Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
Where did we get out? Good. Did we liquidate everything? | 0:00:07 | 0:00:09 | |
Great. Great result. Yeah! | 0:00:09 | 0:00:11 | |
The Garner algorithm works. Yeah. | 0:00:11 | 0:00:13 | |
No, no, the trip was good. | 0:00:13 | 0:00:15 | |
They were impressed with our trading results. | 0:00:15 | 0:00:17 | |
They're absolutely going to do some business with us. They like metals. | 0:00:17 | 0:00:21 | |
Hey, look, can you make Thursday night? | 0:00:21 | 0:00:23 | |
Oh, I don't know. It's for sick kids or horses or something. | 0:00:23 | 0:00:26 | |
What if they were Jewish horses? | 0:00:28 | 0:00:30 | |
What if they were Jewish horses with cancer? Great. Great. | 0:00:30 | 0:00:35 | |
Great, I'll tell Rachel. Bye. | 0:00:35 | 0:00:37 | |
Rachel? | 0:01:03 | 0:01:04 | |
I'm home! | 0:01:07 | 0:01:08 | |
Is there anything to eat? | 0:01:15 | 0:01:17 | |
Rachel? | 0:01:35 | 0:01:36 | |
CRYING | 0:03:08 | 0:03:12 | |
SCREAMING | 0:03:12 | 0:03:14 | |
Oh, NO! | 0:03:14 | 0:03:18 | |
No, no! | 0:03:18 | 0:03:21 | |
Go on, City! | 0:04:03 | 0:04:05 | |
Come on, you Reds! | 0:04:08 | 0:04:10 | |
Thank you. | 0:04:14 | 0:04:15 | |
Mate, ready for you. | 0:04:33 | 0:04:34 | |
On y va. | 0:04:35 | 0:04:37 | |
Are you the one that's going to do it? | 0:04:59 | 0:05:01 | |
-Sorry? -Rachel's my wife. | 0:05:01 | 0:05:03 | |
My son, my beautiful son, Nathan. | 0:05:03 | 0:05:05 | |
I don't want this. This postmortem, I don't want it. | 0:05:05 | 0:05:08 | |
-I'm very sorry for your... -I don't want people seeing them like this. | 0:05:08 | 0:05:11 | |
I don't want people looking at them. | 0:05:11 | 0:05:12 | |
Cutting them apart. | 0:05:12 | 0:05:14 | |
I don't want it! | 0:05:14 | 0:05:16 | |
But you do want them to have justice? | 0:05:16 | 0:05:18 | |
MAN AND WOMAN SPEAK IN YIDDISH | 0:05:32 | 0:05:38 | |
Hey, Mousa. You OK? | 0:05:41 | 0:05:44 | |
Hope your boy does good today. | 0:05:44 | 0:05:46 | |
Mousa? | 0:05:46 | 0:05:48 | |
Hi, David. Good food? | 0:05:48 | 0:05:49 | |
-Hmmm. -My client needs more love. | 0:05:49 | 0:05:52 | |
Oh, we all need more love, Mousa. | 0:05:52 | 0:05:54 | |
Two months ago you were calling me three times a day | 0:05:54 | 0:05:56 | |
wanting to talk contract extension. | 0:05:56 | 0:05:57 | |
Two months? Time flies, eh? | 0:05:57 | 0:06:00 | |
-Isaac doesn't feel appreciated. -I know. | 0:06:00 | 0:06:02 | |
I've been meaning to talk to you, | 0:06:02 | 0:06:05 | |
our new owners want to make some changes. | 0:06:05 | 0:06:07 | |
We're going to move Isaac on. | 0:06:07 | 0:06:08 | |
I come here to get him a new contract and you tell me he's out? | 0:06:10 | 0:06:13 | |
It's a tough business, Mousa. | 0:06:13 | 0:06:14 | |
'He needs a new environment in order to reach his potential.' | 0:06:14 | 0:06:17 | |
'The fans will hate you.' | 0:06:17 | 0:06:18 | |
'Oh, I don't know, Mousa. The fans are fickle.' | 0:06:18 | 0:06:21 | |
'Besides, they already hate me, which frankly makes my job easier.' | 0:06:21 | 0:06:24 | |
'He has to agree the move.' | 0:06:24 | 0:06:25 | |
'I know. I'm hoping you'll convince him.' | 0:06:25 | 0:06:27 | |
'He doesn't want to go.' | 0:06:27 | 0:06:29 | |
'Mousa, hear me.' | 0:06:29 | 0:06:30 | |
He's playing his last game for us today. | 0:06:30 | 0:06:33 | |
The Twitter thing wasn't good. | 0:06:33 | 0:06:34 | |
-Our new owners are from your part of the world. -Leicester? | 0:06:34 | 0:06:37 | |
You know what I mean. Your client isn't popular in Riyadh. | 0:06:37 | 0:06:41 | |
'He's popular when he scores goals.' | 0:06:45 | 0:06:47 | |
'Not any more.' | 0:06:47 | 0:06:48 | |
-Cheer for Daddy! -He did it, Mummy! He did it! | 0:06:59 | 0:07:02 | |
He's not moving, David. | 0:07:04 | 0:07:06 | |
You break our contract, we'll get the FA in to sanction you. | 0:07:06 | 0:07:09 | |
-We'll take legal action. -OK, Mousa, let's not get overexcited. | 0:07:09 | 0:07:11 | |
We both know that's not going to happen. | 0:07:11 | 0:07:13 | |
What we need to do is work together | 0:07:13 | 0:07:15 | |
to get the best possible price for the transfer. | 0:07:15 | 0:07:17 | |
Your client's quite good at football, but he's an arsehole | 0:07:17 | 0:07:20 | |
and we don't want to be associated with him. | 0:07:20 | 0:07:23 | |
Stop! Stop! Turn it off! | 0:07:43 | 0:07:45 | |
Get up, you Jew bastard. | 0:07:51 | 0:07:53 | |
What did you say? What did you say? | 0:07:53 | 0:07:56 | |
Say that again. Say that again! | 0:07:57 | 0:07:59 | |
You heard exactly what I said. | 0:07:59 | 0:08:01 | |
I didn't hear you, mate, I didn't hear you. | 0:08:03 | 0:08:06 | |
Off! | 0:08:06 | 0:08:07 | |
-CROWD: -# There's only one Isaac Dreyfus | 0:08:23 | 0:08:25 | |
# One Isaac Dreyfus | 0:08:25 | 0:08:28 | |
# There's only one Isaac Dreyfus. # | 0:08:28 | 0:08:32 | |
PHONE RINGS Can you get these to the lab, please? | 0:08:32 | 0:08:34 | |
Hello? | 0:08:36 | 0:08:37 | |
OK. Text me the location. | 0:08:38 | 0:08:40 | |
Thanks. | 0:08:40 | 0:08:42 | |
-Forensic Pathologist? -Nikki Alexander. | 0:09:23 | 0:09:25 | |
Very nice to meet you. I'm Detective Inspector John Leighton. | 0:09:25 | 0:09:28 | |
-Hi. -The body of the deceased is over here. | 0:09:28 | 0:09:31 | |
Apparently it's a young woman. | 0:09:31 | 0:09:33 | |
Have you been able to identify her? | 0:09:33 | 0:09:34 | |
No, unfortunately not yet. | 0:09:34 | 0:09:36 | |
Her face has been badly disfigured. | 0:09:36 | 0:09:38 | |
Who's the wing nut who put the blanket over the body? | 0:09:38 | 0:09:41 | |
Your forensic colleague is already here. | 0:09:41 | 0:09:44 | |
One of the constables felt it was wrong | 0:09:44 | 0:09:46 | |
-to just leave it for everyone to see. -And you let him? | 0:09:46 | 0:09:48 | |
I saw the merit in it. | 0:09:48 | 0:09:50 | |
This is a crime scene. I'm confused. | 0:09:51 | 0:09:53 | |
Are you meant to protect it or contaminate it? | 0:09:53 | 0:09:55 | |
Son, I'd be grateful if you'd adjust your attitude a little. | 0:09:55 | 0:09:59 | |
You'd be grateful? | 0:09:59 | 0:10:00 | |
You think I've come down here to win your gratitude? | 0:10:00 | 0:10:02 | |
Could we get a screen up, please, Detective Inspector? | 0:10:02 | 0:10:05 | |
Unbelievable. | 0:10:08 | 0:10:10 | |
You just ooze charm. | 0:10:11 | 0:10:12 | |
Well, it's going to be hard enough to get something - | 0:10:12 | 0:10:15 | |
anything - that has forensic value, | 0:10:15 | 0:10:16 | |
then they put an old blanket over the body?! | 0:10:16 | 0:10:18 | |
What are you doing? | 0:10:18 | 0:10:20 | |
What? | 0:10:21 | 0:10:22 | |
Why are you breaking his balls? | 0:10:22 | 0:10:24 | |
I'm not breaking his balls. | 0:10:24 | 0:10:25 | |
You're breaking his balls. | 0:10:25 | 0:10:27 | |
What's wrong with you? | 0:10:27 | 0:10:28 | |
I hear all this chat for a year | 0:10:28 | 0:10:30 | |
about how you don't want to be the boss | 0:10:30 | 0:10:31 | |
and now, suddenly, you want to be the boss! | 0:10:31 | 0:10:33 | |
I don't want to be the boss. | 0:10:33 | 0:10:34 | |
Then why are you acting like you want to be the boss? | 0:10:34 | 0:10:37 | |
-Oh, you are so wrong. -Why am I wrong? Because you're the boss? | 0:10:37 | 0:10:39 | |
We've got a job to do. Can we just get on with it? | 0:10:39 | 0:10:42 | |
You don't think that sounded a wee bit bossy? | 0:10:42 | 0:10:44 | |
Oh! | 0:10:49 | 0:10:50 | |
Jesus. | 0:10:50 | 0:10:51 | |
Put the blanket back down. | 0:10:54 | 0:10:56 | |
Yep. | 0:10:56 | 0:10:57 | |
You can train here until we find you a new club. | 0:10:59 | 0:11:02 | |
I don't want you to worry cos... | 0:11:02 | 0:11:03 | |
we'll find you a better opportunity. | 0:11:03 | 0:11:05 | |
Nikki? | 0:11:20 | 0:11:21 | |
I used to love the smell of fresh-cut grass when I was a kid. | 0:11:54 | 0:11:56 | |
This kind of kills the nostalgia. | 0:11:58 | 0:12:00 | |
-Isaac! Isaac! Can I have a photo with you, please? -Sure. | 0:12:09 | 0:12:13 | |
-Did you like the game? -Yeah. -Give me five. | 0:12:16 | 0:12:19 | |
Isaac! | 0:12:19 | 0:12:21 | |
-You're my favourite player. -Thanks, mate. | 0:12:21 | 0:12:23 | |
-What's your name? -Mahmoud. | 0:12:23 | 0:12:25 | |
Yeah? What's up, Mahmoud. | 0:12:25 | 0:12:26 | |
-Dad! -Isaac! Isaac! | 0:12:28 | 0:12:30 | |
-Isaac! Isaac! Can I have your autograph? -Yeah, sure. | 0:12:30 | 0:12:34 | |
Rubbish trucks arrive and are emptied. | 0:12:35 | 0:12:38 | |
Body is dumped in the amenity, no-one sees it. | 0:12:38 | 0:12:40 | |
The claws mangled her body | 0:12:40 | 0:12:42 | |
when they picked it up to deposit it on the barge. | 0:12:42 | 0:12:44 | |
Yeah, I can see that's what happened to her body. | 0:12:44 | 0:12:46 | |
What happened to her face? | 0:12:46 | 0:12:47 | |
Almost every sponsor's gone. | 0:12:51 | 0:12:53 | |
Shoes, clothes, watches... no-one will renew. | 0:12:53 | 0:12:56 | |
All we've got left is underwear | 0:12:56 | 0:12:58 | |
and that's because the owners are Jewish. | 0:12:58 | 0:13:00 | |
-Sami, could you get me a coffee? -Espresso? Two sugars? | 0:13:00 | 0:13:03 | |
Perfect, and make sure Isaac's OK. | 0:13:03 | 0:13:05 | |
He's a good boy. How's he getting on? | 0:13:06 | 0:13:08 | |
He's getting on fine. Helpful. Thoughtful. | 0:13:08 | 0:13:11 | |
-A little quiet. -He's shy. He, er, gets that from my sister. | 0:13:11 | 0:13:14 | |
Mousa, I'm worried that if you don't do something... | 0:13:14 | 0:13:16 | |
-Citroen? -He keeps the car to the end of the season, | 0:13:16 | 0:13:19 | |
but they've killed the ad campaign. | 0:13:19 | 0:13:20 | |
Don't say anything to Isaac. | 0:13:20 | 0:13:22 | |
-You think he doesn't know? -Can we replace them? | 0:13:22 | 0:13:24 | |
Everyone knows he's being forced out of City because of what he said. | 0:13:24 | 0:13:28 | |
All the sponsors and ad buyers are talking to each other. | 0:13:28 | 0:13:31 | |
What he did on Twitter was like firebombing their brand. | 0:13:31 | 0:13:35 | |
He didn't mean what he said. | 0:13:35 | 0:13:36 | |
You don't joke about Mohammed. Ever. | 0:13:36 | 0:13:38 | |
You don't mention religion. You don't mention race. | 0:13:38 | 0:13:41 | |
The only thing he should be writing on Twitter | 0:13:41 | 0:13:43 | |
is how much he loves the fans. | 0:13:43 | 0:13:45 | |
Yeah, I'd like to try and put a name to her as soon as possible. | 0:13:49 | 0:13:52 | |
I've had tissue sent for DNA. We'll see if she's on the database. | 0:13:52 | 0:13:55 | |
-And if she isn't? -It could be a struggle. | 0:13:55 | 0:13:58 | |
We're taking moulds of her teeth, although some were damaged. | 0:13:58 | 0:14:00 | |
We can try to identify her from the shape of her ear. | 0:14:00 | 0:14:03 | |
-You can do that? -Yeah. But we'll need to match it to something. | 0:14:03 | 0:14:06 | |
Do you have anything? | 0:14:06 | 0:14:08 | |
No. No missing person reports. Nothing found at the scene. | 0:14:08 | 0:14:11 | |
I'm relying on you. | 0:14:11 | 0:14:13 | |
-I'll speak to you tomorrow. -OK. Thanks. | 0:14:13 | 0:14:15 | |
-You got to the scene quickly. -I wasn't far away. | 0:14:20 | 0:14:23 | |
-I had a couple of seats at the football. -Who did you go with? | 0:14:23 | 0:14:25 | |
-Girl I met. -Where? | 0:14:25 | 0:14:27 | |
-Pub. -Liar. | 0:14:27 | 0:14:28 | |
-How did you know? -You never complained. | 0:14:29 | 0:14:32 | |
If you had a date with a girl you met in a pub, | 0:14:32 | 0:14:34 | |
you would be hopeful you might get lucky. | 0:14:34 | 0:14:36 | |
The call to attend would have crushed that hope. | 0:14:36 | 0:14:39 | |
-You would complain. -PHONE RINGS | 0:14:39 | 0:14:41 | |
You could have taken me. | 0:14:41 | 0:14:42 | |
I didn't know you liked football. | 0:14:42 | 0:14:44 | |
Why? Because I'm in a chair? | 0:14:44 | 0:14:46 | |
Chip? Shoulder? | 0:14:46 | 0:14:47 | |
THEY LAUGH | 0:14:47 | 0:14:49 | |
Hello? | 0:14:49 | 0:14:50 | |
Yeah, OK. I'll be there. Thanks. | 0:14:50 | 0:14:53 | |
We need a list of every rubbish truck and driver | 0:14:53 | 0:14:56 | |
that used Smithy Environmental last night and this morning. | 0:14:56 | 0:15:00 | |
I get the best seats at the football when I go, | 0:15:00 | 0:15:02 | |
and the carer goes free. | 0:15:02 | 0:15:04 | |
-Something to keep in mind? -I'm not your carer. | 0:15:04 | 0:15:07 | |
Don't I know. | 0:15:07 | 0:15:08 | |
We normally only allow immediate family. | 0:15:08 | 0:15:10 | |
"Sister" isn't immediate enough? | 0:15:10 | 0:15:12 | |
Her husband didn't mention that she had a sister. | 0:15:13 | 0:15:16 | |
I was her sister long before she was married to him. | 0:15:16 | 0:15:18 | |
I'll be her sister... | 0:15:21 | 0:15:23 | |
..forever. | 0:15:25 | 0:15:26 | |
You can stay as long as you'd like. | 0:15:29 | 0:15:31 | |
Thank you. | 0:15:31 | 0:15:33 | |
She looks very peaceful. | 0:15:35 | 0:15:37 | |
They didn't... | 0:15:39 | 0:15:41 | |
you know... | 0:15:41 | 0:15:42 | |
..assault her sexually. | 0:15:44 | 0:15:46 | |
I'll give my report to the coroner. | 0:15:47 | 0:15:49 | |
Did they rape my sister? | 0:15:49 | 0:15:51 | |
No. | 0:15:53 | 0:15:54 | |
How did they kill her? | 0:15:56 | 0:15:58 | |
Do the police have any idea who did this? | 0:16:02 | 0:16:04 | |
You should speak to them. | 0:16:04 | 0:16:05 | |
Actually I need to get back to work. I have a meeting. | 0:16:05 | 0:16:08 | |
And Nathan? How did they kill him? | 0:16:08 | 0:16:11 | |
Nathan has no marks on his body whatsoever. | 0:16:13 | 0:16:17 | |
His bloods contained a fatal amount of benzodiazepine | 0:16:17 | 0:16:20 | |
and a very large amount of oxycodone. | 0:16:20 | 0:16:22 | |
We searched the house. We didn't find any... | 0:16:22 | 0:16:24 | |
He died of a drug overdose? | 0:16:26 | 0:16:28 | |
A six-year-old? | 0:16:28 | 0:16:30 | |
Their son was autistic, apparently. | 0:16:31 | 0:16:33 | |
And? | 0:16:33 | 0:16:35 | |
Well, is benzodiazepine used to control autistic kids? | 0:16:35 | 0:16:38 | |
Well, it's used for quite a few things. | 0:16:38 | 0:16:40 | |
Ah! Did his mother kill him? | 0:16:40 | 0:16:42 | |
Is that what this is? Murder-suicide? | 0:16:42 | 0:16:45 | |
You know, she's sick of him. She's sick of her life. | 0:16:45 | 0:16:48 | |
Gives him too much of the drugs. Remorse kicks in. | 0:16:48 | 0:16:51 | |
You read about this a lot. | 0:16:51 | 0:16:52 | |
And then she can't live with what she's done. | 0:16:52 | 0:16:54 | |
Single gunshot wound to the head. | 0:16:54 | 0:16:56 | |
I found firearms residue on her hands and clothes. | 0:16:56 | 0:16:59 | |
Well, then, there's no question. | 0:16:59 | 0:17:01 | |
Well, it doesn't mean, in and of itself, that she fired the gun. | 0:17:01 | 0:17:03 | |
It was an enclosed space so there'll be residue throughout the room. | 0:17:03 | 0:17:07 | |
Maybe the overdose was accidental. | 0:17:07 | 0:17:09 | |
I mean, she saw no way out. | 0:17:09 | 0:17:10 | |
Shall we just go through what we know? | 0:17:10 | 0:17:12 | |
The entry point is here and it took very little... | 0:17:12 | 0:17:14 | |
Doesn't this affect you? | 0:17:14 | 0:17:16 | |
It took very little of the front of her head away. | 0:17:16 | 0:17:18 | |
Has your forensics team found the slug? | 0:17:18 | 0:17:20 | |
No. | 0:17:21 | 0:17:22 | |
It wasn't in the bone of the skull? | 0:17:22 | 0:17:25 | |
No. | 0:17:25 | 0:17:26 | |
Then no. Not yet. | 0:17:27 | 0:17:30 | |
There was no sign of forced entry on the ground floor. | 0:17:30 | 0:17:33 | |
There was a window broken in the bedroom. | 0:17:33 | 0:17:36 | |
It could have been the point of entry | 0:17:36 | 0:17:38 | |
but the glass fell on the outside. | 0:17:38 | 0:17:40 | |
Mr Freedman says he has no knowledge of it. | 0:17:40 | 0:17:43 | |
Why isn't the Lyell Centre doing the forensics? | 0:17:43 | 0:17:45 | |
I heard things about your man. | 0:17:47 | 0:17:49 | |
Leave it. | 0:17:51 | 0:17:52 | |
Have you found a gun? | 0:17:53 | 0:17:55 | |
No. | 0:17:55 | 0:17:56 | |
If Rachel was responsible, where was the gun? | 0:17:56 | 0:17:59 | |
Husband comes home, he discovers bodies, is horrified. | 0:18:00 | 0:18:04 | |
He can't accept that his wife might have done that, so... | 0:18:04 | 0:18:08 | |
takes the gun, disposes of it. | 0:18:08 | 0:18:10 | |
And then he breaks a window to make it look like someone broke in. | 0:18:10 | 0:18:13 | |
Most victims know their killers. You've ruled out her husband? | 0:18:13 | 0:18:16 | |
How long do you think they were dead? | 0:18:16 | 0:18:18 | |
More than 36 hours. Rigor had passed, putrefaction had begun. | 0:18:18 | 0:18:22 | |
Mr Freedman was away on a business trip. | 0:18:22 | 0:18:25 | |
Why did he tell me that he didn't want a postmortem? | 0:18:25 | 0:18:28 | |
Well, he loved his wife. | 0:18:28 | 0:18:30 | |
He didn't want her body... | 0:18:30 | 0:18:31 | |
-you know. -She's dead. | 0:18:31 | 0:18:33 | |
His alibi stands up. | 0:18:34 | 0:18:36 | |
I mean, it could have been a burglary, | 0:18:36 | 0:18:39 | |
but home invasion is very rare. | 0:18:39 | 0:18:41 | |
-She wasn't sexually assaulted? -No. | 0:18:41 | 0:18:43 | |
Based on the entry wound, could she have pulled the trigger? | 0:18:43 | 0:18:46 | |
Yes, but someone else could have as well, so it's... | 0:18:46 | 0:18:48 | |
You'll have the full postmortem for me soon? | 0:18:48 | 0:18:51 | |
Has her sister spoken to you? | 0:18:55 | 0:18:56 | |
No. | 0:18:58 | 0:18:59 | |
Well, she came to see the bodies. | 0:18:59 | 0:19:01 | |
Anxious to know if we knew how she died | 0:19:01 | 0:19:03 | |
or whether we had any idea who'd done it. | 0:19:03 | 0:19:05 | |
Just seemed odd to ask me rather than ask you. | 0:19:05 | 0:19:08 | |
Haven't identified the body. | 0:19:12 | 0:19:13 | |
Face and fingertips were burnt away by acid. | 0:19:13 | 0:19:15 | |
Might know something later. Bye. | 0:19:15 | 0:19:17 | |
Anne? | 0:19:19 | 0:19:21 | |
-John! -How are you? | 0:19:21 | 0:19:22 | |
-I'm fine. How are you? -I'm good. You look absolutely great. | 0:19:22 | 0:19:25 | |
-You look good. -Are you well? -I was thinking about you. | 0:19:25 | 0:19:28 | |
Yeah, I was asking around about you actually. Everything OK? | 0:19:28 | 0:19:31 | |
Yeah. Fine! | 0:19:31 | 0:19:33 | |
I heard you got your promotion. | 0:19:33 | 0:19:35 | |
-I hope you're not working too hard. -Well, you know. | 0:19:35 | 0:19:38 | |
-Are you still with, er...? -No. Well, yes and no, | 0:19:39 | 0:19:44 | |
but mostly no. | 0:19:44 | 0:19:47 | |
And you? | 0:19:47 | 0:19:48 | |
I'm, er... Yep, same. | 0:19:48 | 0:19:50 | |
-See you. -Yeah, see you around. | 0:19:53 | 0:19:55 | |
Bugger. | 0:20:02 | 0:20:03 | |
Nikki? | 0:20:05 | 0:20:06 | |
Nikki, have you seen this press release? | 0:20:06 | 0:20:09 | |
I saw it. | 0:20:09 | 0:20:10 | |
CHAIR SQUEAKS | 0:20:16 | 0:20:19 | |
Is it wrong to like things that are familiar? | 0:20:24 | 0:20:26 | |
It's not wrong, is it? | 0:20:26 | 0:20:28 | |
My life has too many moving parts. | 0:20:28 | 0:20:31 | |
It squeaks. | 0:20:40 | 0:20:42 | |
My life? | 0:20:42 | 0:20:44 | |
-The chair. -Yep. | 0:20:44 | 0:20:47 | |
Needs oil to run smooth. | 0:20:47 | 0:20:48 | |
Now we're talking about my life. | 0:20:48 | 0:20:50 | |
Still the chair. | 0:20:50 | 0:20:52 | |
It's funny how the oddest things can remind you of someone. | 0:20:52 | 0:20:54 | |
I don't want anything in this room to change. | 0:20:58 | 0:21:01 | |
It already has. | 0:21:01 | 0:21:03 | |
When did it arrive? | 0:21:17 | 0:21:19 | |
This morning. | 0:21:19 | 0:21:21 | |
Mousa? I need to see you. | 0:21:27 | 0:21:29 | |
You're making me so hot. | 0:21:33 | 0:21:36 | |
You come that way out of the box, baby. | 0:21:36 | 0:21:38 | |
Come on. | 0:21:40 | 0:21:42 | |
-For Mousa? -Mm-hmm. | 0:21:44 | 0:21:45 | |
How much does she want? | 0:21:52 | 0:21:54 | |
120. | 0:21:54 | 0:21:56 | |
For a sex tape? | 0:21:56 | 0:21:57 | |
His value goes up if she sticks it on the net. | 0:21:59 | 0:22:01 | |
In the note that came with it, it says she has footage | 0:22:01 | 0:22:04 | |
where he beats the woman up... | 0:22:04 | 0:22:06 | |
-for fun! -Beats her up? | 0:22:06 | 0:22:09 | |
Not really the family man your sponsors love, is he? | 0:22:09 | 0:22:12 | |
Can I just say, I don't believe my client was involved in... | 0:22:12 | 0:22:14 | |
He makes jokes about religion, then he beats up a woman during sex. | 0:22:14 | 0:22:18 | |
This will wipe out his transfer value. | 0:22:18 | 0:22:21 | |
If people find out about this, we'll never find him another club. | 0:22:21 | 0:22:24 | |
Isaac Dreyfus is toxic! | 0:22:24 | 0:22:27 | |
My Chairman thinks that what Dreyfus has done | 0:22:28 | 0:22:31 | |
is no different than stealing from him. | 0:22:31 | 0:22:33 | |
-What can I do? -What can you do? | 0:22:33 | 0:22:35 | |
I'll tell you what you do. | 0:22:35 | 0:22:37 | |
You pay her the 120 grand and you find him another club. | 0:22:37 | 0:22:40 | |
(Morning.) | 0:22:49 | 0:22:51 | |
Morning, Papa. How are you? | 0:22:58 | 0:23:00 | |
I am very well. | 0:23:00 | 0:23:03 | |
Grande forme. | 0:23:03 | 0:23:05 | |
Come on in French, Zara - comment ca va? | 0:23:06 | 0:23:08 | |
Comment ca va? | 0:23:08 | 0:23:09 | |
-Grande forme. -Grande forme. | 0:23:09 | 0:23:11 | |
THEY LAUGH | 0:23:11 | 0:23:13 | |
Mousa's looking for a new club. | 0:23:15 | 0:23:17 | |
It's my own fault. | 0:23:17 | 0:23:18 | |
Where? In England? | 0:23:19 | 0:23:21 | |
France, Germany... | 0:23:21 | 0:23:23 | |
It won't be the Middle East. | 0:23:23 | 0:23:25 | |
What about Zara's school? | 0:23:25 | 0:23:27 | |
What about the nanny? I was going to hire one this week. | 0:23:27 | 0:23:30 | |
They don't stay very long anyway. | 0:23:30 | 0:23:32 | |
Papa! Papa! | 0:23:33 | 0:23:35 | |
Regarde ce que j'ai fait! | 0:23:35 | 0:23:36 | |
Tres beau, Zara! C'est magnifique! | 0:23:36 | 0:23:38 | |
-C'est qui? -C'est moi! | 0:23:38 | 0:23:40 | |
Unidentified young woman. Caucasian. Mid to late 20s. | 0:23:57 | 0:24:01 | |
Ligature marks around the circumference of the neck | 0:24:02 | 0:24:04 | |
over the thyroid prominence. | 0:24:04 | 0:24:06 | |
Thanks. | 0:24:24 | 0:24:25 | |
'Can we photograph the hands? Thanks.' | 0:24:27 | 0:24:29 | |
Thank you. | 0:24:34 | 0:24:35 | |
-Cocaine? -Calcium carbonate. | 0:25:09 | 0:25:11 | |
Does that look like a type of ryegrass to you? | 0:25:11 | 0:25:13 | |
Jack, does it look as though my life has had much to do with grass? | 0:25:13 | 0:25:16 | |
Can you send samples over for genetic tests? | 0:25:16 | 0:25:18 | |
The clippings look to be a mix of different types. | 0:25:18 | 0:25:21 | |
And check what kind of grass they use in public parks. Skips? | 0:25:21 | 0:25:25 | |
They look as though they're confined to the South East. | 0:25:25 | 0:25:28 | |
No hard-and-fast rule, | 0:25:28 | 0:25:29 | |
but most of the drivers use Smithy Environmental Services | 0:25:29 | 0:25:32 | |
when they collect in that area. | 0:25:32 | 0:25:33 | |
I'm isolating the lorries that delivered first thing that morning. | 0:25:33 | 0:25:36 | |
And look at the last deliveries the night before as well. | 0:25:36 | 0:25:39 | |
Did you think I wouldn't? | 0:25:39 | 0:25:40 | |
-Their rubbish went out on the midnight barge that night. -You're sure? | 0:25:40 | 0:25:43 | |
Why don't you trust me, Jack? | 0:25:43 | 0:25:44 | |
The hob was on... There was a pan out, butter in it. | 0:25:47 | 0:25:51 | |
I went upstairs. | 0:25:51 | 0:25:52 | |
She wasn't there so I went to check on Nathan. | 0:25:53 | 0:25:58 | |
I've told you all this over and over. | 0:25:58 | 0:26:00 | |
Why would I want flowers? Why do they send them? | 0:26:00 | 0:26:03 | |
Give the money to a charity. | 0:26:05 | 0:26:06 | |
You weren't worried you hadn't heard from her? | 0:26:08 | 0:26:11 | |
I was gone for three days. I left messages. She knew I was busy. | 0:26:11 | 0:26:14 | |
Did she have trouble coping with your son? | 0:26:14 | 0:26:16 | |
What are you talking about? Nathan was no trouble. | 0:26:16 | 0:26:20 | |
He might have been a little slower and quiet, | 0:26:20 | 0:26:22 | |
but they were joined at the hip. | 0:26:22 | 0:26:24 | |
We found firearms residue on her hand. | 0:26:24 | 0:26:26 | |
-Do you own a firearm? -Absolutely not. | 0:26:27 | 0:26:30 | |
Be ashamed of yourself for thinking that. Be ashamed. | 0:26:31 | 0:26:34 | |
She loved our son. | 0:26:34 | 0:26:36 | |
They hear the word "autism", I know people think like that, | 0:26:36 | 0:26:38 | |
but shame on you. | 0:26:38 | 0:26:39 | |
You don't like that, do you? | 0:26:45 | 0:26:46 | |
-No. -You don't get it. | 0:26:49 | 0:26:51 | |
You see, I think it's beautiful. | 0:26:55 | 0:26:57 | |
Rachel thought it was beautiful. | 0:26:57 | 0:27:00 | |
We look at Nathan and we don't see what you see. | 0:27:00 | 0:27:02 | |
We get him. | 0:27:02 | 0:27:04 | |
We think he's beautiful. | 0:27:04 | 0:27:05 | |
Maybe your wife was overly tired. | 0:27:07 | 0:27:09 | |
No. | 0:27:09 | 0:27:11 | |
Did she have help? | 0:27:11 | 0:27:13 | |
We had au pairs, nannies, whatever you want to call them, | 0:27:13 | 0:27:16 | |
to help with Nathan. | 0:27:16 | 0:27:18 | |
But none of them stayed very long. They couldn't cope, I guess. | 0:27:18 | 0:27:21 | |
-The last one quit after a few weeks. -And Rachel could cope? | 0:27:21 | 0:27:24 | |
Yes. She could cope. She loved our son. | 0:27:24 | 0:27:26 | |
She loved him. She coped. | 0:27:28 | 0:27:30 | |
How often did her sister help her? | 0:27:32 | 0:27:34 | |
Rachel doesn't have a sister. | 0:27:34 | 0:27:35 | |
Hello. | 0:28:25 | 0:28:26 | |
Can I help you? | 0:28:27 | 0:28:29 | |
HE LAUGHS | 0:28:29 | 0:28:30 | |
You weren't really asking if you could help, were you? | 0:28:30 | 0:28:32 | |
-Not really. -You were asking, "What are you doing in this office?" | 0:28:32 | 0:28:35 | |
-Yeah. -I'm asking the same thing, but, er, | 0:28:35 | 0:28:37 | |
probably without the same sort of edge. | 0:28:37 | 0:28:40 | |
Thomas Chamberlain. | 0:28:41 | 0:28:42 | |
Consultant Forensic Pathologist. | 0:28:42 | 0:28:44 | |
Jack Hodgson. | 0:28:44 | 0:28:45 | |
You're the new gaffer? | 0:28:46 | 0:28:48 | |
I saw the press release. | 0:28:48 | 0:28:51 | |
You're coming in to, what was it, "restore confidence in the centre". | 0:28:51 | 0:28:54 | |
I didn't know we'd lost anyone's confidence. | 0:28:54 | 0:28:56 | |
-I didn't write it. -Course not. | 0:28:56 | 0:28:59 | |
Hodgson...? Hmm. | 0:28:59 | 0:29:01 | |
What are you? | 0:29:01 | 0:29:03 | |
Forensic science. | 0:29:04 | 0:29:06 | |
Been at the Lyell Centre 15 months | 0:29:06 | 0:29:07 | |
and accounted for 27% of its profits. | 0:29:07 | 0:29:09 | |
If you say so. | 0:29:09 | 0:29:11 | |
Hello. | 0:29:11 | 0:29:12 | |
Clarissa Mullery, this is Thomas Chamberlain. | 0:29:12 | 0:29:16 | |
Hello, Clarissa. | 0:29:16 | 0:29:17 | |
Hmm. What are you? | 0:29:17 | 0:29:20 | |
Are you kidding me? | 0:29:20 | 0:29:22 | |
Do you know how offensive that is? | 0:29:22 | 0:29:23 | |
-No, not particularly, no. -You're that insensitive? | 0:29:23 | 0:29:26 | |
I don't consider myself insensitive. | 0:29:26 | 0:29:27 | |
"What are you?"! | 0:29:27 | 0:29:29 | |
-Do you think I'm some sort of monster? -I'm beginning to. | 0:29:29 | 0:29:31 | |
Clarissa works with me. | 0:29:31 | 0:29:33 | |
Forensic Examiner. That's what she is. | 0:29:33 | 0:29:35 | |
That is what I do. That is not who I am. Two separate things. | 0:29:35 | 0:29:37 | |
I am what I do. | 0:29:37 | 0:29:39 | |
-That must make it easier to keep track of... -Clarissa Mullery. | 0:29:39 | 0:29:42 | |
You are "insightful, analytical, | 0:29:42 | 0:29:44 | |
and your perspicacity is | 0:29:44 | 0:29:46 | |
"fundamental to the success of the Forensic Science team." | 0:29:46 | 0:29:49 | |
-Who told you that? -End-of-year assessment. | 0:29:49 | 0:29:52 | |
-You said that? -I didn't mean it. | 0:29:53 | 0:29:55 | |
I'm confident the torso disfigurement was a result of the lifting claw. | 0:29:56 | 0:30:00 | |
The disfigurement of her face and hands | 0:30:00 | 0:30:03 | |
are a consequence of hydrochloric acid. | 0:30:03 | 0:30:05 | |
To prevent identification? | 0:30:05 | 0:30:07 | |
I can't tell you the motive, | 0:30:07 | 0:30:08 | |
but it could suggest that it was a murder with forethought. | 0:30:08 | 0:30:11 | |
I think that a plastic bag was put over the victim's head - | 0:30:11 | 0:30:14 | |
the marks are where it was tied. | 0:30:14 | 0:30:16 | |
And I observed small pinpoints, | 0:30:16 | 0:30:18 | |
haemorrhages within the sclera of the eyes, | 0:30:18 | 0:30:21 | |
which may be suggestive of asphyxia. | 0:30:21 | 0:30:23 | |
However, I don't think that she was dead | 0:30:23 | 0:30:26 | |
when the acid was poured on her face. | 0:30:26 | 0:30:28 | |
The raised red lines around the acid burns... | 0:30:29 | 0:30:33 | |
as well as evidence of acid burns in her mouth, throat, | 0:30:33 | 0:30:36 | |
oesophagus and airways, | 0:30:36 | 0:30:37 | |
suggest that she was still alive when the acid was thrown in her face, | 0:30:37 | 0:30:41 | |
and she was gasping for breath. | 0:30:41 | 0:30:43 | |
-How could they do this? -Practically or morally? | 0:30:43 | 0:30:46 | |
Practically - I think that she was drugged and then murdered. | 0:30:47 | 0:30:50 | |
The fluid in her stomach had a high diazepine concentration. | 0:30:50 | 0:30:53 | |
I think that the drug was dissolved in fluid and then ingested. | 0:30:53 | 0:30:57 | |
So she was knocked out, strangled, disfigured. | 0:30:57 | 0:31:01 | |
I haven't had the bloods back but I'm expecting them today. | 0:31:01 | 0:31:04 | |
Morally? | 0:31:04 | 0:31:05 | |
Well, there is no answer, is there? | 0:31:07 | 0:31:09 | |
I will do everything that I can | 0:31:11 | 0:31:12 | |
to help you get the person or people who did this, | 0:31:12 | 0:31:15 | |
and bring them to justice. | 0:31:15 | 0:31:16 | |
-She was drugged? -Yes. | 0:31:16 | 0:31:18 | |
-Was she raped? -No. | 0:31:18 | 0:31:20 | |
No? | 0:31:20 | 0:31:22 | |
Then why? Why? | 0:31:22 | 0:31:23 | |
Why would they? | 0:31:23 | 0:31:25 | |
You know the world's a desperate, tragic place | 0:31:26 | 0:31:28 | |
when the fact she wasn't raped is scarier than if she was. | 0:31:28 | 0:31:31 | |
-Oh, Dr Alexander? -Yes. | 0:31:34 | 0:31:36 | |
Sorry to disturb you. | 0:31:36 | 0:31:37 | |
Thomas Chamberlain? | 0:31:39 | 0:31:40 | |
That's right. I'm replacing Professor Dalton. | 0:31:40 | 0:31:43 | |
No, you're not. You're taking over from him. | 0:31:43 | 0:31:45 | |
Well, actually, I'm, er, I'm taking over from you. | 0:31:50 | 0:31:55 | |
I didn't want the job, | 0:31:55 | 0:31:56 | |
but if you want to say that you're taking over, | 0:31:56 | 0:31:59 | |
if it makes you feel better, then fine. | 0:31:59 | 0:32:01 | |
Knock yourself out. | 0:32:01 | 0:32:02 | |
I saw the press release. | 0:32:04 | 0:32:06 | |
-We're not getting off to a good start. -No? | 0:32:06 | 0:32:08 | |
The whole team seems to have | 0:32:08 | 0:32:10 | |
some sort of a passive-aggressive thing going on. | 0:32:10 | 0:32:12 | |
It must be very difficult to work together. | 0:32:12 | 0:32:14 | |
-We don't seem to struggle. -It's just me. | 0:32:14 | 0:32:17 | |
It was that word "replace". | 0:32:17 | 0:32:19 | |
-I need to shower and get changed. -It wasn't the right word. | 0:32:19 | 0:32:21 | |
Perhaps we could talk about it later? | 0:32:21 | 0:32:24 | |
Unless you're intending to stay here and perv. | 0:32:24 | 0:32:26 | |
That was not an invitation. | 0:32:27 | 0:32:29 | |
Yes. Yes, I got that. | 0:32:29 | 0:32:32 | |
I'm sensitive. | 0:32:33 | 0:32:34 | |
Isaac. Hi. | 0:32:45 | 0:32:46 | |
Hey! Come on in. | 0:32:46 | 0:32:47 | |
-COMMENTARY: -It's a great strike, | 0:32:50 | 0:32:52 | |
and that's a fantastic goal. | 0:32:52 | 0:32:54 | |
-Isaac? -You need to speak to the people who make this, Mousa. | 0:32:58 | 0:33:01 | |
I'm much faster than this! | 0:33:01 | 0:33:04 | |
I'm as fast as Bale or Walcott. | 0:33:04 | 0:33:08 | |
-Right? -Go on, go on. | 0:33:08 | 0:33:10 | |
I mean, seriously, you've got to get them to fix that. | 0:33:10 | 0:33:13 | |
They're disrespecting me, man! | 0:33:13 | 0:33:15 | |
ISAAC! | 0:33:15 | 0:33:17 | |
I was about to score. | 0:33:17 | 0:33:18 | |
-Oh, Jack? -Hmm? | 0:33:20 | 0:33:21 | |
Can you have a look at the lot number and serial number on these? | 0:33:21 | 0:33:24 | |
We can check them against the EU Register | 0:33:24 | 0:33:25 | |
and find out who they belonged to. | 0:33:25 | 0:33:27 | |
See you. | 0:33:30 | 0:33:31 | |
Yo. | 0:33:36 | 0:33:38 | |
You know Ron McNally from the club? | 0:33:38 | 0:33:39 | |
Yeah. | 0:33:39 | 0:33:40 | |
You helped us with that Twitter stuff right? | 0:33:42 | 0:33:45 | |
-I tried. -Yeah! | 0:33:45 | 0:33:47 | |
I had like maybe 15,000 death threats. | 0:33:47 | 0:33:50 | |
Yeah. That was funny. | 0:33:50 | 0:33:52 | |
Yeah. Own goal, wasn't it? | 0:33:52 | 0:33:54 | |
I don't know where my brain was on that one. | 0:33:54 | 0:33:58 | |
Must have been the steroids I was taking. | 0:33:58 | 0:34:00 | |
Just messing with you, Mo! | 0:34:02 | 0:34:04 | |
I don't take that shit. | 0:34:04 | 0:34:05 | |
Makes your bollocks shrink and turns you into a monster. | 0:34:05 | 0:34:08 | |
Where's Monica? | 0:34:08 | 0:34:09 | |
Interviewing nannies. Yeah, the last one quit. | 0:34:09 | 0:34:12 | |
She's, er, she's picking an ugly one for me. | 0:34:12 | 0:34:15 | |
What? What is it, Mo? | 0:34:17 | 0:34:19 | |
You have a DVD player? | 0:34:20 | 0:34:21 | |
Serial Number: FR34728. | 0:34:25 | 0:34:28 | |
Lot Number: 10-15-90. | 0:34:28 | 0:34:32 | |
And the lot number is 10-15-90. | 0:34:32 | 0:34:36 | |
We're looking for the name of the patient who received the implants. | 0:34:36 | 0:34:40 | |
The Lyell Centre. London. | 0:34:40 | 0:34:43 | |
Erm, oui. Un moment. | 0:34:43 | 0:34:47 | |
Nikki! | 0:34:47 | 0:34:48 | |
Dr Chamberlain? | 0:34:49 | 0:34:50 | |
European Register of Prostheses. | 0:34:50 | 0:34:53 | |
They want to speak to a doctor. | 0:34:53 | 0:34:56 | |
(They're French.) | 0:34:56 | 0:34:57 | |
Oui. Hallo? Thomas Chamberlain, Docteur de pathologie. | 0:34:59 | 0:35:03 | |
Vous avez le nom. | 0:35:04 | 0:35:05 | |
A oui, un moment. | 0:35:05 | 0:35:06 | |
Eva Liron. | 0:35:09 | 0:35:12 | |
-How much does she want? -She wants 120,000. | 0:35:13 | 0:35:16 | |
-Is she crazy? -Do you know her? -You saw the tape? Of course. | 0:35:17 | 0:35:22 | |
She was an au pair. | 0:35:22 | 0:35:24 | |
120,000? | 0:35:24 | 0:35:27 | |
Don't be so stupid. | 0:35:27 | 0:35:29 | |
The note says she has footage where you beat the woman up. | 0:35:29 | 0:35:34 | |
Oh, yeah? Then show me! | 0:35:34 | 0:35:36 | |
I've never beat up a woman. | 0:35:36 | 0:35:39 | |
-Never. -I think you should pay. | 0:35:39 | 0:35:41 | |
-You don't believe me? -They can do things to videos. | 0:35:42 | 0:35:46 | |
And next week, hmm? How much will it be next week? 150? 200? | 0:35:46 | 0:35:49 | |
We're trying to get you a new club. We've lost almost every sponsor. | 0:35:49 | 0:35:53 | |
Then what? Miss a penalty? Get sent off? For a sex tape? Never. | 0:35:53 | 0:35:56 | |
Beating up women doesn't raise your value in the market. | 0:35:56 | 0:35:58 | |
-There's no tape of me beating up a woman. -Do you want to take a chance? | 0:35:58 | 0:36:01 | |
There's no tape of me beating up a woman because I never did. | 0:36:01 | 0:36:04 | |
Tu comprend ca? Never. | 0:36:04 | 0:36:06 | |
You know I don't care about these things, Isaac. I really don't. | 0:36:06 | 0:36:08 | |
Hey, Mo, why aren't you asking if the club is doing this | 0:36:08 | 0:36:11 | |
to get rid of me? That's what you should be asking. | 0:36:11 | 0:36:13 | |
Oh, that's ridiculous! | 0:36:13 | 0:36:15 | |
The club wants to get rid of me and suddenly... | 0:36:15 | 0:36:17 | |
-..this shows up. -Nobody wants to see your value drop, Isaac. | 0:36:19 | 0:36:22 | |
This is because of the Twitter. This is the payback. | 0:36:22 | 0:36:24 | |
-I'm not going to listen to this. -Ron, wait! | 0:36:24 | 0:36:26 | |
-Maybe they knock women around in Riyadh. -I don't care if... -Maybe that's how they get off. | 0:36:26 | 0:36:30 | |
-What you do is your business. -Just get out of my house. All of you. | 0:36:30 | 0:36:33 | |
Get out! | 0:36:35 | 0:36:36 | |
Are you OK? | 0:36:53 | 0:36:55 | |
Yeah. I'm fine. Everything's fine. | 0:36:55 | 0:36:58 | |
MUTED: That sofa's to go. A couple of smaller sofas here... | 0:37:17 | 0:37:20 | |
Rachel Freedman doesn't have a sister. | 0:37:20 | 0:37:22 | |
Who was the woman that came to see her? | 0:37:24 | 0:37:26 | |
She called herself Ruth. | 0:37:30 | 0:37:32 | |
That's all we've got. | 0:37:43 | 0:37:45 | |
Why would she come here? | 0:37:45 | 0:37:46 | |
To get information. | 0:37:48 | 0:37:50 | |
Well, how would she find out | 0:37:50 | 0:37:51 | |
where Rachel's and Nathan's bodies were being kept? | 0:37:51 | 0:37:54 | |
Adam Freedman? | 0:37:54 | 0:37:56 | |
She asked him? | 0:37:56 | 0:37:57 | |
She followed him. | 0:37:59 | 0:38:00 | |
We're working from the theory that Eva Liron's body | 0:38:01 | 0:38:03 | |
was transported to the amenity site by a rubbish truck. | 0:38:03 | 0:38:06 | |
Or a skip. I think it was a skip. | 0:38:06 | 0:38:08 | |
-Yeah, could be either. Both use Smithy Environmental. -It was a skip. | 0:38:08 | 0:38:11 | |
The rubbish trucks in this area won't collect garden waste. | 0:38:11 | 0:38:13 | |
The public parks use skips. | 0:38:13 | 0:38:15 | |
-The amount of organic material around the body... -Organic material? | 0:38:15 | 0:38:18 | |
-ALL: -Grass. -Right. | 0:38:18 | 0:38:19 | |
..makes me think that it must have come from a large open space, | 0:38:19 | 0:38:22 | |
not a private garden. | 0:38:22 | 0:38:24 | |
Eva's body was in a skip covered by grass, | 0:38:24 | 0:38:26 | |
which prevented its discovery. | 0:38:26 | 0:38:27 | |
And possibly masked any odour | 0:38:27 | 0:38:28 | |
that could have alerted someone to its presence. | 0:38:28 | 0:38:31 | |
So you think the deceased died in a public park? | 0:38:31 | 0:38:33 | |
No. | 0:38:33 | 0:38:34 | |
Clarissa? | 0:38:34 | 0:38:36 | |
This is the approximate catchment area for Smithy Environmental. | 0:38:36 | 0:38:40 | |
There are more than 40 open spaces | 0:38:40 | 0:38:42 | |
that we estimate could account for the volume of grass | 0:38:42 | 0:38:44 | |
we saw at Smithy Environmental. | 0:38:44 | 0:38:46 | |
We had to find a way to narrow the location. | 0:38:46 | 0:38:48 | |
How did we do that, Clarissa? | 0:38:48 | 0:38:49 | |
-We looked at the grass. -Were we surprised? | 0:38:49 | 0:38:52 | |
We were surprised. | 0:38:52 | 0:38:53 | |
We found that the grass we sampled was a blend of? | 0:38:53 | 0:38:56 | |
Bizet perennial ryegrass, | 0:38:56 | 0:38:58 | |
Verdi perennial ryegrass | 0:38:58 | 0:38:59 | |
and Limousine smooth-stalked meadow grass. | 0:38:59 | 0:39:03 | |
And this combination of grasses is used for? | 0:39:03 | 0:39:06 | |
Professional sports pitches. | 0:39:06 | 0:39:07 | |
-Ah, not parks? -No. | 0:39:07 | 0:39:09 | |
And we found another substance on the blades of grass. | 0:39:09 | 0:39:12 | |
-A white substance. -Calcium carbonate, which is... | 0:39:12 | 0:39:16 | |
The white chalk they use to line a pitch. | 0:39:16 | 0:39:19 | |
We checked the list of skips | 0:39:20 | 0:39:22 | |
that had been delivered on the morning the body was found, | 0:39:22 | 0:39:24 | |
and discovered that a skip came from? | 0:39:24 | 0:39:26 | |
Duchess Meadows. | 0:39:26 | 0:39:28 | |
And what is in Duchess Meadows? | 0:39:28 | 0:39:30 | |
You're just showing off. | 0:39:30 | 0:39:32 | |
It's where City have their training ground. | 0:39:32 | 0:39:34 | |
You're a City fan? | 0:39:36 | 0:39:37 | |
Since I was a boy! | 0:39:37 | 0:39:39 | |
LOUD GUNSHOTS | 0:39:43 | 0:39:45 | |
-Hey, Lucy. -Isaac! | 0:40:10 | 0:40:12 | |
-Sami, you all right? -Hi. | 0:40:12 | 0:40:14 | |
I need to speak to Mo. | 0:40:14 | 0:40:16 | |
Hi. | 0:40:18 | 0:40:20 | |
Come in. | 0:40:20 | 0:40:21 | |
Pay her. | 0:40:29 | 0:40:30 | |
Hi, it's Nikki. | 0:40:54 | 0:40:55 | |
Bloods on the child, Nathan Freedman. Could you run them again please? | 0:40:55 | 0:40:58 | |
We can get a fresh sample to you. I'd prefer that. | 0:40:59 | 0:41:02 | |
Eliminate any possibility of contamination. | 0:41:02 | 0:41:04 | |
Isaac would like to pay what they want to make this go away. | 0:41:04 | 0:41:07 | |
They gave you details of how to make the transaction? | 0:41:09 | 0:41:12 | |
Your son was difficult to control. | 0:41:16 | 0:41:18 | |
He didn't react well to strangers. | 0:41:18 | 0:41:20 | |
He hit out at them? | 0:41:21 | 0:41:23 | |
Yeah, and might try to bite them if he was very, very scared. | 0:41:23 | 0:41:26 | |
And to you? He was never very, very scared? | 0:41:26 | 0:41:30 | |
Did you use any kinds of drugs to try and calm him down? | 0:41:32 | 0:41:35 | |
No. | 0:41:35 | 0:41:37 | |
No benzodiazepines? Painkillers? | 0:41:37 | 0:41:39 | |
-No! -Well, just to take the edge off him? | 0:41:39 | 0:41:42 | |
Are you mad? | 0:41:42 | 0:41:43 | |
Would you give your child drugs to calm them down or shut them up | 0:41:43 | 0:41:45 | |
-because you couldn't cope? -I don't have children. | 0:41:45 | 0:41:48 | |
Which explains the stupidity of your question. | 0:41:48 | 0:41:50 | |
HE PANTS | 0:42:19 | 0:42:21 | |
-Detective Inspector. -Mr McNally. -Nice to meet you. | 0:42:39 | 0:42:43 | |
I asked Bazza Numan, one of our groundsmen, to join us. | 0:42:43 | 0:42:46 | |
This way. | 0:42:46 | 0:42:47 | |
25 years with the police, I was. | 0:42:48 | 0:42:51 | |
Can't say I enjoyed every one of them, | 0:42:51 | 0:42:52 | |
but...I am proud of them. | 0:42:52 | 0:42:55 | |
How often do you cut the grass? | 0:42:57 | 0:42:59 | |
Every day. Training ground and stadium. | 0:42:59 | 0:43:01 | |
Sometimes two or three days if it's been raining. | 0:43:01 | 0:43:04 | |
Doesn't grow so fast in the winter. | 0:43:04 | 0:43:06 | |
And you put it in the skip there? | 0:43:06 | 0:43:07 | |
Yep. That's the way they want it done. | 0:43:07 | 0:43:09 | |
Is the gate normally locked? | 0:43:09 | 0:43:11 | |
If the skip pick-up is very early in the morning, they'll... | 0:43:12 | 0:43:15 | |
They'll leave it open. | 0:43:15 | 0:43:16 | |
-CCTV? -Not here. | 0:43:16 | 0:43:20 | |
Training ground, player areas - of course. | 0:43:20 | 0:43:22 | |
But...here? | 0:43:22 | 0:43:24 | |
"Muriatic." | 0:43:48 | 0:43:49 | |
It's just another name for hydrochloric acid, isn't it? | 0:43:49 | 0:43:53 | |
I don't know, sir. | 0:43:53 | 0:43:54 | |
What do you use it for? | 0:43:54 | 0:43:56 | |
Clean the cement. Gets rid of grime. | 0:43:56 | 0:43:58 | |
You have to wear gloves. | 0:43:58 | 0:44:00 | |
May I speak with Dr Alexander, please? | 0:44:01 | 0:44:03 | |
Hi. Sorry to trouble you. | 0:44:09 | 0:44:10 | |
-Do you know this woman? -No, sorry. | 0:44:10 | 0:44:12 | |
Could this have disfigured Eva Liron? | 0:44:53 | 0:44:55 | |
The same chemical. | 0:44:56 | 0:44:58 | |
Undiluted, it would be capable of inflicting the injuries we've seen. | 0:44:58 | 0:45:02 | |
Hi. Sorry to trouble you, Mr Dreyfus. | 0:45:06 | 0:45:07 | |
Em, would you mind signing this? For my daughter. | 0:45:07 | 0:45:11 | |
Yeah, sure. | 0:45:11 | 0:45:12 | |
-Thanks. Really appreciate it, mate. -You're welcome. | 0:45:16 | 0:45:19 | |
Erm... Do you know this woman? | 0:45:19 | 0:45:22 | |
-Why? What happened? -She was murdered. | 0:45:23 | 0:45:25 | |
No. I'm sorry. I-I don't know her. | 0:45:27 | 0:45:29 | |
Bye. | 0:45:30 | 0:45:32 | |
The clippings are so fine, the body sinks, | 0:45:32 | 0:45:34 | |
gets covered by fertilisers, nitrates - | 0:45:34 | 0:45:37 | |
you know the sort of stuff, snail killer... | 0:45:37 | 0:45:39 | |
-And it's in a confined space. -The chemicals in the grass | 0:45:39 | 0:45:42 | |
will change the rate of decomposition of the body. | 0:45:42 | 0:45:44 | |
Grass will insulate, but it'll also produce its own heat. | 0:45:44 | 0:45:46 | |
Which could speed things up and cause burns and charring. | 0:45:46 | 0:45:50 | |
But if there's not enough air then it will slow the process. | 0:45:50 | 0:45:53 | |
We're really pinning this down(!) | 0:45:53 | 0:45:55 | |
Hi. Erm, sorry to trouble you, Carlos. | 0:45:58 | 0:46:00 | |
-Do you know this woman? -Si. | 0:46:00 | 0:46:02 | |
She used to work for Isaac. | 0:46:02 | 0:46:05 | |
Eva Liron's dead. | 0:46:09 | 0:46:11 | |
Dead? | 0:46:12 | 0:46:13 | |
-How did she...? -She was murdered. | 0:46:15 | 0:46:16 | |
Oh, my God. | 0:46:18 | 0:46:20 | |
I... I have to call Isaac. | 0:46:20 | 0:46:22 | |
-Where is your husband? -He should be home soon. | 0:46:28 | 0:46:30 | |
-VOICEMAIL: -'This is Isaac. Leave a message.' | 0:46:30 | 0:46:33 | |
Oh, my God. Is that... Is that Isaac Dreyfus? | 0:46:34 | 0:46:37 | |
THEY WHISPER EXCITEDLY | 0:46:37 | 0:46:38 | |
CAMERA CLICKS | 0:46:42 | 0:46:44 | |
-I have to see Mousa. -Hey, Isaac. He's not here. | 0:46:49 | 0:46:52 | |
-Where is he? -I don't know...Sami? | 0:46:52 | 0:46:54 | |
At a meeting? | 0:46:55 | 0:46:57 | |
-Have you tried to call him? -He's not answering his phone! | 0:46:57 | 0:46:59 | |
I'll...let him know, yeah? | 0:46:59 | 0:47:01 | |
MONICA: She was highly recommended. | 0:47:05 | 0:47:06 | |
Her references were very good. | 0:47:06 | 0:47:09 | |
I... I liked her very much. | 0:47:09 | 0:47:12 | |
And then she just disappeared. | 0:47:12 | 0:47:14 | |
It was strange. | 0:47:14 | 0:47:15 | |
She seemed happy. | 0:47:15 | 0:47:17 | |
I tried to contact her, but she never answered her phone. | 0:47:17 | 0:47:20 | |
She just disappeared. | 0:47:20 | 0:47:22 | |
Why didn't you call the police? | 0:47:22 | 0:47:23 | |
To say what? "Our nanny quit"? | 0:47:23 | 0:47:26 | |
I couldn't even get the police to come | 0:47:26 | 0:47:28 | |
when I thought someone broke into our house. | 0:47:28 | 0:47:30 | |
You OK? | 0:47:34 | 0:47:35 | |
GIGGLING: Yes! | 0:47:35 | 0:47:36 | |
-Sorry, I had to collect Zara. -Mama! | 0:47:47 | 0:47:52 | |
Police? | 0:47:52 | 0:47:53 | |
Detective Inspector John Leighton. | 0:47:53 | 0:47:55 | |
-City fan? -Nope. | 0:47:55 | 0:47:57 | |
-Dommage. -I prefer rugby. | 0:47:57 | 0:47:59 | |
Are you OK to answer a few questions? | 0:48:01 | 0:48:03 | |
Sweetie, why don't you go upstairs and play, OK? | 0:48:03 | 0:48:06 | |
When did you last see Eva Liron? | 0:48:09 | 0:48:10 | |
Um...ten days ago? | 0:48:12 | 0:48:13 | |
Yeah, just... Just before the match in Newcastle. | 0:48:13 | 0:48:16 | |
-And you have a clear memory of it? -Yeah, of course. | 0:48:16 | 0:48:18 | |
I mean, Monica panicked when Eva didn't show up for work. | 0:48:18 | 0:48:22 | |
My wife had never been to Newcastle before | 0:48:22 | 0:48:24 | |
and she was going to go with me. | 0:48:24 | 0:48:26 | |
But she couldn't come. | 0:48:26 | 0:48:28 | |
No idea who would have wanted to do her harm? | 0:48:28 | 0:48:31 | |
No. | 0:48:33 | 0:48:34 | |
OK. Thank you. | 0:48:35 | 0:48:37 | |
Oh, er... | 0:48:40 | 0:48:42 | |
Forensics believe that her body was dumped at the training ground. | 0:48:42 | 0:48:46 | |
That's why we were there today and why we were asking people | 0:48:46 | 0:48:48 | |
if they'd seen Eva or knew who she was. | 0:48:48 | 0:48:51 | |
Why did you pretend not to know her? | 0:48:52 | 0:48:54 | |
Well, because it made me look guilty | 0:48:57 | 0:48:59 | |
and, um...I'm not guilty. | 0:48:59 | 0:49:03 | |
Yeah, of course. | 0:49:04 | 0:49:05 | |
Do we need a solicitor? | 0:49:11 | 0:49:12 | |
-No. No. -Should I call my father? | 0:49:12 | 0:49:14 | |
Don't worry. We'll be good. | 0:49:14 | 0:49:17 | |
Are you coming to bed? | 0:49:21 | 0:49:23 | |
I slept with her. | 0:49:30 | 0:49:31 | |
I slept with Eva. | 0:49:35 | 0:49:36 | |
I slept with her and she made a tape. | 0:49:40 | 0:49:42 | |
She was trying to get money from me. | 0:49:43 | 0:49:45 | |
I'm sorry. | 0:49:49 | 0:49:50 | |
How could you do this to us? | 0:49:54 | 0:49:56 | |
How could you be so weak?! | 0:49:56 | 0:49:58 | |
-In my bed? -No. A hotel. An away match. | 0:50:02 | 0:50:05 | |
She followed you to a match?! | 0:50:05 | 0:50:06 | |
-Did you...? -No! Of course not! | 0:50:11 | 0:50:13 | |
I-I didn't know she was dead until today. | 0:50:13 | 0:50:15 | |
I was going to pay her... | 0:50:15 | 0:50:17 | |
Monica! You have to believe me! | 0:50:17 | 0:50:19 | |
SHE SOBS | 0:50:22 | 0:50:24 | |
Oh, baby... | 0:50:31 | 0:50:32 | |
-Do you love me? -Oui. | 0:50:40 | 0:50:42 | |
I'm sorry. | 0:50:46 | 0:50:47 | |
Oh. Nice. Every girl should have one. | 0:50:56 | 0:50:59 | |
Every girl secretly wants to be a WAG. | 0:50:59 | 0:51:02 | |
Yeah. Why wouldn't you? | 0:51:02 | 0:51:03 | |
Let your whole existence be defined by a bloke. | 0:51:03 | 0:51:06 | |
Excuse me, please. | 0:51:06 | 0:51:07 | |
Ah. Come in. | 0:51:15 | 0:51:17 | |
Well, what do you think? | 0:51:17 | 0:51:19 | |
I think it's, er...amazing | 0:51:20 | 0:51:22 | |
and marks you out as a man of incredible taste and vision. | 0:51:22 | 0:51:25 | |
-Do you think she meant that? -Absolutely. | 0:51:27 | 0:51:29 | |
Right. | 0:51:36 | 0:51:37 | |
Do you think Isaac Dreyfus has anything to do with it? | 0:51:39 | 0:51:41 | |
I need evidence. I need motive. | 0:51:41 | 0:51:43 | |
How many nannies do you know with a...? | 0:51:43 | 0:51:45 | |
Breast augmentation. | 0:51:45 | 0:51:47 | |
That just trips off the tongue. How many? | 0:51:47 | 0:51:48 | |
-What's your point? -There isn't always one. | 0:51:48 | 0:51:50 | |
-You think Eva Liron targeted him? -OK. She pursues him. | 0:51:50 | 0:51:54 | |
Probably just for fun at first. | 0:51:54 | 0:51:56 | |
She gets him to sleep with her. She decides, "That was easy." | 0:51:56 | 0:52:00 | |
"I'd like the rest of that lifestyle as well." | 0:52:00 | 0:52:02 | |
He says, "No". She threatens to blow up his life. | 0:52:02 | 0:52:05 | |
He kills her. | 0:52:05 | 0:52:06 | |
A bleak world-view. | 0:52:06 | 0:52:07 | |
He's 26, right? For each one of those years, | 0:52:07 | 0:52:09 | |
he's been told he's marvellous, special. | 0:52:09 | 0:52:11 | |
He doesn't know what's right or wrong. He just does. | 0:52:11 | 0:52:13 | |
-Although the cliche is attractive... -It's a cliche | 0:52:13 | 0:52:16 | |
because we all know it happens. | 0:52:16 | 0:52:17 | |
Now, his window of opportunity is limited | 0:52:17 | 0:52:19 | |
because he travels so much. | 0:52:19 | 0:52:20 | |
So I need you to be very precise about Eva Liron's time of death. | 0:52:20 | 0:52:23 | |
Trying to estimate her time of death won't be easy. | 0:52:23 | 0:52:26 | |
She will have died at least a week ago. | 0:52:26 | 0:52:28 | |
There are no fly eggs on the body | 0:52:28 | 0:52:29 | |
and there is evidence of putrefaction, | 0:52:29 | 0:52:31 | |
marbling along blood vessels... | 0:52:31 | 0:52:33 | |
Can we get within a day? | 0:52:33 | 0:52:35 | |
I need... I need to be able to limit any alibi... | 0:52:35 | 0:52:37 | |
A day is fairly exact... | 0:52:37 | 0:52:39 | |
Oh, we should be able to do that. | 0:52:39 | 0:52:40 | |
We presume that she was murdered at the training ground, | 0:52:42 | 0:52:44 | |
but we don't know. | 0:52:44 | 0:52:45 | |
The environment in the skip is moist, | 0:52:45 | 0:52:47 | |
but we don't know how long it was in the skip. | 0:52:47 | 0:52:49 | |
The acid will have caused a rise in temperature... | 0:52:49 | 0:52:51 | |
We can play with the information we've got | 0:52:51 | 0:52:53 | |
and give the Detective Inspector what he needs, can't we? | 0:52:53 | 0:52:56 | |
You have the skills and resources, don't you, Dr Alexander? | 0:52:56 | 0:52:58 | |
I'll be at my desk. | 0:53:00 | 0:53:01 | |
Magistrate's given us a warrant to search his house. | 0:53:07 | 0:53:11 | |
-Thanks for your time. -Thank you. | 0:53:11 | 0:53:12 | |
Jack? | 0:53:14 | 0:53:16 | |
Did I say something...? | 0:53:17 | 0:53:18 | |
She doesn't "play with information" and she doesn't lie. | 0:53:20 | 0:53:22 | |
Asking if she "had the skills"? | 0:53:22 | 0:53:24 | |
You're lucky you can still pee standing up. | 0:53:24 | 0:53:27 | |
Great leadership, by the way. Restored my confidence. | 0:53:29 | 0:53:32 | |
-What's going on? -Morning, Mrs Dreyfus. | 0:53:57 | 0:53:59 | |
I have a warrant to search your house. | 0:53:59 | 0:54:02 | |
Sergio, you take upstairs. Peter, in there. | 0:54:02 | 0:54:04 | |
James, Eddie - kitchen. | 0:54:04 | 0:54:06 | |
Oh, come on! Why are you doing this? Why? | 0:54:06 | 0:54:10 | |
-Monica. -Zara, come on. Let's watch TV, OK? | 0:54:12 | 0:54:15 | |
Mousa!? Where are you? | 0:54:21 | 0:54:22 | |
The police are here searching my house. | 0:54:22 | 0:54:24 | |
Call me back. | 0:54:24 | 0:54:26 | |
You're just trying to make yourself famous. | 0:54:30 | 0:54:32 | |
-Huh? Is that what it is? -Yeah, it was always my dream. | 0:54:33 | 0:54:36 | |
-Oh... -C'est pour moi, tout ca? -Mm-hm... | 0:54:48 | 0:54:50 | |
-Hey! Stop it! -Detective Leighton! Stop that. | 0:54:52 | 0:54:54 | |
Can you...? Yeah. Thanks. | 0:54:54 | 0:54:56 | |
Detective Leighton, you need to see this. | 0:54:56 | 0:54:59 | |
I didn't kill her. | 0:55:06 | 0:55:08 | |
Are you listening? I didn't kill her. | 0:55:08 | 0:55:10 | |
Monica, call your father! | 0:55:10 | 0:55:12 | |
REPORTER: Isaac! Isaac! | 0:55:13 | 0:55:15 | |
REPORTERS YELL | 0:55:15 | 0:55:16 | |
-You know each other? -Yep. -Yeah. | 0:55:46 | 0:55:48 | |
I needed to see both of you. | 0:55:48 | 0:55:49 | |
His father says they didn't use drugs. | 0:55:51 | 0:55:53 | |
Some families don't. | 0:55:53 | 0:55:55 | |
He admitted that Nathan could be violent | 0:55:55 | 0:55:57 | |
and strike out at strangers. | 0:55:57 | 0:55:58 | |
Well, I don't think that the presence of benzodiazepine in Nathan's bloods | 0:55:58 | 0:56:01 | |
has anything to do with his autism. | 0:56:01 | 0:56:04 | |
The cocktail of anti-psychotic drugs and painkillers | 0:56:04 | 0:56:07 | |
used to kill Nathan Freedman | 0:56:07 | 0:56:09 | |
is the same as those found in the bloods of Eva Liron. | 0:56:09 | 0:56:12 | |
It may not mean anything, but it is highly unusual. | 0:56:13 | 0:56:18 | |
I can't explain it, but... | 0:56:18 | 0:56:19 | |
I think you may be looking for the same killer. | 0:56:20 | 0:56:22 | |
Well, we've already got a suspect. | 0:56:25 | 0:56:27 | |
Mousa Rashid's dead. | 0:57:07 | 0:57:08 | |
I'm not all the things you think I am. | 0:57:08 | 0:57:12 | |
-I didn't kill the girl. -I'm not the one who'll judge you. | 0:57:12 | 0:57:14 | |
Please! I don't know what to do. I'm so scared. | 0:57:15 | 0:57:18 | |
I need more physical evidence. | 0:57:18 | 0:57:20 | |
I need you two to step up. | 0:57:20 | 0:57:22 | |
How have we not stepped up? | 0:57:22 | 0:57:23 | |
-Leighton called. Says Jack assaulted him. -What? | 0:57:23 | 0:57:26 | |
She allows herself to be photographed but leaves no DNA and no prints. | 0:57:26 | 0:57:30 | |
Someone went through my files | 0:57:32 | 0:57:33 | |
and photocopied a highly confidential document. | 0:57:33 | 0:57:36 | |
And you think that was me? | 0:57:36 | 0:57:37 | |
GUNSHOTS | 0:57:38 | 0:57:40 |