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This programme contains some violent scenes and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
Over a hundred women are killed every year by a husband or partner. | 0:00:06 | 0:00:07 | |
Jagged depressions on the skin | 0:00:07 | 0:00:09 | |
suggests a blade with a serrated edge. | 0:00:09 | 0:00:11 | |
The knife we found has a flat blade. | 0:00:11 | 0:00:13 | |
The tip of your broken, flat-bladed knife. | 0:00:13 | 0:00:16 | |
Nothing happened! I didn't do anything! | 0:00:16 | 0:00:18 | |
Are you using again? | 0:00:18 | 0:00:19 | |
What? | 0:00:19 | 0:00:20 | |
If Roly Henderson's guilty, | 0:00:20 | 0:00:21 | |
his ten-year-old daughter lost both her parents today. | 0:00:21 | 0:00:24 | |
Think somebody came through there? | 0:00:24 | 0:00:25 | |
What? | 0:00:25 | 0:00:26 | |
Broken shelf under a window. | 0:00:26 | 0:00:28 | |
Four years ago, Eleanor Marshall was bludgeoned to death | 0:00:28 | 0:00:30 | |
at a picnic site ten miles from here. | 0:00:30 | 0:00:32 | |
And her husband, Simon Marshall, claimed that she'd been killed | 0:00:32 | 0:00:35 | |
by a stranger who cut off her finger using a hunting knife. | 0:00:35 | 0:00:39 | |
Somebody did this, and he's still out there. | 0:00:39 | 0:00:42 | |
We had no idea who we were letting into our lives. | 0:00:42 | 0:00:46 | |
That man killed my husband and my daughter. | 0:00:46 | 0:00:49 | |
PHONE RINGS | 0:00:50 | 0:00:54 | |
Here she is. | 0:01:34 | 0:01:36 | |
I hear you took time out of your day to speak to a convicted murderer? | 0:01:36 | 0:01:39 | |
Simon Marshall. That's right. | 0:01:39 | 0:01:41 | |
Was it connected to Joanne Henderson's murder? | 0:01:41 | 0:01:43 | |
That's what I'm trying to establish. | 0:01:43 | 0:01:45 | |
That's not your job. | 0:01:45 | 0:01:47 | |
Well, it's someone's job. | 0:01:47 | 0:01:48 | |
Are you working for the defence now? | 0:01:48 | 0:01:49 | |
Oh, don't be ridiculous. | 0:01:49 | 0:01:51 | |
If it gets out at Henderson's trial that you pursued other | 0:01:51 | 0:01:53 | |
lines of inquiry after he was charged, | 0:01:53 | 0:01:55 | |
the defence will exploit that, don't you get it? | 0:01:55 | 0:01:58 | |
Can I have a word, Detective Inspector? | 0:01:58 | 0:02:00 | |
In private? | 0:02:01 | 0:02:03 | |
How much do you weigh? | 0:02:13 | 0:02:15 | |
What? | 0:02:15 | 0:02:17 | |
My guess, about eight stone soaking wet? | 0:02:17 | 0:02:19 | |
Right, I'm going now. | 0:02:19 | 0:02:20 | |
No way you broke that shelf, Kate. | 0:02:20 | 0:02:23 | |
You found it like that in the cupboard. | 0:02:23 | 0:02:25 | |
I know, cos I went back and found this. | 0:02:25 | 0:02:28 | |
Question. | 0:02:28 | 0:02:30 | |
Why would an able detective suppress evidence of a forced entry? | 0:02:30 | 0:02:34 | |
Answer, because Roly Henderson wouldn't have broken in | 0:02:34 | 0:02:37 | |
through his own toilet window. | 0:02:37 | 0:02:39 | |
Fortunately, I bagged the shelf | 0:02:40 | 0:02:41 | |
-so in terms of the physical evidence nothing's been compromised. -Good. | 0:02:41 | 0:02:45 | |
Yeah, please don't think for one moment I did that to protect you. | 0:02:45 | 0:02:48 | |
Your Dad's a bully. | 0:02:50 | 0:02:52 | |
I got that in ten seconds of meeting him. | 0:02:52 | 0:02:54 | |
Please don't try and read me, Jack. | 0:02:54 | 0:02:56 | |
Oh, I think I've got the guts of it. | 0:02:56 | 0:02:57 | |
You had some substance issues, your dad threw you a lifeline, | 0:02:57 | 0:03:00 | |
now he's micromanaging your comeback to the point | 0:03:00 | 0:03:03 | |
where you're seriously considering getting blitzed again? | 0:03:03 | 0:03:07 | |
But my guess is, | 0:03:07 | 0:03:11 | |
it was Dad who drove you to the hard stuff in the first place. | 0:03:11 | 0:03:13 | |
Say something. | 0:03:19 | 0:03:21 | |
I'm sorry. | 0:03:24 | 0:03:25 | |
Not good enough. | 0:03:25 | 0:03:26 | |
Nowhere near. | 0:03:26 | 0:03:28 | |
A man's life is at stake, Kate, and you suppressed evidence. | 0:03:28 | 0:03:31 | |
Do you want my head on a block? | 0:03:31 | 0:03:33 | |
I'll settle for total cooperation. | 0:03:36 | 0:03:39 | |
Specifically where Dr Alexander's concerned. | 0:03:39 | 0:03:41 | |
-Jack... -No. | 0:03:41 | 0:03:42 | |
She's forging a strong case that Joanne Henderson | 0:03:42 | 0:03:45 | |
was killed by a convicted murderer called Alan Lane. | 0:03:45 | 0:03:49 | |
Now, if you don't give this your full consideration then, believe me, | 0:03:49 | 0:03:52 | |
that axe is coming down. | 0:03:52 | 0:03:54 | |
We got off on the wrong foot. | 0:04:13 | 0:04:15 | |
I want to hear all about Alan Lane. | 0:04:18 | 0:04:20 | |
If you really mean that, the person you need to speak to | 0:04:25 | 0:04:28 | |
is former Detective Inspector Anne Percival. | 0:04:28 | 0:04:30 | |
OK. | 0:04:30 | 0:04:32 | |
In fact, I think I'd like to talk to her, too. | 0:04:34 | 0:04:36 | |
Do you, er, do you mind me asking why? | 0:04:39 | 0:04:42 | |
Professional interest. | 0:04:42 | 0:04:44 | |
She sent Alan Lane down for murder without a corpse. | 0:04:44 | 0:04:47 | |
PHONE RINGS | 0:04:50 | 0:04:51 | |
Excuse me. | 0:04:51 | 0:04:52 | |
Yeah? | 0:04:58 | 0:04:59 | |
'Anne Percival?' | 0:04:59 | 0:05:01 | |
'This is Detective Inspector Kate Warren.' | 0:05:01 | 0:05:03 | |
I need to talk to you about an old case. | 0:05:03 | 0:05:05 | |
You're not related to that wanker DCC Warren, are you? | 0:05:05 | 0:05:08 | |
Distantly, yeah. He's my dad. | 0:05:08 | 0:05:10 | |
What old case? | 0:05:10 | 0:05:12 | |
Imogen Lane. | 0:05:12 | 0:05:13 | |
Miss Percival? | 0:05:16 | 0:05:17 | |
I'm here. | 0:05:17 | 0:05:18 | |
-OK, bye, darling. -Bye. | 0:06:16 | 0:06:18 | |
Why am I talking to a pathologist? | 0:06:25 | 0:06:26 | |
You didn't say anything about a pathologist. | 0:06:26 | 0:06:28 | |
My questions relate to Imogen Lane's murder, if that's OK? | 0:06:28 | 0:06:32 | |
So when did you first meet Alan Lane? | 0:06:32 | 0:06:34 | |
Christmas Eve, 1993. | 0:06:37 | 0:06:40 | |
I suspected he'd murdered Derek MacNeil, Imogen's father. | 0:06:42 | 0:06:45 | |
There is a possibility that another vehicle was involved. | 0:06:47 | 0:06:50 | |
The accident investigators are working on it. | 0:06:50 | 0:06:53 | |
DOOR OPENS | 0:06:53 | 0:06:54 | |
DOOR CLOSES | 0:06:56 | 0:06:58 | |
I just heard. I'm so sorry. | 0:07:11 | 0:07:14 | |
Alan Lane. I'm Imogen's husband. | 0:07:22 | 0:07:24 | |
DI Anne Percival. | 0:07:24 | 0:07:25 | |
Did Derek have any enemies? | 0:07:29 | 0:07:32 | |
Disgruntled employees? | 0:07:33 | 0:07:36 | |
Friends, relatives, that he'd fallen out with? | 0:07:36 | 0:07:39 | |
Derek didn't have an enemy in the world. | 0:07:39 | 0:07:41 | |
Alan's right. | 0:07:46 | 0:07:47 | |
Dad didn't have an enemy in the world. | 0:07:48 | 0:07:50 | |
'Nothing panned out.' | 0:08:06 | 0:08:07 | |
Edith wouldn't talk, | 0:08:08 | 0:08:10 | |
Accident Investigators' findings were inconclusive. | 0:08:10 | 0:08:12 | |
But you got another shot at Lane after Imogen went missing. | 0:08:12 | 0:08:16 | |
When you searched the farm, you found blood in the boot of Lane's car. | 0:08:16 | 0:08:20 | |
Yeah, a lot. | 0:08:20 | 0:08:22 | |
What about the severed fingertip? | 0:08:22 | 0:08:25 | |
Sniffer dogs led us to an old electricity substation | 0:08:25 | 0:08:28 | |
behind the farm. | 0:08:28 | 0:08:30 | |
We found Imogen's bloody sweatshirt, the severed finger | 0:08:30 | 0:08:34 | |
and a knife with Alan Lane's prints on the handle. | 0:08:34 | 0:08:37 | |
Did you find any more blood in the substation? | 0:08:43 | 0:08:45 | |
The pathologist said the finger was cut off posthumously | 0:08:45 | 0:08:48 | |
so that was no surprise. | 0:08:48 | 0:08:51 | |
Did the pathologist offer an opinion as to whether | 0:08:51 | 0:08:53 | |
the substation was the primary crime scene? | 0:08:53 | 0:08:55 | |
No. | 0:08:55 | 0:08:57 | |
No? | 0:08:57 | 0:08:58 | |
Were there any drag marks leading in or out of the substation? | 0:08:59 | 0:09:03 | |
No. But we did find Lane's broken watch, | 0:09:03 | 0:09:06 | |
Imogen's blood and hair snagged on the buckle. | 0:09:06 | 0:09:08 | |
The substation backed onto a wood. | 0:09:08 | 0:09:11 | |
We found fresh mud and pine needles on a spade in Lane's garage | 0:09:11 | 0:09:15 | |
and er, fibres that matched Imogen's bloody sweatshirt. | 0:09:15 | 0:09:19 | |
But no Imogen? | 0:09:20 | 0:09:22 | |
And Lane maintained his innocence from the start? | 0:09:23 | 0:09:27 | |
He was sure if there was no body we had no case. | 0:09:27 | 0:09:29 | |
And I wasn't sure he was wrong. | 0:09:29 | 0:09:32 | |
We found this in a disused substation behind your house. | 0:09:32 | 0:09:36 | |
Do you think you could help us find the rest? | 0:09:40 | 0:09:42 | |
I'm innocent. | 0:09:45 | 0:09:46 | |
There's a very good reason why you can't find a body. | 0:09:48 | 0:09:51 | |
She's not dead. | 0:09:51 | 0:09:53 | |
He's killed again, hasn't he? | 0:10:04 | 0:10:07 | |
Look at you. | 0:10:30 | 0:10:32 | |
Are you..? | 0:10:32 | 0:10:33 | |
I've been to see a Detective Inspector Warren tonight. | 0:10:33 | 0:10:36 | |
The police are linking Alan to a live murder case. | 0:10:37 | 0:10:40 | |
What case? | 0:10:40 | 0:10:41 | |
Your Mum's fine. I made sure of it on the way over. | 0:10:41 | 0:10:44 | |
OK. | 0:10:44 | 0:10:46 | |
You sent her flowers, didn't you? | 0:10:46 | 0:10:47 | |
I didn't use a credit card and I delivered them myself. | 0:10:49 | 0:10:53 | |
That was a crazy risk, Janice. | 0:10:53 | 0:10:55 | |
Your mum's 70th is exactly when he'd expect you to break cover. | 0:10:55 | 0:10:57 | |
But that's why I waited a week until after her birthday... | 0:10:57 | 0:11:00 | |
Oh, yes, and that's such a smart chess move | 0:11:00 | 0:11:02 | |
he wouldn't anticipate it. Get in, quickly. | 0:11:02 | 0:11:04 | |
What the hell did you say to Warren to make her my new best friend? | 0:11:07 | 0:11:10 | |
I impressed on her the importance of an open mind. | 0:11:10 | 0:11:13 | |
What else? | 0:11:13 | 0:11:14 | |
I urged her not to let Dad's influence | 0:11:14 | 0:11:16 | |
limit the scope of her inquiry. | 0:11:16 | 0:11:17 | |
And she was predisposed to listen to you because...? | 0:11:17 | 0:11:21 | |
Because of my sage-like wisdom, I suppose. | 0:11:21 | 0:11:23 | |
Bullshit. | 0:11:23 | 0:11:24 | |
To be continued. | 0:11:26 | 0:11:27 | |
-Night-night. -Night. | 0:11:29 | 0:11:30 | |
If he's taking revenge on innocent people, | 0:11:39 | 0:11:42 | |
that's blood on my hands. | 0:11:42 | 0:11:44 | |
Our hands. | 0:11:44 | 0:11:45 | |
Police, well, it doesn't sound like they've got much, | 0:11:45 | 0:11:48 | |
but I've no doubt he's guilty. | 0:11:50 | 0:11:51 | |
So you think he's killing these women because he can't find me? | 0:11:53 | 0:11:57 | |
Janice, I'm going to make sure | 0:12:00 | 0:12:03 | |
that he can never hurt anyone ever again. | 0:12:03 | 0:12:05 | |
No. | 0:12:08 | 0:12:10 | |
No, he'll kill you! | 0:12:11 | 0:12:12 | |
We can't meet each other again. | 0:12:14 | 0:12:16 | |
What? | 0:12:16 | 0:12:18 | |
We'll go together. I'll come with you. | 0:12:18 | 0:12:21 | |
Karen needs you. | 0:12:21 | 0:12:22 | |
-Barely, these days. -She needs you. | 0:12:23 | 0:12:25 | |
Just... | 0:12:29 | 0:12:30 | |
Call me when it's... | 0:12:31 | 0:12:32 | |
Just let me know you're OK? | 0:12:35 | 0:12:36 | |
Hey. Who's there, hmm? | 0:12:38 | 0:12:41 | |
Janice? Or Imogen? | 0:12:43 | 0:12:45 | |
Janice. | 0:12:47 | 0:12:49 | |
Janice. | 0:12:49 | 0:12:50 | |
All thanks to you. | 0:12:50 | 0:12:52 | |
Mr Lane, I'm Detective Inspector Warren. | 0:13:22 | 0:13:24 | |
Imogen Lane's severed fingertip. | 0:13:26 | 0:13:29 | |
Little finger, left hand. | 0:13:29 | 0:13:30 | |
Amputated at the inter-phalangal joint. | 0:13:30 | 0:13:32 | |
Just like Joanne Henderson and Eleanor Marshall. | 0:13:32 | 0:13:34 | |
Except they were missing their fingers. Imogen was missing her body. | 0:13:34 | 0:13:37 | |
The exception that proves the rule? | 0:13:37 | 0:13:40 | |
Maybe not. Back in 1994, judging whether or not a wound | 0:13:40 | 0:13:43 | |
was pre or post-mortem was a science of observation. | 0:13:43 | 0:13:46 | |
-No Leukotriene B4 testing to guide us. -Exactly. | 0:13:46 | 0:13:49 | |
Now, the pathologist who examined this finger believed that | 0:13:49 | 0:13:52 | |
in the absence of inflammation, it was cut off after death. | 0:13:52 | 0:13:56 | |
Tiny bleeding vessels suggestive of life. | 0:13:58 | 0:14:01 | |
And there's some kind of a translucent coating | 0:14:01 | 0:14:04 | |
to the skin surface. | 0:14:04 | 0:14:05 | |
The fingertip's been preserved so I should be able to identify it. | 0:14:05 | 0:14:08 | |
But is it evidentially important | 0:14:08 | 0:14:10 | |
whether the finger was removed before or after death? | 0:14:10 | 0:14:12 | |
When no body is recovered, it could be evidentially fundamental. | 0:14:12 | 0:14:15 | |
PHONE RINGS | 0:14:15 | 0:14:17 | |
Hello? | 0:14:19 | 0:14:20 | |
'Dr Alexander.' | 0:14:20 | 0:14:21 | |
'You said Joanne's killer might have defensive scratches, right?' | 0:14:21 | 0:14:25 | |
Coppers get it special bad inside. | 0:14:33 | 0:14:36 | |
Still. Character building, in its way. | 0:14:36 | 0:14:39 | |
Hands. | 0:14:45 | 0:14:46 | |
You've charged Roly Henderson. What are you doing arresting this guy? | 0:14:58 | 0:15:01 | |
I'm making double sure Roly's our man. | 0:15:01 | 0:15:03 | |
You're giving his defence a free shot, that's what you're doing. | 0:15:03 | 0:15:06 | |
What's your old man going to say, eh? | 0:15:06 | 0:15:07 | |
No idea, but I'm struggling to see how it's your problem. | 0:15:07 | 0:15:10 | |
Or your business. | 0:15:10 | 0:15:11 | |
I need to photograph your back. | 0:15:26 | 0:15:27 | |
Did you inherit any of your father-in-law's guns when he died? | 0:15:37 | 0:15:40 | |
Derek only had the one shotgun and it was stolen. | 0:15:40 | 0:15:43 | |
So you never used it? Or helped yourself to some of the cartridges? | 0:15:43 | 0:15:45 | |
No. I don't like guns. | 0:15:45 | 0:15:47 | |
What about motorbikes? | 0:15:47 | 0:15:49 | |
Is that a question? | 0:15:49 | 0:15:50 | |
Have you ever owned a motorbike? | 0:15:50 | 0:15:52 | |
Yes, a 750 Suzuki. | 0:15:52 | 0:15:55 | |
But I sold it after I hit a deer in the New Forest. | 0:15:55 | 0:15:58 | |
I was fine, but the deer was pretty mangled. | 0:15:58 | 0:16:01 | |
Blood everywhere. Turned out it was pregnant. | 0:16:01 | 0:16:05 | |
Little wet packages all over the road. | 0:16:05 | 0:16:08 | |
I had to break its neck with my bare hands. | 0:16:09 | 0:16:12 | |
Were you in a pub called The Dove three nights ago? | 0:16:14 | 0:16:16 | |
I drive around a lot. | 0:16:19 | 0:16:22 | |
I mean, I go all over... | 0:16:22 | 0:16:23 | |
Were you in a pub called The Dove in Brasted, Kent, three nights ago? | 0:16:23 | 0:16:27 | |
Not that I recall. But as I said, I'd go all over. | 0:16:27 | 0:16:30 | |
Wherever the mood takes me. | 0:16:32 | 0:16:34 | |
No schedule. No route. | 0:16:34 | 0:16:35 | |
Jack, we have to prove that Lane was in that pub. | 0:16:40 | 0:16:43 | |
You need to print the whole bar and fast, | 0:16:43 | 0:16:46 | |
because Warren has nothing to hold him on. | 0:16:46 | 0:16:48 | |
I was just going on my lunch break. | 0:16:48 | 0:16:49 | |
Oh, Jack! | 0:16:49 | 0:16:51 | |
Relax. Printed the bar and bar stool, | 0:16:51 | 0:16:54 | |
spinning the results through as we speak. | 0:16:54 | 0:16:57 | |
I have to go. | 0:16:57 | 0:16:58 | |
Mr Lane, I'm asking about your movements three nights ago. | 0:16:58 | 0:17:01 | |
I find it hard to believe that you can't recall where you were. | 0:17:01 | 0:17:04 | |
I could check my petrol receipts. | 0:17:06 | 0:17:08 | |
If you want? | 0:17:10 | 0:17:11 | |
I always keep them. No law against that, is there? | 0:17:13 | 0:17:15 | |
Can I help you? | 0:17:19 | 0:17:20 | |
A word. | 0:17:20 | 0:17:21 | |
What are you doing? Bringing in a convicted murderer? | 0:17:29 | 0:17:32 | |
Hedging your bets? | 0:17:32 | 0:17:34 | |
I'm trying to establish the truth. | 0:17:34 | 0:17:35 | |
We know the truth. Henderson killed his wife. End of. | 0:17:35 | 0:17:39 | |
The case against him is a gift. A gift. | 0:17:39 | 0:17:42 | |
Look, there are significant forensics commonalities | 0:17:42 | 0:17:45 | |
that I'm trying to see if... | 0:17:45 | 0:17:46 | |
What? Fingerprints on an old shotgun cartridge wadding | 0:17:46 | 0:17:49 | |
that doesn't even link to your case? | 0:17:49 | 0:17:51 | |
We have three female victims who all had their fingers severed | 0:17:51 | 0:17:54 | |
at the distal interphalangeal joint | 0:17:54 | 0:17:56 | |
and were killed within ten miles of each other. | 0:17:56 | 0:17:58 | |
Dr Alexander, pathologist. | 0:18:00 | 0:18:01 | |
Thank you for your contribution. | 0:18:01 | 0:18:03 | |
Release this man, build your case on Henderson. | 0:18:05 | 0:18:09 | |
This is your chance to prove all your doubters wrong. | 0:18:11 | 0:18:16 | |
It won't come again, Katie. | 0:18:17 | 0:18:19 | |
All my doubters? | 0:18:19 | 0:18:20 | |
Are you one of them? | 0:18:22 | 0:18:24 | |
Thanks, Roger. I appreciate your loyalty. | 0:18:31 | 0:18:34 | |
So I had a word with your old man. | 0:18:35 | 0:18:37 | |
I did you a favour. | 0:18:39 | 0:18:40 | |
Kate. | 0:18:41 | 0:18:43 | |
Just hold him for another hour. Please. | 0:18:43 | 0:18:45 | |
Why? | 0:18:45 | 0:18:46 | |
Jack's looking to see if his prints were at the pub as we speak. | 0:18:46 | 0:18:50 | |
If he finds them, Lane just lied under caution. | 0:18:50 | 0:18:52 | |
It's your case, Kate. | 0:18:57 | 0:18:58 | |
You're free to go. | 0:19:07 | 0:19:08 | |
PHONE RINGS | 0:19:35 | 0:19:37 | |
Jack? | 0:19:43 | 0:19:44 | |
Got them. We have Lane's prints. | 0:19:44 | 0:19:45 | |
On the bar? | 0:19:45 | 0:19:46 | |
No, bar stool. | 0:19:46 | 0:19:47 | |
He was lying. We found his prints on a bar stool. | 0:19:53 | 0:19:55 | |
You need to get him back now. | 0:19:55 | 0:19:56 | |
It's not enough. | 0:19:56 | 0:19:58 | |
It's enough to hold him and that's all we need. | 0:19:58 | 0:20:00 | |
He'll say he had a drink there three months ago | 0:20:00 | 0:20:02 | |
and left his prints then. | 0:20:02 | 0:20:03 | |
What are you, his brief now? | 0:20:03 | 0:20:04 | |
No, I'm merely predicting how his brief will respond. | 0:20:04 | 0:20:07 | |
Roly Henderson is facing life in prison for a crime he didn't commit. | 0:20:07 | 0:20:10 | |
Emma Henderson is being assigned temporary foster parents! | 0:20:10 | 0:20:13 | |
Which is even less your concern than mine. You need to disengage from this case. | 0:20:13 | 0:20:16 | |
-Forget it. Not a chance. -Goodbye, Dr Alexander. | 0:20:16 | 0:20:19 | |
If Lane walked into Warren's office covered in human entrails | 0:20:29 | 0:20:32 | |
she wouldn't arrest him. | 0:20:32 | 0:20:33 | |
Unless you can change her mind, Jack? | 0:20:33 | 0:20:36 | |
Lane knows that we're onto him. | 0:20:36 | 0:20:39 | |
What's the betting that he tries to relocate? | 0:20:39 | 0:20:41 | |
Pastures new. A fresh supply of victims. | 0:20:41 | 0:20:44 | |
Roly Henderson and Simon Marshall didn't just look guilty | 0:20:44 | 0:20:48 | |
in terms of forensics and pathology. | 0:20:48 | 0:20:50 | |
Roly yelled at his wife in front of the pub full of people | 0:20:50 | 0:20:53 | |
and Simon Marshall beat his wife up. | 0:20:53 | 0:20:55 | |
He's not choosing them at random, he's sourcing them. | 0:20:55 | 0:20:58 | |
Lane was present when the row kicked off between Roly and Joanne. | 0:20:58 | 0:21:02 | |
But how did he know about Simon Marshall? | 0:21:02 | 0:21:04 | |
Simon, I don't think you were just in the wrong place at the wrong time. | 0:21:27 | 0:21:32 | |
I think you were followed by the biker to the lake. | 0:21:32 | 0:21:35 | |
You mean he chose me? | 0:21:35 | 0:21:36 | |
What we need to understand is how, and where. | 0:21:38 | 0:21:42 | |
When you attacked Eleanor, was there anyone else present? | 0:21:42 | 0:21:47 | |
Now you want to see me squirm? | 0:21:49 | 0:21:50 | |
No, I just want to understand why you were chosen. | 0:21:50 | 0:21:53 | |
Eleanor came home from work, | 0:21:57 | 0:21:58 | |
and she started talking about some bloke at the office. | 0:22:00 | 0:22:05 | |
It just set me off. | 0:22:05 | 0:22:06 | |
So it all happened inside your house? | 0:22:06 | 0:22:09 | |
Yeah. | 0:22:09 | 0:22:10 | |
No witnesses? | 0:22:10 | 0:22:11 | |
I came to my senses. I drove her to A&E. | 0:22:15 | 0:22:18 | |
The nurse wanted to call the police, but Ellie wouldn't let them. | 0:22:20 | 0:22:23 | |
So there was a bit of a scene? | 0:22:23 | 0:22:25 | |
Yeah. Everyone was watching, everyone knew what I'd done. | 0:22:25 | 0:22:28 | |
-Did anyone say anything? -No. | 0:22:28 | 0:22:30 | |
You think he was there, don't you? | 0:22:35 | 0:22:36 | |
Possibly. | 0:22:37 | 0:22:38 | |
Think, Simon. Did anything strange happen between then | 0:22:39 | 0:22:43 | |
and the time that you left? | 0:22:43 | 0:22:44 | |
'When I was walking Eleanor back to the car...' | 0:22:49 | 0:22:52 | |
'I thought someone was following us.' | 0:22:55 | 0:22:56 | |
Can I help you, mate? | 0:23:00 | 0:23:01 | |
'He had his hood up, but I thought I saw him in A&E.' | 0:23:01 | 0:23:05 | |
Could it have been him? | 0:23:10 | 0:23:12 | |
It was four years ago. | 0:23:16 | 0:23:17 | |
FOOTSTEPS | 0:25:59 | 0:26:01 | |
Hello, Anne. | 0:26:23 | 0:26:24 | |
Why are you pointing a gun at me? | 0:26:25 | 0:26:28 | |
I didn't kill her. | 0:26:28 | 0:26:29 | |
But I think you know that. | 0:26:30 | 0:26:32 | |
Where is she, Anne? | 0:26:34 | 0:26:35 | |
She's safe. | 0:26:37 | 0:26:38 | |
Oh! | 0:26:48 | 0:26:50 | |
Where is she? Where is she? Where's my wife? | 0:26:55 | 0:26:57 | |
You're going to die. How much pain you suffer first is up to you. | 0:26:59 | 0:27:03 | |
She's dead. You killed her. | 0:27:03 | 0:27:05 | |
No, Anne, I didn't! | 0:27:05 | 0:27:08 | |
Aaah! | 0:27:08 | 0:27:10 | |
Aaah! | 0:27:10 | 0:27:11 | |
Where's your phone? Where's the phone? | 0:27:11 | 0:27:13 | |
Call her. | 0:27:16 | 0:27:17 | |
Call her! | 0:27:17 | 0:27:19 | |
PHONE RINGS | 0:28:02 | 0:28:03 | |
Hello? | 0:28:16 | 0:28:18 | |
Hello? | 0:28:20 | 0:28:22 | |
Anne? | 0:28:22 | 0:28:23 | |
Anne? | 0:28:24 | 0:28:25 | |
Ah! | 0:28:32 | 0:28:34 | |
'Ah! Ow!' | 0:28:34 | 0:28:36 | |
I thought you'd forgotten about me. | 0:28:43 | 0:28:45 | |
I wanted to take you out before, | 0:28:45 | 0:28:47 | |
I just had to fill out loads of forms before they'd let me. | 0:28:47 | 0:28:51 | |
I'm going to meet my foster parents tomorrow. | 0:28:51 | 0:28:53 | |
I'm worried I won't like them. | 0:28:54 | 0:28:56 | |
Do you want an ice cream? | 0:29:02 | 0:29:04 | |
Her name's, er, Anne Percival. She used to be a detective. | 0:29:22 | 0:29:26 | |
And she's being held by a man called Alan Lane | 0:29:26 | 0:29:28 | |
and he's going to kill her! | 0:29:28 | 0:29:30 | |
Call Detective... Detective Warren. | 0:29:30 | 0:29:36 | |
Yeah, Detective Inspector Warren. She knows everything! | 0:29:36 | 0:29:39 | |
-That one? -Yeah. | 0:29:39 | 0:29:40 | |
-This one for you. -Thanks. | 0:29:40 | 0:29:42 | |
That's £2.50, please. | 0:29:42 | 0:29:43 | |
Lovely, thank you. Come on, boys. | 0:29:43 | 0:29:45 | |
See anything you like? | 0:29:47 | 0:29:48 | |
Er, madam? | 0:29:50 | 0:29:51 | |
Sorry, I've got to go. | 0:29:52 | 0:29:53 | |
Emma? | 0:29:54 | 0:29:56 | |
Emma? | 0:29:56 | 0:29:57 | |
What happened to the ice creams? | 0:30:19 | 0:30:21 | |
I'll get them now. | 0:30:24 | 0:30:25 | |
Was it your idea? It was, wasn't it? | 0:30:29 | 0:30:32 | |
No, Alan. It was all hers. | 0:30:33 | 0:30:35 | |
Liar. | 0:30:35 | 0:30:36 | |
Do you honestly think I would've sanctioned a course of action | 0:30:36 | 0:30:39 | |
where she cut off her own finger? | 0:30:39 | 0:30:42 | |
Yeah, that's right, she hated you that much. | 0:30:42 | 0:30:45 | |
I just did my job. | 0:30:45 | 0:30:47 | |
That's how I knew she was alive. | 0:30:47 | 0:30:48 | |
How? How did you find her? | 0:30:53 | 0:30:56 | |
I'm a good detective, Alan. | 0:30:56 | 0:30:58 | |
How did you find her? | 0:30:59 | 0:31:00 | |
The watch. The bloody clothes. The knife. The finger. | 0:31:02 | 0:31:06 | |
Why would you hide Imogen's body so well | 0:31:07 | 0:31:10 | |
and leave such an obvious trail? | 0:31:10 | 0:31:12 | |
SHE COUGHS | 0:31:12 | 0:31:14 | |
Water. | 0:31:14 | 0:31:15 | |
Water, I need water. | 0:31:17 | 0:31:18 | |
No water. Not yet. | 0:31:21 | 0:31:23 | |
I went through Edith's phone records. | 0:31:27 | 0:31:29 | |
There were calls to a caravan park in North Wales | 0:31:29 | 0:31:32 | |
a week before Imogen disappeared. | 0:31:32 | 0:31:34 | |
She and her dad used to go canoeing there. | 0:31:34 | 0:31:37 | |
Go on. | 0:31:37 | 0:31:38 | |
I thought it might have been a holiday fling | 0:31:39 | 0:31:41 | |
she'd kept in contact with. | 0:31:41 | 0:31:43 | |
A man? | 0:31:43 | 0:31:45 | |
Yeah, that's right, Alan. A man. A real man. | 0:31:45 | 0:31:48 | |
But I was wrong. | 0:31:48 | 0:31:50 | |
I'm two months pregnant. | 0:32:04 | 0:32:05 | |
When I told Alan, he just went crazy and said I had to get rid of it. | 0:32:07 | 0:32:12 | |
He said he couldn't share me, | 0:32:16 | 0:32:18 | |
and that if I gave birth, the baby would meet the same fate as Dad. | 0:32:20 | 0:32:26 | |
I will never see my mum again. | 0:32:32 | 0:32:35 | |
Do you think I would've done this if I'd had a choice? | 0:32:35 | 0:32:38 | |
You should've come to me. | 0:32:38 | 0:32:39 | |
He killed my dad and you couldn't touch him. | 0:32:39 | 0:32:41 | |
It wasn't for lack of trying... | 0:32:41 | 0:32:43 | |
Why would it be any different this time? | 0:32:43 | 0:32:45 | |
You see, I didn't just turn a blind eye. I helped her, Alan. | 0:32:47 | 0:32:51 | |
I gave her every penny I could, knock-off ID, everything. | 0:32:51 | 0:32:54 | |
You're in love with her, aren't you? | 0:32:56 | 0:32:58 | |
Love? | 0:32:58 | 0:32:59 | |
You don't know the first thing about love. | 0:33:01 | 0:33:04 | |
You filthy dyke whore! | 0:33:04 | 0:33:05 | |
I love Imogen. I love her with a love this world has never seen. | 0:33:07 | 0:33:10 | |
You're a psychopath, Alan! A monster! | 0:33:20 | 0:33:23 | |
How could you know anything about love? | 0:33:24 | 0:33:26 | |
You think you're so clever, don't you? So superior. | 0:33:32 | 0:33:36 | |
You've no idea what's coming, do you? | 0:33:38 | 0:33:41 | |
What I've done. | 0:33:41 | 0:33:42 | |
I'm almost sad that you won't be here to see it. | 0:33:50 | 0:33:52 | |
Everyone gnashing and wailing, and me and Imogen long gone. | 0:33:54 | 0:33:59 | |
You said you wanted water. | 0:34:08 | 0:34:09 | |
Call came in for you saying Anne Percival was in trouble. | 0:34:13 | 0:34:16 | |
-Mentioned Alan Lane. -For me? | 0:34:16 | 0:34:18 | |
Anonymous. A woman. Might be nothing. | 0:34:18 | 0:34:20 | |
But as Percival sent Lane down for murder, it might not. | 0:34:20 | 0:34:22 | |
I want armed units out to Percival and Lane's home addresses now. | 0:34:22 | 0:34:25 | |
-Look, Kate, about earlier... -Now, DS Baron! | 0:34:25 | 0:34:27 | |
Where is she? | 0:34:37 | 0:34:38 | |
Where is she? | 0:34:41 | 0:34:42 | |
-Where is she? -Never! | 0:34:51 | 0:34:53 | |
Where is she? | 0:34:54 | 0:34:56 | |
Never! | 0:34:56 | 0:34:57 | |
Never! | 0:34:57 | 0:34:59 | |
OK, the house is clear. Still checking some buildings at the back. | 0:35:14 | 0:35:18 | |
She's in the basement. | 0:35:18 | 0:35:19 | |
Initiate an all units action for Alan Lane | 0:35:40 | 0:35:41 | |
and get the media desk to circulate his picture. | 0:35:41 | 0:35:43 | |
Yes, ma'am. | 0:35:45 | 0:35:46 | |
Her hands have been bound, | 0:36:04 | 0:36:06 | |
and the rope has been looped through the back of the wooden chair. | 0:36:06 | 0:36:10 | |
The distal phalanx on the left little finger has been removed. | 0:36:13 | 0:36:16 | |
Bi-colour weave with a drying treatment. | 0:36:17 | 0:36:22 | |
Yeah, Lane sells hiking gear. | 0:36:22 | 0:36:25 | |
His van was well-stocked and immaculate, nothing like this dump. | 0:36:25 | 0:36:28 | |
Some kind of grey powder embedded in the weave. | 0:36:28 | 0:36:31 | |
We've checked the outhouses. | 0:36:35 | 0:36:36 | |
No sign of Lane, but we found a car in the woods. | 0:36:36 | 0:36:39 | |
It's probably hers, I'll process it. | 0:36:39 | 0:36:42 | |
What is that? | 0:37:28 | 0:37:29 | |
Fingertips. | 0:37:37 | 0:37:38 | |
Severed fingertips. | 0:37:40 | 0:37:41 | |
Fingerprint testing revealed that the severed digits | 0:37:49 | 0:37:51 | |
belong to these nine women. | 0:37:51 | 0:37:53 | |
All nine are murder victims killed between 2005 and 2013 | 0:37:53 | 0:37:59 | |
in what were believed to be unrelated domestic murders. | 0:37:59 | 0:38:02 | |
Lane was released in 2005. | 0:38:02 | 0:38:04 | |
Two of them we already know about. | 0:38:04 | 0:38:06 | |
With the exception of Roly Henderson, I believe that all these men | 0:38:21 | 0:38:24 | |
will have histories of spousal abuse, | 0:38:24 | 0:38:26 | |
and all of them will have put their partners into A&E | 0:38:26 | 0:38:29 | |
shortly before they were killed. | 0:38:29 | 0:38:31 | |
What makes you say that? | 0:38:31 | 0:38:32 | |
Because that's where Alan Lane found them. | 0:38:32 | 0:38:34 | |
But not Roly Henderson? | 0:38:34 | 0:38:36 | |
I think Lane got cocky and changed his MO. | 0:38:36 | 0:38:39 | |
He fatally misread the Hendersons' row as a sign of an abusive marriage, | 0:38:39 | 0:38:43 | |
and everything unravelled from there. | 0:38:43 | 0:38:45 | |
..I've told you that I don't like her in the bar, OK, | 0:38:45 | 0:38:48 | |
and you just ignore me. | 0:38:48 | 0:38:49 | |
I'm... Do you know what? We're going out. | 0:38:51 | 0:38:53 | |
Me and this, we're going to go out. | 0:38:53 | 0:38:54 | |
Oh, here we go again, yeah? | 0:38:54 | 0:38:57 | |
How you getting on with those fractions there, sweetheart? | 0:39:04 | 0:39:08 | |
All these men were innocent? | 0:40:01 | 0:40:03 | |
Of murder, yes, but not of abusing their wives. | 0:40:03 | 0:40:06 | |
That's how Lane was able to frame them so convincingly. | 0:40:06 | 0:40:08 | |
I'm calling the CPS as soon as we're done. | 0:40:08 | 0:40:11 | |
They're going to be on their knees. | 0:40:11 | 0:40:12 | |
Nine convicted killers walking free in one day. | 0:40:12 | 0:40:14 | |
I don't think we're coming out of this smelling of roses. | 0:40:14 | 0:40:17 | |
I guess that's why Lane kept the fingertips. | 0:40:17 | 0:40:20 | |
They exonerate these men and damn the system at a stroke. | 0:40:20 | 0:40:23 | |
Hello, Mum. | 0:40:48 | 0:40:49 | |
Imogen! | 0:40:56 | 0:40:58 | |
Look, we, we can't stay and talk here, Mum. | 0:41:01 | 0:41:03 | |
We can't stay here another second. We have to go. | 0:41:03 | 0:41:06 | |
Do you remember what Lane said? | 0:41:07 | 0:41:09 | |
"I go where the mood takes me. No schedule, no route." | 0:41:09 | 0:41:12 | |
It wasn't in response to a question. He volunteered it. | 0:41:14 | 0:41:17 | |
Because he does have a schedule and he does have a route? | 0:41:17 | 0:41:21 | |
So three of the women were murdered in North Wales in June 2006, | 0:41:48 | 0:41:53 | |
June 2008 and June 2010. | 0:41:53 | 0:41:56 | |
Three more were murdered in Scotland | 0:41:57 | 0:42:00 | |
in late December 2007, 2008 and 2010. | 0:42:00 | 0:42:05 | |
The other three women, | 0:42:05 | 0:42:06 | |
including Eleanor Marshall and Joanne Henderson, | 0:42:06 | 0:42:08 | |
were all killed in Kent in early January over a five-year period. | 0:42:08 | 0:42:12 | |
He roams the country, but only kills in the same three areas | 0:42:12 | 0:42:15 | |
and at the same time of year. | 0:42:15 | 0:42:17 | |
Edith MacNeil said that Derek and Imogen | 0:42:17 | 0:42:19 | |
used to go canoeing in Wales every June. | 0:42:19 | 0:42:22 | |
Edith lives in Kent... | 0:42:24 | 0:42:25 | |
..and her birthday is in January. | 0:42:30 | 0:42:32 | |
So what happened in December in Scotland? | 0:42:32 | 0:42:36 | |
Edith's husband was Scottish, right? MacNeil? | 0:42:36 | 0:42:39 | |
He died on Christmas Eve 1993, but not in Scotland. | 0:42:39 | 0:42:42 | |
He was buried there. Ardoe, just outside Aberdeen. | 0:42:42 | 0:42:46 | |
If Alan Lane murdered his wife, | 0:42:46 | 0:42:48 | |
why is he visiting places that are meaningful to her? | 0:42:48 | 0:42:51 | |
Because he was looking for her. | 0:42:51 | 0:42:53 | |
I've just found traces of anaesthetic | 0:42:53 | 0:42:56 | |
on Imogen Lane's severed fingertip. | 0:42:56 | 0:42:58 | |
Procaine Hydrochloride, | 0:42:58 | 0:42:59 | |
commonly used in the '90s by farmers on animals. | 0:42:59 | 0:43:03 | |
Now why would Lane care how much pain his wife was suffering | 0:43:03 | 0:43:06 | |
in the middle of murdering her? | 0:43:07 | 0:43:09 | |
I had no choice, Mum. I had to protect my baby. Your granddaughter. | 0:43:09 | 0:43:15 | |
She looks like you. | 0:43:19 | 0:43:22 | |
Does she know that I exist? | 0:43:22 | 0:43:25 | |
No, Mum. She doesn't. | 0:43:25 | 0:43:28 | |
I could've helped you. | 0:43:28 | 0:43:30 | |
You couldn't. | 0:43:30 | 0:43:31 | |
Imogen... | 0:43:31 | 0:43:32 | |
I couldn't involve you, Mum. | 0:43:32 | 0:43:34 | |
I'm your mother. I should've protected you. | 0:43:34 | 0:43:37 | |
What, and end up like Dad? | 0:43:37 | 0:43:38 | |
No-one could protect me from him, Mum. | 0:43:40 | 0:43:42 | |
No-one. | 0:43:43 | 0:43:44 | |
The hair I recovered from Percival's car belongs to Imogen Lane, | 0:44:12 | 0:44:15 | |
and the follicle suggests that it was shed recently. | 0:44:15 | 0:44:18 | |
So Percival was in on the disappearing act. | 0:44:18 | 0:44:22 | |
If Lane knew that, or even suspected it, | 0:44:22 | 0:44:25 | |
that would explain the torture. | 0:44:25 | 0:44:27 | |
He wanted to find Imogen. | 0:44:27 | 0:44:28 | |
So what's the bet that Imogen was the anonymous caller | 0:44:28 | 0:44:31 | |
who tried to tip us off? | 0:44:31 | 0:44:32 | |
It's hard to disappear. I used to work for Witness Protection. | 0:44:32 | 0:44:36 | |
The biggest cause of all dropouts | 0:44:36 | 0:44:37 | |
was people contacting their mums and dads. | 0:44:37 | 0:44:39 | |
Question is, does Lane know where Imogen's mother lives? | 0:44:39 | 0:44:42 | |
He may well have found out. | 0:44:42 | 0:44:44 | |
We should send Armed Response. | 0:44:45 | 0:44:47 | |
Put a call in, but I'm not waiting, I'm sick of bloody waiting. | 0:44:47 | 0:44:50 | |
PHONE RINGS | 0:44:50 | 0:44:52 | |
-My dad. -Yeah. | 0:45:01 | 0:45:02 | |
Hello? | 0:45:07 | 0:45:08 | |
Can I help you, young lady? | 0:45:42 | 0:45:43 | |
Sorry. I'm just looking for my mum. | 0:45:44 | 0:45:48 | |
Your mum? | 0:45:48 | 0:45:49 | |
Is this your house? | 0:45:49 | 0:45:50 | |
What does she look like, your mum? | 0:45:51 | 0:45:53 | |
Er, she looks like this. | 0:45:55 | 0:45:58 | |
But a lot older. | 0:46:00 | 0:46:01 | |
I live just across the road. | 0:46:11 | 0:46:13 | |
I pop in to see if the old lady's OK from time to time. | 0:46:14 | 0:46:17 | |
Oh, you know what she likes doing sometimes? | 0:46:19 | 0:46:22 | |
Going for cream tea in the Pavilion. | 0:46:22 | 0:46:24 | |
Do you know where that is? It's just down the road. | 0:46:26 | 0:46:29 | |
I could drop you down if you want? | 0:46:29 | 0:46:30 | |
Can't you just give me the directions? | 0:46:30 | 0:46:32 | |
Sensible girl. | 0:46:34 | 0:46:35 | |
I used to be a policeman. | 0:46:38 | 0:46:39 | |
I was always telling young women never to accept lifts off strangers, | 0:46:41 | 0:46:45 | |
under no circumstances. | 0:46:45 | 0:46:46 | |
So how do I get to this tea place, then? | 0:46:48 | 0:46:51 | |
Where is it? | 0:46:54 | 0:46:55 | |
Well, you've inherited her impatience if nothing else. | 0:46:58 | 0:47:01 | |
What? | 0:47:01 | 0:47:02 | |
Yeah, that's his van! | 0:47:30 | 0:47:31 | |
Stop! Stop the car! | 0:47:37 | 0:47:38 | |
Police! Step away from the van. Put your hands on your head. | 0:47:40 | 0:47:43 | |
Put your hands on your head! | 0:47:44 | 0:47:46 | |
Kate! Kate! | 0:47:47 | 0:47:49 | |
PHONE RINGS | 0:48:05 | 0:48:07 | |
DI Warren's phone. | 0:48:20 | 0:48:22 | |
Oh, it's Jack Hodgson. Can I speak to her, please? | 0:48:22 | 0:48:25 | |
No. | 0:48:25 | 0:48:26 | |
No. No, you can't. | 0:48:28 | 0:48:29 | |
She's, er... | 0:48:31 | 0:48:32 | |
She's been shot. | 0:48:33 | 0:48:34 | |
She's dead. | 0:48:35 | 0:48:37 | |
Analysed your grey powder. Unusual type of polyurethane-coated sand. | 0:48:45 | 0:48:50 | |
Mainly used in the construction of indoor climbing walls. | 0:48:50 | 0:48:54 | |
Fits with Lane selling hiking gear, right? | 0:48:54 | 0:48:58 | |
What? | 0:48:58 | 0:48:59 | |
PHONE BEEPS | 0:49:06 | 0:49:07 | |
Oh. | 0:49:07 | 0:49:09 | |
What is it? What is it, sweetheart? | 0:49:14 | 0:49:17 | |
No. No. She's at home. She's safe. | 0:49:18 | 0:49:21 | |
PHONE RINGS | 0:49:21 | 0:49:23 | |
Hello, Imogen. | 0:49:26 | 0:49:27 | |
Please don't hurt her, Alan, please don't hurt her! I'll do anything. | 0:49:28 | 0:49:33 | |
Aren't you going to ask me how I've been? | 0:49:33 | 0:49:35 | |
How've you been? | 0:49:35 | 0:49:37 | |
Heartbroken. | 0:49:38 | 0:49:40 | |
I'm so sorry. | 0:49:42 | 0:49:44 | |
I know you are, I know. | 0:49:44 | 0:49:45 | |
I just want you back. I want my wife by my side. | 0:49:46 | 0:49:48 | |
Doesn't seem too much to ask for now, does it? | 0:49:50 | 0:49:52 | |
So here's what you're going to do, you're going to meet me | 0:49:53 | 0:49:56 | |
in Hewson storage facility in 30 minutes in Ashford. | 0:49:56 | 0:49:58 | |
And I hope it goes without saying that if you're not alone, | 0:49:58 | 0:50:00 | |
Karen dies. | 0:50:00 | 0:50:02 | |
Imogen? | 0:50:02 | 0:50:03 | |
Yes. | 0:50:03 | 0:50:05 | |
I forgive you. | 0:50:05 | 0:50:07 | |
Imogen! | 0:50:15 | 0:50:17 | |
Imogen! You can't go and meet him alone. You can't! | 0:50:17 | 0:50:19 | |
I have to. | 0:50:19 | 0:50:21 | |
-Let's call the police. -No! | 0:50:21 | 0:50:23 | |
Please. | 0:50:23 | 0:50:24 | |
I told you what he said! | 0:50:24 | 0:50:25 | |
-Help! -Mum! | 0:50:25 | 0:50:27 | |
She's stealing my car! Help! | 0:50:27 | 0:50:31 | |
Police, stop! | 0:50:31 | 0:50:32 | |
Why did you do that? | 0:50:38 | 0:50:40 | |
I'm not losing you again. | 0:50:40 | 0:50:42 | |
Mum! | 0:50:42 | 0:50:44 | |
I think you need to run a check on Alan Lane's employment history. | 0:50:44 | 0:50:47 | |
See if he's ever worked at an indoor... | 0:50:47 | 0:50:49 | |
'Things have moved on.' | 0:50:49 | 0:50:50 | |
We've found Imogen Lane, | 0:50:50 | 0:50:51 | |
but Alan Lane's holding her daughter, their daughter. | 0:50:51 | 0:50:54 | |
What? Holding her where? | 0:50:54 | 0:50:56 | |
Some storage place. Look, we've got to go. | 0:50:56 | 0:50:58 | |
Got a candidate for the indoor climbing facility. | 0:51:03 | 0:51:05 | |
-A Rock and a Hard Place. -Jack. | 0:51:05 | 0:51:06 | |
Closed its doors for business two years ago | 0:51:06 | 0:51:08 | |
and it's only ten miles from Lane's house. | 0:51:08 | 0:51:11 | |
Come on, you drive. | 0:51:11 | 0:51:13 | |
Who are you? | 0:52:13 | 0:52:14 | |
Where is she? Where's my daughter? What have you done with my daughter? | 0:52:17 | 0:52:21 | |
Where is she? | 0:52:21 | 0:52:22 | |
I'm just a courier. I'm just... | 0:52:22 | 0:52:24 | |
-OK. -Armed police, stand still! Stay where you are! | 0:52:24 | 0:52:26 | |
-Who are you? -I'm just a courier. | 0:52:26 | 0:52:27 | |
Clear. | 0:52:35 | 0:52:36 | |
Fresh tyre marks. | 0:52:46 | 0:52:47 | |
Same tread pattern we found outside Lane's house. | 0:52:50 | 0:52:53 | |
Let's try round the back. | 0:52:54 | 0:52:56 | |
That's it. | 0:53:09 | 0:53:11 | |
That side, let it go. | 0:53:11 | 0:53:12 | |
Same polyurethane-coated sand as you got from the rope and boot tread. | 0:53:40 | 0:53:43 | |
Don't steal my thunder. | 0:53:43 | 0:53:44 | |
Sorry. | 0:53:44 | 0:53:45 | |
I mean, do I start mouthing off about where the Thoracic Vertebrae | 0:53:45 | 0:53:48 | |
meets the Sacrum in the middle of a postmortem? | 0:53:48 | 0:53:50 | |
Hopefully not, as the Sacrum | 0:53:50 | 0:53:52 | |
and the Thoracic are separated by the Lumbar Vertebrae. | 0:53:52 | 0:53:54 | |
I was close, though, wasn't I? | 0:53:54 | 0:53:55 | |
DOOR OPENS | 0:53:55 | 0:53:57 | |
Jack, wait. | 0:53:57 | 0:53:59 | |
It's all right. Come on. | 0:53:59 | 0:54:00 | |
MUFFLED WHIMPERING | 0:54:23 | 0:54:25 | |
Karen? | 0:54:25 | 0:54:27 | |
Karen. Is it Karen? | 0:54:27 | 0:54:29 | |
Don't worry, we're going to get you out of here. | 0:54:29 | 0:54:31 | |
Yeah, I'm on it. | 0:54:31 | 0:54:33 | |
-Stand back. -Stand back. | 0:54:35 | 0:54:36 | |
Stand back, Karen. | 0:54:36 | 0:54:37 | |
BAR HITS CAGE | 0:54:37 | 0:54:39 | |
Don't worry. It's all right. | 0:54:49 | 0:54:50 | |
Come on. Can you walk? | 0:55:03 | 0:55:04 | |
Well done. | 0:55:06 | 0:55:07 | |
Ah! | 0:55:10 | 0:55:11 | |
Nikki. | 0:55:13 | 0:55:15 | |
Let's go. | 0:55:17 | 0:55:18 | |
GUNSHOT | 0:55:19 | 0:55:21 | |
Jack! | 0:55:21 | 0:55:22 | |
Jack! | 0:55:23 | 0:55:24 | |
Ah! | 0:55:27 | 0:55:28 | |
Get out! | 0:55:37 | 0:55:38 | |
You OK? | 0:55:50 | 0:55:51 | |
And you? | 0:55:51 | 0:55:53 | |
It's all right, darling, we're safe now. | 0:55:57 | 0:55:59 | |
Hey, don't worry. | 0:56:01 | 0:56:02 | |
I'm sorry. | 0:56:26 | 0:56:27 | |
Whee-hee! | 0:56:58 | 0:57:00 | |
Whoa! Oh! | 0:57:01 | 0:57:02 | |
Thank you, Nikki. | 0:57:04 | 0:57:05 | |
My pleasure. | 0:57:07 | 0:57:08 | |
You looked south while everyone else was looking north. | 0:57:09 | 0:57:13 | |
I'd be in prison if you hadn't. | 0:57:13 | 0:57:15 | |
-Hey, was that good? -Yep. | 0:57:15 | 0:57:17 | |
I'm starving. Can we get pizza? | 0:57:18 | 0:57:19 | |
Yeah, course we can. | 0:57:19 | 0:57:21 | |
Can Nikki and Jack come, too? | 0:57:22 | 0:57:24 | |
Oh, never say no to pizza. | 0:57:26 | 0:57:28 | |
I think we've got to go back to work. | 0:57:28 | 0:57:30 | |
Spoilsport. | 0:57:30 | 0:57:32 | |
I'm sorry. | 0:57:32 | 0:57:34 | |
-Ah, never mind. -But we'll see you very soon, OK. | 0:57:34 | 0:57:36 | |
OK. | 0:57:36 | 0:57:37 | |
Thanks a lot. Thanks for everything. | 0:57:38 | 0:57:40 | |
-Good luck. -Cheers, thank you. | 0:57:42 | 0:57:44 | |
-Come on. -Bye. | 0:57:44 | 0:57:45 | |
-I'll take you up? -Yeah. | 0:57:46 | 0:57:47 | |
Come on, then. Ready? | 0:57:47 | 0:57:49 | |
I could take you out for a pizza later, if you like? | 0:57:49 | 0:57:51 | |
Kind of feel like I should. | 0:57:51 | 0:57:52 | |
Why's that? | 0:57:52 | 0:57:54 | |
Well, without you, I wouldn't have a functioning oesophagus. | 0:57:54 | 0:57:57 | |
Ah! | 0:57:57 | 0:57:59 | |
This wasn't just misadventure. Apparently, he fell from heaven. | 0:57:59 | 0:58:02 | |
What have you done? | 0:58:02 | 0:58:03 | |
I didn't kill anyone. | 0:58:03 | 0:58:04 | |
There's a lot they don't want you to know. | 0:58:04 | 0:58:06 | |
Ever since then, I've been looking for an excuse to meet you again. | 0:58:06 | 0:58:09 | |
Why do you need an excuse? | 0:58:09 | 0:58:11 | |
Someone knows what's happening, and there's people dying because of it! | 0:58:11 | 0:58:15 | |
Stand your ground! Don't move! | 0:58:15 | 0:58:17 | |
Armed police! Get down on the floor. | 0:58:17 | 0:58:19 | |
This is really going to mess things up. | 0:58:19 | 0:58:21 | |
I told you. | 0:58:21 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:49 |