Browse content similar to Part 1. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
Just tell me! I'd tell you! This is my home! | 0:00:07 | 0:00:10 | |
CAR ALARM BLARES | 0:00:18 | 0:00:21 | |
We've got a suspect fleeing the scene. | 0:00:32 | 0:00:35 | |
Tony Hamilton, married bloke she was seeing. | 0:00:35 | 0:00:37 | |
Her mate says she was pregnant with his baby. | 0:00:37 | 0:00:40 | |
She was pregnant? | 0:00:40 | 0:00:42 | |
"Was" being the operative word. | 0:00:42 | 0:00:44 | |
I want the bastard for murder if she dies | 0:00:44 | 0:00:47 | |
but first we need evidence she was pushed... | 0:00:47 | 0:00:49 | |
She's not going to die. | 0:00:49 | 0:00:51 | |
Look, DI Porter, I think the less you tell me now, the better. | 0:00:51 | 0:00:54 | |
Hi Suzie. | 0:01:02 | 0:01:04 | |
I'm Dr Alexander. | 0:01:04 | 0:01:06 | |
Nikki. | 0:01:06 | 0:01:08 | |
If this hurts, tell me and I'll stop. | 0:01:35 | 0:01:38 | |
Don't worry. | 0:01:39 | 0:01:41 | |
Can't feel a thing. | 0:01:41 | 0:01:43 | |
-How's your mum? Is she all right? -She's good thank you. | 0:02:15 | 0:02:18 | |
That's it. | 0:02:18 | 0:02:19 | |
Just turn around and sit down. | 0:02:21 | 0:02:22 | |
There you go. | 0:02:22 | 0:02:24 | |
Thanks. Oh! | 0:02:30 | 0:02:32 | |
Don't worry, I'll get your bag for you. There you are. | 0:02:32 | 0:02:35 | |
Thank you. | 0:02:35 | 0:02:36 | |
# Testator silens | 0:02:43 | 0:02:51 | |
# Costestes e spiritu | 0:02:51 | 0:02:59 | |
# Silentium. # | 0:02:59 | 0:03:07 | |
Nikki...? | 0:03:11 | 0:03:13 | |
Scott! Wow. | 0:03:14 | 0:03:16 | |
Hello. | 0:03:16 | 0:03:18 | |
Auckland five years, | 0:03:18 | 0:03:19 | |
Sydney three years, Manila four years, | 0:03:19 | 0:03:22 | |
er...Bangkok nine years, and London... | 0:03:22 | 0:03:25 | |
-two weeks. -Two weeks? | 0:03:25 | 0:03:27 | |
What brought you home? | 0:03:27 | 0:03:28 | |
Er, my mum. She, er, she died. | 0:03:28 | 0:03:30 | |
-Oh, I'm sorry. -No. | 0:03:30 | 0:03:33 | |
Listen, do, do you want to get a coffee or something? | 0:03:33 | 0:03:36 | |
-Yeah. -Yeah? | 0:03:36 | 0:03:38 | |
Guy with the duffel coat, hood up, rain or shine, | 0:03:38 | 0:03:40 | |
-always sat at the back. -Oh, God. Him. "Weapons." | 0:03:40 | 0:03:43 | |
SHE GASPS That's it. Weapons! Genius. | 0:03:43 | 0:03:46 | |
-OK. My turn. -Go easy on me. | 0:03:46 | 0:03:48 | |
No chance. Professor Roach. | 0:03:48 | 0:03:51 | |
I mean, we were heading off round the world together then, | 0:03:53 | 0:03:56 | |
one tutorial with the battle-axe later, we're not. | 0:03:56 | 0:04:00 | |
Suddenly you had to get on with your life. | 0:04:00 | 0:04:02 | |
The Institute of Pathologists would not wait. | 0:04:03 | 0:04:06 | |
I mean, what ever happened to Roach? Do you still see her? | 0:04:11 | 0:04:15 | |
We came up against each other in court. Got messy. | 0:04:15 | 0:04:19 | |
Who won? | 0:04:19 | 0:04:20 | |
See, you were always formidable. | 0:04:22 | 0:04:24 | |
I don't feel very formidable... | 0:04:24 | 0:04:26 | |
-Even then. 21 going on 41... -Shut up. | 0:04:26 | 0:04:29 | |
-It was a turn-on, actually. -OK, enough. | 0:04:31 | 0:04:33 | |
PHONE NOTIFICATION | 0:04:33 | 0:04:36 | |
It's work. | 0:04:36 | 0:04:38 | |
Do this again? | 0:04:38 | 0:04:39 | |
SHE GETS UP | 0:04:55 | 0:04:58 | |
DOOR CLOSES | 0:04:58 | 0:05:00 | |
CAR ALARM BLARES | 0:05:07 | 0:05:10 | |
You made me jump. | 0:05:13 | 0:05:15 | |
ID, please. | 0:05:26 | 0:05:28 | |
-Thank you very much. -Need these? | 0:05:28 | 0:05:30 | |
Nice gaff - and soon to be on the market. | 0:05:30 | 0:05:34 | |
You going to put in an offer? | 0:05:34 | 0:05:35 | |
I might dust down the old decks. | 0:05:35 | 0:05:37 | |
IMITATES DJ SCRATCHING RECORDS | 0:05:37 | 0:05:39 | |
The deceased is Max Walsh, a record producer and DJ, | 0:05:41 | 0:05:43 | |
-hence the... -IMITATES DJ SCRATCHING RECORDS | 0:05:43 | 0:05:45 | |
-No, me neither. -You own a set of decks? | 0:05:45 | 0:05:48 | |
Oh, brought the ruckus back in the day. | 0:05:48 | 0:05:50 | |
OK. Photographic evidence, please. | 0:05:50 | 0:05:52 | |
Nah. Why are you in such a jolly mood? | 0:05:52 | 0:05:54 | |
Oh, just ran into an old friend. | 0:05:54 | 0:05:55 | |
-Male or female? -Male, as it happens. | 0:05:55 | 0:05:58 | |
"As it happens." Defensive. Very interesting. | 0:05:58 | 0:06:02 | |
-DS Calvin Jones. Nikki Alexander. -Hi. | 0:06:02 | 0:06:04 | |
All right? Erm, just down here. | 0:06:04 | 0:06:06 | |
It looks like suicide, | 0:06:11 | 0:06:12 | |
but, as he was semi-famous, I just want to cover the bases. | 0:06:12 | 0:06:15 | |
Who was that? | 0:06:17 | 0:06:18 | |
Sophia Haddon, Walsh's PA. She found the body. | 0:06:18 | 0:06:21 | |
So, what've we got? | 0:06:24 | 0:06:25 | |
Blood distribution's confined to the bath, ie he wasn't moved | 0:06:25 | 0:06:28 | |
after he was cut, and no signs of a struggle. | 0:06:28 | 0:06:31 | |
Wow, this was no cry for help. | 0:06:34 | 0:06:36 | |
-No? -No. | 0:06:36 | 0:06:38 | |
You've got to cut through the tendons to reach the arteries, | 0:06:38 | 0:06:42 | |
and they're more likely to clot than bleed out. | 0:06:42 | 0:06:44 | |
-So how did he manage it? -Where there's a will... | 0:06:44 | 0:06:47 | |
I'll have a better answer when I've cleaned him up. | 0:06:47 | 0:06:49 | |
Here we go. One knife short. | 0:07:02 | 0:07:05 | |
So, no forced entry at front or back doors which have multiple locks. | 0:07:05 | 0:07:09 | |
Everything points to suicide? | 0:07:09 | 0:07:11 | |
Right down to the turned-over photographs downstairs. | 0:07:11 | 0:07:14 | |
Morphine sulphate. | 0:07:14 | 0:07:16 | |
Typically used in the management of chronic pain. | 0:07:16 | 0:07:19 | |
The PA says Walsh recently | 0:07:19 | 0:07:20 | |
got the all clear after the removal of a tumour. | 0:07:20 | 0:07:22 | |
-But if he was in remission... -Why wasn't that a happy ending? | 0:07:22 | 0:07:25 | |
See you later. | 0:07:31 | 0:07:33 | |
David. | 0:07:37 | 0:07:39 | |
Why don't you try and get him out today? | 0:07:40 | 0:07:42 | |
Nothing too ambitious - | 0:07:42 | 0:07:44 | |
just see if you can get him to do something useful. | 0:07:44 | 0:07:47 | |
Define "useful." | 0:07:47 | 0:07:49 | |
-I'll do my best, OK? -Thank you. | 0:07:50 | 0:07:52 | |
Have a good day. | 0:07:52 | 0:07:54 | |
'Come here. | 0:07:55 | 0:07:57 | |
'Steady. Steady. | 0:07:57 | 0:07:59 | |
'Wa-hay! | 0:07:59 | 0:08:00 | |
'Perfect timing.' | 0:08:02 | 0:08:03 | |
Just turn that off, Dad. How about we resurrect the pool? | 0:08:16 | 0:08:20 | |
It's her birthday tomorrow. | 0:08:21 | 0:08:23 | |
Would've been her birthday. | 0:08:24 | 0:08:26 | |
Is that a "no", then? | 0:08:28 | 0:08:30 | |
(OK.) | 0:08:32 | 0:08:34 | |
You know, I could've gone to Uni last year. | 0:08:39 | 0:08:41 | |
-So, why didn't you?! -Cos I wanted to be here when you got out of prison! | 0:08:41 | 0:08:44 | |
Well, you should've gone. | 0:08:44 | 0:08:45 | |
The body is that of a 42-year-old male identified as Max Walsh. | 0:09:00 | 0:09:04 | |
On the right arm | 0:09:07 | 0:09:09 | |
there's an L-shaped incision along the length of the ulnar artery | 0:09:09 | 0:09:12 | |
that completely severs the tendons of the finger flexors. | 0:09:12 | 0:09:15 | |
And the same L-shaped incision is also present on the left arm. | 0:09:19 | 0:09:24 | |
And that's...weird? | 0:09:24 | 0:09:26 | |
In the context of self-inflicted wrist wounds, yes. | 0:09:26 | 0:09:30 | |
After cutting the tendons in one arm, | 0:09:30 | 0:09:33 | |
he wouldn't be able to grip the knife to cut the other. | 0:09:33 | 0:09:36 | |
So, one of the cuts should be shallow and messy? | 0:09:36 | 0:09:38 | |
Yeah. But they're as deep and precise as each other. | 0:09:40 | 0:09:43 | |
There's some sort of adhesive substance | 0:09:51 | 0:09:53 | |
in the hair of the left armpit. | 0:09:53 | 0:09:55 | |
Hmm. | 0:10:01 | 0:10:02 | |
Right armpit's clean. | 0:10:02 | 0:10:03 | |
I'll take samples. | 0:10:05 | 0:10:06 | |
Thomas. | 0:10:09 | 0:10:10 | |
What? | 0:10:31 | 0:10:32 | |
Is it possible he put that there himself? | 0:10:32 | 0:10:34 | |
No. | 0:10:34 | 0:10:35 | |
Not that far down. | 0:10:35 | 0:10:37 | |
Gag reflex would have kicked in. | 0:10:37 | 0:10:39 | |
Most likely it was placed there after he died. | 0:10:39 | 0:10:42 | |
Making this murder. | 0:10:42 | 0:10:43 | |
Nikki? | 0:10:53 | 0:10:54 | |
SHE TYPES | 0:10:56 | 0:10:59 | |
Is this a case you worked on? | 0:10:59 | 0:11:00 | |
Irene Dawes. A retired nurse. | 0:11:00 | 0:11:02 | |
-When? -Found dead in the bath three months ago. | 0:11:02 | 0:11:05 | |
My findings at the inquest argued for suicide. | 0:11:05 | 0:11:08 | |
But now you've got your doubts? | 0:11:09 | 0:11:11 | |
She was holding a quartz nurse's watch and it's set to the same time. | 0:11:11 | 0:11:14 | |
And Irene also had cancer. | 0:11:14 | 0:11:17 | |
Christ. | 0:11:19 | 0:11:20 | |
The killer either knows the details of Irene's suicide and copied them... | 0:11:20 | 0:11:23 | |
..or he killed her, too. | 0:11:24 | 0:11:26 | |
What does your gut tell you? | 0:11:28 | 0:11:30 | |
My gut tells me I've missed a murder. | 0:11:32 | 0:11:34 | |
I was called out to the death of Irene Dawes | 0:11:34 | 0:11:37 | |
just over three months ago. | 0:11:37 | 0:11:38 | |
She'd been dying a slow, painful death. | 0:11:38 | 0:11:41 | |
So suicide wasn't a stretch? | 0:11:41 | 0:11:43 | |
No. | 0:11:43 | 0:11:45 | |
But her son didn't buy it. He's a Catholic priest. | 0:11:45 | 0:11:47 | |
And he remained unconvinced even when we found | 0:11:47 | 0:11:49 | |
searches about morphine fatality in her web history. | 0:11:49 | 0:11:52 | |
What was in those blister packs? | 0:11:52 | 0:11:54 | |
Morphine sulphate tablets. | 0:11:54 | 0:11:55 | |
Which Max Walsh was also taking. | 0:11:55 | 0:11:58 | |
Exactly. | 0:11:58 | 0:11:59 | |
And this? | 0:11:59 | 0:12:01 | |
Did he want the hands to bisect the watch, | 0:12:01 | 0:12:03 | |
does the time mean something to him? | 0:12:03 | 0:12:05 | |
Pass. | 0:12:05 | 0:12:06 | |
But there's another commonality. | 0:12:06 | 0:12:08 | |
At both scenes, there were pictures of relatives turned face-down. | 0:12:08 | 0:12:11 | |
Textbook suicide hallmark. | 0:12:11 | 0:12:13 | |
If that's his thing, faking suicides, there could be other killings we haven't linked yet. | 0:12:13 | 0:12:17 | |
Or that weren't even investigated as murders. | 0:12:17 | 0:12:20 | |
Making this the work of a serial killer. | 0:12:20 | 0:12:22 | |
Both victims were terminally ill. | 0:12:22 | 0:12:24 | |
Maybe he sees killing as an act of mercy. | 0:12:26 | 0:12:28 | |
Who was the DS on it? | 0:12:28 | 0:12:30 | |
DI Pamela Rankin. | 0:12:30 | 0:12:32 | |
You know her? | 0:12:34 | 0:12:36 | |
OF her. | 0:12:36 | 0:12:37 | |
How did a suicide get a DI? | 0:12:38 | 0:12:40 | |
Irene's son has some friends in the force. | 0:12:40 | 0:12:43 | |
-HE SIGHS -Right. | 0:12:43 | 0:12:44 | |
AlL right, I'll call Rankin tomorrow. | 0:12:44 | 0:12:46 | |
-Tomorrow? -This has to be handled... | 0:12:46 | 0:12:48 | |
You're going to have to talk to her... | 0:12:48 | 0:12:49 | |
I'm not telling a DI she missed a murder until we're sure. | 0:12:49 | 0:12:52 | |
Then we'll make sure. | 0:12:52 | 0:12:53 | |
MESSAGE TONE | 0:13:26 | 0:13:28 | |
KNOCK AT WINDOW | 0:13:35 | 0:13:37 | |
-You OK? -Yeah. -You know, the watches stuff's compelling, but it doesn't prove Dawes was murdered. | 0:13:40 | 0:13:44 | |
I know what you're doing, and I appreciate it. | 0:13:44 | 0:13:47 | |
But I've got to face this, and I've got to find out what I missed. | 0:13:47 | 0:13:49 | |
Course you do. | 0:13:49 | 0:13:51 | |
You're Nikki. | 0:13:51 | 0:13:52 | |
Sleep tight. | 0:13:53 | 0:13:54 | |
KEY TURNS IN LOCK | 0:14:06 | 0:14:09 | |
SHE SIGHS | 0:14:22 | 0:14:23 | |
THUD IN NEXT ROOM | 0:14:29 | 0:14:31 | |
THUD IN NEXT ROOM | 0:14:33 | 0:14:34 | |
THUDS CONTINUE | 0:14:38 | 0:14:40 | |
SLAMS WINDOW SHUT | 0:14:54 | 0:14:56 | |
MESSAGE TONE | 0:14:57 | 0:14:59 | |
Shit! | 0:16:07 | 0:16:08 | |
MACHINERY WHIRS | 0:16:17 | 0:16:20 | |
Excuse me. | 0:16:24 | 0:16:26 | |
Dr Alexander. | 0:16:29 | 0:16:31 | |
Father Dawes. | 0:16:31 | 0:16:32 | |
Is there somewhere we can talk? | 0:16:33 | 0:16:36 | |
Not now. Erm... | 0:16:39 | 0:16:41 | |
I have an appointment. | 0:16:41 | 0:16:42 | |
Be back at one, Gary. | 0:16:44 | 0:16:45 | |
Two minutes. Please. | 0:16:45 | 0:16:48 | |
I may have a chance to re-examine your mother's death. | 0:16:49 | 0:16:51 | |
What good would that do? | 0:16:52 | 0:16:54 | |
I don't know...yet. | 0:16:54 | 0:16:56 | |
But last time we met, you were adamant | 0:16:56 | 0:16:58 | |
that she hadn't taken her own life, that I'd got it wrong. | 0:16:58 | 0:17:01 | |
Is that still your view? | 0:17:01 | 0:17:02 | |
Yes. | 0:17:05 | 0:17:06 | |
Nothing's happened in the interim to make you doubt it? | 0:17:06 | 0:17:10 | |
Nothing. | 0:17:10 | 0:17:12 | |
Anyway, what does it matter? | 0:17:12 | 0:17:14 | |
Because if I go down this road, I want your blessing. | 0:17:14 | 0:17:17 | |
-Why? -I want you on side. | 0:17:21 | 0:17:23 | |
And, to be frank, it makes things easier if we need to exhume. | 0:17:26 | 0:17:30 | |
No. | 0:17:34 | 0:17:36 | |
-What? -It's too late. | 0:17:36 | 0:17:38 | |
The death certificate said suicide. | 0:17:38 | 0:17:40 | |
-Death certificates can be changed. -But God's judgment cannot. | 0:17:40 | 0:17:43 | |
-My mother is now by His side or not. -I'm confused. | 0:17:45 | 0:17:48 | |
You never believed it WAS suicide. | 0:17:48 | 0:17:50 | |
And now we might get a chance to prove it, you won't cooperate? | 0:17:50 | 0:17:54 | |
This isn't official, is it? | 0:17:54 | 0:17:56 | |
It's just a hunch. | 0:17:56 | 0:17:57 | |
So how do you think you're faring, Tony? | 0:18:22 | 0:18:24 | |
As a free man? | 0:18:26 | 0:18:27 | |
Fine. | 0:18:29 | 0:18:30 | |
I'm going to need a longer answer than "fine," I'm afraid. | 0:18:30 | 0:18:34 | |
My son and my wife are helping me to adjust. | 0:18:34 | 0:18:38 | |
You sound like you're reading from a script. | 0:18:38 | 0:18:40 | |
Telling me what I want to hear cos you want me off your back. | 0:18:40 | 0:18:44 | |
TONY SIGHS | 0:18:45 | 0:18:46 | |
How did you get here today? | 0:18:46 | 0:18:48 | |
My son drove me. | 0:18:50 | 0:18:51 | |
Like last week. | 0:18:51 | 0:18:53 | |
And the week before, and the week before that. | 0:18:53 | 0:18:56 | |
Lydia's working. | 0:18:57 | 0:18:58 | |
-She's got a very demanding job. -What does she do? | 0:18:58 | 0:19:01 | |
She's a lawyer. | 0:19:01 | 0:19:02 | |
She's not using her work as an excuse to avoid you? | 0:19:02 | 0:19:05 | |
In six months, she's never accompanied you once, you barely mention her. | 0:19:07 | 0:19:10 | |
-What am I supposed to think? -It's none of your business. -It IS my business, Tony... | 0:19:10 | 0:19:14 | |
..because it relates to the issue of your reacclimatisation. | 0:19:15 | 0:19:18 | |
TONY SCOFFS | 0:19:18 | 0:19:19 | |
Is that even a bloody word? | 0:19:19 | 0:19:21 | |
She files for divorce soon as you're arrested, then takes you back when you're released? | 0:19:21 | 0:19:24 | |
You know we lost our daughter. | 0:19:24 | 0:19:26 | |
Do you talk about that with your wife? | 0:19:26 | 0:19:28 | |
Is that something you...share? Help each other with? | 0:19:28 | 0:19:31 | |
The terms of your parole mean that after today we meet only bi-monthly. | 0:19:36 | 0:19:40 | |
But that decision... | 0:19:40 | 0:19:42 | |
is at my discretion. | 0:19:42 | 0:19:44 | |
What do you mean? | 0:19:45 | 0:19:47 | |
I mean if I feel you're hiding something - and I do... | 0:19:47 | 0:19:49 | |
..you'll be back here next week. | 0:19:50 | 0:19:52 | |
My wife, she tries, she does, she wants to want me around, but I... | 0:19:55 | 0:19:59 | |
..disgust her. | 0:20:01 | 0:20:02 | |
And how does that make you feel? | 0:20:02 | 0:20:04 | |
Angry? | 0:20:05 | 0:20:06 | |
Sometimes. | 0:20:09 | 0:20:10 | |
What about Suzie Banks? | 0:20:10 | 0:20:12 | |
Do you feel anger toward her? | 0:20:13 | 0:20:15 | |
CRASH | 0:20:17 | 0:20:18 | |
CAR ALARM BLARES | 0:20:18 | 0:20:20 | |
Tony. | 0:20:21 | 0:20:22 | |
Since your release... | 0:20:24 | 0:20:25 | |
..have you tried to contact Suzie Banks? | 0:20:26 | 0:20:29 | |
No. | 0:20:33 | 0:20:35 | |
Of course not. | 0:20:35 | 0:20:36 | |
Nikki. | 0:20:43 | 0:20:44 | |
Been trying to get hold of you. | 0:20:46 | 0:20:48 | |
DI Rankin. | 0:20:55 | 0:20:56 | |
I've just had Father Dawes on the phone | 0:20:56 | 0:20:59 | |
asking why we're re-examining the death of his mother. | 0:20:59 | 0:21:02 | |
I had to come clean and say I had no bloody clue what he was on about, | 0:21:02 | 0:21:06 | |
which made me look great. | 0:21:06 | 0:21:08 | |
-Really professional. -I'm sorry. | 0:21:08 | 0:21:10 | |
Oh, no worries, seriously. | 0:21:10 | 0:21:11 | |
It's not like he sits on every local authority panel going, | 0:21:11 | 0:21:15 | |
runs outreach programmes, and is a decorated army chaplain to boot. | 0:21:15 | 0:21:20 | |
It's not like he's a fully paid-up friend of the force, | 0:21:20 | 0:21:22 | |
and all-round do-gooding pain in the arse... | 0:21:22 | 0:21:25 | |
Yeah, I think you've made your point. | 0:21:25 | 0:21:27 | |
Nikki. | 0:21:28 | 0:21:30 | |
And I don't want an apology. | 0:21:30 | 0:21:32 | |
I want an explanation. | 0:21:32 | 0:21:34 | |
He was so certain that his mother hadn't taken her own life. | 0:21:36 | 0:21:39 | |
And? | 0:21:39 | 0:21:41 | |
And I wanted to know if he still felt the same way. | 0:21:41 | 0:21:44 | |
Yeah, but it's not your job to ask those questions. It's mine. | 0:21:44 | 0:21:47 | |
I suppose I didn't remember you asking too many questions | 0:21:47 | 0:21:50 | |
first time round. | 0:21:50 | 0:21:51 | |
Irene Dawes committed suicide. | 0:21:55 | 0:21:57 | |
The fact that you have a case with vaguely similar hallmarks | 0:21:57 | 0:21:59 | |
doesn't mean shit, are we clear? | 0:21:59 | 0:22:01 | |
I'd call them remarkably similar. | 0:22:01 | 0:22:03 | |
Are we clear?! | 0:22:03 | 0:22:04 | |
Yes, we're clear. | 0:22:04 | 0:22:05 | |
And you'd better remember which team you play for, DS Jones. | 0:22:06 | 0:22:09 | |
SHE SIGHS | 0:22:22 | 0:22:23 | |
Have you thought this through? | 0:22:26 | 0:22:28 | |
If you prove Irene Dawes's death was murder, not suicide, | 0:22:28 | 0:22:32 | |
there'll be far-reaching consequences. | 0:22:32 | 0:22:34 | |
-Yes, there will. -And likely as not, no good will come of it. | 0:22:34 | 0:22:36 | |
Not for her, not for her family, and not for the Lyell. | 0:22:36 | 0:22:40 | |
Bottom line - you worked with the evidence you had, | 0:22:42 | 0:22:44 | |
and your conclusions were sound. | 0:22:44 | 0:22:46 | |
You're saying I turn a blind eye | 0:22:47 | 0:22:49 | |
to protect the reputation of the Lyell? | 0:22:49 | 0:22:51 | |
More your own. | 0:22:51 | 0:22:52 | |
If it turns out you got it wrong with Irene Dawes, | 0:22:52 | 0:22:54 | |
that you missed a murder... | 0:22:54 | 0:22:57 | |
HE SIGHS | 0:22:57 | 0:22:58 | |
..every case you've given evidence | 0:22:58 | 0:22:59 | |
in that was remotely controversial will be fair game. | 0:22:59 | 0:23:02 | |
Fresh meat for new appeals, quite possibly successful ones. | 0:23:02 | 0:23:05 | |
I can't believe I'm hearing this! | 0:23:05 | 0:23:07 | |
I'm prepared to hold up my hand and say I got it wrong, | 0:23:07 | 0:23:09 | |
and all I ask is that you have my back! | 0:23:09 | 0:23:11 | |
-And I do. -Bullshit! You just told me you don't! | 0:23:11 | 0:23:14 | |
If you don't call the coroner, I will. | 0:23:17 | 0:23:19 | |
MESSAGE TONE | 0:23:21 | 0:23:22 | |
(Shit.) | 0:23:22 | 0:23:24 | |
What are you doing? | 0:23:35 | 0:23:37 | |
I'm just here to see my parole officer. Same as you. | 0:23:38 | 0:23:41 | |
You're lying. | 0:23:41 | 0:23:42 | |
Relax, Tony. Relax. | 0:23:42 | 0:23:44 | |
You stay away from me. | 0:23:44 | 0:23:45 | |
Here, Dad! | 0:23:45 | 0:23:47 | |
-Get back in the car. -No, what's going on? | 0:23:47 | 0:23:49 | |
You must be David. | 0:23:51 | 0:23:53 | |
I've heard a lot about you. | 0:23:53 | 0:23:55 | |
What? | 0:23:55 | 0:23:56 | |
-Get back in the car. -No, hold on a minute. | 0:23:56 | 0:23:58 | |
Stay away. | 0:24:00 | 0:24:01 | |
Come on. I'll drive. | 0:24:02 | 0:24:04 | |
She's adorable. | 0:24:10 | 0:24:12 | |
And you want to know who Mum is. | 0:24:15 | 0:24:17 | |
Right. | 0:24:17 | 0:24:18 | |
Er, she was a nurse at Bangkok Infirmary. | 0:24:18 | 0:24:22 | |
I was her boss - deputy supervisor of ER. | 0:24:22 | 0:24:25 | |
Good for you. | 0:24:25 | 0:24:27 | |
Well, yeah, and no. I mean, we're not exactly on speaking terms. | 0:24:27 | 0:24:30 | |
I'm sorry. | 0:24:32 | 0:24:34 | |
No, no, look, you're in the middle of something, don't worry. | 0:24:34 | 0:24:37 | |
A problem shared... | 0:24:40 | 0:24:42 | |
Do you want to talk about it? | 0:24:42 | 0:24:44 | |
BRAKES SCREECH | 0:24:47 | 0:24:49 | |
Dad! | 0:24:53 | 0:24:55 | |
Hey! | 0:24:55 | 0:24:56 | |
DOOR SLAMS | 0:24:56 | 0:24:59 | |
-You going to tell me who that man was? -WATER RUNS | 0:24:59 | 0:25:01 | |
Somebody you was inside with? Who was he? | 0:25:01 | 0:25:03 | |
I don't want to talk about it. | 0:25:03 | 0:25:05 | |
You don't want to talk about it, you never do. | 0:25:05 | 0:25:07 | |
His name's Carmichael. | 0:25:12 | 0:25:13 | |
OK. | 0:25:13 | 0:25:14 | |
Did you know him well? | 0:25:15 | 0:25:17 | |
In prison, I was a target. | 0:25:20 | 0:25:22 | |
Because of what I was supposed to have done, and because I had money. | 0:25:23 | 0:25:27 | |
Carmichael protected me. | 0:25:27 | 0:25:28 | |
What does that mean? | 0:25:28 | 0:25:30 | |
-Doesn't matter. -Of course it matters! | 0:25:30 | 0:25:33 | |
Dad, you weren't supposed to be in there, you were innocent. | 0:25:33 | 0:25:36 | |
What? Don't you feel...angry about it? About any of it? | 0:25:36 | 0:25:39 | |
-All the people that let you down, all the people that betrayed you? -No-one betrayed me. | 0:25:39 | 0:25:43 | |
Your so-called expert lawyers that were meant to prove your innocence, | 0:25:43 | 0:25:46 | |
never mind the ones that backed up the police lies. I mean... | 0:25:46 | 0:25:49 | |
Don't you want to see them pay? | 0:25:49 | 0:25:51 | |
No. | 0:25:52 | 0:25:53 | |
OK, then what about Suzie Banks? | 0:25:53 | 0:25:55 | |
You know, I don't care that she ended up in a wheelchair. She lied. | 0:25:57 | 0:25:59 | |
She told the police that you pushed her out of that... | 0:25:59 | 0:26:02 | |
-She had her reasons. -Dad! | 0:26:02 | 0:26:03 | |
You went to prison, right? You lost everything. | 0:26:03 | 0:26:05 | |
She had her reasons. I didn't say it justified what she did. | 0:26:05 | 0:26:08 | |
Well, that's...good. That's good to know. | 0:26:10 | 0:26:13 | |
She must... She must have really been something. | 0:26:14 | 0:26:17 | |
What if whoever killed Walsh had access to, or knowledge of, | 0:26:27 | 0:26:30 | |
the details of Irene's suicide? | 0:26:30 | 0:26:32 | |
I mean, that's not impossible, right? | 0:26:32 | 0:26:34 | |
-No, it's not, but... -I mean, you said there was no evidence | 0:26:34 | 0:26:37 | |
that Irene Dawes was force-fed those tablets. | 0:26:37 | 0:26:39 | |
I mean, no vomit or saliva or restraining injuries to her wrists? | 0:26:39 | 0:26:44 | |
No bruising to the mouth and tongue either. | 0:26:44 | 0:26:46 | |
But she died of morphine overdose. | 0:26:46 | 0:26:48 | |
Conclusion? | 0:26:49 | 0:26:50 | |
She took those pills voluntarily. | 0:26:52 | 0:26:54 | |
You were right first time. Suicide. | 0:26:54 | 0:26:56 | |
-I don't know... -Another one? | 0:26:58 | 0:27:00 | |
My shout. | 0:27:01 | 0:27:02 | |
Least I can do. | 0:27:02 | 0:27:03 | |
-Same? -Er, yeah, thanks. | 0:27:03 | 0:27:05 | |
PHONE RINGS | 0:27:09 | 0:27:12 | |
Nikki's phone. | 0:27:14 | 0:27:15 | |
Oh, wait a sec, I'll just get her. | 0:27:15 | 0:27:18 | |
It's for you, obviously. | 0:27:18 | 0:27:20 | |
Hi. | 0:27:22 | 0:27:23 | |
Bad time? | 0:27:25 | 0:27:26 | |
Er, no. | 0:27:26 | 0:27:27 | |
I think you'll want to see this. | 0:27:28 | 0:27:30 | |
'OK. Five minutes.' | 0:27:30 | 0:27:32 | |
OK. Bye. | 0:27:32 | 0:27:33 | |
-Got to run? -Yeah. Call you later. Sorry. | 0:27:34 | 0:27:36 | |
Nikki, wait. | 0:27:38 | 0:27:39 | |
Maybe this is nuts, but do you think it's coincidence | 0:27:42 | 0:27:45 | |
that you attended both scenes? | 0:27:45 | 0:27:46 | |
What do you mean? | 0:27:46 | 0:27:48 | |
I mean, if this IS foul play - two victims, one killer... | 0:27:48 | 0:27:51 | |
I mean, what are the odds of you getting the call twice? | 0:27:52 | 0:27:55 | |
Well, if someone's active on our patch, it's not that much of a stretch. | 0:27:55 | 0:27:59 | |
Like I said, nuts. | 0:27:59 | 0:28:00 | |
Ah. Lunch date? | 0:28:09 | 0:28:12 | |
What is it I'll want to see? | 0:28:12 | 0:28:13 | |
Tox shows presence of morphine in Walsh's blood. | 0:28:13 | 0:28:17 | |
Enough to incapacitate him? | 0:28:17 | 0:28:18 | |
Probably. | 0:28:18 | 0:28:19 | |
Well, Walsh did have morphine sulphate pills in his fridge. | 0:28:19 | 0:28:22 | |
If he'd ingested them, we'd have found them in his stomach contents. | 0:28:22 | 0:28:25 | |
The morphine's in his blood, but not his stomach? | 0:28:25 | 0:28:27 | |
Correct. | 0:28:27 | 0:28:28 | |
If it got there intravenously, the needle would've woken him, | 0:28:28 | 0:28:31 | |
and we'd have a struggle. | 0:28:31 | 0:28:32 | |
Killer had that covered. | 0:28:32 | 0:28:34 | |
The substance in Walsh's underarm hair | 0:28:34 | 0:28:36 | |
is a local anaesthetic called Lidocaine. | 0:28:36 | 0:28:39 | |
ELECTRIC RAZOR WHIRS | 0:28:40 | 0:28:43 | |
There. Needle mark. | 0:28:46 | 0:28:48 | |
Redness suggests it was made close to death. | 0:28:50 | 0:28:52 | |
Found more traces of the spray on the bed sheets | 0:28:52 | 0:28:55 | |
and the arm of his T-shirt. | 0:28:55 | 0:28:57 | |
Time of death? | 0:28:57 | 0:28:58 | |
Midnight to 4am. | 0:28:58 | 0:29:00 | |
Right, let's assume Walsh was asleep. | 0:29:00 | 0:29:02 | |
The killer gains entry, somehow... | 0:29:02 | 0:29:05 | |
And applies the anaesthetic so he won't feel the needle. | 0:29:05 | 0:29:09 | |
The anaesthetic takes care of the needle, | 0:29:09 | 0:29:11 | |
the needle delivers the morphine. | 0:29:11 | 0:29:13 | |
How long till he's out cold? | 0:29:15 | 0:29:16 | |
Five minutes, ten at the most. | 0:29:16 | 0:29:18 | |
That's why we've got no defensive wounds. | 0:29:18 | 0:29:20 | |
And why he can transport Walsh to the bath without waking him. | 0:29:20 | 0:29:23 | |
Killer's forensically aware and physically strong. | 0:29:23 | 0:29:26 | |
No drag marks on the body. | 0:29:26 | 0:29:27 | |
None on the carpet, either. | 0:29:27 | 0:29:28 | |
No signs of a struggle at all. | 0:29:28 | 0:29:30 | |
He stops the clocks and the breath in their throats. | 0:29:30 | 0:29:34 | |
A veritable angel of death. | 0:29:34 | 0:29:36 | |
And Irene Dawes? | 0:29:36 | 0:29:38 | |
Did he inject her, too? | 0:29:38 | 0:29:40 | |
Only one way to find out. | 0:29:41 | 0:29:43 | |
Who's in charge here? | 0:29:47 | 0:29:48 | |
-Let me through! -Sorry. Sorry. | 0:29:48 | 0:29:50 | |
I'm so sorry, Father, this really had nothing to do with me. | 0:29:50 | 0:29:53 | |
Body is embalmed, and in relatively intact condition. | 0:30:10 | 0:30:14 | |
Her son saw the embalming as a sign of her loss of faith. | 0:30:15 | 0:30:19 | |
A concern with body over soul. | 0:30:19 | 0:30:21 | |
Nikki? | 0:30:22 | 0:30:24 | |
ELECTRIC RAZOR WHIRS | 0:30:32 | 0:30:34 | |
ELECTRIC RAZOR WHIRS | 0:30:52 | 0:30:54 | |
Nothing. | 0:31:00 | 0:31:01 | |
HE SIGHS | 0:31:12 | 0:31:14 | |
Needle mark. | 0:31:25 | 0:31:26 | |
Still partly reddened. | 0:31:26 | 0:31:27 | |
Meaning? | 0:31:27 | 0:31:28 | |
Meaning it was inflicted right before death, | 0:31:28 | 0:31:31 | |
never had a chance to heal. | 0:31:31 | 0:31:32 | |
We'll test for the anaesthetic spray we found on Walsh. | 0:31:33 | 0:31:36 | |
Nikki? | 0:31:44 | 0:31:45 | |
(Oh, my God.) | 0:31:52 | 0:31:53 | |
Nikki, wait up. | 0:31:53 | 0:31:54 | |
Nikki? | 0:31:57 | 0:31:58 | |
-Remember when I told you about the watches at both scenes? -Mm-hmm. | 0:32:01 | 0:32:04 | |
-You said something like, "Of course you're going to pursue a link. You're Nikki." -Yes? | 0:32:04 | 0:32:08 | |
-You were certain of it. Because you know me. -Yeah. | 0:32:08 | 0:32:10 | |
Well, what happens if the killer also knows me? | 0:32:10 | 0:32:13 | |
Was just as certain that I'd look for a link? Banked on it, in fact. | 0:32:13 | 0:32:15 | |
What are you talking about? | 0:32:15 | 0:32:17 | |
I don't know. | 0:32:17 | 0:32:18 | |
That they wanted me to make a mistake, a critical error. | 0:32:18 | 0:32:21 | |
And my God, they succeeded. I missed a murder! | 0:32:21 | 0:32:23 | |
-Hold on. -Maybe that's what this is all about! | 0:32:23 | 0:32:24 | |
What, two people murdered to make you look bad? | 0:32:24 | 0:32:26 | |
How would they know when you're on call? | 0:32:26 | 0:32:28 | |
I've worked the same shift for two years. | 0:32:28 | 0:32:30 | |
All right, or the borders of your jurisdiction? | 0:32:30 | 0:32:32 | |
-It's on the bloody Lyell Centre website! -All right. | 0:32:32 | 0:32:34 | |
SHE BREATHES HEAVILY | 0:32:34 | 0:32:35 | |
Maybe you just made an innocent mistake, yeah? | 0:32:35 | 0:32:37 | |
God knows we all do from time to time... | 0:32:37 | 0:32:39 | |
Someone's been in my flat. I'm sure of it. | 0:32:39 | 0:32:41 | |
What? | 0:32:41 | 0:32:42 | |
Oh, forget it. | 0:32:42 | 0:32:44 | |
Nikki... | 0:32:44 | 0:32:45 | |
Wait! | 0:32:45 | 0:32:46 | |
Tell me, then. | 0:32:46 | 0:32:48 | |
SHE BREATHES FRANTICALLY | 0:32:49 | 0:32:52 | |
CAR BLEEPS UNLOCKED | 0:32:54 | 0:32:56 | |
CAR DOOR SLAMS | 0:32:56 | 0:32:58 | |
Hello. | 0:33:00 | 0:33:01 | |
-Hiya. -How'd it go? | 0:33:01 | 0:33:03 | |
I couldn't get what I wanted. | 0:33:03 | 0:33:05 | |
Total waste of time. | 0:33:05 | 0:33:07 | |
Got stuck in traffic. | 0:33:07 | 0:33:08 | |
CAR DOOR SLAMS | 0:33:17 | 0:33:19 | |
What do you want? | 0:33:30 | 0:33:32 | |
Get in, you pillock. | 0:33:34 | 0:33:35 | |
LIGHT SWITCH CLICKS | 0:33:38 | 0:33:40 | |
THUD IN NEXT ROOM | 0:33:50 | 0:33:51 | |
SHE GASPS | 0:33:51 | 0:33:52 | |
THUD | 0:34:06 | 0:34:07 | |
WINDOW THUDS | 0:34:23 | 0:34:25 | |
DOOR CREAKS | 0:34:38 | 0:34:40 | |
DOOR SLAMS SHE GASPS | 0:34:44 | 0:34:46 | |
DOOR CREAKS | 0:35:05 | 0:35:07 | |
KEY TURNS IN LOCK | 0:35:29 | 0:35:31 | |
SHE SIGHS | 0:35:34 | 0:35:36 | |
SHE SIGHS | 0:35:46 | 0:35:48 | |
KNOCK AT DOOR | 0:35:57 | 0:35:59 | |
Scott. | 0:36:12 | 0:36:13 | |
Hi. | 0:36:13 | 0:36:15 | |
I was in the neighbourhood, | 0:36:15 | 0:36:16 | |
wasn't sure what you were cooking, so, um... | 0:36:16 | 0:36:18 | |
Are you OK? | 0:36:21 | 0:36:22 | |
SHE SIGHS Yeah. | 0:36:23 | 0:36:26 | |
Hey! | 0:36:27 | 0:36:28 | |
CONSTRUCTION TOOLS CLANK | 0:36:39 | 0:36:41 | |
Scott? | 0:36:44 | 0:36:45 | |
Scott? | 0:36:53 | 0:36:54 | |
Something happened at Dad's parole meeting, didn't it? | 0:37:51 | 0:37:54 | |
Whatever it is, you can tell me. | 0:37:54 | 0:37:56 | |
What would be the point? | 0:37:56 | 0:37:58 | |
You don't care about him. | 0:38:02 | 0:38:03 | |
That's not true. | 0:38:03 | 0:38:05 | |
Mum, you divorced him before he was even found guilty. | 0:38:05 | 0:38:08 | |
-I had no choice. -Mmm. | 0:38:08 | 0:38:10 | |
-No, of course you didn't. -Not if I wanted to keep my job. | 0:38:11 | 0:38:14 | |
Then you should have told them where to stick it. | 0:38:14 | 0:38:16 | |
No job, no school fees, | 0:38:16 | 0:38:20 | |
no mortgage payments, no roof over our heads... | 0:38:20 | 0:38:23 | |
I had to shore things up for us... | 0:38:25 | 0:38:28 | |
and that meant... | 0:38:28 | 0:38:29 | |
..stepping away from your dad for a while. | 0:38:30 | 0:38:32 | |
If you think it was easy for me, you're wrong. | 0:38:45 | 0:38:47 | |
We are going to get back. | 0:38:56 | 0:38:57 | |
Clarissa. | 0:39:04 | 0:39:06 | |
Can you check this for prints and DNA? | 0:39:06 | 0:39:08 | |
Sure. What's its provenance? | 0:39:08 | 0:39:11 | |
My flat. | 0:39:11 | 0:39:13 | |
I'll explain later, but...can we keep this between us? | 0:39:13 | 0:39:15 | |
OK. Sure. | 0:39:15 | 0:39:17 | |
-Where's Jack? -Back at Walsh's - looking for links to Irene Dawes. | 0:39:19 | 0:39:24 | |
Nikki. | 0:39:25 | 0:39:27 | |
Want to get a coffee or something? | 0:39:27 | 0:39:30 | |
Maybe later. | 0:39:30 | 0:39:31 | |
Jones? | 0:39:58 | 0:39:59 | |
Flyer for a cancer support group. | 0:40:05 | 0:40:07 | |
Walsh had cancer. We know that. | 0:40:09 | 0:40:11 | |
Look at the address. | 0:40:11 | 0:40:12 | |
St Stephen's Church Hall. | 0:40:13 | 0:40:15 | |
St Stephen's is Father Dawes' church. | 0:40:15 | 0:40:17 | |
If he knew Max Walsh - changes everything. | 0:40:17 | 0:40:21 | |
He was an army chaplain. It's basic medical training, right? | 0:40:21 | 0:40:24 | |
He'd know how to administer the morphine. | 0:40:24 | 0:40:27 | |
You've got a nerve coming here. | 0:40:39 | 0:40:41 | |
I'm sorry. But I need access to your mother's medical records | 0:40:41 | 0:40:45 | |
going back two years. | 0:40:45 | 0:40:47 | |
Digging up her body wasn't enough? | 0:40:47 | 0:40:48 | |
We're looking for a link between Irene and a recently deceased male. | 0:40:48 | 0:40:52 | |
We believe that this man was murdered | 0:40:52 | 0:40:54 | |
and the scene staged to resemble suicide. | 0:40:54 | 0:40:56 | |
And my mother? | 0:40:59 | 0:41:01 | |
Well, you always insisted that she didn't commit suicide. | 0:41:01 | 0:41:05 | |
What did you think happened if it wasn't foul play? | 0:41:05 | 0:41:08 | |
Did anyone befriend Irene in the weeks before her death? | 0:41:09 | 0:41:12 | |
I don't know. | 0:41:12 | 0:41:13 | |
In the last months... | 0:41:16 | 0:41:17 | |
..we didn't talk. | 0:41:19 | 0:41:20 | |
She got caught up in a ridiculous lawsuit...and it came between us. | 0:41:22 | 0:41:27 | |
What kind of lawsuit? | 0:41:27 | 0:41:29 | |
A chemicals factory in Stratford had been...supposedly polluting the air, | 0:41:29 | 0:41:34 | |
causing a higher incidence of cancer. | 0:41:34 | 0:41:36 | |
There was no evidence to prove the case - | 0:41:36 | 0:41:39 | |
pure...opportunism on the lawyers' part. | 0:41:39 | 0:41:42 | |
Did they win? | 0:41:43 | 0:41:44 | |
As far as I know, it's still dragging on. | 0:41:44 | 0:41:46 | |
Instead of her making her peace with God, | 0:41:48 | 0:41:51 | |
my mother wasted her time seeking compensation she could never spend. | 0:41:51 | 0:41:55 | |
I could never understand it. | 0:41:57 | 0:41:58 | |
And then she came clean. | 0:42:01 | 0:42:03 | |
About what? | 0:42:03 | 0:42:05 | |
Why she needed the money. | 0:42:05 | 0:42:07 | |
She wanted to approach... | 0:42:11 | 0:42:13 | |
..Dignitas. | 0:42:14 | 0:42:16 | |
So she can end her life. | 0:42:18 | 0:42:19 | |
-Remember Harold Shipman? -What, the doctor who killed his patients? | 0:42:19 | 0:42:22 | |
Felt like he killed one, then got a taste for it. | 0:42:22 | 0:42:25 | |
Father Dawes helps his mum out of her misery, | 0:42:25 | 0:42:27 | |
but instead of feeling guilty or grief-stricken he feels...merciful. | 0:42:27 | 0:42:31 | |
Empowered. | 0:42:31 | 0:42:33 | |
What the hell are you doing here? | 0:42:34 | 0:42:36 | |
Anthony Dawes, I need you to come with me and answer some questions. | 0:42:36 | 0:42:40 | |
Are you sure you won't come? | 0:43:18 | 0:43:20 | |
Dad... | 0:43:22 | 0:43:24 | |
Did she ever come and visit you? | 0:43:24 | 0:43:26 | |
I mean, like, just...just once. | 0:43:26 | 0:43:29 | |
It's her birthday. | 0:43:32 | 0:43:33 | |
You know, if she hadn't have done it... | 0:43:36 | 0:43:38 | |
we could've... we could've gone back, you know. | 0:43:38 | 0:43:42 | |
We could've. | 0:43:42 | 0:43:44 | |
Dad, let's go. | 0:44:14 | 0:44:15 | |
All right, I'm leaving! I mean it! | 0:44:19 | 0:44:22 | |
CAR HORN SOUNDS | 0:44:24 | 0:44:27 | |
HE LAUGHS | 0:44:33 | 0:44:35 | |
Ready...steady... | 0:44:39 | 0:44:41 | |
wahey! | 0:44:41 | 0:44:42 | |
Does the name Max Walsh mean anything to you? | 0:44:45 | 0:44:48 | |
No. | 0:44:48 | 0:44:50 | |
Who is he? | 0:44:50 | 0:44:52 | |
He attended a cancer support group, in your church hall. | 0:44:52 | 0:44:56 | |
The hall's rented out to various entities. | 0:45:00 | 0:45:03 | |
I have no dealings with them whatsoever, | 0:45:03 | 0:45:05 | |
beyond collecting payment. | 0:45:05 | 0:45:07 | |
But the hall's effectively part of the church. | 0:45:08 | 0:45:11 | |
You share a car park. | 0:45:11 | 0:45:13 | |
So? | 0:45:13 | 0:45:14 | |
So...no-one attending a support group | 0:45:14 | 0:45:17 | |
ever wandered into your church? | 0:45:17 | 0:45:20 | |
Approached you in the car park for some kind words? | 0:45:20 | 0:45:22 | |
That's never happened? | 0:45:22 | 0:45:24 | |
I didn't say that. | 0:45:26 | 0:45:28 | |
-Hello? -Well, you kind of did. | 0:45:28 | 0:45:30 | |
You said, "no dealings whatsoever". | 0:45:30 | 0:45:32 | |
The clock stopped cos the battery was removed | 0:45:38 | 0:45:40 | |
and put back the wrong way. | 0:45:40 | 0:45:43 | |
But...I recovered a thumbprint that scored a match on the database - | 0:45:43 | 0:45:48 | |
retired pathologist, er, Belinda Roach. | 0:45:48 | 0:45:52 | |
What? | 0:45:53 | 0:45:54 | |
Do you know her? | 0:45:54 | 0:45:56 | |
She taught me at the Institute of Pathologists. | 0:46:03 | 0:46:05 | |
-OK. We need to go to Thomas with this, now. -Please, just let me process this. | 0:46:05 | 0:46:09 | |
Sorry, Nikki. You've got to tell me what's going on. | 0:46:09 | 0:46:13 | |
To say you haven't been yourself lately | 0:46:13 | 0:46:15 | |
would be a bloody understatement. | 0:46:15 | 0:46:17 | |
Ten years ago we came up against each other in court. | 0:46:23 | 0:46:26 | |
Me for the CPS, her for the defence. | 0:46:26 | 0:46:28 | |
-And what was the case? -Attempted murder. | 0:46:28 | 0:46:31 | |
A young woman was pushed from a high building after a struggle. | 0:46:31 | 0:46:34 | |
CAR ALARM BLARES | 0:46:34 | 0:46:36 | |
She had coin-shaped bruises on her arms and shoulder and | 0:46:36 | 0:46:39 | |
the accused's prints were all over her. | 0:46:39 | 0:46:41 | |
He said that he was trying to stop her from throwing herself out. | 0:46:42 | 0:46:45 | |
Did she present as a likely suicide? | 0:46:45 | 0:46:47 | |
Suspect was her boss and ex-lover. | 0:46:48 | 0:46:51 | |
They'd had a fling which ended with her getting pregnant. | 0:46:51 | 0:46:53 | |
The bruising on her arms, scratches on him, | 0:46:53 | 0:46:56 | |
overwhelming signs of a struggle | 0:46:56 | 0:46:58 | |
all added up to pushing and not pulling. | 0:46:58 | 0:47:01 | |
But Professor Roach disagreed? | 0:47:01 | 0:47:04 | |
She also made explicit reference in court to having taught me. | 0:47:04 | 0:47:07 | |
Cited my youthful tendency to be | 0:47:07 | 0:47:09 | |
"overly certain and play the lone wolf". | 0:47:09 | 0:47:11 | |
Professional! | 0:47:11 | 0:47:13 | |
I hope you gave as good as you got? | 0:47:13 | 0:47:15 | |
Oh, I did. | 0:47:15 | 0:47:17 | |
I chastised her for breaching the teacher-student compact, | 0:47:17 | 0:47:20 | |
I characterised her as "eccentric" and her evidence as the fruits | 0:47:20 | 0:47:23 | |
of a mind clearly divorced from sound rational judgment. | 0:47:23 | 0:47:27 | |
Somehow the word "eccentric" stuck. | 0:47:27 | 0:47:30 | |
The CPS lawyer used it repeatedly when trashing her evidence. | 0:47:30 | 0:47:34 | |
Even the judge called her eccentric. | 0:47:34 | 0:47:36 | |
Next day a reporter found Roach in the pub at lunchtime | 0:47:36 | 0:47:39 | |
and that was it. | 0:47:39 | 0:47:40 | |
Eccentric and drunk. | 0:47:40 | 0:47:42 | |
We got our guilty verdict and Roach got fed to the vultures. | 0:47:42 | 0:47:45 | |
Oh, my God. | 0:47:47 | 0:47:49 | |
OK. Let's get some perspective. | 0:47:49 | 0:47:52 | |
Just let me speak to her. | 0:47:55 | 0:47:57 | |
I owe her that much. I need you to trust me. | 0:47:57 | 0:48:00 | |
No, Nikki, you need to trust us. | 0:48:00 | 0:48:03 | |
If you tell Thomas, he will tell DS Jones. It's over. | 0:48:03 | 0:48:06 | |
I can't destroy her twice, not until I know I'm right. | 0:48:06 | 0:48:09 | |
Please. | 0:48:09 | 0:48:10 | |
Jack. | 0:48:31 | 0:48:33 | |
Nikki. | 0:48:35 | 0:48:37 | |
-What are you doing here? -I just came to see you. | 0:48:37 | 0:48:39 | |
-How did you know where I worked? -Well, you told me. -No, I didn't. | 0:48:39 | 0:48:43 | |
OK, we'll, er, agree to disagree, shall we? | 0:48:43 | 0:48:46 | |
What is it, Nikki? What's happened? | 0:48:46 | 0:48:48 | |
You don't work in the ER at Bangkok Infirmary, do you? | 0:48:48 | 0:48:51 | |
Oh, you've been checking up on me? | 0:48:51 | 0:48:52 | |
Time well spent, as it turns out. | 0:48:52 | 0:48:55 | |
Why did you lie to me? | 0:48:55 | 0:48:56 | |
Because... | 0:48:57 | 0:48:59 | |
Because the truth is pretty embarrassing. | 0:48:59 | 0:49:02 | |
I did work at the hospital, but I was a porter. | 0:49:02 | 0:49:05 | |
A lowly shit-shoveller. | 0:49:05 | 0:49:06 | |
What else have you lied about? | 0:49:06 | 0:49:08 | |
-Oh, Nikki... -Do you know what? I need to be somewhere. | 0:49:08 | 0:49:10 | |
Right now. | 0:49:10 | 0:49:12 | |
-How can I help? -I know DI Porter's retired, | 0:49:15 | 0:49:18 | |
but I need to speak to him about a case we worked on in 2005. | 0:49:18 | 0:49:21 | |
Sorry to tell you, but, um, Murray died last year. | 0:49:23 | 0:49:26 | |
Do you mind telling me how? | 0:49:28 | 0:49:30 | |
Why? | 0:49:30 | 0:49:32 | |
Call it professional curiosity. | 0:49:32 | 0:49:34 | |
Inquest inconclusive. But it was likely he drowned. | 0:49:35 | 0:49:38 | |
Thank you. | 0:49:41 | 0:49:43 | |
CAR LOCKING SYSTEM BLEEPS | 0:50:05 | 0:50:07 | |
SHE RINGS DOORBELL | 0:50:10 | 0:50:12 | |
Belinda? | 0:50:42 | 0:50:43 | |
What do you want? | 0:50:47 | 0:50:48 | |
Better come in. | 0:51:22 | 0:51:24 | |
A thumbprint belonging to you was lifted from my flat. | 0:51:40 | 0:51:44 | |
From my kitchen clock, to be precise. | 0:51:48 | 0:51:51 | |
The time was set at 2:45. | 0:51:51 | 0:51:54 | |
As it was on watches recovered from these two crime scenes, | 0:51:54 | 0:51:57 | |
both of which I attended. | 0:51:57 | 0:51:59 | |
I checked the transcript. | 0:52:08 | 0:52:10 | |
2:45 was when I finished rebutting your evidence, the end of the third sitting. | 0:52:10 | 0:52:14 | |
The moment you THINK I betrayed you. | 0:52:14 | 0:52:16 | |
-SHE SCOFFS -It was ten years ago. | 0:52:16 | 0:52:18 | |
Do you honestly think I remember what time you finished giving your half-arsed evidence? | 0:52:18 | 0:52:22 | |
Are you completely out of your mind? | 0:52:22 | 0:52:23 | |
So you don't blame me - for this? For what happened to you? Any of it? | 0:52:23 | 0:52:27 | |
Oh, I didn't say that. | 0:52:27 | 0:52:29 | |
I do blame you, Nikki. | 0:52:29 | 0:52:31 | |
You didn't just betray me, you ruined me. | 0:52:31 | 0:52:34 | |
Even now you don't grasp the consequences of what you did. | 0:52:34 | 0:52:38 | |
Well, enlighten me. | 0:52:38 | 0:52:39 | |
I wouldn't waste my breath. | 0:52:39 | 0:52:41 | |
Well, suddenly the idea you'd recall what time I gave evidence doesn't seem so crazy. | 0:52:41 | 0:52:45 | |
-Three convictions! -GLASS SMASHES | 0:52:45 | 0:52:46 | |
Three convictions resting on my testimony, two of them murders, | 0:52:46 | 0:52:50 | |
quashed on appeal following the Hamilton case. | 0:52:50 | 0:52:52 | |
That's three guilty men walking the streets. That is on you! | 0:52:52 | 0:52:57 | |
You didn't just trash me when you called me eccentric - | 0:52:57 | 0:53:00 | |
you trashed my work! | 0:53:00 | 0:53:02 | |
Let's get back to your thumbprint in my kitchen. | 0:53:02 | 0:53:05 | |
I'm here to give you a chance to explain it! | 0:53:05 | 0:53:07 | |
Someone's trying to set me up. Frame me. | 0:53:16 | 0:53:19 | |
-The only thing is, are you going to fall for it? -Oh, you'll have to do better than that. | 0:53:19 | 0:53:23 | |
GATE RATTLES OUTSIDE | 0:53:23 | 0:53:25 | |
Hang on. | 0:53:30 | 0:53:32 | |
FRONT DOOR OPENS AND CLOSES | 0:53:36 | 0:53:40 | |
Belinda? | 0:54:12 | 0:54:13 | |
Belinda! | 0:54:44 | 0:54:45 | |
(Oh, my God.) | 0:55:18 | 0:55:19 | |
NIKKI GASPS Belinda? | 0:55:21 | 0:55:23 | |
(Oh, God. | 0:55:35 | 0:55:37 | |
(Three. Four. Five. Six. Seven. Eight. Nine...) | 0:55:39 | 0:55:43 | |
Nikki? | 0:55:43 | 0:55:44 | |
NIKKI PANTS IN DISTRESS | 0:55:47 | 0:55:49 | |
No! No! | 0:55:49 | 0:55:52 | |
Nikki? | 0:55:56 | 0:55:59 | |
Someone's trying to frame me, it's obvious! | 0:55:59 | 0:56:01 | |
I am arresting you on the suspicion of the murder of Belinda Roach. | 0:56:01 | 0:56:05 | |
-JACK: -So we just abandon her? Is that it? | 0:56:05 | 0:56:08 | |
-Screw that. -Jack. | 0:56:08 | 0:56:09 | |
Jack, we keep our heads. | 0:56:09 | 0:56:11 | |
Someone was following me, tailgating me. Was it you? | 0:56:11 | 0:56:14 | |
Did I FOLLOW you? | 0:56:14 | 0:56:15 | |
-LYDIA: -He is angry. | 0:56:15 | 0:56:16 | |
And when he was 15 and people wrote "baby killer" on his school bag | 0:56:16 | 0:56:19 | |
he was even worse. But you weren't here to see that, or deal with it. | 0:56:19 | 0:56:23 | |
I've seen him before. Here with Father Dawes. | 0:56:23 | 0:56:26 | |
I don't know where he is. I really don't. | 0:56:26 | 0:56:29 | |
-JACK: -Suspected of a dozen kills but only convicted of one. | 0:56:29 | 0:56:32 | |
He's involved somehow, which means you're not safe. | 0:56:32 | 0:56:34 | |
KNOCK AT DOOR | 0:56:34 | 0:56:36 | |
Nikki... | 0:56:36 | 0:56:38 | |
Nikki! | 0:56:38 | 0:56:39 | |
SHE SCREAMS | 0:56:39 | 0:56:41 |