Browse content similar to Part 2. Check below for episodes and series from the same categories and more!
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This programme contains some violent scenes | 0:00:02 | 0:00:03 | |
and scenes which some viewers may find upsetting. | 0:00:03 | 0:00:04 | |
Suspect fleeing the scene. Tony Hamilton. All points to suicide. | 0:00:04 | 0:00:07 | |
Down to the turned-over photographs downstairs. | 0:00:07 | 0:00:09 | |
If that's his thing, faking suicides, | 0:00:09 | 0:00:11 | |
there could be other killings we haven't linked yet. | 0:00:11 | 0:00:13 | |
Do this again? | 0:00:13 | 0:00:15 | |
It's her birthday tomorrow. Would've been her birthday. | 0:00:15 | 0:00:17 | |
Irene Dawes. A retired nurse. | 0:00:17 | 0:00:19 | |
My findings at the inquest argued for suicide. | 0:00:19 | 0:00:22 | |
Father Dawes, is there somewhere we can talk? | 0:00:22 | 0:00:24 | |
If it turns out you got it wrong, you missed a murder. | 0:00:24 | 0:00:27 | |
I can't believe I'm hearing this. | 0:00:27 | 0:00:28 | |
We'll test for the anaesthetic spray we found on Walsh. | 0:00:28 | 0:00:31 | |
You just made an innocent mistake, yeah? | 0:00:31 | 0:00:33 | |
-God knows, we all do from time to time... -Someone's been in my flat, I'm sure of it. | 0:00:33 | 0:00:37 | |
In prison I was a target. Carmichael protected me. | 0:00:37 | 0:00:39 | |
Don't you feel angry about it? About any of it? | 0:00:39 | 0:00:42 | |
I recovered a thumbprint. Belinda Roach. | 0:00:42 | 0:00:44 | |
Just let me speak to her. I need you to trust me. | 0:00:44 | 0:00:47 | |
Guilty men walking the streets. That is on you! | 0:00:47 | 0:00:50 | |
I'm here to give you a chance to explain it! | 0:00:50 | 0:00:52 | |
Belinda? | 0:00:52 | 0:00:54 | |
Nikki? | 0:00:54 | 0:00:55 | |
# Testator silens | 0:00:59 | 0:01:07 | |
# Costestes e spiritu | 0:01:07 | 0:01:15 | |
# Silentium. # | 0:01:15 | 0:01:22 | |
MESSAGES OVER POLICE RADIO | 0:01:29 | 0:01:31 | |
So? | 0:01:46 | 0:01:47 | |
Evidence of blunt force trauma to the head. | 0:01:47 | 0:01:49 | |
Wounds are crescent-shaped. | 0:01:49 | 0:01:51 | |
Was she killed here? Signs of a struggle? | 0:01:51 | 0:01:53 | |
Blood spatter on the tree. Lower than I'd expect. | 0:01:53 | 0:01:56 | |
So she trips and falls? Killer strikes while she's down? | 0:01:56 | 0:02:00 | |
Possible. | 0:02:00 | 0:02:01 | |
Can you show DI Rankin the torch you recovered? | 0:02:01 | 0:02:04 | |
At a glance, | 0:02:10 | 0:02:12 | |
would you say the curved wounds | 0:02:12 | 0:02:14 | |
match the lens hood's shape and size? | 0:02:14 | 0:02:16 | |
At a glance, yes, I would. | 0:02:16 | 0:02:18 | |
I'd also point out that Nikki Alexander | 0:02:18 | 0:02:21 | |
drew our attention to the torch. | 0:02:21 | 0:02:23 | |
Well, how helpful of her. Did she say anything else? | 0:02:23 | 0:02:26 | |
I said I own a torch just like it. | 0:02:26 | 0:02:28 | |
I need you to take a step back, Dr Alexander. | 0:02:29 | 0:02:31 | |
Where is your torch? | 0:02:42 | 0:02:44 | |
In my case in the boot of my car. | 0:02:45 | 0:02:47 | |
Have you checked it's there? | 0:02:47 | 0:02:49 | |
-No. -Why not? | 0:02:49 | 0:02:50 | |
Well, why do you think? | 0:02:50 | 0:02:52 | |
Because if it's not, it's been stolen, | 0:02:52 | 0:02:54 | |
and we'll need to process my car for trace. | 0:02:54 | 0:02:57 | |
No gloves. | 0:02:57 | 0:02:58 | |
Well, if it was me, I'd have checked. | 0:02:59 | 0:03:01 | |
I understand Roach is a former Home Office pathologist. | 0:03:01 | 0:03:05 | |
Did you know her? | 0:03:05 | 0:03:06 | |
She taught me at the Institute of Pathologists. | 0:03:06 | 0:03:08 | |
So, what were you doing here? Social call? | 0:03:08 | 0:03:11 | |
What brought you here tonight, Dr Alexander? | 0:03:11 | 0:03:14 | |
Last night someone broke into my flat. | 0:03:14 | 0:03:16 | |
A thumbprint belonging to Professor Roach | 0:03:17 | 0:03:20 | |
was recovered from my kitchen clock. | 0:03:20 | 0:03:21 | |
It was stopped at the same time | 0:03:21 | 0:03:23 | |
as the watches from the Dawes and Walsh case. | 0:03:23 | 0:03:26 | |
Were you aware of this development, DS Jones? | 0:03:26 | 0:03:29 | |
As of an hour ago. | 0:03:29 | 0:03:31 | |
Well, how did you have the time to act on this evidence | 0:03:31 | 0:03:34 | |
when the police weren't even aware of it? | 0:03:34 | 0:03:36 | |
Who recovered the print, Dr Alexander? | 0:03:38 | 0:03:40 | |
Who recovered the print?! | 0:03:42 | 0:03:44 | |
(TEARFULLY) Clarissa Mullery. | 0:03:46 | 0:03:47 | |
I asked her... | 0:03:49 | 0:03:50 | |
..told her to sit on it and wait until I decided how to proceed. | 0:03:51 | 0:03:56 | |
Why would you want to keep such crucial evidence to yourself? | 0:03:56 | 0:04:00 | |
Why would you choose to confront Roach alone and not involve us? | 0:04:01 | 0:04:05 | |
I wanted to give her the chance to explain herself. | 0:04:09 | 0:04:11 | |
And did she? | 0:04:11 | 0:04:13 | |
Show me your case. | 0:04:16 | 0:04:17 | |
Will you do the honours, please, Jack? | 0:04:23 | 0:04:26 | |
It's missing. | 0:04:35 | 0:04:36 | |
It's been taken. | 0:04:37 | 0:04:39 | |
Someone's trying to frame me, it's obvious! | 0:04:39 | 0:04:42 | |
You know her well, right? | 0:04:48 | 0:04:49 | |
Nikki. | 0:04:49 | 0:04:51 | |
Walking out of the PM like that, it was a bit weird. | 0:04:52 | 0:04:55 | |
It's pretty out of character, I imagine? | 0:04:55 | 0:04:58 | |
You want to know something, DS Jones, come out and ask it. | 0:04:58 | 0:05:01 | |
What about Father Dawes? | 0:05:04 | 0:05:05 | |
He's got an alibi for the window when Walsh was killed. | 0:05:05 | 0:05:08 | |
All four hours? | 0:05:08 | 0:05:10 | |
Afraid so. All-night soup kitchen in Newham. | 0:05:10 | 0:05:13 | |
When you arrived at Professor Roach's, | 0:05:51 | 0:05:53 | |
was she expecting you? | 0:05:53 | 0:05:55 | |
No. | 0:05:55 | 0:05:56 | |
We found two used wine glasses. | 0:05:56 | 0:05:58 | |
One of them was smashed. | 0:05:58 | 0:06:00 | |
Belinda broke her glass. | 0:06:00 | 0:06:02 | |
-How? -She lost her temper. | 0:06:02 | 0:06:04 | |
Let's talk about the murder weapon. The torch. | 0:06:05 | 0:06:08 | |
It's mine. | 0:06:08 | 0:06:09 | |
It was stolen from my case. We established that. | 0:06:09 | 0:06:12 | |
Oh, I don't think we established anything of the kind. | 0:06:12 | 0:06:14 | |
I don't wish to insult your intelligence, | 0:06:14 | 0:06:17 | |
but there's a scenario arising from this evidence | 0:06:17 | 0:06:20 | |
that plays out like this. | 0:06:20 | 0:06:21 | |
You confronted Roach. | 0:06:21 | 0:06:23 | |
Accused her of killing Dawes and Walsh | 0:06:23 | 0:06:26 | |
as part of a plot to force you into a professional error. | 0:06:26 | 0:06:29 | |
She humoured you, then threw you out. | 0:06:29 | 0:06:32 | |
Enraged, you grab a torch from the boot of your car, | 0:06:32 | 0:06:35 | |
chase her into the garden and beat her to death. | 0:06:35 | 0:06:38 | |
You say your torch was stolen from the boot, | 0:06:38 | 0:06:40 | |
but when we checked your car it was locked with no sign of forced entry. | 0:06:40 | 0:06:44 | |
All I can think is that this was planned way ahead. | 0:06:44 | 0:06:47 | |
You mean someone removed the torch at an earlier opportunity? | 0:06:47 | 0:06:50 | |
Yes. | 0:06:50 | 0:06:51 | |
When did you last use it? | 0:06:51 | 0:06:53 | |
The night before last. | 0:06:53 | 0:06:55 | |
I came home and the fuse had tripped in my flat. | 0:06:55 | 0:06:59 | |
Can you think of anyone who's had access to your flat since then? | 0:06:59 | 0:07:02 | |
I was in the neighbourhood. Wasn't sure what you were cooking so, um... | 0:07:02 | 0:07:06 | |
Dr Alexander? | 0:07:07 | 0:07:09 | |
Look, I'm a forensic pathologist. | 0:07:10 | 0:07:13 | |
Why would I be stupid enough to bludgeon someone | 0:07:13 | 0:07:16 | |
with my own torch, and then leave it at the scene?! | 0:07:16 | 0:07:18 | |
Well, ordinarily you wouldn't. | 0:07:18 | 0:07:20 | |
But ordinarily, I daresay, you wouldn't scream at your boss | 0:07:20 | 0:07:23 | |
just because he disagreed with you. | 0:07:23 | 0:07:25 | |
Or go and harass Father Dawes, not once but twice! | 0:07:25 | 0:07:28 | |
I didn't harass him. That's ridiculous! | 0:07:28 | 0:07:30 | |
Or walk out in the middle of an autopsy. | 0:07:30 | 0:07:33 | |
Or pressure Clarissa Mullery into suppressing evidence. | 0:07:33 | 0:07:37 | |
But the last 48 hours have been anything but ordinary. | 0:07:38 | 0:07:42 | |
From the minute that you realised you'd missed a murder, | 0:07:42 | 0:07:45 | |
you went into a very public spiral | 0:07:45 | 0:07:47 | |
that ended tonight when you lost it completely. | 0:07:47 | 0:07:50 | |
Look, you don't actually believe that I killed her? | 0:07:50 | 0:07:54 | |
You're not serious? | 0:07:54 | 0:07:55 | |
Yes, I was angry and, no, I shouldn't have gone there alone, | 0:07:55 | 0:07:58 | |
-but the idea that... -Anger's a very natural reaction to what she did. | 0:07:58 | 0:08:01 | |
Killing two strangers just to make you look shit. | 0:08:01 | 0:08:04 | |
I am far from sure that Roach killed Dawes and Walsh. | 0:08:04 | 0:08:07 | |
I mean, she could've been set up, | 0:08:07 | 0:08:09 | |
-and used as bait to lure me to her house. -By who? | 0:08:09 | 0:08:11 | |
By whoever killed her! Who do you think?! | 0:08:11 | 0:08:14 | |
Nikki. | 0:08:15 | 0:08:17 | |
You said you're not sure Roach is behind this. | 0:08:17 | 0:08:19 | |
Why not? Sounds like she had motive. | 0:08:20 | 0:08:22 | |
Whatever our disagreements, Belinda was a good person. | 0:08:22 | 0:08:26 | |
So she swapped sides. Bitterness and old age will do that. | 0:08:26 | 0:08:29 | |
Well, why would she wait until now to even the score? | 0:08:29 | 0:08:31 | |
We found the same anaesthetic spray | 0:08:31 | 0:08:33 | |
used on Dawes and Walsh in Roach's fridge. | 0:08:33 | 0:08:36 | |
PHONE BLEEPS | 0:08:37 | 0:08:39 | |
Test results on the torch are back. | 0:08:42 | 0:08:45 | |
Hair and blood transfer match Roach's. | 0:08:45 | 0:08:47 | |
The fingerprints recovered from the stem are yours, | 0:08:49 | 0:08:52 | |
and yours alone. | 0:08:52 | 0:08:53 | |
Look... | 0:08:55 | 0:08:57 | |
the common link between myself and Professor Roach | 0:08:57 | 0:09:00 | |
is the Hamilton trial. | 0:09:00 | 0:09:03 | |
And I found out tonight that the DI on that case, Murray Porter, | 0:09:03 | 0:09:06 | |
died last year in a drowning accident | 0:09:06 | 0:09:09 | |
that you should take a closer look at, given the circumstances of this. | 0:09:09 | 0:09:12 | |
Dr Alexander, I am arresting you | 0:09:12 | 0:09:14 | |
on the suspicion of the murder of Belinda Roach. | 0:09:14 | 0:09:18 | |
You do not have to say anything, | 0:09:18 | 0:09:20 | |
but it may harm your defence if you fail to mention when questioned | 0:09:20 | 0:09:24 | |
something you later rely on in court. | 0:09:24 | 0:09:26 | |
All right. All right, thank you. | 0:10:09 | 0:10:12 | |
She's been arrested. She's in custody. | 0:10:22 | 0:10:24 | |
Huh. You are joking? | 0:10:24 | 0:10:26 | |
-No. -Right. | 0:10:26 | 0:10:27 | |
I'm going down there. | 0:10:29 | 0:10:31 | |
How's that going to help? | 0:10:31 | 0:10:33 | |
What, so we just abandon her? Is that it? | 0:10:33 | 0:10:35 | |
-Screw that. -Jack! | 0:10:35 | 0:10:37 | |
Jack! We keep our heads, we do our jobs, | 0:10:37 | 0:10:40 | |
we find out what really happened and we get her out. In that order. | 0:10:40 | 0:10:44 | |
Clarissa? | 0:10:44 | 0:10:45 | |
I'm worried about her. The way she was with me tonight... | 0:10:45 | 0:10:48 | |
You're worried about her welfare, or what she might've done? | 0:10:48 | 0:10:51 | |
-Jack... -Now, which is it? Come on. | 0:10:51 | 0:10:53 | |
Both. | 0:10:53 | 0:10:54 | |
Great. | 0:10:54 | 0:10:55 | |
Fantastic. | 0:10:55 | 0:10:56 | |
PHONE BEING DIALLED | 0:12:43 | 0:12:46 | |
-Hello? -Scott... | 0:12:48 | 0:12:50 | |
Oh, sorry, my phone died, I left the charger at my dad's. | 0:12:50 | 0:12:53 | |
Where did you go last night, after you left the Lyell? | 0:12:53 | 0:12:55 | |
-What...? -Tell me the truth. | 0:12:55 | 0:12:57 | |
Did you follow me? | 0:12:57 | 0:12:59 | |
If I ever meant anything to you, just tell me the truth. | 0:12:59 | 0:13:02 | |
Did I follow you? | 0:13:03 | 0:13:05 | |
It's not a complicated question. | 0:13:05 | 0:13:06 | |
Someone was following me, tailgating me. Was it you? | 0:13:06 | 0:13:09 | |
No, of course not! | 0:13:09 | 0:13:10 | |
Excuse me? | 0:13:12 | 0:13:13 | |
Excuse me. Do you have any change? | 0:13:13 | 0:13:15 | |
What? | 0:13:15 | 0:13:16 | |
PHONE CALL DISCONNECTS | 0:13:16 | 0:13:18 | |
Shit. | 0:13:18 | 0:13:19 | |
There are contusions to the top of the skull. | 0:13:23 | 0:13:25 | |
Blows were of sufficient force to damage the parietal bones. | 0:13:27 | 0:13:30 | |
Location of the wounds on the crown... | 0:13:30 | 0:13:33 | |
suggest the victim was lying prone, | 0:13:33 | 0:13:36 | |
or was on her knees, when the blows were inflicted. | 0:13:36 | 0:13:39 | |
-Hmm. -What? | 0:13:40 | 0:13:42 | |
There's no bruises to her arms or hands. | 0:13:42 | 0:13:45 | |
She didn't try and shield her head. | 0:13:45 | 0:13:48 | |
She was taken by surprise? Trusted her assailant. | 0:13:48 | 0:13:51 | |
Jack? | 0:13:54 | 0:13:55 | |
Jack, you still with me? | 0:13:57 | 0:13:58 | |
Yeah, go ahead. | 0:13:58 | 0:14:00 | |
There's also a light, linear laceration to the top of the head. | 0:14:00 | 0:14:04 | |
Rust, maybe. Didn't come from the torch. | 0:14:06 | 0:14:09 | |
And what look like thorns of some kind. | 0:14:10 | 0:14:13 | |
Well, to reach the garden, you go through a rose-covered arch. | 0:14:13 | 0:14:17 | |
Made of metal? | 0:14:17 | 0:14:19 | |
Yup, and heavily rusted. | 0:14:19 | 0:14:20 | |
Height? | 0:14:20 | 0:14:22 | |
Mmm, about seven foot. | 0:14:22 | 0:14:23 | |
I've got hair transfer on the side of the arch. | 0:14:29 | 0:14:31 | |
The length and colour match Roach's. | 0:14:33 | 0:14:35 | |
'I'll send pictures.' | 0:14:35 | 0:14:36 | |
Some bruising on the neck | 0:14:38 | 0:14:40 | |
consistent with compression of the carotid arteries and jugular veins. | 0:14:40 | 0:14:44 | |
Possibly causing cerebral ischaemia | 0:14:45 | 0:14:47 | |
and a temporary hypoxic condition in the brain. | 0:14:47 | 0:14:49 | |
So, some kind of neck hold? | 0:14:49 | 0:14:51 | |
A carotid hold, and applied with force. | 0:14:51 | 0:14:55 | |
Can cause unconsciousness within seconds. | 0:14:55 | 0:14:58 | |
Roach was five-five. | 0:14:58 | 0:14:59 | |
If she hit her head on this arch, she was being carried. | 0:14:59 | 0:15:03 | |
And I'll wager by someone much taller and stronger than Nikki. | 0:15:03 | 0:15:07 | |
Bloody hell. | 0:15:13 | 0:15:15 | |
There was someone else here. | 0:15:16 | 0:15:18 | |
Look. | 0:15:18 | 0:15:19 | |
A big old bootprint. | 0:15:19 | 0:15:21 | |
And... | 0:15:22 | 0:15:24 | |
..a fragment of glass. | 0:15:27 | 0:15:28 | |
'Last night police were called to the secluded home of retired | 0:15:30 | 0:15:33 | |
'Home Office pathologist Dr Belinda Roach. | 0:15:33 | 0:15:36 | |
'Although police have not confirmed details...' | 0:15:36 | 0:15:38 | |
David! | 0:15:38 | 0:15:39 | |
Dad, listen, yesterday I shouldn't have left you. I'm sorry. | 0:15:42 | 0:15:46 | |
-Where did you go? -I just drove around, really. | 0:15:46 | 0:15:49 | |
What time did you get home? | 0:15:49 | 0:15:50 | |
-I don't know. Ten, eleven... -Which? | 0:15:50 | 0:15:53 | |
Dad, I've really got to go. | 0:15:53 | 0:15:55 | |
I'll speak to you later, yeah? | 0:15:55 | 0:15:57 | |
'Although police have not confirmed details, our understanding is | 0:15:59 | 0:16:02 | |
'that Dr Roach was the victim of a violent and fatal attack.' | 0:16:02 | 0:16:05 | |
The bruising on the throat, the... the carotid hold, the bootprint, | 0:16:46 | 0:16:49 | |
the victim being lifted off the ground for a distance of 30 yards! | 0:16:49 | 0:16:53 | |
The bootprints could have been left by anyone at any time. | 0:16:53 | 0:16:56 | |
Wrong. | 0:16:56 | 0:16:57 | |
They were left in a bactericidal detergent called Sanify, | 0:16:57 | 0:17:01 | |
which contains a gelling agent. | 0:17:01 | 0:17:03 | |
According to Nikki, | 0:17:03 | 0:17:04 | |
Roach had a blocked drain and was using the detergent | 0:17:04 | 0:17:06 | |
when she arrived at 8.30. | 0:17:06 | 0:17:07 | |
According to Nikki. | 0:17:07 | 0:17:08 | |
Yeah! Now, this detergent has a drying time of 45 minutes, | 0:17:08 | 0:17:12 | |
suggesting the prints were left between 8.30 and 9.15. | 0:17:12 | 0:17:16 | |
Sanify was also present on a shard of glass | 0:17:16 | 0:17:19 | |
which may have transferred from the killer's boot tread. | 0:17:19 | 0:17:23 | |
Dr Alexander was drawn to Roach's house | 0:17:23 | 0:17:26 | |
by the discovery of the latter's thumbprint, agreed? | 0:17:26 | 0:17:29 | |
Evidence you suppressed. | 0:17:29 | 0:17:30 | |
One error. | 0:17:30 | 0:17:32 | |
One slip-up by an otherwise forensically airtight killer. | 0:17:32 | 0:17:35 | |
Unless it's not an error at all, it's bait. | 0:17:35 | 0:17:39 | |
Oh, total supposition. You're supposed to be a scientist. | 0:17:39 | 0:17:42 | |
And scientists are trained to interrogate anomalies. | 0:17:42 | 0:17:45 | |
This is an anomaly. | 0:17:45 | 0:17:47 | |
So, what's your point? | 0:17:47 | 0:17:48 | |
In all but one respect, | 0:17:48 | 0:17:49 | |
planting someone's prints is quite straightforward, | 0:17:49 | 0:17:53 | |
if you know what you're doing. | 0:17:53 | 0:17:54 | |
You lift someone's prints, from a paper cup, say, | 0:17:54 | 0:17:59 | |
make a reverse latent, | 0:17:59 | 0:18:01 | |
and from that strike a mould of the original print. | 0:18:01 | 0:18:04 | |
"In all but one respect"? | 0:18:04 | 0:18:06 | |
Fingerprints have to be left in something. | 0:18:06 | 0:18:09 | |
Most of the time it's sweat, | 0:18:09 | 0:18:11 | |
which means shed skin cells, which means... | 0:18:11 | 0:18:13 | |
DNA. | 0:18:13 | 0:18:14 | |
I re-examined the thumbprint from the clock. | 0:18:16 | 0:18:19 | |
No DNA. | 0:18:19 | 0:18:20 | |
Even if she was duped into going after Roach, | 0:18:20 | 0:18:23 | |
and I'm not convinced, what does it really prove? | 0:18:23 | 0:18:26 | |
That we're dealing with someone who's forensically smart... | 0:18:26 | 0:18:29 | |
Oh, and Dr Alexander isn't? | 0:18:29 | 0:18:30 | |
..who wanted to lure her to Roach for a very specific reason, | 0:18:30 | 0:18:33 | |
like framing her for murder. | 0:18:33 | 0:18:35 | |
At the very least it's reasonable doubt. | 0:18:35 | 0:18:38 | |
What are you doing? | 0:19:00 | 0:19:02 | |
Did you know about this? | 0:19:02 | 0:19:04 | |
He's got a three-inch file | 0:19:06 | 0:19:08 | |
of everyone that had anything to do with my trial. | 0:19:08 | 0:19:10 | |
It is a little excessive. | 0:19:10 | 0:19:12 | |
But understandable. | 0:19:12 | 0:19:14 | |
And what about this? Is this understandable? | 0:19:15 | 0:19:18 | |
You've lost me. | 0:19:21 | 0:19:22 | |
Two days ago, he starts railing against all the people | 0:19:22 | 0:19:25 | |
that let me down, who betrayed me, | 0:19:25 | 0:19:27 | |
the expert witnesses who were supposed to prove my innocence. | 0:19:27 | 0:19:30 | |
And? | 0:19:30 | 0:19:31 | |
And Professor Roach is at the top of that list. | 0:19:31 | 0:19:34 | |
No-one believed her testimony that I didn't push Suzie Banks. | 0:19:34 | 0:19:39 | |
Do not say her name in this house. | 0:19:40 | 0:19:43 | |
He asked me if I wanted to see them pay. | 0:19:46 | 0:19:50 | |
Sorry, you think David...? | 0:19:50 | 0:19:51 | |
He's angry. He's very angry. | 0:19:51 | 0:19:54 | |
He is angry. | 0:19:54 | 0:19:55 | |
And, when he was 15, | 0:19:55 | 0:19:56 | |
and people wrote "baby killer" on his school bag, he was even worse. | 0:19:56 | 0:19:59 | |
-But you weren't here to see that, or deal with it. -What's your point? | 0:19:59 | 0:20:03 | |
The fact David has issues with rage and bereavement is not news to me. | 0:20:03 | 0:20:07 | |
What is news is the idea that he could hurt anyone. | 0:20:07 | 0:20:10 | |
You're too close to him to see it. | 0:20:12 | 0:20:13 | |
And you're not? | 0:20:13 | 0:20:15 | |
In prison you see it as clear as day. | 0:20:19 | 0:20:23 | |
There's no good people and bad people. No dividing line. | 0:20:23 | 0:20:26 | |
It's about the moment. | 0:20:26 | 0:20:28 | |
The situation. | 0:20:28 | 0:20:29 | |
If someone's angry enough, desperate enough, scared enough, | 0:20:29 | 0:20:33 | |
they'll do anything. | 0:20:33 | 0:20:34 | |
Yesterday, when he left the cemetery, he was angry enough. | 0:20:36 | 0:20:40 | |
What? | 0:20:45 | 0:20:46 | |
You. | 0:20:46 | 0:20:47 | |
You just said more in 30 seconds than you have done in months. | 0:20:50 | 0:20:54 | |
I'm sorry. | 0:20:57 | 0:20:59 | |
It's not easy. | 0:21:01 | 0:21:03 | |
I know. | 0:21:04 | 0:21:05 | |
What...? | 0:21:26 | 0:21:27 | |
We need to find David. | 0:21:30 | 0:21:31 | |
You're kidding me, she said, "Don't leave town"?! | 0:21:37 | 0:21:40 | |
She said, "Don't leave the vicinity." | 0:21:40 | 0:21:42 | |
You can drive a horse and cart through "vicinity". | 0:21:42 | 0:21:45 | |
Thanks, Jack. | 0:21:49 | 0:21:51 | |
We're going to find out who did this to you. Don't worry, we are. | 0:21:51 | 0:21:54 | |
It's for you. | 0:22:00 | 0:22:02 | |
PHONE RINGS | 0:22:02 | 0:22:05 | |
Clarissa. You're on speaker. I've captured the fugitive. | 0:22:07 | 0:22:11 | |
Nikki! | 0:22:11 | 0:22:12 | |
How are you? | 0:22:12 | 0:22:14 | |
I'm fine. | 0:22:14 | 0:22:16 | |
'Don't be brave. | 0:22:16 | 0:22:17 | |
'I want tears, I want war stories.' | 0:22:17 | 0:22:20 | |
I was in there 15 hours, it doesn't make me Papillon. | 0:22:20 | 0:22:24 | |
'Lock me up for 15 seconds, I'd lose my marbles!' | 0:22:24 | 0:22:27 | |
Have you got something for us? | 0:22:27 | 0:22:29 | |
'For Jack. | 0:22:29 | 0:22:30 | |
'You're going home, obviously, | 0:22:30 | 0:22:32 | |
'like people do when they're released from prison.' | 0:22:32 | 0:22:34 | |
Clarissa! | 0:22:34 | 0:22:36 | |
'The glass shard we think the killer deposited at the scene,' | 0:22:37 | 0:22:40 | |
it's actually polycarbonate. | 0:22:40 | 0:22:43 | |
Any ideas about a likely source? | 0:22:43 | 0:22:46 | |
'Well, it's a popular glass substitute in heavy-duty work lamps. | 0:22:46 | 0:22:52 | |
'I'm sending a picture now.' | 0:22:52 | 0:22:54 | |
At St Stephen's Church, builders were doing restoration work, | 0:22:55 | 0:22:59 | |
and using lamps just like that. | 0:22:59 | 0:23:00 | |
Father Dawes was cleared. Rock-solid alibi for Walsh's death. | 0:23:00 | 0:23:04 | |
Well, how many other people use the church? | 0:23:04 | 0:23:06 | |
And right next door is the hall where Walsh's support group met. | 0:23:06 | 0:23:10 | |
Got to be worth a shot. | 0:23:10 | 0:23:12 | |
OK. Sure. | 0:23:12 | 0:23:14 | |
Father Anthony? | 0:23:27 | 0:23:28 | |
Lamps are intact. | 0:23:55 | 0:23:56 | |
Father Anthony? | 0:24:05 | 0:24:07 | |
Jack? | 0:24:13 | 0:24:14 | |
QUIET CHATTER | 0:24:24 | 0:24:27 | |
-Max Walsh's support group met on Thursdays, right? -Aye. | 0:24:34 | 0:24:37 | |
I've seen him before. | 0:24:38 | 0:24:40 | |
Here with Father Dawes. | 0:24:41 | 0:24:42 | |
Can we have a word? | 0:24:50 | 0:24:51 | |
When I heard about Max Walsh's suicide, I was shocked. | 0:24:53 | 0:24:57 | |
Because he was in remission? | 0:24:57 | 0:24:59 | |
And he was a fighter. | 0:24:59 | 0:25:00 | |
Is there a question mark over Max's suicide? | 0:25:02 | 0:25:05 | |
Did you know Father Dawes's mother? | 0:25:06 | 0:25:08 | |
Irene? Of course. | 0:25:08 | 0:25:10 | |
She had cancer, too. | 0:25:10 | 0:25:12 | |
Did she attend your group, Daniel? | 0:25:13 | 0:25:15 | |
No, sadly. | 0:25:15 | 0:25:16 | |
Her last months were spent fighting a lawsuit against a chemical plant. | 0:25:17 | 0:25:21 | |
Father Dawes told you that? | 0:25:21 | 0:25:23 | |
He didn't give the case much credit. | 0:25:23 | 0:25:25 | |
Said Irene was the victim of lawyers looking for easy pickings. | 0:25:25 | 0:25:29 | |
Why are you asking about Irene? | 0:25:30 | 0:25:32 | |
PHONE RINGS | 0:25:32 | 0:25:34 | |
Just got to take care of this, sorry. | 0:25:34 | 0:25:36 | |
It's got to be how the victims were selected. | 0:25:40 | 0:25:43 | |
Both victims had cancer and both took morphine. | 0:25:43 | 0:25:45 | |
But were treated in different hospitals by different doctors, | 0:25:45 | 0:25:48 | |
and they didn't meet at a support group. | 0:25:48 | 0:25:50 | |
Doesn't matter. The connection is the killer, how he found them. | 0:25:50 | 0:25:53 | |
Attending a support group is a unique chance to befriend someone. | 0:25:53 | 0:25:56 | |
But Irene didn't attend a group. | 0:25:56 | 0:25:58 | |
How do you know? | 0:25:58 | 0:25:59 | |
She may have met up with other plaintiffs in the lawsuit. | 0:25:59 | 0:26:02 | |
Sorry about that. | 0:26:02 | 0:26:04 | |
We're looking for another member of your group. | 0:26:04 | 0:26:07 | |
Someone who befriended Max Walsh. | 0:26:07 | 0:26:09 | |
Likely male, tall, physically strong. | 0:26:09 | 0:26:11 | |
He probably didn't attend for very long | 0:26:11 | 0:26:13 | |
and may have been vague about the kind of cancer he had. | 0:26:13 | 0:26:16 | |
-He almost certainly missed the last few sessions... -Brendan. | 0:26:16 | 0:26:19 | |
Brendan Dalglish. | 0:26:19 | 0:26:20 | |
I remember he and Max went over to the pub after a meeting. | 0:26:20 | 0:26:24 | |
When did you last see Brendan? | 0:26:24 | 0:26:26 | |
Four, five weeks ago. | 0:26:26 | 0:26:28 | |
When he stopped coming, I called in case his health had deteriorated. | 0:26:28 | 0:26:32 | |
No joy on two numbers he put on his registration form. | 0:26:32 | 0:26:36 | |
Can you describe him? Got a photo? | 0:26:36 | 0:26:38 | |
Forty-ish. Close-cropped hair. | 0:26:38 | 0:26:41 | |
Six foot. | 0:26:41 | 0:26:42 | |
No photo, sorry. | 0:26:42 | 0:26:44 | |
But he completed a registration form, yeah? | 0:26:44 | 0:26:46 | |
We'll need to examine it for prints and DNA. | 0:26:46 | 0:26:49 | |
He sounds a lot like Scott, that's all. | 0:26:49 | 0:26:52 | |
Short hair. Six foot. | 0:26:52 | 0:26:53 | |
Sounds like half my mates. | 0:26:53 | 0:26:55 | |
How did you two get back in touch? | 0:26:55 | 0:26:57 | |
We ran into each other in the street. | 0:26:57 | 0:26:59 | |
Who saw who first? | 0:26:59 | 0:27:00 | |
He saw me. | 0:27:00 | 0:27:02 | |
Is there any animosity between you? Any reason he'd want to hurt you? | 0:27:02 | 0:27:05 | |
We broke up over a decade ago. | 0:27:05 | 0:27:07 | |
Who did the breaking? You? | 0:27:07 | 0:27:09 | |
We were supposed to be going around the world. | 0:27:09 | 0:27:12 | |
Last minute, I bailed. | 0:27:12 | 0:27:13 | |
How did he take that? | 0:27:13 | 0:27:15 | |
It's hard to say. Three days later he was gone. | 0:27:15 | 0:27:18 | |
Scott has nothing to do with this. | 0:27:18 | 0:27:20 | |
This is your subconscious fear of commitment | 0:27:20 | 0:27:23 | |
casting a big old shadow on the wall, | 0:27:23 | 0:27:25 | |
giving you justification to shrink away. | 0:27:25 | 0:27:27 | |
I don't shrink. | 0:27:27 | 0:27:28 | |
Yeah, and you're not scared of relationships either. | 0:27:28 | 0:27:31 | |
I think you should stick to putting things in plastic bags. | 0:27:31 | 0:27:34 | |
How rude. | 0:27:34 | 0:27:35 | |
Reassure me on one thing. | 0:27:36 | 0:27:38 | |
You haven't discussed the case with Scott. | 0:27:38 | 0:27:41 | |
Nikki? | 0:27:41 | 0:27:42 | |
Yes, I have. | 0:27:44 | 0:27:45 | |
HE SIGHS | 0:27:45 | 0:27:46 | |
Well, who started that conversation? | 0:27:46 | 0:27:48 | |
He did. | 0:27:48 | 0:27:49 | |
But did he actively needle you for information, | 0:27:49 | 0:27:53 | |
or ask to see the file? | 0:27:53 | 0:27:55 | |
Yes. Both. | 0:27:55 | 0:27:56 | |
And he asked after Belinda Roach as well. Before she was killed. | 0:27:56 | 0:28:01 | |
Brilliant. | 0:28:01 | 0:28:02 | |
OK, if we pull Brendan's DNA from the form, | 0:28:04 | 0:28:08 | |
and get a match, we can eliminate Scott straight away, | 0:28:08 | 0:28:10 | |
put your mind at rest, yeah? | 0:28:10 | 0:28:12 | |
I don't know. | 0:28:13 | 0:28:14 | |
Maybe I just need some sleep. | 0:28:14 | 0:28:16 | |
Yeah, now you're making sense. | 0:28:16 | 0:28:18 | |
Well, I'll get the form from Daniel, | 0:28:18 | 0:28:21 | |
and we'll catch up first thing in the morning, right? | 0:28:21 | 0:28:24 | |
Thanks, Jack. | 0:28:24 | 0:28:25 | |
Don't dribble on my seats. | 0:28:28 | 0:28:30 | |
Everything OK? | 0:28:58 | 0:28:59 | |
Yeah. Long day. | 0:28:59 | 0:29:01 | |
Do you have any other kind? | 0:29:01 | 0:29:03 | |
Have a seat. | 0:29:03 | 0:29:05 | |
Drink? | 0:29:05 | 0:29:06 | |
Er, yeah. | 0:29:06 | 0:29:08 | |
You know what? | 0:29:10 | 0:29:12 | |
Water's fine. | 0:29:12 | 0:29:13 | |
It's been a long day, too. | 0:29:13 | 0:29:15 | |
You know, going through Mum's stuff. | 0:29:15 | 0:29:16 | |
Sure. | 0:29:16 | 0:29:18 | |
Funny, I had you down as strictly bottled water. | 0:29:27 | 0:29:31 | |
Oh, I was. | 0:29:31 | 0:29:32 | |
And then I wasn't. | 0:29:33 | 0:29:35 | |
People change. | 0:29:36 | 0:29:37 | |
I've got some ice if it's not cold enough. | 0:29:39 | 0:29:41 | |
It's water. | 0:29:44 | 0:29:45 | |
How bad can it be? | 0:29:45 | 0:29:47 | |
What's the matter, Nikki? | 0:29:49 | 0:29:51 | |
Nothing. | 0:29:51 | 0:29:52 | |
You said. Long day. | 0:29:54 | 0:29:57 | |
What are you doing? | 0:29:58 | 0:30:00 | |
I mean, just leave it in the sink. It's fine. | 0:30:00 | 0:30:02 | |
Why did you ask me over, Nikki? | 0:30:08 | 0:30:10 | |
-I wanted to see you. -No. | 0:30:10 | 0:30:12 | |
No, you didn't. | 0:30:12 | 0:30:14 | |
You want something, but it's not that. | 0:30:15 | 0:30:18 | |
Belinda Roach is dead. | 0:30:19 | 0:30:21 | |
Murdered. | 0:30:21 | 0:30:22 | |
Well, that's...terrible. I'm sorry. | 0:30:23 | 0:30:26 | |
Did you really blame her? For us breaking up? | 0:30:26 | 0:30:28 | |
You are unbelievable. | 0:30:32 | 0:30:35 | |
You want my DNA, don't you? | 0:30:37 | 0:30:39 | |
You don't trust me. | 0:30:39 | 0:30:41 | |
Well, like you said, people change. | 0:30:41 | 0:30:43 | |
You know, it's small wonder you wound up working with dead people. | 0:30:43 | 0:30:47 | |
They can't feel or answer back, or make any claim on you. | 0:30:47 | 0:30:50 | |
But it's a rigged, one-sided relationship... | 0:30:50 | 0:30:53 | |
Did you kill Belinda Roach? | 0:30:53 | 0:30:54 | |
HE SPITS | 0:30:57 | 0:30:58 | |
No. | 0:30:58 | 0:30:59 | |
Scott. | 0:31:01 | 0:31:03 | |
Scott! | 0:31:06 | 0:31:07 | |
PHONE RINGS | 0:31:09 | 0:31:11 | |
-Hello? -Nikki, the prints on the form are not Scott's, | 0:31:16 | 0:31:19 | |
they belong to a convicted killer called Carmichael. | 0:31:19 | 0:31:22 | |
-What...? -Does that name mean anything to you? William Carmichael? | 0:31:22 | 0:31:26 | |
No, nothing. | 0:31:26 | 0:31:27 | |
'You sure? He was a heavy-duty gun-for-hire back in the Nineties. | 0:31:27 | 0:31:30 | |
'Gang-related stuff in Essex and east London. | 0:31:30 | 0:31:33 | |
'Suspected of a dozen kills, but only convicted of one.' | 0:31:33 | 0:31:35 | |
Yeah, I'm sure. | 0:31:35 | 0:31:37 | |
Well, he's involved somehow, which means you're not safe. | 0:31:37 | 0:31:40 | |
KNOCK ON DOOR | 0:31:40 | 0:31:42 | |
Nikki? | 0:31:42 | 0:31:44 | |
'Nikki? | 0:31:45 | 0:31:46 | |
'Nikki?!' | 0:31:46 | 0:31:48 | |
GUNSHOTS | 0:31:48 | 0:31:50 | |
Nikki!! | 0:31:50 | 0:31:51 | |
-Armed police! -Armed police! | 0:34:04 | 0:34:06 | |
Stand still! | 0:34:06 | 0:34:08 | |
Stay still, still behind. | 0:34:08 | 0:34:10 | |
Slowly, put your hands on your head! | 0:34:10 | 0:34:14 | |
Armed police. Armed police, madam, step forward. | 0:34:35 | 0:34:38 | |
Slowly raise your hands for me. | 0:34:38 | 0:34:40 | |
No, I've never professionally crossed paths | 0:34:50 | 0:34:52 | |
with William Carmichael. I don't know him. | 0:34:52 | 0:34:55 | |
But he knows you. | 0:34:55 | 0:34:57 | |
Maybe not. You said he was a hit man. | 0:34:57 | 0:34:59 | |
Bodybuilder turned gun-for-hire. Started life as a car thief. | 0:34:59 | 0:35:02 | |
Did 15 years in Redhill Prison for murder, released last year. | 0:35:02 | 0:35:07 | |
So he had the strength to carry his victims | 0:35:07 | 0:35:09 | |
and the skills to get into their homes. | 0:35:09 | 0:35:11 | |
He could have copied Walsh's keys after befriending him at the meetings. | 0:35:11 | 0:35:15 | |
And breaking into your car to steal the torch | 0:35:15 | 0:35:17 | |
is well within his repertoire. | 0:35:17 | 0:35:19 | |
Did you say he did his time at Redhill? | 0:35:19 | 0:35:21 | |
-Yeah. -So did Tony Hamilton. | 0:35:21 | 0:35:23 | |
So Hamilton and Carmichael have got history... | 0:35:23 | 0:35:25 | |
A history of one paying the other to do his dirty work. | 0:35:25 | 0:35:28 | |
The partnership's rekindled. | 0:35:28 | 0:35:29 | |
Hamilton pays him to take revenge on all the people who sent him down. | 0:35:29 | 0:35:33 | |
Starting with you and Roach, | 0:35:33 | 0:35:34 | |
the expert witnesses who condemned him and failed him. | 0:35:34 | 0:35:37 | |
Two birds, one stone. | 0:35:37 | 0:35:38 | |
Maybe not starting with us. | 0:35:38 | 0:35:40 | |
Maybe starting with Murray Porter, the DI who put Hamilton away. | 0:35:40 | 0:35:43 | |
-What happened to him? -He drowned. | 0:35:43 | 0:35:45 | |
Reading between the lines, | 0:35:45 | 0:35:46 | |
there were suspicions of foul play but nothing probative. | 0:35:46 | 0:35:49 | |
-Hamilton was still inside. -But Carmichael was a free man. | 0:35:49 | 0:35:53 | |
And he might be a cop killer to boot... | 0:35:53 | 0:35:55 | |
Tony Hamilton is not here | 0:36:07 | 0:36:09 | |
and his wife and son are claiming blissful ignorance. | 0:36:09 | 0:36:12 | |
Nikki? | 0:36:12 | 0:36:13 | |
I'm sorry. | 0:36:15 | 0:36:16 | |
You Dr Alexander? | 0:36:16 | 0:36:18 | |
-Yes. -Dr Nikki Alexander, yeah? | 0:36:18 | 0:36:19 | |
You're the reason my sister's dead. | 0:36:19 | 0:36:21 | |
You said my dad was a monster that would push a pregnant lady... | 0:36:21 | 0:36:24 | |
-Whoa, whoa, whoa, whoa! -You lying bitch! | 0:36:24 | 0:36:26 | |
-How do you sleep at night? -Enough! | 0:36:26 | 0:36:28 | |
I don't know where he is. | 0:36:32 | 0:36:34 | |
I really don't. | 0:36:34 | 0:36:36 | |
You all right? | 0:36:39 | 0:36:40 | |
Yeah. | 0:36:40 | 0:36:41 | |
Tony's like a child, he isn't capable of hurting anyone. | 0:36:47 | 0:36:51 | |
He can barely tie his shoelaces. | 0:36:53 | 0:36:55 | |
What do you put that down to? Prison? | 0:36:55 | 0:36:58 | |
Our daughter, Tania. | 0:36:58 | 0:36:59 | |
She committed suicide... | 0:37:00 | 0:37:02 | |
..the year before Tony's release. | 0:37:03 | 0:37:05 | |
I'm so sorry. | 0:37:05 | 0:37:07 | |
Tania? | 0:37:09 | 0:37:11 | |
David? | 0:37:13 | 0:37:15 | |
'It was David I always worried about. | 0:37:15 | 0:37:17 | |
'Tania was my rock. | 0:37:17 | 0:37:18 | |
'Always there with a smile... | 0:37:20 | 0:37:23 | |
'..a supportive word.' | 0:37:25 | 0:37:26 | |
I didn't see past that. | 0:37:27 | 0:37:29 | |
I was caught up with work. | 0:37:32 | 0:37:33 | |
Contesting some case that dragged on and on. | 0:37:35 | 0:37:38 | |
'And then one night I came home at some ridiculous hour | 0:37:39 | 0:37:43 | |
'and David was sitting in the corner of the bathroom. | 0:37:43 | 0:37:48 | |
'He hadn't touched her. | 0:37:50 | 0:37:52 | |
'Just left her in the bath. | 0:37:53 | 0:37:55 | |
'In all that bloody water.' | 0:37:59 | 0:38:00 | |
Of course, if she'd had a father... | 0:38:11 | 0:38:13 | |
And Tony, he took it hard? | 0:38:14 | 0:38:16 | |
I don't know. I don't know how he took it. | 0:38:17 | 0:38:20 | |
The prison governor informed him that night, | 0:38:20 | 0:38:24 | |
and I went to see him the next day and... | 0:38:24 | 0:38:27 | |
he refused to see me. | 0:38:27 | 0:38:28 | |
Do you think he blamed you? | 0:38:30 | 0:38:31 | |
I've no idea. | 0:38:31 | 0:38:33 | |
So, would it be fair to say he came home a different man | 0:38:34 | 0:38:38 | |
and, therefore, you couldn't really say what he was capable of? | 0:38:38 | 0:38:42 | |
Please don't twist my words, Sergeant. | 0:38:42 | 0:38:45 | |
Would it be fair or not? | 0:38:46 | 0:38:48 | |
Why did you take him back? | 0:38:51 | 0:38:53 | |
Because I love him. | 0:38:56 | 0:38:57 | |
At least... | 0:38:59 | 0:39:01 | |
..I loved the man he was... | 0:39:02 | 0:39:04 | |
..and can be again. | 0:39:06 | 0:39:08 | |
Are you OK? | 0:39:11 | 0:39:12 | |
I didn't know. | 0:39:15 | 0:39:17 | |
About their daughter. | 0:39:17 | 0:39:19 | |
Did you ever have any doubts? | 0:39:19 | 0:39:21 | |
-About what? -Suzie Banks. | 0:39:21 | 0:39:22 | |
That not all the injuries were from the fall? | 0:39:22 | 0:39:25 | |
Even by our standards it was a shocking case. | 0:39:27 | 0:39:30 | |
And, yes, distressing. | 0:39:30 | 0:39:33 | |
But you know how it is. We try. We try our hardest. | 0:39:35 | 0:39:39 | |
But none of us can just leave our emotions at the door. | 0:39:39 | 0:39:42 | |
More dangerous to pretend you can. | 0:39:42 | 0:39:44 | |
Right. | 0:39:44 | 0:39:45 | |
And in this instance? | 0:39:45 | 0:39:47 | |
Hand on heart, I called it as I saw it. | 0:39:48 | 0:39:51 | |
And I saw evidence of trauma the fall didn't explain. | 0:39:51 | 0:39:54 | |
But it was a close call? | 0:39:55 | 0:39:57 | |
Very. | 0:39:57 | 0:39:58 | |
Vintage case of evidence with two valid explanations. | 0:39:58 | 0:40:02 | |
And maybe in court I didn't acknowledge that enough. | 0:40:04 | 0:40:08 | |
Maybe, looking back, | 0:40:08 | 0:40:11 | |
I claimed a certainty I couldn't totally justify. | 0:40:11 | 0:40:16 | |
Why? | 0:40:18 | 0:40:19 | |
Suzie Banks... | 0:40:20 | 0:40:21 | |
She was so young, so brave. | 0:40:24 | 0:40:27 | |
And she was alive. | 0:40:30 | 0:40:32 | |
The dead are one thing, and the living... | 0:40:34 | 0:40:36 | |
How long has Tony Hamilton been out? | 0:40:43 | 0:40:45 | |
Six months? | 0:40:47 | 0:40:49 | |
Oi-oi. | 0:40:51 | 0:40:52 | |
Blood? | 0:40:56 | 0:40:57 | |
Paint. | 0:40:57 | 0:40:59 | |
Oil-based. | 0:41:00 | 0:41:02 | |
I think it's anti-climb paint. | 0:41:02 | 0:41:04 | |
He's been somewhere he shouldn't. | 0:41:04 | 0:41:07 | |
That doesn't make sense. | 0:41:07 | 0:41:08 | |
If he paid Carmichael to enact his revenge, | 0:41:08 | 0:41:11 | |
why get his hands dirty? | 0:41:11 | 0:41:13 | |
Because it's something he wants to do. | 0:41:13 | 0:41:15 | |
For himself. | 0:41:15 | 0:41:16 | |
Suzie Banks... | 0:41:18 | 0:41:19 | |
Nikki. | 0:41:44 | 0:41:45 | |
Yeah? | 0:41:47 | 0:41:48 | |
Look like the same shade of red to you? | 0:41:48 | 0:41:50 | |
Think so. | 0:41:50 | 0:41:51 | |
How old's her visitor? | 0:41:54 | 0:41:55 | |
I don't know. Forties? Look, I didn't get a good look at him. | 0:41:55 | 0:41:59 | |
If it's him, she may be too traumatised to get help. | 0:41:59 | 0:42:02 | |
He is the man who threw her out of a window. | 0:42:02 | 0:42:04 | |
Oh, my God! All right, it's just in this room over here. | 0:42:04 | 0:42:07 | |
Easy. Easy, easy, easy. | 0:42:16 | 0:42:18 | |
I didn't think you'd remember me. | 0:42:21 | 0:42:23 | |
Of course I do. | 0:42:23 | 0:42:25 | |
In the hospital. | 0:42:25 | 0:42:26 | |
Then in court. | 0:42:26 | 0:42:28 | |
Are you aware Tony's made previous attempts to get in here? | 0:42:28 | 0:42:31 | |
Has he hurt you? | 0:42:33 | 0:42:34 | |
-No. -If he has, then... | 0:42:34 | 0:42:35 | |
I think you should leave now. | 0:42:35 | 0:42:37 | |
I'm tired. | 0:42:37 | 0:42:38 | |
I've got a lot of work to do. | 0:42:38 | 0:42:40 | |
What do the police want with him? | 0:42:48 | 0:42:51 | |
He's done nothing wrong. | 0:42:52 | 0:42:53 | |
What? | 0:42:53 | 0:42:55 | |
He's a good man. | 0:42:57 | 0:42:59 | |
Why? | 0:43:01 | 0:43:03 | |
Why did you lie? | 0:43:07 | 0:43:08 | |
Because he was going back to her and I wanted to hurt him. | 0:43:08 | 0:43:14 | |
When I realised what I'd done | 0:43:14 | 0:43:16 | |
and the reality that he was going to prison hit home, I told DI Porter. | 0:43:16 | 0:43:21 | |
And? | 0:43:21 | 0:43:22 | |
And he said going back on my word wasn't an option, | 0:43:22 | 0:43:25 | |
that he'd be a laughing stock | 0:43:25 | 0:43:27 | |
and the CPS would never prosecute another case of his again. | 0:43:27 | 0:43:31 | |
How would I survive in prison? | 0:43:32 | 0:43:35 | |
Everyone connected with your prosecution has paid the price. | 0:43:41 | 0:43:46 | |
DI Murray Porter and Belinda Roach are dead. | 0:43:46 | 0:43:49 | |
Nikki Alexander came within an inch of the same fate. | 0:43:49 | 0:43:52 | |
And now you break into Suzie Banks's residence. | 0:43:52 | 0:43:56 | |
I didn't hurt Suzie. | 0:43:56 | 0:43:58 | |
I loved her. | 0:43:59 | 0:44:00 | |
Can you elaborate, please? | 0:44:00 | 0:44:02 | |
Suzie and I were in a relationship. | 0:44:02 | 0:44:05 | |
She got pregnant. | 0:44:06 | 0:44:08 | |
I followed my heart and moved in with her. | 0:44:09 | 0:44:11 | |
Lydia went berserk. | 0:44:11 | 0:44:13 | |
Moved heaven and earth to stop me seeing my kids. | 0:44:13 | 0:44:16 | |
And it worked. | 0:44:16 | 0:44:17 | |
I missed them more than I ever thought possible. | 0:44:17 | 0:44:20 | |
You had a change of heart? | 0:44:20 | 0:44:22 | |
I discarded her. | 0:44:24 | 0:44:26 | |
I'm carrying your baby and it doesn't mean anything to you! | 0:44:26 | 0:44:29 | |
That is not true! | 0:44:29 | 0:44:31 | |
Then stay! | 0:44:31 | 0:44:34 | |
Please stay! | 0:44:34 | 0:44:37 | |
I'm sorry. | 0:44:37 | 0:44:38 | |
Is Suzie OK? | 0:44:53 | 0:44:55 | |
Yes. | 0:44:55 | 0:44:57 | |
She's also changed her story. | 0:44:58 | 0:45:00 | |
Which part? | 0:45:00 | 0:45:02 | |
The part about Tony Hamilton pushing her out the window. | 0:45:02 | 0:45:04 | |
Well, maybe she's lying, he's got to her in some way. | 0:45:04 | 0:45:07 | |
I don't think so. Based on our search, the guy has no bank account, | 0:45:07 | 0:45:10 | |
no computer, no mobile phone - how could he stage all this? | 0:45:10 | 0:45:13 | |
Has he got a bolthole somewhere? | 0:45:13 | 0:45:15 | |
Suzie says that Tony came to visit her | 0:45:15 | 0:45:17 | |
because he was worried about his son, David, | 0:45:17 | 0:45:20 | |
that he might come after her. | 0:45:20 | 0:45:22 | |
He's just trying to throw us off. | 0:45:22 | 0:45:23 | |
When I met David this morning, he recognised me instantly | 0:45:23 | 0:45:27 | |
as the woman who told the jury his dad was guilty. | 0:45:27 | 0:45:30 | |
And did he attend the trial? | 0:45:30 | 0:45:32 | |
No, too young, but he's clearly done his research since. | 0:45:32 | 0:45:35 | |
I spoke to Hamilton's parole officer. | 0:45:35 | 0:45:37 | |
He said David brings Tony to all their meetings, picks him up after. | 0:45:37 | 0:45:40 | |
Reckons David's the only person Tony has real contact with. | 0:45:40 | 0:45:43 | |
He never even mentions his ex-wife. | 0:45:43 | 0:45:45 | |
Yeah, but what about Carmichael? | 0:45:45 | 0:45:46 | |
I mean, how would David enlist his services, never mind pay for them? | 0:45:46 | 0:45:50 | |
All I've got is two shaved patches on Carmichael's chest | 0:45:50 | 0:45:54 | |
and some adhesive residue. | 0:45:54 | 0:45:56 | |
I'm thinking maybe a microphone taped to the skin. | 0:45:59 | 0:46:01 | |
Yeah, but who uses them now? | 0:46:01 | 0:46:03 | |
You can stick a stereo mic in a nose stud. | 0:46:03 | 0:46:05 | |
Well, he was in jail for 15 years. | 0:46:05 | 0:46:07 | |
I noticed this curious line on Carmichael's sweatshirt. | 0:46:07 | 0:46:13 | |
The fibres have been damaged by bleach, | 0:46:15 | 0:46:17 | |
but not the kind you use to clean your loo. | 0:46:17 | 0:46:19 | |
This is calcium hypochlorite, used in swimming pools. | 0:46:19 | 0:46:23 | |
And who do we know who owns a swimming pool | 0:46:23 | 0:46:26 | |
and a pool house? | 0:46:26 | 0:46:27 | |
If that's where Carmichael met David and got his orders... | 0:46:29 | 0:46:33 | |
..maybe he was taping their conversations. | 0:46:35 | 0:46:37 | |
-Insurance policy? -I'll take Carmichael's flat. | 0:46:37 | 0:46:40 | |
Thanks. | 0:46:41 | 0:46:43 | |
Thanks, David. | 0:46:58 | 0:46:59 | |
I'll be all right, mate. Honestly. | 0:47:01 | 0:47:03 | |
-OK. -All right. | 0:47:04 | 0:47:06 | |
He's collecting fag butts and looking at the pool stuff. | 0:47:46 | 0:47:49 | |
Don't worry, darling. I'll be there as quick as I can. | 0:47:49 | 0:47:53 | |
PHONE RINGS | 0:48:31 | 0:48:34 | |
Hello? | 0:48:43 | 0:48:44 | |
Hi. You found any tapes? | 0:48:44 | 0:48:47 | |
No. How about you? | 0:48:48 | 0:48:50 | |
'Any evidence Carmichael smoked Gauloises?' | 0:48:50 | 0:48:53 | |
Yeah. Two boxes' worth. | 0:48:53 | 0:48:55 | |
Result. | 0:48:55 | 0:48:56 | |
If DNA from the cig butts is Carmichael's, | 0:48:56 | 0:48:59 | |
somebody's got some explaining to do. | 0:48:59 | 0:49:01 | |
Listen, I've got to go. | 0:49:01 | 0:49:02 | |
All right. | 0:49:04 | 0:49:06 | |
Hamilton's only regular visitor was Lydia, | 0:49:11 | 0:49:13 | |
but he shut her out when their daughter died. | 0:49:13 | 0:49:15 | |
-She told you this herself? -Yeah. | 0:49:15 | 0:49:17 | |
But she didn't mention that she made such a fuss they called the police. | 0:49:17 | 0:49:20 | |
Lydia said when Tania committed suicide | 0:49:28 | 0:49:30 | |
she was fighting a big lawsuit. | 0:49:30 | 0:49:32 | |
Like she almost blamed the case for what happened to her daughter. | 0:49:32 | 0:49:35 | |
Irene Dawes was a plaintiff in a case against a chemicals factory. | 0:49:35 | 0:49:40 | |
Accentor Bioscience in Stratford. | 0:49:40 | 0:49:42 | |
And you think the two suits are actually one and the same? | 0:49:43 | 0:49:46 | |
Irene didn't attend a support group like Walsh. | 0:49:46 | 0:49:48 | |
It'd explain how she was chosen. | 0:49:48 | 0:49:50 | |
Lydia? | 0:49:57 | 0:49:59 | |
Better have a second pair of eyes on the Marukami disclosure. | 0:49:59 | 0:50:03 | |
-Sure, of course. -Thank you. | 0:50:03 | 0:50:04 | |
Nikki. | 0:50:06 | 0:50:07 | |
You got a minute? | 0:50:07 | 0:50:08 | |
Sorry, I need to be with my son. | 0:50:08 | 0:50:10 | |
This really won't take long. | 0:50:10 | 0:50:12 | |
OK. | 0:50:12 | 0:50:13 | |
What is it, Nikki? | 0:50:34 | 0:50:35 | |
What are you doing? | 0:50:39 | 0:50:41 | |
Where's David's passport? | 0:50:49 | 0:50:50 | |
Isn't he coming on the trip? | 0:50:52 | 0:50:54 | |
This looks to me like a go-bag. | 0:50:55 | 0:50:57 | |
And in my experience, | 0:50:57 | 0:50:58 | |
the only people who feel the need for those are the guilty. | 0:50:58 | 0:51:01 | |
Is that you, Lydia? | 0:51:01 | 0:51:03 | |
No warrant, | 0:51:03 | 0:51:05 | |
no legitimate search. | 0:51:05 | 0:51:07 | |
Oh, please, we're not going to do that, are we? | 0:51:07 | 0:51:09 | |
I mean, it is way past that, surely? | 0:51:09 | 0:51:11 | |
Perhaps it is. | 0:51:14 | 0:51:15 | |
Why? | 0:51:20 | 0:51:21 | |
Why the hell do you think? | 0:51:22 | 0:51:25 | |
You destroyed my family. | 0:51:26 | 0:51:27 | |
I was doing my job... | 0:51:27 | 0:51:29 | |
-It was your job...! -I gave an interpretation of the evidence... | 0:51:29 | 0:51:32 | |
-You lied! -I didn't lie! | 0:51:32 | 0:51:34 | |
I got it wrong. | 0:51:34 | 0:51:36 | |
I called it as I saw it and I got it wrong. | 0:51:37 | 0:51:40 | |
He was coming back to me. | 0:51:43 | 0:51:44 | |
He was leaving that slut to come home... | 0:51:47 | 0:51:51 | |
..and you took him from me. | 0:51:52 | 0:51:54 | |
You had three innocent people killed to prove a point? | 0:51:54 | 0:51:57 | |
But they were dying anyway? Is that how you justified it? | 0:51:58 | 0:52:01 | |
Was that all it took? | 0:52:01 | 0:52:03 | |
My conscience is clean. | 0:52:03 | 0:52:05 | |
You have nothing resembling proof. | 0:52:10 | 0:52:12 | |
No evidence, no case. | 0:52:13 | 0:52:16 | |
So look, why... | 0:52:16 | 0:52:18 | |
Why don't we just let this go? | 0:52:20 | 0:52:22 | |
Right here, | 0:52:25 | 0:52:26 | |
right now. | 0:52:26 | 0:52:28 | |
'Half now. Half later. | 0:52:34 | 0:52:36 | |
-MAN: -'You want me to kill them? I want it upfront. | 0:52:36 | 0:52:39 | |
'Half now. Half later.' | 0:52:39 | 0:52:43 | |
It was less than you deserved. | 0:52:48 | 0:52:50 | |
Christ, are you not going to take responsibility for anything? | 0:52:51 | 0:52:56 | |
I mean, if your family was so bloody perfect, | 0:52:56 | 0:52:59 | |
why did your husband need Suzie Banks? Is that my fault, too? | 0:52:59 | 0:53:02 | |
Well, she was a blip. | 0:53:02 | 0:53:03 | |
She was having his baby. Moving in together. | 0:53:03 | 0:53:06 | |
A big blip. | 0:53:06 | 0:53:07 | |
He was coming back. | 0:53:08 | 0:53:09 | |
To the children, not to you. | 0:53:09 | 0:53:12 | |
He knew you didn't love them. | 0:53:12 | 0:53:14 | |
How dare you! | 0:53:18 | 0:53:19 | |
You work at something... | 0:53:32 | 0:53:34 | |
..build something... | 0:53:36 | 0:53:38 | |
brick by brick, day by day, | 0:53:38 | 0:53:40 | |
you expect it to last. You expect... | 0:53:40 | 0:53:42 | |
..everyone to pull their weight, play their part. | 0:53:44 | 0:53:48 | |
You never question why you're doing it. Never. | 0:53:49 | 0:53:53 | |
And then one day you wake up... | 0:53:56 | 0:54:00 | |
..and you're in a house full of strangers. | 0:54:03 | 0:54:06 | |
They're your children, but they're strangers. | 0:54:07 | 0:54:11 | |
It's your husband, but... | 0:54:12 | 0:54:14 | |
..he barely speaks to you. | 0:54:16 | 0:54:18 | |
You irritate him. | 0:54:20 | 0:54:21 | |
And he lies to you. | 0:54:25 | 0:54:27 | |
First with a smile... | 0:54:30 | 0:54:32 | |
..and then with a shrug. | 0:54:34 | 0:54:36 | |
The house is perfect, | 0:54:37 | 0:54:40 | |
finished. | 0:54:40 | 0:54:41 | |
But there's no-one to live in it. | 0:54:46 | 0:54:48 | |
Then it's every man for himself. | 0:54:52 | 0:54:53 | |
And family... | 0:54:57 | 0:54:58 | |
You wonder what you ever thought it meant. | 0:55:02 | 0:55:05 | |
All right? | 0:55:30 | 0:55:32 | |
Nikki? | 0:55:50 | 0:55:51 | |
I've, er... | 0:55:54 | 0:55:55 | |
..I've come to apologise. | 0:55:57 | 0:55:59 | |
Well, do you want to come inside and apologise? | 0:55:59 | 0:56:02 | |
I can't. | 0:56:03 | 0:56:05 | |
I need to be with my dad. | 0:56:05 | 0:56:06 | |
I'm going back tomorrow. | 0:56:06 | 0:56:08 | |
I'm going to try and make it work with my daughter. | 0:56:08 | 0:56:10 | |
That's great. | 0:56:10 | 0:56:12 | |
Listen, I said a lot of hurtful things... | 0:56:13 | 0:56:16 | |
Yes, you did. | 0:56:16 | 0:56:18 | |
And some of them were hurtful because they're true. | 0:56:19 | 0:56:21 | |
I do find it hard to trust people. | 0:56:21 | 0:56:24 | |
Even people I have strong feelings for. | 0:56:25 | 0:56:29 | |
Strong feelings? | 0:56:29 | 0:56:30 | |
Even people I love. | 0:56:31 | 0:56:32 | |
But I don't know if I can change that now. | 0:56:34 | 0:56:37 | |
Or if I ever could. | 0:56:37 | 0:56:38 | |
Was that why I went round the world on my own? | 0:56:40 | 0:56:43 | |
I bet you weren't on your own for long. | 0:56:43 | 0:56:45 | |
LAUGHING AND SHOUTING | 0:57:28 | 0:57:31 | |
He's got grazes, cuts and bruising to the face and head. | 0:57:45 | 0:57:49 | |
He's been stabbed. | 0:57:49 | 0:57:50 | |
Good morning! | 0:57:51 | 0:57:53 | |
Something you all should see. | 0:57:53 | 0:57:55 | |
If I wanted to hurt him, you wouldn't get to know about it. | 0:58:01 | 0:58:05 | |
Drug squad have picked up a trafficker | 0:58:05 | 0:58:08 | |
in a hotel near the airport. | 0:58:08 | 0:58:09 | |
What are you saying, | 0:58:11 | 0:58:13 | |
that the drug mule got a call from Amir Aziz? | 0:58:13 | 0:58:15 | |
If I like someone, then that's it. | 0:58:19 | 0:58:21 | |
Armed police! Get down now! | 0:58:23 | 0:58:25 | |
Get down! | 0:58:25 | 0:58:26 | |
# Testator silens | 0:58:30 | 0:58:38 | |
# Costestes e spiritu | 0:58:38 | 0:58:46 | |
# Silentium. # | 0:58:46 | 0:58:52 |