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He's playing his last game for us today. | 0:00:02 | 0:00:03 | |
I came to get him a new contract and you tell me he's out? | 0:00:03 | 0:00:06 | |
A sex tape? | 0:00:06 | 0:00:07 | |
Pay her. | 0:00:07 | 0:00:08 | |
Eva Liron's dead. | 0:00:08 | 0:00:09 | |
I slept with Eva. | 0:00:09 | 0:00:11 | |
Nathan has no marks on his body whatsoever. | 0:00:11 | 0:00:15 | |
His bloods contained a fatal amount of benzodiazepine. | 0:00:15 | 0:00:17 | |
We normally only allow immediate family. | 0:00:17 | 0:00:19 | |
Sister isn't immediate enough? | 0:00:19 | 0:00:21 | |
Rachel doesn't have a sister. | 0:00:21 | 0:00:22 | |
-Thomas Chamberlain? -That's right. I'm replacing Professor Dalton. | 0:00:22 | 0:00:25 | |
No, you're not. You're taking over from him. | 0:00:25 | 0:00:27 | |
I didn't kill her. Are you listening? I didn't kill her. | 0:00:29 | 0:00:31 | |
The cocktail of anti-psychotic drugs | 0:00:31 | 0:00:33 | |
and pain killers used to kill Nathan Freedman | 0:00:33 | 0:00:35 | |
is the same as those found in the bloods of Eva Liron. | 0:00:35 | 0:00:39 | |
I think you may be looking for the same killer. | 0:00:39 | 0:00:41 | |
# Testator silens | 0:00:48 | 0:00:55 | |
# Costestes e spiritu | 0:00:55 | 0:01:03 | |
# Silentium. # | 0:01:03 | 0:01:10 | |
Mousa Rashid, male of Asian origin, 39 years old. | 0:01:15 | 0:01:20 | |
Single gunshot wound. | 0:01:20 | 0:01:21 | |
Entry at the external auditory meatus. | 0:01:21 | 0:01:24 | |
Identification by the presence of gas | 0:01:24 | 0:01:27 | |
and metallic fragments along the bullet path, | 0:01:27 | 0:01:29 | |
which is connected to the entry wound present on the surface of the skin. | 0:01:29 | 0:01:33 | |
Just to eliminate you from what we find, OK. | 0:01:44 | 0:01:46 | |
What's our insurance position on Isaac Dreyfus? | 0:02:05 | 0:02:07 | |
Career ending. | 0:02:08 | 0:02:10 | |
No. It's not his knee. | 0:02:11 | 0:02:13 | |
The bullet passed through bone. | 0:02:13 | 0:02:15 | |
Bone spicules were embedded in the bullet path. | 0:02:15 | 0:02:18 | |
Gas, bone, and metal are present in the brain parenchyma. | 0:02:18 | 0:02:22 | |
It's all copper. | 0:02:26 | 0:02:28 | |
Who uses copper bullets? | 0:02:28 | 0:02:29 | |
Dunno. | 0:02:29 | 0:02:32 | |
There is no evidence of temporary capitation. | 0:02:32 | 0:02:35 | |
Mind if I join you? | 0:02:46 | 0:02:47 | |
Y-shaped incision. | 0:02:51 | 0:02:52 | |
He wasn't killed where the body was found. | 0:03:13 | 0:03:15 | |
There's no blood spatter in the area. | 0:03:15 | 0:03:17 | |
We've found what we think are traces of purple loosestrife | 0:03:17 | 0:03:20 | |
and a black poplar leaf on his shoe, | 0:03:20 | 0:03:22 | |
as well as pollen from a wild honeysuckle. | 0:03:22 | 0:03:25 | |
None of these plants were proximate to the body. | 0:03:25 | 0:03:27 | |
I need to find where he was shot. | 0:03:27 | 0:03:29 | |
Livor mortis suggests that he was sitting when he was shot | 0:03:29 | 0:03:33 | |
and remained sitting for several hours afterwards before he was moved. | 0:03:33 | 0:03:36 | |
-The lines? -I think he was sitting on a wooden bench. | 0:03:36 | 0:03:39 | |
Hm. | 0:03:39 | 0:03:41 | |
What's this? | 0:03:41 | 0:03:42 | |
Do you have a mirror? | 0:03:44 | 0:03:46 | |
Thank you. | 0:03:54 | 0:03:55 | |
Ah. See that. | 0:03:59 | 0:04:00 | |
-"..uck City." -Graffiti. | 0:04:00 | 0:04:02 | |
Such wit. | 0:04:02 | 0:04:04 | |
I know what bench we're looking for. | 0:04:05 | 0:04:07 | |
MAN SPEAKS YIDDISH | 0:04:12 | 0:04:14 | |
And the true judge be praised. | 0:04:14 | 0:04:16 | |
DISTANT MALE VOICE RECITES PRAYER IN YIDDISH | 0:04:22 | 0:04:27 | |
VOICE FADES | 0:04:49 | 0:04:53 | |
Mousa Rashid died here. He was left on that bench. | 0:06:07 | 0:06:10 | |
They moved him to make sure he was found. | 0:06:10 | 0:06:12 | |
-That would be my guess. -Well done. | 0:06:12 | 0:06:15 | |
REPORTERS ALL CALL OUT QUESTIONS | 0:06:16 | 0:06:19 | |
TV: 'Footballer Isaac Dreyfus has been arrested by police | 0:06:24 | 0:06:28 | |
'in connection with the murder of a young woman | 0:06:28 | 0:06:30 | |
'found near the River Thames. | 0:06:30 | 0:06:32 | |
'A post mortem examination revealed she had been attacked with acid. | 0:06:32 | 0:06:36 | |
'Police have confirmed her identity as 25-year-old au pair, Eva Liron. | 0:06:36 | 0:06:41 | |
'Today the detective in charge of the case, DI John Leighton, | 0:06:41 | 0:06:45 | |
'released an image of the murder victim. | 0:06:45 | 0:06:47 | |
'Anyone with information that can assist the investigation | 0:06:47 | 0:06:51 | |
'is urged to contact the incident room or their local police station. | 0:06:51 | 0:06:55 | |
'A spokesperson for Thames City Football Club | 0:06:55 | 0:06:58 | |
'has confirmed that the midfielder Isaac Dreyfus | 0:06:58 | 0:07:00 | |
-'will not play in the upcoming London derby...' -Yes, hello. | 0:07:00 | 0:07:03 | |
Detective Sergeant Anne Burchett, please. | 0:07:03 | 0:07:05 | |
It's about Eva Liron. | 0:07:05 | 0:07:08 | |
Ruth?! | 0:07:13 | 0:07:15 | |
HE SPEAKS YIDDISH | 0:07:18 | 0:07:20 | |
We've already taken DNA from Isaac Dreyfus. | 0:07:36 | 0:07:38 | |
I know. I'd just... | 0:07:38 | 0:07:40 | |
I'd just like us to do it. | 0:07:40 | 0:07:42 | |
We'd like to do all our own sampling. It looks better in court. | 0:07:42 | 0:07:45 | |
You don't trust the police? | 0:07:46 | 0:07:48 | |
-Open? -Can I have your phone number? | 0:07:52 | 0:07:54 | |
Come on. Open! | 0:07:54 | 0:07:56 | |
Don't tell me you've never been asked for your phone number before? | 0:07:56 | 0:08:00 | |
-Only by salesmen. -Do they get it? | 0:08:00 | 0:08:02 | |
Can you keep your mouth open? | 0:08:02 | 0:08:04 | |
If you don't want to give me yours, I'll give you mine. | 0:08:06 | 0:08:08 | |
I'm done. | 0:08:15 | 0:08:16 | |
I'm not all the things you think I am. | 0:08:19 | 0:08:21 | |
I didn't kill the girl. | 0:08:21 | 0:08:22 | |
I'm not the one who's going to judge you. | 0:08:22 | 0:08:24 | |
Everyone judges me. | 0:08:24 | 0:08:26 | |
That's what they pay to do. | 0:08:26 | 0:08:28 | |
He didn't do it, Dad. | 0:08:35 | 0:08:37 | |
I don't understand what's happening to us. | 0:08:37 | 0:08:39 | |
He didn't do it. | 0:08:40 | 0:08:42 | |
PHONE BEEPS | 0:08:43 | 0:08:45 | |
Oh. | 0:08:45 | 0:08:46 | |
They want to interview Isaac again. | 0:08:51 | 0:08:53 | |
-I have to go. -He's not perfect. I know that, | 0:08:53 | 0:08:56 | |
but he wouldn't hurt anyone. | 0:08:56 | 0:08:58 | |
I'll do what I can. | 0:08:59 | 0:09:00 | |
-Zay-Dee!!! -HE LAUGHS | 0:09:00 | 0:09:03 | |
One. Two. Three. Four. Five. | 0:09:05 | 0:09:09 | |
I'll do my best. | 0:09:13 | 0:09:14 | |
You were intimate with her? | 0:09:16 | 0:09:19 | |
Oui. | 0:09:19 | 0:09:21 | |
Yes. | 0:09:22 | 0:09:24 | |
How often were you intimate? | 0:09:24 | 0:09:26 | |
Once. | 0:09:26 | 0:09:27 | |
When did it happen - the intimacy? | 0:09:28 | 0:09:31 | |
Three weeks ago. | 0:09:31 | 0:09:32 | |
And then she just disappeared? | 0:09:33 | 0:09:35 | |
Yeah, maybe ten days ago, she left. | 0:09:37 | 0:09:39 | |
And you didn't hear from her again? | 0:09:39 | 0:09:41 | |
No, not until she asked for money. | 0:09:41 | 0:09:43 | |
She asked you for money? | 0:09:43 | 0:09:45 | |
Yes. Well, no, not me directly. | 0:09:45 | 0:09:47 | |
Uh, she contacted Mousa or the club. I don't know which. | 0:09:47 | 0:09:50 | |
How much money? | 0:09:50 | 0:09:51 | |
£120,00. | 0:09:52 | 0:09:55 | |
She was blackmailing you? | 0:09:56 | 0:09:58 | |
Yes. | 0:09:58 | 0:10:00 | |
Do you want to continue? | 0:10:00 | 0:10:01 | |
Of course. | 0:10:02 | 0:10:03 | |
When did you receive the extortion demand? | 0:10:04 | 0:10:07 | |
A few days ago. Speak to Mousa. | 0:10:07 | 0:10:10 | |
I mean, he and McNally, they, they came to see me. | 0:10:10 | 0:10:13 | |
Detective Inspector Leighton. Have you got that? | 0:10:13 | 0:10:17 | |
Now, I don't have an appointment | 0:10:17 | 0:10:20 | |
but it would be wise if they would see me right away. | 0:10:20 | 0:10:23 | |
-Hello, Sir. -Bazza? | 0:10:23 | 0:10:25 | |
-Are you here to see Mr McNally and Mr Preston? -Yes. | 0:10:25 | 0:10:28 | |
I can walk you through, show you the way. | 0:10:28 | 0:10:31 | |
So, you don't know anything about an extortion? | 0:10:37 | 0:10:40 | |
No. Mousa never mentioned it. | 0:10:40 | 0:10:42 | |
Did Isaac mention it? | 0:10:42 | 0:10:44 | |
I think I would remember. | 0:10:44 | 0:10:46 | |
Isaac is really just a boy. | 0:10:46 | 0:10:48 | |
His grasp on the truth was never very secure. | 0:10:48 | 0:10:50 | |
We've terminated Isaac Dreyfus's contract. | 0:10:50 | 0:10:53 | |
He's embarrassed us for the last time. | 0:10:53 | 0:10:56 | |
What was she going to do if you didn't pay her? | 0:10:57 | 0:11:00 | |
Well, she...she had that tape of us. | 0:11:03 | 0:11:05 | |
She was, um, she was going to put it on the internet. | 0:11:05 | 0:11:08 | |
Well, why didn't you go to the police? | 0:11:08 | 0:11:10 | |
Because I didn't want it to become public. | 0:11:10 | 0:11:12 | |
Why would it become public? | 0:11:12 | 0:11:13 | |
Well, I go to the police. You arrest her. | 0:11:13 | 0:11:17 | |
You have to say why you're arresting her, don't you? | 0:11:17 | 0:11:20 | |
It becomes public. | 0:11:20 | 0:11:21 | |
I had enough problems. | 0:11:21 | 0:11:23 | |
Did you pay? | 0:11:24 | 0:11:25 | |
Yes. Well, no, Mousa did, | 0:11:25 | 0:11:27 | |
-but it was my money. -In cash? | 0:11:27 | 0:11:29 | |
I don't think she wanted a credit card. | 0:11:31 | 0:11:34 | |
Mr Dreyfus's bank will confirm that he drew out £120,000 in cash. | 0:11:34 | 0:11:38 | |
When did Mr Rashid pay her? | 0:11:38 | 0:11:40 | |
-I don't know. A few days ago. -A few days ago? | 0:11:40 | 0:11:43 | |
How did he pay her? Where? | 0:11:43 | 0:11:45 | |
I don't know. Mousa didn't tell me. | 0:11:45 | 0:11:46 | |
He just told me not to worry. | 0:11:46 | 0:11:48 | |
If you're not going to charge Mr Dreyfus, we'd like to go home now. | 0:11:48 | 0:11:52 | |
Your client's just admitted to having an affair with the deceased | 0:11:52 | 0:11:55 | |
and that the deceased was trying to extort money from him - | 0:11:55 | 0:11:58 | |
-you think he's going home? -My client did not commit a crime. | 0:11:58 | 0:12:01 | |
The woman involved is dead. | 0:12:01 | 0:12:02 | |
-I didn't kill her. I'm the victim! -You're the victim? | 0:12:02 | 0:12:05 | |
Now you can verify Mr Dreyfus's accounts with his agent, | 0:12:05 | 0:12:09 | |
-Mousa Rashid. -No, I can't. | 0:12:09 | 0:12:11 | |
Mr Rashid's dead. | 0:12:11 | 0:12:13 | |
He's dead? | 0:12:13 | 0:12:15 | |
He was killed a few days ago, | 0:12:15 | 0:12:17 | |
apparently trying to pay a blackmailer who's been dead a week. | 0:12:17 | 0:12:20 | |
Charge him or release him. | 0:12:22 | 0:12:24 | |
Take him back to his cell. | 0:12:33 | 0:12:35 | |
Eva Liron worked for Adam Freedman's family. | 0:12:41 | 0:12:44 | |
She worked for him and his wife for two months | 0:12:44 | 0:12:46 | |
and then quit unexpectedly. | 0:12:46 | 0:12:48 | |
He doesn't know why. She just left. | 0:12:48 | 0:12:50 | |
-Well, same pattern. -Yeah. | 0:12:50 | 0:12:52 | |
Do you still think the Freedmans are a murder-suicide? | 0:12:53 | 0:12:56 | |
I had nothing else until now. You? | 0:12:56 | 0:12:59 | |
Dreyfus admits he's slept with her. | 0:12:59 | 0:13:01 | |
He is a dog. | 0:13:02 | 0:13:03 | |
She was, er, trying to extort money from him. | 0:13:10 | 0:13:12 | |
Perfect motive. | 0:13:12 | 0:13:13 | |
Is this all the same case? | 0:13:16 | 0:13:19 | |
-We'll have to work together? -Yeah. | 0:13:19 | 0:13:21 | |
What is it? | 0:13:26 | 0:13:27 | |
It's like a cotton bud, | 0:13:29 | 0:13:30 | |
and I'm just going to put it inside your mouth. Here. | 0:13:30 | 0:13:33 | |
Why? | 0:13:33 | 0:13:35 | |
We're collecting something special called DNA. | 0:13:35 | 0:13:38 | |
-What's that? -Good luck. | 0:13:38 | 0:13:40 | |
It's the building blocks of the human body. | 0:13:40 | 0:13:43 | |
Like Lego? | 0:13:43 | 0:13:45 | |
-Go with that. -Yes. | 0:13:45 | 0:13:47 | |
Can you open your mouth? | 0:13:47 | 0:13:49 | |
Perfect. | 0:13:50 | 0:13:51 | |
That's it. | 0:13:53 | 0:13:55 | |
That won't go on the database? | 0:13:56 | 0:13:58 | |
We're simply trying to eliminate DNA and fingerprints from the investigation. | 0:13:58 | 0:14:02 | |
Dad? Can you take Zara upstairs and play? | 0:14:03 | 0:14:05 | |
Let's go! | 0:14:07 | 0:14:09 | |
THEY CHUCKLE | 0:14:09 | 0:14:11 | |
-Dodo! -Oh! | 0:14:11 | 0:14:14 | |
Ah, voila. | 0:14:14 | 0:14:16 | |
-Merci! -De rien. | 0:14:16 | 0:14:18 | |
Do you think my husband did this? | 0:14:21 | 0:14:23 | |
This horrible thing? | 0:14:23 | 0:14:25 | |
I don't have an opinion. | 0:14:26 | 0:14:27 | |
You don't? | 0:14:27 | 0:14:28 | |
Have you seen the papers? | 0:14:30 | 0:14:31 | |
Everyone else does. | 0:14:31 | 0:14:34 | |
Everyone thinks they know him. | 0:14:34 | 0:14:36 | |
They think they know what he's capable of | 0:14:36 | 0:14:38 | |
because they watch him play football. | 0:14:38 | 0:14:40 | |
They go to a match and chant, | 0:14:40 | 0:14:42 | |
"Adolf Hitler. He's coming for you." | 0:14:42 | 0:14:44 | |
And hiss like the sound of gas and wait for him to react. | 0:14:44 | 0:14:47 | |
They've never seen him asleep with Zara in his arms | 0:14:47 | 0:14:49 | |
or laugh at himself when he's been stupid. | 0:14:49 | 0:14:51 | |
And he can be stupid. | 0:14:53 | 0:14:54 | |
They decide who he is because he got angry during a match. | 0:14:54 | 0:14:59 | |
Or because of a stupid tweet... | 0:14:59 | 0:15:03 | |
..or because he's Jewish. | 0:15:05 | 0:15:07 | |
The DVD of Dreyfus and Eva Liron gives him motive. | 0:15:07 | 0:15:10 | |
He admits she asked him for money. | 0:15:10 | 0:15:12 | |
-It's all we have that ties him to the crime. -That's enough, isn't it? | 0:15:12 | 0:15:15 | |
Well, it's circumstantial. There's no physical evidence. | 0:15:15 | 0:15:17 | |
Her body was found in the skip at the training ground. | 0:15:17 | 0:15:20 | |
There was nothing on the body that proves that he had anything to do with that. | 0:15:20 | 0:15:23 | |
Aren't you meant to be helping me? | 0:15:23 | 0:15:25 | |
Let's run through the common factors. Anne. | 0:15:25 | 0:15:27 | |
Freedman - Dreyfus. | 0:15:27 | 0:15:28 | |
Eva Liron worked as an au pair/nanny for both of them. | 0:15:28 | 0:15:31 | |
So what's the connection? | 0:15:31 | 0:15:32 | |
-Did both men sleep with her? -In both cases | 0:15:32 | 0:15:35 | |
she worked for the families for a matter of weeks and then she quit. | 0:15:35 | 0:15:38 | |
Rashid crime scene? TOD? | 0:15:38 | 0:15:40 | |
Rigour had passed and vitreous potassium suggest | 0:15:41 | 0:15:44 | |
32 hours based on a uniform leak. | 0:15:44 | 0:15:47 | |
Mousa Rashid had been dead between 24 and 36 hours | 0:15:47 | 0:15:50 | |
when his body was found. | 0:15:50 | 0:15:52 | |
He was murdered near the station and his body was moved. | 0:15:52 | 0:15:54 | |
That would require an accomplice. | 0:15:54 | 0:15:57 | |
Was there CCTV coverage where the car was parked? | 0:15:57 | 0:15:59 | |
No. The camera at the train station had its cable cut. | 0:15:59 | 0:16:02 | |
Could he have been murdered before Isaac Dreyfus was taken into custody? | 0:16:02 | 0:16:06 | |
Timescale? Yes. | 0:16:07 | 0:16:08 | |
But again we have nothing that ties Isaac Dreyfus to that murder. | 0:16:08 | 0:16:12 | |
Nothing? Dreyfus says that Rashid was delivering the extortion money to Eva Liron. | 0:16:12 | 0:16:16 | |
Who had died at least ten days before, if not more. | 0:16:16 | 0:16:19 | |
He's paying money to a woman he knows is already dead - | 0:16:20 | 0:16:23 | |
because he killed her. | 0:16:23 | 0:16:25 | |
Dreyfus kills Eva Liron, then, to create an alibi, | 0:16:25 | 0:16:28 | |
blackmails himself. Double bluff. | 0:16:28 | 0:16:31 | |
And I thought all footballers were ignorant. | 0:16:31 | 0:16:33 | |
Well, except for David Beckham who is, of course, brilliant but a sex pest. | 0:16:33 | 0:16:37 | |
He's not a sex pest. | 0:16:37 | 0:16:39 | |
A girl can hope. | 0:16:39 | 0:16:40 | |
Do I charge him? | 0:16:40 | 0:16:42 | |
Let's pretend he's very clever. | 0:16:42 | 0:16:44 | |
Why does he dispose of her body at his place of work? | 0:16:44 | 0:16:47 | |
He wants the Detective Inspector to charge him. | 0:16:47 | 0:16:49 | |
And where do the Freedman killings fit? | 0:16:49 | 0:16:51 | |
We have the drug link between Nathan Freedman and Eva Liron. | 0:16:51 | 0:16:55 | |
What motive does Isaac Dreyfus have to kill them? | 0:16:55 | 0:16:58 | |
I need you to provide physical evidence, not commentary. | 0:16:58 | 0:17:00 | |
Nathan Freedman. We have unidentified foreign DNA | 0:17:05 | 0:17:09 | |
under the fingernails of Nathan Freedman, | 0:17:09 | 0:17:11 | |
as well as fibres from an unknown source, | 0:17:11 | 0:17:14 | |
found under his fingernails, in his hair, in and around his mouth. | 0:17:14 | 0:17:17 | |
The signature of the Rachel Freedman killing is the same as Rashid. | 0:17:17 | 0:17:21 | |
Single gunshot wound, base of the skull. | 0:17:21 | 0:17:23 | |
Rabbit ears. | 0:17:23 | 0:17:25 | |
The rabbit ear deposit left on the skin is abnormal. | 0:17:25 | 0:17:28 | |
Which makes us think that the bullets were home-made and | 0:17:28 | 0:17:31 | |
some sort of silencing device was used. | 0:17:31 | 0:17:32 | |
I recovered a copper slug from the skull of Mousa Rashid and... | 0:17:32 | 0:17:35 | |
Copper bullets are unusual. | 0:17:35 | 0:17:36 | |
..and there were traces of copper in Rachel Freedman's brain tissue | 0:17:36 | 0:17:39 | |
-along the bullet path. -Type of gun? | 0:17:39 | 0:17:42 | |
Calibre and marking make me think it could be | 0:17:42 | 0:17:47 | |
a Russian Baikal IZH-79 pistol. | 0:17:47 | 0:17:51 | |
Well, that narrows it down. | 0:17:51 | 0:17:52 | |
The Baikal is the most commonly used firearm by UK criminals. | 0:17:52 | 0:17:56 | |
-Ah. -The markings aren't uniform, | 0:17:56 | 0:17:58 | |
which suggests it's a hand crafted gun, not tooled. | 0:17:58 | 0:18:01 | |
Baikals are usually converted from replicas. | 0:18:01 | 0:18:04 | |
Have you mapped the path of the bullet in both cases? | 0:18:04 | 0:18:07 | |
Mm-hm. | 0:18:07 | 0:18:08 | |
I'd like to look at the Freedman crime scene. | 0:18:11 | 0:18:13 | |
How'd the window break? | 0:18:22 | 0:18:23 | |
Er, we initially thought Adam Freedman broke it | 0:18:23 | 0:18:26 | |
to corroborate his fiction of a home invasion. | 0:18:26 | 0:18:29 | |
Get on your knees. | 0:18:29 | 0:18:30 | |
Did you find carpet fibres under her fingernails? | 0:18:36 | 0:18:38 | |
Yes. Along with unknown tissue. | 0:18:38 | 0:18:40 | |
Reach out and grab the carpet. | 0:18:40 | 0:18:43 | |
She comes into the room, | 0:18:47 | 0:18:49 | |
sees her son on the floor, | 0:18:49 | 0:18:50 | |
she falls to the ground to try and help him. | 0:18:50 | 0:18:53 | |
The killer pulls her back, she claws at the carpet, | 0:18:53 | 0:18:56 | |
he shoots her in the back of the head. | 0:18:56 | 0:18:58 | |
Nikki, give us a hand. | 0:18:58 | 0:19:00 | |
Grab the laser and find the angle. | 0:19:00 | 0:19:02 | |
Bullet is somewhere out there. | 0:19:17 | 0:19:20 | |
He's very good. Why's he got such a bad reputation? | 0:19:24 | 0:19:27 | |
He doesn't like police. | 0:19:27 | 0:19:29 | |
I can see that could be a problem. | 0:19:29 | 0:19:31 | |
-Dodo. -What? | 0:19:32 | 0:19:34 | |
The fibres on Nathan's hands and in his mouth. | 0:19:34 | 0:19:37 | |
There was a child's blanket in the photos. | 0:19:37 | 0:19:39 | |
On the floor next to his body. | 0:19:39 | 0:19:41 | |
He, er... He actually called his blanket Baby. | 0:19:41 | 0:19:44 | |
Did you bag it? Where is it? | 0:19:46 | 0:19:47 | |
I'll...I'll get it. | 0:19:48 | 0:19:50 | |
Somebody's hero. | 0:19:56 | 0:19:58 | |
So, do we feel certain the cases are all related? | 0:20:03 | 0:20:06 | |
Well, it's a reasonable assumption, yeah? | 0:20:07 | 0:20:09 | |
Will somebody say yes or no?! | 0:20:12 | 0:20:15 | |
It's hard to believe coincidence is involved. | 0:20:15 | 0:20:17 | |
If you feel certain that all the cases are related, | 0:20:17 | 0:20:20 | |
then is the absence of physical evidence...evidence? | 0:20:20 | 0:20:23 | |
So far we've found no physical evidence that links Isaac Dreyfus to any of the deaths. | 0:20:23 | 0:20:27 | |
So what am I doing? Am I charging or releasing Dreyfus? | 0:20:27 | 0:20:30 | |
Well, he's capable of it, right? | 0:20:30 | 0:20:33 | |
He's a selfish, immature boy with no morals and too much money. | 0:20:33 | 0:20:36 | |
I need more physical evidence. I need you two to step up. | 0:20:36 | 0:20:38 | |
-How have we not stepped up? -Do you need a lift, then? | 0:20:38 | 0:20:41 | |
No, no, no, no. How have we not stepped up? | 0:20:41 | 0:20:44 | |
Everyone's watching this case and everyone's watching me. | 0:20:47 | 0:20:50 | |
I've got friends I haven't spoken to in ten years ringing me up for a chat. | 0:20:50 | 0:20:54 | |
Do you realise what a fool I'm going to look like if I let him go? | 0:20:54 | 0:20:56 | |
That's not going to happen! | 0:20:56 | 0:20:58 | |
I need evidence that proves he's guilty. | 0:20:58 | 0:21:00 | |
What happened today? | 0:21:18 | 0:21:20 | |
Leighton called - says Jack assaulted him. | 0:21:20 | 0:21:23 | |
What? | 0:21:23 | 0:21:24 | |
Grabbed him with some violence. | 0:21:24 | 0:21:26 | |
-Well, that's an exaggeration. -Did he touch him? | 0:21:27 | 0:21:30 | |
He might have, I didn't really notice. | 0:21:30 | 0:21:32 | |
Sounds like you're sitting on the fence. | 0:21:32 | 0:21:34 | |
Till I'm sore. | 0:21:36 | 0:21:37 | |
That makes it hard for me to know who to believe. | 0:21:39 | 0:21:41 | |
Where is he? | 0:21:50 | 0:21:51 | |
Gone to satisfy his masochistic tendency. | 0:21:51 | 0:21:54 | |
We couldn't do that for him? | 0:21:54 | 0:21:56 | |
I think Chamberlain could, he was looking for him too. | 0:21:56 | 0:21:59 | |
Copper bullets made by a French firm and used by the German police. | 0:22:00 | 0:22:05 | |
Is Isaac Dreyfus guilty, Nikki? | 0:22:05 | 0:22:07 | |
Has anyone done a search to see what Isaac Dreyfus | 0:22:07 | 0:22:10 | |
-and Adam Freedman might have in common? -Besides death? | 0:22:10 | 0:22:14 | |
It's literally just round the corner there. | 0:22:25 | 0:22:28 | |
-Not ready. -It's me. | 0:22:36 | 0:22:37 | |
Nikki! | 0:22:41 | 0:22:42 | |
Why are you here? | 0:22:43 | 0:22:44 | |
Well, you know how much I love this sport. | 0:22:44 | 0:22:46 | |
Leighton complained about you to Chamberlain. | 0:22:50 | 0:22:52 | |
I know, I got a phone message. | 0:22:52 | 0:22:53 | |
I'm meant to apologise. | 0:22:53 | 0:22:55 | |
-Ouch. -I know. | 0:22:55 | 0:22:56 | |
The fact that we have no physical evidence that links Dreyfus | 0:22:58 | 0:23:01 | |
-to Eva Liron's death is... -Unusual, I know. Can you help me? | 0:23:01 | 0:23:04 | |
We have plenty of embarrassing motive but no DNA. Nothing. | 0:23:04 | 0:23:08 | |
Can you wrap this? | 0:23:08 | 0:23:09 | |
He dumps her body at his place of work but manages to leave no trace? | 0:23:10 | 0:23:13 | |
The Freedman/Rashid killings, they were executed. | 0:23:13 | 0:23:16 | |
Is that Isaac Dreyfus? | 0:23:16 | 0:23:18 | |
I mean, he's rich and he has no shame, | 0:23:18 | 0:23:20 | |
but he doesn't need to kill anyone. | 0:23:20 | 0:23:22 | |
Don't you always make a big thing about simply presenting | 0:23:22 | 0:23:24 | |
-what we find and not interpreting it? -Yes. | 0:23:24 | 0:23:26 | |
And then, based on the trajectories... | 0:23:26 | 0:23:28 | |
He's the wrong height for the bullet's angle of trajectory. | 0:23:28 | 0:23:30 | |
-Yes. Exactly. -He could have done it, but it's unnatural. | 0:23:30 | 0:23:33 | |
Mind you, it's all unnatural. | 0:23:33 | 0:23:34 | |
The police have pinned their careers to him being guilty, but he's not. | 0:23:34 | 0:23:38 | |
You're up! | 0:23:38 | 0:23:39 | |
-You didn't come here to see me fight? -No. | 0:23:39 | 0:23:42 | |
Sorry. | 0:23:42 | 0:23:43 | |
Why can't I just say that he's innocent? | 0:23:45 | 0:23:47 | |
Our job is to make other people say that. | 0:23:47 | 0:23:49 | |
I used to have... | 0:23:49 | 0:23:50 | |
If I thought something, I had... | 0:23:51 | 0:23:53 | |
I don't know, clarity and... BANG ON DOOR | 0:23:53 | 0:23:56 | |
-Yeah, got it. On my way! -I don't know. -Confidence? | 0:23:56 | 0:23:58 | |
Is it confidence? | 0:23:58 | 0:24:00 | |
I don't know. | 0:24:01 | 0:24:02 | |
I'm stuck, sitting on a fence. | 0:24:02 | 0:24:05 | |
First Leo and now Chamberlain. | 0:24:05 | 0:24:07 | |
I guess I just want certainty. | 0:24:08 | 0:24:10 | |
-I have to... -We've been looking for evidence | 0:24:10 | 0:24:12 | |
to prove that he's guilty. Maybe we should be looking for | 0:24:12 | 0:24:14 | |
evidence to prove that he's innocent. | 0:24:14 | 0:24:16 | |
I'm missing something and I just don't know where to look for it. | 0:24:16 | 0:24:19 | |
Nikki, I have to go. | 0:24:19 | 0:24:21 | |
Yeah. Yeah. Go have fun. | 0:24:21 | 0:24:23 | |
Nikki? | 0:24:36 | 0:24:38 | |
SHE CHUCKLES | 0:25:22 | 0:25:25 | |
Win? | 0:25:30 | 0:25:32 | |
You'll have to come all the time. You're my lucky charm! | 0:25:32 | 0:25:35 | |
Great. Put me on a key ring. | 0:25:35 | 0:25:37 | |
-It's a hate crime! -What? | 0:25:38 | 0:25:40 | |
Between the rounds things go through your mind, right? | 0:25:40 | 0:25:43 | |
I'm standing there in Nathan Freedman's bedroom | 0:25:43 | 0:25:46 | |
and I think to myself, the lad was a Dreyfus Fan, | 0:25:46 | 0:25:49 | |
which is odd for where he lives. | 0:25:49 | 0:25:51 | |
In North London you have three teams - Spurs, The Arse, Manchester United. | 0:25:51 | 0:25:54 | |
Then it hits me - Dreyfus is a Jewish footballer. | 0:25:54 | 0:25:58 | |
The lad was Jewish. Of course! | 0:25:58 | 0:26:00 | |
-Ow! Please don't do that. -Sorry. | 0:26:00 | 0:26:02 | |
Just before the beginning of round two, I'm thinking about all this | 0:26:02 | 0:26:05 | |
when - bang! - it hit me. | 0:26:05 | 0:26:06 | |
Access. | 0:26:06 | 0:26:08 | |
You give the nanny keys to your house, right? | 0:26:08 | 0:26:10 | |
She's a young girl, she's easy to trust, not a threat. | 0:26:10 | 0:26:12 | |
That's the connection, she gives you access. | 0:26:12 | 0:26:15 | |
-To do what? -Kill. | 0:26:15 | 0:26:16 | |
But nobody died in the Dreyfus family. | 0:26:16 | 0:26:18 | |
Bye, Mummy. | 0:26:32 | 0:26:34 | |
Nikki! Do you have any idea how rich Adam Freedman is? | 0:26:36 | 0:26:39 | |
And generous! | 0:26:40 | 0:26:42 | |
Jack! You look hideous. | 0:26:42 | 0:26:44 | |
Thanks, babes. | 0:26:44 | 0:26:46 | |
-Here. -What's this? | 0:26:49 | 0:26:51 | |
-Your apology. -My what? | 0:26:51 | 0:26:53 | |
-You're going to apologise. -Um, I didn't do anything. | 0:26:53 | 0:26:55 | |
Jack, do I care? Do any of us care? | 0:26:55 | 0:26:58 | |
I'm apologising to Chamberlain as well? | 0:26:58 | 0:27:00 | |
Start with him, he's had to mop up your spill. | 0:27:00 | 0:27:02 | |
Painful. | 0:27:02 | 0:27:03 | |
Can't be as painful as getting your arse kicked. | 0:27:03 | 0:27:06 | |
I won. | 0:27:06 | 0:27:08 | |
Take a little pain here and you'll win this fight as well. | 0:27:08 | 0:27:11 | |
Mm, you're so wise. | 0:27:11 | 0:27:13 | |
That's what they have in common. | 0:27:13 | 0:27:15 | |
-Who? -Freedman and Dreyfus. | 0:27:15 | 0:27:18 | |
They're both rich and give to charities? | 0:27:18 | 0:27:20 | |
Actually, Dreyfus isn't a big charity person. | 0:27:20 | 0:27:22 | |
He's actually quite mean. | 0:27:22 | 0:27:23 | |
In fact, he only gave to one charity. Sizeable amount. | 0:27:23 | 0:27:27 | |
Yeah, no, really big. | 0:27:27 | 0:27:29 | |
And that's what he has in common with Adam Freeman. | 0:27:29 | 0:27:32 | |
Israel. Big supporters of Israel. | 0:27:32 | 0:27:34 | |
Please, Ron. Please. | 0:27:46 | 0:27:48 | |
I don't know what to do, I'm so scared. | 0:27:48 | 0:27:51 | |
Please, you can... You have to help us. Mousa and now this! | 0:27:51 | 0:27:54 | |
They're coming for us, I know they are. | 0:27:54 | 0:27:56 | |
Mrs Dreyfus, listen to me... | 0:27:56 | 0:27:58 | |
Monica! Listen! | 0:27:58 | 0:28:00 | |
Isaac doesn't work for us any more. | 0:28:01 | 0:28:03 | |
Your best bet is to call the police. | 0:28:03 | 0:28:06 | |
Jack? | 0:28:34 | 0:28:35 | |
Jack's busy. | 0:28:35 | 0:28:37 | |
Have you been at my desk? | 0:28:37 | 0:28:39 | |
Jack! | 0:28:42 | 0:28:44 | |
What are you looking for? | 0:28:44 | 0:28:46 | |
I was working on a spreadsheet of the common factors | 0:28:46 | 0:28:48 | |
in the Freedman/Rashid/Liron murders, and now I can't find it. | 0:28:48 | 0:28:51 | |
Did you file it? | 0:28:51 | 0:28:52 | |
No, it was on my desk. | 0:28:52 | 0:28:54 | |
Safer if it's filed. | 0:28:54 | 0:28:56 | |
This what you're after? | 0:29:04 | 0:29:06 | |
Yes. Who put it there? | 0:29:06 | 0:29:09 | |
Presumably the person who copied it. | 0:29:09 | 0:29:11 | |
That wasn't you? | 0:29:14 | 0:29:17 | |
Why didn't he just ask me for it? | 0:29:17 | 0:29:19 | |
-Who? -Chamberlain. | 0:29:19 | 0:29:21 | |
He's looking over my shoulder. Why? | 0:29:21 | 0:29:23 | |
I won't have him checking on me or skewing conclusions. | 0:29:23 | 0:29:26 | |
Morning. | 0:29:28 | 0:29:29 | |
I don't think he'd do that. | 0:29:32 | 0:29:34 | |
I'd take a deep breath, Nikki, just to be sure I wasn't over reacting. | 0:29:36 | 0:29:39 | |
No, you wouldn't. | 0:29:40 | 0:29:43 | |
No. | 0:29:43 | 0:29:44 | |
-Don't you trust me? -Hmm? | 0:29:45 | 0:29:47 | |
Oh! | 0:29:47 | 0:29:49 | |
No, on the contrary, I hadn't done a post-mortem for some time. | 0:29:49 | 0:29:53 | |
I enjoyed the opportunity the other day to, to watch someone | 0:29:53 | 0:29:55 | |
whom I regard to be extremely accomplished. | 0:29:55 | 0:29:58 | |
Stop, I'm not talking about the post-mortem. | 0:29:58 | 0:30:00 | |
Well... | 0:30:00 | 0:30:02 | |
I give up. | 0:30:02 | 0:30:03 | |
Someone went through my files | 0:30:03 | 0:30:05 | |
and photocopied a highly confidential document. | 0:30:05 | 0:30:08 | |
-And you think that was me? -Well, who else would have done it? | 0:30:08 | 0:30:10 | |
I see. And why do you think I'd have done this? | 0:30:10 | 0:30:13 | |
-I don't know. -I don't, either. | 0:30:13 | 0:30:14 | |
-Well, you haven't denied it. -You haven't accused me. | 0:30:14 | 0:30:17 | |
You don't want to accuse me, Dr Alexander. | 0:30:19 | 0:30:21 | |
What you want to do is find out who went through your files. | 0:30:22 | 0:30:25 | |
Clarissa, I need you to do something for me. | 0:30:35 | 0:30:38 | |
-Skiving? -Yep. | 0:30:50 | 0:30:52 | |
-Porn? -Yep. | 0:30:53 | 0:30:55 | |
What'cha doing? | 0:30:56 | 0:30:58 | |
Yep. | 0:30:58 | 0:30:59 | |
OK. | 0:31:00 | 0:31:01 | |
-Jack! -What? | 0:31:04 | 0:31:05 | |
You recognise her? | 0:31:05 | 0:31:07 | |
Ruth. | 0:31:09 | 0:31:10 | |
Leaves the last sheet... | 0:31:13 | 0:31:17 | |
in the photocopier. | 0:31:17 | 0:31:18 | |
What time was it? | 0:31:18 | 0:31:20 | |
Er, 9.42pm. | 0:31:20 | 0:31:22 | |
That's what I heard. | 0:31:22 | 0:31:24 | |
I was on my way out, I heard noises, | 0:31:24 | 0:31:26 | |
I thought I was imagining things. | 0:31:26 | 0:31:28 | |
How did she get in? | 0:31:28 | 0:31:30 | |
Shalom. | 0:31:45 | 0:31:46 | |
THEY SPEAK YIDDISH | 0:31:47 | 0:31:49 | |
Leighton and Burchett are on their way. | 0:32:08 | 0:32:10 | |
I'm sorry, I shouldn't have accused you of doing anything. | 0:32:10 | 0:32:13 | |
Well, you didn't accuse me, did you? | 0:32:13 | 0:32:15 | |
I'm still sorry. | 0:32:15 | 0:32:16 | |
-I mean, I thought that it... -Accepted. | 0:32:16 | 0:32:18 | |
If I had to apologise for all the things I think, I'd never stop. | 0:32:18 | 0:32:21 | |
-Jack! -What were they after? | 0:32:21 | 0:32:23 | |
-Information. -Why? | 0:32:24 | 0:32:26 | |
"I'm a passionate person. | 0:32:30 | 0:32:32 | |
"Sometimes people can mistake my passion for anger. | 0:32:32 | 0:32:34 | |
"I regret that. I'm not angry. | 0:32:34 | 0:32:38 | |
"Please accept my apology | 0:32:38 | 0:32:41 | |
"if I've upset you with my quest for the truth." | 0:32:41 | 0:32:44 | |
"If I have upset you with my quest for the truth." | 0:32:46 | 0:32:48 | |
-PHONE RINGS -What moron wrote that? | 0:32:48 | 0:32:50 | |
Good, right, send them over, thank you. | 0:32:50 | 0:32:53 | |
Well, apology accepted. Everybody done apologising? | 0:32:53 | 0:32:56 | |
All right, what happened? | 0:32:56 | 0:32:58 | |
-To his face? -With Leighton. | 0:32:58 | 0:33:00 | |
He accused us of not stepping up for him | 0:33:00 | 0:33:03 | |
so that he would have the evidence to charge Dreyfus. | 0:33:03 | 0:33:05 | |
-Is he right? -We stepped up. | 0:33:05 | 0:33:07 | |
There's no physical evidence that ties Dreyfus to the crimes. | 0:33:08 | 0:33:11 | |
He doesn't want to hear that. | 0:33:11 | 0:33:12 | |
I understand. Sometimes career prospects overpower judgment. | 0:33:12 | 0:33:15 | |
So is that what happened to your face? | 0:33:15 | 0:33:17 | |
-You hit him. He hit you back. -No. No. Nobody hit anybody. | 0:33:17 | 0:33:19 | |
Maybe you should have. | 0:33:19 | 0:33:21 | |
-Do you have a plan? -Yes, I do. | 0:33:21 | 0:33:23 | |
The DVD came in a plastic case. | 0:33:23 | 0:33:24 | |
Wasn't wiped clean, fingerprints all over it. | 0:33:24 | 0:33:27 | |
Dreyfus says it was sent to his club. | 0:33:27 | 0:33:30 | |
What's the name of the fella who runs security there? | 0:33:30 | 0:33:32 | |
Ron McNally. David Preston the Chief Exec. | 0:33:32 | 0:33:34 | |
McNally brought it to Mousa Rashid. | 0:33:34 | 0:33:36 | |
They deny it. | 0:33:36 | 0:33:37 | |
If I find their prints on it... | 0:33:37 | 0:33:39 | |
What? What will that prove? | 0:33:39 | 0:33:41 | |
The club is lying and Isaac Dreyfus is being stitched up. | 0:33:41 | 0:33:45 | |
You have prints but nothing to match them to? | 0:33:45 | 0:33:47 | |
McNally is retired police. | 0:33:47 | 0:33:50 | |
His DNA and prints will be on the database. | 0:33:50 | 0:33:52 | |
Oh. Right. | 0:33:52 | 0:33:54 | |
-Leighton's not going to want to do this. -I get it. | 0:33:54 | 0:33:57 | |
How confident are you that Dreyfus isn't lying? | 0:33:57 | 0:33:59 | |
The evidence doesn't fit. | 0:33:59 | 0:34:01 | |
They're desperately trying to make it fit. It doesn't. | 0:34:01 | 0:34:03 | |
I'm talking about you. | 0:34:03 | 0:34:05 | |
Are you confident, not confident or on the bloody fence? | 0:34:05 | 0:34:07 | |
I'm not on the fence. | 0:34:07 | 0:34:09 | |
I'm confident he's not lying. | 0:34:09 | 0:34:10 | |
Ah, John, come on in. | 0:34:12 | 0:34:14 | |
Lovely to see you both. | 0:34:14 | 0:34:16 | |
Keep it simple, Jack. Just say you're sorry. | 0:34:17 | 0:34:19 | |
Have a seat, you two. | 0:34:19 | 0:34:21 | |
Right. | 0:34:26 | 0:34:28 | |
Get started, shall we? Jack? | 0:34:28 | 0:34:30 | |
-Detective Leighton? I'm sorry but... -Thank you for doing that, Jack. | 0:34:32 | 0:34:35 | |
Well, I hope that's cleared the air, at least a bit. | 0:34:35 | 0:34:38 | |
-A bit. -Good. | 0:34:39 | 0:34:41 | |
Well, let's clear the rest of it, shall we? | 0:34:41 | 0:34:43 | |
You owe US an apology for suggesting we haven't stepped up. | 0:34:43 | 0:34:46 | |
THEY CHUCKLE | 0:34:46 | 0:34:48 | |
Yes, I know. It's er, it's awkward, isn't it? | 0:34:48 | 0:34:51 | |
Let's get it done. | 0:34:52 | 0:34:53 | |
I'm sorry. | 0:34:57 | 0:34:58 | |
Good. | 0:34:58 | 0:34:59 | |
Moving forward. | 0:34:59 | 0:35:00 | |
Ruth came back, we don't know how she got in, | 0:35:00 | 0:35:03 | |
we believe she's duplicated documents | 0:35:03 | 0:35:05 | |
pertaining to the deaths of Rachel and Nathan Freedman. | 0:35:05 | 0:35:08 | |
Clarissa is preparing the CCTV footage for you. | 0:35:08 | 0:35:10 | |
-Yes, I am. -We have had some results back. | 0:35:10 | 0:35:13 | |
The plastic case the DVD came in is covered in Ron McNally's fingerprints. | 0:35:13 | 0:35:16 | |
Hard to explain if the club knew nothing about it. | 0:35:16 | 0:35:20 | |
So the big question is, why would they lie? | 0:35:23 | 0:35:26 | |
The whole sorry saga of Isaac Dreyfus has nothing to do with us. | 0:35:27 | 0:35:30 | |
His presence here has damaged us. | 0:35:30 | 0:35:33 | |
It's upset the fans, | 0:35:33 | 0:35:35 | |
it's upset our new owners. | 0:35:35 | 0:35:37 | |
We believe the extortion demand was delivered to your club. | 0:35:37 | 0:35:40 | |
We believe her body was dumped on your premises. | 0:35:40 | 0:35:43 | |
We think it has quite a lot to do with you. | 0:35:43 | 0:35:45 | |
I really can't comment further. | 0:35:45 | 0:35:47 | |
We'll need to get legal advice. | 0:35:47 | 0:35:48 | |
-Could we get your fingerprints? -No. | 0:35:48 | 0:35:51 | |
I don't think so. | 0:35:51 | 0:35:52 | |
I'll need to get legal advice. | 0:35:52 | 0:35:54 | |
We have Mr McNally's already. | 0:35:54 | 0:35:57 | |
They were on file, along with your DNA, | 0:35:57 | 0:35:59 | |
from your time in the police. | 0:35:59 | 0:36:01 | |
Thank you for your time. | 0:36:02 | 0:36:04 | |
Dreyfus will make in a morning what that lot make in a year. | 0:36:16 | 0:36:19 | |
Detective Inspector? | 0:36:19 | 0:36:20 | |
Can I, er, make an appointment to see you after work | 0:36:25 | 0:36:28 | |
so that maybe I can correct some, er... | 0:36:28 | 0:36:30 | |
..you know, er... | 0:36:31 | 0:36:33 | |
misimpressions, | 0:36:33 | 0:36:35 | |
lapses of memory? | 0:36:35 | 0:36:36 | |
Did you know about the extortion? | 0:36:42 | 0:36:44 | |
We've got your prints all over the evidence. | 0:36:45 | 0:36:48 | |
If, if I wanted to keep my job... | 0:36:51 | 0:36:53 | |
..I had to, er... | 0:36:55 | 0:36:56 | |
..I had to try and, er... | 0:36:58 | 0:37:00 | |
..I had to lie. | 0:37:03 | 0:37:05 | |
-It's OK. -No. | 0:37:13 | 0:37:15 | |
No, it's not. | 0:37:15 | 0:37:16 | |
Four people are dead and I'm releasing the primary suspect. | 0:37:16 | 0:37:19 | |
He may not have done it. | 0:37:19 | 0:37:20 | |
I know, I know. | 0:37:20 | 0:37:21 | |
JOURNALISTS ALL SHOUT OUT QUESTIONS | 0:37:37 | 0:37:41 | |
Are you charged with murder? Isaac! | 0:37:42 | 0:37:44 | |
How well do you know Eva? | 0:37:49 | 0:37:51 | |
When did this happen? | 0:38:07 | 0:38:08 | |
We're going. | 0:38:13 | 0:38:15 | |
We're leaving here. | 0:38:15 | 0:38:16 | |
It's not safe. | 0:38:16 | 0:38:17 | |
Where is Zara? | 0:38:17 | 0:38:19 | |
At school. | 0:38:19 | 0:38:20 | |
Dad? | 0:38:20 | 0:38:21 | |
-I can collect her, if it would help. -Thank you. | 0:38:21 | 0:38:23 | |
Thank you. | 0:38:23 | 0:38:25 | |
PHONE RINGS | 0:38:29 | 0:38:31 | |
Zampa Management. | 0:38:31 | 0:38:33 | |
Oh, hi, Isaac! Where are you? | 0:38:34 | 0:38:36 | |
Well, what is it? | 0:38:37 | 0:38:39 | |
Hang on. | 0:38:41 | 0:38:43 | |
They let him go. He wants us to make him travel arrangements. | 0:38:44 | 0:38:46 | |
I can't face it. Do you mind? | 0:38:46 | 0:38:48 | |
Hi, Isaac, it's Sami. | 0:38:57 | 0:38:58 | |
Thanks, man. | 0:39:00 | 0:39:02 | |
I'm still... | 0:39:02 | 0:39:03 | |
Don't know. | 0:39:05 | 0:39:06 | |
It doesn't seem real. | 0:39:06 | 0:39:08 | |
Yeah, yeah, course. Where do you want to go? | 0:39:09 | 0:39:11 | |
What? | 0:39:22 | 0:39:24 | |
-Jack? -Yeah. | 0:39:25 | 0:39:26 | |
I've got the results back on the foreign DNA | 0:39:26 | 0:39:29 | |
from Nathan Freedman's fingernails and blanket. | 0:39:29 | 0:39:31 | |
It's a familial match to Mousa Rashid - two degrees. | 0:39:31 | 0:39:35 | |
Nephew! | 0:39:35 | 0:39:36 | |
Can you put me through to DI Leighton? | 0:39:40 | 0:39:42 | |
PHONE BEEPS | 0:40:10 | 0:40:12 | |
Jack? | 0:40:15 | 0:40:16 | |
She's been asphyxiated in the same way as Eva Liron. | 0:40:34 | 0:40:37 | |
No! | 0:40:39 | 0:40:40 | |
You OK? | 0:40:44 | 0:40:45 | |
Yeah, sorry. | 0:40:45 | 0:40:47 | |
It's instinctive. | 0:40:47 | 0:40:48 | |
I've come to collect Zara Dreyfus. I'm her grandfather. | 0:41:07 | 0:41:10 | |
Was it a bomb? | 0:41:22 | 0:41:24 | |
Ah, we think it was a gas leak. | 0:41:24 | 0:41:26 | |
We can't get back in until the Bomb Disposal Unit has finished investigating. | 0:41:31 | 0:41:34 | |
-OK. -Anne! | 0:41:34 | 0:41:37 | |
Ow! Ow! | 0:41:40 | 0:41:42 | |
PHONE RINGS | 0:41:46 | 0:41:48 | |
Leighton. | 0:41:48 | 0:41:50 | |
When? | 0:41:53 | 0:41:54 | |
Dreyfus's daughter's been abducted. | 0:41:58 | 0:42:00 | |
It was an attempted kidnapping. | 0:42:03 | 0:42:05 | |
Wait. | 0:42:05 | 0:42:06 | |
The drugs in Nathan Freedman's system were meant to subdue him, | 0:42:07 | 0:42:10 | |
not kill him. | 0:42:10 | 0:42:12 | |
Eva Liron had a key to the house. So she provided... | 0:42:12 | 0:42:14 | |
-Access. -Exactly. But not to kill them - to abduct Nathan. | 0:42:14 | 0:42:18 | |
They didn't know that he was autistic. | 0:42:18 | 0:42:20 | |
So when he panicked and struggled... | 0:42:20 | 0:42:22 | |
They used his blanket to cover his mouth and muffle his screams. | 0:42:22 | 0:42:24 | |
So they gave him more drugs until they killed him. | 0:42:24 | 0:42:27 | |
-They didn't mean to. -Why were they the targets? | 0:42:27 | 0:42:29 | |
Adam Freedman and Isaac Dreyfus both gave large contributions to Israel. | 0:42:31 | 0:42:35 | |
Terrorism is primarily funded by kidnapping and extortion. | 0:42:36 | 0:42:40 | |
The families were high profile supporters of Israel | 0:42:40 | 0:42:42 | |
and soft targets for terrorists. | 0:42:42 | 0:42:44 | |
I was focused on Dreyfus, I... | 0:42:45 | 0:42:48 | |
I got it wrong. | 0:42:48 | 0:42:49 | |
Do you give a lot of money to Israeli causes, Isaac? | 0:43:10 | 0:43:13 | |
-No, why would I do that? -Are you sure? | 0:43:13 | 0:43:15 | |
Of course I'm sure. | 0:43:15 | 0:43:17 | |
I gave money to Israel in your name... | 0:43:19 | 0:43:22 | |
..for Monica and Zara. | 0:43:24 | 0:43:26 | |
PHONE RINGS | 0:43:29 | 0:43:32 | |
Mousa? | 0:43:35 | 0:43:37 | |
Hello. | 0:43:39 | 0:43:40 | |
'Two million.' | 0:43:40 | 0:43:41 | |
-Sami? -'One hour.' | 0:43:41 | 0:43:44 | |
Where's Zara? | 0:43:44 | 0:43:45 | |
Where is she?! Why are you doing this? | 0:43:46 | 0:43:48 | |
Oh, God! | 0:43:51 | 0:43:53 | |
Is she the accomplice? | 0:43:53 | 0:43:55 | |
Two people had to move the body. | 0:43:55 | 0:43:56 | |
She comes here, asks me questions about how Rachel Freedman died. | 0:43:56 | 0:44:00 | |
She obviously didn't think you told her enough. | 0:44:00 | 0:44:02 | |
Still wearing gloves. | 0:44:04 | 0:44:05 | |
What are we looking for? | 0:44:05 | 0:44:07 | |
She may have touched something and left DNA. | 0:44:07 | 0:44:09 | |
It's a kidnapping and it's political, | 0:44:09 | 0:44:11 | |
so who do you think Ruth is? | 0:44:11 | 0:44:13 | |
She's taking a lot of risk to come here and even more to break in. | 0:44:13 | 0:44:16 | |
For what? | 0:44:16 | 0:44:17 | |
She allows herself to be photographed but leaves no DNA and no prints? | 0:44:17 | 0:44:22 | |
It doesn't feel like she's an amateur. | 0:44:22 | 0:44:24 | |
She's interested in what happened to Rachel and Nathan Freedman. | 0:44:24 | 0:44:28 | |
She breaks in and takes information that links the Freedman/Liron cases. | 0:44:28 | 0:44:32 | |
An accomplice. | 0:44:34 | 0:44:35 | |
Why do you think she's trying to help them? | 0:44:37 | 0:44:39 | |
Maybe she's trying to catch them? | 0:44:40 | 0:44:42 | |
Clarissa, will you print me a clear image of that woman? | 0:44:47 | 0:44:50 | |
I know someone at the Home Office. | 0:44:50 | 0:44:52 | |
It's working. | 0:45:04 | 0:45:06 | |
PHONE RINGS | 0:45:08 | 0:45:10 | |
Isaac. | 0:45:11 | 0:45:13 | |
Hello. | 0:45:16 | 0:45:18 | |
'Papa? J'taime.' | 0:45:18 | 0:45:20 | |
Zara! Moi bebe! Are you OK? | 0:45:20 | 0:45:22 | |
Zara! | 0:45:23 | 0:45:24 | |
'Are the police with you? | 0:45:24 | 0:45:26 | |
'Don't lie to me.' | 0:45:26 | 0:45:27 | |
Yes. | 0:45:29 | 0:45:30 | |
'No police, you come by yourself. I see police, I will kill her.' | 0:45:30 | 0:45:33 | |
No police. | 0:45:33 | 0:45:35 | |
'I'll tell you where she is when you bring me the money. | 0:45:35 | 0:45:38 | |
'This is what I want you to do.' | 0:45:38 | 0:45:39 | |
Be careful. | 0:45:44 | 0:45:46 | |
He said no police. | 0:45:51 | 0:45:52 | |
Good luck. | 0:45:54 | 0:45:56 | |
We have someone watching him. | 0:46:06 | 0:46:08 | |
He won't know the police are there. | 0:46:08 | 0:46:09 | |
PHONE RINGS | 0:47:00 | 0:47:03 | |
Oui. | 0:47:07 | 0:47:08 | |
PHONE RINGS | 0:47:16 | 0:47:17 | |
Oui. | 0:47:20 | 0:47:21 | |
PHONE RINGS | 0:47:29 | 0:47:32 | |
Oui. | 0:47:34 | 0:47:36 | |
Where is she? | 0:47:37 | 0:47:39 | |
Tell me where she is! | 0:47:39 | 0:47:41 | |
-Back up. -Why are you doing this, Sami? | 0:47:43 | 0:47:46 | |
Shut up, Zionist dog! | 0:47:46 | 0:47:49 | |
-Where's my daughter? -Shut up! | 0:47:50 | 0:47:52 | |
I never did anything to you, Sami. | 0:47:54 | 0:47:57 | |
Mousa never did anything to you. | 0:47:57 | 0:48:00 | |
My uncle was filth. | 0:48:01 | 0:48:03 | |
An infidel. | 0:48:04 | 0:48:06 | |
He worked with Jews. | 0:48:07 | 0:48:09 | |
Please, Sami. | 0:48:10 | 0:48:11 | |
My daughter. | 0:48:12 | 0:48:13 | |
-She's innocent. -Back up! | 0:48:13 | 0:48:15 | |
It's all there, everything you asked for. | 0:48:24 | 0:48:28 | |
On your knees. | 0:48:29 | 0:48:31 | |
Where is she? | 0:48:40 | 0:48:41 | |
You said you'd tell me where she was. | 0:48:43 | 0:48:45 | |
GUNSHOT | 0:48:45 | 0:48:47 | |
Argh! | 0:48:47 | 0:48:48 | |
Sami! No! | 0:48:48 | 0:48:50 | |
Please! | 0:48:50 | 0:48:52 | |
Sami! | 0:48:53 | 0:48:54 | |
Please! | 0:48:56 | 0:48:58 | |
Sami! | 0:48:58 | 0:49:00 | |
My daughter! | 0:49:09 | 0:49:11 | |
Tell me where she is! | 0:49:11 | 0:49:13 | |
GUNSHOTS | 0:49:13 | 0:49:14 | |
No! | 0:49:14 | 0:49:15 | |
My baby! No! | 0:49:15 | 0:49:17 | |
Ma bebe! | 0:49:17 | 0:49:18 | |
Ma bebe! | 0:49:18 | 0:49:21 | |
My little girl! | 0:49:22 | 0:49:24 | |
I have to find my little girl. | 0:49:29 | 0:49:32 | |
I have to find her. | 0:49:33 | 0:49:35 | |
Do you know who killed him? | 0:49:37 | 0:49:38 | |
A woman and a man, we don't know who they are. | 0:49:38 | 0:49:41 | |
-Weren't you here? -What about the little girl? | 0:49:41 | 0:49:43 | |
Police dogs haven't turned up anything so far | 0:49:43 | 0:49:46 | |
but we're tracking the ransom money. | 0:49:46 | 0:49:48 | |
We can tent the body here. I need to find the girl. | 0:49:48 | 0:49:50 | |
She may already be dead. | 0:49:50 | 0:49:52 | |
I know that. | 0:49:52 | 0:49:53 | |
9mm. Markings suggest it's a Jericho 941 round. | 0:49:54 | 0:49:59 | |
Standard issue for Israeli Security Services. | 0:49:59 | 0:50:02 | |
I need your help. | 0:50:02 | 0:50:03 | |
Can you find something, anything, on the body that might tell us where they've taken her? | 0:50:03 | 0:50:08 | |
She's a little girl! | 0:50:08 | 0:50:10 | |
OK. So we'll need the tent, light, a table. | 0:50:10 | 0:50:12 | |
Cause of death? | 0:50:13 | 0:50:15 | |
Two shots. Both in the chest. | 0:50:15 | 0:50:17 | |
Why do you think Sami organised the drop to be here? | 0:50:17 | 0:50:20 | |
He knew the area? | 0:50:20 | 0:50:21 | |
Nikki. | 0:50:23 | 0:50:24 | |
Wild honeysuckle? | 0:50:26 | 0:50:27 | |
Yes, I think so. | 0:50:28 | 0:50:30 | |
Purple loosestrife. | 0:50:31 | 0:50:33 | |
She's been drugged. | 0:51:28 | 0:51:30 | |
Check her for benzodiazepine and oxycodone. | 0:51:30 | 0:51:32 | |
The bag's stopped moving. | 0:51:36 | 0:51:38 | |
GUNSHOTS | 0:52:15 | 0:52:16 | |
Go, go. | 0:52:19 | 0:52:21 | |
Bazza. | 0:52:47 | 0:52:49 | |
They think the shooter was a woman. | 0:53:18 | 0:53:20 | |
Gun was a Jericho 941 - Israeli. | 0:53:20 | 0:53:22 | |
Same type of gun that killed Sami Rashid. | 0:53:22 | 0:53:25 | |
The Jericho is used by Mossad, Israeli intelligence. | 0:53:25 | 0:53:28 | |
Did, erm, you get anything from the Home Office? | 0:53:28 | 0:53:32 | |
I was referred to Counter Intelligence. | 0:53:32 | 0:53:34 | |
They told me not to ask. | 0:53:34 | 0:53:36 | |
-The shooters were Mossad. -No idea. | 0:53:37 | 0:53:39 | |
Sent to kill terrorists who had targeted supporters of Israel. | 0:53:39 | 0:53:41 | |
Way above my pay grade, Jack. | 0:53:41 | 0:53:43 | |
That's why they broke into the Lyell Centre, | 0:53:43 | 0:53:45 | |
they were tracking the killers. | 0:53:45 | 0:53:47 | |
Is that what you think? | 0:53:47 | 0:53:48 | |
I don't know, I didn't ask. | 0:53:48 | 0:53:50 | |
They told me not to. | 0:53:50 | 0:53:52 | |
Here? | 0:54:08 | 0:54:09 | |
Oh, ho-ho! Good seats. | 0:54:13 | 0:54:16 | |
Told you. | 0:54:16 | 0:54:18 | |
Whoa. | 0:54:25 | 0:54:27 | |
Can I, can I grab the chair? | 0:54:27 | 0:54:29 | |
Go ahead, mate. | 0:54:29 | 0:54:31 | |
Needs a drop of oil. | 0:54:31 | 0:54:32 | |
-Thanks. -All right. | 0:54:32 | 0:54:34 | |
Zay-dee! | 0:54:44 | 0:54:46 | |
-Morning. -Morning. | 0:55:08 | 0:55:09 | |
Just having a little get to know you with Sir Thomas. | 0:55:09 | 0:55:12 | |
1897-1985, | 0:55:14 | 0:55:16 | |
he had a good run - 78 years. | 0:55:16 | 0:55:19 | |
Named a building after him... | 0:55:19 | 0:55:21 | |
and a bust. | 0:55:21 | 0:55:22 | |
Do you know, I'd never considered the possibility before this moment | 0:55:24 | 0:55:28 | |
that somewhere, after I'm gone, there might be a bust of me... | 0:55:28 | 0:55:31 | |
or there might not be. | 0:55:31 | 0:55:33 | |
Either way, hadn't considered it. | 0:55:33 | 0:55:35 | |
Will I ever deserve a bust? | 0:55:37 | 0:55:39 | |
88 years. | 0:55:39 | 0:55:40 | |
1897-1985, 88. | 0:55:42 | 0:55:45 | |
If you do get a bust, it won't be for maths. | 0:55:45 | 0:55:48 | |
It's the little things I do to make people feel good, | 0:55:49 | 0:55:52 | |
almost without trying. | 0:55:52 | 0:55:53 | |
When I was younger, | 0:55:53 | 0:55:55 | |
at school, I was "easy to like". | 0:55:55 | 0:55:59 | |
Hard to believe, really, but that's what people said - | 0:56:00 | 0:56:02 | |
not controversial - "easy to like." | 0:56:02 | 0:56:04 | |
You never really lose that capacity... | 0:56:05 | 0:56:07 | |
..you just well, park it somewhere safe to be used at a later date. | 0:56:09 | 0:56:12 | |
So, when, in the future or - who knows, maybe right now - | 0:56:12 | 0:56:17 | |
you look at me and are filled with loathing, just remember, | 0:56:17 | 0:56:20 | |
-I'm "easy to like". -HE CHUCKLES | 0:56:20 | 0:56:23 | |
I'll try to remember it too. | 0:56:23 | 0:56:25 | |
Mr Bennetto is an ex-soldier who has spent the past | 0:56:49 | 0:56:53 | |
five years and four months in prison for the brutal murder | 0:56:53 | 0:56:57 | |
of two homosexual teenage men... | 0:56:57 | 0:56:59 | |
..one of whom, Daniel Harris, was his lover. | 0:57:01 | 0:57:05 | |
It's not exactly my idea of fun, | 0:57:05 | 0:57:07 | |
contradicting the original pathologist's findings. | 0:57:07 | 0:57:10 | |
Got an ID for the victim? | 0:57:10 | 0:57:11 | |
Nah. Waiting for you to do the dirty work. | 0:57:11 | 0:57:13 | |
Yes, ma'am. | 0:57:13 | 0:57:15 | |
Security! | 0:57:15 | 0:57:17 | |
What are you doing? Get off! | 0:57:17 | 0:57:18 | |
Armed police! Stay where you are. Do not move! | 0:57:21 | 0:57:23 | |
Get down! | 0:57:23 | 0:57:25 | |
Is that what you did with Daniel's clothes, is it, incinerate them? | 0:57:26 | 0:57:29 | |
I've received a request from the police | 0:57:29 | 0:57:31 | |
that you be removed from the investigation. | 0:57:31 | 0:57:33 | |
I can't make it up, Nikki, I can't make Bennetto be innocent. | 0:57:33 | 0:57:36 | |
I don't want that. | 0:57:36 | 0:57:38 |