
Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
SOMBRE PIANO MUSIC OVER BIRDSONG | 0:00:02 | 0:00:06 | |
'Like as a father pitieth his own children.' | 0:00:25 | 0:00:28 | |
Even so is the Lord merciful unto them that fear him. | 0:00:28 | 0:00:32 | |
For he knoweth whereof we are made. For he remembereth we are but dust. | 0:00:33 | 0:00:39 | |
'The days of man are but as grass.' | 0:00:45 | 0:00:48 | |
For he flourisheth as a flower of the field. | 0:00:48 | 0:00:51 | |
'For as soon as the wind goeth over it, it is gone.' | 0:00:57 | 0:01:01 | |
We commend into they hands, most merciful father, | 0:01:04 | 0:01:07 | |
the soul of our brother departed. | 0:01:07 | 0:01:11 | |
Earth to earth... | 0:01:11 | 0:01:14 | |
Stop. | 0:01:15 | 0:01:17 | |
Stop! | 0:01:18 | 0:01:19 | |
# Testator silens | 0:01:39 | 0:01:48 | |
# Costestes e spiritu | 0:01:48 | 0:01:55 | |
# Silentium. # | 0:01:55 | 0:02:07 | |
-DI Dale Carter. -Hi. -Hello. | 0:02:23 | 0:02:25 | |
What have we got? | 0:02:25 | 0:02:27 | |
Young woman. Some bruising to her face and chest. | 0:02:27 | 0:02:30 | |
And there's a wound to her neck. | 0:02:30 | 0:02:31 | |
But no obvious cause of death. | 0:02:31 | 0:02:34 | |
So, he wanted to give her a Christian burial, did he(?) | 0:02:34 | 0:02:37 | |
Dead or alive when she was put in the ground? | 0:02:37 | 0:02:39 | |
I'm afraid that's a question for the postmortem. | 0:02:39 | 0:02:42 | |
Just the hearse, I'm afraid. | 0:02:54 | 0:02:56 | |
If there were any other tyre tracks, they've been washed away. | 0:02:56 | 0:02:59 | |
Footprints? | 0:02:59 | 0:03:00 | |
The families, undertakers. Anyone else, we'll have to see. | 0:03:00 | 0:03:03 | |
I've taken impressions. | 0:03:03 | 0:03:04 | |
No tools left on site so he or she must've brought their own. | 0:03:04 | 0:03:08 | |
Presumably, you've been told about the padlock on the main gate. | 0:03:08 | 0:03:11 | |
Had it open for access. | 0:03:11 | 0:03:13 | |
-No CCTV. He chose well. -Hmm. | 0:03:13 | 0:03:16 | |
So, what do you reckon, opportunistic or fetishistic? | 0:03:18 | 0:03:22 | |
I mean, did he just get lucky finding an open grave | 0:03:22 | 0:03:24 | |
-or was it planned? -No rain, he'd have got away with it. | 0:03:24 | 0:03:27 | |
Any idea who she is? | 0:03:27 | 0:03:29 | |
Possible MISPER matches? | 0:03:31 | 0:03:33 | |
Yeah. | 0:03:33 | 0:03:34 | |
Are you OK? | 0:03:51 | 0:03:53 | |
How's your mum? | 0:03:55 | 0:03:57 | |
Hey. | 0:03:59 | 0:04:00 | |
Any more news? | 0:04:03 | 0:04:05 | |
They've found a body. | 0:04:06 | 0:04:08 | |
Is it her? | 0:04:09 | 0:04:11 | |
I don't know, they're still waiting. | 0:04:11 | 0:04:13 | |
-She didn't ring you? -No. | 0:04:23 | 0:04:26 | |
-Gem, if something was wrong, she would've done. -Yeah. | 0:04:26 | 0:04:29 | |
Anything could've happened. | 0:04:32 | 0:04:34 | |
I'll just be a minute. | 0:04:39 | 0:04:41 | |
Hannah. | 0:05:33 | 0:05:35 | |
Brewery's just been on, I need to get down to the pub. | 0:05:35 | 0:05:39 | |
Will you look after your mam? | 0:05:39 | 0:05:41 | |
I'll be as quick as I can. | 0:05:41 | 0:05:43 | |
This was bundled up in the ground with her. | 0:05:46 | 0:05:48 | |
Some blood here we need to take a look at. | 0:05:49 | 0:05:52 | |
No soil in her mouth or nose. | 0:05:52 | 0:05:54 | |
She was dead before she was buried. | 0:05:54 | 0:05:56 | |
Small mercy. | 0:05:56 | 0:05:58 | |
I smell alcohol. | 0:06:01 | 0:06:03 | |
-Booze? -Maybe. | 0:06:03 | 0:06:05 | |
Some kind of plant residue. | 0:06:17 | 0:06:19 | |
It's not from the grave - looks different. | 0:06:19 | 0:06:22 | |
Petechial haemorrhaging. | 0:06:49 | 0:06:51 | |
Which would indicate suffocation? | 0:06:51 | 0:06:53 | |
From DI Carter. | 0:06:59 | 0:07:02 | |
Information about the missing girl. | 0:07:02 | 0:07:04 | |
It's her. She's 15. | 0:07:10 | 0:07:12 | |
Just a kid. | 0:07:15 | 0:07:17 | |
Any relationship between victim and the man who was being buried? | 0:07:23 | 0:07:26 | |
No. | 0:07:26 | 0:07:28 | |
-When was she killed? -There were blowfly eggs on the body, | 0:07:29 | 0:07:32 | |
so most likely she was kept elsewhere before being buried. | 0:07:32 | 0:07:34 | |
From my analysis, I'd say the eggs were less than ten hours old. | 0:07:34 | 0:07:37 | |
We'd agree with that time frame, more or less. | 0:07:37 | 0:07:39 | |
So, she was killed between, what, two and three in the morning? | 0:07:39 | 0:07:43 | |
Last seen alive? | 0:07:43 | 0:07:44 | |
Left home about six the previous evening. | 0:07:44 | 0:07:48 | |
Strangled? | 0:07:48 | 0:07:49 | |
Crush asphyxiation. | 0:07:49 | 0:07:51 | |
In English? | 0:07:51 | 0:07:52 | |
Erm...blood vessels were burst in her eyes, which indicates... | 0:07:52 | 0:07:55 | |
Yeah, spare me the how. I just need the what. | 0:07:55 | 0:07:58 | |
OK. A heavy weight on her chest stopped her from breathing. | 0:07:58 | 0:08:01 | |
Possibly accidentally. | 0:08:01 | 0:08:02 | |
So, he accidentally crushed her to death?! Bollocks. | 0:08:02 | 0:08:05 | |
Sexual assault? Rape? | 0:08:06 | 0:08:09 | |
Unlikely. No injuries that would suggest a sexual motive. | 0:08:09 | 0:08:11 | |
Nothing deposited on the body, or in it. | 0:08:11 | 0:08:13 | |
-Condom. -No trace of lubricant, either. | 0:08:13 | 0:08:16 | |
Even so. I mean, 15 years old. | 0:08:16 | 0:08:19 | |
-You'd bet your house that this was sexual, wouldn't you? -Hmm... | 0:08:19 | 0:08:22 | |
Did you guys get anything from the graveyard? | 0:08:25 | 0:08:28 | |
The shoeprints are from people who had a legitimate reason to be there. | 0:08:28 | 0:08:31 | |
-And the tools on site? -Again, the prints are from the caretakers. | 0:08:31 | 0:08:34 | |
We're still working on the padlock. | 0:08:34 | 0:08:36 | |
So the best lead you've got is the blood sample on Katie's scarf. | 0:08:36 | 0:08:40 | |
Which we're running DNA on now. | 0:08:40 | 0:08:41 | |
So you've got cause of death, but otherwise you've got squat. | 0:08:41 | 0:08:45 | |
You better go back to the graveyard and do another sweep, then, eh? | 0:08:48 | 0:08:50 | |
Please. | 0:08:53 | 0:08:54 | |
Gemma? | 0:08:56 | 0:08:57 | |
I'm going to have to ask you a few more questions. | 0:09:38 | 0:09:41 | |
You all family, are you? | 0:09:41 | 0:09:43 | |
No, erm, we're friends. I run a pub. | 0:09:44 | 0:09:48 | |
Gemma works for me. Hannah's my daughter. | 0:09:48 | 0:09:50 | |
You said she went out in the evening. Did she phone you? | 0:09:53 | 0:09:56 | |
No. | 0:09:57 | 0:09:58 | |
What about you? You didn't go out with her? | 0:09:59 | 0:10:02 | |
I was working at the pub, at ours. | 0:10:03 | 0:10:05 | |
Did anything happen yesterday at all? | 0:10:05 | 0:10:09 | |
Anything out of the ordinary? | 0:10:09 | 0:10:12 | |
Maybe something she said or... | 0:10:12 | 0:10:14 | |
All right. | 0:10:21 | 0:10:22 | |
If anything occurs. | 0:10:29 | 0:10:31 | |
I'm so sorry. | 0:10:34 | 0:10:36 | |
Is there something you want to say? | 0:10:47 | 0:10:49 | |
Yesterday morning. | 0:10:57 | 0:10:58 | |
It was nothing. | 0:10:58 | 0:11:00 | |
Ryan, Mum's boyfriend, he dropped me off at the tube, | 0:11:01 | 0:11:03 | |
-but I'd left some college stuff in the car... -You went back? | 0:11:03 | 0:11:06 | |
Yeah. | 0:11:06 | 0:11:08 | |
-It was just a bit unusual. -What was? | 0:11:08 | 0:11:11 | |
Katie was in the car with him, but he was really going at her - angry. | 0:11:11 | 0:11:16 | |
-About? -I don't know. I couldn't hear. | 0:11:16 | 0:11:19 | |
-Did he see you? -No, and I just backed off. | 0:11:19 | 0:11:22 | |
-Please don't tell my mum I told you. -Where is he now? | 0:11:24 | 0:11:27 | |
-You called? -Yeah, I've just run DNA from the blood on Katie's scarf, | 0:12:08 | 0:12:13 | |
and got a partial match with guess who? | 0:12:13 | 0:12:15 | |
From the entire database - seven million people? Seriously? | 0:12:15 | 0:12:19 | |
-Jack. -Contaminate the scene, did he? | 0:12:19 | 0:12:23 | |
Thomas will be pleased. | 0:12:23 | 0:12:25 | |
Where is he - Jack? | 0:12:25 | 0:12:27 | |
At the graveyard doing a second sweep. | 0:12:27 | 0:12:29 | |
Minus his usual... cheery disposition. | 0:12:29 | 0:12:32 | |
I'd better call him, tell him to prepare his defence. | 0:12:32 | 0:12:35 | |
Hi, it's Clarissa Mullery from the Lyell. | 0:12:48 | 0:12:52 | |
We've got a DNA match - | 0:12:52 | 0:12:54 | |
guy called Ryan Kelvin. | 0:12:54 | 0:12:57 | |
Thomas? | 0:13:16 | 0:13:17 | |
-The guy's got previous for violent assault. -Against women? | 0:13:17 | 0:13:20 | |
No, it's five years ago, bloke in the street. | 0:13:20 | 0:13:22 | |
-Nothing since? -Just a lot of time bottling it up. | 0:13:22 | 0:13:25 | |
He's the stepfather of Katie's best mate. | 0:13:25 | 0:13:27 | |
Odds are he shagged her, panicked and tried to cover it up. | 0:13:27 | 0:13:30 | |
So, paedophile? | 0:13:30 | 0:13:32 | |
Open-minded? | 0:13:32 | 0:13:33 | |
Listen, Jack, what Nikki told you, you didn't contaminate the scene. | 0:13:37 | 0:13:40 | |
Clarissa's come up with another match. | 0:13:40 | 0:13:42 | |
'There's a close genetic relationship to you. | 0:13:44 | 0:13:46 | |
'Ryan Kelvin. | 0:13:48 | 0:13:50 | |
'I'm guessing brother or half-brother? | 0:13:52 | 0:13:55 | |
'You'd better call me.' | 0:13:55 | 0:13:56 | |
Jack? | 0:14:07 | 0:14:08 | |
Sorry. | 0:14:10 | 0:14:11 | |
I've hardly seen him in years. | 0:14:45 | 0:14:48 | |
Just give me some time with him. | 0:14:48 | 0:14:49 | |
What? You, him and a nailfile, right? | 0:14:49 | 0:14:51 | |
Christ's sake, he's not been charged with anything. | 0:14:51 | 0:14:54 | |
-Do you want to tell him to back off? -Jack? | 0:14:54 | 0:14:56 | |
I am asking for two minutes. | 0:14:56 | 0:14:58 | |
You're in my personal space. Back up! | 0:14:58 | 0:15:01 | |
Come on. Come on. | 0:15:01 | 0:15:03 | |
Like you said, two minutes. | 0:15:18 | 0:15:21 | |
She was a friend of the family's, that's all. Lizzie's friends. | 0:15:29 | 0:15:33 | |
-Who's Lizzie? -The woman I live with. | 0:15:33 | 0:15:36 | |
-Your blood's on the girl. -What? | 0:15:38 | 0:15:40 | |
Look, I know it's been a long time, Jack, but... | 0:15:44 | 0:15:48 | |
..you've got to help me now. | 0:15:50 | 0:15:51 | |
Please. Please. | 0:15:51 | 0:15:53 | |
Yesterday morning, about eight o'clock, where were you? | 0:16:18 | 0:16:22 | |
-Home. -You want to try that again? | 0:16:22 | 0:16:24 | |
All right, OK. I'll jog your memory for you. | 0:16:26 | 0:16:31 | |
You were down the Broadway, talking to Katie in your car. | 0:16:31 | 0:16:34 | |
We've got a witness. | 0:16:34 | 0:16:37 | |
Talking about what? | 0:16:37 | 0:16:39 | |
I'd seen her the night before at the bus stop by the church | 0:16:39 | 0:16:41 | |
-with some older lads. -So? -So she had it all out on offer. | 0:16:41 | 0:16:44 | |
So when I see her the next morning going into the station, I... | 0:16:44 | 0:16:48 | |
Look, her mother's got no control over her, | 0:16:48 | 0:16:50 | |
so I told her she shouldn't be doing that, not at her age, | 0:16:50 | 0:16:54 | |
-and not at any age. -And she said? | 0:16:54 | 0:16:57 | |
She just gave me some lip. | 0:16:57 | 0:16:59 | |
And I bet that wound you up. | 0:16:59 | 0:17:01 | |
Did you lose it with her, Ryan? | 0:17:01 | 0:17:02 | |
It's just kids. It's no big deal. | 0:17:02 | 0:17:05 | |
What about 2am last night? Where were you then? | 0:17:06 | 0:17:10 | |
In bed with Lizzie. | 0:17:10 | 0:17:12 | |
I woke up, he wasn't there. | 0:17:13 | 0:17:15 | |
He hadn't been sleeping well, so I got up to check on him. | 0:17:15 | 0:17:18 | |
He was in the beer garden, I saw him from the window. | 0:17:18 | 0:17:21 | |
You saw his face? | 0:17:21 | 0:17:23 | |
It... I saw his smoke, his cigarette smoke. | 0:17:23 | 0:17:26 | |
But you didn't see his face? | 0:17:26 | 0:17:27 | |
Erm... | 0:17:31 | 0:17:33 | |
So, how come you've never mentioned a brother before? | 0:17:42 | 0:17:45 | |
I don't remember getting a run down in your family tree. | 0:17:45 | 0:17:48 | |
For all I know, your granny's a hooker, | 0:17:48 | 0:17:50 | |
and your uncle sells crack. Is toxicology back? | 0:17:50 | 0:17:53 | |
Yeah. Just. | 0:17:58 | 0:18:00 | |
Katie was taking antibiotics - erythromycin. | 0:18:01 | 0:18:05 | |
That's it. No drugs, no alcohol. | 0:18:05 | 0:18:07 | |
Anybody want a job? | 0:18:07 | 0:18:09 | |
Ringing around surgeries to find out who prescribed it? | 0:18:09 | 0:18:12 | |
Wasn't her regular GP. | 0:18:12 | 0:18:13 | |
Are you OK? | 0:18:16 | 0:18:17 | |
What do you want me to say? | 0:18:19 | 0:18:21 | |
Have you heard of Ryan before? | 0:18:21 | 0:18:23 | |
Can't say I have. | 0:18:25 | 0:18:27 | |
Not even you, huh? | 0:18:27 | 0:18:29 | |
PHONE RINGS | 0:18:29 | 0:18:32 | |
Hello? | 0:18:37 | 0:18:39 | |
OK. | 0:18:46 | 0:18:48 | |
Court records, Ryan's conviction. | 0:18:51 | 0:18:53 | |
October 2009, he got six months for GBH. | 0:18:54 | 0:18:58 | |
So, what's the big secret? | 0:19:00 | 0:19:03 | |
You were there when he beat the guy up. | 0:19:03 | 0:19:05 | |
And? | 0:19:07 | 0:19:08 | |
So, what happened? | 0:19:11 | 0:19:12 | |
'It was just over a woman in a bar. Saturday night, usual thing. | 0:19:14 | 0:19:19 | |
'Carried on later in the street.' | 0:19:19 | 0:19:21 | |
This guy...there was no-one at home, Nikki. | 0:19:24 | 0:19:28 | |
You know? | 0:19:28 | 0:19:29 | |
Ryan broke the guy's jaw. | 0:19:33 | 0:19:35 | |
You were the only witness? | 0:19:40 | 0:19:41 | |
So, presumably you had to go to court to give evidence against him? | 0:19:43 | 0:19:47 | |
Yeah. | 0:19:47 | 0:19:48 | |
Forensic scientist refuses to give evidence, | 0:19:48 | 0:19:51 | |
no more forensic scientist. | 0:19:51 | 0:19:53 | |
But from Ryan's perspective, that must've seemed pretty disloyal. | 0:19:53 | 0:19:56 | |
Like death and bloody taxes you are. | 0:19:56 | 0:19:58 | |
Which is why you haven't seen a lot of each other since. | 0:19:58 | 0:20:01 | |
You're so sharp, Nikki. You'll cut yourself one day. | 0:20:02 | 0:20:05 | |
That weird bit of vegetation in Katie Bowman's hair - | 0:20:07 | 0:20:11 | |
the botanists have been on - | 0:20:11 | 0:20:13 | |
it's from an hibiscus petal. | 0:20:13 | 0:20:16 | |
Just to let you know, your lady won't confirm your alibi. | 0:20:28 | 0:20:31 | |
In the car with Katie... | 0:20:35 | 0:20:36 | |
I didn't tell you this before, but... | 0:20:40 | 0:20:43 | |
I grabbed a hold of her to get her to listen and, um... | 0:20:43 | 0:20:47 | |
it was nothing. But I done this the night before on a broken pint glass. | 0:20:47 | 0:20:52 | |
And? | 0:20:52 | 0:20:53 | |
Well, that's how the blood got on her, isn't it? | 0:20:56 | 0:20:59 | |
DI Carter wants us to farm the case out to another lab. | 0:21:07 | 0:21:11 | |
I need an independent team. | 0:21:11 | 0:21:13 | |
So, what do you do with cops when they've got a personal connection? | 0:21:13 | 0:21:16 | |
-You give the case to another constabulary? -What are you saying? | 0:21:16 | 0:21:19 | |
I'm saying, the Lyell's already on top of it. | 0:21:19 | 0:21:22 | |
And, all right, I want continuity. | 0:21:22 | 0:21:25 | |
I don't want my brother banged up for any longer than he has to be. | 0:21:25 | 0:21:28 | |
And that's what's important - what you want? | 0:21:28 | 0:21:31 | |
OK. Now look at it from my point of view. | 0:21:31 | 0:21:35 | |
Ryan's the only suspect. If we end up going to court with him and | 0:21:35 | 0:21:38 | |
you've been sniffing around this, | 0:21:38 | 0:21:39 | |
the prosecution's case will be ripped to shreds. | 0:21:39 | 0:21:42 | |
Got nothing on him though, have you? No motive. | 0:21:42 | 0:21:44 | |
-Sex or money. -Ah... -And my money's on sex. | 0:21:44 | 0:21:46 | |
I reiterate, there is absolutely no evidence of any sexual assault. | 0:21:46 | 0:21:50 | |
Plus Ryan's explained the blood on Katie's scarf. | 0:21:50 | 0:21:53 | |
He has? There you go. | 0:21:53 | 0:21:54 | |
Listen. I've got an idea. | 0:21:54 | 0:21:56 | |
How about I bring in another forensic scientist to work on this? | 0:21:57 | 0:22:00 | |
-Are you serious? -Someone nothing to do with the Lyell - | 0:22:00 | 0:22:02 | |
-no conflict of interest. -It's not necessary. | 0:22:02 | 0:22:04 | |
That way, we save time and money, plus you keep your continuity. | 0:22:04 | 0:22:07 | |
HE SCOFFS | 0:22:07 | 0:22:08 | |
He goes nowhere near this. | 0:22:11 | 0:22:13 | |
DOOR BUZZES | 0:23:05 | 0:23:08 | |
Ant and Dec! | 0:24:45 | 0:24:47 | |
HE LAUGHS | 0:24:47 | 0:24:50 | |
Mark's been on the blower again. | 0:24:50 | 0:24:52 | |
-And? -I told him to go play with himself. | 0:24:52 | 0:24:55 | |
Well, not in those precise words, presumably? | 0:24:55 | 0:24:58 | |
Hygiss have upped their offer for all the Cura Centre clinics, | 0:24:58 | 0:25:03 | |
the brand, the lot. Total buyout. | 0:25:03 | 0:25:05 | |
Well, you've got to admit, | 0:25:06 | 0:25:08 | |
35 mill is a serious statement of intent. | 0:25:08 | 0:25:12 | |
And now you're thinking what? Let's get minted? | 0:25:12 | 0:25:15 | |
No, no, I'm thinking the same as always. Nothing's changed. | 0:25:15 | 0:25:20 | |
No sale. | 0:25:20 | 0:25:22 | |
Good. | 0:25:22 | 0:25:23 | |
Right, go on, then, piss off. | 0:25:25 | 0:25:26 | |
-Hiya. -Oh, hey. | 0:25:41 | 0:25:43 | |
This is Helen Ferguson, our temporary forensic scientist | 0:25:43 | 0:25:46 | |
and, erm, an old university friend of mine. | 0:25:46 | 0:25:50 | |
-Dr Nikki Alexander, pathologist. -Hi. | 0:25:50 | 0:25:53 | |
-Hi. -And Clarissa Mullery, your forensic examiner while you're here. | 0:25:53 | 0:25:57 | |
Hello. | 0:25:57 | 0:25:59 | |
So...anything from the car? | 0:25:59 | 0:26:00 | |
Well, I realise there's a personal connection here so this feels a bit | 0:26:02 | 0:26:06 | |
like delivering bad news to the family... | 0:26:06 | 0:26:09 | |
but I have to say rarely have I seen such a spotless piece of junk. | 0:26:09 | 0:26:13 | |
There's absolutely nothing to find, | 0:26:14 | 0:26:17 | |
so either the guy's frightened of germs, or he's hiding something. | 0:26:17 | 0:26:21 | |
So, you're saying the car's been recently cleaned? | 0:26:21 | 0:26:23 | |
Yes, very recently. Inside and out. | 0:26:23 | 0:26:26 | |
Did she turn your lights on, Ryan? | 0:26:37 | 0:26:40 | |
You've got nothing. | 0:26:40 | 0:26:41 | |
Having her at the pub, big mates with Hannah, | 0:26:41 | 0:26:45 | |
constantly having to watch that young flesh. I get it. | 0:26:45 | 0:26:48 | |
I have never, ever laid a hand on that girl...any girl. | 0:26:48 | 0:26:54 | |
You told me you did. That's how your blood got on her. | 0:26:54 | 0:26:56 | |
Not in the way you mean. Not like that. | 0:26:56 | 0:26:59 | |
Sexually? | 0:26:59 | 0:27:00 | |
Say it. | 0:27:02 | 0:27:03 | |
I have never touched her sexually. | 0:27:05 | 0:27:07 | |
What were you trying to get rid of from your car? | 0:27:09 | 0:27:11 | |
-You took it down the car wash, after she was dead. -No. | 0:27:11 | 0:27:14 | |
You did. I know you did. | 0:27:14 | 0:27:17 | |
Don't think you can lie to me! | 0:27:17 | 0:27:19 | |
I even know which one you took it to. | 0:27:19 | 0:27:21 | |
Why'd you do it, huh? Why'd you clean it? | 0:27:21 | 0:27:23 | |
Hi. | 0:27:33 | 0:27:34 | |
I've seen your face in a photo. | 0:27:36 | 0:27:38 | |
Not changed much, have you? | 0:27:38 | 0:27:40 | |
How much do you know about Ryan? | 0:27:42 | 0:27:44 | |
I know he's been inside, if that's what you mean? | 0:27:44 | 0:27:47 | |
I honestly don't give a toss. He's been a fantastic stepdad to Hannah. | 0:27:47 | 0:27:52 | |
She loves him, I love him. | 0:27:52 | 0:27:54 | |
So, no problems? | 0:27:54 | 0:27:55 | |
-There's always problems. -What like? | 0:27:55 | 0:27:58 | |
Like Gemma hasn't got any money - I sometimes bail her out. | 0:27:58 | 0:28:02 | |
-And Ryan doesn't like it? -It's not... | 0:28:02 | 0:28:06 | |
It's more that he reckons he hasn't got a say in it. | 0:28:06 | 0:28:09 | |
I've offered to make him partner in the business, | 0:28:09 | 0:28:11 | |
but that's not doable because of his record. | 0:28:11 | 0:28:14 | |
So he's sort of dependent on me. It gets to him. | 0:28:14 | 0:28:17 | |
But it's minor, we can handle it. | 0:28:19 | 0:28:21 | |
And how about Katie? Did she ever stay here? | 0:28:22 | 0:28:26 | |
Just ask me. | 0:28:28 | 0:28:30 | |
Did he abuse her? That's what you mean, isn't it? | 0:28:30 | 0:28:33 | |
Did he? | 0:28:35 | 0:28:36 | |
You know someone intimately, you think you do... | 0:28:40 | 0:28:42 | |
..and now this. | 0:28:44 | 0:28:46 | |
And you get doubts - you're not sure any more. | 0:28:46 | 0:28:49 | |
I'm not sure any more. | 0:28:52 | 0:28:55 | |
Hannah? | 0:29:27 | 0:29:29 | |
-Hi, I'm Jack. -I know who you are. | 0:29:30 | 0:29:32 | |
Sorry about Katie. | 0:29:34 | 0:29:36 | |
Hey, Hannah, wait a sec. | 0:29:38 | 0:29:40 | |
You knew her really well, didn't you? | 0:29:40 | 0:29:42 | |
Do you have any idea why someone would want to harm her? | 0:29:44 | 0:29:47 | |
I don't know. | 0:29:49 | 0:29:50 | |
She couldn't see any badness. | 0:29:52 | 0:29:54 | |
She got on with everyone. | 0:29:55 | 0:29:57 | |
She'd have, like, these crushes on people. | 0:29:59 | 0:30:02 | |
Just want to be near them, connect, you know? | 0:30:02 | 0:30:04 | |
Guess I did the same at her age. | 0:30:06 | 0:30:08 | |
Did she have a crush on Ryan? | 0:30:08 | 0:30:10 | |
OK. | 0:30:15 | 0:30:16 | |
One last thing, whose are these? | 0:30:16 | 0:30:20 | |
Ryan's. | 0:30:20 | 0:30:22 | |
DI Carter? Please. | 0:31:13 | 0:31:16 | |
-Katie Bowman. -Erythromycin. | 0:31:20 | 0:31:23 | |
How did she seem? Disturbed or frightened? | 0:31:23 | 0:31:26 | |
Erm, no. No, not at all. | 0:31:29 | 0:31:32 | |
She just wanted something fast to clear her chest infection. | 0:31:32 | 0:31:34 | |
-Thank you very much, Dr Nash. -You're welcome. | 0:31:36 | 0:31:39 | |
Police? What did he want? | 0:31:47 | 0:31:49 | |
I thought she was 18. That's what she told me... | 0:31:56 | 0:31:58 | |
-Jesus Christ. -Oh, come on, would you put her at 15? Really? Come on. | 0:31:58 | 0:32:02 | |
How did he trace her here? | 0:32:05 | 0:32:07 | |
I wrote her a prescription. | 0:32:07 | 0:32:09 | |
Look, she was officially a patient. | 0:32:10 | 0:32:12 | |
The police knew that and I confirmed it. | 0:32:12 | 0:32:15 | |
But, as far as they're concerned, that's all she was. | 0:32:15 | 0:32:18 | |
Pizza. You've found my weakness. | 0:32:24 | 0:32:27 | |
Are you here checking up on me? | 0:32:29 | 0:32:31 | |
Clarissa's worried about you. | 0:32:31 | 0:32:33 | |
Did she actually say that? | 0:32:33 | 0:32:34 | |
Not in so many words, but... Where do you keep your plates? | 0:32:34 | 0:32:38 | |
They're here. There's some juice in the fridge. | 0:32:38 | 0:32:40 | |
Katie had antibiotics in her system, didn't she? | 0:32:43 | 0:32:49 | |
Anybody traced where she got them? | 0:32:49 | 0:32:52 | |
Oh, come on, it's an innocent enough question. | 0:32:52 | 0:32:55 | |
-Yes, they have. -And? | 0:32:55 | 0:32:58 | |
The Cura Centre. A private walk-in place, OK? | 0:32:58 | 0:33:02 | |
-Happy? -OK. | 0:33:03 | 0:33:05 | |
-Good. Eat. -Thank you. | 0:33:05 | 0:33:08 | |
Hot! | 0:33:11 | 0:33:12 | |
I need you to do something for me. Just...hear me out, OK? | 0:33:20 | 0:33:25 | |
-I need this, and these, testing for mineral composition. -No way... | 0:33:31 | 0:33:35 | |
-I can't do that from outside the Lyell... -No. | 0:33:35 | 0:33:37 | |
..but, if it yields what I think it will, | 0:33:37 | 0:33:40 | |
then I can get back to work and we can all simply move on. | 0:33:40 | 0:33:43 | |
Hi, love. | 0:33:47 | 0:33:49 | |
Hey! | 0:33:50 | 0:33:52 | |
Hannah! Hannah! Talk to me. | 0:33:52 | 0:33:56 | |
-There's something I haven't told you that I've told the police. -OK. | 0:34:02 | 0:34:06 | |
I saw Katie with Ryan in his car. | 0:34:08 | 0:34:11 | |
-When? -Yesterday morning. The station. | 0:34:13 | 0:34:17 | |
I'm sorry. | 0:34:17 | 0:34:18 | |
It's my fault, Mum... | 0:34:20 | 0:34:22 | |
It's fine... | 0:34:22 | 0:34:25 | |
It's my fault. | 0:34:25 | 0:34:26 | |
-I told you I'd call. -All right. Where's Thomas? | 0:34:56 | 0:34:58 | |
-He's in his office with DI Carter. -All right, relax then. | 0:34:58 | 0:35:01 | |
Who's the woman? | 0:35:01 | 0:35:02 | |
Helen Ferguson, she's a friend of Thomas. You won't know her. | 0:35:02 | 0:35:05 | |
-Because? -She's been at university - lecturing. | 0:35:05 | 0:35:08 | |
Back getting her hands dirty, is she? | 0:35:08 | 0:35:10 | |
-Look, do you want these mineralogy results, or what? -Yes. | 0:35:10 | 0:35:13 | |
-This is the result of the garden sample... -Uh-huh. | 0:35:13 | 0:35:16 | |
..and this is what was on his shoes. | 0:35:16 | 0:35:18 | |
The same? This is great news. | 0:35:20 | 0:35:23 | |
Neither are from the graveyard, both are from the pub beer garden. | 0:35:23 | 0:35:26 | |
Good. Happy? | 0:35:26 | 0:35:28 | |
-When did it last rain? -What? | 0:35:31 | 0:35:33 | |
When did it last rain? | 0:35:33 | 0:35:34 | |
-The funeral? -No, I checked with the Met Office. | 0:35:35 | 0:35:38 | |
In Ryan's area, it rained from 12:16 the previous night | 0:35:38 | 0:35:42 | |
-continuously right through the morning of the funeral. -And? | 0:35:42 | 0:35:44 | |
Before that, there'd been no rain for three weeks, | 0:35:44 | 0:35:47 | |
so the ground had completely dried out. | 0:35:47 | 0:35:48 | |
But the soil in Ryan's shoes was wet. Therefore... | 0:35:48 | 0:35:51 | |
He must've been wearing them in the garden sometime after 12:16 | 0:35:51 | 0:35:54 | |
-on the night that Katie was killed. -Exactly. | 0:35:54 | 0:35:57 | |
What if he watered the garden before? | 0:35:57 | 0:35:59 | |
No, checked that too. The hose was bone-dry. | 0:35:59 | 0:36:01 | |
2am, the time Katie died, | 0:36:01 | 0:36:03 | |
Ryan told Carter he was out in the pub garden. | 0:36:03 | 0:36:05 | |
This confirms it. | 0:36:05 | 0:36:06 | |
Where'd the evidence come from? | 0:36:22 | 0:36:23 | |
Peter Moran - he's an accredited mineralogist. | 0:36:23 | 0:36:25 | |
No, I meant who put it together? Here? The alibi? | 0:36:25 | 0:36:29 | |
You? | 0:36:29 | 0:36:30 | |
-Jack. -God's sake... | 0:36:32 | 0:36:34 | |
He came to me with it, I couldn't just ignore it. | 0:36:34 | 0:36:36 | |
-He got some mud and packed it in the boots? -No, Jack... | 0:36:36 | 0:36:39 | |
It's what they'll say in court, | 0:36:39 | 0:36:40 | |
which is why he shouldn't be near this! | 0:36:40 | 0:36:42 | |
If he'd rigged it, the mud wouldn't have dried out. | 0:36:42 | 0:36:44 | |
-Whatever. DI Carter's right. -Well, the alibi is useless. | 0:36:44 | 0:36:46 | |
It points to Ryan's innocence. | 0:36:46 | 0:36:48 | |
No, it points to Jack trying to bust his brother out of custody. | 0:36:48 | 0:36:51 | |
I trust my gut. | 0:36:51 | 0:36:53 | |
We stay with Ryan. | 0:36:55 | 0:36:57 | |
Do you want to come in? | 0:37:01 | 0:37:03 | |
I was bloody stupid to get involved with this. | 0:37:03 | 0:37:05 | |
-I've heard. I've just had Thomas on the phone. -Hear me out, Jack. | 0:37:05 | 0:37:08 | |
Enough is enough. Leave it alone, yeah? | 0:37:08 | 0:37:10 | |
-'What do you want?' -Nice. | 0:37:16 | 0:37:18 | |
Well, I try to be concerned and enquiring, | 0:37:18 | 0:37:21 | |
but you're not interested, so... | 0:37:21 | 0:37:22 | |
'Why would a 15-year-old' | 0:37:22 | 0:37:24 | |
pay for antibiotics? | 0:37:24 | 0:37:25 | |
Maybe they come with a free download? | 0:37:25 | 0:37:28 | |
That hibiscus in Katie's hair, they put that in cocktails. | 0:37:28 | 0:37:32 | |
-I wouldn't know. -'15 years old.' | 0:37:32 | 0:37:35 | |
She wouldn't get in anywhere, would she? Fake ID, I suppose... | 0:37:35 | 0:37:39 | |
Or somebody vouched for her. | 0:37:39 | 0:37:42 | |
Hmm. | 0:37:42 | 0:37:43 | |
MUSIC PLAYS IN CLUB | 0:37:44 | 0:37:48 | |
Hiya! | 0:37:48 | 0:37:50 | |
She's with me, she's with me. | 0:37:50 | 0:37:52 | |
Mum's not in. | 0:38:11 | 0:38:12 | |
Thought you might want a bit of a pick-me-up. | 0:38:17 | 0:38:20 | |
Oh, thanks. | 0:38:20 | 0:38:23 | |
You know, I was tempted to tell Carter | 0:38:23 | 0:38:25 | |
that I'd found that evidence myself. | 0:38:25 | 0:38:28 | |
Please, God! One maverick on the team is enough. | 0:38:28 | 0:38:31 | |
Well, you've been saying you wanted out of academia, so... | 0:38:32 | 0:38:36 | |
Bit of a baptism of fire on this, though. | 0:38:36 | 0:38:39 | |
-You could've warned me. -Then you'd have said "no". | 0:38:39 | 0:38:41 | |
Look, it's not easy at the best of times | 0:38:44 | 0:38:46 | |
coming onto an already established team. I did it myself, so... | 0:38:46 | 0:38:49 | |
Well, it's great having you here. | 0:38:51 | 0:38:53 | |
Someone as senior and... | 0:38:54 | 0:38:57 | |
"Senior"? In what sense? | 0:38:57 | 0:38:59 | |
Oh, no, no, no. I didn't mean... Oh. | 0:38:59 | 0:39:02 | |
Still socially gauche, I see, in spite of that confident veneer. | 0:39:05 | 0:39:09 | |
SIREN WAILING IN BACKGROUND | 0:39:12 | 0:39:14 | |
Can you make a call? | 0:39:25 | 0:39:26 | |
Your brother's probably out there playing detective. | 0:39:26 | 0:39:29 | |
Just you and me, mate. No witnesses. | 0:39:31 | 0:39:34 | |
No recording devices. | 0:39:34 | 0:39:37 | |
-So? -You tell me. | 0:39:37 | 0:39:40 | |
OK. | 0:39:41 | 0:39:43 | |
You screwed her for a few months until reality kicked in, | 0:39:43 | 0:39:46 | |
then you tell her it's over. | 0:39:46 | 0:39:48 | |
But she's stuck on you, so she threatens to tell her mother. | 0:39:48 | 0:39:52 | |
She's flipping out. You hold her down, | 0:39:52 | 0:39:54 | |
try and talk some sense into her. | 0:39:54 | 0:39:56 | |
But all your weight's on her. | 0:39:56 | 0:39:58 | |
By the time she shuts up, it's too late. | 0:39:58 | 0:40:00 | |
It's accidental. | 0:40:03 | 0:40:05 | |
So I do you for manslaughter, throw in sex with a minor. | 0:40:05 | 0:40:09 | |
You get eight to ten, and do four, it's all over. | 0:40:09 | 0:40:13 | |
But you keep telling me "no", | 0:40:13 | 0:40:16 | |
and I go after you for murder. | 0:40:16 | 0:40:18 | |
You get life. You do 15 to 20. | 0:40:18 | 0:40:21 | |
You've got nothing. | 0:40:21 | 0:40:22 | |
I've got your blood on her and I've got motive. | 0:40:22 | 0:40:25 | |
Your decision. | 0:40:27 | 0:40:29 | |
You took her clubbing, didn't you? | 0:40:39 | 0:40:41 | |
-What? No way. -Where'd you go? | 0:40:41 | 0:40:44 | |
Hannah, come one, Ryan doesn't have time for this. | 0:40:45 | 0:40:47 | |
-Java. -That's private members, isn't it? | 0:40:47 | 0:40:50 | |
-I host a table there. -What does that mean? | 0:40:50 | 0:40:52 | |
I bring people in - the right kind of people. | 0:40:52 | 0:40:55 | |
-What, youth and beauty? -Maybe. | 0:40:55 | 0:40:57 | |
What's that? Eczema? | 0:40:59 | 0:41:01 | |
Were you there with her the night she died? | 0:41:02 | 0:41:05 | |
No. | 0:41:05 | 0:41:06 | |
PHONE RINGS | 0:41:06 | 0:41:08 | |
Could she get in on her own? Would they let her in? | 0:41:08 | 0:41:11 | |
Hi. | 0:41:12 | 0:41:13 | |
Look, I wanted to say, whatever happened with us, right, | 0:41:16 | 0:41:20 | |
you've got to stay away from this. | 0:41:20 | 0:41:22 | |
I love you, man, and I'm thinking about your career, yeah? | 0:41:23 | 0:41:26 | |
'I need you to stay away.' | 0:41:28 | 0:41:29 | |
All right? Are you listening? You stay away. | 0:41:29 | 0:41:33 | |
Not this time. | 0:41:33 | 0:41:36 | |
-Was there a particular guy? -No. | 0:41:44 | 0:41:47 | |
But she talked to men? She danced and stuff? | 0:41:47 | 0:41:50 | |
Yeah, it was just...normal. | 0:41:51 | 0:41:55 | |
Is this a normal place to bring a 15-year-old?! | 0:41:55 | 0:41:58 | |
LOW BEEPING | 0:41:58 | 0:42:02 | |
DOOR OPENS | 0:42:04 | 0:42:06 | |
The manager? | 0:42:06 | 0:42:08 | |
Hello. | 0:42:08 | 0:42:10 | |
There's Katie. | 0:42:11 | 0:42:13 | |
This is when, exactly? | 0:42:15 | 0:42:16 | |
Erm...three days ago. | 0:42:16 | 0:42:19 | |
Can we freeze that, please? | 0:42:19 | 0:42:22 | |
That's not hers. That's not her phone. | 0:42:22 | 0:42:24 | |
Fast forward. | 0:42:25 | 0:42:27 | |
Wait. | 0:42:27 | 0:42:28 | |
Freeze that. | 0:42:35 | 0:42:37 | |
I didn't know, I swear. She never told me. | 0:42:40 | 0:42:43 | |
-But you know who he is? -Yeah, he's a regular. | 0:42:43 | 0:42:46 | |
Christy something. He's like a private doctor. | 0:42:46 | 0:42:48 | |
This isn't up for debate. Nobody could've planted this. | 0:42:53 | 0:42:56 | |
-Is that the guy who wrote up her prescription? -Yeah. | 0:43:00 | 0:43:03 | |
So, what's your gut telling you now? | 0:43:10 | 0:43:12 | |
The NHS is a dead duck. They've run it down to sell it off. | 0:43:14 | 0:43:17 | |
Well I'd like to say, OK, that I owe the NHS a lot. | 0:43:17 | 0:43:21 | |
Mr Janssen's just talking about context. | 0:43:21 | 0:43:24 | |
Sure. I just don't want to hear it rubbished. OK, darling? | 0:43:24 | 0:43:27 | |
In the same way, I don't want to see what we've done here stripped out. | 0:43:27 | 0:43:30 | |
We have three fantastic local facilities - | 0:43:30 | 0:43:32 | |
seven-day-a-week community medical care... | 0:43:32 | 0:43:35 | |
No, absolutely. But they're not state clinics, Christy. | 0:43:35 | 0:43:38 | |
The business needs to maximise profits, | 0:43:38 | 0:43:40 | |
and to do that it needs to grow. | 0:43:40 | 0:43:43 | |
OK, and to grow we need investment. | 0:43:43 | 0:43:46 | |
But my husband and Ben could raise that right now | 0:43:46 | 0:43:48 | |
from the company's own backers. | 0:43:48 | 0:43:50 | |
They've already proved that, with the new centres opening. | 0:43:50 | 0:43:54 | |
So we don't need to sell a controlling stake to Hygiss | 0:43:54 | 0:43:56 | |
to grow the business. | 0:43:56 | 0:43:58 | |
Things change. | 0:43:58 | 0:43:59 | |
-Well, maybe. -The world keeps turning. We'll keep talking. | 0:44:01 | 0:44:05 | |
Thanks, Nikki. | 0:44:29 | 0:44:31 | |
They let you go? | 0:44:41 | 0:44:43 | |
They bailed me. | 0:44:43 | 0:44:44 | |
We'll leave you to it, mate. All right? | 0:44:47 | 0:44:50 | |
We're done. Evens. | 0:44:50 | 0:44:52 | |
Evens?! | 0:44:52 | 0:44:53 | |
Aye. | 0:44:54 | 0:44:56 | |
Jack? | 0:45:00 | 0:45:01 | |
Jack? | 0:45:03 | 0:45:04 | |
Yeah. Don't worry. | 0:45:04 | 0:45:06 | |
I'm going to make my own way from here. See you later. | 0:45:06 | 0:45:09 | |
All she did was sit in my car. | 0:45:45 | 0:45:47 | |
So, why didn't you tell me? | 0:45:47 | 0:45:49 | |
Because it was...something and nothing. | 0:45:49 | 0:45:52 | |
Lizzie, the police have cleared me. | 0:45:52 | 0:45:53 | |
-Nah, they've bailed you. Not the same thing. -Right... | 0:45:53 | 0:45:57 | |
OK, did you hurt her? Ever? | 0:45:57 | 0:46:01 | |
Did you touch her?! | 0:46:01 | 0:46:02 | |
Do you honestly think that I'd be capable of that...? | 0:46:02 | 0:46:05 | |
You tell me. You always had a bit too much time for her. | 0:46:05 | 0:46:08 | |
Yeah, because I loved her, just like you did. | 0:46:08 | 0:46:12 | |
Look, she was a kid who needed help, | 0:46:13 | 0:46:15 | |
because...both her parents let her down. | 0:46:15 | 0:46:19 | |
-Gemma didn't. -Where is she now, huh? | 0:46:19 | 0:46:21 | |
Is she out there trying to get justice for her daughter? | 0:46:21 | 0:46:23 | |
That's not fair. | 0:46:23 | 0:46:24 | |
Is this going to drive us apart? | 0:46:32 | 0:46:34 | |
Because, I'm telling you... | 0:46:37 | 0:46:39 | |
..I am as innocent as you are. | 0:46:41 | 0:46:44 | |
I met her at the club. And then I saw her at the clinic for free. | 0:46:52 | 0:46:56 | |
-It's just something I do sometimes. -For friends? | 0:46:56 | 0:46:59 | |
Mm-hm. | 0:46:59 | 0:47:01 | |
Well, she certainly was that. | 0:47:08 | 0:47:10 | |
-Did you contact her on that phone? -I don't have her phone number. | 0:47:17 | 0:47:20 | |
As you will already know. | 0:47:20 | 0:47:22 | |
You'll have already scoured Dr Nash's telephone records. | 0:47:22 | 0:47:25 | |
So, I come to your clinic, and you tell me none of this? | 0:47:25 | 0:47:30 | |
No, not because... | 0:47:30 | 0:47:32 | |
Look, I didn't know she was 15 until I saw her photo in the paper. | 0:47:35 | 0:47:38 | |
Otherwise you wouldn't have had sex with her. | 0:47:38 | 0:47:41 | |
-Here we go again. -I did not have sex with her. | 0:47:41 | 0:47:43 | |
The Clinton defence. | 0:47:43 | 0:47:45 | |
So, we're talking about definitions | 0:47:45 | 0:47:47 | |
-of what actually constitutes having sex, are we? -No. | 0:47:47 | 0:47:50 | |
So, what then? Ah, the paedophile's defence. | 0:47:50 | 0:47:52 | |
Oh, for God's sake... | 0:47:52 | 0:47:53 | |
The legal definition of sexual maturity | 0:47:53 | 0:47:55 | |
is just an arbitrary line drawn in the sand? | 0:47:55 | 0:47:57 | |
-I researched him. -Carter? | 0:47:57 | 0:47:59 | |
-That's cheap, Mr Carter. -It's something I look to do. -And? | 0:47:59 | 0:48:02 | |
Two years, child protection. Gets a transfer out and what's first up? | 0:48:02 | 0:48:07 | |
A child murder. He can't see it through any other prism. | 0:48:08 | 0:48:12 | |
His wife just called front desk, confirmed his alibi. | 0:48:21 | 0:48:24 | |
He just interviewed and released me. | 0:48:46 | 0:48:49 | |
No fanfares, no...leaks. | 0:48:49 | 0:48:51 | |
What did you tell Mark Janssen? | 0:48:53 | 0:48:54 | |
That you're a witness. | 0:48:54 | 0:48:56 | |
-He was cool with that. -Good. Good. | 0:48:56 | 0:48:58 | |
Well, I need a coffee. Anybody else? | 0:49:02 | 0:49:04 | |
We need to sell. | 0:49:04 | 0:49:05 | |
We're in trouble. | 0:49:09 | 0:49:10 | |
The brand's going to suffer...if this ever comes out. | 0:49:10 | 0:49:13 | |
If what ever comes out? | 0:49:13 | 0:49:15 | |
You were sleeping with a 15-year-old. | 0:49:15 | 0:49:17 | |
Did you...sleep with her? | 0:49:19 | 0:49:22 | |
If you don't believe me, why give me an alibi? | 0:49:24 | 0:49:26 | |
For me and Ruby. When the deal's done, so are we. | 0:49:30 | 0:49:34 | |
You left these here. I did a little more work on them. | 0:49:42 | 0:49:46 | |
Put your fingers inside one of these, either of them. | 0:49:50 | 0:49:53 | |
It's miconazole nitrate, a medication for eczema. | 0:49:55 | 0:50:00 | |
-Oh, God. -So, who has eczema? | 0:50:01 | 0:50:03 | |
Hannah Kennedy. | 0:50:04 | 0:50:06 | |
I don't think Ryan was the last person to wear these. | 0:50:06 | 0:50:11 | |
So, what do we do? | 0:50:15 | 0:50:16 | |
Your call. I'll back you whatever. | 0:50:16 | 0:50:19 | |
-We get Helen to rerun the tests. -Surely there's no need, Jack. | 0:50:20 | 0:50:24 | |
You want to go to Carter again without checking these findings? PHONE RINGS | 0:50:24 | 0:50:27 | |
Hello? | 0:50:31 | 0:50:32 | |
It's Hannah. I think I know where they were seeing each other. | 0:50:33 | 0:50:36 | |
Can we meet outside the club in say an hour? | 0:50:36 | 0:50:39 | |
Who are you talking to? | 0:50:42 | 0:50:44 | |
-Give me the phone. -Get off me! | 0:50:46 | 0:50:49 | |
My brother? | 0:50:49 | 0:50:51 | |
If you know something about Katie, you tell me. | 0:50:52 | 0:50:55 | |
-You're hurting me. -Tell me! | 0:50:55 | 0:50:57 | |
She was sleeping with a guy. | 0:50:58 | 0:51:00 | |
-Ryan... -You teach her how to be a tart, did you? | 0:51:00 | 0:51:04 | |
-Was that what you did? -No. -Who was it? | 0:51:04 | 0:51:08 | |
-DOOR OPENS -Ryan? -I don't know, not for sure. Maybe this doctor guy. | 0:51:08 | 0:51:12 | |
Hannah? | 0:51:20 | 0:51:21 | |
Miss Kennedy, room one. | 0:51:42 | 0:51:44 | |
You know who I am? | 0:52:01 | 0:52:02 | |
From the club. | 0:52:05 | 0:52:07 | |
I don't need anything. | 0:52:09 | 0:52:11 | |
I just want to know if this means something to you? | 0:52:11 | 0:52:13 | |
Because I introduced you. | 0:52:13 | 0:52:15 | |
Erm...I'm sorry? | 0:52:17 | 0:52:20 | |
The Avery Hotel? | 0:52:20 | 0:52:22 | |
You'd have been struck off, wouldn't you? | 0:52:30 | 0:52:33 | |
-What? No. -You'd have been struck off, that's... | 0:52:33 | 0:52:35 | |
No, God, no. No, I swear! | 0:52:35 | 0:52:37 | |
Whoa! | 0:52:39 | 0:52:41 | |
PHONE RINGS | 0:52:52 | 0:52:55 | |
RINGING CONTINUES | 0:52:55 | 0:52:58 | |
-VOICEMAIL: -'This is Hannah. Leave...' | 0:53:03 | 0:53:05 | |
PHONE RINGS | 0:53:16 | 0:53:20 | |
'This is Hannah. Leave a message.' | 0:53:31 | 0:53:34 | |
'This is Hannah. Leave a message.' | 0:53:45 | 0:53:48 | |
Sorry. Lizzie needed some space. | 0:53:55 | 0:53:58 | |
This has really shaken her up. Me too. Both of us. | 0:53:58 | 0:54:02 | |
Old times? | 0:54:06 | 0:54:07 | |
Oh, Hannah! Just answer the phone. | 0:54:27 | 0:54:31 | |
'This is Hannah...' | 0:54:34 | 0:54:36 | |
Had to get rid of the stink of that police cell. | 0:54:51 | 0:54:54 | |
Thanks for these. | 0:54:57 | 0:54:58 | |
They suit you. | 0:55:00 | 0:55:02 | |
Here. | 0:55:03 | 0:55:05 | |
I'm really grateful, man. For everything. | 0:55:07 | 0:55:10 | |
No, no. | 0:55:12 | 0:55:14 | |
Seriously? | 0:55:14 | 0:55:15 | |
You like to be in control these days? | 0:55:18 | 0:55:21 | |
Something like that. | 0:55:21 | 0:55:23 | |
Yeah. | 0:55:23 | 0:55:24 | |
It was years ago. | 0:55:28 | 0:55:30 | |
You did what you did, and so did I. | 0:55:30 | 0:55:32 | |
Like I said, we're evens now. | 0:55:33 | 0:55:35 | |
What? What did I say now? | 0:55:37 | 0:55:40 | |
Christ's sake. | 0:55:40 | 0:55:42 | |
What, for Christ's sake? | 0:55:42 | 0:55:44 | |
There's been enough shit flying around, Jack, don't add to it. | 0:55:44 | 0:55:47 | |
Talk to me. | 0:55:47 | 0:55:48 | |
You weren't the last one to wear those shoes. | 0:55:59 | 0:56:03 | |
Hannah was. | 0:56:03 | 0:56:04 | |
She was just popping out for a fag, | 0:56:11 | 0:56:13 | |
so she slips on whatever shoes are lying around. | 0:56:13 | 0:56:15 | |
What in Christ's name...? | 0:56:15 | 0:56:17 | |
She has eczema on her feet, Ryan. | 0:56:17 | 0:56:20 | |
There was medication on the inside of your shoes. | 0:56:20 | 0:56:23 | |
Undisturbed. No-one wore them after she did. | 0:56:23 | 0:56:27 | |
It was Hannah out there, wasn't it? | 0:56:31 | 0:56:34 | |
That's who Lizzie saw. | 0:56:34 | 0:56:36 | |
So, where were you? | 0:56:37 | 0:56:39 | |
What are you thinking, Jack, huh? | 0:56:40 | 0:56:41 | |
I want to know where you were. | 0:56:43 | 0:56:44 | |
You want me to prove that I'm innocent, yeah? | 0:56:44 | 0:56:46 | |
Jesus! You think I killed her. | 0:56:48 | 0:56:52 | |
You think I could do that? | 0:56:54 | 0:56:57 | |
Jack? | 0:57:21 | 0:57:23 | |
My stepdaughter's out there dead somewhere, | 0:57:59 | 0:58:02 | |
and you want to question me? Why don't you just come out and say it? | 0:58:02 | 0:58:05 | |
You slept with a child. I'm beginning to wonder who you are. | 0:58:05 | 0:58:07 | |
So, I'm still obsessed with sex crimes and I'm useless at my job, | 0:58:07 | 0:58:10 | |
-is that what you're saying? -No. | 0:58:10 | 0:58:12 | |
I suppose I just wanted to apologise for making the job even harder. | 0:58:12 | 0:58:16 | |
Accepted. | 0:58:16 | 0:58:17 | |
Anything I can do, just let me know. | 0:58:17 | 0:58:20 | |
Once again, you've been led by your dick. | 0:58:20 | 0:58:22 | |
Not you too, Nikki. For God's sake. | 0:58:22 | 0:58:24 | |
But if you carry on like this, you're going to wreck EVERYTHING that you've worked for! | 0:58:24 | 0:58:28 | |
Nikki! He's NOT guilty! | 0:58:28 | 0:58:30 | |
# Testator silens | 0:58:30 | 0:58:37 | |
# Costestes e spiritu | 0:58:37 | 0:58:45 | |
# Silentium. # | 0:58:45 | 0:58:56 |