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This programme contains scenes which some viewers may find disturbing. | 0:00:02 | 0:00:09 | |
MUMBLES TO HIMSELF | 0:00:14 | 0:00:15 | |
-Can I help? -Please. | 0:00:27 | 0:00:29 | |
HE CONTINUES TO MUMBLE, IN SERBIAN | 0:00:33 | 0:00:35 | |
SHE SCREAMS | 0:00:52 | 0:00:54 | |
No, no, no, it's OK. | 0:00:54 | 0:00:56 | |
SHE SIGHS | 0:01:12 | 0:01:13 | |
MUFFLED SCREAMS | 0:01:16 | 0:01:19 | |
STUN GUN CRACKLES | 0:01:19 | 0:01:23 | |
# Testator silens | 0:01:25 | 0:01:33 | |
# Costestes e spiritu | 0:01:33 | 0:01:40 | |
# Silentium. # | 0:01:40 | 0:01:48 | |
OK, I'll get the area sealed off. | 0:02:02 | 0:02:04 | |
All right, oh, and don't forget I need the DCI's phone number. | 0:02:04 | 0:02:07 | |
Who is she? | 0:02:08 | 0:02:09 | |
Chrissy Reed. | 0:02:11 | 0:02:12 | |
Worked for CID, up in Yorkshire. | 0:02:12 | 0:02:15 | |
-Must have found a way of flushing her down the M1. -Charming(!) | 0:02:15 | 0:02:18 | |
How are you doing, Jack? | 0:02:20 | 0:02:21 | |
Not bad. | 0:02:21 | 0:02:23 | |
-Wondered if our paths might cross. And here you are. -Indeed. | 0:02:23 | 0:02:28 | |
So, this is nice. | 0:02:28 | 0:02:30 | |
Nikki Alexander. Home Office Pathologist. | 0:02:30 | 0:02:33 | |
DI Reed. | 0:02:33 | 0:02:34 | |
That's right - DI. | 0:02:36 | 0:02:37 | |
So, if you want to step on my crime scene, take a deep breath and get over yourself, Jack. | 0:02:38 | 0:02:42 | |
What was that?! | 0:02:45 | 0:02:46 | |
Neighbour called the police. Basement vent's out back. | 0:02:58 | 0:03:01 | |
Smell was getting a bit ripe. | 0:03:01 | 0:03:03 | |
Two dead. Both female. | 0:03:08 | 0:03:10 | |
Brunette's been shot in the head and arm. | 0:03:10 | 0:03:12 | |
Blonde victim's been shot twice in the chest. | 0:03:12 | 0:03:15 | |
-Were they totally covered when they were found? -Yep. | 0:03:17 | 0:03:20 | |
Possibly trying to contain the smell. | 0:03:20 | 0:03:22 | |
-Who owns the house? -Landlord's a Mr Kolahi. | 0:03:22 | 0:03:25 | |
Only managed to speak to his wife so far, but she seemed to think | 0:03:25 | 0:03:28 | |
the house was rented to a man who'd just moved back from Dubai. | 0:03:28 | 0:03:31 | |
Might explain the heat. | 0:03:31 | 0:03:33 | |
Central heating's been set to be on constantly - 22 degrees. | 0:03:33 | 0:03:35 | |
If you could find out how long that's been the case, | 0:03:35 | 0:03:37 | |
-it would help with time-since-death. -I'll get on to the gas company, | 0:03:37 | 0:03:40 | |
see if they can give us an indication of usage. But are we talking days, weeks? | 0:03:40 | 0:03:44 | |
-I can't tell you that yet. -Bloating suggests at least four days, | 0:03:44 | 0:03:47 | |
but bodies are making the transition from bloat to active decay. | 0:03:47 | 0:03:51 | |
That puts TSI at somewhere between seven to ten days. | 0:03:51 | 0:03:54 | |
-Find a gun? -No. | 0:03:54 | 0:03:57 | |
So, it's not a suicide pact. | 0:03:57 | 0:03:59 | |
A naked suicide pact, in which the deceased end up under polythene? | 0:03:59 | 0:04:04 | |
Sherlock would explain it. | 0:04:04 | 0:04:06 | |
This is going to be such fun(!) | 0:04:06 | 0:04:07 | |
Think she could have died later? | 0:04:36 | 0:04:38 | |
Why do you say that? | 0:04:39 | 0:04:41 | |
Far fewer blowfly larvae on the blonde victim. | 0:04:41 | 0:04:43 | |
No, the bodies seem to be at a similar point in the decay cycle, to me. | 0:04:43 | 0:04:47 | |
So, what is it with you and DI Reed? | 0:04:50 | 0:04:53 | |
Is it specifically her you don't like, | 0:04:53 | 0:04:55 | |
or the fact that she's clearly a competent, ambitious woman? | 0:04:55 | 0:04:58 | |
No problem with competent, ambitious women. | 0:04:58 | 0:05:01 | |
We had a run-in, that's all. | 0:05:01 | 0:05:03 | |
Matter of fact, we used to be good mates. | 0:05:03 | 0:05:05 | |
When did you last see her? | 0:05:05 | 0:05:07 | |
I dunno. Three, four years ago? | 0:05:07 | 0:05:09 | |
About the time you came to London? | 0:05:09 | 0:05:11 | |
Oh, my God. | 0:05:12 | 0:05:14 | |
The overly competitive sparring, the mutual dislike. | 0:05:14 | 0:05:17 | |
Were you in a relationship with her? | 0:05:17 | 0:05:19 | |
All right, just keep it quiet, will you? | 0:05:19 | 0:05:21 | |
-Because she's an older woman? -Because she's married. | 0:05:21 | 0:05:23 | |
WAS married. | 0:05:23 | 0:05:24 | |
Are we done here? Top priority's to get these women identified. | 0:05:26 | 0:05:30 | |
I've got my team scouring missing persons, but I'd like to get | 0:05:30 | 0:05:33 | |
started on the postmortems today, if you can manage that. | 0:05:33 | 0:05:36 | |
-Jack, can I show you something? -Yeah. | 0:05:36 | 0:05:39 | |
Padlock clasps. Recently removed. | 0:05:46 | 0:05:48 | |
What's the matter, Jack, can't even look at me? | 0:05:48 | 0:05:52 | |
I moved down to this shithole to make DCI, | 0:05:52 | 0:05:54 | |
so if you want to rake over our past, I suggest you invite me | 0:05:54 | 0:05:57 | |
for a drink, instead of gossiping with the pretty blonde doctor. | 0:05:57 | 0:06:00 | |
So, padlock clasps? | 0:06:02 | 0:06:03 | |
They weren't brought here to be killed. They were kept down there. | 0:06:03 | 0:06:06 | |
But why remove the locks? | 0:06:06 | 0:06:08 | |
Find many prints in the house? | 0:06:08 | 0:06:10 | |
Nothing, so far. | 0:06:10 | 0:06:11 | |
Well, maybe they're forensically aware. | 0:06:11 | 0:06:14 | |
If they bought the padlocks and clasps, | 0:06:14 | 0:06:15 | |
they know there's a chance we could trace the purchase, | 0:06:15 | 0:06:18 | |
especially if they were in a rush, bought them locally. You should check out local hardware shops. | 0:06:18 | 0:06:22 | |
So he brings them here, locks them up, does whatever he does, | 0:06:22 | 0:06:26 | |
kills them, buggers off, but leaves the bodies. | 0:06:26 | 0:06:28 | |
How does that fit with your forensically-aware criminal mastermind? | 0:06:28 | 0:06:31 | |
-Maybe they were interrupted. Maybe they planned to come back. -They? | 0:06:31 | 0:06:34 | |
What makes you think this is one man? | 0:06:34 | 0:06:35 | |
Two women. Both suffered violent deaths. Both naked. | 0:06:35 | 0:06:39 | |
You know as well as I do that this is probably a sexual crime | 0:06:39 | 0:06:42 | |
and the perpetrator's almost certainly a man working alone. | 0:06:42 | 0:06:44 | |
Time's running out. | 0:06:48 | 0:06:50 | |
Now you need to find someone else. Do you understand? | 0:06:50 | 0:06:52 | |
-I've tried. -Try harder. | 0:06:52 | 0:06:54 | |
I know you're strong. | 0:07:04 | 0:07:05 | |
But now it...it's all about the fight. | 0:07:07 | 0:07:09 | |
You just have to do whatever it takes. | 0:07:10 | 0:07:12 | |
SIGHS HEAVILY | 0:07:21 | 0:07:23 | |
This doesn't feel like a sexual crime. Too clinical. | 0:07:27 | 0:07:29 | |
Whoever did this, they've been careful. No prints. No marks. Nothing. | 0:07:29 | 0:07:32 | |
And you're not just saying that because DI Reed DOES think that sex is the basis of his MO? | 0:07:32 | 0:07:36 | |
Credit me with a degree of professionalism. | 0:07:36 | 0:07:38 | |
And the fact that they were naked doesn't suggest sexual motive? | 0:07:38 | 0:07:41 | |
Since when was removing clothes solely indicative of sexual intent? | 0:07:41 | 0:07:44 | |
Clothes can give a clue as to identity. | 0:07:44 | 0:07:47 | |
So maybe obscuring their identity's important? | 0:07:47 | 0:07:49 | |
Maybe he dumped the clothes. | 0:07:53 | 0:07:54 | |
DOOR OPENS | 0:08:29 | 0:08:31 | |
MOBILE RINGS | 0:08:54 | 0:08:56 | |
-'Hello, Mr Benson?' -Yeah, what is it? | 0:09:03 | 0:09:05 | |
It's Leo Dalton. Thank you for your messages | 0:09:05 | 0:09:09 | |
and I'm sorry it took me a while to get back to you. | 0:09:09 | 0:09:11 | |
Giving up? | 0:09:15 | 0:09:17 | |
Oh, two weeks. Killing me. | 0:09:17 | 0:09:18 | |
Given the condition of the bodies, | 0:09:19 | 0:09:21 | |
Jack's happy to release them if you are. | 0:09:21 | 0:09:23 | |
-Great. -Should be able to get onto the postmortems after lunch. | 0:09:23 | 0:09:26 | |
-Appreciate it. -Would you like to be present? | 0:09:26 | 0:09:29 | |
-Yeah. -I'm sorry for talking like that. | 0:09:30 | 0:09:33 | |
It was unprofessional. | 0:09:33 | 0:09:34 | |
-We all do it. -And it was unkind. | 0:09:34 | 0:09:37 | |
Are you OK? | 0:09:42 | 0:09:43 | |
Yeah, I'm fine. Sorry. | 0:09:43 | 0:09:44 | |
I've not been sleeping well. | 0:09:46 | 0:09:47 | |
CLEARS THROAT | 0:09:47 | 0:09:49 | |
Eyes OK? | 0:09:49 | 0:09:50 | |
Wouldn't do to have them think I was anything other than a flat-out bitch now, would it? | 0:09:52 | 0:09:56 | |
Hi. | 0:09:59 | 0:10:01 | |
Unused mattress on the bed. | 0:10:01 | 0:10:03 | |
The kitchen's cheap, but newly installed. | 0:10:03 | 0:10:05 | |
And the oven still has the instructions inside. | 0:10:05 | 0:10:07 | |
I don't think anyone was living in the main part of the house. | 0:10:07 | 0:10:10 | |
Fits with neighbour interviews. No signs of life. No-one came or went. | 0:10:10 | 0:10:13 | |
-No post delivered. -But if they were held here for any length of time, | 0:10:13 | 0:10:16 | |
-someone must have been bringing them food, water. -Someone who smoked. | 0:10:16 | 0:10:19 | |
-Found this in the garden. When was the last time it rained? -About two weeks ago, I think. | 0:10:19 | 0:10:23 | |
Cigarette butts turn brown when sodden. This one hasn't. | 0:10:23 | 0:10:25 | |
Great, so our man... | 0:10:25 | 0:10:27 | |
-Or men. -Could've been a smoker. | 0:10:27 | 0:10:29 | |
So we've narrowed it down to 20% of the population. | 0:10:29 | 0:10:32 | |
Think we can get DNA? | 0:10:32 | 0:10:33 | |
If you ask nicely. | 0:10:33 | 0:10:35 | |
You'll have to forgive my lack of manners. | 0:10:36 | 0:10:38 | |
Whoever did this, I've got a feeling he's not done yet. | 0:10:38 | 0:10:41 | |
DOOR SQUEAKS UPON OPENING | 0:10:49 | 0:10:51 | |
Time for work. | 0:10:53 | 0:10:54 | |
Take my advice. Keep your distance. | 0:11:04 | 0:11:06 | |
We were just chatting. I don't know what your problem is with her? | 0:11:06 | 0:11:09 | |
Maybe she's not as hard-nosed as you think. | 0:11:09 | 0:11:11 | |
She's recently divorced, she's in a new city... | 0:11:11 | 0:11:14 | |
-Right, so now you're best friends? -Are we five? Is this a playground? | 0:11:14 | 0:11:18 | |
She was just trying to be friendly. | 0:11:18 | 0:11:20 | |
She's trying to tap you for information about me. | 0:11:20 | 0:11:22 | |
Oh, because two professional women couldn't possibly talk about anything except you(!) | 0:11:22 | 0:11:26 | |
Chrissy's sniffing out promotion and she wants to make sure | 0:11:26 | 0:11:28 | |
I haven't said anything that could jeopardise that, OK? | 0:11:28 | 0:11:31 | |
What happened between you two? | 0:11:33 | 0:11:34 | |
You advertised the house through a local paper? | 0:11:37 | 0:11:39 | |
HE SPEAKS OWN LANGUAGE | 0:11:39 | 0:11:41 | |
No agency? Mr Kolahi, I don't think you're quite getting this. | 0:11:41 | 0:11:44 | |
There's been a double murder at your property. | 0:11:44 | 0:11:46 | |
If you don't talk to me, I'm going to have to start joining the dots myself | 0:11:46 | 0:11:49 | |
and, at the moment, you're one of the only dots I've got. | 0:11:49 | 0:11:51 | |
How...how did they die? | 0:11:51 | 0:11:53 | |
-I can't tell you that right now. -Well, his name was, em, Bairstow. | 0:11:53 | 0:11:58 | |
George...George Bairstow. And we didn't use an agency. | 0:11:58 | 0:12:02 | |
We wanted to keep the costs down... There. | 0:12:02 | 0:12:05 | |
The tenancy agreement's in there, too. Everything's above board. | 0:12:07 | 0:12:10 | |
I'm sure it was. | 0:12:10 | 0:12:12 | |
So, what can you tell me about this George Bairstow? | 0:12:12 | 0:12:16 | |
Not much. Never actually met him. | 0:12:16 | 0:12:20 | |
How old was Michael when he died? | 0:12:23 | 0:12:26 | |
-Four months. -He was pronounced dead at the house? | 0:12:26 | 0:12:28 | |
And was your wife arrested immediately | 0:12:32 | 0:12:34 | |
or after the postmortem? | 0:12:34 | 0:12:36 | |
Couple of hours later. | 0:12:36 | 0:12:38 | |
D'you have a copy of the prosecution's postmortem reports? | 0:12:38 | 0:12:41 | |
-Huh. -What? | 0:12:46 | 0:12:48 | |
The pathologist is well respected. | 0:12:48 | 0:12:50 | |
You know him? | 0:12:52 | 0:12:53 | |
-Mm-hmm, very well. -He's a friend. | 0:12:53 | 0:12:56 | |
It's a small community. | 0:12:56 | 0:12:57 | |
Yeah, yeah, yeah. I know, I know. | 0:12:58 | 0:13:00 | |
You're all mates and you all back each other up. | 0:13:00 | 0:13:03 | |
Mr Benson. I assure you that my friendship with Professor Fell is irrelevant. | 0:13:03 | 0:13:08 | |
All that matters is the quality of his work. | 0:13:08 | 0:13:10 | |
And if it is found to be lacking, then the quality of mine... | 0:13:10 | 0:13:13 | |
'Whoever this Bairstow is' | 0:13:14 | 0:13:15 | |
and I very much doubt that's his real name, | 0:13:15 | 0:13:18 | |
Kolahi never met him, never spoke to him. | 0:13:18 | 0:13:20 | |
So how did he get the keys to the tenant? | 0:13:20 | 0:13:22 | |
Ah, that's the good bit. | 0:13:22 | 0:13:24 | |
Bairstow e-mailed saying he'd be arriving late, and asked Kolahi | 0:13:24 | 0:13:27 | |
if he could leave the keys some place he could find them. | 0:13:27 | 0:13:29 | |
Even Kolahi wasn't that stupid. | 0:13:29 | 0:13:31 | |
He agreed to leave them at a friend's restaurant nearby. | 0:13:31 | 0:13:34 | |
I've sent someone to interview. | 0:13:34 | 0:13:36 | |
I'm just going to start getting ready. | 0:13:36 | 0:13:38 | |
-So, you and her? -Oh, please. | 0:13:41 | 0:13:44 | |
Not your type? | 0:13:44 | 0:13:45 | |
According to her, we're barely the same species. | 0:13:45 | 0:13:49 | |
DOOR SLAMS SHUT | 0:14:04 | 0:14:06 | |
DOOR CLICKS SHUT | 0:14:09 | 0:14:10 | |
ENGINE PURRS | 0:14:12 | 0:14:14 | |
VEHICLE REVS AWAY | 0:14:14 | 0:14:17 | |
The report says that Michael was smothered. | 0:14:25 | 0:14:28 | |
Shona did not smother him! | 0:14:28 | 0:14:31 | |
Look, I'm sorry. | 0:14:36 | 0:14:37 | |
It's just that people keep saying that she done this | 0:14:37 | 0:14:40 | |
and I know she couldn't. | 0:14:40 | 0:14:41 | |
There are four broken bones - two ribs and both femurs. | 0:14:58 | 0:15:02 | |
We don't know how that happened. | 0:15:05 | 0:15:06 | |
I have to ask this, because it's not mentioned here but, um... | 0:15:13 | 0:15:17 | |
Why weren't you charged, along with your wife? | 0:15:17 | 0:15:19 | |
Cos I wasn't there. Me and Shona, we're separated. | 0:15:20 | 0:15:24 | |
-So how come social services removed your other son...? -Darius. | 0:15:24 | 0:15:29 | |
Darius, thank you. Why don't you have custody of him? | 0:15:29 | 0:15:31 | |
I got priors. | 0:15:34 | 0:15:36 | |
ABH, GBH, little bit of drugs... Look I'm trying to do better. | 0:15:37 | 0:15:43 | |
Both postmortems conclude that Michael was smothered by your wife. | 0:15:47 | 0:15:50 | |
I have to believe there's a possibility | 0:15:50 | 0:15:52 | |
that both pathologists were wrong. | 0:15:52 | 0:15:54 | |
They were. | 0:15:54 | 0:15:57 | |
Well, unfortunately, your telling me that doesn't make it true. | 0:15:57 | 0:16:00 | |
She didn't do it. Shona's been in jail for months now. | 0:16:00 | 0:16:04 | |
Darius has been in, like, three foster homes... | 0:16:04 | 0:16:06 | |
If she gets sent down, he gets adopted. We lose him, too. | 0:16:06 | 0:16:10 | |
-Look, I got four days to stop that from happening. -Four days? | 0:16:12 | 0:16:16 | |
Shona's trial starts on Thursday. | 0:16:17 | 0:16:19 | |
Look, she didn't kill him. | 0:16:23 | 0:16:25 | |
I promise you that. | 0:16:26 | 0:16:28 | |
She did not kill our son. | 0:16:29 | 0:16:31 | |
That's right, just keep walking... Baby-killin' bitch. | 0:16:52 | 0:16:57 | |
Statement on my desk in two hours. Thanks. | 0:17:01 | 0:17:04 | |
Restaurant owner's given a description of the man who picked up the keys. | 0:17:04 | 0:17:07 | |
Eastern European? | 0:17:07 | 0:17:08 | |
The bullets were fired from a Makarov semi-automatic pistol. | 0:17:10 | 0:17:12 | |
Now I've seen one or two, | 0:17:12 | 0:17:14 | |
but it's predominantly used in Russia, Eastern Europe. | 0:17:14 | 0:17:16 | |
Where are you going with this? | 0:17:16 | 0:17:18 | |
Dead women. Young women. | 0:17:18 | 0:17:20 | |
A degree of professionalism. Eastern European gun. | 0:17:20 | 0:17:23 | |
Trafficking? | 0:17:24 | 0:17:25 | |
Show you a Rorschach Test, you see a bat when everyone else sees bunnies. | 0:17:25 | 0:17:29 | |
We'll have a better idea when she's open, but visual inspection | 0:17:29 | 0:17:31 | |
suggests that the victim was in her early to mid-twenties. | 0:17:31 | 0:17:34 | |
Young woman. Fits with the trafficking profile. | 0:17:34 | 0:17:36 | |
Nothing changes. Like a dog with a bone. | 0:17:36 | 0:17:39 | |
Man who picked up the keys, what else do we know? | 0:17:39 | 0:17:41 | |
Caucasian. 30s, 40s. Average height. Brown hair. | 0:17:41 | 0:17:44 | |
Bloating and marbling on the skin's surface suggests | 0:18:16 | 0:18:21 | |
time since death in line with provisional entomology observed at scene. | 0:18:21 | 0:18:24 | |
Roughly six to seven days... | 0:18:24 | 0:18:26 | |
Stuart, can we photograph, please? | 0:18:26 | 0:18:28 | |
Another dead girl. | 0:18:28 | 0:18:30 | |
I was as upset as you were about what happened. | 0:18:34 | 0:18:37 | |
Were you? Seems like you did pretty well out of it. | 0:18:37 | 0:18:40 | |
I wasn't promoted on the back of one case. | 0:18:40 | 0:18:42 | |
I was promoted because I'm a damned good copper. | 0:18:42 | 0:18:44 | |
And if I didn't have a pair of tits, | 0:18:44 | 0:18:46 | |
I probably would have been promoted ten years earlier. | 0:18:46 | 0:18:48 | |
I didn't do anything wrong. | 0:18:50 | 0:18:52 | |
If you still think I did, maybe you're the problem, not me. | 0:18:52 | 0:18:55 | |
The brunette victim has two small burn marks. Upper thorax. | 0:18:56 | 0:19:00 | |
Taser? | 0:19:03 | 0:19:04 | |
No signs of skin penetration associated with tasering. | 0:19:04 | 0:19:08 | |
I'd say she was attacked with a stun gun. | 0:19:09 | 0:19:12 | |
Perpetrator sounds pretty organised. | 0:19:12 | 0:19:14 | |
Almost like this was part of some well-funded criminal enterprise. | 0:19:14 | 0:19:19 | |
-Where are you going? -Date with some maggots. | 0:19:19 | 0:19:21 | |
The bullet's passed through the left side of the victim's frontal bone, | 0:19:23 | 0:19:28 | |
emerging through the occipital bone, | 0:19:28 | 0:19:31 | |
right side, at the rear of the skull. | 0:19:31 | 0:19:33 | |
The entry wound is small, | 0:19:34 | 0:19:36 | |
but there's no evidence of powder tattooing or soot deposition, | 0:19:36 | 0:19:40 | |
suggesting a minimum firing range of between four to five feet, | 0:19:40 | 0:19:44 | |
depending on the weapon's calibre. | 0:19:44 | 0:19:46 | |
It also suggests the possibility... | 0:19:46 | 0:19:49 | |
..the wound to the forearm was a defence wound. | 0:19:51 | 0:19:54 | |
So, maybe the victim was untied at that point? | 0:19:56 | 0:19:59 | |
There's a small tattoo on the underside of the wrist, | 0:19:59 | 0:20:02 | |
a cross with wings attached, could be some kind of memorial tattoo. | 0:20:02 | 0:20:06 | |
There are contusions on the wrists, | 0:20:09 | 0:20:11 | |
that are suggestive of the use of restraints. | 0:20:11 | 0:20:14 | |
Subcutaneous dissection should confirm. | 0:20:14 | 0:20:17 | |
So, the victim's wrists were definitely tied at some point? | 0:20:17 | 0:20:20 | |
There are also cuts on the wrists, as if she'd fought to free herself. | 0:20:20 | 0:20:24 | |
No sign of rope patterning. Looks like he may have used handcuffs. | 0:20:25 | 0:20:29 | |
Handcuffs, stun gun, pistol. | 0:20:31 | 0:20:33 | |
Whoever he is, he likes to be prepared. | 0:20:33 | 0:20:35 | |
Dr Ballinger? | 0:21:07 | 0:21:09 | |
Your briefcase, sir. | 0:21:14 | 0:21:15 | |
And that one came from the blonde victim, as well? | 0:21:30 | 0:21:32 | |
No, I'm just throwing them in randomly(!) | 0:21:32 | 0:21:34 | |
Well, then, I think we can call that a pattern. | 0:21:37 | 0:21:40 | |
SHE WHIMPERS | 0:21:40 | 0:21:43 | |
SHE PANTS | 0:21:59 | 0:22:01 | |
The absence of bruising around the gunshot wound on the blonde victim's chest, | 0:22:04 | 0:22:08 | |
and the fact that there was far less internal bleeding than I'd expect, | 0:22:08 | 0:22:12 | |
both suggest a complete lack of vital reaction. | 0:22:12 | 0:22:15 | |
What are you saying? | 0:22:15 | 0:22:17 | |
That she was already dead when she was shot? | 0:22:17 | 0:22:19 | |
Well, Jack found bullets buried in the floor beneath her body, | 0:22:19 | 0:22:22 | |
suggesting that she was already lying on the ground, face-up, | 0:22:22 | 0:22:25 | |
when she was shot. | 0:22:25 | 0:22:26 | |
Unlike the brunette victim, | 0:22:26 | 0:22:28 | |
the blonde victim was shot postmortem. | 0:22:28 | 0:22:30 | |
And without further tests, | 0:22:31 | 0:22:32 | |
I can't really tell you how this woman died. | 0:22:32 | 0:22:35 | |
PANTING | 0:22:38 | 0:22:41 | |
The blonde victim was pregnant? | 0:22:53 | 0:22:55 | |
Coming to the end of her first trimester. | 0:22:55 | 0:22:57 | |
But you feel confident neither woman was sexually assaulted? | 0:22:57 | 0:23:00 | |
That's not what she said. | 0:23:00 | 0:23:01 | |
Neither body displays the usual indicators of sexual assault, but | 0:23:01 | 0:23:05 | |
because the bodies are so degraded it's difficult to be definitive. | 0:23:05 | 0:23:08 | |
She was three months pregnant... | 0:23:08 | 0:23:10 | |
Could she have been down there as long as that? | 0:23:10 | 0:23:12 | |
-The tenancy started two weeks ago. -They could have been held elsewhere first. | 0:23:12 | 0:23:15 | |
If the stun gun was used to aid capture, | 0:23:15 | 0:23:17 | |
then healing injuries suggests that they were taken | 0:23:17 | 0:23:19 | |
-between one and two weeks ago. -Missing persons aren't coming up with likely matches in that time frame. | 0:23:19 | 0:23:24 | |
-Cos no-one knows they're missing. -Cos in your mind, we're looking at Eastern European women. | 0:23:24 | 0:23:28 | |
-Why's that such a ridiculous idea? -Can we just stick to what we know? | 0:23:28 | 0:23:31 | |
Two women, abducted in the last fortnight, then found naked | 0:23:31 | 0:23:35 | |
in the basement of a house that shows no other signs of habitation. | 0:23:35 | 0:23:38 | |
They weren't naked, they were covered, | 0:23:38 | 0:23:40 | |
which to my mind suggests a level of guilt and horror | 0:23:40 | 0:23:43 | |
in the perpetrator, that's usually associated | 0:23:43 | 0:23:45 | |
with uncontrollable urges, which he later regrets. | 0:23:45 | 0:23:48 | |
And when it comes to regrets, sex is usually right up there. | 0:23:48 | 0:23:51 | |
But the perpetrators knew what they were doing. | 0:23:53 | 0:23:56 | |
How many randy psychos would have the nous to forge documentation? | 0:23:56 | 0:23:59 | |
And they were forensically aware, organised, left no traces. | 0:23:59 | 0:24:03 | |
-Cigarette butt? -Clarissa? -Gone for DNA. | 0:24:03 | 0:24:06 | |
And they had enough contacts to procure a pistol and a stun gun. | 0:24:06 | 0:24:09 | |
You can get hold of a small arsenal if you go to the right car-boot sale. | 0:24:09 | 0:24:12 | |
That is bollocks and you know it. | 0:24:12 | 0:24:15 | |
So, basically, we have no idea. | 0:24:15 | 0:24:17 | |
Two unidentified women, both murdered for reasons unknown | 0:24:17 | 0:24:20 | |
and, in one case, we're not even sure what killed her. | 0:24:20 | 0:24:22 | |
-Which victim were you struggling to find cause of death for? -The blonde. | 0:24:22 | 0:24:25 | |
SHE PANTS AND SOBS | 0:24:30 | 0:24:33 | |
One of these was found on the blonde victim, one on the brunette. | 0:24:52 | 0:24:55 | |
Slight fluctuations aside, | 0:24:55 | 0:24:57 | |
we know the rate of decomposition's a constant | 0:24:57 | 0:25:00 | |
when dead bodies are exposed to the same external conditions. | 0:25:00 | 0:25:02 | |
By examining the two victims, | 0:25:02 | 0:25:04 | |
we can see they died roughly contemporaneously. | 0:25:04 | 0:25:06 | |
And we'd expect the entomology to back that up. | 0:25:06 | 0:25:09 | |
But it doesn't? | 0:25:09 | 0:25:10 | |
It does and it doesn't. Blowfly larvae from our brunette victim... | 0:25:10 | 0:25:13 | |
Blowfly larvae from our blonde victim. | 0:25:13 | 0:25:15 | |
Both at the same stage of development, but spot the difference. | 0:25:15 | 0:25:18 | |
Size. | 0:25:18 | 0:25:19 | |
Exactly. There's a size difference between the populations | 0:25:19 | 0:25:22 | |
-on the respective bodies... -So what would cause that? -I've not finished. | 0:25:22 | 0:25:26 | |
Mortality rate in the larvae from the blonde victim | 0:25:26 | 0:25:28 | |
is also much higher... Talking as much as 40% to 50%. | 0:25:28 | 0:25:31 | |
You think she was poisoned? | 0:25:31 | 0:25:33 | |
-Worth testing for, isn't it? -Will it help identification? | 0:25:33 | 0:25:35 | |
-Possibly. -Not good enough. Finding identity takes precedence. | 0:25:35 | 0:25:38 | |
-The tattoo. -It's too generic! | 0:25:38 | 0:25:40 | |
I'm getting sweet sod all from missing persons, | 0:25:40 | 0:25:43 | |
I need you to work the tattoo. See if we can get anything from it. | 0:25:43 | 0:25:46 | |
I'll make sure we get fingerprints and dental records sent off straight away. | 0:25:46 | 0:25:49 | |
Thanks, Nikki. Oh, you fancy a drink tonight? | 0:25:49 | 0:25:52 | |
Yeah. | 0:25:52 | 0:25:54 | |
Great. | 0:25:54 | 0:25:56 | |
Huh. You'll see. | 0:25:57 | 0:26:00 | |
-HE SIGHS -I'm off out. -Where? | 0:26:04 | 0:26:05 | |
-Toxicology. Mate owes me a favour. -But DI Reed said to focus on the tattoo. | 0:26:05 | 0:26:08 | |
I don't care what she said. She's wrong. | 0:26:08 | 0:26:11 | |
You focus on the tattoo, if you like, I'll do the grown-up stuff. | 0:26:11 | 0:26:14 | |
-How's Liza? -Um, well, I wouldn't know. | 0:26:16 | 0:26:20 | |
-We... We split up last summer. -Oh, Richard! | 0:26:20 | 0:26:23 | |
No, it's all right, and before you start feeling too sorry for me, | 0:26:23 | 0:26:26 | |
I...I got married. Again. | 0:26:26 | 0:26:29 | |
Eleanor. She's lovely. And don't get upset that you didn't get invited. | 0:26:29 | 0:26:33 | |
It was all very last-minute. | 0:26:33 | 0:26:35 | |
It was just us and her family. Barbados, and um, and the kids. | 0:26:35 | 0:26:38 | |
-Kids?! -Well, Eleanor's siblings. | 0:26:38 | 0:26:40 | |
What she lacks in years, she makes up for in enthusiasm. | 0:26:40 | 0:26:44 | |
Leo, look, lovely as it is always to see you, I'm pretty sure | 0:26:44 | 0:26:46 | |
you didn't call me down here to discuss the follies of the flesh? | 0:26:46 | 0:26:49 | |
No. | 0:26:49 | 0:26:51 | |
Excuse me? | 0:27:11 | 0:27:12 | |
-DI Reed, Serious Crime. D'you live here? -Yeah. | 0:27:14 | 0:27:17 | |
-Has he done something wrong? -Sorry? | 0:27:18 | 0:27:20 | |
-The fella from that house. -You saw someone enter that house? | 0:27:20 | 0:27:23 | |
I saw him come out when I was heading for work. Why, what's happened? | 0:27:23 | 0:27:26 | |
-When was this? -First day I went back to work after me holidays. | 0:27:26 | 0:27:30 | |
Ten days ago? | 0:27:30 | 0:27:31 | |
-What time was it? -Just after five in the morning. | 0:27:31 | 0:27:34 | |
Can you describe the man you saw? | 0:27:34 | 0:27:36 | |
HE YELLS | 0:28:17 | 0:28:20 | |
He was tall, over six foot. Athletic physique. | 0:28:22 | 0:28:25 | |
Hooded top. Probably about mid-forties? | 0:28:25 | 0:28:28 | |
Need a sketch artist, pronto. | 0:28:29 | 0:28:31 | |
Where were you going at five in the morning? | 0:28:34 | 0:28:36 | |
He's a smoker. | 0:28:41 | 0:28:42 | |
Four healing fractures. | 0:29:16 | 0:29:18 | |
Clearly, the mother had been abusing the child since day one. | 0:29:18 | 0:29:20 | |
So when you found the petechial haemorrhage... | 0:29:20 | 0:29:22 | |
How often have we seen it? Difficult baby. | 0:29:22 | 0:29:25 | |
-How do we know he was difficult? -Neighbour said he cried all the time. | 0:29:26 | 0:29:29 | |
Mother snapped. Smothered him. Petechial haemorrhage. | 0:29:29 | 0:29:31 | |
A haemorrhage like that could have more than one cause, Richard. | 0:29:31 | 0:29:34 | |
Yes, it could, but given the injury narrative, d'you think it's likely? | 0:29:34 | 0:29:37 | |
Seriously, why are you bothering with this, Leo, it can hardly be for the money? | 0:29:37 | 0:29:40 | |
I've been reading round the postmortem | 0:29:42 | 0:29:44 | |
and the health visitor says that she was an excellent mother. | 0:29:44 | 0:29:46 | |
Leo, if she hadn't appeared that way they'd have whipped the baby off her. | 0:29:46 | 0:29:50 | |
Please, don't tell me you fell for the mother's sob story? | 0:29:50 | 0:29:52 | |
-No, I haven't met her. -No? Well, perhaps you should. | 0:29:52 | 0:29:55 | |
Police said she was as cold as Christmas in Krakow. | 0:29:55 | 0:29:59 | |
Nevertheless, looking at the case in the round, | 0:29:59 | 0:30:01 | |
-I think there's another explanation. -Such as? | 0:30:01 | 0:30:04 | |
Sudden Infant Death? | 0:30:05 | 0:30:06 | |
Yes, of course, if you discount the historic fractures. | 0:30:07 | 0:30:10 | |
Which are indicative of abuse, yes, but not cause of death. | 0:30:10 | 0:30:13 | |
We don't know who looked after that child in the months up to his death. | 0:30:13 | 0:30:16 | |
Friends, neighbours? | 0:30:16 | 0:30:17 | |
Multiple healing fractures sustained over a period of four months. | 0:30:17 | 0:30:21 | |
Do you really want to look past the mother for that? | 0:30:21 | 0:30:24 | |
Fine, OK. Leo, you do what you think is right, but I just... | 0:30:26 | 0:30:30 | |
I just don't want you to make a fool of yourself, that's all. | 0:30:32 | 0:30:35 | |
Hundreds of variants on the winged cross... Jack's right. | 0:30:39 | 0:30:43 | |
I don't think it's specific enough to help with identity. | 0:30:43 | 0:30:46 | |
Jack seems to have issues with Detective Inspector Reed, | 0:30:47 | 0:30:51 | |
doesn't he? | 0:30:51 | 0:30:52 | |
Their relationship may have been more than professional. | 0:30:52 | 0:30:55 | |
-Yes, I heard about the bed-hopping. -No, it wasn't just sex. | 0:30:55 | 0:30:58 | |
He liked her. | 0:30:58 | 0:30:59 | |
So his affection manifests itself in fits of juvenile antagonism? | 0:31:00 | 0:31:04 | |
Maybe he feels let down. | 0:31:04 | 0:31:05 | |
They fell out over a job. | 0:31:05 | 0:31:08 | |
If you want the full story, you'll have to ask Jack. | 0:31:08 | 0:31:11 | |
Can I have a word? | 0:31:21 | 0:31:22 | |
I put Michael to sleep in his cot... | 0:31:24 | 0:31:27 | |
..same as I did every afternoon. | 0:31:28 | 0:31:31 | |
But this time... | 0:31:33 | 0:31:35 | |
he just slept and slept. | 0:31:35 | 0:31:39 | |
So I went to wake him up. | 0:31:42 | 0:31:43 | |
Only he wouldn't wake up. | 0:31:45 | 0:31:47 | |
-And when did you call the paramedics? -Straight away. | 0:31:49 | 0:31:52 | |
And in that time, did Michael make any movements? | 0:31:53 | 0:31:56 | |
Did he...cry? | 0:31:56 | 0:31:58 | |
No. | 0:31:59 | 0:32:00 | |
It seemed to take so long for them to get to us... | 0:32:06 | 0:32:10 | |
..and I just kept holding him and holding him. | 0:32:12 | 0:32:14 | |
(Sorry.) | 0:32:24 | 0:32:25 | |
I'm trying to be strong, I really am. | 0:32:27 | 0:32:29 | |
It's just... | 0:32:31 | 0:32:32 | |
..when I think about Michael... And now Darius... | 0:32:34 | 0:32:39 | |
And if I'm convicted, then he's going to be adopted and... | 0:32:40 | 0:32:45 | |
Why do you think it took the paramedics so long to get to you? | 0:32:52 | 0:32:54 | |
We lived up on the 19th floor... | 0:32:56 | 0:32:59 | |
Lift had been broken for months. | 0:32:59 | 0:33:02 | |
Well, that must have been very hard with a young baby. | 0:33:04 | 0:33:07 | |
-Mm. -Could you get out much? | 0:33:07 | 0:33:10 | |
Not really, no. | 0:33:10 | 0:33:12 | |
Spent most of our time in the flat. | 0:33:14 | 0:33:16 | |
Hi. Everything OK? | 0:33:55 | 0:33:57 | |
Fine. | 0:33:58 | 0:33:59 | |
Leo? | 0:33:59 | 0:34:01 | |
When you interviewed Jack, do you remember if he said | 0:34:02 | 0:34:05 | |
-why he'd left Yorkshire? -Er... | 0:34:05 | 0:34:08 | |
Fresh challenges, new pastures. The usual, why? | 0:34:08 | 0:34:11 | |
No reason. | 0:34:13 | 0:34:14 | |
Where have you been? | 0:34:16 | 0:34:18 | |
Had a drink with Richard. | 0:34:18 | 0:34:19 | |
And a... | 0:34:21 | 0:34:23 | |
quick chat with the defendant. | 0:34:23 | 0:34:25 | |
So you're definitely taking on the case? | 0:34:26 | 0:34:28 | |
After last year, I completely understand if you feel... | 0:34:28 | 0:34:30 | |
No, it's not about my feelings. | 0:34:30 | 0:34:32 | |
This family have been torn apart by the death of their child. | 0:34:32 | 0:34:35 | |
And they're going to be torn apart even more. | 0:34:35 | 0:34:39 | |
There's a gap in Richard's report. | 0:34:39 | 0:34:40 | |
He didn't investigate any kind of alternative cause | 0:34:40 | 0:34:44 | |
for the multiple fractures. I mean, not even blood tests. | 0:34:44 | 0:34:48 | |
I think there's a possibility | 0:34:48 | 0:34:50 | |
that the child was suffering from Vitamin D deficiency. | 0:34:50 | 0:34:53 | |
Well, you have to do what you feel is right. | 0:34:54 | 0:34:57 | |
BIRDS SQUAWK | 0:35:02 | 0:35:05 | |
SHE WHIMPERS | 0:35:28 | 0:35:30 | |
Hi. | 0:35:50 | 0:35:52 | |
Change of plan. Mind if we watch some DVDs? | 0:35:52 | 0:35:55 | |
Sure. | 0:35:55 | 0:35:57 | |
Nice place. | 0:35:59 | 0:36:00 | |
Postman saw him going out at five in the morning. | 0:36:02 | 0:36:04 | |
This is the only place open 24 hours within walking distance. | 0:36:07 | 0:36:11 | |
We're looking for a tall guy in a hooded top buying fags, | 0:36:11 | 0:36:14 | |
possibly, sandwiches. | 0:36:14 | 0:36:16 | |
Jack working on the tattoo when you left? | 0:36:18 | 0:36:21 | |
Thanks for getting this one, cheers. I really appreciate it. | 0:36:21 | 0:36:24 | |
Not sure. | 0:36:26 | 0:36:27 | |
Good to know the tail's still wagging the bloody dog. | 0:36:28 | 0:36:32 | |
You and Jack... | 0:36:33 | 0:36:34 | |
All this antagonism because you had an affair. | 0:36:34 | 0:36:38 | |
And I thought Northerners were meant to be the blunt ones. | 0:36:38 | 0:36:41 | |
He thought I did something and I didn't. | 0:36:44 | 0:36:46 | |
Was it something to do with the Marie Shelby case? | 0:36:48 | 0:36:50 | |
Jack resigned around that time... | 0:36:51 | 0:36:53 | |
What did he tell you about that? | 0:36:53 | 0:36:55 | |
Nothing. | 0:36:55 | 0:36:56 | |
Marie Shelby was a prostitute. | 0:37:01 | 0:37:04 | |
Night she was killed, she was seen getting in a car. | 0:37:04 | 0:37:07 | |
Car belonged to Ross Parkwell. Nasty piece of work. | 0:37:07 | 0:37:10 | |
Parkwell says he didn't pick her up and he's got half a dozen people | 0:37:10 | 0:37:13 | |
willing to testify that he was elsewhere. | 0:37:13 | 0:37:16 | |
So as you can imagine, forensics were always going to be key. | 0:37:16 | 0:37:20 | |
But Jack got it into his head that someone had infiltrated his lab | 0:37:20 | 0:37:23 | |
and messed with the Shelby samples | 0:37:23 | 0:37:25 | |
that he was going to process for DNA. | 0:37:25 | 0:37:28 | |
Why would he think that? | 0:37:28 | 0:37:29 | |
Something to do with his labelling system. | 0:37:29 | 0:37:31 | |
Anyhow, the, er, samples were processed, | 0:37:31 | 0:37:34 | |
and it turns out it wasn't Parkwell, but another equally horrid scumbag, | 0:37:34 | 0:37:39 | |
name of Colin McKenzie. | 0:37:39 | 0:37:40 | |
So why does he blame you? | 0:37:40 | 0:37:42 | |
He started running through a list of people who he thought might have had | 0:37:42 | 0:37:45 | |
access to his lab, and he decided that I was the most likely culprit. | 0:37:45 | 0:37:48 | |
Even though you were having an affair? | 0:37:48 | 0:37:51 | |
According to Jack, that was WHY we were having the affair. | 0:37:52 | 0:37:55 | |
I was a bit upset about this, as you can imagine. | 0:37:57 | 0:38:00 | |
Jack saw red, took his complaint upstairs. Big row, and he walked. | 0:38:00 | 0:38:05 | |
Take it he didn't mention this when he came for the job interview? | 0:38:06 | 0:38:10 | |
So we'd both be doing Jack a favour if we let that go. | 0:38:12 | 0:38:16 | |
There. Six foot, wearing a hoodie. | 0:38:19 | 0:38:22 | |
That's him. | 0:38:22 | 0:38:23 | |
MAN BOLTS DOOR | 0:38:23 | 0:38:26 | |
What... What did you do to her? | 0:38:29 | 0:38:32 | |
Something to help her sleep. | 0:38:32 | 0:38:34 | |
What, with this? Where did you get this? | 0:38:36 | 0:38:39 | |
Roper... | 0:38:39 | 0:38:40 | |
Do you know what this is? What it could do? | 0:38:40 | 0:38:42 | |
Shut up! | 0:38:42 | 0:38:43 | |
Two days and this is over. Now, go to work. | 0:38:43 | 0:38:46 | |
When did you get these? | 0:39:02 | 0:39:04 | |
Mate ran them off overnight. | 0:39:04 | 0:39:06 | |
TTX? Tetrodotoxin? | 0:39:07 | 0:39:11 | |
That's the toxin found in puffer fish, isn't it? | 0:39:11 | 0:39:13 | |
Amongst other things. Aggressive sodium channel blocker. | 0:39:13 | 0:39:16 | |
Acts as a powerful sedative. | 0:39:16 | 0:39:17 | |
Depending on dose, we're talking respiratory problems, paralysis. | 0:39:17 | 0:39:21 | |
And if you get a massive dose, | 0:39:21 | 0:39:23 | |
you end up like our blonde from the basement. | 0:39:23 | 0:39:25 | |
-Did you notice any swelling in her mouth, trachea? -No. | 0:39:25 | 0:39:28 | |
Then she was probably injected. | 0:39:28 | 0:39:29 | |
But where would you even get hold of a substance like that? | 0:39:29 | 0:39:33 | |
Evil sushi chefs, research laboratories. | 0:39:33 | 0:39:35 | |
I'll leave you to tell your new best friend. | 0:39:35 | 0:39:38 | |
She thinks that she's identified the man from CCTV tapes. | 0:39:38 | 0:39:41 | |
Good. | 0:39:41 | 0:39:42 | |
And she told me about Marie Shelby. | 0:39:43 | 0:39:46 | |
About your resignation. | 0:39:48 | 0:39:49 | |
Why didn't you mention it to Leo in interview? | 0:39:51 | 0:39:53 | |
Didn't seem relevant. | 0:39:53 | 0:39:54 | |
So it wasn't because your accusation was groundless? | 0:39:54 | 0:39:57 | |
Someone switched samples, of that I'm sure. | 0:39:57 | 0:39:59 | |
But why? What would motivate her to do something like that? | 0:39:59 | 0:40:02 | |
Don't know for sure it was her. | 0:40:02 | 0:40:04 | |
Well, you must have reason to suspect. | 0:40:04 | 0:40:06 | |
I thought I did at the time but it was all cross-contaminated, | 0:40:06 | 0:40:08 | |
the case, me and her, it was confusing. | 0:40:08 | 0:40:10 | |
Why would someone switch samples in the first place? | 0:40:10 | 0:40:14 | |
When he was arrested, there were rumours about Ross Parkwell, | 0:40:14 | 0:40:17 | |
rumours that he was an informant for SOCA. | 0:40:17 | 0:40:19 | |
And when my samples were switched, I took a look at who was headed | 0:40:19 | 0:40:22 | |
to prison and who wasn't and it all got a bit "grassy knoll". | 0:40:22 | 0:40:25 | |
Anyway, I don't want you getting involved in all that. | 0:40:25 | 0:40:28 | |
It was a bad time. | 0:40:28 | 0:40:29 | |
I was angry, probably wasn't thinking straight, | 0:40:29 | 0:40:31 | |
and I shot my mouth off. | 0:40:31 | 0:40:32 | |
If you think there was corruption, an innocent man went to prison... | 0:40:32 | 0:40:35 | |
-Colin McKenzie's no innocent... -Of that particular crime. | 0:40:35 | 0:40:39 | |
I didn't mention it at interview because I'm kind of embarrassed | 0:40:40 | 0:40:44 | |
of the way I went about things, OK? | 0:40:44 | 0:40:46 | |
Going to try isotope analysis on both victims. | 0:40:49 | 0:40:51 | |
We'll need teeth and hair. | 0:40:51 | 0:40:53 | |
The postman confirmed it. Our man from the 24-hour. | 0:41:18 | 0:41:21 | |
He's the man who left the house. | 0:41:21 | 0:41:23 | |
SHALLOW RESPIRATION FROM GAS MASK | 0:41:27 | 0:41:31 | |
Yes, that's right, suspected tetrodotoxoid poisoning. | 0:41:58 | 0:42:02 | |
I'm trying to find out which facilities have a licence to store it in this country. | 0:42:02 | 0:42:05 | |
Move. Please. | 0:42:05 | 0:42:07 | |
Thanks. | 0:42:08 | 0:42:10 | |
You went ahead with toxicology? | 0:42:10 | 0:42:11 | |
I did. | 0:42:11 | 0:42:12 | |
-And you think I'm going to pay for that? -I called in a favour. | 0:42:12 | 0:42:15 | |
By the way, the blonde victim isn't British. | 0:42:15 | 0:42:17 | |
-Analysis on the teeth... -I never authorised isotope... | 0:42:17 | 0:42:20 | |
Will you please shut up about authorisations? | 0:42:20 | 0:42:22 | |
If you're planning to carry on treating me like this, | 0:42:25 | 0:42:27 | |
can you let me know, because I'm not sure I can deal with it. | 0:42:27 | 0:42:30 | |
You think I wanted to end things with you? | 0:42:31 | 0:42:34 | |
I was happy. | 0:42:34 | 0:42:36 | |
I was really happy, until you mucked everything up. | 0:42:36 | 0:42:39 | |
But you said what you said and that's fine. | 0:42:39 | 0:42:41 | |
And if you still believe it, that's fine, too, but... | 0:42:41 | 0:42:44 | |
you weren't the only one who came out of that situation with scars. | 0:42:44 | 0:42:47 | |
Great, thanks. Only 12 research labs | 0:42:47 | 0:42:50 | |
are authorised to store category B substances in this country. | 0:42:50 | 0:42:53 | |
One of them, Solomon McGuire, | 0:42:53 | 0:42:55 | |
-is the only one in a 50-mile radius of the crime scene. -Let's get over there. | 0:42:55 | 0:42:58 | |
Did I hear you say that the blonde victim wasn't British? | 0:42:58 | 0:43:01 | |
Yeah, her isotopes suggest she was born in Serbia. | 0:43:01 | 0:43:03 | |
And not just that, Clarissa analysed her hair. | 0:43:03 | 0:43:06 | |
During the last three years, she's been moving frequently | 0:43:06 | 0:43:08 | |
-between the UK and the Balkans. -People trafficking. | 0:43:08 | 0:43:11 | |
All that coming and going, it doesn't sound like a trafficked girl to me. | 0:43:11 | 0:43:14 | |
Nikki, text me the lab address. I'll pick you up in half an hour. | 0:43:14 | 0:43:17 | |
-I'm going with you? -They might open up for one of their own. -Where are you going now? | 0:43:17 | 0:43:20 | |
-Finding our man in the photo. -Actually, I was thinking... | 0:43:20 | 0:43:23 | |
-The landlord, you're sure he didn't meet him? -That's what he said. | 0:43:23 | 0:43:26 | |
Was the fact that the house had a basement | 0:43:26 | 0:43:28 | |
-mentioned in the e-mail exchange between them? -No. Why? | 0:43:28 | 0:43:30 | |
The basement isn't visible from the exterior. | 0:43:30 | 0:43:32 | |
It wasn't in the advert. Whoever rented the house knew they needed a basement | 0:43:32 | 0:43:36 | |
to keep the girls in. He must have been around the house. | 0:43:36 | 0:43:40 | |
Thank you. | 0:43:40 | 0:43:41 | |
DOOR LATCH CLICKS | 0:43:56 | 0:43:58 | |
KOLAHI MUTTERS IN NATIVE LANGUAGE | 0:44:09 | 0:44:12 | |
I showed three people around before Bairstow took it, yeah. | 0:44:12 | 0:44:15 | |
How long before? | 0:44:15 | 0:44:16 | |
Well, the house had only been advertised for five days. | 0:44:16 | 0:44:19 | |
I think the last viewing was the day before Bairstow took it. | 0:44:19 | 0:44:22 | |
-A man? -Yeah. | 0:44:22 | 0:44:23 | |
Could it have been this man? | 0:44:23 | 0:44:25 | |
It could have been, yeah. | 0:44:27 | 0:44:29 | |
-And you showed him round the house yourself? -Yeah. | 0:44:29 | 0:44:31 | |
Did you take him into the basement? | 0:44:31 | 0:44:34 | |
Yeah, yeah, I did. But he didn't want the house. | 0:44:34 | 0:44:37 | |
-And he told you that there and then? -No, he rang me later. | 0:44:37 | 0:44:39 | |
He rang you? | 0:44:39 | 0:44:41 | |
Mr Kolahi, do you have the phone he rang you on? | 0:44:41 | 0:44:43 | |
FOOTSTEPS APPROACHING | 0:44:49 | 0:44:51 | |
Yeah... | 0:44:53 | 0:44:54 | |
Never gets easier, does it? | 0:44:56 | 0:44:58 | |
So you saw the, er, petechial haemorrhage on the thymus gland? | 0:45:01 | 0:45:04 | |
-I did, yes. -And the multiple fractures? | 0:45:04 | 0:45:07 | |
Yes. Richard, look, I'm not at a stage yet where | 0:45:07 | 0:45:10 | |
I feel comfortable pronouncing cause of death. | 0:45:10 | 0:45:14 | |
Right, so what, you're still not convinced there's a narrative of abuse? | 0:45:14 | 0:45:18 | |
Not yet, no. | 0:45:18 | 0:45:19 | |
I want to carry out blood tests on Michael and his brother. | 0:45:21 | 0:45:25 | |
Right. And what do you expect to find? | 0:45:25 | 0:45:27 | |
I'm not expecting to find anything. | 0:45:27 | 0:45:29 | |
I want to rule out Vitamin D deficiency as being contributory... | 0:45:29 | 0:45:33 | |
-Rickets? -It's a black victim. Little if any exposure to sunlight. | 0:45:33 | 0:45:36 | |
-You seen a rachitic rosary on the costal cartilages? -Oh, come on, | 0:45:36 | 0:45:38 | |
-you know as well as I do that not all rickets sufferers... -Leo. | 0:45:38 | 0:45:41 | |
Leo. | 0:45:41 | 0:45:43 | |
Why are you doing this? | 0:45:43 | 0:45:45 | |
What, because you believe in the innocence of the mother? | 0:45:45 | 0:45:48 | |
Because you believe in the father's story? | 0:45:48 | 0:45:50 | |
What I believe is irrelevant. | 0:45:50 | 0:45:52 | |
You once told me that our real work doesn't start | 0:45:52 | 0:45:55 | |
till we lay down the scalpel. But I haven't finished my work yet. | 0:45:55 | 0:45:59 | |
And when I do, if I conclude that his injuries were a result | 0:45:59 | 0:46:01 | |
of abuse, then I will say so. | 0:46:01 | 0:46:04 | |
Fine. | 0:46:06 | 0:46:08 | |
Fine. | 0:46:08 | 0:46:09 | |
All in your own good time. | 0:46:10 | 0:46:12 | |
Be careful where you lay your trust, Leo. Abusers lie. | 0:46:16 | 0:46:20 | |
They lie all the time and they are very good at it. | 0:46:20 | 0:46:22 | |
Tell the Chief Super it's urgent. I need number-trace authority today. | 0:46:32 | 0:46:36 | |
Piers Christie, Executive Director. | 0:46:39 | 0:46:41 | |
-DI Reed. -Dr Alexander. | 0:46:41 | 0:46:44 | |
Please. | 0:46:44 | 0:46:45 | |
Solomon McGuire are primarily concerned with defence research. | 0:46:46 | 0:46:50 | |
Vaccines, antitoxins and such like. | 0:46:50 | 0:46:52 | |
-Which is why you keep tetrodotoxin on site? -Do we? | 0:46:52 | 0:46:56 | |
Sorry, we're not actually supposed to divulge. | 0:46:57 | 0:47:01 | |
Can I ask exactly what this is about? | 0:47:01 | 0:47:03 | |
I'm investigating the death of a young pregnant woman, | 0:47:03 | 0:47:06 | |
killed with an overdose of this TTX substance. | 0:47:06 | 0:47:10 | |
KNOCK ON DOOR | 0:47:10 | 0:47:12 | |
Lucas. Thanks for coming. | 0:47:12 | 0:47:13 | |
Um, Dr Lucas Ballinger, DI Reed and Dr Alexander. | 0:47:15 | 0:47:19 | |
-IN DISTANCE: -As well as being a superb biochemist, Lucas also has responsibility for maintaining | 0:47:19 | 0:47:24 | |
an inventory of all substances kept on site. | 0:47:24 | 0:47:27 | |
In the unlikely event of a theft, Lucas will know. | 0:47:27 | 0:47:31 | |
MUFFLED MOANS | 0:47:37 | 0:47:39 | |
SHE INHALES SHARPLY | 0:47:43 | 0:47:45 | |
SHE WHIMPERS | 0:47:45 | 0:47:49 | |
WHIMPERING INCREASES | 0:47:57 | 0:48:01 | |
Is TTX the most dangerous substance stored here? | 0:48:07 | 0:48:10 | |
-Dr Ballinger? -I'm sorry? | 0:48:12 | 0:48:14 | |
I'm afraid that... | 0:48:14 | 0:48:15 | |
You're not at liberty to say. Yes, I know. | 0:48:15 | 0:48:18 | |
-But access must be controlled, isn't it? -Morning, Mr Roper. | 0:48:18 | 0:48:21 | |
It's subject to lower security protocols than other substances. | 0:48:21 | 0:48:24 | |
But security is high and reserves are closely monitored. | 0:48:24 | 0:48:27 | |
Just to the right here. | 0:48:27 | 0:48:29 | |
There we go. | 0:48:34 | 0:48:36 | |
Well done. You've been a very brave boy. | 0:48:36 | 0:48:38 | |
I'll make sure that Daddy knows how good you've been. | 0:48:38 | 0:48:41 | |
-Just put your finger on there, would you? -Daddy wasn't there. | 0:48:41 | 0:48:45 | |
-Daddy wasn't where? -In the flat. | 0:48:45 | 0:48:47 | |
When? | 0:48:49 | 0:48:50 | |
When Michael got sick, Daddy wasn't there. | 0:48:50 | 0:48:53 | |
Is that what Daddy told you to say? | 0:48:56 | 0:48:58 | |
Try cross-referencing against the supply database. | 0:49:04 | 0:49:08 | |
Er, I have 1-9 as the TTX. | 0:49:08 | 0:49:11 | |
Yeah. It's the same discrepancy. | 0:49:11 | 0:49:13 | |
How long does it take to get a bloody trace on a phone number? | 0:49:15 | 0:49:18 | |
Ah, sod this. | 0:49:20 | 0:49:23 | |
-What are you doing? -I'll call him. | 0:49:23 | 0:49:25 | |
Are you sure? | 0:49:25 | 0:49:28 | |
PHONE RINGING | 0:49:28 | 0:49:32 | |
This is Ballinger's, right? PHONE CONTINUES RINGING | 0:49:36 | 0:49:39 | |
It's my number. | 0:49:41 | 0:49:42 | |
The man who looked round the house gave Kolahi Ballinger's number. | 0:49:44 | 0:49:48 | |
-But he's not the man from the CCTV. -Course he's not, look at him. | 0:49:48 | 0:49:51 | |
He'd need someone to do the heavy lifting. | 0:49:51 | 0:49:54 | |
According to the inventory, there are three vials of TTX unaccounted for. | 0:49:59 | 0:50:04 | |
I'll talk to the antitoxin development team. | 0:50:04 | 0:50:06 | |
In all likelihood, this is just...human error. | 0:50:06 | 0:50:10 | |
-I'm sure it is. -Lucas, maybe you could get straight onto that? | 0:50:10 | 0:50:13 | |
Um, has someone died? | 0:50:13 | 0:50:15 | |
-I'm sorry? -Um, has someone died? | 0:50:16 | 0:50:19 | |
Well, I'm afraid it's a bit like your business - | 0:50:21 | 0:50:24 | |
sometimes there are things we can't tell you. | 0:50:24 | 0:50:27 | |
Why are you leaving? You saw the state he was in. | 0:50:36 | 0:50:39 | |
And they're missing three vials of TTX. | 0:50:39 | 0:50:41 | |
Yes. And the phone ties Ballinger in. Do we pounce? No. | 0:50:41 | 0:50:44 | |
Because we know there are at least two men involved in this. | 0:50:44 | 0:50:47 | |
Let's see if he'll lead us to the other. | 0:50:47 | 0:50:49 | |
MOCKING: Mama, mama. | 0:50:58 | 0:51:00 | |
Let her go. | 0:51:11 | 0:51:13 | |
SHE SPLUTTERS | 0:51:15 | 0:51:18 | |
You know the man who was initially accused of killing Marie Shelby? | 0:51:28 | 0:51:31 | |
Did you know that he faced a rape charge three years earlier, | 0:51:33 | 0:51:35 | |
in Glasgow? | 0:51:35 | 0:51:37 | |
Trial fell through. Forensics lost the swabs from the rape victim. | 0:51:37 | 0:51:41 | |
I mean, don't you think it's strange that one man could be lifted | 0:51:41 | 0:51:44 | |
from suspicion twice by forensic cock-ups? | 0:51:44 | 0:51:47 | |
I don't know about Glasgow, but we didn't cock up in Bradford. | 0:51:47 | 0:51:50 | |
We put a man away for the murder of Marie Shelby. | 0:51:50 | 0:51:53 | |
He's still there, I'm happy to say. | 0:51:53 | 0:51:54 | |
-But Jack could've been right? -You, Jack, you're all the same - | 0:51:54 | 0:51:58 | |
playing on the edges of law enforcement, | 0:51:58 | 0:51:59 | |
like kids in a bloody sandpit. What do you know, hmm? | 0:51:59 | 0:52:03 | |
What exactly do you know? | 0:52:03 | 0:52:05 | |
There he is. | 0:52:08 | 0:52:09 | |
WOMAN WHIMPERS | 0:52:26 | 0:52:31 | |
CAMERA WHIRS | 0:53:01 | 0:53:03 | |
SHE WHIMPERS | 0:53:04 | 0:53:06 | |
SHE WHIMPERS | 0:53:21 | 0:53:22 | |
Speak. | 0:53:22 | 0:53:24 | |
-STRAINED: -Kill me. | 0:53:27 | 0:53:29 | |
Kill me. | 0:53:39 | 0:53:41 | |
-What are you doing? -Clearing up. | 0:54:00 | 0:54:03 | |
You said no killing. | 0:54:03 | 0:54:04 | |
She was right. | 0:54:06 | 0:54:07 | |
This is what you planned all along, isn't it? | 0:54:09 | 0:54:11 | |
Call emergency services. | 0:54:29 | 0:54:31 | |
Shouldn't we wait for back up? | 0:54:31 | 0:54:33 | |
There's no time. Just do it. | 0:54:33 | 0:54:35 | |
SHE COUGHS | 0:54:39 | 0:54:40 | |
Chrissie, wait! It's Ballinger. | 0:54:40 | 0:54:43 | |
WINDOWS SMASH | 0:54:45 | 0:54:48 | |
He's dead. | 0:54:48 | 0:54:49 | |
Let's get the bodies out before the whole place goes up. | 0:54:56 | 0:54:59 | |
WINDOWS SMASH | 0:55:07 | 0:55:10 | |
SHE SCREAMS | 0:55:16 | 0:55:18 | |
Stop! Police! | 0:55:41 | 0:55:42 | |
Help me! | 0:56:16 | 0:56:17 | |
Help me! SHE SPLUTTERS | 0:56:17 | 0:56:19 | |
I'm in here! | 0:56:19 | 0:56:21 | |
Is anyone out there? Please, I'm in here! | 0:56:22 | 0:56:25 | |
Somebody help me! | 0:56:25 | 0:56:26 | |
Can somebody help me?! | 0:56:27 | 0:56:29 | |
Help! | 0:56:29 | 0:56:30 | |
Help! Help! | 0:56:30 | 0:56:32 | |
SHE COUGHS VIOLENTLY | 0:56:32 | 0:56:34 | |
Thank you. | 0:56:34 | 0:56:37 | |
Two confirmed dead at scene. Both been taken to the Lyell. | 0:57:00 | 0:57:03 | |
DISTANTLY: Two bodies... | 0:57:11 | 0:57:12 | |
Reed would've left me to die. | 0:57:29 | 0:57:31 | |
-What? -Why do I get the feeling you're angry with me? | 0:57:31 | 0:57:34 | |
I'm withdrawing my postmortem report and foregoing further investigation. | 0:57:34 | 0:57:37 | |
-No, listen, you can't. -Don't open that. | 0:57:37 | 0:57:39 | |
We need to get this area sealed off. | 0:57:39 | 0:57:42 | |
We're dealing with anthrax. | 0:57:45 | 0:57:46 | |
We developed a particularly aggressive strain. | 0:57:46 | 0:57:50 | |
Clinical centre number 12782. | 0:57:50 | 0:57:53 | |
I need to report a potential biological threat. | 0:57:53 | 0:57:55 | |
-You can't just swan in and dump me off my own case. -I can. I have. | 0:57:57 | 0:58:01 | |
We're locked down. | 0:58:01 | 0:58:03 | |
No-one in, no-one out. | 0:58:05 | 0:58:06 | |
# Testator silens | 0:58:08 | 0:58:16 | |
# Costestes e spiritu | 0:58:16 | 0:58:23 | |
# Silentium. # | 0:58:23 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:31 | 0:58:34 |