 | |
I also found rat faeces in her hair | 0:18:10 | 0:18:14 | |
and I extracted debris that was blocking her tracheae and oesophagus. | 0:18:14 | 0:18:19 | |
What kind of debris? | 0:18:19 | 0:18:20 | |
It was solidified fat... human excrement, paper. | 0:18:20 | 0:18:25 | |
She drowned in human excrement?! | 0:18:25 | 0:18:28 | |
-In the Thames?! -The Thames is pretty clean. | 0:18:28 | 0:18:30 | |
Asphyxiated. | 0:18:30 | 0:18:31 | |
Her air pipe... was obstructed. | 0:18:31 | 0:18:33 | |
So she's hit by a car, asphyxiated and we find her in the Thames?! | 0:18:33 | 0:18:40 | |
Well, how does that work? | 0:18:40 | 0:18:43 | |
I think I can keep Schwartzman interested, | 0:18:45 | 0:18:48 | |
but we have to move quickly. | 0:18:48 | 0:18:49 | |
Phillip needs to be put in charge of the company. So, can you please just find a legal way to do it? | 0:18:49 | 0:18:55 | |
-Can you get that done? -You told me she was his granddaughter! | 0:18:55 | 0:18:59 | |
Well, that's what John told me. He came to me, he didn't know what to do. | 0:18:59 | 0:19:04 | |
He didn't know how it'd play in the papers. | 0:19:04 | 0:19:06 | |
I mean, a rich man gives his daughter's baby up for adoption. Briggs is a family brand. | 0:19:06 | 0:19:11 | |
Well, you introduced Schwartzman to John. You brought Deanna to John. | 0:19:11 | 0:19:15 | |
You knew he was looking for Geraldine's baby. | 0:19:15 | 0:19:18 | |
Yes, he confided in me and I was helping him. | 0:19:18 | 0:19:20 | |
-I'm going to the police. -What is it, Annette? Calm down! | 0:19:20 | 0:19:24 | |
How's your husband? How's the kid? | 0:19:24 | 0:19:28 | |
We all live in glass houses, Annette. | 0:19:29 | 0:19:32 | |
That's what modern technology has done for us. | 0:19:32 | 0:19:36 | |
The route of the River Neckinger's tributary... | 0:19:36 | 0:19:40 | |
..takes a dog leg as it moves towards the Thames. | 0:19:41 | 0:19:46 | |
What is it? | 0:19:46 | 0:19:48 | |
Hmm. What are you doing tonight? | 0:19:48 | 0:19:52 | |
-You're not? -Oh, no! -Cos... -No, no, no. God no! | 0:19:52 | 0:19:56 | |
Then, what did you have in mind? | 0:19:56 | 0:19:58 | |
I think Ricky Hatton's hand speed let him down. | 0:20:02 | 0:20:04 | |
-He could take Mayweather's best shot but that's all he was doing. -You are dangerous. | 0:20:04 | 0:20:10 | |
Thank you. | 0:20:10 | 0:20:12 | |
-How do you know about boxing? -Post-mortems. -Now, that is sexy. | 0:20:12 | 0:20:18 | |
Boxer's brains are smaller. Their grey matter is thinner. | 0:20:18 | 0:20:22 | |
-Do you get hit in the head a lot? -I try not to. | 0:20:22 | 0:20:26 | |
-Based on the evidence I saw... -That was a one-off. | 0:20:26 | 0:20:29 | |
Have you ever seen the brain of a person with dementia pugilistica? | 0:20:29 | 0:20:33 | |
I can't say I have and it's not on my list. | 0:20:33 | 0:20:35 | |
The brain strikes the inside wall of the skull, | 0:20:35 | 0:20:37 | |
causing damage to the blood vessels, nerves and brain tissue. | 0:20:37 | 0:20:40 | |
-Thanks for letting me know. -And bleeding is one of the most common causes of... | 0:20:40 | 0:20:43 | |
Let it go. | 0:20:43 | 0:20:45 | |
I know that YOU think that you're probably very... | 0:20:45 | 0:20:49 | |
Well, I don't know what with your fighting. | 0:20:49 | 0:20:51 | |
Nikki, let it go. You're not going to change me. | 0:20:51 | 0:20:53 | |
It's just an ignorant thing to do. | 0:20:53 | 0:20:55 | |
You know doctors have a bad habit of trying to tell everyone else how to live. | 0:20:55 | 0:20:59 | |
-Perhaps we know better. -Or perhaps you're just up yourself. | 0:20:59 | 0:21:03 | |
-SHE LAUGHS -Oh, now you're winning my heart. | 0:21:03 | 0:21:06 | |
-Yeah, that was my plan. -Why do you do it? | 0:21:06 | 0:21:09 | |
Release. | 0:21:09 | 0:21:11 | |
How much of a release can it be to get beaten up all the time? | 0:21:11 | 0:21:15 | |
-Not all the time. -Come on. Look at your face. | 0:21:15 | 0:21:18 | |
It does two things. One, it takes away my guilt. | 0:21:18 | 0:21:23 | |
Try the church. | 0:21:23 | 0:21:24 | |
And two, it reminds me to have some bottle. | 0:21:24 | 0:21:28 | |
-SHE LAUGHS -Why are you laughing? | 0:21:28 | 0:21:29 | |
Well, you definitely don't seem short on that. | 0:21:29 | 0:21:32 | |
It's a work in progress. | 0:21:32 | 0:21:34 | |
What are you scared of? | 0:21:34 | 0:21:36 | |
It's a long story about an old job. | 0:21:36 | 0:21:40 | |
It's time. | 0:21:41 | 0:21:44 | |
-Her body was found here, wasn't it? -Yep. | 0:21:44 | 0:21:47 | |
And we know that she wasn't thrown into the river alive, | 0:21:47 | 0:21:50 | |
because her lungs would have been filled with water, so... | 0:21:50 | 0:21:53 | |
What is it? | 0:21:53 | 0:21:55 | |
The combined sewer overflow. | 0:21:57 | 0:21:59 | |
The outlet of the Neckinger's tributary. | 0:21:59 | 0:22:01 | |
One of London's underground rivers. | 0:22:01 | 0:22:03 | |
When it rains too heavily it takes the sewage overflow. | 0:22:03 | 0:22:06 | |
Rat faeces in her hair! | 0:22:06 | 0:22:11 | |
-Asphyxiated by sewage. -It was raining hard. | 0:22:11 | 0:22:14 | |
The water rises. Deanna's body is pushed into the combined sewer. | 0:22:14 | 0:22:17 | |
The water pushed her along. | 0:22:17 | 0:22:19 | |
Smashes her body against the chain ropes and metal bars in the outflow pipe | 0:22:19 | 0:22:23 | |
until it reaches the Thames. | 0:22:23 | 0:22:26 | |
So her body was found here. | 0:22:26 | 0:22:28 | |
-But she died in... -In there. | 0:22:29 | 0:22:31 | |
This is where they were picking up her mobile signal from. | 0:22:35 | 0:22:39 | |
OK. | 0:22:45 | 0:22:47 | |
Manhole. | 0:22:47 | 0:22:50 | |
-And another here. -You'd need a key to open these. | 0:22:50 | 0:22:54 | |
You're not going to... | 0:23:07 | 0:23:09 | |
Well, I'm not going.... | 0:23:09 | 0:23:11 | |
No, there is no chance! | 0:23:11 | 0:23:13 | |
-SQUEAKING -Was that a rat? | 0:23:13 | 0:23:15 | |
Yeah, huge one. | 0:23:15 | 0:23:17 | |
Leads to a manhole. | 0:23:19 | 0:23:21 | |
Here you go. | 0:23:26 | 0:23:27 | |
-DISTANT KNOCKING -Did you hear that?! -What? | 0:23:34 | 0:23:38 | |
-What do we do if it floods? -Run. | 0:23:39 | 0:23:42 | |
-Ha-ha. -I'm serious. | 0:23:42 | 0:23:45 | |
-Jack? -Huh? -WATER RUSHES | 0:23:51 | 0:23:54 | |
Oh, it's the River Neckinger. It must be just above us. | 0:23:54 | 0:23:57 | |
All the sewage... converges here. | 0:23:57 | 0:24:02 | |
-If there's too much water, it rises to the overflow. -Shut up! | 0:24:02 | 0:24:06 | |
I'm wrong. | 0:24:12 | 0:24:15 | |
Shit! I'm wrong. | 0:24:15 | 0:24:18 | |
-What are you wrong about? -If she's just been murdered her body won't float. | 0:24:18 | 0:24:23 | |
It doesn't work! How could I be so stupid! Dead bodies don't float! | 0:24:23 | 0:24:30 | |
If it won't float, it can't rise to the overflow. | 0:24:30 | 0:24:38 | |
HE SIGHS | 0:24:38 | 0:24:40 | |
I've got a signal. Turn your light off. | 0:24:44 | 0:24:46 | |
PHONE RINGS | 0:24:56 | 0:24:59 | |
PHONE RINGS | 0:25:03 | 0:25:05 | |
PHONE RINGS | 0:25:09 | 0:25:12 | |
She was killed and the murderer threw her gear into the sewer. | 0:25:13 | 0:25:17 | |
But where was she killed? | 0:25:17 | 0:25:19 | |
Here. She died in here. | 0:25:39 | 0:25:40 | |
It takes 48 to 72 hours for a body to decompose enough to trap gases so it'll float. | 0:25:41 | 0:25:47 | |
How did her body rise to the overflow? | 0:25:47 | 0:25:49 | |
When she's hit by the car her leg was broken, she was knocked unconscious, yes? | 0:25:49 | 0:25:53 | |
-Yes. -But when she regains consciousness, she's in the tunnel in the dark, in terrible pain. | 0:25:53 | 0:26:00 | |
She has trouble breathing, so she uses her inhaler. | 0:26:00 | 0:26:03 | |
She hears the water rushing, sees the tunnel filling, but there is no escape. | 0:26:03 | 0:26:09 | |
The water's filling fast, so she tries to stay afloat. | 0:26:09 | 0:26:12 | |
But as she rises in the chamber, she desperately... gasps for air. | 0:26:12 | 0:26:16 | |
She takes in a mouthful of scum floating to the top, human detritus, | 0:26:16 | 0:26:19 | |
and her airways are blocked. | 0:26:19 | 0:26:21 | |
The water buffets her, smashing her skull, breaking her bones and then disposes of her in the Thames. | 0:26:21 | 0:26:30 | |
There is no water in her lungs because her oesophagus and trachea are obstructed. | 0:26:30 | 0:26:35 | |
The steroids in the inhaler allow her to fill her lungs to capacity. | 0:26:35 | 0:26:39 | |
Gases trapped in the lungs making them buoyant. | 0:26:39 | 0:26:41 | |
She's dead. She floats. | 0:26:41 | 0:26:44 | |
KNOCK AT DOOR | 0:27:04 | 0:27:05 | |
SHE GASPS | 0:27:05 | 0:27:07 | |
Who is it, pet? | 0:27:10 | 0:27:12 | |
-Morning. -It's for me. | 0:27:12 | 0:27:14 | |
-BABY CRIES -Can you look after her? | 0:27:14 | 0:27:16 | |
Yes, of course. | 0:27:16 | 0:27:18 | |
We can do this here or at the police station, if you'd prefer. | 0:27:18 | 0:27:22 | |
Come in. | 0:27:22 | 0:27:24 | |
The last time you saw Mr Briggs? | 0:27:35 | 0:27:37 | |
The business dinner. | 0:27:37 | 0:27:40 | |
I went straight home after. | 0:27:40 | 0:27:45 | |
Deanna Collier said that you contacted her. | 0:27:45 | 0:27:48 | |
After his 60th birthday... | 0:27:48 | 0:27:52 | |
Five years ago, Mr Briggs started looking for his granddaughter. | 0:27:57 | 0:28:02 | |
He felt remorse. | 0:28:02 | 0:28:04 | |
And five months ago, out of the blue, he received a letter from Deanna. | 0:28:04 | 0:28:09 | |
He asked me to look into it. | 0:28:09 | 0:28:10 | |
-What made you think she was his granddaughter? -It wasn't my judgement to make. | 0:28:10 | 0:28:14 | |
-Briggs was satisfied? -Obviously. | 0:28:14 | 0:28:18 | |
So before you got the letter from Deanna, how many people knew a granddaughter existed? | 0:28:18 | 0:28:23 | |
-Well, it was a very private matter. -You, Briggs, anyone else? | 0:28:23 | 0:28:27 | |
Geraldine, obviously. | 0:28:27 | 0:28:30 | |
-Michael Trenter. -Who is? | 0:28:31 | 0:28:33 | |
Mr Briggs' media advisor. | 0:28:34 | 0:28:36 | |
How long had Mr Briggs been thinking about selling the company? | 0:28:36 | 0:28:40 | |
He didn't want to, he was being forced into it. | 0:28:40 | 0:28:42 | |
The bank had put him under pressure. They didn't want to loan. | 0:28:42 | 0:28:46 | |
-How long ago was that? -Four or five months. | 0:28:46 | 0:28:49 | |
OK. I think we're done for now. Thank you. | 0:28:50 | 0:28:55 | |
Is that your husband? | 0:28:55 | 0:28:58 | |
-Yes. -Lovely little girl. | 0:28:58 | 0:29:00 | |
Thanks. | 0:29:00 | 0:29:03 | |
Just one more thing. What kind of car do you drive? | 0:29:04 | 0:29:07 | |
-A Lexus. -SUV? | 0:29:07 | 0:29:10 | |
-Yes. -Why does anyone drive an SUV in the city? | 0:29:10 | 0:29:15 | |
-It makes you feel safe. -We're going to need to take it away. Have a look at it. | 0:29:15 | 0:29:19 | |
I received it this morning. | 0:29:28 | 0:29:31 | |
Look at it. | 0:29:31 | 0:29:33 | |
They're threatening to send these to the newspapers. They want money. | 0:29:40 | 0:29:44 | |
KNOCK AT DOOR | 0:29:44 | 0:29:45 | |
You've seen it, Annette? | 0:29:45 | 0:29:47 | |
-Who would want to destroy my father's reputation? -Your father? | 0:29:47 | 0:29:51 | |
-It's hardly about you, is it? -It's not about your father, it's about the company. | 0:29:51 | 0:29:54 | |
You have to do what's right for the company. Doesn't she, Annette? | 0:29:54 | 0:29:59 | |
-Yes. -And what do you think she should do? | 0:29:59 | 0:30:03 | |
As her solicitor, representing her best interests? | 0:30:03 | 0:30:08 | |
I think you should try to make a deal with Schwartzman today. | 0:30:08 | 0:30:11 | |
Before the value drops any further. | 0:30:11 | 0:30:14 | |
HAIRDRYER WHIRS | 0:30:16 | 0:30:18 | |
-NOISE DROWNS OUT SPEECH -What? | 0:30:22 | 0:30:24 | |
HAIRDRYER OFF | 0:30:25 | 0:30:26 | |
Why does Deanna Collier have Michael Trenter's number in her address book? | 0:30:26 | 0:30:30 | |
"Having dinner with mum." | 0:30:32 | 0:30:35 | |
Smiley face. | 0:30:35 | 0:30:36 | |
"If silence is golden, where's the gold? Meet?" | 0:30:36 | 0:30:42 | |
Michael Trenter? | 0:30:42 | 0:30:43 | |
May I speak to Detective Gold, please? | 0:30:46 | 0:30:48 | |
Hi, I'm looking for a Mr Michael Trenter. Detective Const Cook. | 0:30:56 | 0:31:00 | |
I'm sorry, but Mr Trenter's at a lunch meeting at the moment. | 0:31:05 | 0:31:09 | |
Apparently, Trenter's not available. | 0:31:13 | 0:31:15 | |
Well, make an appointment with him. | 0:31:15 | 0:31:16 | |
NO NATURAL SOUND | 0:31:28 | 0:31:30 | |
My resignation. | 0:32:11 | 0:32:12 | |
-I want our conversation to be private. -Of course. | 0:32:15 | 0:32:19 | |
This morning must have been horrible for you. | 0:32:19 | 0:32:21 | |
I'd be grateful if you could leave me with a little dignity. | 0:32:21 | 0:32:25 | |
I had my dignity stolen when I was 16, I have mo intention of taking yours. | 0:32:25 | 0:32:29 | |
It wasn't me in the photograph with your father. | 0:32:29 | 0:32:31 | |
Why didn't you say something? | 0:32:31 | 0:32:33 | |
Because it could have been. | 0:32:33 | 0:32:35 | |
I see. | 0:32:36 | 0:32:38 | |
But you can't fight them. | 0:32:40 | 0:32:43 | |
They make up stories. | 0:32:43 | 0:32:44 | |
If they can't find a newspaper, they put it on the internet. | 0:32:44 | 0:32:46 | |
They ruin reputations - doesn't matter to them. | 0:32:46 | 0:32:49 | |
Sell the company. | 0:32:49 | 0:32:51 | |
Take the money and go and live your life. | 0:32:51 | 0:32:54 | |
My life will never be what I expected it to be. | 0:32:54 | 0:32:57 | |
Let Phillip take over. | 0:32:57 | 0:32:58 | |
Let them get on with it. | 0:32:58 | 0:33:00 | |
That would be in your interest, wouldn't it? | 0:33:00 | 0:33:02 | |
It's me today, it'll be you tomorrow. | 0:33:02 | 0:33:05 | |
He gave the responsibility to me. I wondered why he would do that. | 0:33:06 | 0:33:11 | |
He wanted me to know that he believed me. | 0:33:11 | 0:33:14 | |
Finally, he believed me. | 0:33:14 | 0:33:15 | |
I'm not going to sell the company. | 0:33:18 | 0:33:21 | |
I don't accept it. | 0:33:21 | 0:33:22 | |
I don't care what you put in your mouth. | 0:33:22 | 0:33:24 | |
I've two days. | 0:33:24 | 0:33:25 | |
Don't tell me what I should be scared of, tell me what I can do. | 0:33:25 | 0:33:29 | |
Jack, here's a list of the SUVs with bumper heights that are matches. | 0:33:30 | 0:33:33 | |
Thanks, Clarissa. | 0:33:33 | 0:33:35 | |
I've done a breakdown of swipe card entries. | 0:33:35 | 0:33:37 | |
11:37 a secondary guest card was used. Both cards were issued to Annette Kelly. | 0:33:37 | 0:33:42 | |
Second one is not on the evidence inventory. | 0:33:42 | 0:33:44 | |
-I'll get this over to the detectives. -Thanks. -That's impressive! | 0:33:44 | 0:33:47 | |
-Have you met? -No. -Nikki, Clarissa. Clarissa, Nikki. | 0:33:47 | 0:33:51 | |
Hi. | 0:33:51 | 0:33:52 | |
Is she the one you said is a genius? | 0:33:53 | 0:33:55 | |
I didn't actually say that. | 0:33:55 | 0:33:58 | |
Yes, you did. | 0:33:58 | 0:33:59 | |
OK, you didn't. Whatever. It's nice to meet you, Nikki. | 0:33:59 | 0:34:04 | |
I don't know what you're worried about. | 0:34:04 | 0:34:06 | |
-From the way you described her, she is a genius. -Can I have a quick word? | 0:34:06 | 0:34:09 | |
-You played that brilliantly! -It's the double bluff that sells it! | 0:34:19 | 0:34:22 | |
-But the information I gave you is all true. -Yeah, that was good too. | 0:34:22 | 0:34:25 | |
(Not sure I understand the point unless it has to do with sex.) | 0:34:25 | 0:34:29 | |
(It better not be to do with sex. Not where you eat, Jack. I have a mortgage.) | 0:34:29 | 0:34:33 | |
-I just want our life here to work. -Why wouldn't it? -You can rub people up the wrong way. -What about you?! | 0:34:33 | 0:34:39 | |
DOOR OPENS | 0:34:43 | 0:34:44 | |
Thank you for meeting with me. | 0:34:46 | 0:34:48 | |
Oh, don't thank me yet. | 0:34:48 | 0:34:50 | |
Annette should be joining us. | 0:34:50 | 0:34:52 | |
Yeah, well, traffic is bad. | 0:34:52 | 0:34:54 | |
She... She tells me I should work with you. | 0:34:54 | 0:34:58 | |
Well, I'm a good listener. | 0:34:59 | 0:35:00 | |
-I don't trust many people. -We've got a lot in common. | 0:35:00 | 0:35:04 | |
Professor? | 0:35:09 | 0:35:10 | |
-Leo. Just call me Leo. -Sorry. | 0:35:10 | 0:35:12 | |
-Clarissa... -Mm-hm. | 0:35:12 | 0:35:13 | |
You didn't actually say that I wouldn't get to interview her. | 0:35:14 | 0:35:18 | |
She's my technician. I need her. | 0:35:18 | 0:35:19 | |
There's a problem here with the "my" and the "I". | 0:35:19 | 0:35:22 | |
-God, yeah, you're right - there's "i" in team. -And I didn't expect... | 0:35:22 | 0:35:25 | |
I told you I would only come if I could bring my technician. | 0:35:25 | 0:35:28 | |
If she goes, I go. | 0:35:32 | 0:35:34 | |
-Oh! -Cos we're a team. | 0:35:34 | 0:35:36 | |
Without an "i". | 0:35:37 | 0:35:39 | |
-I like her. -PHONE RINGS | 0:35:46 | 0:35:47 | |
Yeah? Wait till you get to know her. | 0:35:47 | 0:35:50 | |
Jack Hodgson. | 0:35:50 | 0:35:51 | |
Thank you. | 0:35:57 | 0:35:59 | |
Annette Kelly is missing. | 0:36:02 | 0:36:04 | |
Gus. | 0:36:09 | 0:36:11 | |
It's her husband. | 0:36:11 | 0:36:12 | |
We'd usually give it 48 hours before we treat it as suspicious | 0:36:12 | 0:36:15 | |
but Det Sgt Gold think's we should view it as a possible crime scene straightaway, | 0:36:16 | 0:36:20 | |
-in light of prior events. -Mm-hm. | 0:36:20 | 0:36:22 | |
What'd you find? | 0:37:48 | 0:37:49 | |
In the bottom drawer of Annette Kelly's desk. | 0:37:52 | 0:37:56 | |
Residue of talcum powder. | 0:37:56 | 0:37:59 | |
It doesn't belong to Annette Kelly. | 0:38:00 | 0:38:02 | |
Have a look in the side pocket at the back. | 0:38:02 | 0:38:04 | |
-Hotel swipe card. -Mm-hm. | 0:38:10 | 0:38:12 | |
The whip marks... | 0:38:23 | 0:38:24 | |
Somebody likes punishment. | 0:38:26 | 0:38:27 | |
And you're different? | 0:38:27 | 0:38:29 | |
Ouch. | 0:38:29 | 0:38:31 | |
It's been cut. | 0:38:32 | 0:38:34 | |
On the side. | 0:38:34 | 0:38:35 | |
-We can swab it for DNA. Clarissa will look for fibres. -Latex...! | 0:38:35 | 0:38:38 | |
The allergen. Yeah... | 0:38:38 | 0:38:40 | |
And I found this... | 0:39:29 | 0:39:30 | |
Was it some sort of extortion plot? | 0:39:33 | 0:39:34 | |
Maybe he got a kick out of it. | 0:39:34 | 0:39:37 | |
Maybe you look at too much porn. | 0:39:37 | 0:39:38 | |
And I thought my secret was safe. | 0:39:38 | 0:39:41 | |
-That's not real. -What do you mean? | 0:39:45 | 0:39:47 | |
Briggs's neck, look at it. | 0:39:47 | 0:39:49 | |
His face is smooth from the lifts, | 0:39:51 | 0:39:52 | |
but his neck shows every one of his 65 years. | 0:39:52 | 0:39:56 | |
Was Annette on the CCTV? | 0:39:56 | 0:39:57 | |
Wasn't looking for her. | 0:39:57 | 0:40:00 | |
Do you have the hard drive? | 0:40:00 | 0:40:02 | |
-Original and the copy. -Well, look again. | 0:40:02 | 0:40:04 | |
OK. | 0:40:05 | 0:40:06 | |
DOG BARKS | 0:40:11 | 0:40:13 | |
Woody! | 0:40:16 | 0:40:19 | |
Come on, Woody. Come on, sweetheart! | 0:40:21 | 0:40:24 | |
What have you got there, eh? | 0:40:24 | 0:40:25 | |
Woody, woody, drop! Drop! | 0:40:27 | 0:40:29 | |
Looks like it was done postmortem. | 0:40:35 | 0:40:37 | |
No coagulation visible. | 0:40:37 | 0:40:39 | |
Is it meant to look like suicide? | 0:40:39 | 0:40:41 | |
Female. Annette Kelly. | 0:40:42 | 0:40:46 | |
Let's see what comes back with the DNA results. | 0:40:46 | 0:40:48 | |
A large...splinter in the hand. | 0:40:48 | 0:40:50 | |
Dark substance on the wood. | 0:40:53 | 0:40:54 | |
Creosote. | 0:40:57 | 0:40:58 | |
It's not been cut. | 0:41:03 | 0:41:05 | |
Teeth marks? | 0:41:05 | 0:41:07 | |
Why's she leaving the hotel? | 0:41:11 | 0:41:13 | |
She doesn't have the bag with her. | 0:41:13 | 0:41:15 | |
Go to real time. | 0:41:15 | 0:41:16 | |
PHONE RINGS | 0:41:19 | 0:41:22 | |
Just a sec, mate. | 0:41:22 | 0:41:24 | |
Hello. | 0:41:24 | 0:41:25 | |
Yeah, I may have something but I can't talk now. | 0:41:27 | 0:41:32 | |
Later one, yeah. | 0:41:32 | 0:41:33 | |
She went back up. | 0:41:36 | 0:41:38 | |
When she comes back in she finds him dead. He's wearing the gear. | 0:41:38 | 0:41:41 | |
The latex causes the anaphylaxis. | 0:41:41 | 0:41:43 | |
She knew what the papers would say. | 0:41:43 | 0:41:44 | |
Briggs's room, late at night. Not good, people will talk. | 0:41:44 | 0:41:47 | |
She panics. She wants to leave, but she's afraid. | 0:41:47 | 0:41:49 | |
She cuts him out of the outfit and tries to clean up. | 0:41:49 | 0:41:53 | |
Wipes the flat surfaces, the telephone jack... | 0:41:53 | 0:41:56 | |
Why does she walk out in the first place? | 0:41:56 | 0:41:58 | |
He asked her to do something she doesn't want to do? | 0:41:58 | 0:42:01 | |
The whip. Why didn't she call the police though? | 0:42:01 | 0:42:04 | |
She was afraid they might leak it to the press. | 0:42:04 | 0:42:08 | |
Have they found the rest of the body? | 0:42:08 | 0:42:10 | |
Your man Cook leaks stories to the press. | 0:42:13 | 0:42:15 | |
You're telling me that just like that? Like it's a fact. | 0:42:15 | 0:42:18 | |
-Seemed the best way. I heard him on the phone. -Can you prove it? | 0:42:18 | 0:42:24 | |
Good on the accusations. Not so much on the proof. | 0:42:26 | 0:42:28 | |
As it's breaking the law, I thought I'd give you a heads-up. | 0:42:28 | 0:42:31 | |
Let me give you a heads up - don't touch this. | 0:42:31 | 0:42:33 | |
People are sensitive about it. | 0:42:33 | 0:42:35 | |
If you can't prove it, keep your mouth shut. And even if you can. | 0:42:35 | 0:42:38 | |
Because we all have to work together. | 0:42:38 | 0:42:42 | |
Fox. | 0:42:44 | 0:42:45 | |
I'll call the Royal Veterinary College to get them to confirm. | 0:42:45 | 0:42:48 | |
It was creosote. | 0:42:48 | 0:42:50 | |
Surface of the skin has traces of Bacillus thuringiensis. | 0:42:51 | 0:42:54 | |
A pesticide. | 0:42:54 | 0:42:55 | |
These marks... | 0:42:58 | 0:42:59 | |
They aren't teeth. They're some sort of rash, aren't they? | 0:42:59 | 0:43:03 | |
What kind of insects is Bacillus thuringiensis meant to control? | 0:43:05 | 0:43:09 | |
Jack wanted me to find out about poisonous caterpillars. | 0:43:11 | 0:43:15 | |
-I didn't know caterpillars could be poisonous, did you? -Yep. | 0:43:15 | 0:43:18 | |
Oak Processionary Moth... | 0:43:19 | 0:43:21 | |
They're not indigenous to Britain. Did you know that? | 0:43:22 | 0:43:25 | |
Yes. Came from Northern France. | 0:43:25 | 0:43:27 | |
-Did you know we've had an infestation recently? -Yes. | 0:43:29 | 0:43:31 | |
You did? | 0:43:31 | 0:43:33 | |
I just read it. | 0:43:33 | 0:43:35 | |
Where are the locations of the infestations in London? | 0:43:36 | 0:43:39 | |
You don't know? | 0:43:39 | 0:43:41 | |
CENTRAL LOCKING BLEEPS | 0:43:44 | 0:43:45 | |
Hi. | 0:43:50 | 0:43:51 | |
OK, there are three sections of the park which are closed. | 0:43:53 | 0:43:58 | |
This section is closest to the residential street | 0:43:58 | 0:44:00 | |
where the arm was found. | 0:44:00 | 0:44:02 | |
OK. | 0:44:02 | 0:44:03 | |
The Oak Processionary Moth caterpillar. | 0:44:24 | 0:44:26 | |
Nikki. | 0:44:37 | 0:44:38 | |
NIKKI! JACK! | 0:44:49 | 0:44:50 | |
Over here. | 0:44:50 | 0:44:52 | |
I tried to reach her this morning. | 0:45:10 | 0:45:12 | |
To tell her we were returning her car. | 0:45:12 | 0:45:14 | |
Blow to the head. | 0:45:32 | 0:45:34 | |
Creosote? | 0:45:35 | 0:45:37 | |
DNA? | 0:45:48 | 0:45:50 | |
Prints. | 0:45:50 | 0:45:51 | |
DNA? Prints? Anything you need, you can have. | 0:45:51 | 0:45:55 | |
That'll catch every car, bicycle, person that comes in here. | 0:45:55 | 0:46:00 | |
Think it actually works? | 0:46:00 | 0:46:01 | |
Hair? | 0:46:07 | 0:46:09 | |
Hmm. | 0:46:09 | 0:46:12 | |
Well, she certainly didn't kill herself. | 0:46:12 | 0:46:14 | |
Single blow, blunt trauma injury, side of the head, cerebral bleeding... | 0:46:14 | 0:46:18 | |
She'd have died pretty quickly. | 0:46:18 | 0:46:20 | |
And there were two creosote-covered wood splinters. | 0:46:20 | 0:46:22 | |
But the killer was trying to make it look like suicide? | 0:46:22 | 0:46:25 | |
Not very successfully. | 0:46:25 | 0:46:26 | |
Why, if you were a stranger, | 0:46:26 | 0:46:28 | |
would you try to make it look like a suicide? | 0:46:28 | 0:46:30 | |
If it's a random assault? | 0:46:30 | 0:46:31 | |
No, you do that if you know her. | 0:46:31 | 0:46:33 | |
DNA is back on the arm. | 0:46:33 | 0:46:34 | |
-We've got the rest of the victim, now. -Progress. | 0:46:34 | 0:46:37 | |
The arm belongs to Annette Kelly. | 0:46:37 | 0:46:39 | |
We know. She's also your unknown DNA - Briggs's hotel room, the carpet... | 0:46:39 | 0:46:44 | |
Mr Barber and I are going to look at ways to try and cut costs. | 0:46:45 | 0:46:48 | |
I think we might be past the point | 0:46:49 | 0:46:51 | |
where we can be looking at ways to cut costs. | 0:46:51 | 0:46:54 | |
Mr Hornsby, let us try and work our way out of this. | 0:46:54 | 0:46:58 | |
We can't loan you any more money, Miss Briggs. | 0:46:58 | 0:47:02 | |
You have no experience in running a business. | 0:47:02 | 0:47:06 | |
Come on...! Can't the bank show a little good will? | 0:47:06 | 0:47:09 | |
I've had this conversation for months with your father. | 0:47:09 | 0:47:12 | |
Didn't know there was a meeting this morning. | 0:47:12 | 0:47:14 | |
You didn't know cos your weren't invited. | 0:47:14 | 0:47:16 | |
-Don't you think we should wait for Annette? -I'm sorry. | 0:47:16 | 0:47:19 | |
This is not an option I can consider unless we have a concrete plan. | 0:47:19 | 0:47:24 | |
Mr Trenter, could you leave? | 0:47:24 | 0:47:25 | |
Yeah, there's a meeting going on. I think... | 0:47:25 | 0:47:30 | |
I've got a concrete plan. | 0:47:30 | 0:47:32 | |
Look, I'm not going to pretend that I know how to do...anything, | 0:47:44 | 0:47:47 | |
but...Mr Barber is willing to work with us. | 0:47:47 | 0:47:51 | |
We'll hire the people we need and if you could just show us some support... | 0:47:51 | 0:47:55 | |
I'm sorry to interrupt. | 0:47:55 | 0:47:56 | |
Geraldine Briggs, I am arresting you on the suspicion of the murder of Annette Kelly. | 0:47:56 | 0:48:02 | |
You do not have to say anything, but it may harm your defence | 0:48:02 | 0:48:05 | |
if you do not mention, when questioned, | 0:48:05 | 0:48:08 | |
something you later rely on in court. | 0:48:08 | 0:48:10 | |
Anything you do say, may give in evidence. | 0:48:10 | 0:48:12 | |
Your arrest is necessary for the prompt and effective investigation of the offence. | 0:48:14 | 0:48:19 | |
SIGHS HEAVILY: I'm in charge now. | 0:48:28 | 0:48:30 | |
The clock runs out tomorrow. | 0:48:31 | 0:48:32 | |
I'll be contacting Mr Schwartzman to close the deal. | 0:48:32 | 0:48:35 | |
Of course. | 0:48:35 | 0:48:38 | |
He's done due diligence, it's only a matter of a signature. | 0:48:38 | 0:48:40 | |
Well, that's your business, not mine. | 0:48:40 | 0:48:42 | |
Yes, it is. Of course it is. Yeah. | 0:48:42 | 0:48:44 | |
We'll get him signing immediately, and put the whole thing to bed. | 0:48:44 | 0:48:50 | |
CCTV places Geraldine at the park with Annette. | 0:48:50 | 0:48:53 | |
She admits she was there. | 0:48:53 | 0:48:55 | |
Geraldine leave, she drives away, Annette doesn't. | 0:48:55 | 0:48:58 | |
Geraldine was the last person to be seen with Deanna Collier. | 0:48:58 | 0:49:01 | |
So we're working from an operating theory, | 0:49:01 | 0:49:04 | |
that Geraldine discovers Deanna is an imposter | 0:49:04 | 0:49:06 | |
hoping to get money. | 0:49:06 | 0:49:07 | |
And Annette? | 0:49:07 | 0:49:09 | |
She thinks Annette is having an affair with Briggs in order to extort money, | 0:49:09 | 0:49:12 | |
probably killed him, and the photograph is part of it. | 0:49:12 | 0:49:15 | |
-A partner in her own extortion plot? -The photograph's a fraud. | 0:49:15 | 0:49:18 | |
-It's been Photoshopped. -Are you sure? | 0:49:18 | 0:49:20 | |
Light moves in straight lines in all the universe, except this photo. | 0:49:20 | 0:49:23 | |
They've put Briggs's head on someone else's body, likewise Mrs Kelly. | 0:49:23 | 0:49:27 | |
-It's true. -No, I've just told you, it's not true. -But the DNA in the hotel room... | 0:49:27 | 0:49:31 | |
-What's your point? -They were having a sexual relationship! | 0:49:31 | 0:49:34 | |
Why is that important? They're dead. | 0:49:34 | 0:49:36 | |
-You're bent. -What?! -Jack! -You've already sold it. -Enough! Enough. | 0:49:36 | 0:49:40 | |
We need to visit the Kelly home. Routine search. | 0:49:45 | 0:49:48 | |
We need more evidence if we're going to hold Geraldine Briggs. | 0:49:48 | 0:49:53 | |
-CCTV places her in the car park? -Yeah. | 0:49:53 | 0:49:55 | |
-Not the scene of the murder. -No. | 0:49:55 | 0:49:57 | |
Well, IF she killed Annette, | 0:49:59 | 0:50:01 | |
she will possibly have been exposed to Oak Processionary Moth larvae. | 0:50:01 | 0:50:05 | |
She could have the red marks on her arms, her legs... | 0:50:05 | 0:50:07 | |
And those marks would place her at the scene. So look for them. | 0:50:07 | 0:50:10 | |
-Can we do that right away? -Of course. | 0:50:10 | 0:50:12 | |
-They paid you over the odds for a sex scandal. -Shut up! | 0:50:12 | 0:50:15 | |
And now you're worried you may have sold the newspaper a lie. | 0:50:15 | 0:50:21 | |
-Are you OK? -Yeah, good. Sorry. | 0:50:21 | 0:50:23 | |
-Do you want to make a complaint? -I do! | 0:50:23 | 0:50:25 | |
No. | 0:50:25 | 0:50:27 | |
We all have to work together. | 0:50:27 | 0:50:28 | |
You don't do yourself any favours. | 0:50:34 | 0:50:36 | |
I need to work on that. | 0:50:36 | 0:50:38 | |
Gold's saying you provoked him. | 0:50:39 | 0:50:40 | |
She's always going to close ranks. | 0:50:42 | 0:50:44 | |
-Do you close ranks? -Leo's doing that right now. | 0:50:44 | 0:50:46 | |
The Professor I admire the most - having to make excuses for me. | 0:50:47 | 0:50:50 | |
Get over the hero worship. | 0:50:50 | 0:50:52 | |
Can I see you arms, please? | 0:51:07 | 0:51:09 | |
Why should anyone believe me? | 0:51:18 | 0:51:20 | |
OK, you can put your clothes on. | 0:51:26 | 0:51:28 | |
Your father believed you. | 0:51:35 | 0:51:36 | |
(I believe you.) | 0:51:36 | 0:51:38 | |
-Are you trying to intimidate me? -No. | 0:51:53 | 0:51:57 | |
Just wondering how hard it is to become a detective. | 0:51:57 | 0:52:00 | |
-Can't be that hard. -Shut up. | 0:52:00 | 0:52:01 | |
Silence is golden. | 0:52:01 | 0:52:03 | |
Deanna's text message... | 0:52:05 | 0:52:07 | |
Does Michael Trenter have an SUV? | 0:52:07 | 0:52:09 | |
I thought you got paid to keep that shite out the papers? | 0:52:12 | 0:52:15 | |
Now it's actually studied in advertising courses! | 0:52:15 | 0:52:19 | |
What time did Mr Schwartzman say he'd be here? | 0:52:19 | 0:52:22 | |
-He's not coming. -About 5 o'clock. Now. | 0:52:22 | 0:52:24 | |
He's going to let the ship sink, then buy it for salvage. | 0:52:26 | 0:52:28 | |
Where is he, Michael? | 0:52:28 | 0:52:29 | |
He'll wait till the very last minute, pull out, | 0:52:29 | 0:52:32 | |
-and let the company go under. -Be quiet...! | 0:52:32 | 0:52:35 | |
Schwartzman's not interested in you. Or me, or Hornsby. | 0:52:35 | 0:52:39 | |
He'll buy it for 30p in the pound, turn it into a non-union shop. Result. | 0:52:39 | 0:52:43 | |
I said shut up. | 0:52:43 | 0:52:46 | |
A thousand people out of work. And people will say he's clever. | 0:52:46 | 0:52:50 | |
I said shut it! | 0:52:50 | 0:52:52 | |
Politicians will want to be his friend. | 0:52:52 | 0:52:54 | |
-PHONE RINGS -Have a drink with him. | 0:52:54 | 0:52:56 | |
He'll set up an academy and sleep with an actress. | 0:52:56 | 0:52:59 | |
Hello. | 0:52:59 | 0:53:00 | |
He'll be in Tony Blair's address book now. | 0:53:00 | 0:53:02 | |
And give money to some spin doctor's charity for alcoholic depressives. | 0:53:02 | 0:53:07 | |
Mr Schwartzman has withdrawn his interest. | 0:53:12 | 0:53:15 | |
He won't be coming today. | 0:53:15 | 0:53:17 | |
Bunch of mugs. | 0:53:17 | 0:53:19 | |
Youse are all a bunch of mugs. | 0:53:20 | 0:53:23 | |
So am I. | 0:53:23 | 0:53:25 | |
You'll need to put yourself into administration immediately. | 0:53:25 | 0:53:28 | |
He's having bodywork done. | 0:53:38 | 0:53:40 | |
Det Sgt Gold. Is this Michael Trenter's car? | 0:53:43 | 0:53:46 | |
This is it. | 0:53:46 | 0:53:47 | |
I thought you knew everything, Michael. | 0:53:50 | 0:53:52 | |
Everything about everyone. | 0:53:52 | 0:53:55 | |
Do we want to sell the company, Phillip? | 0:53:55 | 0:53:58 | |
Let's just stay focused on that. | 0:53:59 | 0:54:00 | |
I've spoken to the administrator. They're desperate. | 0:54:09 | 0:54:12 | |
We think we can do a deal at 30 pence on the pound. | 0:54:12 | 0:54:15 | |
Because of you, Michael. | 0:54:15 | 0:54:16 | |
-Thank you. -Don't mention it. | 0:54:16 | 0:54:19 | |
What is it? | 0:54:25 | 0:54:26 | |
Deanna Collier. | 0:54:26 | 0:54:27 | |
RASP OF METAL, SCREAMS | 0:54:30 | 0:54:33 | |
GURGLING | 0:54:38 | 0:54:41 | |
Pathologist. | 0:54:58 | 0:54:59 | |
Forensics. | 0:54:59 | 0:55:01 | |
Jack. | 0:55:23 | 0:55:24 | |
Mm-hm. | 0:55:26 | 0:55:27 | |
Oak Processionary Moth. | 0:55:28 | 0:55:30 | |
Det Gold in particular praised your work. | 0:55:41 | 0:55:43 | |
-I don't know why. -It's a mystery. | 0:55:43 | 0:55:45 | |
And it is very gracious of you | 0:55:45 | 0:55:47 | |
to invite Det Cook to do the follow up on Deanna with you. | 0:55:47 | 0:55:51 | |
Magnanimous. | 0:55:51 | 0:55:52 | |
-Two words I don't normally hear. -I imagine he'll like the sewer. | 0:55:52 | 0:55:56 | |
Thank you. | 0:55:56 | 0:55:58 | |
Thank you both for giving me the chance. | 0:55:58 | 0:56:00 | |
-Hello, Professor. -Hello. | 0:56:03 | 0:56:04 | |
-Hello, Dr Alexander. -Hi. | 0:56:04 | 0:56:05 | |
The information you wanted. I've confirmed it. | 0:56:05 | 0:56:08 | |
-Oh, thank you! -No worries. | 0:56:08 | 0:56:10 | |
It's a beautiful day today, isn't it? | 0:56:10 | 0:56:13 | |
CLARISSA SIGHS | 0:56:13 | 0:56:15 | |
Very upbeat! | 0:56:15 | 0:56:16 | |
Change is good! | 0:56:18 | 0:56:20 | |
Change...is good. | 0:56:22 | 0:56:24 | |
I ran your DNA against the database | 0:56:27 | 0:56:29 | |
and that's when I discovered something. | 0:56:29 | 0:56:31 | |
That's Joanna. By the window. | 0:56:51 | 0:56:53 | |
The couple that adopted her, sent her back. | 0:56:58 | 0:57:00 | |
Turned out she wasn't perfect. | 0:57:02 | 0:57:04 | |
No one's perfect. | 0:57:08 | 0:57:09 | |
GIRL GIGGLES | 0:57:14 | 0:57:15 | |
Oh, man...! WATER SPLASHES | 0:57:26 | 0:57:28 | |
-You OK? -Yeah. Good. | 0:57:28 | 0:57:29 | |
-I'm going to film a bit of this. -That's where we found the phone. | 0:57:31 | 0:57:35 | |
Further along there. | 0:57:35 | 0:57:36 | |
-Oh, my God. -Huh? | 0:57:36 | 0:57:38 | |
COOK CHUCKLES | 0:57:38 | 0:57:39 | |
What you doing, man? | 0:57:50 | 0:57:52 | |
I'm going to kick your ass. | 0:57:53 | 0:57:56 | |
You think she could have died later? | 0:57:56 | 0:57:58 | |
-Why do you say that? -Fewer blowfly larvae on the blonde victim. | 0:57:58 | 0:58:02 | |
I know you're strong, but now it's all about the fight. | 0:58:02 | 0:58:05 | |
You just have to do whatever it takes. | 0:58:05 | 0:58:07 | |
Chrissy Reed. Worked for CID up in Yorkshire. | 0:58:07 | 0:58:09 | |
Must have found a way of flushing her down the M1. | 0:58:09 | 0:58:12 | |
Shona did not smother him! | 0:58:12 | 0:58:14 | |
Time for work. | 0:58:14 | 0:58:15 | |
What's the matter, Jack? Can't even look at me? | 0:58:15 | 0:58:18 | |
Baby-killing bitch! | 0:58:18 | 0:58:19 | |
There are three vials of TTX unaccounted for? | 0:58:19 | 0:58:21 | |
-Do you know what this is? What it can do? -Shut up! | 0:58:21 | 0:58:24 | |
Kill...me... | 0:58:24 | 0:58:26 | |
You, Jack, you're all the same. | 0:58:26 | 0:58:27 | |
Playing on the edge of law enforcement like kids in a bloody sand-pit. | 0:58:27 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:32 |