Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains scenes which some viewers may find disturbing. | 0:00:02 | 0:00:06 | |
There are three vials of TTX unaccounted for. | 0:00:06 | 0:00:08 | |
-Where did you get this? Roper. -Your briefcase, sir. | 0:00:08 | 0:00:11 | |
-do you know what this is? What it could do? -Shut up! | 0:00:11 | 0:00:13 | |
-How old was Michael when he died? -Four months. | 0:00:13 | 0:00:15 | |
When Michael got sick Daddy wasn't there. | 0:00:15 | 0:00:17 | |
Is that what Daddy told you to say? | 0:00:17 | 0:00:19 | |
If you plan to carry on treating me like this, let me know | 0:00:19 | 0:00:21 | |
cos I'm not sure I can deal with it. | 0:00:21 | 0:00:23 | |
You and Jack, all this antagonism because you had an affair? | 0:00:23 | 0:00:26 | |
He thought I did something and I didn't. | 0:00:26 | 0:00:28 | |
Someone switched samples, of that I'm sure. | 0:00:28 | 0:00:30 | |
Solomon McGuire are primarily concerned with defence research - | 0:00:30 | 0:00:33 | |
vaccines, anti-toxins and such like. | 0:00:33 | 0:00:35 | |
Shona's trial starts on Thursday... | 0:00:35 | 0:00:37 | |
Jack could've been right though, couldn't he? | 0:00:39 | 0:00:41 | |
You, Jack, you're all the same - | 0:00:41 | 0:00:42 | |
'playing on the edges of law enforcement, | 0:00:42 | 0:00:44 | |
'like kids in a bloody sandpit. | 0:00:44 | 0:00:46 | |
'What exactly do you know?' | 0:00:46 | 0:00:49 | |
Ballinger leased the warehouse, Kolahi had his number. | 0:01:43 | 0:01:47 | |
Don't think we're disputing Ballinger's involved. | 0:01:47 | 0:01:50 | |
So why is he lying dead on a mortuary gurney? | 0:01:50 | 0:01:52 | |
Fallout with a friend? | 0:01:52 | 0:01:54 | |
The man who hit Nikki, got a good look at him. | 0:01:55 | 0:01:58 | |
Definitely the same man from the 24-hour CCTV. | 0:01:58 | 0:02:01 | |
I think Reed would've left me to die. | 0:02:04 | 0:02:07 | |
What?! | 0:02:07 | 0:02:09 | |
If the fire crew hadn't arrived when they did I... | 0:02:09 | 0:02:12 | |
I don't think I'd be sat here right now. | 0:02:12 | 0:02:14 | |
Are you sure that she saw you? | 0:02:15 | 0:02:17 | |
She was looking straight at me. | 0:02:17 | 0:02:19 | |
Yeah, but the smoke had filled the room. | 0:02:19 | 0:02:21 | |
She saw me, Leo. I was lying on the floor. | 0:02:21 | 0:02:24 | |
Well, she didn't realise that you were conscious. | 0:02:25 | 0:02:28 | |
What does that matter? | 0:02:28 | 0:02:29 | |
She was staring at me and then she ran after the man who hit me. | 0:02:29 | 0:02:32 | |
I'm just trying to imagine why she might have abandoned you. | 0:02:32 | 0:02:35 | |
You're right... | 0:02:40 | 0:02:42 | |
Maybe I misinterpreted it, I don't know. | 0:02:42 | 0:02:44 | |
Thanks for the flowers. | 0:02:47 | 0:02:48 | |
Get some rest. | 0:02:51 | 0:02:52 | |
I'll do the postmortems. | 0:02:53 | 0:02:55 | |
OK, great. Yeah, thanks. | 0:03:00 | 0:03:02 | |
Camera's been found. | 0:03:04 | 0:03:05 | |
It's been lying in water overnight. Probably dead. | 0:03:05 | 0:03:08 | |
Tech guys'll dry it out. Might be able to get something. | 0:03:08 | 0:03:10 | |
Was she handcuffed when you found her? | 0:03:10 | 0:03:12 | |
Tied to a chair, with some rope. | 0:03:12 | 0:03:15 | |
Postmortem will confirm, but I'll bet she had been. | 0:03:15 | 0:03:17 | |
There's deep scratches on the back of this. | 0:03:17 | 0:03:19 | |
SHE WHIMPERS AND GRUNTS | 0:03:19 | 0:03:21 | |
Padlocked door... | 0:03:25 | 0:03:26 | |
..just like the house. | 0:03:28 | 0:03:29 | |
What if he used the same clasps? | 0:03:31 | 0:03:33 | |
I mean, we're looking for a link between the two sites, aren't we? | 0:03:33 | 0:03:37 | |
Chrissy? | 0:03:37 | 0:03:38 | |
What is this place? | 0:03:53 | 0:03:55 | |
HE GASPS | 0:03:56 | 0:03:57 | |
'This is a restricted area.' | 0:04:38 | 0:04:40 | |
Listen, you had no right going to see him. | 0:04:40 | 0:04:43 | |
I needed a blood test for vitamin D testing. | 0:04:43 | 0:04:45 | |
Look... | 0:04:45 | 0:04:47 | |
Shona's in hospital... | 0:04:47 | 0:04:49 | |
beaten up in prison... | 0:04:49 | 0:04:51 | |
she's still unconscious. | 0:04:51 | 0:04:53 | |
-I don't know what to do with myself. -Look, I'm truly sorry about that | 0:04:53 | 0:04:56 | |
but the fact remains that you coached your son to lie for you. | 0:04:56 | 0:05:00 | |
You were in that flat the night that Michael died. | 0:05:00 | 0:05:02 | |
-You lied to me. You lied to the police! -Yeah, I was there! | 0:05:02 | 0:05:05 | |
I was there. | 0:05:05 | 0:05:06 | |
Well, I'm withdrawing my postmortem report and foregoing | 0:05:08 | 0:05:10 | |
-any further investigation. -No, listen, you can't! | 0:05:10 | 0:05:12 | |
Let me explain. | 0:05:12 | 0:05:14 | |
Yeah, I was in the flat, but Shona and me, | 0:05:14 | 0:05:16 | |
we decided to say I wasn't there. | 0:05:16 | 0:05:18 | |
Look, you know about my criminal convictions. | 0:05:18 | 0:05:20 | |
You didn't mention that you'd been arrested for assaulting a previous girlfriend. | 0:05:20 | 0:05:24 | |
You been checking up on me? | 0:05:25 | 0:05:27 | |
You think I hurt my son? | 0:05:31 | 0:05:32 | |
I think that's for the police to answer, not me... | 0:05:32 | 0:05:34 | |
-You're going to tell them I was there? -It'd be better if you told them yourself. | 0:05:34 | 0:05:38 | |
You know the reason why we decided to lie? | 0:05:42 | 0:05:44 | |
Cos we knew they'd react the exact same way you have. | 0:05:44 | 0:05:48 | |
CLATTERING | 0:05:53 | 0:05:55 | |
'Scientists exploded bombs near mobilised sheep | 0:06:24 | 0:06:27 | |
'to determine if the spores would survive an explosion | 0:06:27 | 0:06:30 | |
'and retain the ability to infect anyone nearby. | 0:06:30 | 0:06:33 | |
'Gruinard Island was declared off limits | 0:06:33 | 0:06:36 | |
'until it was decontaminated in the 1980s.' | 0:06:36 | 0:06:39 | |
ECHOING PASSING TRAIN | 0:06:44 | 0:06:48 | |
Checked Ballinger's bank account. | 0:07:30 | 0:07:32 | |
He paid for all of this, too, ten days ago. | 0:07:32 | 0:07:34 | |
TC 100 Inverted Microscope - didn't get that from Argos! | 0:07:34 | 0:07:38 | |
Incubator chamber, lab shakers, vacuum ovens - | 0:07:38 | 0:07:41 | |
this is all high-end, lab grade equipment. | 0:07:41 | 0:07:43 | |
So, it's about drugs then? | 0:07:43 | 0:07:44 | |
It's certainly about something he couldn't do at Solomon McGuire. | 0:07:44 | 0:07:47 | |
My guess is synthetic drugs - 4-MEC, Geranamine, mephedrone - | 0:07:47 | 0:07:50 | |
the mark-up's huge. | 0:07:50 | 0:07:52 | |
So, why was he keeping a woman imprisoned? | 0:07:52 | 0:07:54 | |
You thought this was a sexual crime, I thought it was linked to trafficking. | 0:07:54 | 0:07:57 | |
-Looks like it's something else altogether. -Hmm. | 0:07:57 | 0:08:00 | |
And what happened back in Bradford... | 0:08:03 | 0:08:06 | |
..maybe that was something else altogether. | 0:08:07 | 0:08:09 | |
Are you apologising to me, Jack? | 0:08:12 | 0:08:14 | |
Is that what this is? | 0:08:14 | 0:08:16 | |
So, say it then. | 0:08:19 | 0:08:21 | |
Sorry you said I shagged you | 0:08:22 | 0:08:24 | |
to access your lab and manipulate evidence. | 0:08:24 | 0:08:27 | |
Didn't need an excuse to shag you, Jack. | 0:08:33 | 0:08:35 | |
Don't open that. | 0:08:43 | 0:08:45 | |
Ballinger was a biochemist. | 0:08:52 | 0:08:55 | |
Nikki said Solomon McGuire were involved in defence research. | 0:08:55 | 0:08:58 | |
We need to contact them, find out what this could be, | 0:08:58 | 0:09:00 | |
and we need to get this area sealed off. | 0:09:00 | 0:09:02 | |
-Call HPA Porton Down. -That's overkill? | 0:09:02 | 0:09:04 | |
-Do you know what this is? -Course not! -Neither do I. | 0:09:04 | 0:09:08 | |
-Where are you going? -Lyell. | 0:09:08 | 0:09:09 | |
We need to suspend postmortems until we know what we're dealing with. | 0:09:09 | 0:09:13 | |
Body is that of an unknown female Caucasian. | 0:09:17 | 0:09:20 | |
She's aged late 20s, early 30s... | 0:09:20 | 0:09:24 | |
Vitreous potassium levels, allied to a visual inspection, | 0:09:24 | 0:09:27 | |
suggests that she's been dead between 12 and 15 hours. | 0:09:27 | 0:09:31 | |
There are contusions... | 0:09:33 | 0:09:35 | |
PHONE RINGS | 0:09:35 | 0:09:38 | |
There are contusions and abrasions on both wrists. | 0:09:38 | 0:09:41 | |
Come on, Leo! Pick up. | 0:09:41 | 0:09:43 | |
Come on! | 0:09:43 | 0:09:45 | |
-I think it's likely that her hands were handcuffed at some point, -PHONE RINGS | 0:09:45 | 0:09:48 | |
exactly the same way as the women in the Streatham basement. | 0:09:48 | 0:09:51 | |
A single gunshot wound to the upper left thorax... | 0:09:51 | 0:09:56 | |
She has what appears to be a mucosal ulcer in her oropharynx. | 0:10:14 | 0:10:18 | |
'According to the x-rays,' | 0:10:25 | 0:10:27 | |
the deceased has a significantly widened mediastinum... | 0:10:27 | 0:10:30 | |
to a degree of 30%. | 0:10:30 | 0:10:32 | |
Leo! | 0:10:39 | 0:10:41 | |
The bodies could have been exposed to some form of contamination. | 0:10:41 | 0:10:43 | |
Until we know exactly what it is we're dealing with, you should stop! | 0:10:43 | 0:10:47 | |
It's anthrax. | 0:10:47 | 0:10:48 | |
We're dealing with anthrax. | 0:10:48 | 0:10:50 | |
Clinical centre number 12782 - | 0:10:55 | 0:10:56 | |
I need to report a potential biological threat. | 0:10:56 | 0:11:00 | |
There was ulceration on the back of her leg and in her throat, | 0:11:17 | 0:11:20 | |
as if she actually INGESTED the anthrax. | 0:11:20 | 0:11:23 | |
-You get through to the HPA? -Mm-hm. We're locked down. | 0:11:23 | 0:11:25 | |
No-one in, no-one out. | 0:11:25 | 0:11:27 | |
SIREN BLARING | 0:11:28 | 0:11:31 | |
He opened the body?! Is he OK? | 0:11:42 | 0:11:44 | |
He's taken antibiotics, | 0:11:44 | 0:11:46 | |
-'it's just HPA standard protocol.' -Is there anything I can do? | 0:11:46 | 0:11:49 | |
You could go back to the original crime scene. | 0:11:49 | 0:11:51 | |
Door down to the basement - I need photos of the door frame | 0:11:51 | 0:11:54 | |
'and measurements of the screw holes, | 0:11:54 | 0:11:56 | |
-'where the padlock clasps were fitted.' -Sure. | 0:11:56 | 0:11:58 | |
All right, thanks, Nikki. | 0:11:58 | 0:12:00 | |
'..get some officers on those gates over there.' | 0:12:06 | 0:12:08 | |
There's too many people walking through. | 0:12:08 | 0:12:10 | |
I want this place completely locked off. | 0:12:10 | 0:12:13 | |
Let's get that done. | 0:12:13 | 0:12:14 | |
-DI Reed, Serious Crimes. -DCI Hart, Counter Terrorism Squad. | 0:12:16 | 0:12:18 | |
There's no reason to think what we found in the warehouse | 0:12:18 | 0:12:21 | |
is linked to any terror campaign. | 0:12:21 | 0:12:22 | |
The substance has been identified as anthrax. | 0:12:22 | 0:12:25 | |
Footage from the camera found at the warehouse crime scene - | 0:12:25 | 0:12:27 | |
-tech guys managed to access it. -That should have come to me. | 0:12:27 | 0:12:30 | |
-Everything through me now. -'Speak...' | 0:12:30 | 0:12:32 | |
-We need to know what they were planning to use it for. -'Kill me.' | 0:12:32 | 0:12:36 | |
The same woman found dead at the warehouse? | 0:12:36 | 0:12:38 | |
-'Speak...' -Yes. -'Kill me.' -Can we identify from this? | 0:12:38 | 0:12:42 | |
We're trying. The voice - is it Ballinger or the other man? | 0:12:42 | 0:12:45 | |
Never heard the other man speak. Could be Ballinger, I'm not sure. | 0:12:45 | 0:12:48 | |
-Do you have a photo of the second man? -Yeah. | 0:12:48 | 0:12:51 | |
-You've no idea who he is? -No. | 0:12:52 | 0:12:54 | |
A summary of your investigation in my hands, pronto. | 0:12:54 | 0:12:57 | |
By the sounds of it, shouldn't take you too long. | 0:12:57 | 0:12:59 | |
Get me Ballinger's address, I want his place searched. | 0:12:59 | 0:13:02 | |
Who the hell do you think you are? | 0:13:02 | 0:13:04 | |
You can't just swan in here and dump me off my own case! | 0:13:04 | 0:13:06 | |
I can. I have. | 0:13:06 | 0:13:08 | |
Damn it, who do you think got us this far? | 0:13:08 | 0:13:09 | |
And how far is that, exactly? | 0:13:09 | 0:13:11 | |
You've got three dead women - you don't know who they are, | 0:13:11 | 0:13:13 | |
two suspects - one dead, one you can't identify. | 0:13:13 | 0:13:16 | |
I'm pleased to see you want to stay involved but, er, | 0:13:16 | 0:13:19 | |
you'll excuse me if I don't bite your hand off. | 0:13:19 | 0:13:21 | |
Dozens of people out there already. | 0:13:26 | 0:13:28 | |
-Jack? -Immigration responded to my request. | 0:13:29 | 0:13:32 | |
12 female Serbian nationals | 0:13:32 | 0:13:34 | |
have travel patterns matching those identified by isotope analysis. | 0:13:34 | 0:13:38 | |
Only three of those stated intention to reside in the London area. | 0:13:38 | 0:13:42 | |
Kronye Mastakova, Martine Babka, | 0:13:42 | 0:13:45 | |
Ellisabet Vrinksa. | 0:13:45 | 0:13:47 | |
It's her. | 0:13:50 | 0:13:52 | |
Someone, please, HELP! | 0:13:52 | 0:13:54 | |
The Serbian victim from the basement. | 0:13:54 | 0:13:56 | |
CLATTERING | 0:14:11 | 0:14:14 | |
What are you doing? | 0:14:55 | 0:14:57 | |
SHE GASPS | 0:14:59 | 0:15:00 | |
Wait! | 0:15:09 | 0:15:11 | |
DI Reed? | 0:15:21 | 0:15:23 | |
I need you to tell me all you can about this. | 0:15:24 | 0:15:27 | |
Of course. This way. | 0:15:30 | 0:15:32 | |
It's anthrax. | 0:15:47 | 0:15:48 | |
And it's ours. | 0:15:50 | 0:15:51 | |
We developed a particularly aggressive strain of anthrax. | 0:15:52 | 0:15:58 | |
The spores you found have the same basic genetic underpinning, | 0:15:58 | 0:16:02 | |
but the structure's been manipulated. | 0:16:02 | 0:16:05 | |
Whoever did this is an artist! | 0:16:06 | 0:16:08 | |
-How did you get hold of this? -Why would anyone do that? | 0:16:10 | 0:16:12 | |
Oh, I don't know. | 0:16:12 | 0:16:14 | |
Possibly to aid dispersal? | 0:16:14 | 0:16:15 | |
But...the spores could have been modified to catch the wind, | 0:16:15 | 0:16:19 | |
so a significant release could affect a much larger area | 0:16:19 | 0:16:22 | |
than conventional spores. | 0:16:22 | 0:16:24 | |
-Please, I must ask how you got hold... -Lucas Ballinger. | 0:16:24 | 0:16:26 | |
Lucas? Lucas would never do this! | 0:16:28 | 0:16:30 | |
You said yourself, he's responsible for your lab's stock inventory. | 0:16:30 | 0:16:33 | |
We believe he abused that power | 0:16:33 | 0:16:35 | |
and stole the anthrax spores from this laboratory. | 0:16:35 | 0:16:38 | |
I need access to CCTV footage of all your security points. | 0:16:39 | 0:16:43 | |
I want to see every time Ballinger left the building. | 0:16:43 | 0:16:45 | |
PHONE BUZZING | 0:16:45 | 0:16:47 | |
-Yes, Jack? -'It's Ballinger, he wasn't dead.' | 0:16:47 | 0:16:51 | |
(You what?) | 0:16:51 | 0:16:52 | |
He must have just walked out of here. | 0:16:52 | 0:16:54 | |
We don't know exactly what's happened. | 0:16:54 | 0:16:56 | |
All we know is that Nikki found him in the basement. | 0:16:56 | 0:16:59 | |
-LEO COUGHS -Yes, she's still there now. | 0:16:59 | 0:17:01 | |
Hello? Hello? | 0:17:03 | 0:17:05 | |
She hung up. | 0:17:08 | 0:17:10 | |
Are you OK? | 0:17:11 | 0:17:13 | |
His death was confirmed at the scene, wasn't it? | 0:17:14 | 0:17:18 | |
I assume so. And I was here when he was brought in. | 0:17:18 | 0:17:20 | |
I mean, I think I would've noticed if he was breathing. | 0:17:20 | 0:17:23 | |
Well, maybe he was suffering from hypotension? | 0:17:23 | 0:17:26 | |
It slows the heartbeat. | 0:17:26 | 0:17:27 | |
He looks half crippled. | 0:17:27 | 0:17:29 | |
Paralysis! | 0:17:29 | 0:17:30 | |
The tetrodotoxin that killed the blonde female in the basement... | 0:17:32 | 0:17:36 | |
TTX can kill, but taken in small doses | 0:17:36 | 0:17:38 | |
it can cause paralysis, hypotension... | 0:17:38 | 0:17:40 | |
-You think he was injected with TTX as well? -Could be. -PHONE BEEPS | 0:17:40 | 0:17:44 | |
The London Registry Office has confirmed that our blonde victim, | 0:17:46 | 0:17:49 | |
Ellisabet Vrinska, was married six months ago. | 0:17:49 | 0:17:52 | |
She married Lucas Ballinger. | 0:17:52 | 0:17:54 | |
You're kidding. | 0:17:56 | 0:17:57 | |
Did you speak to immigration? | 0:17:59 | 0:18:01 | |
What? And they confirmed it? | 0:18:02 | 0:18:04 | |
OK. | 0:18:05 | 0:18:06 | |
-The blonde victim's Ballinger's wife. -His WIFE?! | 0:18:08 | 0:18:11 | |
Well, his eyes were red when I saw him, like he'd been crying. | 0:18:15 | 0:18:17 | |
Don't tell me you think he's innocent in all of this? | 0:18:17 | 0:18:20 | |
Why do you think he was here? | 0:18:20 | 0:18:21 | |
To see where his wife died. | 0:18:22 | 0:18:25 | |
How would he know where she died, unless he killed her? | 0:18:25 | 0:18:27 | |
The press have named the street over and over. | 0:18:27 | 0:18:29 | |
DEFINITELY I saw a man who was upset. | 0:18:29 | 0:18:31 | |
He was obviously here to remove evidence. | 0:18:31 | 0:18:33 | |
Something we missed. | 0:18:33 | 0:18:34 | |
Was he carrying anything when he left? A bag, maybe? | 0:18:34 | 0:18:36 | |
No, I don't think so, but he had a knife, a scalpel, I think. | 0:18:36 | 0:18:40 | |
Running from the police with a lethal weapon? | 0:18:40 | 0:18:42 | |
Seem like the actions of an innocent man to you? | 0:18:42 | 0:18:45 | |
KNOCK ON DOOR | 0:18:50 | 0:18:52 | |
'Roper! It's Ballinger.' | 0:18:52 | 0:18:54 | |
'Open up!' | 0:18:57 | 0:18:58 | |
Hearns! Where is he? | 0:19:06 | 0:19:08 | |
Where is he?! | 0:19:08 | 0:19:09 | |
I want a full chain of accountability in my hands, | 0:19:30 | 0:19:32 | |
so when the shit starts flying, | 0:19:32 | 0:19:34 | |
it all sticks to the dickhead who pronounced him dead at scene! | 0:19:34 | 0:19:37 | |
It was me. | 0:19:37 | 0:19:38 | |
A paramedic checked his pulse. Nothing. | 0:19:41 | 0:19:44 | |
And it isn't ordinary anthrax. | 0:19:45 | 0:19:47 | |
I took a sample of the anthrax from the warehouse lab to Solomon McGuire. | 0:19:48 | 0:19:52 | |
You did what? | 0:19:52 | 0:19:54 | |
The strain originates there, but it's extremely aggressive. | 0:19:54 | 0:19:58 | |
Conventional strains may take up to three or four days | 0:19:58 | 0:20:00 | |
to overwhelm the body's defence system - | 0:20:00 | 0:20:02 | |
this one can kill in 8-10 hours. | 0:20:02 | 0:20:04 | |
First you screw up, then you try to flank me. | 0:20:04 | 0:20:06 | |
What's your game, eh? | 0:20:06 | 0:20:08 | |
I swear to God, when this is over, | 0:20:08 | 0:20:10 | |
I'm going to march into your guv'nor's office, | 0:20:10 | 0:20:12 | |
and I'm going to dump all over your precious career. | 0:20:12 | 0:20:15 | |
CAR LOCK BEEPING | 0:20:25 | 0:20:27 | |
PHONE BUZZES | 0:21:02 | 0:21:04 | |
OK, if you just hold still a second. | 0:21:18 | 0:21:20 | |
The vaccine's from Solomon McGuire. | 0:21:20 | 0:21:23 | |
Apparently it'll still help post-exposure, | 0:21:23 | 0:21:25 | |
-in conjunction with the antibiotics. -Right, thank you. | 0:21:25 | 0:21:28 | |
Has it been tested? | 0:21:28 | 0:21:30 | |
Oh, I, er, didn't ask... | 0:21:30 | 0:21:32 | |
HOARSELY: Mark? | 0:22:08 | 0:22:09 | |
What happened? | 0:22:14 | 0:22:15 | |
You're in hospital. You were assaulted. | 0:22:15 | 0:22:17 | |
-What day is it? -Thursday. | 0:22:21 | 0:22:24 | |
-I'm sorry, Mark... -No, no, no, it's OK. It's OK. | 0:22:27 | 0:22:31 | |
-Don't worry, we're going to get a new trial date. -But Darius...? | 0:22:32 | 0:22:35 | |
Don't worry about Darius, Darius is fine. | 0:22:35 | 0:22:38 | |
It's all going to be fine. | 0:22:38 | 0:22:40 | |
The postmortem on Michael... | 0:22:43 | 0:22:45 | |
Did Professor Dalton discover anything? | 0:22:47 | 0:22:49 | |
So, you're still alive then? | 0:22:59 | 0:23:01 | |
The HPA are running some more blood tests | 0:23:01 | 0:23:04 | |
but the vaccine's done the business. | 0:23:04 | 0:23:06 | |
You're all clear. | 0:23:06 | 0:23:07 | |
Have you been here all night? | 0:23:11 | 0:23:13 | |
Yeah. It's cosy in here. | 0:23:13 | 0:23:15 | |
HE CHUCKLES | 0:23:15 | 0:23:17 | |
Thank you. | 0:23:18 | 0:23:19 | |
PHONE BUZZES | 0:23:19 | 0:23:21 | |
Steady. | 0:23:23 | 0:23:24 | |
What is it? | 0:23:26 | 0:23:27 | |
The vitamin D results for the Benson case. | 0:23:27 | 0:23:30 | |
-I thought you'd dropped that case? -I have. | 0:23:30 | 0:23:32 | |
Anyway, it turns out, I've been chasing shadows. | 0:23:34 | 0:23:37 | |
-Thanks very much, much appreciated. -It's no problem. | 0:23:42 | 0:23:45 | |
Leo! | 0:23:46 | 0:23:48 | |
Lockdown's lifted then? | 0:23:48 | 0:23:49 | |
-Are you OK? -I'm fine. | 0:23:49 | 0:23:51 | |
-Oh, my God. -Really, I'm fine. | 0:23:53 | 0:23:56 | |
What are you waiting for? | 0:24:15 | 0:24:17 | |
Have you been here all night? | 0:24:23 | 0:24:25 | |
Who's that? | 0:24:27 | 0:24:28 | |
That's Cameron Roper. | 0:24:28 | 0:24:30 | |
I understand it must have been a terrible experience for you... | 0:24:30 | 0:24:33 | |
I'd just told her what I knew about the forensics failure | 0:24:33 | 0:24:35 | |
in Ross Parkwell's previous trial. | 0:24:35 | 0:24:37 | |
She sort of lost her temper. | 0:24:37 | 0:24:39 | |
Half an hour later, I was assaulted and she chose not to help me. | 0:24:39 | 0:24:43 | |
-And you're certain of that? -Not certain. | 0:24:43 | 0:24:45 | |
It's just your interpretation. | 0:24:45 | 0:24:46 | |
How do you interpret this? | 0:24:48 | 0:24:50 | |
Ross Parkwell was involved in drugs operations | 0:24:54 | 0:24:57 | |
running between Glasgow, Leeds and Liverpool. | 0:24:57 | 0:24:59 | |
Whenever he was in trouble, the case collapsed - | 0:24:59 | 0:25:01 | |
either because of forensic problems or witness withdrawals. | 0:25:01 | 0:25:04 | |
So, I think you're right, someone was protecting him, | 0:25:04 | 0:25:06 | |
and maybe he WAS an informant? | 0:25:06 | 0:25:08 | |
And, if he was, you may have been right about DI Reed all along. | 0:25:08 | 0:25:12 | |
That's my business. | 0:25:12 | 0:25:14 | |
Well, actually, if the wrong man went to jail, it isn't. | 0:25:14 | 0:25:16 | |
Colin MacKenzie's been shouting he's innocent all these years... | 0:25:16 | 0:25:19 | |
Why are you digging around like this? | 0:25:19 | 0:25:21 | |
-Because I thought you'd... -PHONE RINGS | 0:25:21 | 0:25:23 | |
Please, Nikki, I know you're just trying to help, | 0:25:23 | 0:25:25 | |
but stay out of it, OK? | 0:25:25 | 0:25:27 | |
Chrissy? | 0:25:28 | 0:25:30 | |
Yup. Mm-hmm... | 0:25:31 | 0:25:32 | |
'His name's Cameron Roper, security guard.' | 0:26:10 | 0:26:14 | |
He helped Ballinger smuggle the anthrax out. | 0:26:14 | 0:26:17 | |
Don't you think we need some kind of back up? | 0:26:17 | 0:26:19 | |
You are my back up. | 0:26:19 | 0:26:20 | |
-KNOCKS ON DOOR -You're going under the radar. | 0:26:25 | 0:26:27 | |
Is this cos you're angry about Counter Terrorism throwing you off? | 0:26:27 | 0:26:30 | |
Just doing my bit for the cause any way I can. | 0:26:30 | 0:26:32 | |
And hoping for a commendation. | 0:26:32 | 0:26:34 | |
If I'm so terrible, why did you come when I asked? | 0:26:34 | 0:26:37 | |
Needed the fresh air. | 0:26:37 | 0:26:39 | |
KNOCKS ON DOOR | 0:26:40 | 0:26:41 | |
I'd forgotten just how annoying you can be. | 0:26:41 | 0:26:44 | |
And I'd forgotten just how sexy you are when you're annoyed. | 0:26:44 | 0:26:47 | |
No-one home. | 0:26:48 | 0:26:50 | |
Isn't that illegal? | 0:26:54 | 0:26:56 | |
You used to be fun. | 0:26:56 | 0:26:58 | |
Looks like he was packing. | 0:27:40 | 0:27:41 | |
'He's not going anywhere.' | 0:27:43 | 0:27:45 | |
'Ballinger's cleaning up.' | 0:27:47 | 0:27:48 | |
There's blood on the wall in the hallway. | 0:27:51 | 0:27:54 | |
I think a scuffle started there, he opens the door to Ballinger, | 0:27:54 | 0:27:58 | |
they fight, Roper breaks free, runs in here, | 0:27:58 | 0:28:01 | |
Ballinger shoots him dead. | 0:28:01 | 0:28:02 | |
Well, one thing's for sure... | 0:28:02 | 0:28:04 | |
..it's not his. | 0:28:05 | 0:28:07 | |
Mummy woke up. | 0:28:09 | 0:28:10 | |
She wanted me to tell you that she loves you... | 0:28:13 | 0:28:16 | |
..she's missing you, a lot... | 0:28:18 | 0:28:20 | |
..and she's fighting like crazy to get back to you. | 0:28:21 | 0:28:24 | |
All right? | 0:28:26 | 0:28:27 | |
-Darius, stay here. -Dad! Dad! | 0:28:46 | 0:28:49 | |
Blunt trauma to his right eye and his chin. | 0:28:59 | 0:29:02 | |
Likely he was involved in some kind of fight prior to fatal wounding. | 0:29:02 | 0:29:06 | |
Why do I get the feeling you're angry with me? | 0:29:07 | 0:29:10 | |
Sorry if you thought I left you in that warehouse. | 0:29:12 | 0:29:15 | |
It was difficult to see in there. | 0:29:15 | 0:29:17 | |
I think you should apologise, too. | 0:29:18 | 0:29:20 | |
What you said in the car... | 0:29:20 | 0:29:22 | |
I'm sorry, it was none of my business. | 0:29:25 | 0:29:27 | |
The important thing is I sorted it out with Jack. | 0:29:30 | 0:29:32 | |
There is a small incision on the neck. | 0:29:37 | 0:29:40 | |
The edges of the wound are very clean. | 0:29:40 | 0:29:43 | |
The knife must have been incredibly sharp. | 0:29:43 | 0:29:45 | |
Sharp as a scalpel? | 0:29:45 | 0:29:47 | |
Looks like Jack isn't the only one making bad judgement calls. | 0:29:50 | 0:29:53 | |
'Cause of death is heart failure' | 0:30:18 | 0:30:20 | |
due to gunshot wound that entered through the back. | 0:30:20 | 0:30:23 | |
Clarissa needs the bullet for comparison. | 0:30:23 | 0:30:24 | |
When I'm ready I'll take it... | 0:30:24 | 0:30:26 | |
And you're sure about time since death? | 0:30:26 | 0:30:28 | |
Six to eight hours. | 0:30:28 | 0:30:29 | |
Which fits the time-frame. Could I have your report in two hours? | 0:30:29 | 0:30:31 | |
-When I've finished the postmortem... -Your report, Nikki. Thanks. | 0:30:31 | 0:30:34 | |
You've informed DCI Hart about this, I assume? | 0:30:34 | 0:30:37 | |
The hair found on Roper's body and Ballinger's hair from the trolley - | 0:30:42 | 0:30:46 | |
I think they're the same. | 0:30:46 | 0:30:47 | |
And the bullet's from a Makharov, just like the others. | 0:30:47 | 0:30:50 | |
How's your stock doing, fella? | 0:30:57 | 0:30:59 | |
Yeah, good, man, not bad, not bad. How are you? | 0:30:59 | 0:31:01 | |
LAUGHING: That'll teach you. | 0:31:02 | 0:31:04 | |
Can't confirm it's exactly the same gun, but it's likely. | 0:31:09 | 0:31:12 | |
And we know that Ballinger was in the flat, | 0:31:12 | 0:31:14 | |
and got close enough to leave hair traces on Roper. | 0:31:14 | 0:31:16 | |
We think he fought his way in, then shot him. | 0:31:16 | 0:31:18 | |
Ballinger's trying to silence the people he hired to work for him. | 0:31:18 | 0:31:21 | |
Sorry I didn't tell you about this sooner, but I had reason | 0:31:21 | 0:31:24 | |
to suspect that Roper was readying himself to leave. | 0:31:24 | 0:31:26 | |
Of course you did. | 0:31:26 | 0:31:28 | |
The half-packed suitcase suggests I was right. | 0:31:28 | 0:31:30 | |
Shame you couldn't get to him before Ballinger. | 0:31:30 | 0:31:32 | |
Did the room Roper was found in have a lock? | 0:31:32 | 0:31:34 | |
No. Why? | 0:31:34 | 0:31:36 | |
Just seems strange that he would've fled into a room with no lock | 0:31:36 | 0:31:39 | |
and then ends up shot in the back, six feet from the door. | 0:31:39 | 0:31:41 | |
If you're trying to keep an attacker out, you'd have your shoulder | 0:31:41 | 0:31:44 | |
against the door, you wouldn't be turning from the threat. | 0:31:44 | 0:31:47 | |
We don't know if Ballinger was injured himself. | 0:31:47 | 0:31:49 | |
For all we know, Roper might have thought he'd killed him. | 0:31:49 | 0:31:52 | |
He goes into the living room, Ballinger recovers, shoots him. | 0:31:52 | 0:31:55 | |
Exactly. Dr Alexander has a feeling that Ballinger | 0:31:55 | 0:31:57 | |
isn't the man we think he is. | 0:31:57 | 0:31:58 | |
I just don't understand what he has to gain. | 0:31:58 | 0:32:00 | |
I certainly don't understand why he killed his wife. | 0:32:00 | 0:32:03 | |
One of Ballinger's friends said Ellisabet seemed | 0:32:03 | 0:32:05 | |
to pop out of nowhere about six months ago. | 0:32:05 | 0:32:08 | |
Apparently she met Ballinger in the park, | 0:32:08 | 0:32:10 | |
and they were married a few weeks later. | 0:32:10 | 0:32:12 | |
He stopped socialising, became, in his words, | 0:32:12 | 0:32:14 | |
a "completely different person". | 0:32:14 | 0:32:15 | |
Come on, how many of us have ignored our friends | 0:32:15 | 0:32:17 | |
in the first months of a relationship? | 0:32:17 | 0:32:19 | |
That's romantic, but it seems clear that this relationship | 0:32:19 | 0:32:22 | |
wasn't built on love, but on financial gain. | 0:32:22 | 0:32:24 | |
You think they were creating anthrax to extort money? | 0:32:24 | 0:32:27 | |
Maybe. But given Ballinger doesn't have any political axe to grind, | 0:32:27 | 0:32:31 | |
it's also possible they were creating a product to sell abroad. | 0:32:31 | 0:32:35 | |
Which is why Ellisabet Vrinska is so very interesting to us. | 0:32:35 | 0:32:38 | |
I'll follow up on that. | 0:32:38 | 0:32:40 | |
It's all in hand. | 0:32:40 | 0:32:42 | |
Wait! | 0:32:52 | 0:32:53 | |
I bring you all that, and I'm still stood on the naughty step? | 0:32:56 | 0:32:59 | |
What is it with you? Don't like women? | 0:32:59 | 0:33:01 | |
Don't try to make this something it's not. | 0:33:01 | 0:33:03 | |
You did a good job. Now go home. | 0:33:03 | 0:33:05 | |
You look like crap. | 0:33:05 | 0:33:06 | |
Right, well, now that you've dropped the case, | 0:33:33 | 0:33:35 | |
I think you deserve a little treat. | 0:33:35 | 0:33:36 | |
I can offer you my company, Eleanor's coq au vin. A Friday? | 0:33:36 | 0:33:40 | |
Might even be able to rustle up one of her other girlfriends. | 0:33:40 | 0:33:43 | |
Yes to dinner, no to inappropriate match-making. | 0:33:44 | 0:33:47 | |
Inappropriate? It's wholly appropriate. | 0:33:47 | 0:33:50 | |
Er, Richard, I'll catch up with you. | 0:33:50 | 0:33:52 | |
Right, OK. | 0:33:52 | 0:33:53 | |
Is that him? | 0:33:55 | 0:33:57 | |
Yeah. | 0:33:57 | 0:33:58 | |
Shona's trial's been adjourned. | 0:34:00 | 0:34:02 | |
I don't want my son's body being moved again. | 0:34:02 | 0:34:05 | |
He stays here with you, till I find someone else. | 0:34:05 | 0:34:08 | |
Right, I'll, er, I'll sort out the paperwork. | 0:34:09 | 0:34:11 | |
How's she doing? | 0:34:13 | 0:34:14 | |
What the hell do you care? | 0:34:17 | 0:34:19 | |
Chrissy? | 0:34:33 | 0:34:35 | |
Jack! | 0:34:35 | 0:34:36 | |
-Hey. -Hi. | 0:34:36 | 0:34:38 | |
Look, just wanted to say, I'm glad we met up again. | 0:34:38 | 0:34:42 | |
And the more I look back at the past, | 0:34:42 | 0:34:45 | |
the more embarrassed I am about the way I acted. | 0:34:45 | 0:34:47 | |
Thanks, Jack. Look, I'm going to have to get going, | 0:34:47 | 0:34:50 | |
so why don't we talk about this another time? | 0:34:50 | 0:34:52 | |
-You slept with him, didn't you? -Jack, please. | 0:34:58 | 0:35:01 | |
Christ, I've been an idiot! | 0:35:01 | 0:35:04 | |
I should have trusted myself, what I felt back then. | 0:35:04 | 0:35:07 | |
What do you stand to get from sleeping with him, Chrissy? As much as you got from me? | 0:35:07 | 0:35:11 | |
-Can I explain? -What can he give you? | 0:35:11 | 0:35:12 | |
Oh, he gets his leg over, and you get a leg-up to DCI - is that it? | 0:35:12 | 0:35:15 | |
-Can we talk about this another time, please? -No. | 0:35:15 | 0:35:18 | |
It's started. | 0:35:21 | 0:35:22 | |
Anthrax attack, City of London. | 0:35:22 | 0:35:25 | |
Oi! Prick! | 0:35:46 | 0:35:48 | |
NEWSREADER: This latest anthrax incident brings the total to six, | 0:35:49 | 0:35:54 | |
in a wave of apparently coordinated attacks against London... | 0:35:54 | 0:35:58 | |
So far, 18 people are believed to be in a critical condition... | 0:35:58 | 0:36:01 | |
The building behind me and the five others that have been targeted | 0:36:48 | 0:36:51 | |
have had to be sealed off to protect against any contamination | 0:36:51 | 0:36:55 | |
from what police suspect to be a highly aggressive strain | 0:36:55 | 0:36:59 | |
of this biological weapon. | 0:36:59 | 0:37:01 | |
Police forces across the nation have continued to search | 0:37:01 | 0:37:05 | |
for Dr Lucas Ballinger, a microbiologist who they believe | 0:37:05 | 0:37:08 | |
is involved in today's attacks. | 0:37:08 | 0:37:11 | |
And the police also advise the public not to approach this man | 0:37:11 | 0:37:14 | |
as he may be armed and is considered to be extremely... | 0:37:14 | 0:37:17 | |
The gun. | 0:37:17 | 0:37:18 | |
The police are using it as evidence that Ballinger was linked to | 0:37:20 | 0:37:23 | |
the murders in the basement, the warehouse and Roper's murder. | 0:37:23 | 0:37:26 | |
But Ballinger was removed from the warehouse unconscious. | 0:37:26 | 0:37:29 | |
-He didn't have the gun. -So he couldn't have used it to kill Roper. | 0:37:29 | 0:37:32 | |
Exactly. | 0:37:32 | 0:37:33 | |
All this stuff about Ballinger not caring about his wife - | 0:37:33 | 0:37:36 | |
I saw him in that basement. I saw how upset he was. | 0:37:36 | 0:37:39 | |
He wasn't a criminal returning to the scene of a crime, | 0:37:39 | 0:37:41 | |
he wasn't trying to remove evidence. | 0:37:41 | 0:37:44 | |
I really think he was just a man trying to see where his wife died. | 0:37:44 | 0:37:47 | |
Turn the volume up. | 0:37:47 | 0:37:49 | |
What happened to your face? | 0:37:49 | 0:37:50 | |
Volume. | 0:37:50 | 0:37:51 | |
..this anthrax has been genetically modified, | 0:37:52 | 0:37:56 | |
then it's almost certainly not the work of one person alone. | 0:37:56 | 0:37:59 | |
Ballinger needed help to do what he did. | 0:37:59 | 0:38:02 | |
What if the dead woman from the warehouse | 0:38:02 | 0:38:04 | |
wasn't targeted as a victim? | 0:38:04 | 0:38:06 | |
What if she was part of the plot? | 0:38:06 | 0:38:07 | |
Time for work. | 0:38:07 | 0:38:08 | |
I need a blood sample. | 0:38:11 | 0:38:12 | |
GASPING FOR AIR | 0:38:16 | 0:38:18 | |
WEAK WHEEZING | 0:38:18 | 0:38:21 | |
What have you done to me? | 0:38:27 | 0:38:29 | |
What you did to me. | 0:38:29 | 0:38:30 | |
What you did to my wife. | 0:38:32 | 0:38:33 | |
Roper's TTX. | 0:38:36 | 0:38:38 | |
You know, I really wanted to believe you when you told me | 0:38:38 | 0:38:40 | |
they were still alive. | 0:38:40 | 0:38:42 | |
But Petra couldn't. | 0:38:43 | 0:38:44 | |
She was right. And now she's dead. | 0:38:46 | 0:38:49 | |
-Doctor... -Tell me why. | 0:38:53 | 0:38:55 | |
I saw it on the news. Investment banks. | 0:38:57 | 0:38:59 | |
So, what, are you some kind of anarchist? | 0:38:59 | 0:39:01 | |
You haven't issued any demands, so it can't be about money. | 0:39:04 | 0:39:07 | |
Of course it's about money. | 0:39:07 | 0:39:08 | |
And you framed me for the whole thing. | 0:39:08 | 0:39:10 | |
In a few minutes, you'll be unconscious. | 0:39:15 | 0:39:18 | |
If you tell me what I need to know, | 0:39:19 | 0:39:20 | |
I promise you, I'll phone for an ambulance and you'll live. | 0:39:20 | 0:39:23 | |
So, before your mouth muscles are completely paralysed, | 0:39:24 | 0:39:28 | |
I want you to tell me everything. | 0:39:28 | 0:39:31 | |
Mark says you think he did it. | 0:39:37 | 0:39:40 | |
-I never said that. -So why are you giving up on us? | 0:39:40 | 0:39:42 | |
I have no choice. | 0:39:43 | 0:39:46 | |
You lied to me about Mark's presence in the house. | 0:39:46 | 0:39:48 | |
I have to tell the police. | 0:39:48 | 0:39:50 | |
So tell them. | 0:39:50 | 0:39:51 | |
Look, now you've got an adjournment, | 0:39:54 | 0:39:56 | |
-whoever takes on the case can run some more tests. -No. | 0:39:56 | 0:39:58 | |
No, it has to be you. | 0:39:58 | 0:40:00 | |
And it has to be now. | 0:40:00 | 0:40:01 | |
Mark visited Darius. | 0:40:03 | 0:40:05 | |
He can't handle what's happening to him. | 0:40:06 | 0:40:09 | |
And Social Services, they're pushing for a quick adoption. | 0:40:09 | 0:40:12 | |
So I'm begging you. | 0:40:15 | 0:40:16 | |
I see that you have some historic rib fractures. | 0:40:24 | 0:40:28 | |
Can you remember how you got them? | 0:40:29 | 0:40:31 | |
Rib fractures? | 0:40:31 | 0:40:33 | |
I've never broken a rib in my life before now. | 0:40:34 | 0:40:36 | |
What? | 0:40:49 | 0:40:50 | |
Woman from the warehouse. | 0:40:50 | 0:40:52 | |
Her blood has traces of anthrax, botulism and - get this - plague. | 0:40:52 | 0:40:56 | |
What does that suggest? | 0:40:56 | 0:40:58 | |
-She's been vaccinated. -She was a scientist, too. | 0:40:58 | 0:41:01 | |
I need you to contact whatever regulatory body | 0:41:01 | 0:41:03 | |
governs the biochemistry industry, get a list of female practitioners | 0:41:03 | 0:41:06 | |
with clearance to work with those substances. | 0:41:06 | 0:41:09 | |
Within the last ten minutes, the Prime Minister and senior | 0:41:27 | 0:41:31 | |
Cabinet ministers have left the House of Commons | 0:41:31 | 0:41:33 | |
in order to attend an emergency COBRA meeting. | 0:41:33 | 0:41:36 | |
That was found that on the body. | 0:41:36 | 0:41:38 | |
They look happy. | 0:41:40 | 0:41:41 | |
You really still think Ballinger's innocent? | 0:41:41 | 0:41:43 | |
I think it's odd that a murderer | 0:41:43 | 0:41:45 | |
would leave a photograph of himself on his victim. | 0:41:45 | 0:41:47 | |
Unless he has no intention of getting caught. | 0:41:47 | 0:41:50 | |
-Definitely our man from the CCTV? -Ronnie Hearns. Ex-serviceman. | 0:41:51 | 0:41:54 | |
Ballinger's getting rid of his accomplices, one by one. | 0:41:54 | 0:41:58 | |
Thoughts on cause of death? | 0:41:58 | 0:41:59 | |
No obvious signs of trauma. It might point to TTX again. | 0:41:59 | 0:42:02 | |
We need a forensic sweep. Have you seen Jack? | 0:42:02 | 0:42:04 | |
Not since last night. He was working late at the office. | 0:42:04 | 0:42:07 | |
Dr Petra Smith. Works at Cranham University. | 0:42:09 | 0:42:13 | |
A microbiologist specialising in molecular architecture. | 0:42:13 | 0:42:17 | |
Christie said the anthrax spores had been remodelled. | 0:42:17 | 0:42:19 | |
Have you checked with Cranham? | 0:42:19 | 0:42:21 | |
They say she left for Dominica two weeks ago. | 0:42:21 | 0:42:23 | |
I don't think she ever got there. | 0:42:23 | 0:42:25 | |
Ballinger, a scientist, his wife incarcerated. | 0:42:25 | 0:42:27 | |
Petra Smith, a scientist, | 0:42:27 | 0:42:29 | |
and we have another unidentified woman found dead in the basement. | 0:42:29 | 0:42:31 | |
So you think there's some kind of link between Petra Smith | 0:42:31 | 0:42:34 | |
and the brunette victim? | 0:42:34 | 0:42:35 | |
'Scientists exploded anthrax bombs near mobilised sheep.' | 0:42:45 | 0:42:49 | |
'Test results show that anthrax could in fact | 0:42:49 | 0:42:52 | |
'be effectively dispersed...' | 0:42:52 | 0:42:54 | |
Do you recognise the old footage? | 0:42:54 | 0:42:55 | |
Gruinard Island, just off the north-west coast of Scotland. | 0:42:55 | 0:42:58 | |
Government scientists used it to test anthrax in the 50s. | 0:42:58 | 0:43:01 | |
'..but if an anthrax bomb were dropped on a city like London, | 0:43:01 | 0:43:04 | |
'the results could have been catastrophic.' | 0:43:04 | 0:43:07 | |
-He's planning a second attack. -And we've just seen the trailer. | 0:43:07 | 0:43:10 | |
I analysed a sample of the rib bone | 0:43:14 | 0:43:16 | |
and found that the internal architecture was abnormal. | 0:43:16 | 0:43:20 | |
The trabecula bone is very disconnected. | 0:43:22 | 0:43:25 | |
So, late last night, I biked a sample of blood from the mother | 0:43:25 | 0:43:28 | |
and both sons for full length genomic sequencing with MLPA, | 0:43:28 | 0:43:31 | |
and the results were conclusive, | 0:43:31 | 0:43:34 | |
showing a COL1A1 mutation. | 0:43:34 | 0:43:36 | |
Darius's blood tested negative, | 0:43:37 | 0:43:39 | |
and Shona suffers from osteogenesis imperfecta - | 0:43:39 | 0:43:42 | |
commonly known as brittle bone disease. | 0:43:42 | 0:43:45 | |
And so did Michael. | 0:43:45 | 0:43:46 | |
Shona had the mild form, but Michael's sample had abnormality | 0:43:48 | 0:43:51 | |
in the Type 1 collagen gene, which would explain the healing fractures. | 0:43:51 | 0:43:55 | |
So, I think what we are dealing with here is Sudden Infant Death | 0:43:57 | 0:44:01 | |
in a child with brittle bone disease. | 0:44:01 | 0:44:03 | |
And that is what I'm going be offering up to the defence team. | 0:44:04 | 0:44:07 | |
Unless, of course, you have cause to reconsider your prosecution. | 0:44:07 | 0:44:10 | |
Radio Armed Response. I need all vehicles on the roads. | 0:44:15 | 0:44:18 | |
Do we know how Ballinger's travelling? | 0:44:18 | 0:44:20 | |
Done some checks. Roper's car's missing. | 0:44:20 | 0:44:21 | |
Silver Rover 600. I've circulated the reg. | 0:44:21 | 0:44:23 | |
Get to Solomon McGuire. Find out how much anthrax he could have taken, | 0:44:23 | 0:44:26 | |
-and how much he could have grown in the time available. -Will do. | 0:44:26 | 0:44:29 | |
Come with me? | 0:44:31 | 0:44:32 | |
We can confirm | 0:44:34 | 0:44:35 | |
that the entire London tube system has been suspended. | 0:44:35 | 0:44:38 | |
A police spokesperson has said that there is currently no evidence | 0:44:38 | 0:44:42 | |
to suggest any further attacks on the London transport system. | 0:44:42 | 0:44:45 | |
Lucas? | 0:45:00 | 0:45:01 | |
I know it was you. | 0:45:03 | 0:45:04 | |
Hearns told me everything. | 0:45:08 | 0:45:09 | |
And now I want you to tell me why. | 0:45:11 | 0:45:13 | |
Hi, Jack? | 0:45:19 | 0:45:20 | |
-'I've identified the other woman in the basement.' -Catch me up. | 0:45:20 | 0:45:23 | |
'It's Petra's sister.' | 0:45:23 | 0:45:25 | |
The company was broken, I had to fix it. | 0:45:26 | 0:45:28 | |
I told Hearns that we had a problem, | 0:45:32 | 0:45:34 | |
that we'd spent all our money on developing a vaccine, | 0:45:34 | 0:45:37 | |
and that now the government were stalling. | 0:45:37 | 0:45:39 | |
They just needed a little scare. | 0:45:42 | 0:45:43 | |
How much did you pay him? | 0:45:47 | 0:45:48 | |
I didn't. He bought stock in the company. | 0:45:48 | 0:45:51 | |
And how much is that stock worth now the government contract's confirmed? | 0:45:51 | 0:45:54 | |
How much is your share worth? Millions? | 0:45:56 | 0:45:58 | |
Lucas, if I'd known for a second he would involve you... | 0:45:58 | 0:46:01 | |
I had no idea how he'd do it. He didn't want me to know. | 0:46:03 | 0:46:06 | |
Shall I tell you what he did? | 0:46:06 | 0:46:08 | |
Help! | 0:46:08 | 0:46:09 | |
Someone HELP! | 0:46:09 | 0:46:11 | |
He imprisoned my wife... | 0:46:11 | 0:46:13 | |
..and told me he would kill her unless I smuggled out the anthrax. | 0:46:14 | 0:46:19 | |
Help! Help! | 0:46:19 | 0:46:21 | |
And in the end he killed her anyway, | 0:46:23 | 0:46:25 | |
because apparently she was too much trouble. | 0:46:25 | 0:46:27 | |
-MUFFLED SCREAMS -Shut up! | 0:46:27 | 0:46:30 | |
And all because you wanted to save this company. | 0:46:33 | 0:46:37 | |
Because you wanted to make money. | 0:46:37 | 0:46:39 | |
Money! | 0:46:40 | 0:46:42 | |
Lucas. Lucas! No, no, I promise, I'll tell everyone what I've done! | 0:46:42 | 0:46:46 | |
We were going to have a family, you bastard! A family! | 0:46:46 | 0:46:49 | |
I didn't know... | 0:46:49 | 0:46:51 | |
..pregnant. | 0:46:51 | 0:46:52 | |
What? | 0:46:54 | 0:46:56 | |
-What did you say?! -I didn't know she was pregnant! | 0:46:56 | 0:46:59 | |
Oh, no! | 0:47:00 | 0:47:02 | |
GUNSHOT | 0:47:08 | 0:47:10 | |
The woman from the warehouse was Petra Smith. | 0:47:10 | 0:47:12 | |
She was a biochemist, too. | 0:47:12 | 0:47:14 | |
'DNA comparison confirms that the second victim from the basement | 0:47:14 | 0:47:17 | |
'is her sister, Mary. | 0:47:17 | 0:47:18 | |
'Someone was keeping their loved ones captive, | 0:47:18 | 0:47:21 | |
'forcing Smith and Ballinger to work.' | 0:47:21 | 0:47:23 | |
You were right about Ballinger. Right about everything. | 0:47:23 | 0:47:27 | |
Something's happened between Reed and Hart. | 0:47:36 | 0:47:39 | |
I don't know what, but... | 0:47:39 | 0:47:41 | |
It's Ballinger, Jack. | 0:47:43 | 0:47:44 | |
He's driving away from Solomon McGuire. | 0:47:46 | 0:47:48 | |
Did he take the gun with him? | 0:47:58 | 0:48:00 | |
Did he say where he was going? | 0:48:00 | 0:48:02 | |
I need to know how much anthrax he could've smuggled out. | 0:48:04 | 0:48:08 | |
I checked the log book yesterday. | 0:48:08 | 0:48:10 | |
400g. | 0:48:10 | 0:48:12 | |
But if he's using our product as his starter cultures... | 0:48:13 | 0:48:17 | |
So, you don't know? | 0:48:17 | 0:48:18 | |
I have just heard from the CPS. | 0:48:48 | 0:48:50 | |
They are not going to be offering any evidence. | 0:48:50 | 0:48:52 | |
Shona is free to go. | 0:48:52 | 0:48:54 | |
You can pick up Darius as soon as she's been released. | 0:48:54 | 0:48:56 | |
-You're sure? -Yes. | 0:48:56 | 0:48:58 | |
Thank you. | 0:49:08 | 0:49:09 | |
Thank you. | 0:49:10 | 0:49:12 | |
I followed him from Solomon McGuire. | 0:49:17 | 0:49:20 | |
Torrington Square, Central London. | 0:49:20 | 0:49:22 | |
'Do not approach him. He's armed, carrying anthrax, | 0:49:22 | 0:49:25 | |
'and possibly some form of explosive device.' | 0:49:25 | 0:49:27 | |
-Where is he? -Over there, on the bench. | 0:49:54 | 0:49:57 | |
-What's he doing? -Sitting. | 0:49:57 | 0:49:59 | |
Just sitting. | 0:49:59 | 0:50:01 | |
If he's so innocent, why's he just shot up Christie's office? | 0:50:01 | 0:50:04 | |
What's he doing sat in a busy park with a bag full of anthrax? | 0:50:04 | 0:50:07 | |
You don't know what's in his bag. Jack's just found out that... | 0:50:07 | 0:50:09 | |
I haven't got time for what Jack's found out! | 0:50:09 | 0:50:12 | |
He's sat over there on the bench with a rucksack. | 0:50:13 | 0:50:16 | |
I need the whole park cleared before armed response take up position. | 0:50:16 | 0:50:19 | |
Why here? | 0:50:20 | 0:50:22 | |
Look, I said you were right about Ballinger. | 0:50:23 | 0:50:25 | |
I'm sorry. | 0:50:25 | 0:50:26 | |
Sorry for the way I treated you. | 0:50:26 | 0:50:28 | |
-You were right about her, too. -Reed? | 0:50:29 | 0:50:31 | |
Should have trusted your judgement. I won't make that mistake again. | 0:50:31 | 0:50:35 | |
Have you told Reed what I found out? | 0:50:35 | 0:50:36 | |
She doesn't want to know. She just wants to shoot him. | 0:50:36 | 0:50:39 | |
..don't want a major panic on our hands. | 0:50:39 | 0:50:41 | |
Do this as discreetly as possible. OK, get on it. | 0:50:41 | 0:50:43 | |
Yes, ma'am. | 0:50:43 | 0:50:45 | |
PHONE RINGS | 0:50:45 | 0:50:47 | |
The woman in the warehouse, Petra Smith - | 0:50:49 | 0:50:51 | |
her sister was the other woman in the basement. | 0:50:51 | 0:50:54 | |
They were being held to compel Ballinger and Petra to work. | 0:50:54 | 0:50:57 | |
I haven't got time to discuss the who-why-when. | 0:50:57 | 0:50:59 | |
I've got a man sat there threatening to kill hundreds of people. | 0:50:59 | 0:51:02 | |
What the hell is she doing? | 0:51:02 | 0:51:03 | |
Can I sit with you? | 0:51:23 | 0:51:25 | |
This is where I first saw Ellisabet. | 0:51:38 | 0:51:40 | |
Right here, on this very spot. | 0:51:42 | 0:51:43 | |
Six weeks later, we were engaged. | 0:51:47 | 0:51:49 | |
She changed my life. | 0:51:52 | 0:51:53 | |
We...we were going to have a baby. | 0:51:58 | 0:51:59 | |
I'm sorry. | 0:52:01 | 0:52:02 | |
I don't know what to do. | 0:52:08 | 0:52:10 | |
They think you might be armed and carrying anthrax. | 0:52:10 | 0:52:13 | |
How many guys have you got? | 0:52:19 | 0:52:21 | |
Need a word. | 0:52:32 | 0:52:33 | |
-You can't shoot. -He's carrying a biological weapon! | 0:52:34 | 0:52:37 | |
-You don't know that! -And you know he isn't? | 0:52:37 | 0:52:39 | |
-And what about Nikki? -She's put herself in this situation. | 0:52:39 | 0:52:42 | |
'DCI Hart's approaching your position.' | 0:52:42 | 0:52:44 | |
Received. | 0:52:44 | 0:52:46 | |
'Your order is to hold until they arrive.' | 0:52:46 | 0:52:48 | |
'Order is to hold. Confirm.' | 0:52:49 | 0:52:51 | |
Understood. | 0:52:51 | 0:52:53 | |
OK, guys, get into position now. | 0:52:54 | 0:52:56 | |
Jack! | 0:52:57 | 0:52:59 | |
He's a colleague. | 0:53:10 | 0:53:11 | |
They have police marksmen. | 0:53:11 | 0:53:13 | |
They're worried about what you have in the bag. | 0:53:13 | 0:53:15 | |
Nikki... | 0:53:16 | 0:53:18 | |
I'm not going. Nothing will happen if I stay. | 0:53:18 | 0:53:21 | |
You think? | 0:53:21 | 0:53:23 | |
Dr Ballinger, | 0:53:23 | 0:53:24 | |
if you make a move for the bag, they'll fire. | 0:53:24 | 0:53:28 | |
I guarantee it. | 0:53:28 | 0:53:29 | |
-Have you got a shot? -Yes, ma'am. | 0:53:35 | 0:53:37 | |
If he makes a move for the bag, you fire, understood? | 0:53:40 | 0:53:44 | |
Ma'am. | 0:53:45 | 0:53:47 | |
Come with me. | 0:53:50 | 0:53:52 | |
She wouldn't want this. | 0:53:52 | 0:53:54 | |
She'd want you to be safe, Ellisabet. | 0:53:54 | 0:53:56 | |
Please, come with me. | 0:53:56 | 0:53:58 | |
I'll come. | 0:54:08 | 0:54:09 | |
I just want to stay here for a little bit longer, OK? | 0:54:11 | 0:54:14 | |
Can I take the bag? | 0:54:19 | 0:54:21 | |
It's OK! | 0:54:51 | 0:54:53 | |
It's OK. | 0:54:53 | 0:54:54 | |
What's he doing? What's he doing. | 0:54:58 | 0:55:01 | |
It's in his jacket... Fire! | 0:55:28 | 0:55:30 | |
Nothing. | 0:56:01 | 0:56:03 | |
All clear, all clear. | 0:56:03 | 0:56:04 | |
Nothing. | 0:56:07 | 0:56:09 | |
'Dr Christie, is it true that your directors planned the attacks | 0:56:26 | 0:56:29 | |
'to boost share prices?' | 0:56:29 | 0:56:30 | |
'I'm not aware of any wrongdoing.' | 0:56:30 | 0:56:32 | |
And if the police had any evidence of such, | 0:56:32 | 0:56:34 | |
I assume we'd all be under arrest. Thank you. | 0:56:34 | 0:56:37 | |
Darius! | 0:56:50 | 0:56:52 | |
Darius? | 0:56:53 | 0:56:55 | |
Come here, look at you! | 0:56:56 | 0:56:58 | |
And now we commit their bodies to the ground. | 0:57:16 | 0:57:19 | |
Earth to earth, ashes to ashes, and dust to dust. | 0:57:19 | 0:57:24 | |
The body's in the flat above the pub. | 0:57:54 | 0:57:56 | |
Joanne Henderson, aged 32. | 0:57:56 | 0:57:58 | |
Hubby Roly says their daughter found her | 0:57:58 | 0:58:00 | |
whilst he was asleep in the bar downstairs. | 0:58:00 | 0:58:03 | |
I want to see my Dad. | 0:58:03 | 0:58:04 | |
When SOCOs move the body they should look out for a missing fingertip. | 0:58:04 | 0:58:07 | |
Over 100 women are killed every year by their husband or partner. | 0:58:07 | 0:58:11 | |
I didn't do anything! | 0:58:11 | 0:58:12 | |
Four years ago Eleanor Marshall was bludgeoned to death | 0:58:12 | 0:58:15 | |
at a picnic site ten miles from here. | 0:58:15 | 0:58:17 | |
Big man that I was, I did nothing to save her. | 0:58:17 | 0:58:19 | |
Edith, when your husband's shotgun was stolen, | 0:58:19 | 0:58:22 | |
-was any ammunition taken? -Yeah, a few boxes. | 0:58:22 | 0:58:25 | |
Pretty well stocked, aren't you, mate? | 0:58:25 | 0:58:27 | |
'We didn't think it odd. | 0:58:27 | 0:58:28 | |
'Even when he asked Imogen on a date, | 0:58:28 | 0:58:31 | |
'we'd no idea who we were letting into our lives.' | 0:58:31 | 0:58:33 | |
Subtitles by Red Bee Media Ltd | 0:58:48 | 0:58:52 |