Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes from the start and scenes some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
MUSIC PLAYS | 0:00:12 | 0:00:13 | |
MAN CALLS OUT IN OWN LANGUAGE | 0:00:13 | 0:00:15 | |
SIRENS BLARE | 0:00:15 | 0:00:18 | |
Four months, not a foot wrong. | 0:00:23 | 0:00:25 | |
Now, that is a tight ship. | 0:00:26 | 0:00:27 | |
All stakeouts are the same. A test of faith. | 0:00:29 | 0:00:31 | |
Maybe Bekir's just here for the cooking, guv? | 0:00:39 | 0:00:42 | |
MAN SPEAKS IN OWN LANGUAGE | 0:00:47 | 0:00:52 | |
I don't know about you, but I could chew me own hand off. | 0:01:08 | 0:01:11 | |
My shout, guv. | 0:01:12 | 0:01:13 | |
I'm not taking charity off you, Harty. | 0:01:13 | 0:01:16 | |
You haven't seen your kids all weekend. | 0:01:16 | 0:01:18 | |
Bag of chips is the least I can do. | 0:01:18 | 0:01:19 | |
SHOTS FIRE | 0:01:30 | 0:01:32 | |
MOTORBIKE ENGINE REVS | 0:01:32 | 0:01:33 | |
Colin? | 0:01:35 | 0:01:37 | |
Colin! | 0:01:37 | 0:01:38 | |
# Testator | 0:01:59 | 0:02:03 | |
# Silens | 0:02:03 | 0:02:07 | |
# Costestes e spiritu | 0:02:07 | 0:02:15 | |
# Silentium. # | 0:02:15 | 0:02:22 | |
WATER SPLASHES | 0:02:27 | 0:02:28 | |
LEAVES RUSTLE | 0:02:49 | 0:02:51 | |
TWIG SNAPS | 0:02:54 | 0:02:55 | |
So, you were sleeping up there and you saw someone come down? | 0:04:06 | 0:04:10 | |
My money says multiple stab wounds. | 0:04:14 | 0:04:17 | |
My money says... | 0:04:17 | 0:04:18 | |
Wait until the PM? Never. | 0:04:18 | 0:04:20 | |
OK. | 0:04:21 | 0:04:22 | |
As you're in a betting mood, | 0:04:22 | 0:04:24 | |
what about time of death? | 0:04:24 | 0:04:26 | |
Entomological analysis outside of laboratory conditions? | 0:04:26 | 0:04:31 | |
You like living on the edge, right? | 0:04:31 | 0:04:33 | |
Come on. Give me a window. | 0:04:33 | 0:04:35 | |
All right. | 0:04:36 | 0:04:38 | |
Some evidence of blowfly eggs. | 0:04:42 | 0:04:46 | |
I'd say she died in the last 24 hours. | 0:04:46 | 0:04:48 | |
24 hours isn't really a "window", is it? | 0:04:48 | 0:04:50 | |
-More like an entire day. -Well... | 0:04:50 | 0:04:51 | |
I don't know about the time of death, | 0:04:53 | 0:04:55 | |
but she was dumped two hours ago. | 0:04:55 | 0:04:57 | |
DS Sally Kirchner. | 0:04:57 | 0:04:59 | |
-Jack Hodgson. -Nikki Alexander. Hi. -Hi. | 0:04:59 | 0:05:01 | |
Two hours. Says who? | 0:05:01 | 0:05:02 | |
Martin Carrisford. The wild man of West Heath. | 0:05:02 | 0:05:05 | |
Saw a man dumping the case, precisely 4:10am. | 0:05:05 | 0:05:09 | |
Tall, white, 30-40, maroon hooded top, with white drawstrings. | 0:05:09 | 0:05:12 | |
A sweetener might not be a bad idea. | 0:05:12 | 0:05:14 | |
Help guarantee an E-FIT from him. | 0:05:14 | 0:05:17 | |
It'll be 50 quid well spent. | 0:05:17 | 0:05:19 | |
The body appears to be that of a young female. | 0:05:27 | 0:05:29 | |
The victim has been pressed into a suitcase | 0:05:29 | 0:05:31 | |
and subsequently submerged in water. | 0:05:31 | 0:05:33 | |
CAMERA SNAPS | 0:06:01 | 0:06:03 | |
A ring... | 0:06:08 | 0:06:10 | |
on her right index finger... | 0:06:10 | 0:06:12 | |
..is her only jewellery. | 0:06:15 | 0:06:17 | |
Maybe the killer removed other pieces | 0:06:17 | 0:06:19 | |
and he couldn't get that off because her fingers are swollen. | 0:06:19 | 0:06:21 | |
It's possible. | 0:06:21 | 0:06:23 | |
We'll swab the ring for DNA. | 0:06:23 | 0:06:25 | |
Looks like traces of sand or rock sediment in her hair. | 0:06:29 | 0:06:33 | |
Possibly moss. | 0:06:35 | 0:06:36 | |
That's an umbilical cord. | 0:06:57 | 0:06:59 | |
The victim... | 0:07:13 | 0:07:14 | |
The victim appears to have been | 0:07:28 | 0:07:30 | |
in an advanced state of pregnancy. | 0:07:30 | 0:07:32 | |
There is a transverse incision cut low on her abdomen. | 0:07:32 | 0:07:36 | |
A crude Caesarean appears to have been performed | 0:07:36 | 0:07:39 | |
shortly before or after the victim's death. | 0:07:39 | 0:07:42 | |
I have removed the placenta, which was left in situ. | 0:07:44 | 0:07:47 | |
What's its general condition? | 0:07:49 | 0:07:51 | |
Shows no signs of abnormality or trauma. | 0:07:51 | 0:07:54 | |
Weight of the placenta is generally | 0:07:56 | 0:07:58 | |
one seventh the weight of the baby itself. | 0:07:58 | 0:08:00 | |
This placenta is... | 0:08:00 | 0:08:01 | |
..500g, suggesting the baby's weight is three and a half kilograms. | 0:08:03 | 0:08:06 | |
That's around 7lb 11oz. | 0:08:06 | 0:08:08 | |
The baby's full-term and healthy? | 0:08:08 | 0:08:11 | |
There's absolutely nothing to suggest this baby | 0:08:13 | 0:08:16 | |
wasn't removed safely. | 0:08:16 | 0:08:17 | |
We have a cause of death. | 0:08:27 | 0:08:28 | |
Note the deep horizontal laceration to the back of her head. | 0:08:28 | 0:08:31 | |
The result was a subdural bleed and contrecoup contusions | 0:08:31 | 0:08:35 | |
in the frontal and temporal lobes of the brain. | 0:08:35 | 0:08:37 | |
There is also a fresh abrasion over the victim's left eye. | 0:08:37 | 0:08:41 | |
It's barely healed, so was probably inflicted close to death. | 0:08:41 | 0:08:45 | |
For what it's worth, the crime of pregnant women | 0:08:45 | 0:08:48 | |
being murdered for their unborn babies is so rare. | 0:08:48 | 0:08:52 | |
Rare means it happens. | 0:08:52 | 0:08:54 | |
Yes. | 0:08:54 | 0:08:56 | |
And in almost every documented case, the perpetrator | 0:08:56 | 0:08:58 | |
is another female, with mental health issues. | 0:08:58 | 0:09:00 | |
Well, my witness is adamant that he saw a man. | 0:09:00 | 0:09:03 | |
A man certainly tallies with the strength needed to haul | 0:09:03 | 0:09:05 | |
case plus body into that pond. | 0:09:05 | 0:09:07 | |
So, taking all that into account, | 0:09:07 | 0:09:08 | |
you could be looking for a childless couple. | 0:09:08 | 0:09:10 | |
Mmm-hmm. With the woman instigating the crime | 0:09:10 | 0:09:12 | |
and the man clearing up in her wake. | 0:09:12 | 0:09:15 | |
Maybe. | 0:09:15 | 0:09:16 | |
Count yourself lucky. | 0:09:16 | 0:09:17 | |
She rarely does "maybe". | 0:09:17 | 0:09:19 | |
Thought not. | 0:09:24 | 0:09:25 | |
An authentic D&G has a brass plaque that says | 0:09:25 | 0:09:28 | |
"Dolce & Gabbana - Milano Italia." | 0:09:28 | 0:09:31 | |
This says "Dolce & Gabbana - Made in Italy." | 0:09:31 | 0:09:34 | |
It's a fake, albeit a good one. | 0:09:34 | 0:09:36 | |
So you pay a couple of grand for two Italian words? Basically? | 0:09:36 | 0:09:39 | |
That and the deep warm glow that comes from not breaking the law. | 0:09:39 | 0:09:43 | |
So... | 0:09:45 | 0:09:47 | |
Got to love Velcro. Look at that. | 0:09:47 | 0:09:49 | |
Even the filth and scum of a North London pond | 0:09:51 | 0:09:54 | |
can't weaken its grip. | 0:09:54 | 0:09:56 | |
Brown fibres in, grey fibres out. | 0:09:56 | 0:09:57 | |
Brown fibres are from your crime scene, | 0:09:57 | 0:10:00 | |
grey fibres are from the killer's means of transportation. | 0:10:00 | 0:10:03 | |
AKA, the boot of his car. | 0:10:03 | 0:10:05 | |
DNA from the placenta has given us | 0:10:21 | 0:10:23 | |
a partial match with a Simon Turner. | 0:10:23 | 0:10:26 | |
'Done for drink-driving back in 2009.' | 0:10:26 | 0:10:29 | |
'I like the sound of him already.' | 0:10:29 | 0:10:31 | |
Simon Turner? | 0:10:32 | 0:10:34 | |
That's me. What's this about? | 0:10:35 | 0:10:36 | |
I don't think I've seen her before. | 0:10:40 | 0:10:42 | |
You don't think so? | 0:10:42 | 0:10:44 | |
Well, I mean it's hard to judge from this. | 0:10:44 | 0:10:47 | |
Have you got any other pictures? | 0:10:47 | 0:10:48 | |
None of her alive, no. Have another look. | 0:10:48 | 0:10:51 | |
You said the DNA was only a partial match to mine. | 0:10:57 | 0:11:00 | |
Well, we couldn't get a full match from the placenta. | 0:11:00 | 0:11:03 | |
But the partial match alone suggests the baby is yours. | 0:11:03 | 0:11:06 | |
Well, "suggests" is not a very scientific word. | 0:11:06 | 0:11:09 | |
You're quite right. | 0:11:09 | 0:11:10 | |
We'd have to isolate the paternal alleles within | 0:11:10 | 0:11:13 | |
the baby's STR loci and compare them to your DNA profile to be certain. | 0:11:13 | 0:11:16 | |
Is that scientific enough for you? | 0:11:16 | 0:11:18 | |
This is a murder investigation, Mr Turner. | 0:11:18 | 0:11:21 | |
Honesty really is your best defence. | 0:11:21 | 0:11:23 | |
Her name is Alice Preston. Was Alice Preston. | 0:11:29 | 0:11:32 | |
Where and when did you and Alice meet? | 0:11:32 | 0:11:34 | |
Belfast. My stag do. | 0:11:36 | 0:11:38 | |
Explain that to your wife, did you? | 0:11:38 | 0:11:40 | |
I'm sure she was sympathetic. | 0:11:40 | 0:11:42 | |
When did you know you got Alice pregnant? | 0:11:42 | 0:11:45 | |
Simon? | 0:11:55 | 0:11:56 | |
Can I talk to you for a minute? | 0:12:02 | 0:12:04 | |
Yup. | 0:12:06 | 0:12:07 | |
I've given it a lot of thought and... | 0:12:10 | 0:12:15 | |
I don't want to keep the baby. | 0:12:15 | 0:12:16 | |
OK. Fair enough. | 0:12:19 | 0:12:21 | |
Problem is... | 0:12:22 | 0:12:24 | |
my dad won't pay for the termination. | 0:12:24 | 0:12:27 | |
Because I'm from Northern Ireland, | 0:12:27 | 0:12:30 | |
I can't get an abortion on the NHS. | 0:12:30 | 0:12:33 | |
Not for free. | 0:12:33 | 0:12:35 | |
Otherwise, I wouldn't be bothering you. | 0:12:35 | 0:12:37 | |
No, no. | 0:12:37 | 0:12:38 | |
You're not bothering me. | 0:12:38 | 0:12:40 | |
-I mean, it was hardly an immaculate conception, was it? -No. | 0:12:42 | 0:12:46 | |
So, in a nutshell, | 0:12:48 | 0:12:50 | |
you want me to pay for the abortion? | 0:12:50 | 0:12:52 | |
Yes. Please. | 0:12:52 | 0:12:55 | |
You gave her the money? | 0:12:56 | 0:12:57 | |
The next day. And that was the last time I saw her. | 0:12:57 | 0:13:00 | |
Did Alice say where she planned to have the termination? | 0:13:00 | 0:13:03 | |
She was staying at a B&B on Highbury Corner. | 0:13:03 | 0:13:05 | |
She said she'd seen a clinic nearby. | 0:13:05 | 0:13:07 | |
OK? That's it. Are we done? | 0:13:09 | 0:13:11 | |
Tell us more about Alice. Her background, her character? | 0:13:11 | 0:13:13 | |
Come on, it was a drunken shag, not Wuthering Heights. | 0:13:13 | 0:13:17 | |
Right, well, I'll get these. | 0:13:20 | 0:13:22 | |
Nazar boncugu. | 0:13:29 | 0:13:31 | |
Gesundheit. | 0:13:31 | 0:13:33 | |
Your Turkish not what it was? | 0:13:33 | 0:13:34 | |
I have let it slide since Google Translator. | 0:13:34 | 0:13:37 | |
Means "evil eye". | 0:13:37 | 0:13:39 | |
Rooted in Turkish superstition. | 0:13:39 | 0:13:42 | |
OK? | 0:13:42 | 0:13:43 | |
Idea is, some people have power in their looks that can harm others | 0:13:43 | 0:13:46 | |
and this gives protection. | 0:13:46 | 0:13:48 | |
Doesn't look like it worked for her. | 0:13:49 | 0:13:51 | |
So, 18-year-old Alice Preston was reported missing by her | 0:14:02 | 0:14:05 | |
father William eight months ago. | 0:14:05 | 0:14:07 | |
Northern Irish police are relaying the news. | 0:14:07 | 0:14:09 | |
He didn't even ask about his baby. | 0:14:09 | 0:14:11 | |
Now we've alerted him, we need to lock this down. | 0:14:11 | 0:14:13 | |
I need to search his place. | 0:14:13 | 0:14:14 | |
You're still here? | 0:14:16 | 0:14:17 | |
Simon Turner, I'm arresting you | 0:14:17 | 0:14:19 | |
on suspicion of the murder of Alice Preston. | 0:14:19 | 0:14:20 | |
-What? -You do not have to say anything but it may harm your defence | 0:14:20 | 0:14:23 | |
-if you do not mention... -I told you, I don't... | 0:14:23 | 0:14:26 | |
INTERCOM RINGS | 0:14:31 | 0:14:33 | |
I'll get it, sweetheart! | 0:14:33 | 0:14:35 | |
Simon, what's going on? | 0:14:41 | 0:14:43 | |
This is a mistake. This is nonsense! | 0:14:55 | 0:14:58 | |
-Simon would never do that. -He's already admitted | 0:14:58 | 0:15:00 | |
to having relations with the deceased. | 0:15:00 | 0:15:02 | |
Relations?! Let me speak to him. | 0:15:02 | 0:15:03 | |
Katie, I would be much happier if you would sit down. | 0:15:03 | 0:15:06 | |
Could you show us a birth certificate? | 0:15:06 | 0:15:09 | |
Give us a chance! My daughter only gave birth two days ago. | 0:15:09 | 0:15:12 | |
-What about a name? -Name? | 0:15:12 | 0:15:14 | |
-What's your granddaughter's name? -They haven't settled on one yet. | 0:15:14 | 0:15:17 | |
Dad, they won't let me speak to Simon. | 0:15:17 | 0:15:18 | |
I'm sorry, Katie, we need to... | 0:15:18 | 0:15:20 | |
We need to place your baby with emergency foster parents, | 0:15:20 | 0:15:23 | |
until we can ascertain her parentage by DNA. | 0:15:23 | 0:15:25 | |
Don't tell me you can waltz in here | 0:15:25 | 0:15:27 | |
without a court order and take a child! | 0:15:27 | 0:15:29 | |
Mr Beale, according to Section 46 of The Children Act, | 0:15:29 | 0:15:32 | |
we have a duty of care to the child. | 0:15:32 | 0:15:34 | |
A newborn baby has been abducted | 0:15:34 | 0:15:35 | |
and your son-in-law is a suspect in a murder investigation. | 0:15:35 | 0:15:38 | |
This is crazy! | 0:15:38 | 0:15:39 | |
Do you know how long I have wanted this baby? | 0:15:40 | 0:15:44 | |
Dad? | 0:15:44 | 0:15:45 | |
Dad! | 0:15:46 | 0:15:47 | |
-Give her to me. -No. No! | 0:15:50 | 0:15:53 | |
You're all mad! | 0:15:53 | 0:15:54 | |
BABY CRIES | 0:15:54 | 0:15:57 | |
Katie... | 0:15:57 | 0:15:59 | |
Look at me. | 0:15:59 | 0:16:01 | |
The sooner we get this over with, | 0:16:03 | 0:16:05 | |
the sooner she'll be back in your arms. | 0:16:05 | 0:16:08 | |
You have my word. | 0:16:08 | 0:16:09 | |
Mmm-hmm? | 0:16:12 | 0:16:13 | |
BABY CRIES | 0:16:19 | 0:16:21 | |
No! No! | 0:16:53 | 0:16:55 | |
Katie, Katie... | 0:16:55 | 0:16:56 | |
Where are you taking her?! | 0:16:56 | 0:16:58 | |
No! | 0:16:58 | 0:16:59 | |
Please! She's my... No! | 0:16:59 | 0:17:03 | |
PHONE BEEPS | 0:17:12 | 0:17:14 | |
Gulse. | 0:17:23 | 0:17:24 | |
I know. I'll call him again. | 0:17:25 | 0:17:28 | |
You'd better find him before I do, hmm? | 0:17:30 | 0:17:32 | |
He'll call. | 0:17:47 | 0:17:48 | |
He'd never cross you. | 0:17:51 | 0:17:53 | |
He's a junkie. | 0:17:56 | 0:17:58 | |
They'll cross anybody. | 0:17:58 | 0:18:00 | |
Not you. Not family. | 0:18:00 | 0:18:03 | |
Then, where is he? | 0:18:06 | 0:18:07 | |
Where is your son? | 0:18:08 | 0:18:09 | |
So, we found blood on your coffee table. | 0:18:16 | 0:18:19 | |
HE LAUGHS | 0:18:21 | 0:18:23 | |
-That's my blood. -Your blood? | 0:18:24 | 0:18:26 | |
Yes. I tripped, fell, gave myself a nosebleed. | 0:18:26 | 0:18:28 | |
-Celebrating our new arrival and I had a few too many. -Really? | 0:18:28 | 0:18:31 | |
Well, my client's excessive alcohol consumption is a matter of record. | 0:18:31 | 0:18:35 | |
Look. | 0:18:36 | 0:18:38 | |
You've destroyed my marriage. | 0:18:38 | 0:18:42 | |
You've ruined the memory of the birth of my child. | 0:18:42 | 0:18:46 | |
Please, can I go? | 0:18:46 | 0:18:48 | |
I have some fences to mend. | 0:18:48 | 0:18:50 | |
Sit down. | 0:18:56 | 0:18:57 | |
I did not kill Alice Preston! | 0:18:57 | 0:18:59 | |
As far as I know, she had the termination and was back in Belfast. | 0:18:59 | 0:19:02 | |
Sit down. | 0:19:02 | 0:19:03 | |
Let's talk again about your movements between noon and midnight. | 0:19:10 | 0:19:14 | |
-Your eyesight all right, Martin? -My eyesight's fine. | 0:19:29 | 0:19:32 | |
-No. -What do you mean, "no"? | 0:19:44 | 0:19:46 | |
I mean, none of these are the bloke I saw. | 0:19:46 | 0:19:49 | |
Look, if you want me to say it's one of these geezers... | 0:19:50 | 0:19:53 | |
I don't want you to say anything except the truth. | 0:19:53 | 0:19:55 | |
-All right. Calm down. -I'm going to need you to come back | 0:19:55 | 0:19:57 | |
and sit down with a Facial Imaging Officer. | 0:19:57 | 0:20:00 | |
You up for that? | 0:20:00 | 0:20:01 | |
If we make it another 50, are you up for that? | 0:20:04 | 0:20:06 | |
Great. | 0:20:08 | 0:20:10 | |
DNA results for the coffee table are back, Nikki. | 0:20:12 | 0:20:15 | |
Oh. Don't tell me. | 0:20:20 | 0:20:21 | |
Simon Turner's blood. | 0:20:21 | 0:20:23 | |
That's not a surprise? | 0:20:23 | 0:20:24 | |
No. Martin Carrisford didn't pick him out. | 0:20:24 | 0:20:26 | |
He's got an alibi for the window when Alice died. | 0:20:26 | 0:20:30 | |
PHONE RINGS | 0:20:30 | 0:20:33 | |
-What? -Nothing. I'm just... | 0:20:33 | 0:20:35 | |
-Hello. -I went after Turner, hammer and tongs. | 0:20:35 | 0:20:38 | |
It turns out he's probably innocent. | 0:20:38 | 0:20:40 | |
Yeah. OK, thanks. | 0:20:42 | 0:20:44 | |
DNA's back. | 0:20:44 | 0:20:45 | |
The child you removed from Katie and Simon Turner's home | 0:20:45 | 0:20:49 | |
-is their baby. -Yeah. | 0:20:49 | 0:20:50 | |
So where is Alice Preston's baby? | 0:20:50 | 0:20:52 | |
You want the good news or the better news? | 0:20:52 | 0:20:55 | |
-Oh, bring it on. -I located the only clinic | 0:20:55 | 0:20:57 | |
in spitting distance of Highbury Corner. | 0:20:57 | 0:20:59 | |
Alice Preston was a prospective patient. | 0:20:59 | 0:21:03 | |
-Have we had the better news yet? -When Alice pulled out, | 0:21:03 | 0:21:05 | |
the clinic called to get a current address to send her deposit cheque. | 0:21:05 | 0:21:09 | |
Not the hostel on Highbury Corner? | 0:21:09 | 0:21:11 | |
-An estate off Green Lanes. -Green Lanes... | 0:21:11 | 0:21:14 | |
The hub of the Turkish community. | 0:21:14 | 0:21:16 | |
-Nazar... BOTH: -Boncugu. | 0:21:16 | 0:21:18 | |
Jack! | 0:22:31 | 0:22:33 | |
-You all right?! -Yeah. | 0:22:33 | 0:22:35 | |
Don't worry. No damage. | 0:23:12 | 0:23:14 | |
As you were. | 0:23:14 | 0:23:15 | |
DI Brooke. | 0:23:16 | 0:23:17 | |
Jack Hodgson. Forensic scientist. | 0:23:19 | 0:23:23 | |
The guy I was chasing? | 0:23:23 | 0:23:26 | |
He just fled a murder scene. | 0:23:26 | 0:23:28 | |
A murder scene on my patch and this is the first I'm hearing of it? | 0:23:28 | 0:23:30 | |
HE TUTS | 0:23:30 | 0:23:31 | |
What is the world coming to? | 0:23:31 | 0:23:33 | |
We found some dark varnished wood chips in the victim's scalp | 0:23:45 | 0:23:48 | |
that are a visual match to that trunk. | 0:23:48 | 0:23:50 | |
-Slipped and fell? -I think struck and fell. | 0:23:50 | 0:23:53 | |
She had a fresh abrasion over her eye. | 0:23:53 | 0:23:55 | |
Void area in the blood suggests that she fell and lay here. | 0:23:55 | 0:23:59 | |
Fits with striking her head on the chest. | 0:23:59 | 0:24:01 | |
And I recovered a bloody pair of tights over there, | 0:24:01 | 0:24:03 | |
roughly where her feet would've lain. | 0:24:03 | 0:24:05 | |
The killer undresses her and then cuts the baby out? | 0:24:05 | 0:24:08 | |
Ante-mortem? Post-mortem? | 0:24:08 | 0:24:10 | |
Can't say yet. | 0:24:10 | 0:24:12 | |
Perimortem? | 0:24:12 | 0:24:14 | |
But if she was dead, it was only by a few minutes. | 0:24:15 | 0:24:19 | |
All the blood. | 0:24:19 | 0:24:20 | |
What are the baby's chances? | 0:24:21 | 0:24:23 | |
Good, if it was removed from the mother | 0:24:23 | 0:24:25 | |
less than 20 minutes after she died. | 0:24:25 | 0:24:28 | |
-DS Kitchener. -It's Kirchner. | 0:24:28 | 0:24:31 | |
Kirchner. | 0:24:31 | 0:24:32 | |
Like the German painter? | 0:24:32 | 0:24:34 | |
-So I'm been told, yes. -I think I might have found the... | 0:24:34 | 0:24:37 | |
One second, Jack. | 0:24:37 | 0:24:39 | |
We need a full four-square search for this baby, | 0:24:39 | 0:24:41 | |
emanating from this room. | 0:24:41 | 0:24:42 | |
Now, call DS Jim Willings. | 0:24:42 | 0:24:44 | |
Give him my name and he'll make it happen. | 0:24:44 | 0:24:46 | |
Now, if you can't reach him or anyone gives you shit, | 0:24:46 | 0:24:48 | |
-hand the phone to me. -Yes, sir. | 0:24:48 | 0:24:51 | |
I think I might've found the means of excision. | 0:24:51 | 0:24:54 | |
The killer used a knife to remove the baby and then took it with him. | 0:24:54 | 0:24:59 | |
Him? | 0:24:59 | 0:25:00 | |
Yes, him. You saw how fast he was running. | 0:25:00 | 0:25:03 | |
Didn't see him packing a knife. | 0:25:03 | 0:25:05 | |
Or a baby. | 0:25:05 | 0:25:06 | |
Call it a working theory. | 0:25:06 | 0:25:08 | |
Not your job to have theories, Jack. | 0:25:08 | 0:25:10 | |
Facts. Physical evidence. | 0:25:10 | 0:25:12 | |
That's what we look to you for. | 0:25:12 | 0:25:15 | |
Can I ask you a question? | 0:25:15 | 0:25:16 | |
You can ask. | 0:25:18 | 0:25:20 | |
What were you doing here? | 0:25:20 | 0:25:21 | |
I mean, before you ran into me? | 0:25:21 | 0:25:23 | |
I run the Drugs Squad out of the local nick. | 0:25:23 | 0:25:26 | |
And, right now, they're cooking up crack over at Shakespeare House. | 0:25:26 | 0:25:29 | |
So, go and arrest them. | 0:25:29 | 0:25:31 | |
They'd never let me in. | 0:25:31 | 0:25:33 | |
They're rude bastards like that. | 0:25:33 | 0:25:34 | |
Is this the guy you chased? | 0:26:30 | 0:26:32 | |
I had him, Nikki. | 0:26:38 | 0:26:39 | |
I bloody had him. | 0:26:41 | 0:26:42 | |
HE GRUNTS | 0:26:49 | 0:26:51 | |
Open up, police. | 0:26:53 | 0:26:54 | |
Open up. Is anyone there? | 0:26:58 | 0:27:00 | |
So, Mr Bukata, to clarify, | 0:27:02 | 0:27:03 | |
three people lived in the flat? | 0:27:03 | 0:27:06 | |
Two men and a girl? | 0:27:06 | 0:27:08 | |
The girl is, erm... | 0:27:09 | 0:27:11 | |
Pregnant? | 0:27:13 | 0:27:14 | |
So, two men. One of them skinny? | 0:27:14 | 0:27:16 | |
Early twenties, dark complexion? | 0:27:16 | 0:27:18 | |
Do you know his name? What about the other guy? | 0:27:18 | 0:27:21 | |
White guy. | 0:27:21 | 0:27:22 | |
Mark. | 0:27:23 | 0:27:24 | |
-Mark? -JACK: Mark Blakefield. | 0:27:24 | 0:27:27 | |
Think I know why Mark keeps his door locked. | 0:27:27 | 0:27:29 | |
Had his own rogue D&G outlet. | 0:27:34 | 0:27:36 | |
Looks like Mr Blakefield's been away for a bit. | 0:27:36 | 0:27:38 | |
Some of these postmarks are from last month. | 0:27:38 | 0:27:41 | |
Decent fakes. | 0:27:41 | 0:27:42 | |
Like the case we found Alice in. | 0:27:42 | 0:27:45 | |
PHONE BEEPS | 0:27:45 | 0:27:46 | |
Mark Blakefield's got a record. | 0:27:48 | 0:27:50 | |
Convictions for dealing drugs, GBH and - surprise, surprise - | 0:27:52 | 0:27:56 | |
selling counterfeit goods. | 0:27:56 | 0:27:58 | |
Blakefield fits the description of the man who dumped the case. | 0:27:58 | 0:28:01 | |
Mmm. | 0:28:02 | 0:28:03 | |
Except for the maroon hoodie. | 0:28:06 | 0:28:08 | |
PHONE RINGS | 0:28:14 | 0:28:15 | |
How did Alice get mixed up with these two charmers? | 0:28:15 | 0:28:18 | |
-Hello. -It looks like our Marky owns this place. | 0:28:20 | 0:28:23 | |
So, I say we start with him. | 0:28:23 | 0:28:25 | |
Your case, DS Kirchner, | 0:28:25 | 0:28:26 | |
but there is a baby missing and I would like to help. | 0:28:26 | 0:28:29 | |
Thank you, sir. | 0:28:32 | 0:28:34 | |
Ah, Mr Bukata. | 0:29:02 | 0:29:04 | |
Mr Bukata. | 0:29:06 | 0:29:07 | |
When did you last see Mark? | 0:29:07 | 0:29:09 | |
Mark Blakefield, the guy who owns the flat opposite you. | 0:29:10 | 0:29:13 | |
I mean, you must see him knocking around. | 0:29:13 | 0:29:15 | |
-When was the last time? -Can't remember. | 0:29:15 | 0:29:18 | |
But you do know him very well, right? | 0:29:18 | 0:29:20 | |
No. I never speak to him. | 0:29:20 | 0:29:23 | |
Bit late for spring cleaning? | 0:29:30 | 0:29:32 | |
Where is he? | 0:29:32 | 0:29:33 | |
I haven't seen Marky for a few days. | 0:29:33 | 0:29:36 | |
I call him last week to tell him I'm running low. | 0:29:36 | 0:29:38 | |
No answer. | 0:29:38 | 0:29:39 | |
Does "Marky" have a place, apart from his flat on the Martaban estate? | 0:29:39 | 0:29:43 | |
No. I don't think so. | 0:29:43 | 0:29:45 | |
He has a lock-up. | 0:29:48 | 0:29:49 | |
Cheers. | 0:29:54 | 0:29:55 | |
Alice Preston's blood is loaded with a rare hallucinogen, called 2CB. | 0:29:58 | 0:30:04 | |
A synthetic white powder, similar effects to LSD. | 0:30:04 | 0:30:07 | |
-Class A? -Very much so. | 0:30:07 | 0:30:10 | |
We've only seen it on these shores the past couple of years. | 0:30:10 | 0:30:14 | |
Side effects include, but are by no means restricted to, | 0:30:14 | 0:30:16 | |
headaches, sickness, psychotic syndromes... | 0:30:16 | 0:30:19 | |
-I didn't find anything in her stomach contents. -Mmm. | 0:30:19 | 0:30:22 | |
And I ran tox on a hair sample. It was clean. | 0:30:22 | 0:30:24 | |
-She wasn't a drug user herself. -But? -It's possible she was a drugs mule. | 0:30:24 | 0:30:29 | |
-She was eight and a half months pregnant! -And? | 0:30:29 | 0:30:33 | |
She chose to keep this baby. Why would she risk its life and hers? | 0:30:33 | 0:30:36 | |
It's just a theory, Nikki. | 0:30:36 | 0:30:38 | |
The drugs got into her, one way or another. | 0:30:38 | 0:30:41 | |
I saw from the PM reports her vagina wasn't examined. | 0:30:52 | 0:30:56 | |
-Well, at that point, I had no... -You had no cause to, I understand. | 0:30:56 | 0:31:00 | |
I found this clingfilm embedded in her vaginal wall. | 0:31:00 | 0:31:03 | |
MOBILE PHONE RINGS | 0:31:08 | 0:31:09 | |
Hi. | 0:31:12 | 0:31:14 | |
'Mum, is Bekir there?' | 0:31:14 | 0:31:15 | |
'No. He's out there looking for you.' | 0:31:15 | 0:31:18 | |
I don't have it. Tell him I don't have it. | 0:31:18 | 0:31:20 | |
Then, tell him yourself. | 0:31:20 | 0:31:21 | |
'Mum, he killed Alice.' | 0:31:21 | 0:31:23 | |
Nine months pregnant and he killed her, like that. | 0:31:23 | 0:31:25 | |
Mum, did you hear what I said? He's evil. You can't be with him. | 0:31:28 | 0:31:32 | |
'Your cousin takes care of the business. Commands respect. | 0:31:32 | 0:31:35 | |
'He's not a junkie, like you.' | 0:31:35 | 0:31:36 | |
I'm clean, Mum. | 0:31:41 | 0:31:43 | |
I've been clean since I got out, you know that! | 0:31:43 | 0:31:45 | |
Where is the package? That's all that I need to know. | 0:31:47 | 0:31:49 | |
I don't have it. | 0:31:49 | 0:31:51 | |
'Then, you're dead.' | 0:31:51 | 0:31:53 | |
I'm getting out, Mum. | 0:31:57 | 0:31:59 | |
'I'm getting out. | 0:31:59 | 0:32:01 | |
'I mean, out of the country.' | 0:32:02 | 0:32:03 | |
He'll find you. | 0:32:03 | 0:32:05 | |
-'Wherever you go, he'll find you.' -I need my passport, Mum. | 0:32:05 | 0:32:08 | |
Just bring me my passport. | 0:32:13 | 0:32:15 | |
Help me one last time and you'll never hear from me again. | 0:32:15 | 0:32:18 | |
Your father used to say the same thing. | 0:32:18 | 0:32:21 | |
It's weak, weak. | 0:32:21 | 0:32:23 | |
-'Weak.' -Mum, Camden Lock. | 0:32:23 | 0:32:25 | |
By the bridge. I'll be there at eight. | 0:32:25 | 0:32:27 | |
Why was she involved in the first place? | 0:32:33 | 0:32:35 | |
She must've been coerced into it by the people who killed her. | 0:32:35 | 0:32:38 | |
It looks like the drugs were removed from her body | 0:32:38 | 0:32:40 | |
-around the time of death. -Then, it's likely whoever took the drugs | 0:32:40 | 0:32:44 | |
-from her also took the baby? -What if they thought she swallowed them? | 0:32:44 | 0:32:47 | |
What if they thought the baby was obstructing access to the drugs, | 0:32:47 | 0:32:50 | |
-in some way? -Then, the baby would become collateral damage? | 0:32:50 | 0:32:53 | |
To a ruthless drug dealer, no question. | 0:32:53 | 0:32:55 | |
The 2CB is 97-98% grade. | 0:32:55 | 0:32:58 | |
Definitely not for consumption. | 0:32:58 | 0:33:01 | |
OK, so she was smuggling, | 0:33:01 | 0:33:03 | |
but that doesn't follow that her baby's dead. | 0:33:03 | 0:33:05 | |
That doesn't follow at all. | 0:33:05 | 0:33:06 | |
THEY EXPRESS REVULSION | 0:33:09 | 0:33:10 | |
-Blakefield? -Mmm. | 0:33:12 | 0:33:13 | |
-I'll call it in. -Yeah. | 0:33:16 | 0:33:18 | |
FLIES BUZZ | 0:33:18 | 0:33:20 | |
-OFFICER ON PHONE: -Did you know anything about this? | 0:33:53 | 0:33:55 | |
Call me when you get this message. | 0:33:55 | 0:33:57 | |
HE BREATHES HEAVILY | 0:34:01 | 0:34:03 | |
-Shit! -No reception? | 0:34:06 | 0:34:08 | |
-Battery. Can I borrow yours? -Sure. | 0:34:08 | 0:34:11 | |
Thanks. | 0:34:11 | 0:34:12 | |
HE MOUTHS | 0:34:20 | 0:34:22 | |
Can you put me through to Dr Alexander, please? | 0:34:32 | 0:34:35 | |
Thanks. | 0:34:36 | 0:34:38 | |
I know you guys like to wait for the PM, | 0:34:49 | 0:34:51 | |
but can you give me a rough time of death? | 0:34:51 | 0:34:53 | |
More than a week, less than a fortnight. | 0:34:53 | 0:34:56 | |
He didn't kill Alice Preston? | 0:34:56 | 0:34:58 | |
No. | 0:34:58 | 0:34:59 | |
There are numerous incised wounds to his arms, chest and back. | 0:35:01 | 0:35:05 | |
The torso is tacky to the touch. | 0:35:07 | 0:35:09 | |
NIKKI SNIFFS | 0:35:12 | 0:35:14 | |
The wounds were probably made by a knife. | 0:35:17 | 0:35:20 | |
But more importantly, I think they were then doused with the Raki. | 0:35:20 | 0:35:23 | |
More important... how? | 0:35:23 | 0:35:25 | |
Evidence of premeditated torture. | 0:35:25 | 0:35:27 | |
It suggests that the Raki was brought to the scene, specifically | 0:35:28 | 0:35:31 | |
to pour onto the open wounds. | 0:35:31 | 0:35:33 | |
The killer knew that the pain entailed far outstripped | 0:35:33 | 0:35:36 | |
the pain of the cuts themselves. | 0:35:36 | 0:35:38 | |
You see the ethanol causes the skin cells to put out the same | 0:35:38 | 0:35:41 | |
neurochemical signals as they put out when heat is felt. | 0:35:41 | 0:35:44 | |
So not only does the cut hurt, now it feels like it's on fire? | 0:35:44 | 0:35:47 | |
Exactly. | 0:35:47 | 0:35:49 | |
And the wounds grow in size from a nick here, to a four-inch gash. | 0:35:49 | 0:35:54 | |
It's a systematic progression. | 0:35:54 | 0:35:56 | |
The killer graduated to exsanguination. | 0:35:56 | 0:35:58 | |
Drained Blakefield of blood, purposefully by dint of a clean, | 0:36:01 | 0:36:05 | |
precise incision to the femoral artery. | 0:36:05 | 0:36:07 | |
There's a lot of control and deliberation here. | 0:36:10 | 0:36:12 | |
You've got to tell me who did this. | 0:36:29 | 0:36:31 | |
I mean, got to be some DNA transfer? | 0:36:31 | 0:36:33 | |
He was here for a while, right? | 0:36:34 | 0:36:36 | |
Knots look interesting. | 0:36:40 | 0:36:42 | |
Intricate. | 0:36:43 | 0:36:44 | |
Blakefield travelled to Turkey recently, via Bulgaria. | 0:36:47 | 0:36:50 | |
The man I chased off the estate... | 0:36:50 | 0:36:52 | |
Oh, come on, he was a kid! | 0:36:52 | 0:36:54 | |
Both his flatmates met violent deaths and he ran when he saw us. | 0:36:54 | 0:36:58 | |
Can't exactly dismiss him, can we? | 0:36:58 | 0:37:00 | |
Unless you know something we don't? | 0:37:01 | 0:37:04 | |
-NERVOUSLY: -Hi. | 0:37:46 | 0:37:48 | |
HE ORDERS CHEF TO LEAVE | 0:37:48 | 0:37:49 | |
Have you heard from him? | 0:37:56 | 0:37:58 | |
No. | 0:37:59 | 0:38:00 | |
The arrests in Istanbul got me in enough shit. | 0:38:03 | 0:38:05 | |
They find out a consignment's missing, it's over. | 0:38:05 | 0:38:10 | |
For all of us. | 0:38:10 | 0:38:11 | |
You understand? | 0:38:13 | 0:38:15 | |
-QUIETLY: -Yes. | 0:38:15 | 0:38:17 | |
Look at me. | 0:38:17 | 0:38:18 | |
Look. | 0:38:20 | 0:38:22 | |
Look!! | 0:38:22 | 0:38:23 | |
Tell me you haven't seen him. | 0:38:25 | 0:38:28 | |
Gulse? | 0:38:28 | 0:38:29 | |
He wants me to meet him and... | 0:38:34 | 0:38:36 | |
..give him this. | 0:38:38 | 0:38:39 | |
Did as you requested and ran that number. | 0:38:54 | 0:38:56 | |
I was er... | 0:39:00 | 0:39:01 | |
..curious about a call DI Brooke made right after we discovered the body. | 0:39:02 | 0:39:07 | |
How did you get the number? | 0:39:07 | 0:39:09 | |
So...? | 0:39:11 | 0:39:12 | |
Registered to a Nuri Kavur, 22. Sundry drug offences. | 0:39:12 | 0:39:16 | |
Reading between the lines, he's more addict than dealer. | 0:39:16 | 0:39:19 | |
Brooke almost put me in the hospital, making sure Kavur got away. | 0:39:20 | 0:39:24 | |
-I don't understand. -It's not just me, then. | 0:39:24 | 0:39:27 | |
Why would Brooke be covering for a lowlife criminal | 0:39:27 | 0:39:29 | |
-when a baby's life is on the line? -Maybe he's on the take. | 0:39:29 | 0:39:32 | |
He wouldn't be the first drugs officer in history | 0:39:32 | 0:39:34 | |
-to wet his beak! -I'm not sure about that... | 0:39:34 | 0:39:36 | |
Oh, come on, he was on the phone to our prime suspect | 0:39:36 | 0:39:39 | |
within seconds of finding Blakefield's corpse... | 0:39:39 | 0:39:41 | |
-He's unorthodox, but I just don't see him as corrupt. -Based on what? | 0:39:41 | 0:39:45 | |
Not in an "in-some-dealer's-pocket" sense, anyway. | 0:39:45 | 0:39:48 | |
We can use Nuri's phone to get a lead on his location, can't we? | 0:39:48 | 0:39:50 | |
It's currently powered down, but if he switches it on, | 0:39:50 | 0:39:53 | |
-we can pinpoint the nearest phone mast. -Yeah. Good. | 0:39:53 | 0:39:56 | |
He needs to take his punishment. Make this right. | 0:40:09 | 0:40:13 | |
-Just try not to kill him. -Try not to kill him? | 0:40:13 | 0:40:16 | |
Jesus, you're a cold bitch. I'm glad I didn't have you for a mother. | 0:40:19 | 0:40:23 | |
HE CHUCKLES | 0:40:26 | 0:40:28 | |
He referred to Mark Blakefield as Marky | 0:40:28 | 0:40:31 | |
and so did the next door neighbour, Mr Bukata. | 0:40:31 | 0:40:33 | |
-What does that prove? -That he knows him! | 0:40:33 | 0:40:36 | |
Just like he knows his flatmate, Nuri Kavur. | 0:40:36 | 0:40:39 | |
Brooke says he wants to help, | 0:40:39 | 0:40:41 | |
but judged on his actions, he wants the exact opposite. | 0:40:41 | 0:40:43 | |
-Why would he want that? -Don't know, doesn't matter. | 0:40:43 | 0:40:45 | |
Just know we can't trust a word he says. | 0:40:45 | 0:40:47 | |
I spoke to a colleague who used to work with him in the Drugs Squad. | 0:40:47 | 0:40:49 | |
-Don't tell me, he's a legend. -Yes, actually. | 0:40:49 | 0:40:52 | |
He has put away a shedload of dealers, great and small. | 0:40:52 | 0:40:54 | |
-They always have. -OK. Enough. | 0:40:54 | 0:40:56 | |
Look, Jack's right. The why doesn't matter. He's obstructing us | 0:40:56 | 0:40:58 | |
and it's delaying finding the baby. | 0:40:58 | 0:41:00 | |
Fine. I will speak to him. Have it out with him. | 0:41:00 | 0:41:02 | |
-Good luck with that. -Jack! | 0:41:02 | 0:41:05 | |
Nuri just switched his phone back on. | 0:41:05 | 0:41:07 | |
Pinged on two different masts and the overlap area is small. | 0:41:07 | 0:41:10 | |
-How small? -The canal, east of Camden Lock. | 0:41:10 | 0:41:12 | |
I am not going behind a DI's back. | 0:41:13 | 0:41:15 | |
You're not. | 0:41:15 | 0:41:17 | |
You're legitimately pursuing a suspect who fled a crime scene | 0:41:17 | 0:41:20 | |
and has a record. | 0:41:20 | 0:41:21 | |
Nuri? | 0:41:41 | 0:41:42 | |
Nuri Kavur, you're under arrest. | 0:42:09 | 0:42:12 | |
'Alice Preston. Where did you meet her? | 0:42:30 | 0:42:32 | |
'I was delivering flyers to a youth hostel.' | 0:42:32 | 0:42:35 | |
Thanks. | 0:42:35 | 0:42:36 | |
'We got talking.' | 0:42:36 | 0:42:38 | |
And then she told me about her baby and how she wasn't sure | 0:42:40 | 0:42:43 | |
if she was going to keep it. | 0:42:43 | 0:42:44 | |
Did you advise her on that score? | 0:42:45 | 0:42:48 | |
I said, if she wasn't sure, she should keep it. | 0:42:48 | 0:42:50 | |
She listened to you? In your wisdom? | 0:42:52 | 0:42:54 | |
-Look, I was surprised she was even interested in me. -Hmm! -I was. | 0:42:54 | 0:42:59 | |
She was lonely and... | 0:43:02 | 0:43:04 | |
And...? | 0:43:06 | 0:43:08 | |
And I'd just come out of prison a month before. | 0:43:09 | 0:43:12 | |
And I'd stayed clean. | 0:43:14 | 0:43:15 | |
100%. Not even a beer. | 0:43:17 | 0:43:19 | |
OK. | 0:43:19 | 0:43:20 | |
Alice felt like a reward for that. | 0:43:25 | 0:43:27 | |
Me being her friend. I offered her a place to stay, | 0:43:31 | 0:43:34 | |
you know, while she decided what to do. | 0:43:34 | 0:43:36 | |
But you became more than friends? | 0:43:36 | 0:43:38 | |
(Oh, my God!) | 0:43:43 | 0:43:44 | |
Nuri? | 0:43:46 | 0:43:48 | |
You became more than friends, yes or no? | 0:43:48 | 0:43:50 | |
Yes. Later. I didn't want to rush her. | 0:43:50 | 0:43:53 | |
Mmm-hmm. | 0:43:53 | 0:43:54 | |
-So, what was in it for you? -I loved her. -Try again. | 0:43:54 | 0:43:58 | |
I loved her! | 0:43:58 | 0:44:00 | |
I loved her and I didn't kill her. | 0:44:00 | 0:44:02 | |
What about the guy who got her pregnant? | 0:44:06 | 0:44:09 | |
What about him? Unlike you, he hasn't seen Alice in months. | 0:44:09 | 0:44:12 | |
Unlike you, he doesn't have a flatmate in the mortuary, | 0:44:12 | 0:44:16 | |
whose mangled body bears signs of torture. | 0:44:16 | 0:44:19 | |
-Step out a minute. -Sir, I'm in the middle of... -Step out! | 0:44:22 | 0:44:25 | |
I'm not asking. | 0:44:25 | 0:44:27 | |
-How did you find him? -He's the individual that fled the scene... | 0:44:33 | 0:44:35 | |
I didn't ask you who he is, I asked you how you found him? | 0:44:35 | 0:44:38 | |
-Well, the, erm... -I found him. | 0:44:40 | 0:44:42 | |
You called him right after we found Blakefield | 0:44:42 | 0:44:44 | |
and I got the number off your phone. Surreptitious, I know, | 0:44:44 | 0:44:47 | |
but I didn't have much hope you'd come clean with us. | 0:44:47 | 0:44:50 | |
You've been protecting Nuri Kavur from the start | 0:44:50 | 0:44:52 | |
and I have bruised ribs to prove it. | 0:44:52 | 0:44:54 | |
He is my informant and I protect my informants. | 0:44:54 | 0:44:59 | |
If you can find him, so can Bekir. | 0:44:59 | 0:45:01 | |
Who's Bekir? | 0:45:01 | 0:45:02 | |
Put him in a custody cell for half an hour. | 0:45:04 | 0:45:06 | |
Bekir Humadi. He came to London from Istanbul 18 months ago. | 0:45:17 | 0:45:22 | |
He's a lieutenant in Sivas 78, | 0:45:22 | 0:45:25 | |
a gang his grandfather formed over 30 years ago. | 0:45:25 | 0:45:27 | |
-So he's come here to expand the empire? -Yeah. | 0:45:27 | 0:45:30 | |
Well, I believe so. | 0:45:30 | 0:45:31 | |
We've seen an increase in heroin and less common drugs since his arrival. | 0:45:31 | 0:45:35 | |
-You "believe so"? -Evidence has proved elusive. He's a pro. | 0:45:35 | 0:45:40 | |
Colin? | 0:45:44 | 0:45:46 | |
MOTORBIKE REVS INTO DISTANCE | 0:45:46 | 0:45:49 | |
'The night' | 0:45:57 | 0:45:58 | |
DS Hart got shot, Bekir was playing to the gallery in the restaurant. | 0:45:58 | 0:46:02 | |
Of course, I sweated him, but no forensics, no witnesses. | 0:46:02 | 0:46:06 | |
Yeah, but you don't KNOW it was Bekir? | 0:46:06 | 0:46:08 | |
Tell us about Nuri Kavur. | 0:46:10 | 0:46:12 | |
Bekir's London-born cousin and recovering addict, | 0:46:13 | 0:46:17 | |
which made him a weak link in the chain. | 0:46:17 | 0:46:20 | |
-I turned him a year ago. -How? -I have my means. | 0:46:20 | 0:46:22 | |
And through Nuri, I learned that Bekir | 0:46:22 | 0:46:25 | |
was using Mark Blakefield to get the gear in. | 0:46:25 | 0:46:28 | |
We've got good relations with Narcotics in Turkey. | 0:46:28 | 0:46:30 | |
They tailed Blakefield to a lab 50 miles south of Istanbul. | 0:46:30 | 0:46:34 | |
Once he was on his way back to the UK, | 0:46:34 | 0:46:36 | |
they moved in and arrested over 30 people. | 0:46:36 | 0:46:38 | |
That explains the torture - Bekir assumed Blakefield was the rat? | 0:46:38 | 0:46:42 | |
What about Alice Preston? You think Bekir killed her, too? | 0:46:42 | 0:46:45 | |
Well, maybe. If she was drug-muling for him | 0:46:45 | 0:46:48 | |
and she messed up or something went wrong. | 0:46:48 | 0:46:50 | |
Course, the only way to find out is through Nuri. | 0:46:50 | 0:46:53 | |
-You want me to release him. -Tonight. | 0:46:54 | 0:46:57 | |
SHE SCREAMS | 0:47:29 | 0:47:32 | |
Can I help you? | 0:48:06 | 0:48:08 | |
I have a warrant to search the premises and to take | 0:48:08 | 0:48:11 | |
a DNA sample from Bekir Humadi, | 0:48:11 | 0:48:14 | |
in connection with the murders of Mark Blakefield and Alice Preston. | 0:48:14 | 0:48:17 | |
Detective Inspector Brooke. | 0:48:17 | 0:48:18 | |
Did you ever avenge your young partner? | 0:48:20 | 0:48:22 | |
From the look on your face, I'd say you didn't. | 0:48:22 | 0:48:24 | |
Mr Humadi, why don't we do this somewhere else? | 0:48:24 | 0:48:26 | |
-You are the boss of him? -No. I'm a Detective Sergeant. | 0:48:26 | 0:48:29 | |
Pity. He's a wild dog. | 0:48:31 | 0:48:34 | |
Needs a master. | 0:48:34 | 0:48:36 | |
You mind if I keep working? | 0:48:46 | 0:48:49 | |
OK. Er, we're all impressed, but maybe put the knife down? | 0:48:58 | 0:49:02 | |
Do I listen to him, detective? | 0:49:03 | 0:49:05 | |
-Just put the bloody knife down! -Excuse me? | 0:49:07 | 0:49:11 | |
Mr Humadi, I need a DNA sample. | 0:49:17 | 0:49:20 | |
-Can I put my stuff there? -Please. -Thanks. | 0:49:20 | 0:49:23 | |
Do I take this off? | 0:49:27 | 0:49:28 | |
Nah, you keep that on. | 0:49:28 | 0:49:29 | |
What you going to do to me? | 0:49:34 | 0:49:36 | |
Open your mouth. | 0:49:44 | 0:49:45 | |
Well, he seems nice. | 0:50:03 | 0:50:04 | |
-Cup of coffee, inspector? -Given up, Fikret. It's green tea, all the way. | 0:50:09 | 0:50:13 | |
"Fikret"? Really is your patch. | 0:50:13 | 0:50:17 | |
I want a second forensic sweep of Alice Preston's flat. | 0:50:17 | 0:50:20 | |
Why? | 0:50:20 | 0:50:22 | |
If Bekir killed her, it probably wasn't premeditated. | 0:50:22 | 0:50:25 | |
-OK, but I didn't slip up. -Just...have a second look. | 0:50:25 | 0:50:29 | |
Please? | 0:50:30 | 0:50:32 | |
Come on. | 0:50:36 | 0:50:37 | |
Is that a big yawn? Is that a big yawn? | 0:50:50 | 0:50:53 | |
Who's a beautiful girl? Are you a beautiful girl? | 0:51:01 | 0:51:05 | |
-Jack... -Hmm? | 0:51:55 | 0:51:57 | |
Bekir wears ear studs. | 0:52:02 | 0:52:04 | |
Yeah, I checked the perimeter of this room the last time we were here. | 0:52:04 | 0:52:07 | |
-Well, we all overlook things sometimes. -Yeah. | 0:52:07 | 0:52:11 | |
DNA on the stud earring is a match to Bekir Humadi. | 0:52:19 | 0:52:24 | |
And there's something else. | 0:52:26 | 0:52:28 | |
Alice was wearing turquoise nail polish when she died. | 0:52:28 | 0:52:32 | |
So what are we saying? Alice pulled the stud out fighting Bekir off? | 0:52:32 | 0:52:36 | |
The nail varnish transfers from her nail to the stud. | 0:52:36 | 0:52:39 | |
This is a result. Thank you. | 0:52:39 | 0:52:42 | |
This is bullshit. | 0:52:42 | 0:52:43 | |
Jack?! | 0:52:46 | 0:52:48 | |
(I did NOT miss that earring.) | 0:52:48 | 0:52:51 | |
DNA on that stud belongs to you. | 0:52:52 | 0:52:55 | |
The nail polish on that stud belongs to the victim. | 0:52:56 | 0:52:58 | |
Can you explain that? | 0:52:58 | 0:53:01 | |
Sure. I was there a few days ago. | 0:53:02 | 0:53:06 | |
My cousin Nuri told me that Alice was a good lay, | 0:53:08 | 0:53:11 | |
so I thought I'd try her out. | 0:53:11 | 0:53:12 | |
She got very excited and grabbed my head | 0:53:12 | 0:53:15 | |
and yelled what an animal I was. | 0:53:15 | 0:53:17 | |
You'll have to do better than that. | 0:53:17 | 0:53:20 | |
You mean...like a witness? | 0:53:20 | 0:53:23 | |
Preferably one that's not dead. | 0:53:23 | 0:53:25 | |
Nuri was waiting outside. He'll confirm my story. | 0:53:27 | 0:53:31 | |
OK, we'll see what Nuri has to say. | 0:53:31 | 0:53:33 | |
In the meantime, you stay right there. | 0:53:33 | 0:53:36 | |
Wait a second. | 0:53:39 | 0:53:40 | |
When did you say the pregnant girl died again? | 0:53:40 | 0:53:43 | |
I'm telling you, it wasn't there. I'm sure of it. | 0:53:46 | 0:53:49 | |
-Shit! -What? | 0:53:50 | 0:53:52 | |
It was behind that. | 0:53:52 | 0:53:53 | |
So it could have been concealed behind the table leg. | 0:53:53 | 0:53:56 | |
-Yeah, apart from the fact it wasn't. -Jack! | 0:53:56 | 0:53:58 | |
-Don't say everyone makes mistakes. -They do. | 0:53:58 | 0:54:00 | |
And blindly insisting you didn't, might not be the smartest move, | 0:54:00 | 0:54:04 | |
-all things considered. -What's your point? | 0:54:04 | 0:54:06 | |
Just...don't overplay your hand, until... | 0:54:06 | 0:54:10 | |
IF you get hard proof. | 0:54:10 | 0:54:13 | |
-Someone planted that stud for me to find. -Someone? | 0:54:26 | 0:54:29 | |
-DI Brooke. -Oh! -Just humour me. | 0:54:29 | 0:54:32 | |
He doesn't care what offence Bekir goes down for, | 0:54:32 | 0:54:34 | |
-he just wants him to go down. -That's quite an accusation. | 0:54:34 | 0:54:37 | |
Once he heard Alice was muling drugs, | 0:54:37 | 0:54:39 | |
-Brooke immediately suggested it implicated Bekir. -Come on, Jack. | 0:54:39 | 0:54:44 | |
If I was a copper, I'd be looking at Bekir for Alice's murder. | 0:54:44 | 0:54:47 | |
-Why? -Why not? Bekir's a drug dealer. | 0:54:47 | 0:54:50 | |
Bekir's the cousin and employer of Alice's boyfriend. | 0:54:50 | 0:54:53 | |
Bekir's short of a courier, after exsanguinating poor Mr Blakefield | 0:54:53 | 0:54:56 | |
and pregnant Alice makes an inspired replacement. | 0:54:56 | 0:54:58 | |
Even if Bekir did kill her, | 0:54:58 | 0:55:00 | |
it doesn't mean Brooke didn't plant that stud. | 0:55:00 | 0:55:02 | |
-That's a double negative. -I know it's a double negative. -Jack, | 0:55:02 | 0:55:05 | |
isn't this all getting a bit tortuous? | 0:55:05 | 0:55:08 | |
-Maybe the truth's simpler. -Simpler? | 0:55:08 | 0:55:10 | |
The stud's tiny, it's hidden in the carpet fibres. | 0:55:10 | 0:55:12 | |
YOU just missed it. | 0:55:12 | 0:55:14 | |
Why is time of death suddenly so critical? | 0:55:32 | 0:55:35 | |
Bekir's aunt has provided him with an alibi from noon onwards. | 0:55:35 | 0:55:37 | |
Well, can't you challenge it? | 0:55:37 | 0:55:39 | |
Well, it's a tough one. | 0:55:39 | 0:55:40 | |
It's backed up by staff and customers at the restaurant. | 0:55:40 | 0:55:43 | |
What was that about? | 0:56:00 | 0:56:03 | |
-Little thank you/incentive. -For what? | 0:56:03 | 0:56:07 | |
Doing an E-FIT on the man he saw dumping Alice Preston's body. | 0:56:07 | 0:56:10 | |
Aren't you supposed to say, "Don't leave town"? | 0:56:20 | 0:56:24 | |
I'm offended. | 0:56:24 | 0:56:25 | |
HE BREATHES DEEPLY | 0:56:50 | 0:56:53 | |
It's going to be fine. I know it is. | 0:57:16 | 0:57:19 | |
Come on... There we go. | 0:57:35 | 0:57:40 | |
-Screw Alice. Screw the baby. -No! Please! Please don't. No, no! | 0:58:00 | 0:58:03 | |
Nikki. Our eyewitness is dead. | 0:58:03 | 0:58:07 | |
-Very sad. -Alice wanted us | 0:58:07 | 0:58:09 | |
-to have her baby. -Not like this, she didn't. -It's not our fault! | 0:58:09 | 0:58:12 | |
-She looks happy. -I agree. | 0:58:12 | 0:58:14 | |
-I know what you did. I know. -Please don't harm her. | 0:58:14 | 0:58:18 | |
-I'm taking her. -No, no, no, wait. | 0:58:18 | 0:58:20 | |
No-o-o-o!! | 0:58:26 | 0:58:29 | |
# Testator | 0:58:29 | 0:58:31 | |
# Silens | 0:58:31 | 0:58:37 | |
# Costestes e spiritu | 0:58:37 | 0:58:44 | |
# Silentium. # | 0:58:44 | 0:58:52 |