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The victim appears to have been pregnant. He'd never cross you. | 0:00:09 | 0:00:12 | |
He's a junkie. They'll cross anybody. | 0:00:12 | 0:00:14 | |
OK, she was smuggling, but that doesn't follow that her baby's dead. | 0:00:14 | 0:00:18 | |
That doesn't follow at all. Nuri Kavur, you're under arrest! | 0:00:18 | 0:00:22 | |
You've been protecting Nuri Kavur from the start | 0:00:22 | 0:00:24 | |
and I have the bruised ribs to prove it. | 0:00:24 | 0:00:25 | |
He is my informant and I protect my informants. | 0:00:25 | 0:00:28 | |
He's doing an E-FIT on the man he saw dumping Alice Preston's body. | 0:00:28 | 0:00:32 | |
It's going to be fine. I know it is. | 0:00:32 | 0:00:36 | |
This programme contains some scenes which some viewers may find upsetting. | 0:00:37 | 0:00:45 | |
# Costestes e spiritu | 0:00:45 | 0:00:52 | |
# Silentium. # | 0:00:52 | 0:01:00 | |
ECHOING LAUGHTER | 0:01:15 | 0:01:17 | |
Thank you, my prince. | 0:01:59 | 0:02:01 | |
Where is it? I don't have it! | 0:02:09 | 0:02:11 | |
Where's my package? I don't have it! The drugs. | 0:02:11 | 0:02:13 | |
Where the hell are my drugs? Don't you have them? | 0:02:13 | 0:02:16 | |
You killed her, you psycho. You tore her open like an animal. | 0:02:18 | 0:02:21 | |
You tell me where the drugs are! | 0:02:21 | 0:02:23 | |
I saw the blood, Bekir. | 0:02:24 | 0:02:27 | |
You killed the baby, too, didn't you? | 0:02:27 | 0:02:28 | |
I didn't touch her. | 0:02:30 | 0:02:32 | |
I never got the chance. What do you mean? | 0:02:32 | 0:02:34 | |
I mean, when I went round to your place, it was crawling with cops. | 0:02:34 | 0:02:39 | |
So you didn't kill Alice? Screw Alice. | 0:02:39 | 0:02:42 | |
No, no, please, please, please, don't. No, no, no! | 0:02:42 | 0:02:45 | |
Please, please, please, please, please, please. | 0:02:45 | 0:02:48 | |
Listen. | 0:02:57 | 0:02:59 | |
You don't get me my property by tomorrow, | 0:02:59 | 0:03:02 | |
I'll cut you open like an animal. | 0:03:02 | 0:03:04 | |
You OK? Sure. How could I not be looking at this little face? | 0:03:21 | 0:03:28 | |
And that face. | 0:03:30 | 0:03:32 | |
How long have we waited for this? | 0:03:48 | 0:03:49 | |
That's not the point, Ellie. Alice wanted us to have her baby. | 0:03:49 | 0:03:52 | |
Not like this, she didn't. It's not our fault. | 0:03:52 | 0:03:56 | |
She ruined it because of her stupidity. | 0:03:56 | 0:03:58 | |
We did nothing wrong. | 0:04:00 | 0:04:02 | |
I know. Well, then, look at me and say that. | 0:04:05 | 0:04:08 | |
MOBILE PHONE RINGS | 0:04:10 | 0:04:11 | |
Yes. 'Look, we need to talk, right now. | 0:04:20 | 0:04:23 | |
'I need your help, you better come through for me.' All right. | 0:04:23 | 0:04:25 | |
All right. Let's take a breath, shall we? What do you want? | 0:04:25 | 0:04:29 | |
BABY CRIES | 0:04:29 | 0:04:30 | |
'You've got her? You've got the baby?' | 0:04:32 | 0:04:35 | |
No worries, mate. I'll see you later. | 0:04:35 | 0:04:38 | |
'Brooke! Brooke!' | 0:04:38 | 0:04:39 | |
There. Is that nice, eh? | 0:04:44 | 0:04:47 | |
DOOR LOCK BEEPS | 0:04:58 | 0:05:00 | |
William Preston? Nikki Alexander. | 0:05:00 | 0:05:03 | |
You've come to identify Alice for us? I've come to take her home. | 0:05:03 | 0:05:07 | |
It might help... | 0:05:14 | 0:05:15 | |
It might help if we understood a little more about why Alice | 0:05:17 | 0:05:21 | |
came to London? | 0:05:21 | 0:05:22 | |
I thought we had it agreed. | 0:05:26 | 0:05:27 | |
She'd take a term out of university, have the baby, | 0:05:29 | 0:05:34 | |
and my sister would raise it, you know? | 0:05:34 | 0:05:37 | |
I mean you, you don't murder the innocent, do you? | 0:05:39 | 0:05:42 | |
Mr Preston, there's something you need to know. | 0:05:43 | 0:05:46 | |
Alice decided to keep the baby. | 0:05:48 | 0:05:50 | |
So, where is it? | 0:06:02 | 0:06:05 | |
The baby? | 0:06:07 | 0:06:08 | |
It was removed from her womb very soon after she died. | 0:06:11 | 0:06:14 | |
Is that why they killed her? For the baby? | 0:06:20 | 0:06:23 | |
Sorry, I should've said, Alice's baby is a little girl. | 0:06:25 | 0:06:28 | |
What about my little girl? | 0:06:28 | 0:06:30 | |
I'm sorry, I just want to take my daughter home, you understand? | 0:06:33 | 0:06:36 | |
Of course. And your daughter's daughter? | 0:06:36 | 0:06:40 | |
I can't think about that. | 0:06:40 | 0:06:41 | |
Not now. Not yet. | 0:06:43 | 0:06:46 | |
Nikki. Our eyewitness is dead. | 0:06:48 | 0:06:53 | |
Oh, shit. | 0:06:53 | 0:06:54 | |
Palpable odour of spirits. Whiskey, maybe. | 0:07:00 | 0:07:03 | |
Deep wound to the head. | 0:07:05 | 0:07:06 | |
There's smeared blood on an outcrop of sandstone near the water line. | 0:07:15 | 0:07:19 | |
Rum. One empty, one half-full. | 0:07:19 | 0:07:22 | |
We're not seriously thinking this is an accident? | 0:07:22 | 0:07:24 | |
I mean this has been staged, right? | 0:07:24 | 0:07:26 | |
If it has, we need to find the evidence that proves it. | 0:07:28 | 0:07:31 | |
He saw Alice's killer. Now he's dead. It's enough for me. | 0:07:31 | 0:07:34 | |
Alice was dead when we got there. | 0:07:59 | 0:08:01 | |
We saved the baby. Oh, sure you did. | 0:08:01 | 0:08:04 | |
Did you take her to the hospital and get her checked out? No? Why not? | 0:08:04 | 0:08:09 | |
What do you want, Nuri? Look, when you saved the baby... | 0:08:09 | 0:08:13 | |
you found the drugs, didn't you? Inside her? What? | 0:08:13 | 0:08:16 | |
Look, don't mess with me, I need those drugs! | 0:08:16 | 0:08:19 | |
She must've removed them... | 0:08:19 | 0:08:23 | |
Did you find the drugs when you searched the flat? No. | 0:08:23 | 0:08:25 | |
And if I had, what was I supposed to do? | 0:08:25 | 0:08:27 | |
Hand them over to me trusted source ASAP? You think this is funny? | 0:08:27 | 0:08:31 | |
If I don't get those drugs to Bekir by tomorrow, I'm dead. | 0:08:31 | 0:08:34 | |
And how is that my fault? Because you got me into this! | 0:08:34 | 0:08:36 | |
I never said use your pregnant girlfriend as a drugs mule. | 0:08:36 | 0:08:39 | |
Yeah, well not in them words. Not in any words. | 0:08:39 | 0:08:42 | |
You said to me, get close to Bekir. Yeah. Yeah? | 0:08:42 | 0:08:45 | |
Win his trust, whatever that takes. What do you want me to do? | 0:08:45 | 0:08:48 | |
Just find those drugs. Right, yeah! Anything else? | 0:08:48 | 0:08:51 | |
What story are you cooking up to explain the baby, uh? | 0:08:54 | 0:08:56 | |
What? Your wife won her in a raffle? You, be very, very careful. | 0:08:56 | 0:09:01 | |
Why should I be careful? | 0:09:01 | 0:09:03 | |
The only person I cared about on this planet is dead. | 0:09:03 | 0:09:06 | |
In 24 hours, I'm going to be dead. Jesus Christ. | 0:09:06 | 0:09:11 | |
You junkie scum really did love her. | 0:09:11 | 0:09:14 | |
Nuri, here's the money we were going to pay Alice. | 0:09:23 | 0:09:26 | |
Look, Brooke, you've got CCTV. You've got sniffer dogs. | 0:09:34 | 0:09:38 | |
You've got foot soldiers. You can find those drugs. | 0:09:38 | 0:09:41 | |
Look, Alice came in on the Eurostar at 7.30. | 0:09:42 | 0:09:47 | |
I was supposed to meet her at the station | 0:09:47 | 0:09:49 | |
and she'd left when I got there. | 0:09:49 | 0:09:51 | |
Here's five grand, that should get you out the country. | 0:09:53 | 0:09:56 | |
Brooke, did you hear a word I just said? This is the best I can do. | 0:09:56 | 0:09:59 | |
ENGINE STARTS | 0:10:20 | 0:10:21 | |
Morning. Morning. | 0:11:04 | 0:11:05 | |
Martin Carrisford, 39. Looks older. | 0:11:10 | 0:11:14 | |
Living rough will do that to you. Do you know he read maths at Cambridge? | 0:11:14 | 0:11:19 | |
Had a breakdown in his first year, dropped out, slid off the map. | 0:11:19 | 0:11:23 | |
Next of kin? He was an only child, both his parents are dead. | 0:11:23 | 0:11:29 | |
Sad. Yeah. | 0:11:29 | 0:11:32 | |
Very sad. | 0:11:34 | 0:11:35 | |
'Blunt force trauma to the skull. | 0:12:26 | 0:12:27 | |
'There is a fine red grit embedded in this wound.' Is it sandstone? | 0:12:31 | 0:12:36 | |
Tests will confirm, but I'd say no. | 0:12:36 | 0:12:38 | |
Suggesting that this blood | 0:12:40 | 0:12:41 | |
'was placed there to make it look like a fall?' | 0:12:41 | 0:12:44 | |
Let's not get carried away, but possibly. | 0:12:44 | 0:12:47 | |
'Toxicology results are back. | 0:12:47 | 0:12:49 | |
'Interesting read. | 0:12:51 | 0:12:53 | |
'High levels of alcohol in his stomach contents, | 0:12:53 | 0:12:56 | |
'none whatsoever in his blood or urine.' | 0:12:56 | 0:12:58 | |
'What does that mean?' Suggests foul play. | 0:12:58 | 0:13:00 | |
'What if he downed the booze quickly | 0:13:00 | 0:13:02 | |
'and died before it got into his system?' | 0:13:02 | 0:13:03 | |
I'd still expect to see some alcohol in his blood. | 0:13:03 | 0:13:06 | |
'The fact you haven't suggests...?' | 0:13:06 | 0:13:08 | |
That the rum was tipped down his throat after he lost consciousness. | 0:13:08 | 0:13:11 | |
That explains why his clothes were soaked in it. | 0:13:11 | 0:13:14 | |
'So, we can rule out my scenario? It wasn't an accident?' | 0:13:14 | 0:13:17 | |
Can't rule it out, no. | 0:13:17 | 0:13:20 | |
But my sense is that someone has tried very hard to make it | 0:13:20 | 0:13:24 | |
look like Martin was the author of his own misfortune. | 0:13:24 | 0:13:27 | |
'Mmm hmm. Not hard enough.' | 0:13:27 | 0:13:28 | |
SHOWER RUNS | 0:13:32 | 0:13:33 | |
SHOWER STOPS | 0:13:33 | 0:13:34 | |
BABY GURGLES | 0:13:49 | 0:13:50 | |
BABY GURGLES | 0:14:02 | 0:14:04 | |
No! | 0:14:04 | 0:14:05 | |
I know what you did. I know. | 0:14:07 | 0:14:09 | |
Please don't harm her. I'm taking her. No, no, no, wait. | 0:14:09 | 0:14:13 | |
Please, be careful. | 0:14:13 | 0:14:15 | |
Please! Please! No! | 0:14:17 | 0:14:21 | |
SHE SOBS | 0:14:26 | 0:14:28 | |
No! | 0:14:30 | 0:14:33 | |
MOBILE PHONE RINGS | 0:14:36 | 0:14:38 | |
Hiya. | 0:14:41 | 0:14:42 | |
'You should've listened to me.' | 0:14:42 | 0:14:44 | |
I warned you about this, right? You got any idea?! | 0:14:46 | 0:14:49 | |
Just remember, you made me do this, Brooke. | 0:14:49 | 0:14:52 | |
It's the drugs for the baby. Baby for the... Look, straight swap. | 0:14:52 | 0:14:55 | |
You hearing me now? | 0:14:55 | 0:14:57 | |
'And call your wife. She's in a bad way.' | 0:14:57 | 0:14:59 | |
KNOCK ON THE DOOR | 0:15:10 | 0:15:12 | |
You have my stuff? No, listen. You come here without my stuff? | 0:15:19 | 0:15:22 | |
I have something better. Better than my 50 grand's worth of product? Yes. | 0:15:22 | 0:15:27 | |
Yes. Come and see. Come and see. Come! | 0:15:27 | 0:15:31 | |
So, what you got? Alice's baby. | 0:15:38 | 0:15:41 | |
What? You crazy, man. Where is my property? I don't know. | 0:15:43 | 0:15:49 | |
You don't know? You don't know? | 0:15:49 | 0:15:51 | |
Listen, the baby is how we get it back! You get it back. You! | 0:15:51 | 0:15:55 | |
Brooke wants the baby for his wife. He'll give you anything for it. | 0:15:55 | 0:15:58 | |
Bring it inside. | 0:16:07 | 0:16:09 | |
Ellie! Ellie! The baby. The baby. Oh, sh. | 0:16:13 | 0:16:21 | |
I'll find her. I will find her. | 0:16:24 | 0:16:26 | |
Come on, let's get you to the hospital. No, no! Get the baby. | 0:16:29 | 0:16:32 | |
John?! OK, OK. | 0:16:32 | 0:16:34 | |
Nuri? 'No, not Nuri.' | 0:16:42 | 0:16:44 | |
I have what you want and I have a deal for you. | 0:16:46 | 0:16:50 | |
Good, that's good. | 0:16:50 | 0:16:53 | |
What do you want? 'Not on the phone.' | 0:16:53 | 0:16:55 | |
I don't trust cops, especially corrupt ones. | 0:16:55 | 0:16:59 | |
You come see me. 'Sure. I'm on my way.' | 0:16:59 | 0:17:02 | |
Everything is going to be fine. | 0:17:06 | 0:17:07 | |
Just get the baby, I don't care what you have to do. OK. | 0:17:07 | 0:17:13 | |
DOOR OPENS | 0:17:22 | 0:17:23 | |
BABY GURGLES | 0:17:25 | 0:17:26 | |
She's not very maternal. | 0:17:37 | 0:17:40 | |
Sooner we complete our deal, the better for everyone. | 0:17:42 | 0:17:44 | |
Please. | 0:17:55 | 0:17:56 | |
You're an interesting man. Let's get down to it, shall we? | 0:18:03 | 0:18:07 | |
You take a big risk for your wife. You must love her very much? | 0:18:08 | 0:18:12 | |
You mention my wife again, I'll rip your head off. Maybe. | 0:18:12 | 0:18:16 | |
But Atif outside? I don't think so. | 0:18:17 | 0:18:21 | |
Your drugs for the baby. That's the deal? OK. | 0:18:21 | 0:18:26 | |
But there's a time limit to my offer. I cannot and will not change. | 0:18:26 | 0:18:30 | |
24 hours. Forget it. Impossible. | 0:18:32 | 0:18:35 | |
After that, the baby goes elsewhere. | 0:18:38 | 0:18:41 | |
Russia, perhaps, hmm. | 0:18:42 | 0:18:44 | |
How much 2CB did you find in Alice? | 0:18:53 | 0:18:56 | |
High concentration in the blood. We think it leaked inside her. | 0:18:56 | 0:18:59 | |
Would she have been aware of that? Yes. | 0:18:59 | 0:19:02 | |
And the drugs may've made her unsteady, causing a fall, possibly. | 0:19:02 | 0:19:06 | |
We found granite dust and moss in her hair. I spoke to Nuri. | 0:19:06 | 0:19:10 | |
He said Alice did meet a courier in Vienna, | 0:19:10 | 0:19:12 | |
and returned to London on the Eurostar. | 0:19:12 | 0:19:14 | |
She was meant to meet him at St Pancras. She didn't? No. | 0:19:14 | 0:19:17 | |
He got there at the time they'd arranged but she'd already gone. | 0:19:17 | 0:19:20 | |
He said he waited over an hour, | 0:19:20 | 0:19:22 | |
then assumed that she'd gone back to their flat. | 0:19:22 | 0:19:24 | |
What's your thinking here? | 0:19:24 | 0:19:25 | |
Well, that somewhere between King's Cross and Green Lanes, | 0:19:25 | 0:19:28 | |
Alice has stashed those drugs. | 0:19:28 | 0:19:30 | |
Mmm hmm. And if she did, how will that help us find her baby? | 0:19:30 | 0:19:33 | |
Leverage. Another brick in the case against Bekir. Oh. | 0:19:35 | 0:19:39 | |
MOBILE PHONE RINGS | 0:19:39 | 0:19:40 | |
Yes. | 0:19:46 | 0:19:47 | |
I'm sorry, am I the only one who thinks this is a bit weird? | 0:19:49 | 0:19:52 | |
He knew about Alice muling the 2CB yesterday. | 0:19:54 | 0:19:57 | |
We had Nuri in custody yesterday. | 0:19:57 | 0:19:59 | |
Sh. | 0:19:59 | 0:20:00 | |
Why the sudden urgency to find these drugs? | 0:20:00 | 0:20:04 | |
Are you suggesting that Brooke wants the drugs for any other reason | 0:20:04 | 0:20:07 | |
than to build a case against Bekir? | 0:20:07 | 0:20:09 | |
I don't know what I'm suggesting. | 0:20:09 | 0:20:11 | |
Right, well, maybe you should give that some thought. | 0:20:11 | 0:20:13 | |
Last time you pointed your finger there was a valid explanation. | 0:20:13 | 0:20:16 | |
I know. | 0:20:16 | 0:20:17 | |
See, I think she panicked. She removed the drugs. | 0:20:27 | 0:20:30 | |
So, I found Alice coming off the Eurostar. | 0:20:32 | 0:20:35 | |
They only missed each other by seconds. | 0:21:21 | 0:21:23 | |
Why didn't she wait for him? | 0:21:39 | 0:21:42 | |
I was able to pick her up at a bus stop. | 0:21:42 | 0:21:45 | |
Woman in her condition, that is thrifty. | 0:21:51 | 0:21:54 | |
We can access CCTV along that bus route, right? | 0:21:54 | 0:21:58 | |
OK, footage from the junction of Duke Street | 0:21:58 | 0:22:03 | |
and Church Street in Stoke Newington coming up. | 0:22:03 | 0:22:07 | |
She's in trouble. The 2CB must be leaking inside her. | 0:22:13 | 0:22:17 | |
That's why she didn't hang around for Nuri. No CCTV coverage. | 0:22:17 | 0:22:21 | |
It's hard to make out precisely where she went next. | 0:22:21 | 0:22:25 | |
The soil from Alice's shoe treads... | 0:22:25 | 0:22:27 | |
It contained a strain of bacteria most commonly associated | 0:22:27 | 0:22:30 | |
with putrefaction. | 0:22:30 | 0:22:31 | |
You mean like rotting bodies? I mean rotting bodies. | 0:22:31 | 0:22:35 | |
That's the granite and moss from... In Alice's hair, that's right. | 0:22:47 | 0:22:51 | |
So, what? She hit her head on one of the graves | 0:22:51 | 0:22:53 | |
when she was hiding the drugs? | 0:22:53 | 0:22:54 | |
'Thank you, my prince.' She e-mailed it to a friend last week. | 0:23:14 | 0:23:18 | |
I thought you should see it. | 0:23:18 | 0:23:19 | |
Thank you. The boy's name. | 0:23:21 | 0:23:24 | |
I can't make it out. Nuri, is it? Might've been. Yes. | 0:23:24 | 0:23:27 | |
She looks happy. | 0:23:30 | 0:23:31 | |
I agree. That's something, I suppose? Definitely. | 0:23:32 | 0:23:38 | |
My sister called this morning. She said the police had been round. | 0:23:42 | 0:23:47 | |
I mean, the Northern Ireland police. Right. | 0:23:47 | 0:23:50 | |
They wanted to know if Alice had a history with drugs. | 0:23:52 | 0:23:56 | |
When my sister said, no, why would they ask a thing like that, | 0:23:58 | 0:24:02 | |
they said that you'd found drugs in her system. | 0:24:02 | 0:24:05 | |
So much that y-you thought she'd had them... | 0:24:07 | 0:24:10 | |
That you thought she was working as a mule. Is that a question, William? | 0:24:13 | 0:24:18 | |
Yeah. I suppose it is. | 0:24:21 | 0:24:22 | |
That's a possibility we're exploring. | 0:24:24 | 0:24:26 | |
DOG BARKS | 0:24:31 | 0:24:33 | |
DOG BARKS | 0:24:49 | 0:24:51 | |
I've got it. | 0:24:51 | 0:24:53 | |
Finders keepers? | 0:25:15 | 0:25:17 | |
I'd better take care of that. | 0:25:23 | 0:25:25 | |
Plastic eggs. Ingenious. | 0:25:33 | 0:25:38 | |
It's like the ones that you get the toys in, right? Mmm hmm. | 0:25:38 | 0:25:41 | |
'Do you think this lad,' | 0:25:52 | 0:25:53 | |
he put her up to it? Coerced her? | 0:25:53 | 0:25:58 | |
I can't say any more. I'm sorry. | 0:25:59 | 0:26:01 | |
In the end, Alice came round to your point of view. | 0:26:04 | 0:26:08 | |
She did want the baby and it was Nuri who showed her. | 0:26:08 | 0:26:12 | |
Look what I got. Excuse me. | 0:26:12 | 0:26:14 | |
Can I have a word? | 0:26:14 | 0:26:16 | |
Alice's father. | 0:26:18 | 0:26:19 | |
William? It's her blood. William. | 0:27:33 | 0:27:38 | |
Couldn't you clear it up? Come on. | 0:27:38 | 0:27:40 | |
Wash it off? It seems wrong. Let's go up to the kitchen. | 0:27:40 | 0:27:44 | |
It's still here. It's disrespectful. I know, come on. | 0:27:44 | 0:27:47 | |
I can't get you your drugs. Your wife will be disappointed. | 0:27:54 | 0:27:58 | |
I have something else. Not interested. | 0:27:58 | 0:28:01 | |
Well, why don't you listen to what I have to say first, | 0:28:01 | 0:28:03 | |
you piece of shit? Yeah? Yeah. | 0:28:03 | 0:28:04 | |
This better be good. | 0:28:14 | 0:28:15 | |
I'm sorry. Don't be silly. | 0:28:21 | 0:28:23 | |
How'd you know I was here? I guessed. | 0:28:25 | 0:28:28 | |
Sometimes people think they want to know the details, | 0:28:29 | 0:28:32 | |
see the crime scene, imagine what's happened... | 0:28:32 | 0:28:35 | |
and then they find out that really, they didn't. | 0:28:35 | 0:28:38 | |
Nuri? What is he? | 0:28:53 | 0:28:56 | |
Pakistani or...? Turkish. | 0:28:56 | 0:28:58 | |
You both loved her. That's what matters. | 0:29:06 | 0:29:08 | |
And when we find her baby, you'll love her too. I know you will. | 0:29:10 | 0:29:14 | |
Nuri. In the back. | 0:29:33 | 0:29:34 | |
Where we going? | 0:29:39 | 0:29:40 | |
Man I know who can help. False passport. | 0:29:40 | 0:29:43 | |
European Union driving license. He'll set you up. What's in it for you? | 0:29:43 | 0:29:46 | |
I don't have to see your ugly mug again. | 0:29:46 | 0:29:48 | |
You better hit the deck. What? | 0:29:52 | 0:29:53 | |
Get on the floor. Come on. I mean it. | 0:29:53 | 0:29:56 | |
Cameras are bloody HD quality these days. | 0:29:56 | 0:29:58 | |
Brooke? | 0:30:21 | 0:30:24 | |
Yeah? | 0:30:24 | 0:30:25 | |
Thanks, man. | 0:30:25 | 0:30:27 | |
Don't mention it. | 0:30:28 | 0:30:30 | |
The egg that leaked... Is that why you paged me? | 0:30:43 | 0:30:46 | |
God, no. So, what's the headline? Headline is... | 0:30:46 | 0:30:50 | |
they used clingfilm to wrap the drugs inside the eggs | 0:30:50 | 0:30:53 | |
and they didn't use gloves. | 0:30:53 | 0:30:54 | |
A partial fingerprint. We've run it by the Turkish police. Brilliant. | 0:30:58 | 0:31:02 | |
Thank you. It's what we do. | 0:31:02 | 0:31:04 | |
All right, you can get up. | 0:31:21 | 0:31:24 | |
Thank Christ. | 0:31:26 | 0:31:27 | |
Brooke? | 0:31:30 | 0:31:31 | |
I'm really sorry, Nuri. Where are we? | 0:31:35 | 0:31:38 | |
I'm really sorry. No! Please, please, please! Please, drive! | 0:31:38 | 0:31:41 | |
I'm sorry, Nuri. No, no, no, no, Brooke. I'm sorry. Please, drive. | 0:31:41 | 0:31:44 | |
No, no, please, please! Come here! No, no, please! | 0:31:44 | 0:31:47 | |
No, please, please! Come here! Come on. Please, no, no! | 0:31:47 | 0:31:52 | |
Please. Come on. Let go! Come on! No, no! | 0:31:52 | 0:31:58 | |
Let go. No, no, no! | 0:31:58 | 0:31:59 | |
HE SCREAMS | 0:31:59 | 0:32:02 | |
Congratulations. | 0:32:16 | 0:32:17 | |
We do this deal and you help me again. | 0:32:21 | 0:32:23 | |
What did you say? | 0:32:23 | 0:32:25 | |
Make it easy for me to do business. I cut you in. | 0:32:26 | 0:32:30 | |
You've got the wrong idea about me. You're a bad guy now. Go with it. | 0:32:30 | 0:32:34 | |
SCREAMING | 0:32:37 | 0:32:39 | |
Please, please, please! No, no! | 0:32:42 | 0:32:46 | |
ECHOING: Please, please, please, no! | 0:32:53 | 0:32:57 | |
I just want us to go away. | 0:33:11 | 0:33:12 | |
Go away from all of this, make a new life with our new baby. OK. | 0:33:15 | 0:33:21 | |
We can go to Ireland, that wouldn't be a problem. Fine. | 0:33:24 | 0:33:26 | |
Then we'll do that, then. Good. When? | 0:33:26 | 0:33:30 | |
Soon. Very soon. I promise. | 0:33:30 | 0:33:34 | |
Print from the clingfilm on your drugs belongs to a known | 0:33:40 | 0:33:43 | |
criminal in Istanbul. | 0:33:43 | 0:33:45 | |
Surname also Humadi, an older cousin of Bekir's. | 0:33:45 | 0:33:49 | |
Brooke's right, this is serious leverage against Bekir. MOBILE PHONE RINGS | 0:33:51 | 0:33:54 | |
We can use it to make him give up the baby. If he's even got it. | 0:33:54 | 0:33:57 | |
Well, it would help if I knew where Brooke was. What do you mean? | 0:33:57 | 0:34:00 | |
I haven't been able to get hold of him for three hours. Kirchner. | 0:34:00 | 0:34:02 | |
Nuri Kavur's dead. | 0:34:12 | 0:34:13 | |
Yeah. | 0:34:18 | 0:34:19 | |
What do you make of this? | 0:34:34 | 0:34:36 | |
Not sure. Jesus, it's exactly like Mark Blakefield. | 0:34:37 | 0:34:42 | |
Yes and no. Body tied to a chair. | 0:34:42 | 0:34:45 | |
Secluded location. High degree of violence. | 0:34:46 | 0:34:49 | |
Same knots used to bind Blakefield's hands. Similar, so far. | 0:34:49 | 0:34:53 | |
But the torture inflicted on Mark Blakefield was methodical. | 0:34:53 | 0:34:58 | |
Controlled. This... | 0:34:58 | 0:35:00 | |
It looks like he's been pummelled with fists. | 0:35:01 | 0:35:05 | |
These indentations could be from a ring. Yeah. | 0:35:08 | 0:35:12 | |
I took these when Bekir was in custody. | 0:35:15 | 0:35:18 | |
That one gets my vote. | 0:35:22 | 0:35:23 | |
Oh, he's lost a shoe. | 0:35:26 | 0:35:27 | |
I know what this stuff is. It's from a car. | 0:35:41 | 0:35:44 | |
Where you stick your road atlas. | 0:35:44 | 0:35:47 | |
Maybe Nuri was reluctant to get out of the car, | 0:35:47 | 0:35:50 | |
and was clinging on for dear life. | 0:35:50 | 0:35:52 | |
Where is the baby? Gone. | 0:36:32 | 0:36:35 | |
Sit down a moment. | 0:36:39 | 0:36:41 | |
We need to talk about Nuri. | 0:36:59 | 0:37:00 | |
Let him go, Bekir. | 0:37:02 | 0:37:05 | |
He's not worth the trouble. I told you he was useless, didn't I? | 0:37:05 | 0:37:10 | |
You did. One day, maybe he'll surprise me. | 0:37:10 | 0:37:13 | |
Grow some balls, take responsibility. | 0:37:15 | 0:37:19 | |
No. | 0:37:25 | 0:37:27 | |
You? | 0:37:31 | 0:37:32 | |
SHE SCREAMS | 0:37:34 | 0:37:35 | |
SHE SOBS | 0:37:50 | 0:37:52 | |
Looks like Bekir caught onto him. I mean, he must've twigged | 0:38:05 | 0:38:08 | |
that Nuri was the leak, not Mark Blakefield. | 0:38:08 | 0:38:10 | |
You don't know that. | 0:38:10 | 0:38:12 | |
Nuri was a junkie, he probably owes money to dozens of people. | 0:38:12 | 0:38:15 | |
You said he was clean. Yeah, for about five minutes! | 0:38:15 | 0:38:19 | |
Look, I understand, you pride yourself on protecting | 0:38:19 | 0:38:22 | |
your sources and... No, I do protect my sources, Detective Sergeant. | 0:38:22 | 0:38:26 | |
And I haven't lost one in 15 years! Right, easy. | 0:38:26 | 0:38:28 | |
All I'm saying is, we shouldn't jump to conclusions. | 0:38:31 | 0:38:35 | |
Nikki said this is a very different murder to that of Blakefield's. | 0:38:35 | 0:38:38 | |
Well, I said there are differences. | 0:38:38 | 0:38:41 | |
Bekir and Nuri were cousins, so there is a close bond there. | 0:38:41 | 0:38:45 | |
Bekir's in a relationship with Nuri's mother. | 0:38:45 | 0:38:47 | |
Didn't you say Bekir was the definition of unscrupulous? | 0:38:47 | 0:38:49 | |
Maybe it's because they're cousins this one's different. Personal. | 0:38:49 | 0:38:54 | |
An explosion of rage instead of systematic torture. | 0:38:54 | 0:38:57 | |
And personal means it's more likely Bekir got his hands dirty. | 0:38:57 | 0:39:00 | |
Might well find his DNA on Nuri or Nuri's blood on his rings. | 0:39:00 | 0:39:05 | |
Sir, isn't this what you were waiting for? Yeah. | 0:39:05 | 0:39:08 | |
Hard evidence against Bekir. I know. You're right. It's just... | 0:39:08 | 0:39:13 | |
I feel like I let him down, you know? I know, yeah, I know. | 0:39:16 | 0:39:19 | |
Please, please don't be satisfied with that. With what? His answer. | 0:39:22 | 0:39:27 | |
Let's just not go down that road now. | 0:39:27 | 0:39:28 | |
That question was too smart and on the bloody money | 0:39:28 | 0:39:31 | |
for such a half-arsed answer. | 0:39:31 | 0:39:32 | |
So, what are you saying? I'm saying you're right. | 0:39:32 | 0:39:35 | |
This is what he's been waiting for. | 0:39:35 | 0:39:36 | |
He's been trying to nail Bekir for months. Jack, not now. | 0:39:36 | 0:39:40 | |
Bekir, who killed his partner, flooded Green Lanes with drugs | 0:39:40 | 0:39:44 | |
and generally ran rings around him. | 0:39:44 | 0:39:46 | |
But guess what? | 0:39:46 | 0:39:47 | |
Now he's finally in striking distance, | 0:39:47 | 0:39:49 | |
Brooke doesn't want to know. | 0:39:49 | 0:39:51 | |
He's trashing our evidence and giving us | 0:39:51 | 0:39:52 | |
a dozen piss poor reasons why Bekir's not our man. | 0:39:52 | 0:39:55 | |
Why? Can I have a word? | 0:39:55 | 0:39:57 | |
You're pointing a finger with nothing to back it up again. | 0:40:05 | 0:40:08 | |
I'd hardly say nothing. OK, explain this to me. | 0:40:08 | 0:40:11 | |
You all but accused Brooke of planting an earring to frame Bekir. | 0:40:11 | 0:40:14 | |
Now you're saying he's protecting Bekir? Yes. | 0:40:14 | 0:40:17 | |
It's a contradiction that doesn't exactly strengthen your case. | 0:40:17 | 0:40:20 | |
I'm saying, he's suddenly got bigger fish to fry, | 0:40:20 | 0:40:23 | |
something bigger than the death of his partner. | 0:40:23 | 0:40:25 | |
Do what you have to do and leave. | 0:40:48 | 0:40:50 | |
You know why we're here, don't you, Gulse? You watch her. | 0:40:52 | 0:40:55 | |
It's Nuri. | 0:40:58 | 0:40:59 | |
Bekir! | 0:41:04 | 0:41:05 | |
Bekir! | 0:41:07 | 0:41:08 | |
Bekir! The baby was here. | 0:41:11 | 0:41:13 | |
Bekir has the baby? | 0:41:17 | 0:41:18 | |
I told you to stay with Gulse! With respect, sir, this is my inquiry. | 0:41:20 | 0:41:25 | |
If you want to watch her, be my guest. | 0:41:25 | 0:41:27 | |
Good for you. | 0:41:35 | 0:41:38 | |
What do you really think's going on with him, hmm? In your gut? | 0:41:38 | 0:41:41 | |
He's doing everything he can to steer us away from Bekir. | 0:41:41 | 0:41:44 | |
And Bekir away from us. | 0:41:44 | 0:41:45 | |
Yes! That's what my gut's been telling me. | 0:41:45 | 0:41:48 | |
It's time to go public with an Abduction Alert. Yeah. | 0:41:48 | 0:41:50 | |
I need a bulletin out to the news agencies. A Child Abduction Alert. | 0:41:53 | 0:41:56 | |
We're looking for a male travelling with an infant. | 0:41:56 | 0:41:58 | |
I'm going to send you his picture and some details. | 0:41:58 | 0:42:00 | |
Right, thanks. | 0:42:06 | 0:42:09 | |
Er, we should probably do an appeal, too? Should be a family member. | 0:42:09 | 0:42:14 | |
Er, what's Nikki's number? | 0:42:14 | 0:42:16 | |
ECHOING SCREAMS | 0:42:31 | 0:42:33 | |
Ellie? | 0:42:41 | 0:42:42 | |
I want to thank you for all your help. | 0:42:47 | 0:42:50 | |
I'm going to be out of your life very soon. | 0:42:53 | 0:42:55 | |
But I need one more favour. | 0:42:55 | 0:42:57 | |
Why don't you go upstairs, have a rest? | 0:43:00 | 0:43:02 | |
You know you'd be dead right now if you didn't have a gun. | 0:43:14 | 0:43:18 | |
That's why I have the gun. | 0:43:19 | 0:43:21 | |
I've had a phone call from home, from Istanbul. | 0:43:24 | 0:43:27 | |
My cousin has been arrested because of the drugs you have. | 0:43:28 | 0:43:32 | |
His fingerprint is on the drugs, is evidence. | 0:43:32 | 0:43:36 | |
So, your cousin was too dumb to invest in a pair of gloves. | 0:43:36 | 0:43:40 | |
It's too late now. My cousin is very important in the organisation. | 0:43:41 | 0:43:45 | |
Yes? A delegation is coming from home to find out what happened. | 0:43:45 | 0:43:49 | |
Means I am a dead man. And you think I can save you? | 0:43:51 | 0:43:55 | |
You can destroy the evidence. The fingerprint. | 0:43:56 | 0:43:59 | |
You must get me into the police station. | 0:44:03 | 0:44:05 | |
The drugs aren't in a police station. Great. Where are they? | 0:44:05 | 0:44:11 | |
Your nylon webbing does come from the inside of a car. | 0:44:27 | 0:44:31 | |
Unfortunately, the same company furnish three different | 0:44:31 | 0:44:34 | |
manufacturers with this webbing. | 0:44:34 | 0:44:36 | |
PHONE RINGS | 0:44:36 | 0:44:37 | |
Jack. Where are you? 'That drug evidence, has it gone out yet?' | 0:44:39 | 0:44:43 | |
Good morning to you, too. 'Sorry. Morning. | 0:44:43 | 0:44:46 | |
'I've just got a niggling feeling I left out a customs form.' | 0:44:46 | 0:44:49 | |
It's due for collection any minute. Want me to recall it? | 0:44:49 | 0:44:52 | |
'No, no, I mean... It's just a form, right?' | 0:44:52 | 0:44:55 | |
So, why are you calling? 'No worries.' | 0:44:57 | 0:44:59 | |
You're in luck. | 0:45:04 | 0:45:05 | |
Jack? Yeah. He sounded... pissed. | 0:45:08 | 0:45:12 | |
Anyway, anyway... | 0:45:14 | 0:45:15 | |
The same company makes this webbing for three different manufacturers, | 0:45:15 | 0:45:19 | |
so, no joy on a make, until I remembered... | 0:45:19 | 0:45:22 | |
The grey fibres recovered from the case. | 0:45:25 | 0:45:27 | |
I put the fibres and the webbing in the blender and... A Vauxhall? | 0:45:27 | 0:45:31 | |
A 2006 or 2007 Vauxhall. Can't narrow it to a model. | 0:45:31 | 0:45:35 | |
So, what are we saying? | 0:45:35 | 0:45:37 | |
Are we saying that the person that dumped Alice Preston | 0:45:37 | 0:45:39 | |
and the person that drove Nuri to the warehouse are one and the same? | 0:45:39 | 0:45:43 | |
We're saying the car's the same. | 0:45:43 | 0:45:44 | |
Let's go. Leave the key in. | 0:45:51 | 0:45:55 | |
Hey! Hey! | 0:46:00 | 0:46:03 | |
Give me the package. The package. Just give it to him, man. | 0:46:07 | 0:46:13 | |
Anything else? | 0:46:51 | 0:46:52 | |
I've failed you. | 0:46:58 | 0:46:59 | |
I have done everything that I could think of. | 0:47:03 | 0:47:06 | |
Christ, I've done things I could never think... | 0:47:08 | 0:47:13 | |
John... | 0:47:15 | 0:47:17 | |
Come back to me. | 0:47:19 | 0:47:21 | |
What do you want to do? | 0:47:29 | 0:47:31 | |
I don't want you to be here when... | 0:47:35 | 0:47:38 | |
..when they come. | 0:47:39 | 0:47:40 | |
I want us to go away. We won't make it to anywhere. | 0:47:42 | 0:47:45 | |
If we leave the baby, they won't chase us too hard. | 0:47:45 | 0:47:49 | |
How did Bekir know the drugs were here? | 0:47:51 | 0:47:53 | |
How did he know my route to work? He's well connected. | 0:47:53 | 0:47:55 | |
Yeah, like senior copper-in-his-pocket connected. | 0:47:55 | 0:47:58 | |
Brooke? Anyone would think he knew what kind of morning I had in store. | 0:47:58 | 0:48:02 | |
Nikki? | 0:48:04 | 0:48:07 | |
Martin's E-fit. Remind you of someone? | 0:48:20 | 0:48:22 | |
Reminds me of DI Brooke. | 0:48:25 | 0:48:26 | |
Who also drives a Vauxhall. He does. | 0:48:26 | 0:48:28 | |
A Vauxhall Vectra, almost killed me with it. | 0:48:28 | 0:48:30 | |
Brooke killed Martin. | 0:48:33 | 0:48:36 | |
Why would he kill Alice Preston and then move her body? | 0:48:36 | 0:48:39 | |
Don't know, but don't you think it's about time | 0:48:39 | 0:48:42 | |
we all stopped tiptoeing around DI Brooke. | 0:48:42 | 0:48:44 | |
OK, wait here. | 0:48:49 | 0:48:52 | |
John? | 0:48:58 | 0:48:59 | |
Just leave her inside. She'll be fine. | 0:49:06 | 0:49:09 | |
She'll be fine. Yeah. | 0:49:12 | 0:49:14 | |
Oh, Jesus. Yeah. | 0:49:37 | 0:49:40 | |
They haven't packed. | 0:49:42 | 0:49:44 | |
When people go on the run and don't pack... | 0:49:46 | 0:49:48 | |
BABY CRIES | 0:49:59 | 0:50:01 | |
GUNSHOT | 0:50:33 | 0:50:34 | |
I just spoke to my mate in Vice. | 0:50:38 | 0:50:39 | |
Brooke's wife, Ellie, used to be a nurse but quit due to depression. | 0:50:39 | 0:50:43 | |
Two suicide attempts, apparently, and the root of it all | 0:50:43 | 0:50:45 | |
was an inability to conceive. God. Yep. | 0:50:45 | 0:50:48 | |
MOBILE PHONE RINGS | 0:50:48 | 0:50:49 | |
Yeah? | 0:50:49 | 0:50:51 | |
Do not approach him. I'm on my way. | 0:50:53 | 0:50:55 | |
He's parked up outside St Thomas's Hospital. | 0:50:55 | 0:50:58 | |
John. Stop. | 0:51:21 | 0:51:22 | |
Where are they, John? Where are they? Where's Ellie and the baby? | 0:51:27 | 0:51:31 | |
I'm sorry. You're sorry you got caught. | 0:51:50 | 0:51:53 | |
I am sorry. For all of it. | 0:51:56 | 0:51:59 | |
I did it for Ellie. | 0:52:06 | 0:52:08 | |
Ellie? My name's Jack. | 0:52:38 | 0:52:42 | |
Why don't we go inside? | 0:52:44 | 0:52:45 | |
Will she go to her grandfather? To William? Yes, she'll go to William. | 0:52:50 | 0:52:57 | |
Then I want to speak to him. I want to tell him the truth about Alice. | 0:52:57 | 0:53:00 | |
OK, Ellie. If you give me the baby, you can tell him. | 0:53:02 | 0:53:05 | |
It's OK. | 0:53:07 | 0:53:09 | |
It's OK. | 0:53:27 | 0:53:28 | |
William. | 0:53:30 | 0:53:31 | |
Are you sure you're up to this? Aye. | 0:53:43 | 0:53:47 | |
I'll hear what she has to say. | 0:53:50 | 0:53:52 | |
Would you...? | 0:53:54 | 0:53:56 | |
Of course. | 0:53:58 | 0:53:59 | |
We had an arrangement, you see. | 0:54:19 | 0:54:21 | |
And it really was the best for everyone. | 0:54:23 | 0:54:26 | |
She wanted to give up her baby and we wanted a child... | 0:54:29 | 0:54:33 | |
..so we discussed a fee and... | 0:54:35 | 0:54:38 | |
Alice thought she was going into labour? Yes. | 0:54:38 | 0:54:41 | |
Where's John? He said he was sending a nurse. | 0:54:46 | 0:54:49 | |
I used to be a nurse. It's OK. You shouldn't be walking around. | 0:54:49 | 0:54:53 | |
Have you taken something? What? Are you drunk? | 0:54:53 | 0:54:57 | |
No, I am not drunk. What kind of question's that? | 0:54:57 | 0:55:00 | |
I'm, I'm just worried about the baby, that's all. | 0:55:00 | 0:55:03 | |
Well, it's not yours yet. Drunk? How dare you? | 0:55:03 | 0:55:06 | |
Where's Nuri? Why isn't he here?! Why don't you sit down? | 0:55:07 | 0:55:12 | |
I've been through a lot for this baby. In fact, I might keep it. | 0:55:12 | 0:55:17 | |
What? You can't. We've had an agreement, we've paid you. | 0:55:17 | 0:55:21 | |
You can't go back on it. It's my baby. My baby. I can do what I like. | 0:55:21 | 0:55:27 | |
The deal's off. It's off! | 0:55:27 | 0:55:28 | |
Why didn't you call an ambulance? | 0:55:41 | 0:55:43 | |
She was dead, there was no pulse. | 0:55:43 | 0:55:48 | |
And you wanted her baby? Yes, desperately, but... | 0:55:48 | 0:55:51 | |
You dumped her body like rubbish, like it was nothing. | 0:55:51 | 0:55:55 | |
If I'd thought there was a chance of saving her, | 0:55:55 | 0:55:57 | |
I would've called for help. | 0:55:57 | 0:55:59 | |
Ellie? | 0:56:06 | 0:56:07 | |
What happened? What have you done? | 0:56:10 | 0:56:13 | |
I felt the baby kicking. | 0:56:16 | 0:56:17 | |
So, I cut it free. | 0:56:23 | 0:56:25 | |
Please believe me. | 0:56:42 | 0:56:45 | |
I need you to believe me. | 0:56:48 | 0:56:50 | |
Please. | 0:56:54 | 0:56:56 | |
Please. | 0:57:03 | 0:57:05 | |
ECHOING LAUGHTER | 0:57:15 | 0:57:17 | |
Thank you, my prince. | 0:57:19 | 0:57:21 | |
Crush asphyxiation. In English. 15-years-old. | 0:58:04 | 0:58:08 | |
You'd bet your house that this was sexual, right? | 0:58:08 | 0:58:10 | |
I saw Katie with Ryan in his car. | 0:58:10 | 0:58:13 | |
It's my fault, Mum. | 0:58:13 | 0:58:15 | |
It's fine. | 0:58:15 | 0:58:17 | |
I am asking for two minutes. You're in my personal space. | 0:58:17 | 0:58:20 | |
He got six months for GBH. You were the only witness? | 0:58:20 | 0:58:24 | |
So, presumably you had to go to court to give evidence against him. | 0:58:24 | 0:58:27 | |
Whatever happened with us, you've got to stay away from this. | 0:58:27 | 0:58:30 | |
You stay away. Not this time. | 0:58:30 | 0:58:32 |