Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes. | 0:00:02 | 0:00:04 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:04 | 0:00:09 | |
Hello, darling. | 0:00:09 | 0:00:11 | |
-You all right, darling? -All right, girls? | 0:00:12 | 0:00:14 | |
MUSIC BLARES | 0:00:17 | 0:00:19 | |
How much, love? | 0:00:22 | 0:00:24 | |
I'm just waiting for a friend. | 0:00:24 | 0:00:26 | |
I'll be your friend, sweetheart. | 0:00:26 | 0:00:28 | |
OK. The prick tease stops right now, tonight! Get in there! | 0:00:28 | 0:00:32 | |
SHE SHRIEKS | 0:00:32 | 0:00:34 | |
SHE PANTS | 0:00:34 | 0:00:37 | |
SHE SHRIEKS | 0:00:37 | 0:00:38 | |
Argh! | 0:00:39 | 0:00:41 | |
SHE SCREAMS | 0:00:41 | 0:00:43 | |
Oof! | 0:00:43 | 0:00:45 | |
SHE SOBS | 0:00:45 | 0:00:47 | |
HE GROANS | 0:00:47 | 0:00:49 | |
GRUNTS | 0:00:49 | 0:00:53 | |
SHE SOBS | 0:00:53 | 0:00:55 | |
SHE PANTS | 0:01:02 | 0:01:04 | |
APPROACHING FOOTSTEPS | 0:01:04 | 0:01:06 | |
-What's your name? -Piss off! | 0:01:12 | 0:01:15 | |
Two choices. | 0:01:16 | 0:01:18 | |
I take you home, or I take you down to the station | 0:01:18 | 0:01:20 | |
and I book you for soliciting. | 0:01:20 | 0:01:22 | |
You've run away. | 0:01:39 | 0:01:40 | |
-Did your dad abuse you? -What? | 0:01:43 | 0:01:46 | |
-Your dad, did he sexually abuse you? -No! | 0:01:46 | 0:01:49 | |
So, why'd you run away? | 0:01:51 | 0:01:52 | |
You were bored? | 0:01:55 | 0:01:57 | |
Is that it? | 0:01:58 | 0:02:00 | |
You're going to throw your whole life away out of boredom? | 0:02:02 | 0:02:06 | |
That's just stupid. | 0:02:06 | 0:02:07 | |
What the hell do you care about my life? | 0:02:07 | 0:02:09 | |
SHE GASPS | 0:02:18 | 0:02:20 | |
You've just assaulted a police officer. | 0:02:27 | 0:02:30 | |
A GBH charge will stick, and that's a year in prison. | 0:02:30 | 0:02:35 | |
Or...I could take you home. | 0:02:35 | 0:02:37 | |
Derek MacNeil. Thank you for bringing her home. | 0:02:46 | 0:02:50 | |
-Your daughter's very beautiful. What's her name? -Imogen. | 0:02:50 | 0:02:53 | |
Did my daughter...? | 0:02:55 | 0:02:57 | |
No. Her pimp did. | 0:02:57 | 0:03:00 | |
(Oh, God!) | 0:03:00 | 0:03:02 | |
Thank you. | 0:03:04 | 0:03:06 | |
PC Lane. PC Alan Lane. | 0:03:06 | 0:03:09 | |
# Testator silens | 0:03:22 | 0:03:29 | |
# Costestes e spiritu | 0:03:29 | 0:03:36 | |
# Silentium. # | 0:03:36 | 0:03:43 | |
DI Kate Warren, this is DS Roger Baron. | 0:03:52 | 0:03:54 | |
-Nikki Alexander, pathologist. -Jack Hodgson, forensics. | 0:03:54 | 0:03:58 | |
The, er...body's in the flat above the pub. Joanne Henderson, aged 32. | 0:03:58 | 0:04:02 | |
Hubby Roly Henderson said their daughter found her | 0:04:02 | 0:04:04 | |
whilst he was asleep in the bar downstairs. | 0:04:04 | 0:04:07 | |
Says he slipped in her blood when he found her, | 0:04:07 | 0:04:10 | |
but we've no sign of forced entry. | 0:04:10 | 0:04:11 | |
Every second he's moving around, he's compromising blood evidence. | 0:04:11 | 0:04:15 | |
-I'll start processing him. -Thank you, Jack. | 0:04:15 | 0:04:19 | |
-I want to see my dad! -I know you do, love. | 0:04:19 | 0:04:21 | |
-I want to see my dad! -That's it. | 0:04:21 | 0:04:23 | |
-I want to see my dad! -Look, just give us a minute, all right? | 0:04:23 | 0:04:25 | |
-Why don't you take her out to the car? -Yes, Ma'am. | 0:04:25 | 0:04:28 | |
-(Come on, come on.) -No! -Come on. | 0:04:32 | 0:04:35 | |
Are you all right? | 0:04:38 | 0:04:40 | |
What's your name? | 0:04:41 | 0:04:42 | |
My name's Nikki. | 0:04:44 | 0:04:46 | |
-I'm so sorry. -Can you take me to my dad? Please? | 0:04:52 | 0:04:56 | |
Of course. | 0:04:56 | 0:04:57 | |
-We just need his help with a few things first. -Dr Alexander? | 0:04:57 | 0:05:01 | |
I need to go. | 0:05:05 | 0:05:07 | |
But I want you to be as brave as you can until I get back, OK? | 0:05:07 | 0:05:10 | |
(Good girl.) | 0:05:11 | 0:05:13 | |
You had no business telling her she can see her dad. | 0:05:16 | 0:05:19 | |
There's blood on her pyjama top. I'll bag it after I've processed the body. | 0:05:19 | 0:05:22 | |
-Fine. -Does she have relatives? | 0:05:22 | 0:05:26 | |
Give us a chance, love. | 0:05:26 | 0:05:27 | |
We've contacted Social Services. | 0:05:27 | 0:05:29 | |
-Maybe there's a friend she can stay with? -Maybe there is. | 0:05:29 | 0:05:32 | |
Let's just focus on the job in hand, shall we? | 0:05:32 | 0:05:35 | |
Multiple stab wounds to the chest and neck. | 0:05:39 | 0:05:41 | |
Massive exsanguination. | 0:05:43 | 0:05:45 | |
Murder weapon as yet unrecovered. | 0:05:45 | 0:05:48 | |
Must be £200 in that purse over there. | 0:05:48 | 0:05:50 | |
Wasn't a robbery. Doesn't look like a sex crime either. | 0:05:51 | 0:05:53 | |
Still in her pyjamas. | 0:05:53 | 0:05:55 | |
The old lockstep. | 0:05:55 | 0:05:58 | |
Outbreak of rage, then profound regret. | 0:05:58 | 0:06:00 | |
I'm not seeing any regret. | 0:06:00 | 0:06:01 | |
When the daughter found her, she was covered with a sheet. | 0:06:01 | 0:06:04 | |
It's what the murder manual calls care and concern. | 0:06:04 | 0:06:07 | |
Regret after the fact. | 0:06:07 | 0:06:09 | |
Blue fibres under the fingernails of the right hand. | 0:06:16 | 0:06:19 | |
The fourth fingertip on the left hand | 0:06:23 | 0:06:26 | |
has been amputated at the distal interphalangeal joint. | 0:06:26 | 0:06:29 | |
When SOCOs move the body, they should look for a missing fingertip. | 0:06:30 | 0:06:33 | |
-She's a big girl. Might be under there with the murder weapon. -Have some bloody respect! | 0:06:33 | 0:06:38 | |
-Where's me daughter? -Just hold still, please. | 0:06:38 | 0:06:40 | |
Where's me daughter? | 0:06:40 | 0:06:42 | |
I asked you a question! | 0:06:43 | 0:06:45 | |
I'm going to need to ask you to take your shirt off. Is that OK? | 0:06:46 | 0:06:49 | |
Yeah. Let me take his cuffs off. | 0:06:49 | 0:06:51 | |
I'd say well over 50 per cent blood loss. | 0:06:55 | 0:06:58 | |
You're a betting man. | 0:06:58 | 0:06:59 | |
At a depth of half a centimetre, | 0:06:59 | 0:07:01 | |
one litre will cover an area of 2,000 square centimetres. | 0:07:01 | 0:07:05 | |
Could you close the curtains, please, Nikki? | 0:07:12 | 0:07:14 | |
Anyone wearing trainers? | 0:07:25 | 0:07:27 | |
Lead on, please. | 0:07:27 | 0:07:28 | |
What does this mean? Eh? I'm under arrest? | 0:08:05 | 0:08:08 | |
No. Not yet. | 0:08:08 | 0:08:10 | |
But I can soon fix that. | 0:08:12 | 0:08:13 | |
You got kids? | 0:08:17 | 0:08:18 | |
Then you can imagine how scared my daughter is right now. | 0:08:20 | 0:08:24 | |
I need to see her. OK? Two minutes, that's all. | 0:08:24 | 0:08:28 | |
You'll be there the whole time. | 0:08:29 | 0:08:31 | |
There we are. | 0:08:39 | 0:08:41 | |
Are we, er...nearly done? | 0:08:44 | 0:08:47 | |
Looks like the trail ends here. | 0:08:57 | 0:08:59 | |
Maybe not. | 0:09:00 | 0:09:02 | |
These might explain why he was in his socks. | 0:09:43 | 0:09:46 | |
I'm thinking that could be our murder weapon. | 0:09:51 | 0:09:54 | |
The hood might explain how he kept the blood off his face. | 0:09:59 | 0:10:03 | |
It's going to be OK. Yeah. I promise you. | 0:10:03 | 0:10:06 | |
Em? | 0:10:06 | 0:10:07 | |
(Look at me, Em, look at me.) | 0:10:09 | 0:10:11 | |
Escort her to the car now. | 0:10:11 | 0:10:13 | |
Come on. Come on now. | 0:10:14 | 0:10:17 | |
Roly Henderson, I'm arresting you | 0:10:22 | 0:10:24 | |
on the suspicion of the murder of Joanne Henderson. | 0:10:24 | 0:10:26 | |
You do not have to say anything, but it may harm your defence | 0:10:26 | 0:10:29 | |
if you do not mention when questioned something | 0:10:29 | 0:10:31 | |
which you later rely on in court. | 0:10:31 | 0:10:33 | |
You'll be astounded to hear the blue fibres under the victim's nails | 0:10:35 | 0:10:39 | |
are visually similar to the blue fibres | 0:10:39 | 0:10:42 | |
from the blood-soaked fleece. | 0:10:42 | 0:10:44 | |
Thanks, Clarissa. | 0:10:44 | 0:10:46 | |
Chemical tests should confirm. | 0:10:46 | 0:10:48 | |
Over a hundred women are killed every year by their husband or partner. | 0:10:49 | 0:10:54 | |
I just listen to the evidence. | 0:10:54 | 0:10:56 | |
Yeah, right(!) | 0:10:56 | 0:10:58 | |
Thanks, Jack, that's great. | 0:11:01 | 0:11:03 | |
Not a problem. Good luck. | 0:11:03 | 0:11:05 | |
Jack? | 0:11:08 | 0:11:10 | |
If his lawyer's happy, why don't you sit in, make sure I don't fluff the science? | 0:11:10 | 0:11:13 | |
Yeah, sure. | 0:11:13 | 0:11:15 | |
I got a D in biology. | 0:11:15 | 0:11:16 | |
I'm not kidding. | 0:11:18 | 0:11:20 | |
You said you slept in a bar last night. Is that a regular occurrence? | 0:11:20 | 0:11:24 | |
We'd had a stupid argument. | 0:11:27 | 0:11:29 | |
Me wife had started letting Emma do her homework in the bar. | 0:11:31 | 0:11:34 | |
You disapproved? | 0:11:34 | 0:11:36 | |
Yeah. I didn't like her sitting there next to God knows who. | 0:11:36 | 0:11:39 | |
So, you made your feelings known? | 0:11:39 | 0:11:41 | |
It was classic. It was tit for tat. I had a pop at Joanne about Emma, | 0:11:43 | 0:11:47 | |
she had a go at me for slicing lemons without a chopping board and, um... | 0:11:47 | 0:11:52 | |
I lost it. | 0:11:54 | 0:11:56 | |
I raised me voice a bit and then... | 0:11:58 | 0:12:01 | |
..I chucked the knife in the sink. | 0:12:03 | 0:12:04 | |
So, you screamed at your wife in front of the pub | 0:12:04 | 0:12:07 | |
and threw a knife in her general direction? | 0:12:07 | 0:12:10 | |
-No, I threw it in the sink. -Where was she standing? Near the sink? | 0:12:10 | 0:12:13 | |
Well, yeah, but... | 0:12:13 | 0:12:15 | |
What if you'd missed? | 0:12:15 | 0:12:16 | |
What happened next? | 0:12:18 | 0:12:20 | |
Bearing in mind we've taken statements from other patrons. | 0:12:20 | 0:12:22 | |
I took a bottle of whisky from the shelf and I walked out. | 0:12:25 | 0:12:28 | |
And the fact that your daughter was sat there didn't bother you? | 0:12:28 | 0:12:31 | |
You being so concerned about exposing her to the indecencies of the public bar? | 0:12:31 | 0:12:34 | |
-These swabs are from the suspect? -Hm. Neck and face. | 0:12:40 | 0:12:43 | |
I want to check there's no trace of the victim's blood. | 0:12:43 | 0:12:46 | |
-Always harder to prove a negative. -Hm. | 0:12:46 | 0:12:49 | |
Negative is exactly what it is. | 0:12:59 | 0:13:02 | |
If he washed blood off his face, you'd expect to find trace, wouldn't you? | 0:13:04 | 0:13:07 | |
Unless he used a bleach-based detergent. | 0:13:07 | 0:13:09 | |
But then his hair would be streaked | 0:13:09 | 0:13:11 | |
and I'd be picking up sodium hypochlorite, which I'm not. | 0:13:11 | 0:13:14 | |
-You're sure? -I'm sure I'm sure. | 0:13:14 | 0:13:17 | |
-Good news? -What? -You look pleased, that's all. | 0:13:17 | 0:13:21 | |
No, I'm just...Well, OK, I am pleased. | 0:13:21 | 0:13:23 | |
If Roly Henderson's guilty, | 0:13:23 | 0:13:25 | |
his 10-year-old daughter lost both her parents today. | 0:13:25 | 0:13:28 | |
Describe your marriage. | 0:13:29 | 0:13:31 | |
It's good. | 0:13:32 | 0:13:34 | |
It's good. It's happy. | 0:13:35 | 0:13:37 | |
No problems? | 0:13:38 | 0:13:40 | |
-There were problems. -Every marriage has problems. | 0:13:43 | 0:13:46 | |
Expand, please. | 0:13:46 | 0:13:48 | |
Mr Henderson?! | 0:13:54 | 0:13:55 | |
She slept with someone. | 0:14:02 | 0:14:04 | |
An old school friend. | 0:14:05 | 0:14:07 | |
It was months ago. | 0:14:07 | 0:14:09 | |
He was more her age, was he? | 0:14:13 | 0:14:15 | |
It was nothing to do with that. | 0:14:15 | 0:14:16 | |
When did you find out? | 0:14:16 | 0:14:18 | |
-Last week. -How? -I found a text. | 0:14:22 | 0:14:26 | |
(Why don't you just tell me how it happened?) | 0:14:26 | 0:14:29 | |
Nothing happened. I didn't do anything! | 0:14:29 | 0:14:31 | |
Where can we reach him, your wife's lover? | 0:14:31 | 0:14:34 | |
He wasn't her lover. OK? | 0:14:34 | 0:14:36 | |
It was a one-off thing. It meant nothing to her. | 0:14:36 | 0:14:39 | |
So, you were understanding, then, when she told you about it? | 0:14:39 | 0:14:43 | |
Come on, Roly. | 0:14:43 | 0:14:45 | |
-Isn't that the real cause of your row? -No, it wasn't! | 0:14:45 | 0:14:49 | |
His name's David Clancey. | 0:14:53 | 0:14:56 | |
He lives in Edinburgh, I think. | 0:14:57 | 0:14:59 | |
Do you recognise these trainers and this fleece? | 0:15:01 | 0:15:05 | |
They're mine. | 0:15:06 | 0:15:09 | |
When did you last wear them? | 0:15:09 | 0:15:10 | |
-Last night. -What about the knife? | 0:15:12 | 0:15:15 | |
We recovered your fingerprints from the handle. | 0:15:15 | 0:15:19 | |
Of course you did. I just told you, I was using it last night. | 0:15:19 | 0:15:21 | |
The thing is, the fingerprints on the knife are undisturbed. | 0:15:21 | 0:15:25 | |
What? | 0:15:25 | 0:15:28 | |
It suggests no other hand held the knife after yours did. | 0:15:28 | 0:15:31 | |
There's clear continuity with some of the spatter. | 0:15:37 | 0:15:40 | |
And an airborne blood pattern | 0:15:40 | 0:15:41 | |
around the right sleeve from repeated stabbing of the victim. | 0:15:41 | 0:15:44 | |
-The killer was wearing this fleece, yeah? -With the hood up. | 0:15:44 | 0:15:48 | |
See the spatter around the rim? | 0:15:54 | 0:15:55 | |
But the samples from the suspect's face proved negative for blood. | 0:15:55 | 0:16:00 | |
Given the blood on his hood, | 0:16:01 | 0:16:02 | |
you'd expect his face to be showered in blood. | 0:16:02 | 0:16:05 | |
-Maybe he was wearing a mask as well as a hood. -We didn't find a mask. | 0:16:05 | 0:16:08 | |
Plus a mask and a hood doesn't exactly yell | 0:16:08 | 0:16:10 | |
heat-of-the-moment domestic killing. | 0:16:10 | 0:16:14 | |
Well, who said it was? | 0:16:14 | 0:16:15 | |
Detective Inspector Kate Warren. | 0:16:15 | 0:16:18 | |
Ah! | 0:16:19 | 0:16:20 | |
Yeah. Well, let's see what the postmortem brings to light. | 0:16:21 | 0:16:25 | |
I drove out to the common. | 0:16:27 | 0:16:29 | |
I drank most of the Jameson's and came home. | 0:16:33 | 0:16:35 | |
So, you drove home with a bottle of whisky in you? | 0:16:35 | 0:16:37 | |
-I've made better choices. -And worse ones too, I'll bet. | 0:16:37 | 0:16:40 | |
So, angry and drunk, you get back to the pub...? | 0:16:40 | 0:16:42 | |
-I'm not angry, just drunk. -What time? | 0:16:42 | 0:16:44 | |
I don't know. About 3:00, maybe. | 0:16:44 | 0:16:47 | |
And were you wearing these trainers and this fleece? | 0:16:47 | 0:16:50 | |
Yes. | 0:16:50 | 0:16:52 | |
I think I kicked the trainers off and, um... | 0:16:54 | 0:16:57 | |
..um...draped the fleece over me. You know, to keep warm. | 0:16:59 | 0:17:03 | |
You think you did, or you suppose you must have? | 0:17:03 | 0:17:05 | |
The truth is, the first thing I remember for certain is Em... | 0:17:07 | 0:17:10 | |
..is Emma shaking me awake. | 0:17:15 | 0:17:18 | |
I could see the blood on, on her pyjamas and the... | 0:17:22 | 0:17:25 | |
..and the t-t-the terror in her eyes. | 0:17:28 | 0:17:31 | |
I went upstairs to find Joanne and she was...she was on the floor. | 0:17:34 | 0:17:38 | |
She was covered with a sheet and there was blood everywhere. | 0:17:40 | 0:17:43 | |
Did you attempt to resuscitate her? | 0:17:43 | 0:17:45 | |
No! I could see she was dead. | 0:17:45 | 0:17:48 | |
There was blood everywhere. I slipped in it. | 0:17:48 | 0:17:51 | |
Mr Henderson, it's early days, | 0:17:53 | 0:17:55 | |
but so far, we've found no sign of forced entry, no sign of robbery, | 0:17:55 | 0:17:59 | |
and no suggestion your wife was sexually assaulted. | 0:17:59 | 0:18:03 | |
My version of events, | 0:18:03 | 0:18:04 | |
you didn't forgive Joanne for this fling. Quite the opposite. | 0:18:04 | 0:18:07 | |
You knew it was her looking for a way out and you weren't having it. | 0:18:07 | 0:18:10 | |
You came back this morning drunk and angry. | 0:18:10 | 0:18:13 | |
You came back with just enough whisky-fuelled courage | 0:18:13 | 0:18:15 | |
-to finish what you'd started. -No! | 0:18:15 | 0:18:17 | |
You even used the same knife. | 0:18:17 | 0:18:19 | |
-This time, you didn't throw it in the sink. -That's not true! | 0:18:19 | 0:18:21 | |
And in the time it took for her to die, | 0:18:21 | 0:18:24 | |
you hid your fleece, your shoes and the knife | 0:18:24 | 0:18:28 | |
and you let your daughter find her mother's butchered corpse | 0:18:28 | 0:18:32 | |
in the hope that she'd give you an alibi. | 0:18:32 | 0:18:34 | |
-You're coming to the postmortem, aren't you? -I thought I'd look in. | 0:18:48 | 0:18:51 | |
Who is Kate Warren to you? | 0:18:51 | 0:18:55 | |
-What? -She's not another one of your ex-girlfriends, is she? | 0:18:55 | 0:18:58 | |
-No! -So, you've worked together, then? | 0:19:00 | 0:19:02 | |
-Why do you ask? -Well, you pulled a face when I mentioned her name, | 0:19:02 | 0:19:04 | |
then covered with that old classic, "Let's see what the postmortem brings to light." So...? | 0:19:04 | 0:19:09 | |
Her father is Tony Warren. | 0:19:09 | 0:19:11 | |
Deputy Chief Constable. | 0:19:11 | 0:19:14 | |
He sends us approximately a third of our workload. | 0:19:14 | 0:19:17 | |
-Ah! -Yes. | 0:19:17 | 0:19:19 | |
Hi. Sorry to keep you waiting. | 0:19:23 | 0:19:25 | |
Victim is a previously healthy 32-year-old female | 0:19:25 | 0:19:28 | |
identified as Joanne Henderson. | 0:19:28 | 0:19:31 | |
There are incisions and possible defensive wounds to both hands. | 0:19:31 | 0:19:35 | |
-Did SOCOs find the fingertip? -Not yet. | 0:19:37 | 0:19:40 | |
The distal phalanx of the little finger on the left hand | 0:19:48 | 0:19:51 | |
has been removed. | 0:19:51 | 0:19:53 | |
A straight, clean cut that suggests a sharp blade. | 0:19:53 | 0:19:57 | |
Jagged depressions on the skin | 0:20:01 | 0:20:03 | |
suggests a blade with a serrated edge. | 0:20:03 | 0:20:05 | |
Are you sure about that? | 0:20:05 | 0:20:07 | |
No. That's why I said suggests. | 0:20:07 | 0:20:11 | |
-Is there a problem? -Yeah. The knife we found has a flat blade. | 0:20:11 | 0:20:14 | |
What are you swabbing for? | 0:20:23 | 0:20:25 | |
Leukotriene B4. | 0:20:25 | 0:20:27 | |
It's something that we've been testing for recently. | 0:20:30 | 0:20:33 | |
Leukotriene B4, it's a healing receptor. | 0:20:33 | 0:20:36 | |
And, er...if we don't find it, | 0:20:36 | 0:20:37 | |
it suggests that the wound was postmortem. | 0:20:37 | 0:20:40 | |
I noticed an absence of bleeding at the scene. | 0:20:40 | 0:20:42 | |
And, as you can see, there's no inflammation. | 0:20:42 | 0:20:45 | |
So, the finger was severed a few seconds after death? | 0:20:45 | 0:20:48 | |
More like a few minutes, which is clearly significant. | 0:20:48 | 0:20:52 | |
Not clear to me. | 0:20:52 | 0:20:54 | |
Earlier today, you were quoting from the Murder Manual. | 0:20:54 | 0:20:56 | |
I've only read the chapters relevant to pathology, | 0:20:56 | 0:20:58 | |
but I do recall that the taking of body parts from the scene | 0:20:58 | 0:21:01 | |
is associated with the trophies of psychopaths, | 0:21:01 | 0:21:04 | |
not domestic murders. | 0:21:04 | 0:21:06 | |
Wound number eight - a diagonally-oriented chest wound | 0:21:12 | 0:21:17 | |
that penetrated the pleural cavity. | 0:21:17 | 0:21:19 | |
The tip of your broken, flat-bladed knife. | 0:21:37 | 0:21:39 | |
SHE SCREAMS THROUGHOUT SCENE | 0:21:50 | 0:21:52 | |
Wound number nine is an incision to the neck | 0:22:02 | 0:22:04 | |
that severed the carotid artery. | 0:22:04 | 0:22:08 | |
This was the fatal injury and produced the heavy blood spatter | 0:22:08 | 0:22:11 | |
documented at the scene of the crime. | 0:22:11 | 0:22:13 | |
This wound is four inches deep. | 0:22:22 | 0:22:25 | |
Deeper than the other wounds | 0:22:25 | 0:22:26 | |
and not consistent with the two-and-a-half inch, | 0:22:26 | 0:22:29 | |
-flat-bladed knife that was recovered from the scene. -Are you sure? | 0:22:29 | 0:22:33 | |
Wounds one to seven were only two-and-a-half inches deep. | 0:22:34 | 0:22:37 | |
I think that wound was caused by | 0:22:40 | 0:22:42 | |
a four-inch-plus blade with a jagged edge. | 0:22:42 | 0:22:44 | |
A hunting knife seems probable. | 0:22:44 | 0:22:46 | |
We're not just missing the fingertip, we're missing the murder weapon, as well? | 0:22:46 | 0:22:49 | |
Neighbours didn't hear any cars coming or going before we arrived. | 0:22:54 | 0:22:58 | |
In which case, our missing murder weapon, | 0:22:58 | 0:23:00 | |
which might look something like this, | 0:23:00 | 0:23:04 | |
should still be under this roof. | 0:23:04 | 0:23:06 | |
Believe it or not, there are 42 rooms in this dump | 0:23:06 | 0:23:08 | |
and our suspect's had five years | 0:23:08 | 0:23:10 | |
to acquaint himself with every loose board and empty pipe. | 0:23:10 | 0:23:13 | |
Plenty of places to hide a good stash of coke, then. | 0:23:13 | 0:23:15 | |
Coca-Cola, not charlie! | 0:23:17 | 0:23:20 | |
OK. There's three levels with a basement area | 0:23:20 | 0:23:24 | |
encompassing eleven toilets, four kitchens | 0:23:24 | 0:23:26 | |
and two entirely separate sets of plumbing. | 0:23:26 | 0:23:29 | |
Split into ten sections for your convenience. | 0:23:29 | 0:23:33 | |
We should get the sniffer dogs in. | 0:23:33 | 0:23:35 | |
Unless...anyone has any reason not to. | 0:23:35 | 0:23:38 | |
Suspect lives here. | 0:23:38 | 0:23:40 | |
-His scent's going to be everywhere. -Well, blow me. | 0:23:40 | 0:23:42 | |
Right, that's it. Piss off! Get out! | 0:23:42 | 0:23:44 | |
What? Ma'am? | 0:23:44 | 0:23:47 | |
Don't "Ma'am" me! Go on, go! | 0:23:47 | 0:23:49 | |
Right, lads, let's get started. | 0:23:57 | 0:23:59 | |
-What was all that about? -Doesn't matter. | 0:24:01 | 0:24:04 | |
It mattered enough to send him home. Try me. | 0:24:04 | 0:24:07 | |
PHONE RINGS | 0:24:07 | 0:24:09 | |
Excuse me. | 0:24:09 | 0:24:10 | |
-Dad. -"Hello, Katie. You charged him yet?" | 0:24:11 | 0:24:14 | |
-Not yet. There's been a couple of... -I'm outside. | 0:24:14 | 0:24:16 | |
You found that other knife? | 0:24:20 | 0:24:22 | |
I'll talk to you in a minute. | 0:24:27 | 0:24:30 | |
I talked to Mike Shields at the CPS. | 0:24:30 | 0:24:31 | |
-Something came to light at the postmortem. -I know. A second knife. | 0:24:31 | 0:24:35 | |
No doubt you'll find it, along with the missing fingertip. | 0:24:35 | 0:24:39 | |
There's always going to be things that point the other way, Kate. | 0:24:39 | 0:24:42 | |
Yeah, I know, but... | 0:24:42 | 0:24:44 | |
but I'm just not sure that he did it. | 0:24:44 | 0:24:46 | |
It's not your concern. Your concern is, do I have a case? | 0:24:46 | 0:24:49 | |
Do I have enough to charge him? | 0:24:49 | 0:24:51 | |
Mike Shields thinks you do. | 0:24:51 | 0:24:52 | |
He says you charge Henderson now and you add stuff down the line. | 0:24:52 | 0:24:55 | |
-Yeah, but... -One win, Katie. | 0:24:55 | 0:24:57 | |
One win and you're back on track. | 0:24:57 | 0:25:00 | |
-(Yeah.) -This is it. | 0:25:00 | 0:25:02 | |
I just need some more time. | 0:25:02 | 0:25:03 | |
-Motive - she was unfaithful. -Months ago. | 0:25:03 | 0:25:07 | |
Then last night, he's throwing knives and screaming at her in front of the rest of the pub. | 0:25:07 | 0:25:11 | |
Means - his knife, his fingerprints, | 0:25:11 | 0:25:15 | |
his bloody fleece and shoes. | 0:25:15 | 0:25:18 | |
Opportunity - Henderson alone had access. | 0:25:18 | 0:25:22 | |
There's no sign of forced entry. | 0:25:22 | 0:25:24 | |
Dad, you've got to trust me. | 0:25:24 | 0:25:26 | |
People go down every day on far less than what you've got. | 0:25:26 | 0:25:29 | |
Why are you talking to the CPS about my case? | 0:25:29 | 0:25:32 | |
Are you using again? | 0:25:32 | 0:25:34 | |
-What? -You better not be. | 0:25:34 | 0:25:37 | |
I put my neck on the line for you. | 0:25:38 | 0:25:40 | |
You throw that in my face, we're finished. | 0:25:40 | 0:25:42 | |
Dad? | 0:25:45 | 0:25:46 | |
Had a look at your broken blade. | 0:27:03 | 0:27:05 | |
Blood from your victim mixed in with some lemon pith | 0:27:05 | 0:27:08 | |
and dried citrus juice. | 0:27:08 | 0:27:10 | |
Roly Henderson was using the knife to slice lemons with. | 0:27:10 | 0:27:14 | |
Found a bright green fibre where the blade meets the handle. | 0:27:14 | 0:27:19 | |
First I thought, "Was it '80s night at the pub?" | 0:27:19 | 0:27:22 | |
But it's high-absorbency microfibre, which doesn't scream clothing. | 0:27:22 | 0:27:26 | |
He was using the knife to slice lemons with. | 0:27:27 | 0:27:30 | |
You just said that. | 0:27:30 | 0:27:32 | |
Thanks, Clarissa. | 0:27:35 | 0:27:37 | |
This is... | 0:27:37 | 0:27:40 | |
-Dynamite? -Interesting. | 0:27:41 | 0:27:43 | |
Jack? | 0:27:45 | 0:27:46 | |
-Think somebody came through there? -What? | 0:28:00 | 0:28:03 | |
Broken shelf under a window. | 0:28:03 | 0:28:05 | |
No, that was me. I was checking the guttering and it broke. | 0:28:05 | 0:28:10 | |
Bit embarrassing. | 0:28:10 | 0:28:12 | |
-Did you hurt yourself? -I'll live. | 0:28:12 | 0:28:15 | |
I'd better bag the shelf, anyway. | 0:28:16 | 0:28:18 | |
Jack? I think we've got enough to charge Henderson without the second knife. | 0:28:21 | 0:28:26 | |
What's the rush? | 0:28:26 | 0:28:27 | |
Plenty of time to gather more evidence, right? | 0:28:27 | 0:28:30 | |
Well, we can add stuff to the charge sheet down the line. | 0:28:30 | 0:28:33 | |
-Do me a favour, hang fire for half an hour. -Why? | 0:28:33 | 0:28:36 | |
Dr Alexander wants to show you something. She's on her way now. | 0:28:36 | 0:28:40 | |
-You have witnesses who say Roly threw the knife in the sink and left? -Yes. | 0:28:44 | 0:28:48 | |
On and on and on and on at me | 0:28:48 | 0:28:49 | |
and it's driving me barmy, do you know what I mean? | 0:28:49 | 0:28:52 | |
And none of them said he retrieved the knife from the sink before he went out? | 0:28:52 | 0:28:56 | |
He must've picked it up when he got back later. | 0:28:56 | 0:28:58 | |
The bar was clean and tidy this morning. | 0:28:58 | 0:29:00 | |
And Joanne was killed around 6:00am in her bedroom. | 0:29:00 | 0:29:04 | |
-What's your point? -That she must've cleaned up last night. | 0:29:04 | 0:29:07 | |
If Roly picked the knife up when he came back, | 0:29:07 | 0:29:10 | |
-it would've already been through the dishwasher. -Who says it didn't? | 0:29:10 | 0:29:13 | |
Lemon juice and a green fibre recovered from the broken blade. | 0:29:15 | 0:29:20 | |
Well, she was upset after the row. | 0:29:21 | 0:29:23 | |
Maybe she missed the knife and left it in the sink. | 0:29:23 | 0:29:26 | |
Unlikely. It's spotless. | 0:29:26 | 0:29:28 | |
So, if Roly didn't take the knife with him | 0:29:28 | 0:29:30 | |
and if it didn't go through the dishwasher, then what's left? | 0:29:30 | 0:29:33 | |
Someone else took the knife after Roly left | 0:29:33 | 0:29:36 | |
and before Joanne cleared up. | 0:29:36 | 0:29:37 | |
And I think they used the missing green bar towel as a mitt. | 0:29:37 | 0:29:41 | |
Chuck something in the sink. | 0:29:41 | 0:29:43 | |
It's the only stool close enough to reach the sink. | 0:29:58 | 0:30:01 | |
And the only one with a missing green towel. | 0:30:01 | 0:30:03 | |
I'll print it. Do we have any idea who was sitting here? | 0:30:03 | 0:30:07 | |
Do you remember where were you were sitting? | 0:30:24 | 0:30:27 | |
Would you mind sitting up there now? | 0:30:27 | 0:30:29 | |
Thanks. | 0:30:34 | 0:30:35 | |
-So you were doing your homework? -Yeah. | 0:30:37 | 0:30:39 | |
Mum was helping me with my fractions. | 0:30:41 | 0:30:43 | |
From this position, | 0:30:46 | 0:30:47 | |
you could see all the customers in this part of the pub? | 0:30:47 | 0:30:52 | |
Did you know any of them? | 0:30:53 | 0:30:55 | |
George was sitting there, where he always sits. | 0:30:57 | 0:30:59 | |
And... | 0:30:59 | 0:31:00 | |
..what about at that end of the bar? | 0:31:01 | 0:31:03 | |
A man. | 0:31:05 | 0:31:06 | |
Did you know him? | 0:31:08 | 0:31:09 | |
-No. -Can you describe him? | 0:31:11 | 0:31:13 | |
-Dark hair. -Anything else? | 0:31:15 | 0:31:18 | |
Did he speak to anyone? | 0:31:19 | 0:31:21 | |
I... I don't know. | 0:31:23 | 0:31:24 | |
I don't think so. | 0:31:26 | 0:31:27 | |
Just after your dad left, did this man do anything strange? | 0:31:29 | 0:31:32 | |
-Like what? -Did you see him reach into the sink? | 0:31:34 | 0:31:37 | |
No. | 0:31:41 | 0:31:42 | |
Roly Henderson, I am charging you with the murder of Joanne Henderson. | 0:31:50 | 0:31:54 | |
You do not have to say anything but it may harm your defence... | 0:31:54 | 0:31:57 | |
No. No. I didn't do it! I didn't do it! I didn't do it! | 0:31:57 | 0:32:01 | |
I'd never, never kill me wife. | 0:32:01 | 0:32:03 | |
I didn't kill me wife, OK. You've got to find who killed her. | 0:32:03 | 0:32:06 | |
They've charged him. | 0:32:07 | 0:32:09 | |
I've been checking through domestic murder cases | 0:32:14 | 0:32:16 | |
where body parts went missing from the scene. | 0:32:16 | 0:32:18 | |
Well, four years ago, Eleanor Marshall was bludgeoned to death | 0:32:18 | 0:32:23 | |
at a picnic site ten miles from here. | 0:32:23 | 0:32:25 | |
And her husband, Simon Marshall, | 0:32:25 | 0:32:27 | |
claimed that she was killed by a stranger | 0:32:27 | 0:32:30 | |
who beat her with an oar, | 0:32:30 | 0:32:32 | |
and then cut off her finger with a hunting knife. | 0:32:33 | 0:32:36 | |
Her husband's banged up at Her Majesty's pleasure as we speak. | 0:32:37 | 0:32:40 | |
Hello, boys. | 0:32:42 | 0:32:43 | |
# Why was she born so beautiful? | 0:32:43 | 0:32:46 | |
# Why was she born at all? # | 0:32:46 | 0:32:49 | |
Well done today, guys. It's a great team effort. | 0:32:49 | 0:32:52 | |
OK. Good work. | 0:32:52 | 0:32:53 | |
Jack! Didn't think you'd be able to make it. | 0:32:53 | 0:32:56 | |
-Congratulations. -Well, team effort. | 0:32:58 | 0:33:01 | |
Let me buy you a drink. | 0:33:02 | 0:33:04 | |
Very good. | 0:33:05 | 0:33:06 | |
-I'll have a sparkling water, please. -Not celebrating? | 0:33:08 | 0:33:12 | |
-I don't drink. -Oh. | 0:33:12 | 0:33:13 | |
Is that what the SOCO was alluding to? The one you sent packing? | 0:33:15 | 0:33:18 | |
-Mind your own bloody business. -Understood. | 0:33:18 | 0:33:21 | |
You OK after your tumble? | 0:33:21 | 0:33:23 | |
-The broken shelf. -Yeah. Fine. Thank you. | 0:33:24 | 0:33:27 | |
It's weird. I was processing the room next door and I never heard a thing. | 0:33:28 | 0:33:32 | |
Nice one, Kate. | 0:33:35 | 0:33:36 | |
Jack, this is my father, DCC Tony Warren. Dad, this is Jack... | 0:33:37 | 0:33:41 | |
Hodgson. | 0:33:41 | 0:33:43 | |
Genius forensic scientist, without whom we wouldn't be here tonight. | 0:33:43 | 0:33:47 | |
Pleased to meet you. | 0:33:47 | 0:33:49 | |
I'm currently resurrecting the National Crime Squad for my sins. | 0:33:49 | 0:33:53 | |
We're setting up a bespoke NCS forensics unit. Just off the A40. | 0:33:53 | 0:33:57 | |
To be honest, I've just started a new job and... | 0:33:57 | 0:34:00 | |
Give my office and call tomorrow and we'll set something up. | 0:34:00 | 0:34:02 | |
-With respect, I don't want to waste anybody's time. -Relax. I'm talking about a cup of coffee and a chat. | 0:34:02 | 0:34:07 | |
Great. | 0:34:08 | 0:34:10 | |
Now, if you'll excuse us, Jack. | 0:34:12 | 0:34:14 | |
I, um, left my torch inside. | 0:34:29 | 0:34:31 | |
Cheers. | 0:34:31 | 0:34:32 | |
Morning. Dr Alexander. | 0:35:38 | 0:35:40 | |
Thank you. | 0:35:47 | 0:35:49 | |
I'm afraid I can't really explain my interest in your case. | 0:35:52 | 0:35:55 | |
There can be no quid pro quo of information. | 0:35:55 | 0:35:59 | |
But you have nothing to lose and possibly something to gain. | 0:36:01 | 0:36:05 | |
April the 5th, 2009. | 0:36:06 | 0:36:07 | |
Why don't you start at the beginning? | 0:36:08 | 0:36:11 | |
It was a beautiful day, | 0:36:17 | 0:36:19 | |
and I was making amends for some very ugly things. | 0:36:21 | 0:36:24 | |
I suggested a trip to Palmer's Lake. | 0:36:27 | 0:36:29 | |
It was Eleanor's favourite place in the whole world. | 0:36:31 | 0:36:34 | |
Or at least in north Kent. | 0:36:35 | 0:36:38 | |
She seemed happy, she really did. | 0:36:57 | 0:36:59 | |
And when she dozed off, I... | 0:37:01 | 0:37:03 | |
..I saw it as a sign that she still trusted me. | 0:37:03 | 0:37:05 | |
Watching her sleep, I... | 0:37:09 | 0:37:11 | |
..I felt overwhelmed with love for her. | 0:37:12 | 0:37:15 | |
And I promised myself this was a new start. | 0:37:18 | 0:37:22 | |
That I'd never hurt her again. | 0:37:23 | 0:37:25 | |
What do you think you're doing, mate? | 0:37:42 | 0:37:44 | |
Shit, my bag! | 0:37:44 | 0:37:45 | |
Hey, come on. | 0:38:00 | 0:38:03 | |
Put the oar down. | 0:38:03 | 0:38:04 | |
Send your wife over. | 0:38:09 | 0:38:11 | |
What? | 0:38:11 | 0:38:13 | |
You heard me. Send your wife over or you both die. | 0:38:13 | 0:38:15 | |
No. | 0:38:15 | 0:38:17 | |
No way, mate. | 0:38:17 | 0:38:19 | |
I just want to talk to her. | 0:38:24 | 0:38:26 | |
He just wants to talk to you. | 0:38:33 | 0:38:35 | |
Sit down. | 0:38:37 | 0:38:39 | |
Sit down! | 0:38:39 | 0:38:40 | |
Get back in the boat. | 0:38:44 | 0:38:46 | |
-Simon. -Get back in the boat! | 0:38:51 | 0:38:55 | |
Please, don't hurt me. Please! Please don't hurt me. | 0:38:56 | 0:38:59 | |
Please! | 0:38:59 | 0:39:01 | |
Please don't hurt me. | 0:39:10 | 0:39:12 | |
Please don't hurt me. | 0:39:14 | 0:39:16 | |
Please! | 0:39:16 | 0:39:18 | |
Please! | 0:39:19 | 0:39:20 | |
Big man that I was, | 0:39:48 | 0:39:50 | |
I did nothing to save her. | 0:39:52 | 0:39:54 | |
HE PANTS | 0:40:09 | 0:40:12 | |
Ellie... | 0:40:15 | 0:40:17 | |
HE SOBS | 0:40:21 | 0:40:23 | |
But somebody did this... | 0:40:28 | 0:40:29 | |
..and he's still out there. | 0:40:30 | 0:40:32 | |
Hi. | 0:40:38 | 0:40:39 | |
How'd it go with Marshall? | 0:40:45 | 0:40:46 | |
Honestly? I think his wife and Joanne Henderson | 0:40:46 | 0:40:49 | |
were killed by the same person, I just can't prove it. | 0:40:49 | 0:40:52 | |
Yet. | 0:40:52 | 0:40:54 | |
Yet. | 0:40:54 | 0:40:55 | |
The broken branch is from an oak tree, | 0:41:01 | 0:41:03 | |
and the green sapwood suggests it's freshly severed. | 0:41:03 | 0:41:07 | |
Maybe kicked there in the struggle? | 0:41:07 | 0:41:10 | |
It's like it just landed there. | 0:41:10 | 0:41:12 | |
Marshall told you the biker fired in the air, | 0:41:12 | 0:41:15 | |
but no shotgun pellets or cartridges were ever recovered from the scene. | 0:41:15 | 0:41:19 | |
You think that the pellets severed the branch, and lodged in the tree? | 0:41:21 | 0:41:25 | |
GUNSHOT | 0:41:26 | 0:41:28 | |
-Got to be worth taking a look, hasn't it? -Yup. | 0:41:31 | 0:41:34 | |
So, if Eleanor's body was found here... | 0:41:45 | 0:41:48 | |
..then the picnic blanket would have been there... | 0:41:51 | 0:41:53 | |
I definitely think that this is the oak tree | 0:41:57 | 0:41:59 | |
that the stray branch came from. | 0:41:59 | 0:42:00 | |
-Jack? -Huh? | 0:42:03 | 0:42:05 | |
Sorry, I was miles away. What? | 0:42:05 | 0:42:07 | |
-Look, I don't mind climbing a ladder. -No, no, no, I've got it. | 0:42:07 | 0:42:10 | |
What is it? | 0:42:11 | 0:42:13 | |
Just a spot of vertigo. | 0:42:13 | 0:42:14 | |
Not seeing anything. | 0:42:24 | 0:42:25 | |
Well, if the biker was standing here, facing out towards the lake... | 0:42:29 | 0:42:34 | |
and he fired the gun upwards... | 0:42:34 | 0:42:35 | |
You're doing well for a man with vertigo. | 0:42:38 | 0:42:40 | |
HE EXHALES | 0:42:40 | 0:42:42 | |
God bless Clarissa. | 0:42:42 | 0:42:45 | |
Shot? | 0:42:45 | 0:42:47 | |
No. | 0:42:47 | 0:42:48 | |
HE PANTS | 0:42:49 | 0:42:51 | |
Cartridge wadding. | 0:42:55 | 0:42:56 | |
The tree bark insulated the wadding pretty well. | 0:43:00 | 0:43:03 | |
A perfect print, | 0:43:03 | 0:43:04 | |
left in gun oil by whoever assembled the gun cartridge. | 0:43:04 | 0:43:08 | |
It links to a third murder case. | 0:43:08 | 0:43:10 | |
The fingerprint belongs to a farmer called Derek MacNeil, | 0:43:10 | 0:43:13 | |
who died in a car accident on Christmas Eve 1993. | 0:43:13 | 0:43:15 | |
And why do we have MacNeil's prints on file? | 0:43:15 | 0:43:17 | |
Purposes of elimination. | 0:43:17 | 0:43:19 | |
A break-in at his farm in which a shotgun was stolen. | 0:43:19 | 0:43:21 | |
-But you said that the prints are linked to a murder?! -Yeah. | 0:43:21 | 0:43:24 | |
A year after MacNeil died, his daughter, Imogen, | 0:43:24 | 0:43:27 | |
was murdered by her husband, PC Alan Lane. | 0:43:27 | 0:43:29 | |
-PC? -Lane was a copper. He got life, but he's out now. | 0:43:29 | 0:43:33 | |
The investigating officer, Anne Percival, | 0:43:33 | 0:43:35 | |
must've made a hell of a case. | 0:43:35 | 0:43:37 | |
She never found Imogen's body, just some bloody clothes and... | 0:43:37 | 0:43:40 | |
..a severed fingertip. | 0:43:43 | 0:43:44 | |
And DNA confirmed that this was Imogen's finger and blood? | 0:43:48 | 0:43:51 | |
And DI Percival found more of Imogen's blood | 0:43:51 | 0:43:53 | |
in the boot of Lane's car AND on a shovel in his garage. | 0:43:53 | 0:43:56 | |
So, we're thinking if the severed fingertip | 0:43:56 | 0:43:59 | |
is some kind of signature... | 0:43:59 | 0:44:00 | |
we could be dealing with a killer targeting unrelated women. | 0:44:00 | 0:44:03 | |
Common factor is that he uses forensic misdirection | 0:44:03 | 0:44:06 | |
to frame the husbands. | 0:44:06 | 0:44:07 | |
Well, if that's true, | 0:44:09 | 0:44:11 | |
it suggests that Alan Lane was another victim, and not the killer. | 0:44:11 | 0:44:15 | |
We need to talk to Imogen's mum about the missing shotgun... | 0:44:15 | 0:44:17 | |
and Alan Lane. | 0:44:17 | 0:44:19 | |
DOORBELL RINGS | 0:44:26 | 0:44:28 | |
Hello. So sorry to trouble you. | 0:44:33 | 0:44:35 | |
My name's Dr Alexander, this is Professor Leo Dalton. | 0:44:35 | 0:44:38 | |
Could we...come in and have a word, please? | 0:44:38 | 0:44:40 | |
Yes. | 0:44:41 | 0:44:43 | |
Imogen and her dad were close. | 0:44:44 | 0:44:47 | |
Every June they'd take off for Wales, leave me behind... | 0:44:47 | 0:44:50 | |
I didn't mind too much. I can't swim. | 0:44:52 | 0:44:54 | |
Edith, when your husband's shotgun was stolen, | 0:44:57 | 0:45:00 | |
was any ammunition taken? | 0:45:00 | 0:45:02 | |
Yeah, a few boxes, I think. | 0:45:02 | 0:45:04 | |
And did Derek have any suspicions as to who'd taken it? | 0:45:04 | 0:45:07 | |
Alan. | 0:45:07 | 0:45:09 | |
Our son-in-law. | 0:45:09 | 0:45:10 | |
I told Derek he was being ridiculous. | 0:45:12 | 0:45:15 | |
I still thought of Alan as a strange, but basically decent man. | 0:45:16 | 0:45:20 | |
When did you change your opinion about that? | 0:45:22 | 0:45:25 | |
When they pulled my husband's body out of his car. | 0:45:25 | 0:45:28 | |
He'd been saying for weeks that Alan was going to kill him... | 0:45:32 | 0:45:36 | |
make it look like an accident. | 0:45:36 | 0:45:37 | |
How did your daughter meet Alan Lane? | 0:45:40 | 0:45:43 | |
She ran away, and he brought her home. | 0:45:43 | 0:45:45 | |
-You didn't know him before? -No. | 0:45:45 | 0:45:47 | |
No, he was just a friendly policeman. | 0:45:49 | 0:45:53 | |
Thank you for bringing her home. | 0:45:53 | 0:45:54 | |
We didn't think it odd when he started dropping in. | 0:45:59 | 0:46:04 | |
Even when he asked Imogen out on a date... | 0:46:06 | 0:46:09 | |
he wrote to us, to get our permission. | 0:46:09 | 0:46:12 | |
< Come on in. Come on. | 0:46:12 | 0:46:14 | |
'He was very proper.' | 0:46:21 | 0:46:23 | |
-Um...I b-brought you some flowers. -Thank you. | 0:46:23 | 0:46:26 | |
'We had no idea who we were letting into our lives.' | 0:46:28 | 0:46:31 | |
A month after my husband's funeral, | 0:46:38 | 0:46:40 | |
Alan announced that he and Imogen | 0:46:40 | 0:46:42 | |
were moving into the farm to look after me. | 0:46:42 | 0:46:45 | |
Except, a week after that... | 0:46:46 | 0:46:47 | |
..he suggested I move to the village. | 0:46:49 | 0:46:52 | |
Be easier for me, being nearer the shops. | 0:46:52 | 0:46:54 | |
So, why do you think he really wanted you gone? | 0:46:54 | 0:46:57 | |
He couldn't stand sharing my daughter. | 0:46:57 | 0:47:01 | |
It's still your house, Mum. You can move back any time. | 0:47:08 | 0:47:11 | |
I'll be fine. | 0:47:11 | 0:47:13 | |
-I'll be over first thing to help you unpack. -Don't worry! | 0:47:13 | 0:47:16 | |
DOOR CLOSES | 0:47:32 | 0:47:34 | |
'Every instinct was telling me not to leave her alone with him.' | 0:47:39 | 0:47:43 | |
That man killed my husband... | 0:47:53 | 0:47:56 | |
and my daughter... | 0:47:56 | 0:47:58 | |
..and his "life sentence" was eight... | 0:48:00 | 0:48:02 | |
..measly years. | 0:48:03 | 0:48:04 | |
Do you know where Alan Lane is now? | 0:48:13 | 0:48:15 | |
I... | 0:48:16 | 0:48:17 | |
I see Anne Percival sometimes. | 0:48:21 | 0:48:23 | |
She's retired from the police force now. | 0:48:25 | 0:48:28 | |
I think she said he sells hiking equipment from the back of a van. | 0:48:28 | 0:48:32 | |
MOBILE RINGS | 0:48:32 | 0:48:34 | |
Sorry. I'm so sorry. | 0:48:34 | 0:48:36 | |
Hello? | 0:48:38 | 0:48:39 | |
Dr Alexander, it's DI Warren. Where are you? | 0:48:39 | 0:48:41 | |
Excuse me? | 0:48:41 | 0:48:43 | |
'Emma Henderson wants to visit her dad in prison, and she needs to...' | 0:48:43 | 0:48:46 | |
be accompanied by an adult. She's requested you. | 0:48:46 | 0:48:49 | |
KEYS JANGLE, DOOR SLAMS | 0:49:04 | 0:49:06 | |
HE SOBS SOFTLY | 0:49:17 | 0:49:20 | |
SHE SIGHS | 0:49:55 | 0:49:57 | |
ALARM BEEPS | 0:51:05 | 0:51:07 | |
-Excuse me. -Oh... -Have you paid for that? | 0:51:07 | 0:51:09 | |
No, I'm so sorry. It was a mistake. I, um... | 0:51:09 | 0:51:11 | |
-A mistake? -Yeah, I thought I saw someone I knew. | 0:51:11 | 0:51:13 | |
OK, if you wouldn't mind going back to the till and paying, please. | 0:51:13 | 0:51:16 | |
I'm...I'm just going to leave it there. | 0:51:16 | 0:51:19 | |
All right. OK. | 0:51:19 | 0:51:20 | |
Ah! How was Stratford? | 0:51:58 | 0:52:00 | |
-All right. -Yeah? All Shakespeare-d out? | 0:52:00 | 0:52:04 | |
Only saw two plays. | 0:52:04 | 0:52:06 | |
One and a half, actually. | 0:52:06 | 0:52:07 | |
Fancied a few beers, didn't I? | 0:52:08 | 0:52:10 | |
Good job I know you're joking. | 0:52:11 | 0:52:13 | |
Well, I knew I'd be bored. I didn't want to go. | 0:52:13 | 0:52:16 | |
Hey, consider yourself lucky. | 0:52:16 | 0:52:18 | |
In my day, a school outing was a trip to the kids' section of the local library. | 0:52:18 | 0:52:22 | |
How was YOUR trip, Mum? | 0:52:25 | 0:52:27 | |
I didn't go anywhere. | 0:52:28 | 0:52:30 | |
Did you lend the car to someone, then? | 0:52:30 | 0:52:33 | |
-No. -No? | 0:52:33 | 0:52:34 | |
That's funny, cos there's 200 miles on the clock since yesterday. | 0:52:35 | 0:52:39 | |
Karen... | 0:52:39 | 0:52:41 | |
-What exactly...? -Don't, Mum. | 0:52:42 | 0:52:45 | |
I know exactly where you've been. | 0:52:45 | 0:52:47 | |
Pretty well stocked, aren't you, mate? | 0:53:07 | 0:53:10 | |
Ever since I can remember, | 0:53:33 | 0:53:35 | |
we've gone to Kent for our Easter holidays. | 0:53:35 | 0:53:38 | |
When I was small, it was that campsite near the motorway... | 0:53:38 | 0:53:41 | |
..then it was that B&B... | 0:53:43 | 0:53:44 | |
..with the fish pond... | 0:53:45 | 0:53:47 | |
..but then the man at the B&B | 0:53:51 | 0:53:52 | |
started asking too many questions, didn't he? | 0:53:52 | 0:53:55 | |
-And then I started asking too many questions... -Karen! | 0:53:56 | 0:53:59 | |
-That's why you made me go on that school trip. -No! | 0:53:59 | 0:54:02 | |
Yes. | 0:54:02 | 0:54:04 | |
Nothing to do with Shakespeare. | 0:54:04 | 0:54:06 | |
You just wanted me gone, so you could go on this pilgrimage. | 0:54:06 | 0:54:10 | |
Is that the best you can do? Ignore me? | 0:54:14 | 0:54:16 | |
Mum, I just want to know why. | 0:54:21 | 0:54:23 | |
Why are we different? | 0:54:24 | 0:54:26 | |
SHE SCOFFS | 0:54:30 | 0:54:31 | |
SHE EXHALES DEEPLY | 0:54:37 | 0:54:39 | |
It's always the same street. | 0:55:26 | 0:55:27 | |
And the same house. | 0:55:29 | 0:55:30 | |
And you'd say that we were stopping | 0:55:32 | 0:55:34 | |
cos you needed to take a break, or... | 0:55:34 | 0:55:36 | |
..to check the map. But it would always be the same street. | 0:55:38 | 0:55:41 | |
The same house. | 0:55:42 | 0:55:43 | |
The old lady with the statue in the garden... | 0:55:44 | 0:55:47 | |
PHONE RINGS | 0:55:47 | 0:55:49 | |
There was a boy with a tray on his head. | 0:55:50 | 0:55:52 | |
PHONE RINGS | 0:56:02 | 0:56:05 | |
What is it? | 0:56:12 | 0:56:14 | |
What is it, Mum? | 0:56:15 | 0:56:17 | |
PHONE RINGS | 0:56:18 | 0:56:20 | |
PHONE STOPS RINGING | 0:56:27 | 0:56:30 | |
Is Sally home? | 0:56:37 | 0:56:38 | |
Yeah, as far as I know. | 0:56:38 | 0:56:40 | |
-I want you to stay with her tonight. -Why?! | 0:56:40 | 0:56:42 | |
-Because I have to go somewhere. -Where? | 0:56:42 | 0:56:44 | |
You've been so patient for so long. | 0:56:44 | 0:56:46 | |
Just one more day, that's all I'm asking. | 0:56:46 | 0:56:48 | |
OK. | 0:56:50 | 0:56:51 | |
Thank you. | 0:56:51 | 0:56:53 | |
Why would an able detective suppress evidence of forced entry? | 0:57:06 | 0:57:10 | |
Can I help you, young lady? | 0:57:10 | 0:57:12 | |
Sorry... I'm just looking for my mum. | 0:57:12 | 0:57:14 | |
Imogen Lane's severed fingertip, | 0:57:14 | 0:57:15 | |
amputated at the interphalangeal joint... | 0:57:15 | 0:57:18 | |
We can't stay here another second. | 0:57:18 | 0:57:20 | |
We have to go. | 0:57:20 | 0:57:21 | |
You've charged Roly Henderson. | 0:57:21 | 0:57:23 | |
What are you doing arresting this guy? | 0:57:23 | 0:57:25 | |
This is your chance to prove all your doubters wrong. | 0:57:25 | 0:57:28 | |
Subtitles by Red Bee Media Ltd | 0:57:51 | 0:57:55 |