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This wasn't just misadventure. Someone locked him in and left him to die. | 0:00:02 | 0:00:04 | |
God, Derren! What's the matter with you? You're asleep half the time, | 0:00:04 | 0:00:07 | |
-then you do something like this! -I didn't do anything! | 0:00:07 | 0:00:09 | |
If you want to leave, leave now! No-one come near me! | 0:00:09 | 0:00:13 | |
What I want is to know is what killed him. | 0:00:13 | 0:00:16 | |
Armed police! Get down on the floor! | 0:00:16 | 0:00:17 | |
Brimstead Fields. | 0:00:17 | 0:00:19 | |
-This is really going to mess things up. -I told you! | 0:00:19 | 0:00:22 | |
I want the proper value of my farm. | 0:00:22 | 0:00:24 | |
-I understand. -This Lord Embleton, as he calls himself. | 0:00:24 | 0:00:27 | |
You tell him I can make an awful lot of trouble for him if I choose. | 0:00:27 | 0:00:29 | |
Someone knows what's happening, and there's people dying because of it! | 0:00:29 | 0:00:32 | |
-Stand your ground! Don't move! -What's going on? | 0:00:33 | 0:00:37 | |
Useful? | 0:00:37 | 0:00:39 | |
There is something going on in the area. | 0:00:39 | 0:00:41 | |
Mr Ryder? | 0:00:41 | 0:00:43 | |
George? | 0:00:43 | 0:00:44 | |
# Testat ore silence | 0:00:46 | 0:00:54 | |
# Vos teste se spiritu | 0:00:54 | 0:01:02 | |
# Silencio... # | 0:01:02 | 0:01:13 | |
CAMERA SHUTTER CLICKS | 0:01:13 | 0:01:14 | |
-Nikki, is Jack there? -'On his way to you, I think.' | 0:01:17 | 0:01:21 | |
Could you send over the mug shots of Brian Blackburn's employees? | 0:01:21 | 0:01:25 | |
That's the boy that I saw. | 0:01:43 | 0:01:45 | |
-What are you doing? -I've got to get away from here. | 0:01:52 | 0:01:54 | |
Slow down. | 0:01:54 | 0:01:55 | |
I need to get away from here, Dad. Where can I go? | 0:01:55 | 0:01:57 | |
-What are you talking about? -He was just...this man, he was... he was lying there. | 0:01:57 | 0:02:01 | |
-I didn't do anything. -What man? -Just some old bloke. | 0:02:01 | 0:02:04 | |
I went back to get the bottle and... They're not gonna believe me after Colin. | 0:02:04 | 0:02:07 | |
Nobody knows about Colin. | 0:02:07 | 0:02:09 | |
I took him some water. You said don't leave anything. | 0:02:10 | 0:02:14 | |
Is this blood? | 0:02:16 | 0:02:18 | |
BANGING | 0:02:18 | 0:02:19 | |
Police! Open the door! | 0:02:19 | 0:02:20 | |
-You can't let them in here, Dad. -They'll only break it down. | 0:02:20 | 0:02:23 | |
You got three seconds, Brian! | 0:02:23 | 0:02:24 | |
You stay here. I'll talk to 'em. | 0:02:24 | 0:02:26 | |
BANGING AT DOOR | 0:02:26 | 0:02:28 | |
All right, put it in. | 0:02:31 | 0:02:32 | |
CRASHING | 0:02:32 | 0:02:34 | |
-Where is he, Brian? -He's done nothing wrong! | 0:02:34 | 0:02:37 | |
We've got a witness. Is he up there? | 0:02:37 | 0:02:39 | |
He's out the window! | 0:02:49 | 0:02:51 | |
Unh! | 0:03:03 | 0:03:04 | |
There he is! | 0:03:30 | 0:03:32 | |
Oh! | 0:03:32 | 0:03:34 | |
Over here! | 0:03:42 | 0:03:43 | |
Why would Derren want to kill George Ryder? | 0:03:56 | 0:04:00 | |
Well, he didn't want to. | 0:04:00 | 0:04:02 | |
His dad scared him into going back to pick up the evidence like that bottle. | 0:04:02 | 0:04:06 | |
Ryder chips up, "Hello, stranger!" Derren panics. Bang! George is dead. | 0:04:06 | 0:04:11 | |
You're happy with that? | 0:04:11 | 0:04:13 | |
What, one story that closes three cases? | 0:04:13 | 0:04:15 | |
Should I not be? | 0:04:15 | 0:04:17 | |
-Mind if I have a talk with him? -Sure, be my guest. | 0:04:19 | 0:04:22 | |
Is there anyone you'd like to call? | 0:04:37 | 0:04:40 | |
I've called a solicitor. They're going to charge me with obstruction. | 0:04:40 | 0:04:44 | |
Do you think Derren killed George Ryder? | 0:04:44 | 0:04:47 | |
He didn't kill anyone. | 0:04:50 | 0:04:51 | |
You know what happened to Colin Connor. | 0:04:51 | 0:04:54 | |
Derren locked him in a room and left him to die. It took days. | 0:04:54 | 0:04:57 | |
Colin was a bully. | 0:04:59 | 0:05:00 | |
I mean, they were supposed to be best mates, | 0:05:01 | 0:05:03 | |
but it were basically Derren doing what Colin said. | 0:05:03 | 0:05:06 | |
-Until he snapped? -He was a good boy. | 0:05:06 | 0:05:09 | |
Yeah, I understand that... his behaviour changed recently. | 0:05:09 | 0:05:15 | |
He used to talk to me. We were close, you know. | 0:05:16 | 0:05:19 | |
And then...it were like I didn't know him any more. | 0:05:19 | 0:05:24 | |
He lied, thieved. | 0:05:25 | 0:05:28 | |
He had these mood swings. | 0:05:28 | 0:05:31 | |
I tried tackling him about it, but...he wouldn't open up to me. | 0:05:32 | 0:05:35 | |
Was he into drugs? | 0:05:37 | 0:05:38 | |
I did wonder, but I never saw any evidence. | 0:05:38 | 0:05:42 | |
Well, sometimes a personality change can have a...a medical reason. | 0:05:43 | 0:05:47 | |
-Did you talk to any doctors? -Doctors? | 0:05:47 | 0:05:50 | |
They did nothing for his mother. | 0:05:50 | 0:05:53 | |
So, what did you do? | 0:05:55 | 0:05:56 | |
Your solicitor's here. | 0:06:00 | 0:06:02 | |
SOBBING | 0:06:07 | 0:06:09 | |
Nikki, I need you to look out for something for me. | 0:06:12 | 0:06:15 | |
Clarissa's matched Derren's prints to the ones on the water bottle. | 0:06:19 | 0:06:23 | |
So, between that and Leo's witness evidence, | 0:06:23 | 0:06:25 | |
we can place him at the scene of both deaths. | 0:06:25 | 0:06:27 | |
I didn't think I'd be seeing any of you people again. | 0:06:40 | 0:06:44 | |
You weren't supposed to. | 0:06:44 | 0:06:46 | |
But then Brimstead Fields found its way into the news. | 0:06:46 | 0:06:50 | |
-Blow over. Give it time. -Two crime scenes in one week? | 0:06:50 | 0:06:53 | |
-They caught the boy who did them both. -But the damage is done. | 0:06:53 | 0:06:56 | |
It's your son's dreams and schemes | 0:06:58 | 0:06:59 | |
that have brought George Ryder out of the woodwork. | 0:06:59 | 0:07:03 | |
-Who's going to be next? -I didn't authorise any development. | 0:07:03 | 0:07:07 | |
But you gave James control without giving him all the facts. | 0:07:07 | 0:07:09 | |
What were you thinking? | 0:07:09 | 0:07:11 | |
New generation, fresh start, clean hands, and the old problems fade away? | 0:07:11 | 0:07:15 | |
It doesn't work like that...Bill. | 0:07:15 | 0:07:18 | |
Then sort it out! That's what you do, isn't it? | 0:07:20 | 0:07:24 | |
I'm trying to. | 0:07:24 | 0:07:26 | |
But this green development thing, he's doing it to impress you. | 0:07:26 | 0:07:29 | |
So, one way or the other, you have to knock it out of him. | 0:07:29 | 0:07:32 | |
He won't like that. | 0:07:32 | 0:07:35 | |
In a word, tough. | 0:07:35 | 0:07:38 | |
Bring him inside, Bill. | 0:07:39 | 0:07:41 | |
Because the alternative is for me to shut him down. | 0:07:42 | 0:07:44 | |
You don't touch James! | 0:07:44 | 0:07:46 | |
Then straighten him out so I don't have to. | 0:07:48 | 0:07:51 | |
I'll talk to him. | 0:07:52 | 0:07:53 | |
Do that. | 0:07:55 | 0:07:56 | |
Your family's done very well out of this situation. | 0:07:59 | 0:08:03 | |
James needs to understand where the good life and fine education came from. | 0:08:03 | 0:08:07 | |
Tom? I thought I told you. | 0:08:30 | 0:08:33 | |
Yeah, I know. I...I'm sorry about last time. | 0:08:33 | 0:08:36 | |
Well, you were upset. | 0:08:36 | 0:08:38 | |
Did you get a chance to look at my evidence? | 0:08:39 | 0:08:41 | |
-I've been reading it, yes. -And? | 0:08:41 | 0:08:44 | |
It does throw up some questions. | 0:08:44 | 0:08:45 | |
-You found something? -I...I didn't say that. | 0:08:45 | 0:08:48 | |
Whatever it is, I need to know. | 0:08:48 | 0:08:50 | |
Tom, when I have something to tell yo I will come and find you. | 0:08:50 | 0:08:54 | |
But until then, just... | 0:08:54 | 0:08:56 | |
...be careful. | 0:08:58 | 0:08:59 | |
Yeah. | 0:09:00 | 0:09:01 | |
Did you find anything? | 0:09:08 | 0:09:10 | |
Frontal lobe tumour. There's nothing small or subtle about it. | 0:09:10 | 0:09:14 | |
Well, that's certainly enough to account for the change in his behaviour. | 0:09:14 | 0:09:17 | |
Anything that affects the frontal lobes can cause a personality change, can't it? | 0:09:17 | 0:09:20 | |
Yeah. | 0:09:20 | 0:09:22 | |
I also found nodules in his lungs. | 0:09:22 | 0:09:24 | |
-Malignant? -Spiculated in shape so most likely. | 0:09:24 | 0:09:27 | |
I've made slides. | 0:09:27 | 0:09:28 | |
Well, it's a different progression, | 0:09:33 | 0:09:34 | |
but a...a similar disease pattern to what we saw in Peter Hancock. | 0:09:34 | 0:09:39 | |
So, what are you saying? | 0:09:39 | 0:09:40 | |
I don't know. | 0:09:42 | 0:09:43 | |
Look very closely at George Ryder when he comes in. | 0:09:44 | 0:09:47 | |
I don't think that Derren Blackburn killed him. | 0:09:47 | 0:09:51 | |
Derren has George Ryder's blood on him, and you were a witness. | 0:09:51 | 0:09:53 | |
Only to the aftermath. | 0:09:53 | 0:09:55 | |
It could have been an accident. | 0:09:55 | 0:09:56 | |
Well, if it was an accident, it was an extremely convenient one for someb | 0:09:56 | 0:09:59 | |
How much longer on the bone marrow results? | 0:09:59 | 0:10:02 | |
Too long. | 0:10:02 | 0:10:03 | |
The lab can take a couple of weeks over the tests. | 0:10:03 | 0:10:06 | |
But I can tell you about this now. | 0:10:06 | 0:10:07 | |
This is from a laurel tree on Brimstead Farm. | 0:10:07 | 0:10:09 | |
If there's heavy metal in the ground water, | 0:10:09 | 0:10:11 | |
it'll be concentrated in the leaves. This one has salts of uranium. | 0:10:11 | 0:10:14 | |
It's also in the traces from your shoes. | 0:10:14 | 0:10:16 | |
So, it's in the water and in the soil. | 0:10:16 | 0:10:19 | |
The local drinking water comes from underground, which could explain the elevated levels of kidney disease. | 0:10:19 | 0:10:23 | |
How did the uranium get there in the first place? | 0:10:23 | 0:10:25 | |
You find natural uranium over half the country. | 0:10:25 | 0:10:27 | |
Then why were the powers that be so cagey | 0:10:27 | 0:10:29 | |
when I asked for the soil and water surveys? | 0:10:29 | 0:10:31 | |
I'm still waiting. | 0:10:31 | 0:10:32 | |
Maybe it's those live firing exercises. | 0:10:32 | 0:10:34 | |
They coat artillery shells with depleted uranium. | 0:10:34 | 0:10:37 | |
Depleted uranium has the most dangerous isotope refined out. | 0:10:37 | 0:10:40 | |
-Could the uranium explain the cancers? -Not if it's only in the water. | 0:10:40 | 0:10:43 | |
-It would pass straight through the body and be expelled in the urine. -With what effect? | 0:10:43 | 0:10:47 | |
Well, the toxic metal will poison the kidneys. | 0:10:47 | 0:10:49 | |
Chronic exposure could explain the symptoms of Fanconi syndrome. | 0:10:49 | 0:10:52 | |
But it doesn't stay in the body long enough to be a radiation hazard. | 0:10:52 | 0:10:55 | |
So, it couldn't cause the tumours. | 0:10:55 | 0:10:57 | |
What was it that George Ryder wanted to tell me? | 0:10:57 | 0:10:59 | |
Have you scheduled his post-mortem yet? | 0:10:59 | 0:11:02 | |
They're bringing over his body tonight. | 0:11:02 | 0:11:04 | |
Leo, I get it. You have suspicions. | 0:11:04 | 0:11:07 | |
So, write up everything you know and pass it upstairs. Let someone else deal with it. | 0:11:07 | 0:11:11 | |
You've done everything you can. No reasonable person could ask for more. | 0:11:11 | 0:11:16 | |
SIGHS | 0:11:20 | 0:11:21 | |
BIRDSONG | 0:11:22 | 0:11:24 | |
Who are you and how did you get in here? | 0:11:44 | 0:11:46 | |
David Loader. With a pass card. I brought the soil and water reports you asked for. | 0:11:46 | 0:11:50 | |
Ah, at last. Hand delivery? That's unusual. | 0:11:50 | 0:11:53 | |
Some of it's restricted information. | 0:11:53 | 0:11:56 | |
I imagine there's some commercial angle to it. | 0:11:56 | 0:11:58 | |
It's only facts and figures, but what can you do? | 0:11:58 | 0:12:01 | |
I'm supposed to remind you that you're bound by the Official Secrets Act. | 0:12:01 | 0:12:04 | |
You know the Act applies whether you've signed it or not. | 0:12:04 | 0:12:07 | |
I know that. And I have. | 0:12:07 | 0:12:08 | |
Then can you also sign these? | 0:12:08 | 0:12:10 | |
Continuity documents, acknowledging you've taken possession of the files. | 0:12:11 | 0:12:14 | |
And to say that anything that may happen as a consequence of this request, | 0:12:14 | 0:12:19 | |
you take full responsibility for. | 0:12:19 | 0:12:20 | |
Which department are you from? | 0:12:23 | 0:12:24 | |
For now I'm attached to Lord Embleton's office. | 0:12:24 | 0:12:27 | |
-Science Minister. -Oh, well, give him my best. | 0:12:27 | 0:12:30 | |
I shall. | 0:12:30 | 0:12:32 | |
Good night, Professor Dalton. | 0:12:32 | 0:12:34 | |
Mr Loader! | 0:12:48 | 0:12:51 | |
What am I supposed to do with these? | 0:12:52 | 0:12:53 | |
Everything's redacted. They're unreadable. | 0:12:54 | 0:12:57 | |
I'm just the messenger. | 0:12:58 | 0:12:59 | |
# KEANE: Bad Dream | 0:13:06 | 0:13:08 | |
My dad started with five second-hand trucks and built an empire. | 0:13:08 | 0:13:12 | |
I got public school and Cambridge, | 0:13:13 | 0:13:15 | |
because he wanted to give me everything he never had. | 0:13:15 | 0:13:18 | |
-And your complaint is... -Huh? I'm not complaining. | 0:13:18 | 0:13:20 | |
I mean, I'm grateful. | 0:13:20 | 0:13:23 | |
Just makes it pretty difficult to impress your old man when he gave you such a head start. | 0:13:23 | 0:13:27 | |
-I mean, look at you. -What about me? | 0:13:27 | 0:13:30 | |
Dedicated, passionate, top of your field. | 0:13:30 | 0:13:33 | |
And I bet no-one ever handed you anything on a plate. | 0:13:33 | 0:13:37 | |
I'd rather just go for what I want. | 0:13:37 | 0:13:41 | |
I just want to do something he didn't do first, you know? Surprise him. | 0:13:41 | 0:13:45 | |
-Well, you've got yourself an honour. -Oh, anyone can do that. | 0:13:45 | 0:13:47 | |
Put a couple of million in the right place. | 0:13:49 | 0:13:51 | |
And you've got your zero-carbon living thingy. | 0:13:51 | 0:13:54 | |
You are at your most adorable when you're incoherent. | 0:13:57 | 0:14:00 | |
I am perfectly lucid. | 0:14:00 | 0:14:02 | |
-You can stop at perfect. -Shut up. | 0:14:03 | 0:14:06 | |
I could open another one. | 0:14:08 | 0:14:11 | |
Tempted. | 0:14:13 | 0:14:14 | |
Tempted's good. | 0:14:14 | 0:14:15 | |
But... | 0:14:17 | 0:14:18 | |
I have an early procedure in the morning. | 0:14:18 | 0:14:21 | |
-When you say procedure, we're talking post-mortem. -Mm-hm. | 0:14:21 | 0:14:24 | |
Wouldn't be the new man from my building, would it? | 0:14:24 | 0:14:26 | |
George Ryder. | 0:14:26 | 0:14:28 | |
Sorry. | 0:14:28 | 0:14:30 | |
Taxi, then? | 0:14:31 | 0:14:32 | |
Hey. | 0:14:35 | 0:14:36 | |
ALISON SOBS | 0:14:57 | 0:15:00 | |
I can barely remember living on the farm. | 0:15:05 | 0:15:08 | |
But for years I had bad dreams about the night we had to leave it. | 0:15:08 | 0:15:13 | |
When was that? | 0:15:13 | 0:15:14 | |
I was about...five or six. | 0:15:14 | 0:15:17 | |
Two policemen came to the house and said there was an emergency | 0:15:18 | 0:15:22 | |
and we had to get out, right away, simple as that. | 0:15:22 | 0:15:26 | |
They had a van waiting outside, and we weren't allowed to pack. | 0:15:28 | 0:15:31 | |
We just had to grab what we could and they drove us out really fast. | 0:15:31 | 0:15:35 | |
And how long was it before you were allowed back to the house? | 0:15:35 | 0:15:37 | |
We never went back. | 0:15:39 | 0:15:41 | |
It was late in the year. | 0:15:43 | 0:15:45 | |
I remember because we had to shop for new winter things. | 0:15:46 | 0:15:51 | |
And your father never told you what might have caused all this? | 0:15:51 | 0:15:55 | |
But he never felt he got fair compensation for being moved off the land. | 0:15:57 | 0:16:03 | |
Well, they must have given him some reason. | 0:16:03 | 0:16:06 | |
They said it had no value any more. | 0:16:06 | 0:16:08 | |
No good for farming or building or anything else. | 0:16:08 | 0:16:12 | |
But they said that about the old convalescent home. | 0:16:12 | 0:16:14 | |
You should have heard him when he saw they were developing it. | 0:16:14 | 0:16:17 | |
You said the other day that... he'd made a call to someone. | 0:16:19 | 0:16:24 | |
Any idea who it was? | 0:16:26 | 0:16:27 | |
-I'm sorry. -I don't know. | 0:16:29 | 0:16:30 | |
How's it looking? | 0:16:33 | 0:16:35 | |
Major depressed skull fracture on the back of the head. | 0:16:36 | 0:16:39 | |
-Do we have an X-ray? -Yeah. | 0:16:39 | 0:16:42 | |
It's a lateral fracture to the C2 vertebra. | 0:16:47 | 0:16:49 | |
Mm. | 0:16:49 | 0:16:51 | |
That's the hangman's fracture. | 0:16:52 | 0:16:54 | |
Can you give Jack a call? | 0:16:57 | 0:16:59 | |
Jack, can you come in, please? Thanks. | 0:17:05 | 0:17:07 | |
Are you happy with that angle? | 0:17:07 | 0:17:09 | |
Well... | 0:17:09 | 0:17:11 | |
A blow from behind pushes the head forward, and the bone shears accordingly. | 0:17:11 | 0:17:16 | |
Jack, you'd know the answer to this. | 0:17:18 | 0:17:19 | |
Is there any kind of martial arts blow | 0:17:19 | 0:17:22 | |
that can break the neck without leaving a mark? | 0:17:22 | 0:17:24 | |
Chin jab? Yeah, but it's banned. | 0:17:24 | 0:17:26 | |
It was used in close combat by commandos in World War II. | 0:17:26 | 0:17:30 | |
And how does it work? | 0:17:30 | 0:17:31 | |
Heel of the hand comes up under the chin. Fingers on face. Bang. | 0:17:31 | 0:17:36 | |
Snap the head back for a sudden kill. | 0:17:36 | 0:17:39 | |
Could Derren Blackburn have used it? | 0:17:39 | 0:17:41 | |
Well, I know these young lads love their kung fu movies, | 0:17:41 | 0:17:44 | |
but, nah, it's not something you can learn from your sofa. | 0:17:44 | 0:17:47 | |
Leo. | 0:17:49 | 0:17:51 | |
I'm just making some observations. | 0:17:51 | 0:17:53 | |
JAZZ MUSIC PLAYING | 0:17:55 | 0:17:57 | |
Thanks. | 0:17:57 | 0:17:59 | |
-You've barely touched your wine. -Sorry. | 0:18:02 | 0:18:05 | |
What's bothering you? | 0:18:05 | 0:18:06 | |
Oh, nothing, really. | 0:18:06 | 0:18:08 | |
Just work. | 0:18:08 | 0:18:10 | |
If it's worrying you, I want to hear about it. | 0:18:10 | 0:18:13 | |
Leo's giving himself a hard time over the Peter Hancock case. | 0:18:13 | 0:18:18 | |
He's pushing for answers that probably aren't there. | 0:18:18 | 0:18:20 | |
Was it really wise of him to make promises to the father? | 0:18:20 | 0:18:23 | |
Probably not. The father's obsessed, but at least he's got a good excuse. | 0:18:23 | 0:18:28 | |
Oh, maybe it's catching. | 0:18:28 | 0:18:30 | |
Oh, don't say that. He's already looking for a conspiracy. | 0:18:30 | 0:18:34 | |
Every obstacle just makes him more suspicious. | 0:18:34 | 0:18:37 | |
I told him to get it off his chest, just write it up, | 0:18:37 | 0:18:39 | |
and dump the responsibility on someone who'd have to deal with it. | 0:18:39 | 0:18:42 | |
TEXT ALERT | 0:18:42 | 0:18:43 | |
Oh, thanks very much. | 0:18:43 | 0:18:44 | |
Why? | 0:18:44 | 0:18:46 | |
Because that would most likely be me. | 0:18:46 | 0:18:48 | |
I thought there was no vote tonight. | 0:18:51 | 0:18:53 | |
It's not my boss. It's my father's nurse. | 0:18:54 | 0:18:57 | |
-Do you need to go? -Yeah, but I've been drinking. | 0:18:57 | 0:19:00 | |
-I'm going to have to call a car. -I can drive. | 0:19:00 | 0:19:02 | |
-Are you sure? -Untouched. | 0:19:02 | 0:19:06 | |
Thanks, Nikki. | 0:19:06 | 0:19:07 | |
-I thought you'd gone home. -The bone marrow results came in. | 0:19:13 | 0:19:15 | |
For both Peter Hancock and Colin Connor. You should see this. | 0:19:15 | 0:19:20 | |
-They found uranium. -Yeah, we knew they would. | 0:19:20 | 0:19:22 | |
But natural uranium is a mix of three isotopes. | 0:19:22 | 0:19:25 | |
This has a higher proportion of uranium-235 than you'll find anywhere in nature. | 0:19:25 | 0:19:29 | |
235? That's the dangerous form. | 0:19:29 | 0:19:33 | |
So, the uranium in the bone marrow isn't natural. | 0:19:33 | 0:19:36 | |
It's man-made contamination. | 0:19:36 | 0:19:38 | |
We're on dangerous ground here, Jack. | 0:19:40 | 0:19:41 | |
-Did you get the second message? -We were already on our way. | 0:19:49 | 0:19:53 | |
I'm fine. | 0:19:54 | 0:19:56 | |
You don't ignore chest pains at your age. | 0:19:56 | 0:19:59 | |
I said it was indigestion. | 0:19:59 | 0:20:00 | |
Now I'll have a doctor's bill, make it worse. | 0:20:00 | 0:20:03 | |
-Who's she? -This is Nikki, Dad. | 0:20:04 | 0:20:08 | |
She drove me here. I showed you her picture, remember? | 0:20:08 | 0:20:12 | |
Hello, Sir William. | 0:20:12 | 0:20:13 | |
-Send her out. -Dad! | 0:20:16 | 0:20:18 | |
I want to speak to my son in private. | 0:20:18 | 0:20:19 | |
-No, hang on a sec. -It's all right. | 0:20:19 | 0:20:21 | |
I'll wait for you downstairs. | 0:20:21 | 0:20:23 | |
-Dad, what do you think you're doing? -Now you listen to me. | 0:20:29 | 0:20:32 | |
You ignored me once, and it's led to trouble. | 0:20:32 | 0:20:34 | |
Trust me this time. | 0:20:34 | 0:20:36 | |
She's the one who works at the Lyell Centre, right? | 0:20:36 | 0:20:40 | |
I happen to know that boss of hers is trouble, and so is she. | 0:20:40 | 0:20:45 | |
And you're not going to explain? | 0:20:45 | 0:20:47 | |
No. For your own good. | 0:20:47 | 0:20:50 | |
Those days are over, Dad. | 0:20:50 | 0:20:52 | |
What did you always tell me? Listen to advice, but trust your own judgment. | 0:20:52 | 0:20:56 | |
She's not interested in you. | 0:20:56 | 0:20:58 | |
She's playing you. | 0:20:58 | 0:21:00 | |
And why would she want to do that? | 0:21:00 | 0:21:02 | |
All OK? | 0:21:08 | 0:21:09 | |
I think the medication makes him cranky. I'm...I'm sorry. | 0:21:09 | 0:21:13 | |
No, don't worry about it. He's had a scare tonight. That probably doesn't help. | 0:21:13 | 0:21:16 | |
He also thinks you're a bad influence and a serious threat to a young man's virtue. | 0:21:16 | 0:21:21 | |
What did you say to that? | 0:21:21 | 0:21:23 | |
I said, "Why do you think I'm so keen on her?" | 0:21:24 | 0:21:26 | |
Uranium-235? | 0:21:32 | 0:21:33 | |
Not depleted. Enriched. | 0:21:33 | 0:21:35 | |
Man-made and in the ground water. | 0:21:37 | 0:21:40 | |
How did it get there? There's no nuclear power station for miles. | 0:21:40 | 0:21:43 | |
No dump, no storage. | 0:21:43 | 0:21:45 | |
Not officially. Take a look at this. | 0:21:45 | 0:21:48 | |
They redacted the words but they left all the maps. | 0:21:48 | 0:21:51 | |
If you look at the satellite image, | 0:21:51 | 0:21:53 | |
that is the same shape as Brimstead Wood. | 0:21:55 | 0:21:59 | |
Is that the source of the contamination? | 0:21:59 | 0:22:00 | |
SIGHS | 0:22:00 | 0:22:02 | |
I think something must have happened here. | 0:22:02 | 0:22:05 | |
Is it late? | 0:22:20 | 0:22:22 | |
SHE GROANS | 0:22:22 | 0:22:25 | |
It's late. | 0:22:25 | 0:22:26 | |
I'm not going in. They can manage without me for one day. | 0:22:26 | 0:22:31 | |
Feel free to hang around the flat. | 0:22:31 | 0:22:33 | |
And do what? | 0:22:36 | 0:22:38 | |
I've got a PlayStation. | 0:22:38 | 0:22:40 | |
And pretty much every TV channel on the planet. | 0:22:40 | 0:22:43 | |
Very ecological. | 0:22:43 | 0:22:45 | |
I never claimed to be consistent. | 0:22:45 | 0:22:48 | |
I'll leave you the keys and come back as soon as I can. | 0:22:48 | 0:22:52 | |
Shall I go to Borough Market and get something delicious and make you supper? | 0:22:52 | 0:22:56 | |
You can cook too? | 0:22:57 | 0:22:59 | |
After a fashion. | 0:22:59 | 0:23:01 | |
You're on. | 0:23:01 | 0:23:03 | |
Hey. | 0:23:06 | 0:23:08 | |
Wait to be dismissed. | 0:23:08 | 0:23:10 | |
Did you call in? | 0:23:18 | 0:23:19 | |
I'm texting them. Then I'm going to turn my phone off, and no-one can argue. | 0:23:19 | 0:23:24 | |
I don't suppose there's any word on when I might get my building back? | 0:23:24 | 0:23:27 | |
You know the score. DI Cherry controls the crime scene. | 0:23:27 | 0:23:30 | |
Doesn't that rather depend on there being a crime to solve? | 0:23:30 | 0:23:32 | |
Yes. It's murder. | 0:23:32 | 0:23:34 | |
-But they know it was that boy. -Can't say that for sure. | 0:23:34 | 0:23:38 | |
Leo found a suspicious neck fracture, and George Ryder had promised information. | 0:23:38 | 0:23:42 | |
So, his death may have been convenient for someone. | 0:23:42 | 0:23:46 | |
I'd better get moving. | 0:23:46 | 0:23:48 | |
When will you be back? | 0:23:48 | 0:23:49 | |
Soon as I possibly can. | 0:23:49 | 0:23:52 | |
Good. | 0:23:53 | 0:23:54 | |
What's your real problem with the Brimstead Fields development? | 0:24:17 | 0:24:20 | |
I told you. Legal issues. | 0:24:21 | 0:24:25 | |
Your legal issues didn't seem to faze the lawyers I put onto it. | 0:24:25 | 0:24:29 | |
But it's not just the old TB hospital, is it? | 0:24:29 | 0:24:33 | |
It's Brimstead Farm, Brimstead Fields, Brimstead Woods. | 0:24:33 | 0:24:37 | |
Are you going to tell me the big secr | 0:24:37 | 0:24:39 | |
or do I have to wait for Leo Dalton to dig it out? | 0:24:39 | 0:24:41 | |
SNORTS | 0:24:42 | 0:24:44 | |
Understand this. | 0:24:44 | 0:24:47 | |
My good name is my legacy. | 0:24:47 | 0:24:50 | |
And I've worked hard to make it mean something. | 0:24:50 | 0:24:54 | |
One day, very soon, it'll be all that's left of me, | 0:24:56 | 0:25:02 | |
and it'll be in your hands, son. | 0:25:02 | 0:25:05 | |
You'll be responsible for how I'm remembered. | 0:25:06 | 0:25:11 | |
Understood. | 0:25:11 | 0:25:12 | |
Is it? | 0:25:12 | 0:25:14 | |
There'll be some hard choices to make. | 0:25:16 | 0:25:18 | |
So... | 0:25:20 | 0:25:22 | |
...do you still want to know the truth? | 0:25:23 | 0:25:26 | |
-James? -Tell David Loader to come in. | 0:25:51 | 0:25:54 | |
I gather you've spoken to your father? | 0:26:02 | 0:26:05 | |
You can assume I'm up to speed. | 0:26:06 | 0:26:08 | |
I can see we have issues to address. | 0:26:09 | 0:26:13 | |
Leo Dalton. | 0:26:13 | 0:26:14 | |
He isn't going to go away. | 0:26:16 | 0:26:17 | |
What are my options? | 0:26:19 | 0:26:20 | |
Just say the word, and I'll deal with him. | 0:26:20 | 0:26:22 | |
Deal with him how? | 0:26:24 | 0:26:25 | |
You don't have to know everything. | 0:26:27 | 0:26:28 | |
Don't worry. | 0:26:28 | 0:26:30 | |
-It won't be too drastic. -See to it. | 0:26:30 | 0:26:34 | |
POLICE SIREN IN DISTANCE | 0:27:05 | 0:27:07 | |
Smells wonderful. | 0:27:14 | 0:27:16 | |
Hold that thought a little while longer. | 0:27:16 | 0:27:20 | |
-Can I open my eyes yet? -Nope. | 0:27:20 | 0:27:21 | |
I think I'm going to need that. | 0:27:27 | 0:27:30 | |
Tough day? | 0:27:30 | 0:27:31 | |
Not one I expect to forget in a hurry. | 0:27:32 | 0:27:36 | |
Well, I spent mine thinking about my priorities. | 0:27:36 | 0:27:39 | |
-Me too. -Really? | 0:27:40 | 0:27:43 | |
So, what are yours? | 0:27:43 | 0:27:45 | |
As of right now... | 0:27:45 | 0:27:47 | |
-...a little less work... -Mm. | 0:27:49 | 0:27:52 | |
...a little more play... | 0:27:52 | 0:27:54 | |
...and the occasional tequila. | 0:27:57 | 0:28:00 | |
I'm guessing... | 0:28:05 | 0:28:07 | |
-chilli. -You can open your eyes. | 0:28:07 | 0:28:11 | |
Chilli! | 0:28:13 | 0:28:14 | |
-You were burgled? -While I was sleeping, yeah. | 0:28:56 | 0:28:59 | |
Don't you have an alarm? | 0:28:59 | 0:29:00 | |
Course I do, after last time. | 0:29:00 | 0:29:03 | |
But I don't set it when I'm at home. | 0:29:03 | 0:29:05 | |
-So, how did they get in? -Kitchen window. | 0:29:05 | 0:29:07 | |
Didn't hear a thing. | 0:29:09 | 0:29:10 | |
Who was it? Catwoman? | 0:29:10 | 0:29:12 | |
You're lucky you didn't wake up. Things could have turned nasty. | 0:29:12 | 0:29:15 | |
-Yeah, I know. -What's missing? | 0:29:15 | 0:29:18 | |
Well, they took a couple of spare eur and some science medals. | 0:29:18 | 0:29:24 | |
If they'd taken my keys, they could have had my car. | 0:29:24 | 0:29:26 | |
-Morning. -Leo's been burgled. | 0:29:26 | 0:29:28 | |
-Are you OK? -Yeah, yeah, I'm fine. | 0:29:28 | 0:29:31 | |
They also took my father's watch. | 0:29:31 | 0:29:32 | |
Which they can't sell, because it's got his name engraved on the back. | 0:29:32 | 0:29:35 | |
Take a day off, and see what you miss. | 0:29:35 | 0:29:38 | |
How was your day? | 0:29:38 | 0:29:39 | |
Nice. | 0:29:40 | 0:29:41 | |
RINGING TONE | 0:29:54 | 0:29:57 | |
PHONE RINGS | 0:29:57 | 0:29:59 | |
Nikki Alexander. | 0:29:59 | 0:30:00 | |
Nikki, it's me. | 0:30:00 | 0:30:01 | |
Oh, hi. | 0:30:01 | 0:30:03 | |
Is Professor Dalton in his office? | 0:30:03 | 0:30:06 | |
No, but I know he's in the building. Why? | 0:30:06 | 0:30:09 | |
He's about to get a visit. | 0:30:09 | 0:30:10 | |
-Can you stay out of it? -I don't understand. | 0:30:10 | 0:30:13 | |
-It's a disciplinary thing. I really... -Disciplinary? What do you mean? | 0:30:13 | 0:30:17 | |
Sorry, Nikki, I really shouldn't be talking to you. | 0:30:19 | 0:30:23 | |
LINE GOES DEAD | 0:30:23 | 0:30:25 | |
-Professor Dalton. -Jennifer. What can I do for you? | 0:30:31 | 0:30:34 | |
-It's not a friendly visit, Professor. -Oh. | 0:30:34 | 0:30:38 | |
Do you recognise these file numbers? | 0:30:43 | 0:30:45 | |
I remember the cases. What about them? | 0:30:48 | 0:30:50 | |
They're all post-mortem records that were sealed by court order. | 0:30:50 | 0:30:54 | |
Yet this morning they were found in a sports bag on a rubbish skip. | 0:30:54 | 0:30:58 | |
Well, that's serious. | 0:30:59 | 0:31:01 | |
It is. | 0:31:01 | 0:31:03 | |
-Well, they didn't come from here. -No. | 0:31:03 | 0:31:05 | |
-Apparently, they came from your home. -What?! | 0:31:05 | 0:31:08 | |
An engraved watch and your science awards were in the same bag. | 0:31:08 | 0:31:12 | |
But that's impossible. | 0:31:12 | 0:31:13 | |
They're sealed records, accessible only with the authority of a judge. | 0:31:13 | 0:31:17 | |
Can you explain to me how they got there? | 0:31:17 | 0:31:19 | |
No. No. How did they make their way to you? | 0:31:19 | 0:31:21 | |
A member of the public handed them in. | 0:31:21 | 0:31:23 | |
Oh, that's very convenient. Did the same member of the public leave their name? | 0:31:23 | 0:31:29 | |
I've no idea. The police saw the documents were sensitive and contacted the Home Office. | 0:31:29 | 0:31:33 | |
You didn't mention the files when you reported the theft. | 0:31:34 | 0:31:37 | |
There were no files at my house. | 0:31:37 | 0:31:39 | |
-You never take your work home? -Not these. | 0:31:39 | 0:31:43 | |
Where is this going? | 0:31:43 | 0:31:44 | |
-Suspended? -Yeah. | 0:31:48 | 0:31:50 | |
Pending further investigation. I think we can guess what that means. | 0:31:50 | 0:31:54 | |
How did the files even get into your house? | 0:31:54 | 0:31:58 | |
They were never at my house. This whole thing is some kind of a setup. | 0:31:58 | 0:32:02 | |
Everything they took had my name on it. | 0:32:02 | 0:32:04 | |
A setup? Leo... | 0:32:04 | 0:32:06 | |
What? What, you think I'm making something out of nothing? | 0:32:06 | 0:32:09 | |
No, but...why? | 0:32:09 | 0:32:11 | |
I don't know. | 0:32:11 | 0:32:12 | |
Perhaps you could ask James. | 0:32:15 | 0:32:18 | |
-What do you mean? -He's got a stake in Brimstead Fields. | 0:32:19 | 0:32:22 | |
I get redacted files from a fixer called David Loader, who's attached to his department. | 0:32:22 | 0:32:25 | |
His fingerprints are all over this. | 0:32:25 | 0:32:27 | |
Are you sure? | 0:32:29 | 0:32:30 | |
I'm really sorry. | 0:32:36 | 0:32:38 | |
Don't be. | 0:32:40 | 0:32:41 | |
-Is this not evidence? -Striations don't match. | 0:32:46 | 0:32:48 | |
You don't think they'd actually kill to silence an old man, do you? | 0:32:48 | 0:32:52 | |
With David Loader and his dirty tricks department on the job, who knows? | 0:32:52 | 0:32:57 | |
Do something for me, will you? | 0:33:01 | 0:33:04 | |
-Take another look at George Ryder. -Yeah. | 0:33:04 | 0:33:07 | |
AUTOMATED VOICE: You have three new messages. | 0:33:13 | 0:33:15 | |
BEEPS | 0:33:15 | 0:33:16 | |
'James, it's Nikki. Will you call me?' | 0:33:16 | 0:33:19 | |
-BEEP -'James, pick up.' | 0:33:21 | 0:33:23 | |
BEEP | 0:33:23 | 0:33:25 | |
'Will you please call me?' | 0:33:25 | 0:33:27 | |
KNOCKS AT DOOR | 0:33:30 | 0:33:32 | |
Tom. | 0:33:37 | 0:33:38 | |
Come in. | 0:33:40 | 0:33:41 | |
Heavy metal in the ground water? I'd never have known what to look for. | 0:33:45 | 0:33:49 | |
It may have caused a local blip in kidney disease, but it's not what killed your son. | 0:33:49 | 0:33:53 | |
It's more of a signpost. | 0:33:53 | 0:33:56 | |
Everything is pointing towards this area. | 0:33:56 | 0:33:59 | |
That's Brimstead Wood. | 0:33:59 | 0:34:01 | |
Some time in the '60s, there was a major incident. | 0:34:01 | 0:34:04 | |
Whatever it was, it was big. | 0:34:04 | 0:34:06 | |
I'm seeing very faint nail indentations. | 0:34:10 | 0:34:13 | |
And finger touch pad contusions. | 0:34:13 | 0:34:16 | |
Why did no-one see this before? | 0:34:16 | 0:34:18 | |
Some marks don't appear until 24 hours after death. | 0:34:18 | 0:34:20 | |
So, Professor Dalton was right. | 0:34:20 | 0:34:23 | |
This wasn't just a shove in the chest with a bad outcome. | 0:34:23 | 0:34:26 | |
Have you compared the measurements from Derren Blackburn's hands? | 0:34:26 | 0:34:30 | |
If this was a chin jab... | 0:34:32 | 0:34:34 | |
...then the marks on the victim's face | 0:34:36 | 0:34:37 | |
need to match the dimensions of the suspect's hand. | 0:34:37 | 0:34:40 | |
Derren Blackburn's hand is too small. He's not the killer. Someone else was there. | 0:34:43 | 0:34:48 | |
I'm going to swab the chin for contact DNA. | 0:34:50 | 0:34:53 | |
To the Memory of Alan Simcock, Ron Boorman, Edward Teague, | 0:34:54 | 0:34:58 | |
who gave their lives in the service of this community. | 0:34:58 | 0:35:01 | |
In recognition of their ultimate sacrifice. | 0:35:01 | 0:35:03 | |
12th October 1962. | 0:35:03 | 0:35:06 | |
Back then, you could wipe the record clean, wait till the gossip died. | 0:35:06 | 0:35:10 | |
Try hiding a disaster nowadays. | 0:35:10 | 0:35:12 | |
Do the local children ever play in those woods? | 0:35:15 | 0:35:18 | |
-Peter would have told me if he did. -Ha-ha. | 0:35:18 | 0:35:20 | |
If children told their parents everything, they'd die of fright. | 0:35:20 | 0:35:23 | |
There's nothing for October 12th, but listen to this... | 0:35:24 | 0:35:28 | |
"November 12th 1962. | 0:35:28 | 0:35:30 | |
"An employee of Metrochemical Solutions was rushed to hospital | 0:35:30 | 0:35:32 | |
"when his vehicle overturned during an operation to clear ash and debris | 0:35:32 | 0:35:36 | |
"in Brimstead Wood, Buckinghamshire. | 0:35:36 | 0:35:39 | |
"The clearance work, | 0:35:39 | 0:35:41 | |
"following a controlled burning operation by the Forestry Commission, | 0:35:41 | 0:35:44 | |
"is due to continue for another six weeks." | 0:35:44 | 0:35:47 | |
-Controlled burning? -Yeah. | 0:35:47 | 0:35:49 | |
I have no idea. | 0:36:12 | 0:36:14 | |
-I see you're getting up to speed. -I'm sorry? | 0:36:16 | 0:36:18 | |
It's always a struggle, the first couple of days. | 0:36:18 | 0:36:20 | |
-David Loader. -Excuse me. | 0:36:20 | 0:36:23 | |
-What do you do for James Embleton? -Today I seem to be running his errands. | 0:36:29 | 0:36:33 | |
I'm returning the files. Do put them somewhere safe. | 0:36:33 | 0:36:37 | |
How did they get out? | 0:36:39 | 0:36:41 | |
Professor Dalton broke the rules and took them home, of course. | 0:36:41 | 0:36:43 | |
Why would he do that? | 0:36:45 | 0:36:46 | |
I wouldn't know. | 0:36:48 | 0:36:49 | |
Nice to meet you, David. | 0:36:53 | 0:36:56 | |
-Should I take it off? -No, keep it on. | 0:37:04 | 0:37:07 | |
How long before the Army shows up? | 0:38:03 | 0:38:05 | |
Yeah, they're not expecting us this time. | 0:38:05 | 0:38:07 | |
Shit. | 0:38:08 | 0:38:10 | |
If it beeps, get your mask on as fast as possible. | 0:38:23 | 0:38:26 | |
If you get radioactive dust in your lungs, it's impossible to get it out. | 0:38:26 | 0:38:30 | |
It'll kill you eventually. | 0:38:30 | 0:38:32 | |
What are we looking for? | 0:38:32 | 0:38:33 | |
Some kind of a hot spot. Some zone of contamination. | 0:38:33 | 0:38:38 | |
BEEPS TWICE | 0:38:38 | 0:38:39 | |
I can't see anything yet. | 0:38:39 | 0:38:41 | |
Heel of hand | 0:38:47 | 0:38:50 | |
to tip of middle finger, | 0:38:50 | 0:38:54 | |
1-8-2. | 0:38:55 | 0:38:57 | |
So, you reckon there was some kind of radiation accident that never got cleaned up? | 0:38:57 | 0:39:00 | |
Yep. | 0:39:00 | 0:39:01 | |
Easier to stick up a fence and a few signs, and keep it quiet. | 0:39:03 | 0:39:06 | |
BEEPS TWICE | 0:39:06 | 0:39:09 | |
And if a few healthy kids die, so be it. | 0:39:10 | 0:39:13 | |
Let's have them do it for no obvious reason. | 0:39:13 | 0:39:16 | |
I never meant for you to wreck your career over this. | 0:39:16 | 0:39:19 | |
Don't worry. | 0:39:19 | 0:39:21 | |
I'm not just doing this for you. | 0:39:21 | 0:39:23 | |
BEEPS THREE TIMES | 0:39:32 | 0:39:34 | |
We know from the measurements that Clarissa lifted from the glove, | 0:39:40 | 0:39:42 | |
that my hand and David Loader's are the near enough the same size, right? | 0:39:42 | 0:39:46 | |
So, the force was applied here. | 0:39:46 | 0:39:49 | |
And...the neck broke in one swift jab. | 0:39:52 | 0:39:55 | |
Yeah, well, that just shows us that he could have done it. Not that he did. | 0:39:55 | 0:39:58 | |
Yeah, but we have contact DNA from the body and a sample from David Loader. | 0:39:58 | 0:40:02 | |
Clarissa's checking for a match now. | 0:40:02 | 0:40:04 | |
BEEPS THREE TIMES | 0:40:18 | 0:40:21 | |
Anything? | 0:40:21 | 0:40:23 | |
Something, but not much. | 0:40:23 | 0:40:26 | |
BEEPING | 0:40:35 | 0:40:38 | |
Oh! | 0:40:38 | 0:40:41 | |
Tom! | 0:40:42 | 0:40:44 | |
Are you OK? | 0:40:46 | 0:40:48 | |
I'm all right! I'm OK! | 0:40:50 | 0:40:52 | |
RAPID BEEPING | 0:40:57 | 0:41:00 | |
Get your mask on! Quick! | 0:41:00 | 0:41:02 | |
COUGHING | 0:41:07 | 0:41:10 | |
RAPID BEEPING | 0:41:32 | 0:41:33 | |
RAPID BEEPING | 0:41:47 | 0:41:51 | |
Tom! What are you doing? Get your mask on! | 0:41:57 | 0:42:00 | |
Now! | 0:42:00 | 0:42:02 | |
Look at this! There's been kids down here! | 0:42:04 | 0:42:08 | |
There's beer bottles, a fire. | 0:42:09 | 0:42:12 | |
This is a warhead cradle. This train was carrying a nuclear warhead. | 0:42:33 | 0:42:39 | |
We've got to get out of here. Come on, let's go. | 0:42:39 | 0:42:42 | |
Tom! Come on! | 0:43:00 | 0:43:01 | |
As if a...a train fire in a tunnel wasn't bad enough. | 0:43:04 | 0:43:08 | |
With a nuclear weapon on board, that's...a disaster. | 0:43:08 | 0:43:13 | |
Did they not know? | 0:43:13 | 0:43:15 | |
-I mean, they must have known. -Of course they knew, and they knew the scale of it. | 0:43:16 | 0:43:20 | |
That's why they didn't own up or clean up. | 0:43:20 | 0:43:23 | |
And their answer was to...was to bulldoze topsoil into a tunnel, cover it over. | 0:43:23 | 0:43:28 | |
Put a fence around the hill. And then, hey presto! Railway disappears. | 0:43:28 | 0:43:31 | |
And whoever made that decision probably died safe in their own bed 20 years ago. | 0:43:33 | 0:43:38 | |
We need to get you checked over. | 0:43:38 | 0:43:40 | |
Come on, Leo. | 0:43:40 | 0:43:42 | |
We can wash it off, but I breathed it in. End of story. | 0:43:42 | 0:43:45 | |
Got a sample. | 0:43:47 | 0:43:48 | |
We can't take that. I wrapped it up inside one of the gloves. | 0:43:50 | 0:43:52 | |
Doesn't matter. It's not safe. | 0:43:52 | 0:43:55 | |
Then I'm keeping it. | 0:43:55 | 0:43:57 | |
I cleared out his room. I don't believe in shrines. | 0:44:06 | 0:44:08 | |
If there's plutonium on Peter's clothes, we'll know he'd been in the tunnel. | 0:44:08 | 0:44:13 | |
Er...the clothes are in...are in the bags. | 0:44:14 | 0:44:18 | |
Not so much use if they're clean. | 0:44:26 | 0:44:28 | |
-What about his shoes? -In one of the boxes. | 0:44:28 | 0:44:31 | |
There was drink and drugs, all sorts up there. | 0:44:37 | 0:44:39 | |
Hard to imagine Peter being part of that. | 0:44:40 | 0:44:43 | |
It's one of the hardest things for a parent to give their child, isn't it? | 0:44:45 | 0:44:49 | |
-What? -Freedom. | 0:44:49 | 0:44:52 | |
STEADY BEEPING | 0:44:58 | 0:45:01 | |
-Are you rolling? -Oh, yes. | 0:45:05 | 0:45:08 | |
-'It's no good. -I can see the faces. -Keep...keep going. I'll pixilate it out for online.' | 0:45:08 | 0:45:12 | |
What are they doing? | 0:45:15 | 0:45:16 | |
It's called urban exploring. | 0:45:16 | 0:45:19 | |
'Mate, you look beautiful.' | 0:45:22 | 0:45:24 | |
That's Peter. | 0:45:24 | 0:45:25 | |
Do you know any of the other kids? | 0:45:32 | 0:45:34 | |
All of them. | 0:45:36 | 0:45:38 | |
We need to find them. Get them checked out. | 0:45:38 | 0:45:41 | |
PETER: 'Wicked.' | 0:45:43 | 0:45:44 | |
All right, lads. Get in, get in, get in. | 0:45:44 | 0:45:47 | |
ALL: Raaahhh! | 0:45:47 | 0:45:49 | |
When the weapon burned, it released its plutonium and uranium, | 0:45:49 | 0:45:53 | |
and the uranium salts washed down into the ground water. | 0:45:53 | 0:45:56 | |
The dust in the tunnel is plutonium oxide. | 0:45:56 | 0:45:59 | |
Now, Metrochemical was Sir William Embleton's waste management company | 0:45:59 | 0:46:03 | |
and they were brought in for the so-called clean-up operation. | 0:46:03 | 0:46:06 | |
Is he still alive? | 0:46:06 | 0:46:08 | |
He is, yeah. | 0:46:08 | 0:46:10 | |
SIGHS | 0:46:10 | 0:46:12 | |
His name is on a wing of the hospital in which your son died. | 0:46:12 | 0:46:16 | |
-What do we do now? -I'll call the Health Protection Agency. | 0:46:17 | 0:46:21 | |
They've got emergency powers under the Civil Contingencies Act. | 0:46:21 | 0:46:23 | |
OK. Can you give me a second? | 0:46:27 | 0:46:30 | |
BOLT CLICKS | 0:46:39 | 0:46:41 | |
Tom? | 0:46:41 | 0:46:43 | |
Tom! | 0:46:43 | 0:46:44 | |
Tom? | 0:46:44 | 0:46:46 | |
I'm sorry, Leo. | 0:46:47 | 0:46:50 | |
HAMMERING ON DOOR | 0:46:50 | 0:46:52 | |
Tom! | 0:46:52 | 0:46:54 | |
Dr Alexander? Your visitor. | 0:47:15 | 0:47:17 | |
Nikki? I know it's too late... | 0:47:23 | 0:47:26 | |
You got my messages? | 0:47:26 | 0:47:27 | |
I got them all. | 0:47:27 | 0:47:30 | |
What was George Ryder going to tell Leo? | 0:47:33 | 0:47:35 | |
In 1962, there was a fire on a train carrying a nuclear warhead. | 0:47:38 | 0:47:43 | |
It was hushed up. | 0:47:43 | 0:47:46 | |
No-one wanted to admit what the dangers might be. | 0:47:46 | 0:47:48 | |
So, they filled in the tunnel and pretended it never happened. | 0:47:48 | 0:47:52 | |
The government sold the land to my father for a pound. | 0:47:52 | 0:47:55 | |
They'd be rid of the responsibility and he could clean it up and make a profit. | 0:47:55 | 0:48:00 | |
But there was never going to be any profit. | 0:48:00 | 0:48:02 | |
So, he put up a fence and forgot about it. | 0:48:02 | 0:48:04 | |
The land was a write-off. Always will be. | 0:48:04 | 0:48:07 | |
You...you don't want to be on it or near it. | 0:48:07 | 0:48:09 | |
And no government ever wants to deal with it. | 0:48:09 | 0:48:12 | |
And you were going to build on it? | 0:48:12 | 0:48:14 | |
How long have you known about this? When we were together? | 0:48:14 | 0:48:18 | |
When we were having dinner? In your flat? | 0:48:18 | 0:48:20 | |
-When we were in bed? Did you know then? -No, not then. | 0:48:20 | 0:48:24 | |
My father didn't tell me any of it. | 0:48:24 | 0:48:26 | |
I swear, I knew nothing about it until he told me a few days ago. | 0:48:26 | 0:48:29 | |
Who gave the order to discredit Leo? | 0:48:30 | 0:48:32 | |
Me. I'm...I'm sorry. | 0:48:35 | 0:48:37 | |
Tell me you didn't have George Ryder killed. | 0:48:41 | 0:48:43 | |
Should I have to? | 0:48:44 | 0:48:46 | |
David Loader works for you, and the evidence will convict him. | 0:48:46 | 0:48:50 | |
You can't think I'm part of that. | 0:48:50 | 0:48:51 | |
You are a part of it, James! One way or another, you are! | 0:48:51 | 0:48:55 | |
If I ever meant anything to you, | 0:49:02 | 0:49:05 | |
you'll put right what you did to Leo. | 0:49:07 | 0:49:09 | |
Now. | 0:49:09 | 0:49:11 | |
CREAKING | 0:49:26 | 0:49:28 | |
GROANS AND COUGHS | 0:49:29 | 0:49:32 | |
Who are you? | 0:49:35 | 0:49:37 | |
I came here to say thanks... for the legacy. | 0:49:38 | 0:49:41 | |
-How did you get in here? -I have overalls. | 0:49:41 | 0:49:43 | |
A badge. Four-by-four with my name on it. | 0:49:43 | 0:49:45 | |
I can pretty much get in anywhere I want. You won't need your panic button. | 0:49:45 | 0:49:49 | |
If you think you're scaring me, think again. | 0:49:49 | 0:49:53 | |
Huh! | 0:49:53 | 0:49:54 | |
What do you want? | 0:49:54 | 0:49:56 | |
People told me that my boy's illness was just bad luck. | 0:49:56 | 0:50:01 | |
I couldn't live with that. | 0:50:01 | 0:50:04 | |
So, I started looking for any mad explanation. | 0:50:05 | 0:50:09 | |
Power lines outside his bedroom. | 0:50:10 | 0:50:12 | |
Junk food. His mobile phone. | 0:50:12 | 0:50:15 | |
See, my wife Stella, with her prayers and her miracle diets, | 0:50:15 | 0:50:19 | |
she was just doing the same thing. | 0:50:19 | 0:50:21 | |
I can see that now. | 0:50:23 | 0:50:24 | |
But all along, it was this. | 0:50:24 | 0:50:28 | |
I have no idea what you're talking about. | 0:50:32 | 0:50:34 | |
Dust... | 0:50:34 | 0:50:36 | |
...from the tunnel under Brimstead Wood. | 0:50:37 | 0:50:39 | |
God knows how many kids have been exposed to this. | 0:50:41 | 0:50:43 | |
With their camp-outs, parties, picnics under the stars. | 0:50:43 | 0:50:48 | |
Professor Dalton showed me how... | 0:50:51 | 0:50:54 | |
my boy died. | 0:50:54 | 0:50:57 | |
But I want you... | 0:50:57 | 0:50:59 | |
to tell me why. | 0:50:59 | 0:51:01 | |
Come on, as one father to another. Will you tell me? | 0:51:04 | 0:51:08 | |
One father to another, hm? | 0:51:08 | 0:51:11 | |
(SIGHS) All right. | 0:51:11 | 0:51:14 | |
Your fault. | 0:51:17 | 0:51:18 | |
My fault? | 0:51:20 | 0:51:21 | |
Yes! | 0:51:21 | 0:51:23 | |
For not teaching your son... | 0:51:23 | 0:51:26 | |
...to stay out of places | 0:51:27 | 0:51:30 | |
where he wasn't supposed to be! | 0:51:30 | 0:51:33 | |
That's your answer? | 0:51:39 | 0:51:40 | |
That's all you're getting from me. | 0:51:40 | 0:51:44 | |
Do your worst. | 0:51:48 | 0:51:51 | |
OK. | 0:51:53 | 0:51:55 | |
BOLT CLICKS | 0:51:58 | 0:52:00 | |
Tom Hancock says he kidnapped you. | 0:52:01 | 0:52:04 | |
No, I said no police! | 0:52:21 | 0:52:23 | |
I'm DI Cherry. This is Leo Dalton. | 0:52:23 | 0:52:26 | |
Oh, the problem professor. | 0:52:26 | 0:52:29 | |
What do you want? | 0:52:29 | 0:52:32 | |
-I know about the tunnel fire in '62. -I'm not talking to you. | 0:52:32 | 0:52:35 | |
There is a HazMat team out there on its way to securing the area. | 0:52:35 | 0:52:39 | |
They need information to work with, | 0:52:39 | 0:52:41 | |
and right now all they've got is a teenager's YouTube video. | 0:52:41 | 0:52:45 | |
Any information that you can give us is going to help | 0:52:45 | 0:52:48 | |
Or what? You'll send in the angry plumber again? | 0:52:48 | 0:52:51 | |
He had his chance. He bottled it. | 0:52:51 | 0:52:54 | |
I said to him, "Do your worst." | 0:52:54 | 0:52:58 | |
He just said, | 0:52:58 | 0:53:01 | |
"OK." Huh! | 0:53:01 | 0:53:02 | |
-Just that? -Yeah. | 0:53:05 | 0:53:07 | |
What? That's all he said? | 0:53:09 | 0:53:11 | |
Tell David Loader I want to see him. | 0:53:40 | 0:53:42 | |
He's on his way down. Your father's trying to get hold of you. | 0:53:42 | 0:53:45 | |
He says it's urgent! | 0:53:45 | 0:53:47 | |
Not now. | 0:53:47 | 0:53:49 | |
Shut the door. | 0:53:54 | 0:53:56 | |
The builder's son didn't kill the old man, did he? | 0:54:02 | 0:54:05 | |
What are they saying? | 0:54:05 | 0:54:07 | |
Don't play games with me, David. What did you do? | 0:54:07 | 0:54:10 | |
I didn't intend him any harm. It got out of hand. | 0:54:10 | 0:54:13 | |
For God's sake, David! Are you completely out of control? | 0:54:13 | 0:54:17 | |
Yes. | 0:54:17 | 0:54:18 | |
That's how it works. | 0:54:18 | 0:54:20 | |
I'm the rogue employee you get to blame if it ever goes wrong. | 0:54:20 | 0:54:23 | |
It's gone wrong. | 0:54:23 | 0:54:26 | |
I thought you and that Nikki woman had an understanding. | 0:54:27 | 0:54:29 | |
She understands me better than I understood her. | 0:54:30 | 0:54:33 | |
You might want to call your solicitor | 0:54:36 | 0:54:39 | |
They know you killed George Ryder. The police are probably on their way. | 0:54:39 | 0:54:42 | |
There's a protocol for times like this. | 0:54:42 | 0:54:44 | |
Waiting around for the police isn't part of it. | 0:54:44 | 0:54:47 | |
-BEEPING -I have to go. | 0:54:47 | 0:54:51 | |
No! Stay out, Kristen. Don't come in. | 0:55:00 | 0:55:03 | |
I really have to go. | 0:55:03 | 0:55:04 | |
Wait. David. Seriously. Don't open the door. | 0:55:04 | 0:55:07 | |
Right, everybody out the building now. Get out now! | 0:55:14 | 0:55:19 | |
TV: 'Anti-terrorist and bomb squad officers were called to the central London office | 0:55:43 | 0:55:48 | |
'of Lord James Embleton, the Minister of Science, earlier today. | 0:55:48 | 0:55:52 | |
'Several Government buildings in Westminster were evacuated | 0:55:52 | 0:55:54 | |
'after a so-far unidentified chemical | 0:55:54 | 0:55:57 | |
'was released into the private office of Lord Embleton. | 0:55:57 | 0:56:00 | |
'He and a male colleague, thought to be an advisor, have been rushed to hospital. | 0:56:00 | 0:56:04 | |
'Both men are said to be in a critical condition. | 0:56:04 | 0:56:06 | |
'Scotland Yard refused to give any information regarding the nature of the chemical, | 0:56:06 | 0:56:09 | |
'but a source close to the police | 0:56:09 | 0:56:10 | |
'said they believed the attack was targeted at the Minister. | 0:56:10 | 0:56:15 | |
'James Embleton, son of Sir William Embleton, owner of Metrochemicals, | 0:56:15 | 0:56:19 | |
'was a rising star in the Government, | 0:56:19 | 0:56:21 | |
'and tipped for a cabinet position in the near future.' | 0:56:21 | 0:56:24 | |
DOOR BEEPS | 0:57:17 | 0:57:19 | |
-They found him. -Your brother. | 0:58:03 | 0:58:06 | |
What do you want from this? | 0:58:06 | 0:58:08 | |
I want the Taliban bastards that killed him. | 0:58:08 | 0:58:10 | |
I'm going to go out and do the post-mortem. | 0:58:10 | 0:58:11 | |
To Afghanistan? Why? | 0:58:11 | 0:58:13 | |
If that kid's body was on a beach in Bognor or at the bottom of Lake Windermere, | 0:58:13 | 0:58:16 | |
we would tear the place apart trying to find the killer. | 0:58:16 | 0:58:18 | |
We have a roadblock here. Someone's stuck five rocks in the middle of Sunset Boulevard. | 0:58:18 | 0:58:21 | |
Do you have a patrol in the area? | 0:58:21 | 0:58:23 | |
I'm Dr Joya. I'm in charge of the project here. | 0:58:23 | 0:58:25 | |
If we don't complete by the end of the month, we are in trouble. | 0:58:25 | 0:58:29 | |
# Testat ore silence | 0:58:30 | 0:58:37 | |
# Vos teste se spiritu | 0:58:37 | 0:58:45 | |
# Silencio... # | 0:58:45 | 0:58:55 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 |