Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme/film contains some scenes which some viewers may find upsetting. | 0:00:03 | 0:00:09 | |
YOUNG MAN: Don't leave me! Please! | 0:00:12 | 0:00:14 | |
Please help me! | 0:00:17 | 0:00:18 | |
SCREAMS | 0:00:20 | 0:00:22 | |
SCREAMS | 0:00:25 | 0:00:27 | |
Help! | 0:00:27 | 0:00:28 | |
Help me! | 0:00:28 | 0:00:30 | |
Oh! | 0:00:37 | 0:00:39 | |
Aah! | 0:00:40 | 0:00:42 | |
SCREAMS | 0:00:42 | 0:00:44 | |
Don't leave me here! | 0:00:45 | 0:00:47 | |
ECHOING: Please don't leave me! | 0:00:47 | 0:00:50 | |
# Testator silens | 0:00:54 | 0:01:00 | |
# Costestes e spiritu | 0:01:02 | 0:01:09 | |
# Silentium... # | 0:01:09 | 0:01:16 | |
JACK: What did that to his arm? | 0:01:39 | 0:01:41 | |
I don't know. It's definitely not rat bites. | 0:01:41 | 0:01:44 | |
Apparently, he fell from heaven. | 0:01:45 | 0:01:48 | |
Has anybody moved the debris? | 0:01:51 | 0:01:52 | |
Only what was needed to support the roof. | 0:01:52 | 0:01:55 | |
Don't want any more surprises from above. | 0:01:55 | 0:01:57 | |
-Who found him? -Couple of developers. | 0:01:57 | 0:02:00 | |
They pulled this ladder out the way. It was holding up the ceiling. | 0:02:00 | 0:02:03 | |
-Developers? -Yeah, you know. | 0:02:03 | 0:02:05 | |
Apartments of the future. Windmills, solar panels, that kind of thing. | 0:02:05 | 0:02:09 | |
-Anything you need from the body? -No, he's all yours. | 0:03:03 | 0:03:07 | |
-You really need to be up there? -Well, once we've cleared the floor. | 0:03:10 | 0:03:12 | |
-What was this building? -Brimstead Fields? | 0:03:12 | 0:03:16 | |
It was a convalescent home for TB patients | 0:03:16 | 0:03:18 | |
till it was closed in the '60s. | 0:03:18 | 0:03:20 | |
Now you'll have a site manager breathing down your neck to get the bulldozers in. | 0:03:20 | 0:03:24 | |
He can breathe all he likes. No-one's coming in here until I say so. | 0:03:24 | 0:03:27 | |
Leo. | 0:03:34 | 0:03:36 | |
Sorry I'm late, Sanjit. CHUCKLES | 0:03:39 | 0:03:41 | |
-Have I missed anything? -Nice try. No. | 0:03:41 | 0:03:43 | |
-One moment, please, sir. -MEN MURMUR | 0:03:50 | 0:03:53 | |
Thank you. | 0:03:53 | 0:03:55 | |
You're probably thinking I'm a poor substitute for Sir William himself, | 0:04:06 | 0:04:09 | |
but imagine how I feel. | 0:04:09 | 0:04:11 | |
LAUGHTER | 0:04:11 | 0:04:12 | |
I can't tell you how sorry my father is that he can't be at the ceremony. | 0:04:12 | 0:04:16 | |
I can tell you that this unit is a project very, very close to his heart. | 0:04:16 | 0:04:22 | |
Mr Hancock. Your wife isn't here. | 0:04:26 | 0:04:29 | |
I know, Barbara. | 0:04:29 | 0:04:32 | |
Forgive me, I'm breaching the order. | 0:04:32 | 0:04:34 | |
You know I can't let you stay. | 0:04:34 | 0:04:36 | |
I don't want to interfere with anyone's care. | 0:04:37 | 0:04:39 | |
Just give me some space to sit with my son. | 0:04:40 | 0:04:43 | |
Please don't do this, Tom. | 0:04:43 | 0:04:45 | |
-You think I'm wrong? -No. | 0:04:45 | 0:04:47 | |
But you're going to suffer for it. I'll have to call the police. | 0:04:47 | 0:04:50 | |
You do what you have to. | 0:04:50 | 0:04:52 | |
If you want to leave, leave now! | 0:04:53 | 0:04:56 | |
No-one come near me! | 0:04:56 | 0:04:59 | |
I will use this! | 0:04:59 | 0:05:01 | |
Can you get those people out, please? Just make sure they stay outside. | 0:05:01 | 0:05:05 | |
Erm...children's hospital, the TAU department. | 0:05:05 | 0:05:06 | |
The police, please. | 0:05:06 | 0:05:08 | |
MONITOR BEEPING | 0:05:08 | 0:05:10 | |
We have a man here with a gun. | 0:05:10 | 0:05:12 | |
Yes, OK. Thanks. | 0:05:12 | 0:05:14 | |
Well, Peter, I told you I'd keep my promise. | 0:05:14 | 0:05:18 | |
MONITOR BEEPING | 0:05:18 | 0:05:21 | |
MONITOR BEEPING | 0:05:26 | 0:05:27 | |
MONITOR BEEPING | 0:05:34 | 0:05:36 | |
RAPID BEEPS | 0:05:38 | 0:05:40 | |
You can build an empire, which he did. You can create a fortune, which he has. | 0:05:40 | 0:05:45 | |
You can even endure the shame of having a government minister for a son... | 0:05:45 | 0:05:48 | |
POLITE LAUGHTER | 0:05:48 | 0:05:49 | |
So, it's Lord Embleton now, is it? | 0:05:49 | 0:05:51 | |
Political donations... | 0:05:51 | 0:05:52 | |
-But at the end of the day... -..beget political honours. | 0:05:52 | 0:05:54 | |
..power and fame and money fade away. | 0:05:54 | 0:05:57 | |
Our true legacy is in the things we do for others. | 0:05:57 | 0:06:00 | |
APPLAUSE | 0:06:00 | 0:06:03 | |
MONITOR BEEPING | 0:06:10 | 0:06:12 | |
They're on the left-hand side. He's just sitting next to his son. | 0:06:15 | 0:06:18 | |
MONITOR BEEPING | 0:06:19 | 0:06:21 | |
You had enough? | 0:06:25 | 0:06:26 | |
Sorry, I'm just not very good at these dog and pony shows. | 0:06:26 | 0:06:30 | |
-Ah, Minister. -Sanjit. | 0:06:30 | 0:06:31 | |
Can I introduce you to Professor Leo Dalton? | 0:06:31 | 0:06:33 | |
-How do you do? -Lord Embleton. Minister for Science. | 0:06:33 | 0:06:36 | |
I liked, erm...your point about the things we do for others. | 0:06:36 | 0:06:39 | |
You know, Professor, I used to think I knew my father. | 0:06:39 | 0:06:42 | |
Until I saw what losing my mother did to him. This is really for her. | 0:06:42 | 0:06:46 | |
Are you part of the unit? | 0:06:46 | 0:06:48 | |
No, I'm just visiting. | 0:06:48 | 0:06:49 | |
Professor Dalton's head of the Lyell Centre | 0:06:49 | 0:06:51 | |
and President of The Institute of Forensic Pathologists. | 0:06:51 | 0:06:53 | |
The Lyell Centre? | 0:06:53 | 0:06:55 | |
Do you have a Dr Alexander working for you? | 0:06:55 | 0:06:57 | |
Yeah, yeah. Do you know her? | 0:06:57 | 0:06:59 | |
I met her once. A weekend conference thing, somewhere. | 0:06:59 | 0:07:03 | |
They all merge into one. But I do remember her. | 0:07:03 | 0:07:06 | |
Excuse me. James, can I borrow you? | 0:07:06 | 0:07:08 | |
Sorry. | 0:07:08 | 0:07:10 | |
Something's wrong. | 0:07:10 | 0:07:13 | |
-I need to find Professor Dalton. -Yeah, that's me. | 0:07:13 | 0:07:16 | |
-Pathologist? -What's going on? -Please come with me. | 0:07:16 | 0:07:19 | |
-What? -We've got a situation in the ICU unit. | 0:07:19 | 0:07:22 | |
There's a man with a gun and he's asking to speak to you. | 0:07:22 | 0:07:25 | |
Professor Dalton. Are you the man I need? | 0:07:28 | 0:07:31 | |
-Well, I don't know. Am I? -Thomas Hancock. | 0:07:31 | 0:07:35 | |
Self-employed heating engineer, no police record, no convictions. | 0:07:35 | 0:07:38 | |
His son is terminally ill. | 0:07:38 | 0:07:40 | |
Doctors advised him to withdraw treatment but his wife won't have it. | 0:07:40 | 0:07:43 | |
He switched off the machines | 0:07:43 | 0:07:45 | |
-and now he's making us all wait for the kid to die. -What exactly...? | 0:07:45 | 0:07:47 | |
He wants to talk to the person who'll carry out his son's postmortem. | 0:07:47 | 0:07:50 | |
Tell him we need those other patients out of there. | 0:07:50 | 0:07:54 | |
He thought it was a trick when I... Oh, shit. | 0:07:54 | 0:07:56 | |
MONITORS BEEPING | 0:07:57 | 0:08:00 | |
I'm Leo Dalton. I'm a forensic pathologist. | 0:08:13 | 0:08:16 | |
I don't plan to hurt anyone. I just want to do right by my boy. | 0:08:16 | 0:08:20 | |
I understand. | 0:08:20 | 0:08:22 | |
Is it OK if I sit down? | 0:08:25 | 0:08:26 | |
He's still breathing. | 0:08:50 | 0:08:51 | |
I thought he'd stop when I switched off the machine. | 0:08:53 | 0:08:55 | |
-What have they told you? -The cancer's everywhere. | 0:08:55 | 0:08:58 | |
His organs have failed. He'll never wake up. | 0:08:58 | 0:09:02 | |
My wife went on the internet, and now she chooses not to agree. | 0:09:03 | 0:09:06 | |
This isn't the way to deal with this. | 0:09:06 | 0:09:08 | |
I don't have a choice. | 0:09:08 | 0:09:10 | |
Her solicitor found a judge | 0:09:10 | 0:09:12 | |
who gave her the benefit of the doubt and overruled the doctors. | 0:09:12 | 0:09:16 | |
-Why did you ask for me? -Because you'll be taking care of him | 0:09:16 | 0:09:19 | |
-when it's over. -I can't guarantee that. | 0:09:19 | 0:09:20 | |
-I want you to promise. -I can't. | 0:09:20 | 0:09:22 | |
If you want to know that your son's body's going to be respected... | 0:09:22 | 0:09:24 | |
No, what I want to know is what killed him. | 0:09:24 | 0:09:27 | |
-Well, you know the diagnosis. -But they say nothing about why. | 0:09:27 | 0:09:30 | |
They put power lines outside the house that ran right past his bedroom window. | 0:09:31 | 0:09:35 | |
Don't tell me that's healthy. | 0:09:35 | 0:09:37 | |
Look, I can't make you a promise that I might not be able to keep. | 0:09:41 | 0:09:45 | |
Now, this power line thing is... shaky science. | 0:09:45 | 0:09:51 | |
And a tumour can't tell you what caused it to be a tumour. | 0:09:53 | 0:09:55 | |
Nobody wants to listen to me. | 0:09:55 | 0:09:57 | |
As long as I've got this, you have to. | 0:09:58 | 0:10:03 | |
I have evidence. | 0:10:03 | 0:10:05 | |
-I have proof. -Of what? | 0:10:05 | 0:10:07 | |
OK, so maybe it's not the power lines. | 0:10:07 | 0:10:10 | |
There's a lot they don't want you to know. | 0:10:10 | 0:10:12 | |
So, you're the expert. | 0:10:12 | 0:10:15 | |
You tell me who killed my son. | 0:10:15 | 0:10:18 | |
MONITORS BEEPING | 0:10:18 | 0:10:20 | |
Took a lot of nerve to walk in here. | 0:10:21 | 0:10:24 | |
I know what it is to lose a child. | 0:10:25 | 0:10:27 | |
Let go, Peter. | 0:10:39 | 0:10:41 | |
Please, son, let go. | 0:10:43 | 0:10:46 | |
COCKS GUN | 0:10:48 | 0:10:50 | |
Don't even think it. | 0:10:52 | 0:10:54 | |
CONTINUOUS BEEP | 0:11:06 | 0:11:08 | |
BEEP STOPS | 0:11:20 | 0:11:21 | |
Go! | 0:11:23 | 0:11:24 | |
On the right, put it down! | 0:11:25 | 0:11:27 | |
Stand clear! | 0:11:27 | 0:11:30 | |
-Armed police! Get down on the floor! -Armed police! | 0:11:30 | 0:11:33 | |
Secure. | 0:11:35 | 0:11:36 | |
On your knees. Stand up. | 0:11:37 | 0:11:40 | |
Move. | 0:11:41 | 0:11:43 | |
-Anything for me yet? -The rest of his clothes. Help yourself. | 0:11:48 | 0:11:51 | |
£2.50 and a set of car keys. No ID of any kind. | 0:11:51 | 0:11:56 | |
-Did they find a car? -Not that I know of. | 0:11:56 | 0:11:59 | |
And what about the damage to his arm? | 0:11:59 | 0:12:01 | |
I think he did it to himself. | 0:12:04 | 0:12:06 | |
SCREAMS | 0:12:06 | 0:12:09 | |
There's flesh in his teeth and tooth marks on the bone. | 0:12:11 | 0:12:16 | |
I'll get micro-CT and DNA to confirm. | 0:12:16 | 0:12:18 | |
That's one hell of a case of the munchies. | 0:12:18 | 0:12:21 | |
-Did you get his fingerprints? -The skin's too far gone. | 0:12:21 | 0:12:24 | |
-Clarissa might be able to lift something from the water bottle. -Yeah, I don't understand that. | 0:12:24 | 0:12:28 | |
A full bottle of water and he didn't even touch it. | 0:12:28 | 0:12:30 | |
Maybe it isn't water. | 0:12:30 | 0:12:31 | |
When you're done with the prints, can you screen his clothes for hallucinogens? | 0:12:42 | 0:12:45 | |
Nikki reckons our boy tried to chew his own arm off. | 0:12:45 | 0:12:48 | |
Oh. I got a partial from the belt buckle. | 0:12:48 | 0:12:51 | |
But it doesn't match any of the prints on the bottle. | 0:12:51 | 0:12:54 | |
-What, there were two people? -Unless he had three index fingers. | 0:12:54 | 0:12:57 | |
Well, that still doesn't tell us how he could be up there for days without touching his water. | 0:12:57 | 0:13:00 | |
Maybe he couldn't reach it. | 0:13:00 | 0:13:02 | |
SCREAMING | 0:13:02 | 0:13:04 | |
Run the prints through AFIS and check out the water. | 0:13:10 | 0:13:12 | |
People have done worse on LSD. | 0:13:12 | 0:13:15 | |
-NIKKI: -You could take the afternoon off. | 0:13:48 | 0:13:50 | |
I'd rather stay here and annoy you. | 0:13:50 | 0:13:52 | |
I don't want to be mooching around at home. | 0:13:55 | 0:13:57 | |
-As opposed to mooching around here? -Hmm. | 0:13:57 | 0:13:59 | |
Do you know a Lord Embleton? | 0:13:59 | 0:14:02 | |
-Embleton? -Mm. | 0:14:03 | 0:14:04 | |
He knows you. James Embleton. | 0:14:05 | 0:14:08 | |
-Oh, him! Yes. -"Oh, him, yes"! | 0:14:08 | 0:14:11 | |
I only met him once. | 0:14:11 | 0:14:12 | |
Well, you made quite an impression. | 0:14:12 | 0:14:15 | |
Hm. We should talk about the man from the ceiling. | 0:14:15 | 0:14:19 | |
Does he have a name yet? | 0:14:19 | 0:14:21 | |
Clarissa lifted a partial from his belt buckle | 0:14:21 | 0:14:22 | |
and she's checking it against the database. | 0:14:22 | 0:14:25 | |
-And who's the officer? -Detective Inspector Cherry. | 0:14:25 | 0:14:27 | |
-Do you know him? -Is that him? | 0:14:27 | 0:14:29 | |
Yeah. | 0:14:30 | 0:14:31 | |
-You coming through? -In a minute, yeah. | 0:14:35 | 0:14:38 | |
-Morning, James. -Hello, Claire. | 0:14:57 | 0:14:59 | |
I'll get those e-mails sent. | 0:14:59 | 0:15:02 | |
-Do you need anything else? -Some hot Vimto would be nice. | 0:15:04 | 0:15:08 | |
I'll tell the kitchen. | 0:15:08 | 0:15:10 | |
Hello, Dad. | 0:15:12 | 0:15:14 | |
Hm. I wish I was 79 again. | 0:15:16 | 0:15:19 | |
There was a bit of excitement after the ceremony. | 0:15:19 | 0:15:23 | |
Some nutcase got onto one of the wards with a shotgun. | 0:15:23 | 0:15:25 | |
Never mind that. | 0:15:25 | 0:15:27 | |
-WOMAN ON TV: Brimstead Fields... -What's this about? | 0:15:27 | 0:15:29 | |
...former TB hospital which has been empty for more than 40 years... | 0:15:29 | 0:15:32 | |
-Oh, no. -...intense police scrutiny... | 0:15:32 | 0:15:34 | |
-Brimstead Fields. -...after a body was discovered... -Didn't I make myself clear? | 0:15:34 | 0:15:37 | |
The contractors are supposed to start work next week. | 0:15:37 | 0:15:39 | |
-This is really going to mess things up. -I told you. | 0:15:39 | 0:15:43 | |
I know. | 0:15:43 | 0:15:45 | |
But it's been standing empty for so long. It...it was meant to be a surprise. | 0:15:45 | 0:15:49 | |
It's that all right. | 0:15:49 | 0:15:52 | |
I'm not doing this to make money, Dad. | 0:15:52 | 0:15:54 | |
This is a big project. | 0:15:54 | 0:15:57 | |
We're converting the old hospital into apartments. | 0:15:57 | 0:15:59 | |
We're building 200 low-cost homes. | 0:15:59 | 0:16:02 | |
The whole development is going to be carbon-neutral. | 0:16:02 | 0:16:04 | |
No-one's ever done anything like this before, not on this scale. | 0:16:04 | 0:16:08 | |
We're providing homes for people. | 0:16:08 | 0:16:11 | |
Surely it's better to put that land to some sort of use? | 0:16:11 | 0:16:14 | |
Dad, you put me in the driving seat. You have to let me drive. | 0:16:15 | 0:16:19 | |
What's your problem with it? | 0:16:19 | 0:16:22 | |
Legal issues. | 0:16:22 | 0:16:25 | |
-Hm. -I have to go. | 0:16:25 | 0:16:28 | |
I'm going to have to deal with this. | 0:16:28 | 0:16:31 | |
I'll call again soon. | 0:16:31 | 0:16:33 | |
CROWS CAW | 0:16:38 | 0:16:40 | |
RATTLING | 0:16:46 | 0:16:48 | |
The body's quite well preserved. | 0:17:01 | 0:17:03 | |
From the way he was dressed, I'd say he entered the building in summer. | 0:17:03 | 0:17:05 | |
A hot, airless, confined space would have accelerated death from dehydration | 0:17:05 | 0:17:10 | |
and then acted to preserve the tissues from decay. | 0:17:10 | 0:17:13 | |
But he had a full bottle of water with him. So, why didn't he use it? | 0:17:13 | 0:17:15 | |
Exactly, something we're looking into. | 0:17:15 | 0:17:17 | |
There are lacerations on the arm below the major injury. | 0:17:17 | 0:17:20 | |
And signs of tearing, all in one direction. | 0:17:20 | 0:17:24 | |
How long did he live? | 0:17:25 | 0:17:26 | |
Long enough for necrosis to set in on the arm. | 0:17:26 | 0:17:28 | |
Days at least. Perhaps more than a week. | 0:17:28 | 0:17:31 | |
Dehydration could have led to shock and cardiac arrest. | 0:17:31 | 0:17:35 | |
As would a release of myoglobin from the necrotic muscle. | 0:17:35 | 0:17:37 | |
We can't rule out blood loss when he bit through the artery. | 0:17:37 | 0:17:40 | |
Ah, listen, there's currently 200 misper files for young males in their 20s. | 0:17:40 | 0:17:45 | |
Is there anything that you can give me that might narrow it down a bit? | 0:17:45 | 0:17:48 | |
Well, I did find something interesting in the organ slides. | 0:17:48 | 0:17:50 | |
Oh, here we go. This is my nightmare of being dragged back to school. | 0:17:50 | 0:17:53 | |
This is a slice from the best-preserved kidney. | 0:17:56 | 0:17:58 | |
If you look at the structure, you'll see signs of tubular dysfunction. | 0:17:58 | 0:18:02 | |
This means a less efficient kidney | 0:18:02 | 0:18:03 | |
that passes substances into the urine instead of the bloodstream. | 0:18:03 | 0:18:06 | |
Increased urination means more rapid dehydration. | 0:18:06 | 0:18:10 | |
So, how does that help me? | 0:18:10 | 0:18:11 | |
It could help identify him | 0:18:11 | 0:18:13 | |
-through medical records. -And if that doesn't | 0:18:13 | 0:18:15 | |
-turn anything up, there's always the option of virtual reconstruction. -What, with that face? | 0:18:15 | 0:18:19 | |
Well, Nikki's worked wonders with less. | 0:18:19 | 0:18:21 | |
-When Dr Alexander's done with you, can you come with me to the clean room, please? -Sure. | 0:18:23 | 0:18:26 | |
I used the grid to recreate where all the ceiling pieces fell. | 0:18:26 | 0:18:30 | |
From there, I could jinx them around | 0:18:30 | 0:18:32 | |
to approximate where they would have been before the whole thing came down. | 0:18:32 | 0:18:36 | |
-So, what about the water? -He couldn't reach it. | 0:18:36 | 0:18:38 | |
The flags are a blood trail... | 0:18:38 | 0:18:41 | |
..and they led me to here. | 0:18:42 | 0:18:44 | |
Now, in this part of the space there's a conduit through the brick. | 0:18:44 | 0:18:48 | |
And for some reason he pushed his arm right through it, | 0:18:48 | 0:18:53 | |
and got himself trapped. | 0:18:53 | 0:18:54 | |
SCREAMING | 0:18:54 | 0:18:56 | |
SCREAMING | 0:18:57 | 0:19:00 | |
How do you know that? | 0:19:00 | 0:19:01 | |
Well, there was massive blood loss here. | 0:19:01 | 0:19:03 | |
Enough to tell us that he must have bitten through an artery | 0:19:03 | 0:19:06 | |
in his final effort to get free. | 0:19:06 | 0:19:09 | |
Then he dragged himself across to the hatch. | 0:19:12 | 0:19:14 | |
Doesn't have the strength to open a bottle of water. | 0:19:14 | 0:19:17 | |
All he's thinking about is getting out. | 0:19:17 | 0:19:20 | |
No tears of relief, can't spare the moisture. | 0:19:20 | 0:19:21 | |
Up till now, still looks to me like misadventure. | 0:19:21 | 0:19:25 | |
But what does he find when he gets here? | 0:19:25 | 0:19:28 | |
Bolted? | 0:19:30 | 0:19:31 | |
From below. Look around. | 0:19:31 | 0:19:34 | |
There's no other way in or out. | 0:19:34 | 0:19:36 | |
This wasn't just misadventure. | 0:19:36 | 0:19:38 | |
Someone locked him in and left him to die. | 0:19:38 | 0:19:41 | |
GASPING | 0:19:43 | 0:19:45 | |
-Good work. -Thanks. | 0:19:53 | 0:19:55 | |
I've got a black-tie bash tomorrow, | 0:19:55 | 0:19:57 | |
and I was wondering if you'd stand in for me. | 0:19:57 | 0:20:00 | |
-You've done it before. -Will I know anyone? | 0:20:02 | 0:20:04 | |
Oh, it's all the usual Forensic Forum crowd. | 0:20:04 | 0:20:07 | |
Be good for you. Be good for the Lyell Centre. | 0:20:07 | 0:20:09 | |
-If I have to. -Thanks. | 0:20:09 | 0:20:12 | |
Oh, they've just brought the Hancock boy in. | 0:20:12 | 0:20:15 | |
Thank you. | 0:20:43 | 0:20:45 | |
SHE SIGHS | 0:20:57 | 0:20:59 | |
DOOR CLICKS OPEN | 0:20:59 | 0:21:01 | |
-What are you doing here? -I'm on bail. | 0:21:03 | 0:21:06 | |
How did you get bail? | 0:21:06 | 0:21:07 | |
-I'm no significant risk to the public. -Well, that's rich. | 0:21:09 | 0:21:11 | |
After you killed our son. | 0:21:11 | 0:21:14 | |
-If that's what you want to think. -You don't care what I think. | 0:21:14 | 0:21:17 | |
Even if his only chance was a miracle, you took that chance away. | 0:21:17 | 0:21:21 | |
You could see how he was suffering. | 0:21:21 | 0:21:23 | |
If he could suffer, he could live. | 0:21:23 | 0:21:26 | |
What do you want from me? | 0:21:27 | 0:21:28 | |
I want him back. | 0:21:30 | 0:21:32 | |
Why don't we sit down and talk about it? | 0:21:34 | 0:21:36 | |
Stella. Stella! | 0:21:38 | 0:21:40 | |
You go to hell! | 0:21:40 | 0:21:42 | |
DOOR SLAMS | 0:21:47 | 0:21:48 | |
Everything I'm seeing confirms what's in his notes. | 0:21:48 | 0:21:52 | |
Multiple primary lung tumours, probably synchronous. | 0:21:52 | 0:21:55 | |
A stage four small-cell carcinoma with multiple secondaries. | 0:21:55 | 0:22:01 | |
He's had it all. Surgery. Radiation. | 0:22:01 | 0:22:03 | |
Nothing helped. | 0:22:03 | 0:22:05 | |
I don't know if we can take the hospital notes as read. | 0:22:05 | 0:22:07 | |
Once he'd reached a terminal state, | 0:22:08 | 0:22:10 | |
there'd be no more diagnostic searches. | 0:22:10 | 0:22:13 | |
I doubt we'll find anything that alters the story. | 0:22:13 | 0:22:16 | |
-How old's the scan? -Three weeks. | 0:22:18 | 0:22:21 | |
He went down fast. | 0:22:22 | 0:22:24 | |
How did you leave it with the father? | 0:22:24 | 0:22:26 | |
He wants someone to blame. | 0:22:27 | 0:22:30 | |
He wants an explanation and the truth is | 0:22:30 | 0:22:33 | |
that sometimes it's just an appalling lottery. | 0:22:33 | 0:22:37 | |
Leo? | 0:22:41 | 0:22:42 | |
What? | 0:22:42 | 0:22:44 | |
Very rarely do you see this level | 0:22:44 | 0:22:46 | |
of tubular atrophy in someone so young. | 0:22:46 | 0:22:48 | |
Unless the kidney disease is genetic. | 0:22:48 | 0:22:52 | |
The same as the boy in the roof? | 0:22:52 | 0:22:55 | |
Test the blood and urine for tubular acidosis. | 0:22:57 | 0:23:00 | |
For both cases. | 0:23:01 | 0:23:03 | |
SIGHS | 0:23:16 | 0:23:18 | |
Good morning, Clarissa. | 0:23:32 | 0:23:35 | |
Americano, dash of milk, | 0:23:35 | 0:23:38 | |
and a little biscuit. | 0:23:38 | 0:23:40 | |
What are you after? | 0:23:40 | 0:23:42 | |
Can I not just buy my colleague a cup of coffee? | 0:23:42 | 0:23:46 | |
I had a voucher. | 0:23:47 | 0:23:48 | |
Cheapskate. How are we doing? | 0:23:48 | 0:23:52 | |
Winning two-nil. That grid idea of yours was a blinder. | 0:23:52 | 0:23:55 | |
-I've sent off the DNA. -You know, if it were down to me | 0:23:55 | 0:23:58 | |
I'd have everyone chipped like a dog and save us all a lot of trouble. | 0:23:58 | 0:24:01 | |
If the keys were in his pocket, what happened to his car? | 0:24:01 | 0:24:04 | |
Well, the police did a search and found nothing. Maybe there was a second set. | 0:24:04 | 0:24:07 | |
You wouldn't be able to move it without one. There's a transponder. | 0:24:07 | 0:24:09 | |
Were you able to get a make and a model? | 0:24:09 | 0:24:11 | |
Better than that. I got you Colin Connor. | 0:24:11 | 0:24:13 | |
-Who's Colin Connor? -Your boy in the roof. | 0:24:13 | 0:24:15 | |
AFIS matched the partial from the belt buckle. | 0:24:15 | 0:24:19 | |
Oh. | 0:24:19 | 0:24:21 | |
You little tease. | 0:24:21 | 0:24:24 | |
Thanks for the coffee. And the biscuit. | 0:24:24 | 0:24:26 | |
Colin Connor was a local kid. | 0:24:26 | 0:24:29 | |
We've got his prints on file from a bit of petty crime. | 0:24:29 | 0:24:32 | |
-What about family? -It said a sister in Newcastle. | 0:24:32 | 0:24:35 | |
Been signing on. Hadn't done any work or any training for five years. | 0:24:36 | 0:24:40 | |
That's all we know about him until we find out who his friends were. | 0:24:40 | 0:24:42 | |
-Where did he live? -Above a pub. | 0:24:42 | 0:24:45 | |
Landlord assumed he'd skipped, so he bagged up all his gear. | 0:24:45 | 0:24:49 | |
So, of course, all we found were his dirty clothes and his dirty mags. | 0:24:49 | 0:24:51 | |
CHUCKLES | 0:24:51 | 0:24:53 | |
And then when you said you'd found the keys, we widened the search. | 0:24:53 | 0:24:55 | |
So, we were just wondering, could that be it? | 0:24:55 | 0:24:58 | |
Looks like someone pushed it down here and then torched it, cover their tracks. | 0:25:11 | 0:25:18 | |
Did no-one report it? | 0:25:18 | 0:25:19 | |
Well, we had it down as dumped, not stolen. | 0:25:19 | 0:25:21 | |
Well, this is what they were after. | 0:25:23 | 0:25:24 | |
These are the cut ends of all the wire | 0:25:24 | 0:25:26 | |
I found in the burned-out pick-up. | 0:25:26 | 0:25:28 | |
This is scrap wiring from the old building. | 0:25:28 | 0:25:31 | |
Look at the tool marks on the end. | 0:25:31 | 0:25:33 | |
They're a match. | 0:25:33 | 0:25:35 | |
It's metal theft. They were stripping out copper to sell for cash. | 0:25:35 | 0:25:39 | |
-They? -Colin Connor and at least one other. | 0:25:39 | 0:25:42 | |
Colin goes into the roof space to get the wire. | 0:25:42 | 0:25:44 | |
He reaches too far into a conduit, gets his arm stuck. | 0:25:44 | 0:25:46 | |
Instead of helping him out, | 0:25:46 | 0:25:48 | |
the other one bolts the trap, leaves him to die a horrible death, | 0:25:48 | 0:25:51 | |
and torches the pick-up to cover their tracks. | 0:25:51 | 0:25:54 | |
Why would someone do that? | 0:25:54 | 0:25:56 | |
Did you ever read The Cask of Amontillado? | 0:25:57 | 0:26:01 | |
The what? | 0:26:01 | 0:26:02 | |
Look it up. | 0:26:04 | 0:26:06 | |
Come on then, genius. | 0:26:11 | 0:26:12 | |
It's a short story by Edgar Allan Poe. | 0:26:12 | 0:26:15 | |
Course it is. | 0:26:15 | 0:26:17 | |
A man responds to an insult by luring his friend into a wine cellar | 0:26:17 | 0:26:19 | |
and then walling him in alive. | 0:26:19 | 0:26:22 | |
It's good. | 0:26:22 | 0:26:23 | |
Working here is like being on bloody Mastermind. | 0:26:23 | 0:26:26 | |
So, what are you going to do now? | 0:26:26 | 0:26:27 | |
Find out who owns the truck. | 0:26:27 | 0:26:30 | |
'Tom. What can I do for you?' | 0:26:32 | 0:26:35 | |
Yeah, I...I'm calling for news. | 0:26:35 | 0:26:37 | |
You have to be patient. | 0:26:39 | 0:26:41 | |
You made me a promise. | 0:26:41 | 0:26:43 | |
'I said that I would give you an answer when I had one.' | 0:26:44 | 0:26:48 | |
You said "when". That mean you think I could be right? | 0:26:48 | 0:26:51 | |
I didn't say that. | 0:26:51 | 0:26:53 | |
You haven't even asked to see my evidence yet. | 0:26:53 | 0:26:55 | |
Yeah, well, I prefer to find my own. | 0:26:55 | 0:26:58 | |
Look, take my advice, keep away from the internet. | 0:26:58 | 0:27:01 | |
'I'll see you at the inquest, OK?' | 0:27:01 | 0:27:03 | |
PHONE BEEPS | 0:27:05 | 0:27:07 | |
WOLF-WHISTLES | 0:27:14 | 0:27:15 | |
Wow. Don't suppose you need a plus-one? | 0:27:15 | 0:27:17 | |
-It's a formal occasion, Jack. -I can behave. | 0:27:17 | 0:27:20 | |
Jury's out on that one. | 0:27:20 | 0:27:23 | |
Hi. Oh! Look at you. | 0:27:24 | 0:27:27 | |
We have the test results for Peter Hancock's kidney disease. | 0:27:27 | 0:27:30 | |
-Everything points to Fanconi syndrome. -Really? | 0:27:30 | 0:27:33 | |
I know, it's rare, but it's the same for both cases. | 0:27:33 | 0:27:37 | |
If there's no genetic cause, then usually it's environmental. | 0:27:37 | 0:27:39 | |
I haven't heard of a case of Fanconi syndrome since lead pipes were banned. | 0:27:39 | 0:27:43 | |
Well, some herbal remedies can have the same effect, can't they? | 0:27:43 | 0:27:46 | |
Wasn't his mother into that kind of thing? | 0:27:46 | 0:27:48 | |
Well, that wouldn't explain the damage to Colin Connor. | 0:27:48 | 0:27:52 | |
-Shouldn't you be, er...? -You owe me. | 0:27:53 | 0:27:56 | |
-# BACH: Cello Suite No. -1 - Prelude | 0:28:00 | 0:28:03 | |
Hi. Thanks. Do you know if there's a seating plan? | 0:28:13 | 0:28:16 | |
-It's just over there, madam. -Thank you. | 0:28:16 | 0:28:20 | |
MUSIC PLAYING | 0:28:20 | 0:28:22 | |
LOW CHATTER | 0:28:22 | 0:28:24 | |
Dr Alexander? | 0:28:52 | 0:28:55 | |
James Embleton. You won't remember me. | 0:28:55 | 0:28:58 | |
Lord Embleton. | 0:28:58 | 0:28:59 | |
You do remember! | 0:28:59 | 0:29:01 | |
None of this "Lord" stuff. Call me James. | 0:29:03 | 0:29:06 | |
Call me Nikki. | 0:29:06 | 0:29:07 | |
I met your boss yesterday. | 0:29:07 | 0:29:09 | |
I'm standing in for him now. | 0:29:09 | 0:29:11 | |
I am so glad. | 0:29:11 | 0:29:13 | |
-Really? -I wanted to give you my card at that weekend thing, | 0:29:13 | 0:29:17 | |
but you'd already left. I was in that lecture of yours | 0:29:17 | 0:29:21 | |
when the old man in the second row asked a pointless question. | 0:29:21 | 0:29:25 | |
Everybody groaned, and you could have slapped him down | 0:29:25 | 0:29:27 | |
but instead you turned it around and made him feel clever. | 0:29:27 | 0:29:30 | |
SHE CHUCKLES | 0:29:30 | 0:29:31 | |
Ever since then I've been looking for an excuse to meet you again. | 0:29:31 | 0:29:35 | |
Why do you need an excuse? | 0:29:35 | 0:29:37 | |
Yes. Why do I? | 0:29:39 | 0:29:40 | |
TEXT ALERT | 0:29:42 | 0:29:44 | |
Excuse me. | 0:29:45 | 0:29:47 | |
I'll have to run over to the House. My boss needs me to vote. | 0:29:51 | 0:29:54 | |
You have a boss? | 0:29:54 | 0:29:56 | |
Until there's a freelance Minister of Science, that's the way it is. | 0:29:56 | 0:29:59 | |
Could I ask you for your phone number? | 0:30:01 | 0:30:04 | |
Can't make the same mistake twice. | 0:30:05 | 0:30:07 | |
KEYPAD BEEPING | 0:30:10 | 0:30:14 | |
I see you're sitting next to Dr Corder. | 0:30:17 | 0:30:20 | |
-Mm-hm. -Try not to stare at his wonky eye. | 0:30:20 | 0:30:22 | |
LAUGHS | 0:30:22 | 0:30:24 | |
SIGHS | 0:30:30 | 0:30:31 | |
You really ought to go there. | 0:31:09 | 0:31:11 | |
I mean, we went there for our last holiday | 0:31:11 | 0:31:12 | |
and, er...I mean, the trick is to leave early. | 0:31:12 | 0:31:15 | |
Course, we stop at the service stations on the way up | 0:31:15 | 0:31:17 | |
but it's never the same if you don't get a good run. | 0:31:17 | 0:31:19 | |
-TEXT ALERT -That's the thing. | 0:31:19 | 0:31:21 | |
-The thing is... -I'm so sorry. | 0:31:21 | 0:31:23 | |
This is work. I'm going to have to deal with it. Sorry. | 0:31:23 | 0:31:25 | |
-Oh, that's perfectly OK. -Lovely to meet you. | 0:31:25 | 0:31:29 | |
-Nice to meet you. -And you. | 0:31:29 | 0:31:31 | |
Anyway, as I was saying... | 0:31:31 | 0:31:33 | |
He does not have a wonky eye. | 0:31:37 | 0:31:39 | |
Really? My mistake. | 0:31:39 | 0:31:41 | |
Shall we? | 0:31:42 | 0:31:44 | |
So, you weren't born a lord? | 0:31:47 | 0:31:49 | |
It was a dodge, really, to bring me into the government, | 0:31:50 | 0:31:53 | |
which was never my ambition. | 0:31:53 | 0:31:55 | |
But when they call you to serve, what can you do? | 0:31:55 | 0:31:58 | |
I guess a title will get you a table at any fancy restaurant. | 0:31:58 | 0:32:01 | |
Those aren't even the kind of restaurants I like. | 0:32:01 | 0:32:03 | |
So, are you happy? I mean, are you happy with the work you're doing? | 0:32:06 | 0:32:11 | |
Why wouldn't I be? | 0:32:11 | 0:32:12 | |
I heard your keynote speech at the conference. | 0:32:12 | 0:32:15 | |
You're a proper scientist. | 0:32:15 | 0:32:17 | |
All the politics must get in the way, doesn't it? | 0:32:17 | 0:32:20 | |
I can make a difference in other ways. | 0:32:20 | 0:32:22 | |
God, I couldn't do that. | 0:32:22 | 0:32:24 | |
Advising people who choose the truths they want to hear. | 0:32:24 | 0:32:28 | |
I'd be tearing my hair out. | 0:32:28 | 0:32:29 | |
-You've met my bosses. -I've met people like them. | 0:32:29 | 0:32:32 | |
We all serve our separate masters, | 0:32:32 | 0:32:36 | |
right up to the one at the top who serves his private demons, | 0:32:36 | 0:32:39 | |
and that's politics in a nutshell. | 0:32:39 | 0:32:42 | |
-Sounds very cynical. -It's a cynical world. | 0:32:42 | 0:32:44 | |
It doesn't have to be. | 0:32:44 | 0:32:46 | |
Anyone who thinks that needs a lesson in hard reality. | 0:32:46 | 0:32:50 | |
I have to prepare for a coroner's report tomorrow, for a teenaged boy | 0:32:53 | 0:32:57 | |
with a glioblastoma that spread to his brainstem. | 0:32:57 | 0:32:59 | |
That's my...hard reality. | 0:32:59 | 0:33:02 | |
Shit. | 0:33:06 | 0:33:08 | |
Look, if this is about the old van, | 0:33:08 | 0:33:10 | |
I had a good reason for not reporting it stolen. | 0:33:10 | 0:33:12 | |
Go on. | 0:33:12 | 0:33:14 | |
It wasn't worth it to me. It was a clapped-out piece of junk. | 0:33:14 | 0:33:17 | |
I'd have got buttons and all my other premiums would have shot up. | 0:33:17 | 0:33:19 | |
-So, who took it? -I don't know. | 0:33:19 | 0:33:21 | |
Someone broke into the yard one bank holiday weekend. | 0:33:21 | 0:33:24 | |
Someone was using your van to steal scrap metal from a derelict building. | 0:33:24 | 0:33:28 | |
You don't think I had anything to do with that, do you? | 0:33:28 | 0:33:30 | |
-Well, you have got a record. -Yeah, from way back! | 0:33:30 | 0:33:33 | |
God Almighty! I were all but a kid! | 0:33:33 | 0:33:35 | |
And I've got responsibilities now. | 0:33:35 | 0:33:37 | |
I got the contract for all the sheltered housing in the borough. Do you think I'm going to risk that? | 0:33:37 | 0:33:40 | |
All right, calm down, Brian. | 0:33:40 | 0:33:42 | |
The thief was unlucky. He got trapped in the roof. | 0:33:42 | 0:33:45 | |
The keys to your van were in his pocket. | 0:33:45 | 0:33:47 | |
And he wasn't alone. | 0:33:47 | 0:33:48 | |
Someone knew he was up there and did nothing. | 0:33:48 | 0:33:51 | |
Took him best part of a week to die. | 0:33:51 | 0:33:54 | |
It was a pretty nasty way to go. | 0:33:54 | 0:33:56 | |
It were nothing to do with me. | 0:33:59 | 0:34:00 | |
Derren? | 0:34:07 | 0:34:10 | |
SIREN WAILING OUTSIDE | 0:34:10 | 0:34:12 | |
Derren! | 0:34:12 | 0:34:14 | |
Why did you lie to me about Colin? | 0:34:16 | 0:34:19 | |
I didn't. | 0:34:19 | 0:34:21 | |
He's not lying low in Newcastle. | 0:34:21 | 0:34:23 | |
He's only on a slab in the bloody morgue. | 0:34:23 | 0:34:25 | |
-Did you know about this? -No. | 0:34:25 | 0:34:28 | |
Don't do this to me, Derren. Please. | 0:34:28 | 0:34:31 | |
This is important. | 0:34:31 | 0:34:33 | |
Why are you shouting at me? | 0:34:34 | 0:34:36 | |
Don't you get it? Colin's dead! | 0:34:36 | 0:34:39 | |
God, Derren! What's the matter with you? You're asleep half the time, | 0:34:40 | 0:34:42 | |
-then you do something like this? -I didn't do anything! | 0:34:42 | 0:34:45 | |
Did he make you go there with him? | 0:34:45 | 0:34:47 | |
Were you thieving wire again with my van? | 0:34:47 | 0:34:50 | |
Oi! Come here! | 0:34:51 | 0:34:53 | |
Derren! If you were there, they'll find out! | 0:34:55 | 0:34:58 | |
Just tell me the bloody truth! | 0:34:58 | 0:35:00 | |
Let me help you, son. Please. | 0:35:04 | 0:35:07 | |
I don't get you, Derren! I don't get you at all! | 0:35:10 | 0:35:13 | |
And I'm sick of covering for you! | 0:35:13 | 0:35:14 | |
BEEP | 0:35:14 | 0:35:16 | |
How did it go? | 0:35:21 | 0:35:22 | |
Tom Hancock wouldn't keep quiet. The ushers had to take him outside. | 0:35:22 | 0:35:24 | |
What, he missed his own son's inquest? | 0:35:24 | 0:35:27 | |
Well, the Coroner let him back in once he'd calmed down. | 0:35:27 | 0:35:30 | |
-Odd, though, isn't it? -What? | 0:35:31 | 0:35:34 | |
You found small cell tumours in the lungs, | 0:35:34 | 0:35:36 | |
and glioblastoma invaded the brainstem, | 0:35:36 | 0:35:38 | |
and then there's the Fanconi syndrome. | 0:35:38 | 0:35:40 | |
So, what are you getting at? | 0:35:40 | 0:35:42 | |
Well, that's two separate synchronous primaries, | 0:35:42 | 0:35:44 | |
one of which is vanishingly rare in children. | 0:35:44 | 0:35:46 | |
And the Fanconi syndrome, that's also rare. | 0:35:46 | 0:35:49 | |
And also present in the Brimstead Fields case. | 0:35:49 | 0:35:51 | |
Are you suggesting they're related? | 0:35:51 | 0:35:53 | |
Can I show you two something? | 0:35:53 | 0:35:55 | |
I think Brian Blackburn knows more than he's saying. | 0:36:03 | 0:36:06 | |
So I got the ID photos of his staff on the sheltered housing project. | 0:36:06 | 0:36:12 | |
I've been comparing the faces to our subject. No good. | 0:36:12 | 0:36:15 | |
No good. And then... | 0:36:15 | 0:36:18 | |
Nikki, what do you think? | 0:36:19 | 0:36:22 | |
Well, we should get a 3-D scan and do it properly. But you're right. | 0:36:22 | 0:36:25 | |
That's a good match. | 0:36:25 | 0:36:26 | |
Colin Connor had been working under a false name, | 0:36:26 | 0:36:29 | |
and I'm sure Brian Blackburn knew. | 0:36:29 | 0:36:31 | |
SIREN WAILING OUTSIDE | 0:36:31 | 0:36:33 | |
BEEPS | 0:36:36 | 0:36:38 | |
Official business? | 0:36:40 | 0:36:42 | |
Unofficial. I wanted to give you this. | 0:36:42 | 0:36:44 | |
I don't need an apartment. | 0:36:46 | 0:36:48 | |
I'm not suggesting you move there. It's my project. | 0:36:48 | 0:36:51 | |
-I wanted you to see it. -Why? | 0:36:51 | 0:36:54 | |
Because it's something that means a lot to me, | 0:36:54 | 0:36:57 | |
and I don't think I made a very good impression the last time we met. | 0:36:57 | 0:37:00 | |
I was going to send flowers, but... well, you know. To a morgue? | 0:37:00 | 0:37:04 | |
"Zero footprint living"? | 0:37:04 | 0:37:05 | |
The project is a showpiece for the future of housing. | 0:37:05 | 0:37:08 | |
But with real people living in it. | 0:37:08 | 0:37:11 | |
I may not be doing the science in the lab, | 0:37:12 | 0:37:14 | |
but this is something I can achieve. | 0:37:14 | 0:37:17 | |
You might recognise the building. | 0:37:17 | 0:37:18 | |
Where the man fell from the ceiling. | 0:37:20 | 0:37:23 | |
Yeah, that's not in the prospectus. | 0:37:23 | 0:37:24 | |
LAUGHS | 0:37:24 | 0:37:26 | |
-Well, if I read it, will it make you happy? -I'm serious. | 0:37:27 | 0:37:31 | |
Your opinion matters to me. | 0:37:31 | 0:37:33 | |
I don't know what you're worried about. My opinion of you is fine. | 0:37:33 | 0:37:37 | |
We're having this. | 0:38:03 | 0:38:06 | |
And we're having those too. | 0:38:07 | 0:38:09 | |
KNOCKING AT DOOR | 0:38:20 | 0:38:23 | |
BOLT CLICKS | 0:38:27 | 0:38:28 | |
DOOR CREAKS | 0:38:28 | 0:38:29 | |
What have you done? | 0:38:31 | 0:38:33 | |
I didn't kill anyone. | 0:38:35 | 0:38:37 | |
Yeah, but you just left him there. Why? | 0:38:37 | 0:38:39 | |
He was always pushing me. | 0:38:42 | 0:38:43 | |
He said we were mates, but we only ever did what he wanted to do. | 0:38:44 | 0:38:48 | |
That's no reason to let someone die. | 0:38:48 | 0:38:51 | |
It's not my fault he got stuck. | 0:38:52 | 0:38:54 | |
Whenever I was in trouble, he'd just laugh at me. | 0:38:54 | 0:38:57 | |
Did you touch anything? Did you leave anything behind? | 0:38:58 | 0:39:01 | |
What are you going to tell 'em? | 0:39:03 | 0:39:04 | |
Just keep quiet. | 0:39:06 | 0:39:08 | |
As long as they don't find anything, we should be all right. | 0:39:10 | 0:39:14 | |
All right? | 0:39:15 | 0:39:16 | |
DOOR SLAMS | 0:39:23 | 0:39:24 | |
DEPARTING FOOTSTEPS | 0:39:24 | 0:39:27 | |
-I thought maybe you didn't find the note. -On page 15. | 0:39:41 | 0:39:44 | |
-So, you read that far. -I'll be honest. I skimmed. | 0:39:44 | 0:39:48 | |
-Thanks for the second chance. -Thanks for waiting. | 0:39:48 | 0:39:52 | |
-Sorry, sir, authorised personnel only. -Yeah, I just want to speak to Professor Dalton. | 0:39:58 | 0:40:01 | |
-You'll need to make an appointment. -Professor Dalton! | 0:40:01 | 0:40:03 | |
You will have to make an appointment with him. | 0:40:03 | 0:40:05 | |
It's Tom! I just want to speak to you! | 0:40:05 | 0:40:06 | |
Stop, sir. Get your hands off me. | 0:40:06 | 0:40:08 | |
-I just want to speak to Professor Dalton. -OK, OK. I'll deal with this. Thank you. -Are you sure? -Yeah. | 0:40:08 | 0:40:12 | |
Tom? What are you doing? | 0:40:12 | 0:40:14 | |
The inquest was a farce, and you weren't even there! | 0:40:14 | 0:40:17 | |
I approved Dr Alexander's report. | 0:40:17 | 0:40:19 | |
If I'm a witness at the court case, | 0:40:19 | 0:40:21 | |
I cannot be the pathologist of record. | 0:40:21 | 0:40:22 | |
Someone knows what's happening, | 0:40:22 | 0:40:24 | |
and there's people dying because of it! | 0:40:24 | 0:40:25 | |
It's been going on for years, | 0:40:25 | 0:40:26 | |
and it will keep on until somebody puts a stop to it! | 0:40:26 | 0:40:29 | |
-Tom. You're not helping your case. -They wouldn't even look at my evidence. | 0:40:29 | 0:40:32 | |
A coroner's court is an inquest. It is not an inquiry. | 0:40:32 | 0:40:34 | |
-It's the who, what, where and when. -But not why! | 0:40:34 | 0:40:38 | |
If there's damage, something did it. It's common sense! | 0:40:38 | 0:40:41 | |
Common sense isn't evidence. | 0:40:41 | 0:40:43 | |
They wouldn't let me show my evidence. | 0:40:43 | 0:40:45 | |
I look at facts, I see patterns. | 0:40:47 | 0:40:48 | |
I'm not an expert. But that doesn't make me a crank. | 0:40:48 | 0:40:51 | |
-Nobody is calling you a crank. -But that's what they think! | 0:40:51 | 0:40:54 | |
And you know what? I wouldn't care, as long as they look. | 0:40:54 | 0:40:58 | |
No-one will do me the courtesy of at least telling me that I'm wrong. | 0:40:58 | 0:41:03 | |
Well, let me. | 0:41:05 | 0:41:06 | |
Here. | 0:41:07 | 0:41:09 | |
OK. | 0:41:10 | 0:41:12 | |
A fair reading. That's...that's all I ask. | 0:41:13 | 0:41:17 | |
Thank you. | 0:41:17 | 0:41:19 | |
-I'm sorry about all the... -It's all right. | 0:41:22 | 0:41:24 | |
Ah, been fanning the flames of romance? | 0:41:38 | 0:41:40 | |
It was a civilised lunch. Good food, good company. | 0:41:40 | 0:41:44 | |
-And he was the perfect gentleman. -Or just slow off the mark. | 0:41:44 | 0:41:47 | |
A guy needs clear signals to proceed. | 0:41:47 | 0:41:48 | |
I'll bear traffic lights in mind next time. | 0:41:48 | 0:41:52 | |
Tom Hancock thinks that he's detected | 0:41:52 | 0:41:54 | |
a disease cluster based around power lines. | 0:41:54 | 0:41:56 | |
He's wrong, but give him credit. | 0:41:56 | 0:41:58 | |
There is something going on in the area. | 0:41:58 | 0:42:01 | |
Any random distribution has natural clusters in it. | 0:42:03 | 0:42:05 | |
True. But I downloaded this data from the Department of Health. | 0:42:05 | 0:42:09 | |
It's local cases of renal disease over the last five years. | 0:42:09 | 0:42:12 | |
Now, the national occurrence is ten per 100,000. | 0:42:12 | 0:42:15 | |
But in this area it's far higher. | 0:42:15 | 0:42:19 | |
And neither Colin Connor nor Peter Hancock | 0:42:19 | 0:42:20 | |
have Fanconi syndrome in their family history. | 0:42:20 | 0:42:24 | |
So, what if the kidney damage had a different cause? | 0:42:24 | 0:42:26 | |
Such as exposure to toxic heavy metals. | 0:42:26 | 0:42:29 | |
For example, mercury, cadmium, they'd trigger the same symptoms. | 0:42:29 | 0:42:32 | |
-As would asbestos. -Or weedkiller. | 0:42:32 | 0:42:34 | |
And look at the way that the pattern spreads. | 0:42:34 | 0:42:38 | |
It's a classic ground-water plume. | 0:42:39 | 0:42:43 | |
So, what do you want us to do? | 0:42:43 | 0:42:45 | |
Take bone marrow samples from Peter and Colin. | 0:42:45 | 0:42:47 | |
If there's toxic metal there, that's where you'll find it. | 0:42:47 | 0:42:50 | |
Heavy metal poisoning didn't kill Peter Hancock. | 0:42:50 | 0:42:53 | |
So, maybe there's something else there. | 0:42:53 | 0:42:55 | |
I've tried to get the local water and soil figures | 0:42:55 | 0:42:58 | |
but my request has been "referred for approval". | 0:42:58 | 0:43:01 | |
I mean, I thought this was public information. | 0:43:01 | 0:43:04 | |
What are they trying to hide? | 0:43:04 | 0:43:05 | |
-You all right, sir? -How you doing, Rachel? | 0:43:05 | 0:43:09 | |
The architects have asked if they can move their meeting to tomorrow. | 0:43:12 | 0:43:15 | |
The Minister wants to see you at 4:30. | 0:43:15 | 0:43:17 | |
And there's a David Loader waiting to see you. | 0:43:17 | 0:43:19 | |
-David who? -David Loader. | 0:43:19 | 0:43:21 | |
We work for some of the same people. | 0:43:21 | 0:43:24 | |
I'll be shadowing your department for a while. | 0:43:24 | 0:43:26 | |
Can we talk? | 0:43:32 | 0:43:33 | |
You'd better not be playing Angry Birds on that. | 0:43:41 | 0:43:44 | |
Ha-ha. I'm looking for a local vet. | 0:43:44 | 0:43:46 | |
A vet? Why? | 0:43:46 | 0:43:47 | |
Well, a ground-water plume spreads from a source. | 0:43:47 | 0:43:52 | |
So, either we drive all over the county taking samples, | 0:43:52 | 0:43:55 | |
or we can look for a hot spot. | 0:43:55 | 0:43:56 | |
If there's contamination in the land, | 0:43:56 | 0:43:59 | |
the people most likely to see the effects are local farmers. | 0:43:59 | 0:44:01 | |
There speaks a country boy. LAUGHS | 0:44:01 | 0:44:04 | |
-Why a vet? -Cos I know farmers. They'll tell you nothing. | 0:44:04 | 0:44:07 | |
-LOADER: How well do you know Professor Dalton? -Dalton? -Leo Dalton. | 0:44:11 | 0:44:16 | |
Hardly at all. I...I think I met him once. | 0:44:16 | 0:44:18 | |
As well as sending those e-mails, | 0:44:18 | 0:44:20 | |
he made a search of Health Department records | 0:44:20 | 0:44:22 | |
using the Lyell Centre's IP address. | 0:44:22 | 0:44:24 | |
Both enquiries put a flag up. | 0:44:24 | 0:44:27 | |
Why? | 0:44:28 | 0:44:29 | |
One of my responsibilities is to make sure that this particular | 0:44:29 | 0:44:33 | |
sleeping dog is allowed to lie. | 0:44:33 | 0:44:35 | |
So, with respect, Minister, | 0:44:35 | 0:44:37 | |
do us both a favour and please don't ask again. | 0:44:37 | 0:44:41 | |
Can I at least know who set the flag? | 0:44:42 | 0:44:45 | |
That was done a long time ago. | 0:44:45 | 0:44:48 | |
Seriously, James, it's no big thing. | 0:44:48 | 0:44:51 | |
And certainly nothing you can hope to deal with. | 0:44:52 | 0:44:54 | |
Kristen? | 0:44:55 | 0:44:58 | |
It is Kristen, isn't it? | 0:44:59 | 0:45:01 | |
Can we have the available information on Professor Dalton, please? | 0:45:01 | 0:45:05 | |
The Lyell uses university servers. | 0:45:05 | 0:45:07 | |
OK, thank you. | 0:45:07 | 0:45:09 | |
I'll put a watch on their e-mail traffic. | 0:45:11 | 0:45:13 | |
-Can we do that? -Yes, we can. | 0:45:13 | 0:45:16 | |
I'll be in touch. | 0:45:18 | 0:45:20 | |
Thank you very much. You've been really helpful. | 0:45:23 | 0:45:26 | |
Thanks again. Take care. Bye-bye. | 0:45:26 | 0:45:28 | |
That a lady vet? | 0:45:28 | 0:45:29 | |
-How could you tell? -At least one of you was flirting. | 0:45:29 | 0:45:32 | |
She's only just taken over the practice | 0:45:32 | 0:45:34 | |
from a partner who retired after 35 years. | 0:45:34 | 0:45:36 | |
He told her a story from back in the '70s, | 0:45:36 | 0:45:38 | |
when he'd been drafted in | 0:45:38 | 0:45:39 | |
to put down an entire herd of healthy cattle. | 0:45:39 | 0:45:42 | |
Floods had taken down the fences | 0:45:42 | 0:45:43 | |
and they'd strayed onto forestry land. | 0:45:43 | 0:45:46 | |
He said the Ministry sent out people to supervise him, | 0:45:46 | 0:45:48 | |
and the Army burned all the carcasses after. | 0:45:48 | 0:45:52 | |
The place is just up the road. | 0:45:52 | 0:45:54 | |
Now what? | 0:46:08 | 0:46:09 | |
Fetch your kit. | 0:46:11 | 0:46:14 | |
Mind the barbed wire. DOORS BEEP | 0:46:19 | 0:46:22 | |
Yeah, that'll do. | 0:46:57 | 0:46:59 | |
Yep. | 0:46:59 | 0:47:01 | |
The place has been stripped out over the years. | 0:47:53 | 0:47:56 | |
Someone's been in and stolen all the lead and copper. | 0:47:56 | 0:48:00 | |
-Stand your ground! Don't move! -Don't move! | 0:48:04 | 0:48:08 | |
-What's going on? -Don't move, sir! Stay where you are! | 0:48:08 | 0:48:11 | |
-Holy shit! What the hell? -Jack! Jack! Calm down. | 0:48:13 | 0:48:16 | |
Are you mad? We're using live ammunition here! You don't ignore the signs! | 0:48:16 | 0:48:20 | |
There were no signs! | 0:48:20 | 0:48:21 | |
I'm Leo Dalton. I'm a forensic pathologist | 0:48:21 | 0:48:23 | |
working at the Lyell Centre. | 0:48:23 | 0:48:24 | |
You can check it with the Home Office. | 0:48:24 | 0:48:27 | |
-What are you doing here? -My job! What are you doing? | 0:48:27 | 0:48:29 | |
This is a live firing exercise, Professor. | 0:48:29 | 0:48:31 | |
I don't know how you got in here. | 0:48:31 | 0:48:33 | |
But I'm going to need your cooperation while I remove you from the field of fire. | 0:48:33 | 0:48:36 | |
-Is this Army land? -By arrangement with the landowner. | 0:48:36 | 0:48:39 | |
Come on, then. Let's go. Hurry up. | 0:48:39 | 0:48:40 | |
-Can you believe...? Unbelievable. -This way, sir. | 0:48:40 | 0:48:43 | |
-There you go, sir. -Climb in, gents. Mind your heads. | 0:48:49 | 0:48:52 | |
Sit tight. I'll have you out as soon as it's clear. | 0:48:54 | 0:48:57 | |
Where's your kit? | 0:48:59 | 0:49:00 | |
They've got it. | 0:49:02 | 0:49:04 | |
-Oh, hi. -Hey. | 0:49:22 | 0:49:24 | |
So, this is it, the Embleton empire. | 0:49:24 | 0:49:27 | |
More or less. | 0:49:27 | 0:49:30 | |
Where is everyone? | 0:49:30 | 0:49:32 | |
Ran off and left me. | 0:49:32 | 0:49:35 | |
-So, you wanted to talk to me, face to face. -I did. | 0:49:39 | 0:49:43 | |
So, I'm here. | 0:49:44 | 0:49:46 | |
If it's about the crime scene holding up your development, | 0:49:48 | 0:49:51 | |
I can't really give you a timescale. | 0:49:51 | 0:49:53 | |
It...it's not that. | 0:49:53 | 0:49:55 | |
Well, what is it, then? | 0:49:56 | 0:49:58 | |
This afternoon I've had six meetings, made about 30 phone calls, | 0:50:01 | 0:50:05 | |
organised four events designed to convince people | 0:50:05 | 0:50:08 | |
-of how much important work my department does... -Mm-hm? | 0:50:08 | 0:50:11 | |
..and do you know what thought has been running through | 0:50:11 | 0:50:13 | |
my addled brain the entire time? | 0:50:13 | 0:50:15 | |
Not really. | 0:50:15 | 0:50:17 | |
Sorry about the time it's taken. Had to wait for the all-clear. | 0:50:47 | 0:50:51 | |
There you are, sir. | 0:51:00 | 0:51:02 | |
DOORS BEEP | 0:51:13 | 0:51:16 | |
-Don't wipe your feet. -What? | 0:51:30 | 0:51:33 | |
-I need your shoes. -Oh! | 0:51:33 | 0:51:36 | |
They had two hours to mess with my samples while we sat in the van. | 0:51:39 | 0:51:43 | |
But if that soil is contaminated, we might have enough here. | 0:51:43 | 0:51:46 | |
-I feel so bad for you, Jack. -Why? | 0:51:46 | 0:51:50 | |
You finally talk a co-worker out of their pants, | 0:51:50 | 0:51:53 | |
and it's the Professor. | 0:51:53 | 0:51:55 | |
SNORTS | 0:51:55 | 0:51:56 | |
Useful? | 0:52:00 | 0:52:01 | |
Dad! | 0:52:04 | 0:52:07 | |
It's for you. | 0:52:07 | 0:52:09 | |
-Who is it? -Professor Dalton? | 0:52:09 | 0:52:12 | |
George Ryder. | 0:52:14 | 0:52:16 | |
I understand that you were the last owner of Brimstead Farm. | 0:52:16 | 0:52:19 | |
Oh. It's taken you long enough to call me back. | 0:52:19 | 0:52:22 | |
We haven't spoken before. | 0:52:23 | 0:52:25 | |
It's about them building on the old convalescent home? | 0:52:25 | 0:52:27 | |
Cos if that land's good enough to build on, I've been lied to. | 0:52:27 | 0:52:31 | |
I got your details from the Farmers Union. | 0:52:31 | 0:52:33 | |
But I do want to hear what you have to say. | 0:52:33 | 0:52:35 | |
-Who are you? -Professor Dalton from the Lyell Centre. | 0:52:35 | 0:52:39 | |
What's wrong with that land, Mr Ryder? | 0:52:39 | 0:52:41 | |
-What do you think? -Who is she? | 0:52:54 | 0:52:57 | |
Nikki Alexander. She's a doctor. | 0:52:57 | 0:53:01 | |
-Huh. That'll be handy. -A pathologist. | 0:53:01 | 0:53:04 | |
Oh, I don't need one of them yet. | 0:53:04 | 0:53:06 | |
A forensic pathologist. | 0:53:06 | 0:53:09 | |
She's one of the team on the Brimstead Fields murder. | 0:53:09 | 0:53:13 | |
Well, maybe she'll be able to | 0:53:14 | 0:53:17 | |
put a stop to that cockeyed development plan. | 0:53:17 | 0:53:22 | |
You don't like her? | 0:53:24 | 0:53:26 | |
I don't much like the sound of her. | 0:53:26 | 0:53:28 | |
No. | 0:53:30 | 0:53:32 | |
Mm. | 0:53:32 | 0:53:34 | |
Don't like the sound of her. | 0:53:35 | 0:53:37 | |
I called. I made an appointment. | 0:53:39 | 0:53:41 | |
I'm sorry, but Lord Embleton isn't here yet. | 0:53:41 | 0:53:43 | |
Mr Ryder? | 0:53:43 | 0:53:45 | |
Your appointment's with me. | 0:53:45 | 0:53:47 | |
I call and write letters, and no-one wants to know me. | 0:53:50 | 0:53:53 | |
I say I'll speak to this Professor Dalton, | 0:53:53 | 0:53:55 | |
-and suddenly I've got your attention. -What can I do for you? | 0:53:55 | 0:53:58 | |
-Who am I talking to? -We're on the same side. | 0:53:58 | 0:54:01 | |
I was told nothing could be done with that land. Any of it. Ever. | 0:54:01 | 0:54:05 | |
The development is a mistake. It was never supposed to happen. | 0:54:05 | 0:54:08 | |
-So, are they going to build on it, or not? -I don't know. | 0:54:08 | 0:54:10 | |
But your situation doesn't change. | 0:54:10 | 0:54:12 | |
Well, that's not good enough for me. | 0:54:12 | 0:54:14 | |
Please don't do that. | 0:54:14 | 0:54:15 | |
If it's all right to build on Brimstead Fields, | 0:54:15 | 0:54:18 | |
I want the proper value of my farm. | 0:54:18 | 0:54:20 | |
Not the pittance I was given when they told me it was worth nothing. | 0:54:20 | 0:54:23 | |
-Do you get that? -I understand. | 0:54:23 | 0:54:25 | |
This Lord Embleton, as he calls himself, | 0:54:25 | 0:54:26 | |
you tell him I can make an awful lot of trouble for him if I choose. | 0:54:26 | 0:54:30 | |
A big load of trouble. | 0:54:31 | 0:54:33 | |
Mr Ryder. Go home and wait for us to call. | 0:54:35 | 0:54:37 | |
This will be dealt with. | 0:54:37 | 0:54:39 | |
Nobody wants trouble. | 0:54:40 | 0:54:43 | |
Least of all a man of your age. | 0:54:43 | 0:54:45 | |
Professor Dalton? My information has a value. | 0:55:07 | 0:55:10 | |
If they won't look after me, I'll take it to someone who will. | 0:55:10 | 0:55:14 | |
Well, can we meet? I have your address. | 0:55:14 | 0:55:16 | |
No, no, no. That's my daughter's house. Keep her out of this. | 0:55:16 | 0:55:18 | |
-What are you afraid of? -I'm not afraid. | 0:55:18 | 0:55:21 | |
But I keep my word, and I don't like it when others don't keep theirs. | 0:55:21 | 0:55:24 | |
First it was Brimstead Farm, now it's Brimstead Fields. | 0:55:24 | 0:55:27 | |
I know why it's been closed all these years. Look. | 0:55:27 | 0:55:30 | |
I'll meet you there | 0:55:30 | 0:55:31 | |
and I'll tell you what they don't want you to hear. | 0:55:31 | 0:55:35 | |
CROWS CAW | 0:55:42 | 0:55:44 | |
George? | 0:56:23 | 0:56:25 | |
Mr Ryder? | 0:56:33 | 0:56:35 | |
George! | 0:56:47 | 0:56:49 | |
George? | 0:56:56 | 0:56:57 | |
-LOUD KNOCKING -Police! Open the door! | 0:57:18 | 0:57:20 | |
You can't let them in here, Dad. | 0:57:20 | 0:57:21 | |
You got three seconds, Brian! | 0:57:21 | 0:57:23 | |
-Who are you and how did you get in here? -David Loader. | 0:57:23 | 0:57:26 | |
Look very closely at George Ryder when he comes in. | 0:57:26 | 0:57:29 | |
I don't think Derren Blackburn killed him. | 0:57:29 | 0:57:31 | |
Leo's giving himself a hard time over the Peter Hancock case. | 0:57:31 | 0:57:34 | |
He's pushing for answers that probably aren't there. | 0:57:34 | 0:57:37 | |
-You don't have to know everything. -LEO: That's the hangman's fracture. | 0:57:37 | 0:57:41 | |
-Send her out. -Dad! -I want to speak to my son in private. | 0:57:42 | 0:57:45 | |
That is the same shape as Brimstead Wood. | 0:57:45 | 0:57:48 | |
-Professor Dalton. -Jennifer. | 0:57:53 | 0:57:55 | |
It's not a friendly visit, Professor. | 0:57:55 | 0:57:56 | |
We're on dangerous ground here, Jack. | 0:57:56 | 0:57:59 | |
# Testator silens | 0:58:00 | 0:58:07 | |
# Costestes e spiritu | 0:58:08 | 0:58:15 | |
# Silentium... # | 0:58:15 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:24 | 0:58:27 |