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|---|---|---|---|
That hibiscus in Katie's hair, they put that in cocktails. | 0:00:02 | 0:00:05 | |
I've got your blood on her, and I've got motive. | 0:00:05 | 0:00:07 | |
-You've got nothing. -How come you've never mentioned a brother before? | 0:00:07 | 0:00:11 | |
If you know something about Katie, you tell me! | 0:00:11 | 0:00:14 | |
-You're hurting me. -Tell me! | 0:00:14 | 0:00:15 | |
Hygiss have upped their offer. | 0:00:15 | 0:00:17 | |
We need to sell. We're in trouble. | 0:00:17 | 0:00:20 | |
-We're done. Evens. -Evens? -Aye. | 0:00:20 | 0:00:23 | |
Jack? | 0:00:27 | 0:00:29 | |
# Testator silens | 0:00:33 | 0:00:40 | |
# Costestes e spiritu | 0:00:40 | 0:00:48 | |
# Silentium... # | 0:00:48 | 0:00:56 | |
This programme contains some scenes which some viewers | 0:01:02 | 0:01:06 | |
may find upsetting and some scenes of a sexual nature | 0:01:06 | 0:01:10 | |
Security guard who found her didn't see her hanging around. | 0:01:18 | 0:01:21 | |
Said the car park interior was last checked around 7.30pm. | 0:01:21 | 0:01:25 | |
She fell from level 3. | 0:01:25 | 0:01:27 | |
Jumped or pushed? | 0:01:29 | 0:01:31 | |
Helen found some nail varnish marks on the underside of the hand rail | 0:01:31 | 0:01:34 | |
and some scuff marks from her boots. | 0:01:34 | 0:01:37 | |
Suicide's a clear possibility, but there's no way of telling | 0:01:37 | 0:01:40 | |
right now, not from the body. We've got multiple injuries... | 0:01:40 | 0:01:45 | |
..most likely caused by the steel girders that she hit on the way down. | 0:01:47 | 0:01:51 | |
So, because of the damage, you can't tell me | 0:01:51 | 0:01:53 | |
whether she was attacked or not. Is that what you're telling me? | 0:01:53 | 0:01:56 | |
Let's... just get her back to the Lyell. | 0:01:56 | 0:01:59 | |
I need to know where you were last night - before you came here. | 0:02:04 | 0:02:08 | |
You need to know? | 0:02:11 | 0:02:12 | |
My step-daughter's out there dead somewhere | 0:02:12 | 0:02:14 | |
and you want to question me?! | 0:02:14 | 0:02:16 | |
I was driving, OK? I was looking for her. | 0:02:19 | 0:02:22 | |
-Because... -Because she was upset. | 0:02:22 | 0:02:24 | |
And did you...find her? | 0:02:24 | 0:02:26 | |
What are you getting at, Jack? Hm? | 0:02:26 | 0:02:28 | |
Why don't you come out and say it? | 0:02:29 | 0:02:31 | |
So...did Hannah know something? | 0:02:33 | 0:02:36 | |
-Did she tell you? -No! | 0:02:36 | 0:02:39 | |
OK. | 0:02:39 | 0:02:40 | |
Let's go back to before she went out. | 0:02:40 | 0:02:43 | |
She was here, was she? | 0:02:43 | 0:02:45 | |
And how did she seem? Was she OK? | 0:02:47 | 0:02:49 | |
Was she nervous or frightened? | 0:02:49 | 0:02:51 | |
It was Ryan. | 0:03:05 | 0:03:07 | |
He was upstairs with her. | 0:03:09 | 0:03:11 | |
Then something happened and she ran. | 0:03:12 | 0:03:15 | |
Did he go after her? | 0:03:15 | 0:03:17 | |
SHUTTER CLICKS | 0:03:22 | 0:03:23 | |
These look fresh. | 0:03:24 | 0:03:26 | |
You can see, look, brakes hard here | 0:03:26 | 0:03:29 | |
and vehicle comes to a halt over there. | 0:03:29 | 0:03:32 | |
Any evidence of a scuffle? | 0:03:32 | 0:03:34 | |
No, not yet, but it's an evolving scene. | 0:03:34 | 0:03:37 | |
And I think we've got a narrative emerging, | 0:03:37 | 0:03:39 | |
which means Hannah wasn't here alone. | 0:03:39 | 0:03:41 | |
Excuse me for a second. | 0:03:43 | 0:03:44 | |
BEEPING PHONE RINGS | 0:03:48 | 0:03:51 | |
PHONE RINGS | 0:03:51 | 0:03:52 | |
-Hello. -Have you asked Ryan about his alibi? -Yeah. | 0:03:56 | 0:03:59 | |
-Has he got an explanation? -No. | 0:03:59 | 0:04:02 | |
You can't talk? | 0:04:02 | 0:04:04 | |
-No. -Was he with you all of yesterday evening? | 0:04:04 | 0:04:07 | |
Again...no. | 0:04:07 | 0:04:09 | |
Then we've got a problem. | 0:04:09 | 0:04:11 | |
Helen thinks this could be a second murder. | 0:04:11 | 0:04:13 | |
She's found fresh tyre tracks at the scene | 0:04:13 | 0:04:15 | |
and Ryan's alibi for Katie doesn't hold up any more. | 0:04:15 | 0:04:18 | |
So what if you've been wrong and he is involved? | 0:04:18 | 0:04:21 | |
We should have gone to Carter. | 0:04:25 | 0:04:27 | |
So...are you going to tell me what that was all about? | 0:04:30 | 0:04:33 | |
DOOR OPENS SHE GASPS | 0:04:53 | 0:04:55 | |
SHE WHIMPERS | 0:04:57 | 0:04:59 | |
KEYS JANGLE | 0:05:00 | 0:05:02 | |
Lizzie? | 0:05:04 | 0:05:06 | |
-KNOCKING -Lizzie! | 0:05:06 | 0:05:08 | |
SHE WHIMPERS | 0:05:10 | 0:05:12 | |
Lizzie! | 0:05:12 | 0:05:13 | |
Maybe at the weekend we can all go together. | 0:05:18 | 0:05:21 | |
What time are you going to be home from work tonight? | 0:05:33 | 0:05:36 | |
-Can she go to Jenny's so that we can talk? -About what?! | 0:05:36 | 0:05:39 | |
-Shh! -I don't want you anywhere near her! | 0:05:39 | 0:05:43 | |
Come on, darling, let's go to school. | 0:05:50 | 0:05:52 | |
Mark Janssen's has sent through a new, improved offer for 51% of the entire company. | 0:06:03 | 0:06:07 | |
He wants you to stay on as CEO. | 0:06:09 | 0:06:11 | |
-And you want to take it? -Things have changed, Christy. | 0:06:11 | 0:06:14 | |
Why? Because once again you've been led by your dick. | 0:06:14 | 0:06:17 | |
Tell him no. | 0:06:19 | 0:06:20 | |
CT is showing extensive damage to the head and torso. | 0:06:23 | 0:06:27 | |
Pelvis...numerous fractured ribs and a fracture to the skull. | 0:06:28 | 0:06:32 | |
No peteccial haemorrhaging. | 0:06:42 | 0:06:44 | |
Correction. | 0:06:46 | 0:06:48 | |
One peteccial haemorrhage in the lower left eyelid. | 0:06:48 | 0:06:51 | |
These...could be finger marks. | 0:06:55 | 0:06:58 | |
-Maybe she was restrained. -Possibly. | 0:07:00 | 0:07:04 | |
Look here. | 0:07:04 | 0:07:06 | |
-Ligature? -One way to find out. | 0:07:14 | 0:07:16 | |
OK. | 0:07:33 | 0:07:35 | |
Got a laryngeal fracture. | 0:07:35 | 0:07:37 | |
Hyoid bone...likewise. | 0:07:37 | 0:07:40 | |
Haemorrhaging on the vocal folds too. | 0:07:42 | 0:07:45 | |
Strangulation. | 0:07:48 | 0:07:50 | |
There are marks on her arms where she may have been held | 0:07:54 | 0:07:57 | |
and what we now think are rope marks on her neck. | 0:07:57 | 0:08:01 | |
-Any sexual assault? -Again, this wasn't sexually motivated. | 0:08:01 | 0:08:04 | |
I found no trace of foreign DNA on her body or clothes. | 0:08:04 | 0:08:08 | |
-Have we got a time of death? -From the core body temperature and state of rigor mortis, | 0:08:08 | 0:08:12 | |
we estimate a post-mortem interval of seven to nine hours. | 0:08:12 | 0:08:15 | |
So with the security guard finding her just after 4:30am, | 0:08:15 | 0:08:18 | |
we're looking at between 7:30-9:30 the previous evening for the murder. | 0:08:18 | 0:08:21 | |
A possible sequence of events is he lures her into his car, | 0:08:21 | 0:08:24 | |
she panics, she gets out, legs it, | 0:08:24 | 0:08:27 | |
he skids to a halt, gets out and gives chase. | 0:08:27 | 0:08:29 | |
She struggles and he strangles her | 0:08:29 | 0:08:31 | |
and dumps her body over the railings. | 0:08:31 | 0:08:33 | |
-Carter, your office been in touch? -About? | 0:08:33 | 0:08:37 | |
They've just e-mailed some footage over. | 0:08:37 | 0:08:40 | |
Apparently, this is Ryan Kelvin. Blue Ford yesterday evening. | 0:08:44 | 0:08:49 | |
And again, at irregular intervals over the next half-hour. | 0:08:49 | 0:08:55 | |
-What's he doing? -He's looking for Hannah. -Ryan doesn't fit. | 0:08:55 | 0:08:59 | |
Not if the murders are related. | 0:08:59 | 0:09:01 | |
He's got an alibi for Katie. | 0:09:01 | 0:09:03 | |
What? | 0:09:07 | 0:09:09 | |
Nikki? | 0:09:11 | 0:09:13 | |
There is no alibi. Not any more. | 0:09:16 | 0:09:19 | |
I got a call from Hannah yesterday around 6pm | 0:09:46 | 0:09:49 | |
said she'd got some information. | 0:09:49 | 0:09:51 | |
-"Where he was meeting Katie". -"He" being? -She didn't say. | 0:09:51 | 0:09:54 | |
Just wanted to meet me outside Java nightclub at seven. | 0:09:54 | 0:09:57 | |
-She didn't turn up. -After your call, | 0:09:57 | 0:10:00 | |
she and Ryan had words about something or other. | 0:10:00 | 0:10:03 | |
She ran, he went after her. | 0:10:03 | 0:10:05 | |
You didn't know that, did you? | 0:10:05 | 0:10:07 | |
There's a lot you don't know, | 0:10:07 | 0:10:10 | |
but it doesn't stop you filtering evidence. | 0:10:10 | 0:10:12 | |
-What time did Ryan turn up to your place last night? -Before nine. | 0:10:14 | 0:10:18 | |
-About a quarter to. -So, let me get this straight, | 0:10:18 | 0:10:21 | |
essentially you've all sat on information. | 0:10:21 | 0:10:24 | |
-Jack was going to ask Helen to rerun the tests. -No, it's not down to her or Clarissa or Nikki. | 0:10:24 | 0:10:28 | |
I take full responsibility. | 0:10:28 | 0:10:30 | |
There is going to be massive fallout if Ryan is guilty, | 0:10:30 | 0:10:33 | |
you do realise that? | 0:10:33 | 0:10:35 | |
-CARTER: -Where is he now? -He was at mine. | 0:10:35 | 0:10:38 | |
Well, I can check his clothes for signs of a scuffle with Hannah. | 0:10:38 | 0:10:42 | |
His clothes have been washed. | 0:10:42 | 0:10:44 | |
Get an ambulance. | 0:11:02 | 0:11:04 | |
-I need people around me I can trust. -And that's not me? | 0:11:09 | 0:11:12 | |
Would you have come forward if Nikki hadn't spoken out? | 0:11:12 | 0:11:15 | |
-Yeah. -Don't lie to me! | 0:11:15 | 0:11:17 | |
At least do me that courtesy. | 0:11:17 | 0:11:19 | |
You're lucky Carter got to Ryan when he did. | 0:11:19 | 0:11:21 | |
-So what do you want me to do? -You've turned us all into... little clandestine units. | 0:11:25 | 0:11:31 | |
-We've ceased to be a functioning team. -Look, nothing's been proven with Ryan. | 0:11:31 | 0:11:35 | |
-We don't know anything for sure. -What I do know for sure is that I need people here | 0:11:35 | 0:11:40 | |
who aren't ruled by their own personal business to the detriment of everything else. | 0:11:40 | 0:11:44 | |
-And everyone else! And that's not you, is it? -Clearly not. | 0:11:44 | 0:11:47 | |
Well, at least you have an obvious alternative, don't you? And... | 0:11:47 | 0:11:51 | |
-I hear she's very good, so... -I don't want you here right now. | 0:11:51 | 0:11:54 | |
-Clear? Are you getting me this time? -Uh-huh. | 0:11:54 | 0:11:57 | |
BEEPING | 0:12:05 | 0:12:06 | |
-You OK? -He's an idiot. | 0:12:14 | 0:12:17 | |
Abandoning every...basic principle. | 0:12:17 | 0:12:20 | |
Family...messes you up. | 0:12:20 | 0:12:23 | |
Anything I can do... just let me know. | 0:12:24 | 0:12:27 | |
Thanks. | 0:12:27 | 0:12:29 | |
BUZZER | 0:12:35 | 0:12:37 | |
BUZZER | 0:12:40 | 0:12:42 | |
What did Thomas say? | 0:12:57 | 0:12:59 | |
That...I'm on my way out. | 0:12:59 | 0:13:01 | |
I can't just walk away from him, Nikki. | 0:13:08 | 0:13:11 | |
And the Lyell? What you've worked for? | 0:13:11 | 0:13:13 | |
The only reason he's in the frame | 0:13:13 | 0:13:15 | |
is because it fits with Carter's sex-crimes agenda. | 0:13:15 | 0:13:18 | |
Not any more. | 0:13:18 | 0:13:19 | |
And for once, you're not being led by the evidence, Jack. | 0:13:19 | 0:13:23 | |
-What? -What is it, has Ryan got some kind of hold over you? | 0:13:23 | 0:13:27 | |
-Because I just don't see how you can be so pig-headed! -Not you too, Nikki, for God's sake! | 0:13:27 | 0:13:31 | |
Well, what exactly have you achieved, huh? A death that maybe could've been avoided. | 0:13:31 | 0:13:35 | |
-We still don't know that for sure. -No, but if you carry on like this, | 0:13:38 | 0:13:41 | |
you are going to wreck everything that you have worked for! | 0:13:41 | 0:13:45 | |
Nikki! He's not guilty! | 0:13:45 | 0:13:46 | |
Oh, for...! | 0:13:46 | 0:13:48 | |
It's kind of like a confession, | 0:14:00 | 0:14:02 | |
isn't it, you doing that to yourself? | 0:14:02 | 0:14:05 | |
Anyway, here we are. | 0:14:05 | 0:14:08 | |
No Jack. No Lizzie. | 0:14:08 | 0:14:10 | |
They're gone, they've given up on you. | 0:14:10 | 0:14:13 | |
So it's just us. | 0:14:13 | 0:14:15 | |
Talk to me. | 0:14:18 | 0:14:20 | |
-Nothing on his body or his clothes? -No, he's clean. | 0:14:27 | 0:14:31 | |
-His car? -No trace of Hannah. | 0:14:31 | 0:14:34 | |
And the tyre-tread marks at the car park crime scene don't match either. | 0:14:34 | 0:14:37 | |
Great! | 0:14:37 | 0:14:38 | |
Two years in Child Protection, dealing with paedophiles | 0:14:38 | 0:14:41 | |
and pornography until you couldn't hack it any more. | 0:14:41 | 0:14:44 | |
Your first case back, what do you get? A 15-year-old. | 0:14:44 | 0:14:47 | |
-Can't be easy. -So I'm still obsessed with sex crimes | 0:14:47 | 0:14:50 | |
and I'm useless at my job, is that what you're saying? | 0:14:50 | 0:14:52 | |
No, I suppose I just wanted | 0:14:52 | 0:14:55 | |
to apologise for making the job even harder. | 0:14:55 | 0:14:58 | |
Accepted. | 0:14:58 | 0:15:00 | |
Oh...Ryan Kelvin's file for the GBH, | 0:15:02 | 0:15:06 | |
-is there any chance of taking a look at it? -Why? | 0:15:06 | 0:15:09 | |
There might be something in his medical examination notes that relates to the killings. | 0:15:09 | 0:15:13 | |
-Can I help? -Hello. Jack Hodgson...Lyell Centre. | 0:15:27 | 0:15:30 | |
-Ben Morgan. -Christy Nash. | 0:15:31 | 0:15:34 | |
And you're here in connection with...? | 0:15:34 | 0:15:36 | |
The murders of Katie Bowman and Hannah Kennedy. | 0:15:36 | 0:15:39 | |
It's your brother who's a suspect, isn't it, Mr Hodgson? | 0:15:41 | 0:15:45 | |
-Our solicitor keeps us abreast of developments. -Uh-huh. | 0:15:45 | 0:15:48 | |
-So now I'm wondering, is this an official visit or...? -No, purely personal. | 0:15:48 | 0:15:53 | |
-CAMERA SHUTTER CLICKS Just doing what the police seem reluctant to. -Which is? | 0:15:53 | 0:15:56 | |
Investigating the only other suspect in this case. | 0:15:56 | 0:15:59 | |
This is private property. | 0:16:01 | 0:16:03 | |
Or better still, I could put in a call to DI Carter. | 0:16:03 | 0:16:06 | |
-CAMERA SHUTTER CLICKS -Or shall we simply say you're done? | 0:16:06 | 0:16:09 | |
Hannah Kennedy, is she the girl who was here yesterday evening? | 0:16:14 | 0:16:17 | |
What in God's name is going on?! | 0:16:17 | 0:16:19 | |
She accused me of being involved in Katie's death. | 0:16:19 | 0:16:22 | |
-And are you? -I can't believe you would ask me that! | 0:16:22 | 0:16:26 | |
You slept with a child, Christy. I'm beginning to wonder who the hell you are. | 0:16:26 | 0:16:29 | |
Janssen's deal's still on the table. We sell. | 0:16:29 | 0:16:33 | |
Jack? | 0:17:02 | 0:17:04 | |
Jack? | 0:17:06 | 0:17:07 | |
-Jesus! -Fighting again? | 0:17:17 | 0:17:19 | |
Do I ever stop? | 0:17:19 | 0:17:21 | |
-We need to talk. -Do we? | 0:17:24 | 0:17:26 | |
Where'd you get that? | 0:17:31 | 0:17:33 | |
Kevin Longton. You remember him? | 0:17:33 | 0:17:35 | |
Something's been niggling at me... | 0:17:37 | 0:17:39 | |
and now I know what it is. | 0:17:39 | 0:17:41 | |
That time you gave evidence against Ryan, | 0:17:41 | 0:17:44 | |
this time you're putting your career on the line for him. | 0:17:44 | 0:17:47 | |
It doesn't quite add up. | 0:17:47 | 0:17:49 | |
With the GBH, nobody had died so there was no pathologist, | 0:17:49 | 0:17:52 | |
but from the medical records, | 0:17:52 | 0:17:54 | |
Longton's attacker broke his jaw with a punch... | 0:17:54 | 0:17:57 | |
to the left side of the face. | 0:17:57 | 0:17:59 | |
Left-sided injury suggests right-hand attack. | 0:17:59 | 0:18:03 | |
Ryan's left-handed. | 0:18:06 | 0:18:08 | |
-Ryan didn't throw that punch, did he? -No. | 0:18:10 | 0:18:12 | |
-I did. -Argh! | 0:18:15 | 0:18:16 | |
RYAN GROANS | 0:18:18 | 0:18:20 | |
LONGTON GROANS | 0:18:21 | 0:18:23 | |
So how come Longton didn't report you? | 0:18:27 | 0:18:30 | |
He was looking down... didn't see me coming. | 0:18:30 | 0:18:32 | |
It was Ryan's fight...and he insisted on taking the blame. | 0:18:34 | 0:18:38 | |
He never mentioned my part in it. | 0:18:38 | 0:18:40 | |
-That's your guilt. -That's my guilt. | 0:18:41 | 0:18:44 | |
So what do I do? | 0:18:53 | 0:18:55 | |
I get it now, | 0:19:03 | 0:19:04 | |
why you've not been seeing things the way you normally do. | 0:19:04 | 0:19:07 | |
How do I normally see things? | 0:19:07 | 0:19:09 | |
You don't follow your heart, Jack... you follow the evidence. | 0:19:09 | 0:19:14 | |
I was thinking about what you said about coming into a team. | 0:20:06 | 0:20:09 | |
It's been good spending more time on the front line. | 0:20:09 | 0:20:13 | |
I tell you what, it beats doing forensic sweeps on all those student theses. | 0:20:14 | 0:20:18 | |
Not easy, though, these hours, not with a family. | 0:20:18 | 0:20:20 | |
How old do you think my children are, Thomas? | 0:20:20 | 0:20:22 | |
They've grown up and gone away. | 0:20:22 | 0:20:25 | |
No, I'm on my own now. | 0:20:26 | 0:20:28 | |
-A free agent. -I need to talk to you. -About? | 0:20:28 | 0:20:32 | |
-Staying on. -OK, we're going over everything you've got. | 0:20:32 | 0:20:37 | |
-Well, you've seen all the reports. -Er...focusing on? | 0:20:37 | 0:20:40 | |
I'm only interested in Ryan Kelvin, anything that ties him in tight. | 0:20:40 | 0:20:43 | |
You think we've missed something. | 0:20:43 | 0:20:45 | |
THEY CHAT INDISTINCTLY | 0:21:54 | 0:21:56 | |
SHE CHATS INDISTINCTLY | 0:22:04 | 0:22:06 | |
-Can we get him out of here? -Just...wait a second. | 0:22:07 | 0:22:11 | |
Hannah told me Katie was sleeping with someone | 0:22:11 | 0:22:15 | |
and she thought she knew where. | 0:22:15 | 0:22:16 | |
And so do I. | 0:22:16 | 0:22:19 | |
Now, I can just walk or... | 0:22:19 | 0:22:23 | |
you can give me five minutes. | 0:22:23 | 0:22:25 | |
If I'm wrong...you've lost nothing. | 0:22:25 | 0:22:27 | |
I've been back over all the footage from the nightclub. | 0:22:35 | 0:22:38 | |
Pretty much every night Katie was there, | 0:22:42 | 0:22:45 | |
she left the place around 10pm. | 0:22:45 | 0:22:47 | |
She exits...and walks west out of shot. | 0:22:52 | 0:22:56 | |
She then returns about an hour later. | 0:22:59 | 0:23:03 | |
That's the pattern. | 0:23:03 | 0:23:04 | |
She leaves for an hour and then back she comes. | 0:23:04 | 0:23:07 | |
So we know she likes to get some air. | 0:23:07 | 0:23:09 | |
This is the night she was killed. | 0:23:11 | 0:23:13 | |
Again, she leaves the place around ten, heads west. | 0:23:13 | 0:23:17 | |
Now here's where it gets interesting. | 0:23:19 | 0:23:21 | |
Every time she leaves... Christy Nash does too, | 0:23:21 | 0:23:25 | |
about ten minutes after, in the same direction. | 0:23:25 | 0:23:28 | |
And every time she comes back, so does he, | 0:23:28 | 0:23:31 | |
either a little before or a little after. | 0:23:31 | 0:23:33 | |
With one exception. | 0:23:33 | 0:23:35 | |
The night she died. | 0:23:35 | 0:23:37 | |
-Where'd she go each time? -A hotel 50 yards along the street. | 0:23:37 | 0:23:41 | |
No gold star for guessing who with, then. | 0:23:41 | 0:23:44 | |
Nothing of any use forensically, the room's been occupied by other guests since. | 0:23:54 | 0:23:58 | |
-We sure she went in there? -Her name's in the register. | 0:23:58 | 0:24:00 | |
She paid up in cash, checked out at ten to eleven. | 0:24:00 | 0:24:03 | |
So she was picked up after that between here and the club? | 0:24:03 | 0:24:05 | |
-Where was Ryan Kelvin then? -It's in the records. | 0:24:05 | 0:24:07 | |
His girlfriend said he was working behind the bar. | 0:24:07 | 0:24:10 | |
Pretty solid alibi with a pub full of half-cut regulars to prop it up. | 0:24:10 | 0:24:15 | |
You can go. | 0:24:28 | 0:24:29 | |
So...what brought about the change of heart? | 0:24:34 | 0:24:37 | |
Well, sometimes you just have to seize the moment. | 0:24:37 | 0:24:40 | |
It was too good an offer to refuse. | 0:24:40 | 0:24:43 | |
One condition. | 0:24:43 | 0:24:45 | |
I don't want the position of CEO, | 0:24:45 | 0:24:47 | |
not if I don't have the controlling stake. | 0:24:47 | 0:24:50 | |
-Because? -Christy wants to spend more time with his family. | 0:24:50 | 0:24:53 | |
No. No, I don't want to become your puppet. | 0:24:53 | 0:24:57 | |
Admirably direct...for a Brit. | 0:24:57 | 0:25:00 | |
If you're not interested in CEO...that's fine. | 0:25:00 | 0:25:04 | |
-I imagine you'll have had your people look everything over. -Sure. | 0:25:05 | 0:25:09 | |
Shall we? | 0:25:15 | 0:25:17 | |
Excuse me. | 0:25:30 | 0:25:32 | |
HE SIGHS | 0:25:49 | 0:25:51 | |
HE SIGHS HEAVILY | 0:25:52 | 0:25:54 | |
TEXT MESSAGE ALERT | 0:25:55 | 0:25:56 | |
PHONE RINGS | 0:26:46 | 0:26:47 | |
-Hi. -You used to work for a guy called Mark Janssen, Tracksure Securities, didn't you? | 0:26:52 | 0:26:57 | |
-Why? -Guess where he's popped up? | 0:26:58 | 0:27:01 | |
See you at mine. Right away. | 0:27:03 | 0:27:05 | |
This is it here, thanks. | 0:28:52 | 0:28:54 | |
Will you wait for me, please? | 0:28:58 | 0:29:00 | |
Why would I hurt anyone? | 0:29:35 | 0:29:38 | |
-What reason? -Cos if it came out about Katie, | 0:29:38 | 0:29:40 | |
it'd be your career over. | 0:29:40 | 0:29:42 | |
More than that, it'd be the end of your deal with Hygiss. | 0:29:42 | 0:29:44 | |
-And a motive for Hannah's death? -Because of what she knew. | 0:29:44 | 0:29:48 | |
-Do you have any evidence of that? -I know you slept with Katie. | 0:29:48 | 0:29:51 | |
-Did you know she was underage? -She said she was 18 and she looked 18. | 0:29:51 | 0:29:56 | |
-So, what, you're turning this around like you're the victim? -No! | 0:29:56 | 0:30:00 | |
-No. God, no! -You like 'em young? | 0:30:00 | 0:30:03 | |
-HE LAUGHS NERVOUSLY -Teenagers? Younger?! | 0:30:03 | 0:30:07 | |
It wasn't sex. | 0:30:08 | 0:30:09 | |
-It was...a connection. -Emotional connection? | 0:30:15 | 0:30:20 | |
It's not wrong to fall in love, Christy. | 0:30:22 | 0:30:25 | |
Did you fall in love with her? | 0:30:27 | 0:30:28 | |
Yes. | 0:30:30 | 0:30:33 | |
In a way. | 0:30:34 | 0:30:35 | |
-Ignorantly and inappropriately. -And you slept with her? | 0:30:35 | 0:30:39 | |
-Be careful how you answer that. -Are you ashamed of how you feel? | 0:30:39 | 0:30:41 | |
Yes, I slept with her. | 0:30:42 | 0:30:44 | |
OK. Did you kill her? | 0:30:47 | 0:30:50 | |
PHONE RINGS | 0:31:32 | 0:31:33 | |
DI Carter, please. It's Jack Hodgson. | 0:31:33 | 0:31:37 | |
OK, can you get him to call me back right away on this number? | 0:31:37 | 0:31:41 | |
Thank you. | 0:31:41 | 0:31:42 | |
HE SIGHS | 0:32:13 | 0:32:15 | |
I need a drink. | 0:32:15 | 0:32:17 | |
I've got some...brandy here somewhere. | 0:32:17 | 0:32:19 | |
Got no home to go to? | 0:32:20 | 0:32:22 | |
BOTTLES CLINK | 0:32:22 | 0:32:24 | |
Look, I, er...I need to talk to you about Jack. | 0:32:24 | 0:32:30 | |
He's crossed a line, Nikki. I don't see a way back. | 0:32:32 | 0:32:35 | |
And you want my blessing, do you, to replace him? | 0:32:35 | 0:32:39 | |
With Helen, presumably? | 0:32:40 | 0:32:42 | |
-Is that what you're asking? -Yes. | 0:32:42 | 0:32:44 | |
Not for me. | 0:32:46 | 0:32:48 | |
Frankly, I er... | 0:32:50 | 0:32:52 | |
-I don't want to do anything that's going to risk losing your support. -I like her. She's good. | 0:32:52 | 0:32:57 | |
She's great to have around. | 0:32:57 | 0:32:59 | |
So there'd be a team of women with you at the top of it. | 0:33:02 | 0:33:05 | |
-HE LAUGHS Clearly, that's not my intention. -No, but that's how it would be. | 0:33:05 | 0:33:10 | |
-If this is your way of keeping emotion -out -of the workplace... | 0:33:10 | 0:33:14 | |
Have you actually spent much time around women? | 0:33:14 | 0:33:17 | |
I enjoy working with women. I...I find you more...cooperative, | 0:33:17 | 0:33:21 | |
less reactive. | 0:33:21 | 0:33:23 | |
An all-female environment both at work and at home. | 0:33:23 | 0:33:26 | |
And there you'd be, presiding over us like the dominant silverback. | 0:33:26 | 0:33:30 | |
HE LAUGHS | 0:33:30 | 0:33:31 | |
HE CLEARS HIS THROAT | 0:33:31 | 0:33:33 | |
OK, look... | 0:33:33 | 0:33:36 | |
I understand that Jack hasn't behaved well, | 0:33:36 | 0:33:38 | |
and neither have I, so... | 0:33:38 | 0:33:40 | |
Nikki, it all comes down to one thing. Do we trust him? | 0:33:40 | 0:33:44 | |
-Do I trust him? -Yeah? -Yes! | 0:33:44 | 0:33:46 | |
-And ideally you'd want him to stay. -Yes. -Why? | 0:33:46 | 0:33:49 | |
I don't know. | 0:33:49 | 0:33:50 | |
Well, no, actually, if I think about it, I do. | 0:33:54 | 0:33:57 | |
Sometimes I can't...block out the reality of what we do... | 0:34:00 | 0:34:05 | |
..and I don't know what to do with those feelings. | 0:34:06 | 0:34:09 | |
I want to work with people who get that. | 0:34:11 | 0:34:14 | |
And Jack does. | 0:34:14 | 0:34:16 | |
He can allow himself to be...vulnerable. | 0:34:17 | 0:34:21 | |
And, OK, sometimes he loses himself a little, | 0:34:23 | 0:34:26 | |
but when he comes back - and he does always come back - | 0:34:26 | 0:34:30 | |
then he's with us...completely. | 0:34:30 | 0:34:35 | |
TYRES SCREECH | 0:34:57 | 0:34:58 | |
-Where is he?! -In here. | 0:35:13 | 0:35:16 | |
Any news? | 0:35:39 | 0:35:41 | |
You want to get to the hospital, SOCOs can handle the preliminaries. | 0:35:41 | 0:35:44 | |
Oh, thanks, but I'm not part of the Lyell. Well, not in that way anyway. | 0:35:44 | 0:35:51 | |
I'm of more use here. | 0:35:51 | 0:35:53 | |
-Any thoughts? -No. | 0:35:53 | 0:35:56 | |
With all due respect, I think it's time to crawl out of the tunnel. | 0:35:56 | 0:36:00 | |
There's clearly no sexual motivation in this case. | 0:36:00 | 0:36:04 | |
OK, so...this is the impact site. | 0:36:05 | 0:36:08 | |
Close enough. We've got some paint flecks from the vehicle. | 0:36:10 | 0:36:15 | |
And as you can see... blood on the ground. | 0:36:15 | 0:36:18 | |
-Someone dragged him here? -I think maybe he put up a struggle. | 0:36:19 | 0:36:23 | |
You see there where the undergrowth's been flattened? | 0:36:23 | 0:36:26 | |
OK, he's stable. Still unconscious and ventilated. | 0:36:47 | 0:36:52 | |
-Damage? -Fractured tibia and clavicle, | 0:36:52 | 0:36:56 | |
his lung function's compromised at present. | 0:36:56 | 0:36:58 | |
But the main concern is the head injury, | 0:36:58 | 0:37:00 | |
possible hypoxic brain damage... haematoma. | 0:37:00 | 0:37:03 | |
We're going to watch and wait. | 0:37:03 | 0:37:05 | |
Hopefully, he'll stabilise further. Then theatre. | 0:37:05 | 0:37:09 | |
An operation's not going to be good for forensics, is it? Or pathology. | 0:37:11 | 0:37:15 | |
There is no pathology...mercifully. | 0:37:15 | 0:37:18 | |
There is no body. | 0:37:20 | 0:37:23 | |
There is, actually. | 0:37:23 | 0:37:26 | |
-You understand the limits of this? -The last thing we want to do is compromise him. | 0:37:26 | 0:37:29 | |
We're just want to get what we can, while we can. | 0:37:29 | 0:37:32 | |
Extensive contusions to the face and neck. | 0:37:39 | 0:37:41 | |
RESPIRATOR NOISE | 0:37:41 | 0:37:43 | |
Likewise to the entire torso. | 0:37:43 | 0:37:45 | |
From X-ray, fractured right clavicle, fractured right tibia. | 0:37:47 | 0:37:51 | |
Mud and soil covering the face and head, | 0:37:58 | 0:38:00 | |
possibly from where he was found. | 0:38:00 | 0:38:02 | |
Not possible to see from this examination | 0:38:02 | 0:38:05 | |
which injuries were caused by the impact... | 0:38:05 | 0:38:08 | |
..and which by any subsequent maltreatment. | 0:38:09 | 0:38:12 | |
Some bleeding from the knuckles on his right hand. | 0:38:17 | 0:38:20 | |
And marks to his neck...consistent with a ligature being applied. | 0:38:21 | 0:38:25 | |
Brief examination to his mouth. | 0:38:28 | 0:38:30 | |
Get me some tweezers? | 0:38:45 | 0:38:47 | |
MONITOR BEEPS | 0:38:48 | 0:38:50 | |
-What's this? -To gag him? | 0:39:02 | 0:39:05 | |
It'd take more than that. He's bitten it off deliberately? | 0:39:07 | 0:39:09 | |
ALARM | 0:39:09 | 0:39:11 | |
Ring theatre! Tell them we're on our way. | 0:39:13 | 0:39:15 | |
Let's go. Nikki! | 0:39:15 | 0:39:17 | |
-Did you talk to Helen? -About? | 0:40:54 | 0:40:57 | |
-Staying. -Oh. | 0:40:59 | 0:41:01 | |
And now? | 0:41:04 | 0:41:06 | |
Now I feel disloyal. | 0:41:08 | 0:41:10 | |
You go way back, right? | 0:41:12 | 0:41:14 | |
Yeah, university. | 0:41:16 | 0:41:18 | |
-We shared a house together. -Were you...? -No, just friends. | 0:41:20 | 0:41:24 | |
Always friends. | 0:41:24 | 0:41:26 | |
Someone I could turn to in a crisis. And her me. | 0:41:27 | 0:41:30 | |
-Has it been that bad? -Sometimes, yeah. | 0:41:30 | 0:41:32 | |
So when the opportunity arose, I... | 0:41:32 | 0:41:34 | |
I thought someone just passing through, | 0:41:34 | 0:41:37 | |
-it wouldn't matter what they knew about. -How do you mean? | 0:41:37 | 0:41:41 | |
-Thomas? -Not just work crises, Nikki. | 0:41:45 | 0:41:49 | |
It's Julia. | 0:41:49 | 0:41:51 | |
She... | 0:41:51 | 0:41:53 | |
Julia left me just before I started at the Lyell. | 0:41:56 | 0:41:58 | |
Took Rosey with her. | 0:42:00 | 0:42:02 | |
Sorry. | 0:42:08 | 0:42:09 | |
The fragment of cloth is impregnated with alcohol. | 0:42:17 | 0:42:21 | |
Have we got the results back on Katie yet? | 0:42:24 | 0:42:26 | |
-Was that alcohol on her body? -Yes, it's positive. | 0:42:26 | 0:42:31 | |
So it's safe to assume the bodies were wiped down to get rid of DNA. | 0:42:31 | 0:42:35 | |
And presumably, the intention was to do the same with Jack. | 0:42:35 | 0:42:38 | |
Conjecture. | 0:42:38 | 0:42:41 | |
Well, what isn't is that alcohol wipes | 0:42:41 | 0:42:43 | |
are used in every hospital and clinic. | 0:42:43 | 0:42:46 | |
Even private clinics. | 0:42:46 | 0:42:48 | |
-Would you mind telling me what this is about? -I have a warrant to search these premises. | 0:42:50 | 0:42:54 | |
So this is what Nikki found in Jack's mouth. | 0:43:22 | 0:43:25 | |
And these are the cloths we found in Cura Clinic's medical waste bin. | 0:43:25 | 0:43:29 | |
That's a result. | 0:44:05 | 0:44:07 | |
Have we got any footage from where the bins are? | 0:44:37 | 0:44:40 | |
No cameras there, I'm afraid. | 0:44:40 | 0:44:42 | |
So this is the evening Hannah died. | 0:44:42 | 0:44:44 | |
There she is...6:37pm. | 0:44:45 | 0:44:48 | |
-Was she a patient too? -Nothing on their records. | 0:44:48 | 0:44:52 | |
18:53. | 0:45:07 | 0:45:09 | |
So when did Christy leave work? | 0:45:09 | 0:45:11 | |
19:16. | 0:45:15 | 0:45:17 | |
-Hannah was murdered when? -7:30-9:30pm. | 0:45:17 | 0:45:20 | |
He's bang on schedule. | 0:45:22 | 0:45:24 | |
20 past eight. What's he doing back? | 0:45:26 | 0:45:29 | |
Over an hour unaccounted for. | 0:45:29 | 0:45:32 | |
He's sleeping there. | 0:45:40 | 0:45:42 | |
-That's it for the night. -HE SIGHS | 0:45:43 | 0:45:47 | |
Hang on. | 0:45:52 | 0:45:54 | |
Before the car park security guard found Hannah, | 0:45:56 | 0:45:58 | |
he last checked the place at 7:30, didn't he? | 0:45:58 | 0:46:00 | |
-Yeah. -When did his patrol end? | 0:46:00 | 0:46:03 | |
-It took him 30 minutes - 8pm. -He saw nothing suspicious | 0:46:03 | 0:46:05 | |
-and we know that she was killed there. -What are you getting at? | 0:46:05 | 0:46:08 | |
It narrows the murder window down to between eight and nine thirty. | 0:46:08 | 0:46:11 | |
Christy got back to Cura at 8:21. | 0:46:11 | 0:46:13 | |
It's over five miles from the car park. | 0:46:13 | 0:46:15 | |
So, could he really have killed Hannah | 0:46:15 | 0:46:17 | |
and driven back to the clinic in 21 minutes? | 0:46:17 | 0:46:20 | |
So are we done? | 0:46:27 | 0:46:29 | |
For now. | 0:46:29 | 0:46:30 | |
Look, if I'd known... | 0:46:42 | 0:46:45 | |
I wouldn't have gone anywhere near her. | 0:46:45 | 0:46:47 | |
We'll see how that plays in court, yeah? | 0:46:50 | 0:46:53 | |
All right? | 0:47:02 | 0:47:05 | |
-There you go. -Thanks. | 0:47:06 | 0:47:08 | |
-So what have we got? -Footage from Cura late last night. | 0:47:09 | 0:47:12 | |
-Ben Morgan! Christy's partner. -Well, what's he doing there? | 0:47:23 | 0:47:27 | |
It's more where's he been, and where's he going? | 0:47:27 | 0:47:31 | |
Look. | 0:47:31 | 0:47:32 | |
He's carrying the medical wipes. | 0:47:32 | 0:47:34 | |
They let me go. | 0:47:43 | 0:47:45 | |
Cleared me. | 0:47:45 | 0:47:47 | |
Of everything? | 0:47:47 | 0:47:48 | |
Not everything, no. | 0:47:48 | 0:47:50 | |
-So? -Janssen's pulled out of the deal. | 0:47:55 | 0:47:57 | |
I can't stand to see everything we've built gone...for this. | 0:47:57 | 0:48:03 | |
-Ben, I'm sorry. If I could turn the clock back, I would. -No, you wouldn't, Christy. | 0:48:05 | 0:48:08 | |
You didn't do anything when you had the chance. | 0:48:08 | 0:48:11 | |
You must've known she was too young. | 0:48:11 | 0:48:13 | |
You tell that to the police if you want, right, | 0:48:13 | 0:48:16 | |
but don't stand there and lie to me! | 0:48:16 | 0:48:17 | |
Not after what I've done for you. | 0:48:17 | 0:48:19 | |
Well, what exactly have you done for me, Ben? | 0:48:23 | 0:48:26 | |
Ben? | 0:48:27 | 0:48:28 | |
When did you first know about me and Katie? | 0:48:30 | 0:48:33 | |
Did you know before I told you? Ben? | 0:48:33 | 0:48:36 | |
Ben, talk to me, because what's going though my head right now | 0:48:36 | 0:48:38 | |
-is terrifying. -I've done nothing. | 0:48:38 | 0:48:40 | |
Tell me. | 0:48:42 | 0:48:43 | |
You sure you want to know? | 0:48:46 | 0:48:48 | |
-I got a phone call. -From? -Katie. | 0:48:49 | 0:48:52 | |
She had...intimate footage... | 0:48:52 | 0:48:55 | |
of you and her. | 0:48:55 | 0:48:57 | |
So I offered her money for the phone that she'd taken it on. | 0:48:58 | 0:49:02 | |
She refused. | 0:49:02 | 0:49:04 | |
And what happened after that... was unintentional. | 0:49:05 | 0:49:09 | |
-And Hannah and Jack Hodgson? -They were putting it together. | 0:49:16 | 0:49:19 | |
This isn't me. I don't recognise this person. | 0:49:31 | 0:49:34 | |
It just got away from me. | 0:49:37 | 0:49:38 | |
I was just trying to protect us and make things right. | 0:49:39 | 0:49:42 | |
# I wanna be the one you call every day and night | 0:50:09 | 0:50:12 | |
# Are you going to be the one Who's always going to treat me right? | 0:50:12 | 0:50:15 | |
# And when we get together Turning on the lights | 0:50:15 | 0:50:18 | |
# Need you 100 Need you 100%. # | 0:50:18 | 0:50:23 | |
KNOCKING | 0:51:16 | 0:51:18 | |
Hey. | 0:51:24 | 0:51:26 | |
Hi. | 0:51:26 | 0:51:27 | |
How you feeling? | 0:51:30 | 0:51:31 | |
Clarissa sends her love. | 0:51:34 | 0:51:36 | |
Her love? Clarissa? | 0:51:36 | 0:51:38 | |
Brain's functioning OK, then? | 0:51:40 | 0:51:43 | |
We got him. | 0:51:45 | 0:51:46 | |
Yeah, I heard. | 0:51:47 | 0:51:49 | |
Hey, um... | 0:51:50 | 0:51:51 | |
Come on in. | 0:51:51 | 0:51:53 | |
-We'll go and have a coffee. -Are you sure? -Absolutely. We'll just wait outside? | 0:51:54 | 0:51:58 | |
Thanks. | 0:52:02 | 0:52:04 | |
How are you doing? | 0:52:08 | 0:52:09 | |
You want me to, erm... | 0:52:11 | 0:52:13 | |
How did you persuade Katie to sleep with him? | 0:52:13 | 0:52:16 | |
I don't want to talk about it. | 0:52:16 | 0:52:17 | |
Me and Lizzie are going to make a new start. It's over. | 0:52:20 | 0:52:23 | |
Not yet it isn't. | 0:52:23 | 0:52:25 | |
So...Katie makes the sex tape | 0:52:25 | 0:52:27 | |
and you force her to make the call to Ben. | 0:52:27 | 0:52:32 | |
From the car, the morning Hannah saw you, correct? | 0:52:32 | 0:52:35 | |
Piecing it together? | 0:52:37 | 0:52:39 | |
Well, I've got a lot of time to think about it. | 0:52:39 | 0:52:41 | |
So, Ben reckons if it gets made public, they're ruined. | 0:52:44 | 0:52:50 | |
Meantime, your old pal Mark Janssen from Hygiss has been sniffing round | 0:52:52 | 0:52:59 | |
the business, and now he can make them an offer they can't refuse. | 0:52:59 | 0:53:03 | |
Something like that... | 0:53:03 | 0:53:05 | |
The night Katie died, you slipped out of the pub | 0:53:05 | 0:53:08 | |
to see Janssen, didn't you? | 0:53:08 | 0:53:10 | |
Give you that wad of cash for being a good boy, did he? | 0:53:10 | 0:53:13 | |
It was a way back. A chance to work for Janssen again... | 0:53:13 | 0:53:16 | |
No more being a kept man? | 0:53:16 | 0:53:18 | |
Brave of you to come in here. | 0:53:21 | 0:53:23 | |
Would've suited you better if I'd croaked, wouldn't it? | 0:53:23 | 0:53:26 | |
What are you going to do? | 0:53:29 | 0:53:31 | |
What would you do? | 0:53:33 | 0:53:34 | |
Nothing. There's been enough damage. | 0:53:34 | 0:53:37 | |
And there's Lizzie now to think about. | 0:53:39 | 0:53:42 | |
-She needs me. -Emotional blackmail now, is it? | 0:53:42 | 0:53:46 | |
Just think about that, OK? | 0:53:50 | 0:53:54 | |
-Hi. -Hi. -Are you OK? You need some help? | 0:54:31 | 0:54:33 | |
-You got any money? -Yep. OK? | 0:54:33 | 0:54:36 | |
-Yeah. -How much is it, please? There you go, keep the change, thanks. | 0:54:41 | 0:54:46 | |
Thank you. Did you get the stuff from my drawer? | 0:54:46 | 0:54:51 | |
Yeah. Money's in my bag. How you feeling? | 0:54:51 | 0:54:55 | |
What you up to? | 0:54:58 | 0:54:59 | |
What's it look like? You've already got a good team here. | 0:55:01 | 0:55:06 | |
Ah. Right. | 0:55:06 | 0:55:09 | |
Which is what you were just about to tell me, Thomas. | 0:55:09 | 0:55:13 | |
Not a nice speech to have to make. | 0:55:14 | 0:55:16 | |
Just so you know, I would have taken the job like a shot. | 0:55:18 | 0:55:21 | |
But whatever, it's...got me back where I belong and um, I'm grateful. | 0:55:23 | 0:55:29 | |
Well, it's been a pleasure, as always. | 0:55:29 | 0:55:31 | |
-Maybe we'll do it again one day. -Yeah. | 0:55:33 | 0:55:35 | |
We should catch up, you know, properly, away from all this. | 0:55:40 | 0:55:44 | |
That'd be great. | 0:55:44 | 0:55:46 | |
Great. | 0:55:46 | 0:55:47 | |
-See you. -See you. | 0:55:49 | 0:55:51 | |
This is what Ben was after. | 0:56:12 | 0:56:14 | |
Where'd you get this? | 0:56:16 | 0:56:17 | |
Ryan had it. | 0:56:21 | 0:56:23 | |
Yeah. He used Katie to blackmail Ben and Christy. | 0:56:24 | 0:56:28 | |
You made the right call, Jack. | 0:56:35 | 0:56:37 | |
Ryan? | 0:57:12 | 0:57:13 | |
It's OK, love. Go back to sleep. | 0:57:14 | 0:57:17 | |
Let's go. | 0:57:58 | 0:57:59 | |
SIREN WAILS | 0:58:19 | 0:58:21 | |
# Testator silens | 0:58:30 | 0:58:37 | |
# Costestes e spiritu | 0:58:37 | 0:58:45 | |
# Silentium... # | 0:58:45 | 0:58:56 |