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This programme contains some violent scenes. | 0:00:02 | 0:00:04 | |
This programme contains some scenes | 0:00:04 | 0:00:06 | |
which some viewers may find upsetting. | 0:00:06 | 0:00:08 | |
SHOUTING | 0:00:08 | 0:00:10 | |
Frankie, no! Don't do this! | 0:00:12 | 0:00:14 | |
Frankie... Frankie, don't! | 0:00:14 | 0:00:16 | |
Oh, no. No! | 0:00:16 | 0:00:18 | |
CROWD CHEERS | 0:00:18 | 0:00:20 | |
Welcome to Billingsgate, son. | 0:00:22 | 0:00:25 | |
I thought Liam was your mate? | 0:00:36 | 0:00:38 | |
He is. But that don't mean he don't deserve it. | 0:00:38 | 0:00:42 | |
Please. Help! | 0:00:42 | 0:00:44 | |
CLANKING | 0:00:44 | 0:00:46 | |
Help me! | 0:00:46 | 0:00:48 | |
Help me, please! | 0:00:50 | 0:00:51 | |
Where did you get the handcuffs, anyhow? | 0:00:53 | 0:00:55 | |
Never you mind. | 0:00:55 | 0:00:57 | |
This geezer's right up my arse. | 0:01:22 | 0:01:26 | |
Ah, Jesus! | 0:01:38 | 0:01:40 | |
-Why'd he do that? -What you doing? | 0:01:40 | 0:01:42 | |
Thanks. | 0:02:15 | 0:02:17 | |
-Forensics? -Jack Hodgson. | 0:02:18 | 0:02:20 | |
-DI Tanner. -Hello. | 0:02:20 | 0:02:23 | |
-You've got red. -Huh? | 0:02:23 | 0:02:25 | |
That's ketchup. Sorry. What have we got? | 0:02:25 | 0:02:28 | |
Two victims. We found ID. | 0:02:28 | 0:02:30 | |
Same surnames, address. | 0:02:30 | 0:02:32 | |
-We think they're father and son. -Right. | 0:02:32 | 0:02:34 | |
Dad went through the windscreen. | 0:02:34 | 0:02:36 | |
-Young man in the car has gunshot wounds. -OK. | 0:02:36 | 0:02:39 | |
How did you get across town so fast? | 0:02:39 | 0:02:41 | |
-One smile and the traffic parts like the Red Sea. -OK. | 0:02:41 | 0:02:44 | |
Plus I knew traffic would be an issue, so I had someone pick her up. | 0:02:44 | 0:02:46 | |
-Right. -Any sign he was shot too? -No, I don't think so. | 0:02:46 | 0:02:50 | |
Let's take a look at the other one. | 0:02:50 | 0:02:53 | |
They picked you up? | 0:02:53 | 0:02:55 | |
I can see two, possibly three, bullet wounds. | 0:02:57 | 0:03:01 | |
Abdomen, chest and what may be a bullet graze, | 0:03:01 | 0:03:05 | |
left side of his skull. | 0:03:05 | 0:03:06 | |
Bullet entry points in the passenger-seat upholstery. | 0:03:06 | 0:03:09 | |
Fired off multiple rounds. | 0:03:09 | 0:03:11 | |
Missed as often as he hit. | 0:03:11 | 0:03:12 | |
Positioning of the bullet wounds suggest that | 0:03:12 | 0:03:15 | |
he turned to face the gunman when he was shot. | 0:03:15 | 0:03:17 | |
Which suggests he was conscious. | 0:03:17 | 0:03:19 | |
Looks like he undid his seatbelt as he was trying to get out. | 0:03:19 | 0:03:23 | |
-Gunman must have been on him quickly. -Not necessarily. | 0:03:23 | 0:03:26 | |
His legs are pinned. | 0:03:26 | 0:03:27 | |
He could struggle all he liked, but he wasn't going anywhere. | 0:03:27 | 0:03:30 | |
Massive impact damage to the front of the car | 0:03:30 | 0:03:33 | |
where it hit the container. | 0:03:33 | 0:03:34 | |
Judging by the dents on the driver's side, | 0:03:34 | 0:03:37 | |
I'd say another car shunted them, forced the collision. | 0:03:37 | 0:03:40 | |
It appears the gunman's car was black. | 0:03:40 | 0:03:43 | |
The attacker's vehicle braked hard after the other car crashed. | 0:04:04 | 0:04:08 | |
See this tyre mark? It's wide. | 0:04:08 | 0:04:10 | |
250, 260 mil? | 0:04:10 | 0:04:12 | |
-You won't find tyres that size on a Fiat 500. -No, you wouldn't. | 0:04:12 | 0:04:16 | |
We're talking SUV, large SUV. | 0:04:16 | 0:04:18 | |
Explains how he was able to shunt the victim's car. | 0:04:18 | 0:04:21 | |
-Extreme road rage? -It doesn't feel like road rage. | 0:04:21 | 0:04:25 | |
I think it was planned. | 0:04:25 | 0:04:27 | |
Help. Help my boy! | 0:04:28 | 0:04:31 | |
No! | 0:04:39 | 0:04:41 | |
RAPID GUNFIRE | 0:04:41 | 0:04:43 | |
They're desperate to reopen the road. | 0:04:49 | 0:04:52 | |
Want to know how long till we're done. | 0:04:52 | 0:04:55 | |
-Jack? -Are we sure this body hasn't been moved? | 0:04:55 | 0:04:58 | |
The car doesn't belong to either of the deceased. | 0:04:58 | 0:05:00 | |
-It's owned by someone called Liam Stanwell. -Traced him? | 0:05:00 | 0:05:02 | |
Not yet. Any sign the car was stolen? | 0:05:02 | 0:05:04 | |
The key was in the ignition. | 0:05:04 | 0:05:05 | |
It's registered to an address in Walthamstow. | 0:05:05 | 0:05:07 | |
-Same area as our victims. -Maybe they were friends. | 0:05:07 | 0:05:10 | |
-Could he have been in the car with them? -It's possible. | 0:05:10 | 0:05:13 | |
-Know him? -Yeah, it's my DCI. | 0:05:17 | 0:05:19 | |
Either he's here to offer support from the sidelines | 0:05:19 | 0:05:21 | |
or he's going to boot me off the pitch. | 0:05:21 | 0:05:24 | |
-Morning, sir. I wasn't expecting you. -I'll be taking lead, Jodie. | 0:05:24 | 0:05:28 | |
I don't understand. I thought you said I could have this? | 0:05:28 | 0:05:31 | |
That was before we had a name - Bill McAteer. | 0:05:31 | 0:05:33 | |
I locked his brother, Tommy McAteer, up for murder a long time ago. | 0:05:33 | 0:05:37 | |
Now Tommy's out, Bill's dead. | 0:05:37 | 0:05:39 | |
I need a full roster of all CCTV cameras with an eye on this road | 0:05:39 | 0:05:42 | |
-in the last mile. -Yeah, we're already on it. | 0:05:42 | 0:05:45 | |
His wife been told yet? | 0:05:47 | 0:05:49 | |
Carol, isn't it? Carol McAteer? | 0:06:18 | 0:06:21 | |
Yeah. | 0:06:21 | 0:06:23 | |
DCI Underhill. | 0:06:23 | 0:06:26 | |
Know you, don't I? | 0:06:26 | 0:06:28 | |
You're that lying copper. Haven't you caused this family enough grief? | 0:06:28 | 0:06:31 | |
Can I come in, please, Mrs McAteer? | 0:06:31 | 0:06:33 | |
It's important. | 0:06:34 | 0:06:36 | |
All right, keep me informed. | 0:06:45 | 0:06:47 | |
Family Liaison officer will be here soon. | 0:06:52 | 0:06:55 | |
Can I get you a tea or coffee? | 0:06:57 | 0:06:59 | |
Just want to see my boy. | 0:06:59 | 0:07:02 | |
We can arrange that...soon. | 0:07:02 | 0:07:05 | |
Why you? | 0:07:09 | 0:07:10 | |
Christ, why did it have to be you? | 0:07:10 | 0:07:15 | |
It's just the way it fell. | 0:07:15 | 0:07:17 | |
Whatever it is you think I did back then, you're wrong... | 0:07:18 | 0:07:22 | |
..and I promise you that no-one, no-one, is going to work harder | 0:07:24 | 0:07:28 | |
to find out who killed your husband and son. | 0:07:28 | 0:07:31 | |
They were in a friend's car. | 0:07:36 | 0:07:38 | |
Liam Stanwell's car. | 0:07:39 | 0:07:42 | |
-You know Liam? -Course. | 0:07:43 | 0:07:46 | |
Frankie's best mate. | 0:07:47 | 0:07:50 | |
-What, Liam wasn't with them? -We don't know. | 0:07:50 | 0:07:53 | |
Did they all usually travel in together? | 0:07:55 | 0:07:58 | |
Liam picks Frankie... | 0:07:59 | 0:08:01 | |
Picked Frankie up every morning, one o'clock. | 0:08:02 | 0:08:06 | |
Bill drove himself. | 0:08:07 | 0:08:10 | |
Liked to get to the market by midnight. | 0:08:11 | 0:08:14 | |
But Bill didn't drive in yesterday? | 0:08:14 | 0:08:16 | |
I don't know. | 0:08:16 | 0:08:18 | |
Sometimes Liam picked him up if Bill wanted a drink after work. | 0:08:18 | 0:08:21 | |
But surely you'd know if your husband left his car at home? | 0:08:21 | 0:08:24 | |
I'm not his bloody keeper! | 0:08:24 | 0:08:26 | |
Should we wait for the DCI? | 0:08:30 | 0:08:31 | |
-Stuff the DCI. -What's the story with you two? | 0:08:31 | 0:08:34 | |
No. It's fine. It's just it's my first stab at SIO. | 0:08:34 | 0:08:38 | |
Underhill hears the name McAteer and he cuts me off at the knees. | 0:08:38 | 0:08:41 | |
Why is he so interested in the McAteers? | 0:08:41 | 0:08:44 | |
He's got history with Bill's younger brother. | 0:08:44 | 0:08:47 | |
Tommy McAteer tried to rob a dealer in '96 | 0:08:47 | 0:08:50 | |
and he ended up taking a 16-year-old kid hostage. | 0:08:50 | 0:08:53 | |
He killed him. | 0:08:53 | 0:08:55 | |
He says it was an accident, but the jury didn't see it that way. | 0:08:55 | 0:08:58 | |
It was the guvnor's first big win. | 0:08:58 | 0:08:59 | |
-So he thinks it's one brother killing another? -Mmm. | 0:08:59 | 0:09:02 | |
Apparently there was no love lost. | 0:09:02 | 0:09:05 | |
I forgot to ask... | 0:09:06 | 0:09:08 | |
..where is Tommy these days? | 0:09:10 | 0:09:11 | |
Tommy had nothing to do with this. | 0:09:11 | 0:09:13 | |
-I'm not saying that he did. -That's what you think, innit? | 0:09:13 | 0:09:16 | |
He gets out of prison, and what, kills his own brother? My son? | 0:09:16 | 0:09:20 | |
-I'm not prejudging. -You don't know what you're talking about. | 0:09:20 | 0:09:24 | |
We didn't even know Tommy had been released straight off. | 0:09:24 | 0:09:27 | |
Bill found out. Heard he was in a mess. No job. No money. | 0:09:27 | 0:09:30 | |
Living in filth round at their dad's old flat. | 0:09:30 | 0:09:34 | |
Bill went round, offered him a job at the market. | 0:09:34 | 0:09:37 | |
No-one's saying it was a perfect relationship, | 0:09:37 | 0:09:41 | |
but they were trying to make it work. | 0:09:41 | 0:09:44 | |
He cuffed me. | 0:09:51 | 0:09:53 | |
Who? | 0:09:53 | 0:09:55 | |
Bloody Frankie! | 0:09:55 | 0:09:58 | |
I'm going to kill him when I see him. | 0:09:58 | 0:09:59 | |
I know I'm new here but he took it too far. | 0:09:59 | 0:10:02 | |
No, Tommy, please... | 0:10:04 | 0:10:06 | |
Tommy, I've been here for four hours already! | 0:10:06 | 0:10:08 | |
The keys are just on the side. Tommy, please! | 0:10:08 | 0:10:11 | |
(Tommy, you bastard!) | 0:10:11 | 0:10:14 | |
No, Tommy, mate. Come on, be serious. | 0:10:17 | 0:10:19 | |
No, Tommy, no! | 0:10:19 | 0:10:21 | |
PHONE RINGS | 0:10:29 | 0:10:32 | |
Does the name Liam mean anything to you? | 0:10:42 | 0:10:46 | |
It's Frankie McAteer's phone. | 0:10:46 | 0:10:48 | |
No answer. | 0:10:54 | 0:10:57 | |
Are you sure you don't know where my car is? | 0:10:57 | 0:10:59 | |
(Jesus.) | 0:11:01 | 0:11:03 | |
-Tommy. -Who's this? | 0:11:05 | 0:11:08 | |
DCI Underhill. Who are you? | 0:11:08 | 0:11:10 | |
-Liam. -Liam Stanwell? | 0:11:10 | 0:11:12 | |
-Yeah, how do you know my name? -I'll come to that in a minute. | 0:11:12 | 0:11:14 | |
Park your arse over there. I want to talk to you. | 0:11:14 | 0:11:16 | |
No, he's all right where he is. | 0:11:16 | 0:11:18 | |
It's about your brother and his kid, Frankie. | 0:11:20 | 0:11:23 | |
They're dead. | 0:11:24 | 0:11:26 | |
Extensive bruising around the eyes and forehead, | 0:11:38 | 0:11:40 | |
probably caused by impact with the airbag. | 0:11:40 | 0:11:43 | |
There's a wound on the left side of his skull | 0:11:53 | 0:11:56 | |
which, given the nature of his other injuries, I wouldn't expect to see. | 0:11:56 | 0:12:00 | |
Possibly an old wound that's been reopened. | 0:12:01 | 0:12:04 | |
Is that significant? | 0:12:04 | 0:12:06 | |
I'll wait to say until I see the state of the parietal bone. | 0:12:06 | 0:12:09 | |
Now, we both know why I'm here. | 0:12:13 | 0:12:17 | |
20 years inside, no-one kills Bill. | 0:12:17 | 0:12:20 | |
You come out, Bill gets run off the road, exits the vehicle headfirst. | 0:12:20 | 0:12:23 | |
Where were you between six and eight this morning? | 0:12:25 | 0:12:27 | |
-I was working. -Working. | 0:12:27 | 0:12:30 | |
-And what job did Bill give you? -Deliveries. -Deliveries. | 0:12:30 | 0:12:34 | |
Hardly a seat at the top table, is it, my son? | 0:12:34 | 0:12:37 | |
Must've been hard, accepting your brother's charity, | 0:12:37 | 0:12:40 | |
seeing what he'd made of his life. | 0:12:40 | 0:12:43 | |
Fancy house, car, kid... | 0:12:43 | 0:12:47 | |
The wife. | 0:12:49 | 0:12:51 | |
You shut your mouth! | 0:12:52 | 0:12:55 | |
There you are. | 0:12:55 | 0:12:58 | |
That's the Tommy McAteer I know. | 0:12:59 | 0:13:02 | |
The man who stuck a shotgun in the mouth of a 16-year-old kid | 0:13:02 | 0:13:08 | |
and pulled the trigger. | 0:13:08 | 0:13:10 | |
Christ! | 0:13:18 | 0:13:20 | |
PHONE RINGS | 0:13:20 | 0:13:22 | |
No bullet wounds evident. The victim wasn't shot. | 0:13:24 | 0:13:26 | |
OK. All right, I'll see you at Billingsgate, guv. | 0:13:26 | 0:13:29 | |
Liam Stanwell. The DCI found him and then he lost him. | 0:13:29 | 0:13:32 | |
Call me if you find anything significant. | 0:13:32 | 0:13:35 | |
In addition to extensive bruising on the left side of his torso, | 0:13:37 | 0:13:41 | |
there's bruising on his face. | 0:13:41 | 0:13:42 | |
-His right ear is... -Does bruising suggest he didn't die straight away? | 0:13:42 | 0:13:46 | |
-Correct. -Might explain why the body wasn't where I'd expect it to be | 0:13:46 | 0:13:50 | |
after impact. | 0:13:50 | 0:13:52 | |
Abrasions on the forearms and fingertips | 0:14:00 | 0:14:04 | |
and a grey, gritty substance embedded in the wounds. | 0:14:04 | 0:14:07 | |
-Probably tarmac. -He crawled. | 0:14:07 | 0:14:10 | |
And if he crawled, he was still alive... | 0:14:10 | 0:14:12 | |
No! | 0:14:12 | 0:14:16 | |
So why didn't the gunman kill him? | 0:14:16 | 0:14:18 | |
PHONE RINGS | 0:14:33 | 0:14:36 | |
How many times? | 0:14:41 | 0:14:43 | |
During work hours, you keep your phone turned off. | 0:14:43 | 0:14:45 | |
-I forgot. -Well, that ain't good enough. | 0:14:45 | 0:14:47 | |
You're walking on thin ice, Becky. Very thin ice. Do you understand? | 0:14:47 | 0:14:51 | |
He's going to be around here somewhere. | 0:14:55 | 0:14:58 | |
Well, at least we know he doesn't have a car. | 0:15:01 | 0:15:03 | |
That's the little scrote. Police! | 0:15:06 | 0:15:09 | |
If I had any cartilage left in me knees... Ah! | 0:15:09 | 0:15:11 | |
-Why the hell do you run? -I don't know. | 0:15:32 | 0:15:35 | |
Why was Frankie driving your car, Liam? | 0:15:38 | 0:15:41 | |
-He took it. -Stole it? | 0:15:41 | 0:15:43 | |
Well, yeah, I suppose, but it was a joke, you know. | 0:15:43 | 0:15:46 | |
He was trying to make things even worse for me. | 0:15:46 | 0:15:48 | |
Is that usually part of the initiation? | 0:15:48 | 0:15:50 | |
How would I know? And what's that got to do with anything? | 0:15:50 | 0:15:55 | |
My best mate has been murdered, right, | 0:15:55 | 0:15:57 | |
and you're asking questions about my car? | 0:15:57 | 0:16:00 | |
Do you think the fact that Frankie was driving your car is significant, Liam? | 0:16:00 | 0:16:04 | |
Was somebody trying to hurt Frankie? | 0:16:08 | 0:16:10 | |
Is that why you ran? | 0:16:12 | 0:16:15 | |
Are you worried somebody might want to hurt you too? | 0:16:15 | 0:16:18 | |
Look, I don't know what you're talking about. | 0:16:19 | 0:16:22 | |
Can I go? | 0:16:28 | 0:16:30 | |
-He's lying, guv. -Maybe. | 0:16:37 | 0:16:40 | |
Or maybe he's just a kid who's just lost his best mate. | 0:16:40 | 0:16:43 | |
No need to complicate it any more than it already is. | 0:16:43 | 0:16:46 | |
Yeah, we did. Wasn't much help. I'll tell you about it later. | 0:16:50 | 0:16:52 | |
Yeah, he's here. | 0:16:52 | 0:16:54 | |
-Hello. -Hello. | 0:16:54 | 0:16:56 | |
-Got a favour to ask. -You can ask. | 0:16:56 | 0:16:58 | |
-I need Frankie McAteer's phone analysed. -We're ahead of you. | 0:16:58 | 0:17:00 | |
Clarissa's already working on it. | 0:17:00 | 0:17:02 | |
Bill McAteer died from a subdural haematoma sustained in the crash. | 0:17:02 | 0:17:06 | |
He survived for several minutes afterwards, | 0:17:06 | 0:17:08 | |
but the gunman didn't finish him off. | 0:17:08 | 0:17:12 | |
So Frankie must've been the target? | 0:17:12 | 0:17:14 | |
We thought the phone would suggest why. | 0:17:14 | 0:17:16 | |
It's virtually empty. | 0:17:16 | 0:17:18 | |
Bits and bobs, some photos, messages, | 0:17:18 | 0:17:21 | |
but they're all from the last few days. | 0:17:21 | 0:17:22 | |
-That's strange. Is it a new phone? -Well-used. | 0:17:22 | 0:17:25 | |
So why would he have deleted the rest? | 0:17:25 | 0:17:27 | |
Is there any way we can access that deleted information? | 0:17:27 | 0:17:30 | |
We can't, but we know a man who can. | 0:17:32 | 0:17:36 | |
Thank you, sir, thank you. | 0:17:36 | 0:17:39 | |
-Are we going to see the boss? -Through there. -Thanks. | 0:17:39 | 0:17:42 | |
Thomas, how the hell are you? | 0:17:44 | 0:17:46 | |
I, er, I knew you'd need me one day. | 0:17:48 | 0:17:50 | |
Let's get one thing clear, Max. | 0:17:50 | 0:17:53 | |
You're absolutely not saving the day. | 0:17:53 | 0:17:56 | |
-That's not what's happening here, is it, Jack? -No, absolutely not. | 0:17:56 | 0:18:00 | |
Oh, that is a thing of beauty. | 0:18:00 | 0:18:02 | |
- Hey. - Hi, Nikki. It's been ages. | 0:18:02 | 0:18:05 | |
I hear you're doing great things at Linzetto. | 0:18:05 | 0:18:07 | |
You should come see us. I'll give you a tour. | 0:18:07 | 0:18:10 | |
-I'd love that. -Max, no-one told me we were expecting you. | 0:18:10 | 0:18:13 | |
That explains the lack of red carpet. | 0:18:13 | 0:18:15 | |
Max is letting us borrow one of his Cellebrite machines. | 0:18:15 | 0:18:18 | |
We need to recover some deleted data. | 0:18:18 | 0:18:21 | |
We don't have the technology to do that? | 0:18:21 | 0:18:23 | |
Last time I was here, you were boiling water on open fires. | 0:18:23 | 0:18:27 | |
Digital forensics is a dynamic, fast-moving field. | 0:18:29 | 0:18:32 | |
It's very much for specialists these days. | 0:18:32 | 0:18:34 | |
Right, well, you'll let us know how much we owe you | 0:18:34 | 0:18:36 | |
-for the hire of the machine. -Oh, no, it's fine. No money needed. | 0:18:36 | 0:18:39 | |
No, really. We'll pay. Good to see you, Max. | 0:18:39 | 0:18:41 | |
Red carpet? Boiling water on open fires? | 0:18:44 | 0:18:47 | |
-Why bait him like that? -I wasn't baiting him. | 0:18:47 | 0:18:49 | |
-I was just trying to make a feeble joke. -Oh, it was a feeble joke. | 0:18:49 | 0:18:52 | |
-He did look cross, didn't he? -He did a bit. | 0:18:52 | 0:18:54 | |
-So, Jack, you know how to use a Cellebrite machine? -Negative. | 0:18:56 | 0:18:59 | |
-Read about them. -Well, data analysis software can be a bit tricksy. | 0:18:59 | 0:19:01 | |
-So, you need me to take you through it? -Nah, he's got me. | 0:19:01 | 0:19:05 | |
OK, but God forbid you have to ring me up because you're struggling. | 0:19:06 | 0:19:10 | |
-Yeah, I think I'll manage. -OK. | 0:19:10 | 0:19:14 | |
-See you. Nikki, Jack. -Cheers. | 0:19:15 | 0:19:18 | |
-Right. -Right. | 0:19:20 | 0:19:22 | |
-So... -Let's get to. -Good luck. | 0:19:22 | 0:19:25 | |
Show me. I am putty in your hands. | 0:19:27 | 0:19:30 | |
One bullet passed straight through Frankie's right ventricle, | 0:19:46 | 0:19:49 | |
severing the pulmonary artery. | 0:19:49 | 0:19:50 | |
He would have lost consciousness after a few seconds, | 0:19:50 | 0:19:53 | |
bled to death quickly. | 0:19:53 | 0:19:54 | |
Bullets from the car are mush, so please tell me you found it. | 0:19:54 | 0:19:57 | |
Well that one passed straight through, but another entered | 0:19:57 | 0:19:59 | |
through the stomach fundus, glanced off the spine. | 0:19:59 | 0:20:02 | |
I extracted it and here it is relatively unscathed. | 0:20:02 | 0:20:05 | |
I'd say 9mm, wouldn't you? | 0:20:05 | 0:20:07 | |
-Beretta? Glock? -In London right now, I'd put my money on a Baikal. | 0:20:07 | 0:20:11 | |
Converted gas pistol, made in Russia, converted in Lithuania, | 0:20:11 | 0:20:14 | |
smuggled to the UK by the crate-load. | 0:20:14 | 0:20:16 | |
You can pick one up for just over a grand if you know where to look. | 0:20:16 | 0:20:18 | |
-They call it, "hit man kit". -So you think this was a professional job? | 0:20:18 | 0:20:21 | |
If it was, he was having a bad day. Trapped target, close proximity. | 0:20:21 | 0:20:25 | |
You saw how may rounds were fired off into that car. | 0:20:25 | 0:20:28 | |
He missed more often than he hit, in reasonable light, from three feet. | 0:20:28 | 0:20:32 | |
-Maybe it was new to him. -Or maybe the guvnor's right. | 0:20:32 | 0:20:36 | |
Gunman's fresh out of the nick, hasn't fired a gun in a very long time. | 0:20:36 | 0:20:40 | |
KNOCK ON DOOR | 0:21:04 | 0:21:06 | |
-Come. -You wanted to see me? | 0:21:06 | 0:21:08 | |
Jack, just between you and me, | 0:21:08 | 0:21:10 | |
next time you need outside help on a case, run it by me first. | 0:21:10 | 0:21:14 | |
He's Clarissa's husband. He was helping out. | 0:21:14 | 0:21:17 | |
Yeah, he's also a competitor, so just clear it with me first. | 0:21:17 | 0:21:22 | |
OK? | 0:21:22 | 0:21:24 | |
OK. | 0:21:24 | 0:21:26 | |
DOOR CLOSES | 0:21:29 | 0:21:30 | |
Take a look. | 0:21:33 | 0:21:35 | |
What exactly am I looking at? | 0:21:37 | 0:21:39 | |
-Remember the historic head wound? -Yeah. | 0:21:39 | 0:21:41 | |
This is a section of Frankie's parietal bone. | 0:21:41 | 0:21:44 | |
During postmortem, I found the skull was fractured. | 0:21:44 | 0:21:47 | |
And this is significant how? | 0:21:47 | 0:21:49 | |
It wasn't anything to do with the car accident. | 0:21:49 | 0:21:51 | |
It's a healing fracture. | 0:21:51 | 0:21:53 | |
So even though this is a relatively weak area of the skull, | 0:21:53 | 0:21:56 | |
it would have taken considerable force to cause this. | 0:21:56 | 0:21:59 | |
So we're not talking an average bump on the head, then? | 0:21:59 | 0:22:01 | |
Typically, I find this kind of blunt force injury in someone who's | 0:22:01 | 0:22:04 | |
been hit with a hard implement, say, a heavy piece of wood or metal. | 0:22:04 | 0:22:08 | |
-OK, so this could be evidence of a prior assault? -A -major -assault. | 0:22:08 | 0:22:11 | |
What timescale are we looking at? | 0:22:11 | 0:22:13 | |
Difficult to be exact, but given his age, I'd estimate the injury | 0:22:13 | 0:22:17 | |
was sustained within the last three-ish weeks. | 0:22:17 | 0:22:21 | |
He was a young man. Young men fight. | 0:22:22 | 0:22:25 | |
They get drunk and fall over. | 0:22:25 | 0:22:26 | |
That's not evidence he was the target. | 0:22:26 | 0:22:28 | |
OK, but if this is about the two brothers, | 0:22:28 | 0:22:30 | |
why didn't Tommy put a bullet in Bill to make sure? | 0:22:30 | 0:22:32 | |
And why kill Frankie at all? PHONE RINGS | 0:22:32 | 0:22:34 | |
To cover his arse or maybe get a clear run at Mum. | 0:22:34 | 0:22:36 | |
-Guv, what are you talking about? -Look... -Tanner. | 0:22:36 | 0:22:38 | |
..I'm not saying Frankie wasn't the target. | 0:22:38 | 0:22:40 | |
What I'm saying is, seeing how the family black sheep has just | 0:22:40 | 0:22:43 | |
returned to the fold in the shape of a violent, gun-toting maniac, | 0:22:43 | 0:22:46 | |
then maybe, just maybe, Tommy McAteer's worth keeping an eye on. | 0:22:46 | 0:22:49 | |
They've got footage of the vehicle involved. | 0:22:49 | 0:22:52 | |
Can they patch it through here? | 0:22:52 | 0:22:53 | |
Yeah, can you patch it through to The Lyell? | 0:22:53 | 0:22:56 | |
That's the McAteer car. | 0:22:56 | 0:22:58 | |
Do we know how far this is from the crash scene? | 0:22:58 | 0:23:01 | |
-Three or four miles, give or take. -He was waiting for them, 6am. | 0:23:01 | 0:23:04 | |
-We can't even see the driver. -On the plus side, we've got the plates. | 0:23:04 | 0:23:07 | |
That SUV was stolen from the Stoke Newington area three nights ago. | 0:23:07 | 0:23:11 | |
Good. | 0:23:11 | 0:23:13 | |
Can you rewind that? | 0:23:15 | 0:23:17 | |
This was planned. He was waiting. | 0:23:17 | 0:23:19 | |
He knew their route. He knew them. | 0:23:19 | 0:23:21 | |
Throw in the firearms and the stolen vehicle, | 0:23:21 | 0:23:23 | |
that, Jodie, is the sea Tommy McAteer swims in. | 0:23:23 | 0:23:26 | |
There. Hand out, hand in. | 0:23:26 | 0:23:28 | |
Yeah. | 0:23:28 | 0:23:30 | |
The driver dropped a cigarette butt out the window. | 0:23:32 | 0:23:35 | |
We need to find that right now. | 0:23:35 | 0:23:37 | |
How do you know that's the one? | 0:24:06 | 0:24:07 | |
Rained yesterday. Didn't rain on this. | 0:24:07 | 0:24:10 | |
-Do you think you can get DNA? -Maybe. -PHONE RINGS | 0:24:10 | 0:24:13 | |
Cross-check Tommy McAteer's DNA on the national database. | 0:24:13 | 0:24:16 | |
Underhill. | 0:24:16 | 0:24:18 | |
Right. | 0:24:20 | 0:24:22 | |
They've found the car. | 0:24:22 | 0:24:24 | |
Look, I don't want to hurt you, right? | 0:24:27 | 0:24:30 | |
Frankie's dead. | 0:24:30 | 0:24:31 | |
He was murdered this morning and he's asked to meet. | 0:24:31 | 0:24:33 | |
Please! Please, talk to him for me! | 0:24:33 | 0:24:36 | |
Please, I am begging you! please! | 0:24:36 | 0:24:39 | |
RAPE ALARM WAILS | 0:24:39 | 0:24:41 | |
Excellent chat, guys. Come on, we've got work to do. | 0:24:51 | 0:24:53 | |
He grabbed me and pushed me against a wall. | 0:24:53 | 0:24:57 | |
He said Frankie was dead. | 0:24:57 | 0:24:59 | |
Was it you? | 0:25:00 | 0:25:02 | |
Look, I NEED to know. | 0:25:02 | 0:25:04 | |
Was it you? | 0:25:06 | 0:25:09 | |
-Anything? -It's been wiped clean. | 0:25:13 | 0:25:16 | |
Might get a few hairs or fibres if we're lucky but chances are | 0:25:16 | 0:25:19 | |
this car won't tell us much. | 0:25:19 | 0:25:20 | |
You reckon? | 0:25:20 | 0:25:22 | |
You know, you do a job. You dump the motor. | 0:25:22 | 0:25:24 | |
If you're clever, you leave it a fair distance from your gaff. | 0:25:24 | 0:25:26 | |
But most criminals ain't clever. | 0:25:26 | 0:25:29 | |
They like a nice easy walk back to bed. | 0:25:29 | 0:25:31 | |
It's less than half a mile from here to the Millhouse estate. | 0:25:33 | 0:25:36 | |
Let me guess. This Tommy McAteer lives at the Millhouse estate? | 0:25:36 | 0:25:39 | |
He most certainly does. | 0:25:39 | 0:25:41 | |
Why are you so sure this is Cain and Abel? | 0:25:41 | 0:25:44 | |
Cain, Abel with a little Romeo and Juliet thrown in for good measure. | 0:25:44 | 0:25:48 | |
Carol was Tommy's girl before she was Bill's. | 0:25:50 | 0:25:54 | |
I nicked him in '96. | 0:25:54 | 0:25:55 | |
She sat in that courtroom every day of his trial. | 0:25:57 | 0:25:59 | |
But Tommy went down. Long way down. | 0:25:59 | 0:26:02 | |
So Tommy wants his girl back? | 0:26:06 | 0:26:09 | |
Kills two members of his family to get her? | 0:26:09 | 0:26:12 | |
It's not just her. It's the business, the house, the works. | 0:26:12 | 0:26:16 | |
The McAteers are one of the oldest firms in Billingsgate. | 0:26:18 | 0:26:21 | |
Bill made it the most successful. | 0:26:21 | 0:26:24 | |
Tommy wants what his brother had. | 0:26:24 | 0:26:27 | |
All of it. | 0:26:27 | 0:26:29 | |
Mrs McAteer? | 0:26:32 | 0:26:34 | |
Would you like to come with me? | 0:26:34 | 0:26:37 | |
Would you like me to come? | 0:26:37 | 0:26:39 | |
SHE WAILS | 0:26:59 | 0:27:03 | |
Mrs McAteer. | 0:27:04 | 0:27:06 | |
I need to go home. I don't feel too good. Is that OK? | 0:27:44 | 0:27:47 | |
We're busy. If Paul was here, maybe. | 0:27:47 | 0:27:49 | |
I really don't feel too good, Jason. | 0:27:49 | 0:27:51 | |
What's going on with you? | 0:27:51 | 0:27:53 | |
Weeks of this, calling in sick, walking out early. I've had enough. | 0:27:53 | 0:27:57 | |
That's right. Walk away. | 0:27:59 | 0:28:02 | |
Piss off, Jason. | 0:28:02 | 0:28:04 | |
Walk away and don't come back. | 0:28:04 | 0:28:07 | |
Thomas really surprised me earlier, the way he reacted to Max. | 0:28:09 | 0:28:12 | |
-No, it's understandable. -Being rude? | 0:28:12 | 0:28:15 | |
Being overprotective. | 0:28:15 | 0:28:17 | |
Max is always looking for new staff. | 0:28:17 | 0:28:19 | |
So he's worried about poaching? That's ridiculous. | 0:28:19 | 0:28:21 | |
Is it? | 0:28:21 | 0:28:23 | |
Just had the guvnor on the phone. He wants the DNA fast-tracked, | 0:28:23 | 0:28:25 | |
hoping it's McAteer. | 0:28:25 | 0:28:27 | |
I think he might actually spontaneously combust if it isn't. | 0:28:27 | 0:28:31 | |
I extracted the deleted data from Frankie McAteer's phone. | 0:28:31 | 0:28:35 | |
Now, the analyser software allows you to filter the data, | 0:28:35 | 0:28:39 | |
so I've managed to isolate the messages between Frankie | 0:28:39 | 0:28:42 | |
and Liam Stanwell. | 0:28:42 | 0:28:44 | |
There's loads of it. | 0:28:44 | 0:28:46 | |
Dipped my toe in. | 0:28:46 | 0:28:47 | |
Makes The LAD Bible look like The Great Gatsby. | 0:28:47 | 0:28:51 | |
I may have to pluck out my eyeballs if I read much more. | 0:28:51 | 0:28:54 | |
-Can you filter by date? -Of course. | 0:28:54 | 0:28:56 | |
Three weeks ago, Liam thinks he's being followed | 0:28:58 | 0:29:00 | |
and two days later, Frankie's panicking, | 0:29:00 | 0:29:03 | |
suggests they go to the police because he thinks | 0:29:03 | 0:29:05 | |
he's going to get, "whacked". | 0:29:05 | 0:29:07 | |
Liam talks him down, but they seem genuinely scared for their lives. | 0:29:07 | 0:29:11 | |
If they were so spooked, why not just go to the police? | 0:29:11 | 0:29:13 | |
Yeah, now, Frankie mentions that. | 0:29:13 | 0:29:15 | |
-Yeah, here. Liam responds. -"Delete the video." | 0:29:15 | 0:29:18 | |
Why would a video stop them going to the police? | 0:29:18 | 0:29:21 | |
Well, it depends what's on the video and, | 0:29:21 | 0:29:24 | |
after spending several hours wading through their messages, | 0:29:24 | 0:29:27 | |
I very much doubt it was an episode of Antiques Roadshow. | 0:29:27 | 0:29:29 | |
-We kind of need to find that footage. -Mrs McAteer says she'll speak to us. | 0:29:29 | 0:29:33 | |
Head injury? Frankie didn't have a head injury. | 0:29:36 | 0:29:38 | |
I'm afraid he did and it was really quite serious. | 0:29:38 | 0:29:42 | |
I've rung all the hospitals in the area. | 0:29:42 | 0:29:45 | |
Can't find any evidence of Frankie being admitted. | 0:29:45 | 0:29:47 | |
Why would he? There was no injury. | 0:29:47 | 0:29:50 | |
We've accessed messages on his mobile phone. | 0:29:50 | 0:29:54 | |
In text exchanges with Liam Stanwell, | 0:29:54 | 0:29:57 | |
he refers to being attacked. | 0:29:57 | 0:29:58 | |
-Attacked by who? -He doesn't say. But both boys seemed scared. | 0:29:58 | 0:30:03 | |
Uh... They refer to a video in relation to the assault. | 0:30:03 | 0:30:09 | |
Did Frankie make videos? | 0:30:10 | 0:30:12 | |
All young people make videos, don't they? | 0:30:12 | 0:30:15 | |
He was scared, you say? | 0:30:17 | 0:30:19 | |
He didn't say. | 0:30:21 | 0:30:23 | |
Mrs McAteer, can you think of any reason | 0:30:27 | 0:30:29 | |
why he wouldn't have told you about something like that? | 0:30:29 | 0:30:32 | |
No. | 0:30:32 | 0:30:34 | |
We were close. | 0:30:35 | 0:30:36 | |
I thought he told me everything. | 0:30:38 | 0:30:40 | |
He would almost certainly have been concussed. | 0:30:43 | 0:30:46 | |
May have had a bad headache, suffered nausea, dizziness. | 0:30:46 | 0:30:49 | |
Does that ring any bells? | 0:30:49 | 0:30:51 | |
He was laid up in bed a few days last month. Said he had flu. | 0:30:54 | 0:30:58 | |
Didn't say anything about a head injury. | 0:31:00 | 0:31:03 | |
He would've told me. | 0:31:03 | 0:31:04 | |
Unless he had a good reason not to. | 0:31:06 | 0:31:08 | |
Mrs McAteer, was there anybody else | 0:31:14 | 0:31:17 | |
he could have confided in at the time? | 0:31:17 | 0:31:19 | |
A girlfriend, perhaps? | 0:31:19 | 0:31:21 | |
It's this one. | 0:31:32 | 0:31:34 | |
This is...my dad. Just visiting. | 0:31:50 | 0:31:54 | |
-DI Tanner. -Nikki Alexander, Home Office pathologist. -Hey. | 0:31:54 | 0:31:58 | |
Pathologist? | 0:31:59 | 0:32:00 | |
Nikki's here because she has expert knowledge | 0:32:00 | 0:32:03 | |
-relating to an investigation... -What investigation? | 0:32:03 | 0:32:06 | |
Mr Teller, we'd like to talk to your daughter in private, if that's OK. | 0:32:06 | 0:32:09 | |
-Is she in trouble? -Absolutely not. We're just trying to locate someone. | 0:32:09 | 0:32:12 | |
It's fine, Dad. | 0:32:15 | 0:32:16 | |
Go. | 0:32:18 | 0:32:20 | |
-What time does Paul get back? -Soon. | 0:32:31 | 0:32:34 | |
-I'll be fine. -All right. Call me if he doesn't show. | 0:32:35 | 0:32:38 | |
Becky, could we sit down? | 0:32:45 | 0:32:46 | |
-Is Paul your boyfriend? -No. | 0:32:49 | 0:32:51 | |
We live together, but not like that. | 0:32:52 | 0:32:54 | |
Actually, we wanted to talk to you about an old boyfriend. | 0:32:54 | 0:32:58 | |
Frankie McAteer? | 0:32:58 | 0:33:00 | |
Paul! You're back. How was the course? | 0:33:02 | 0:33:04 | |
Yeah, I was star student. | 0:33:04 | 0:33:05 | |
Got a certificate and everything. | 0:33:05 | 0:33:07 | |
Right. Get your coat off. We're short-handed here. | 0:33:07 | 0:33:09 | |
Why? Where's Becky? | 0:33:09 | 0:33:11 | |
-How long were you together? -Er, three or four months? | 0:33:11 | 0:33:15 | |
-And when was the last time you saw him? -Er, I don't know. | 0:33:16 | 0:33:20 | |
A few weeks ago. | 0:33:21 | 0:33:23 | |
Are you OK? | 0:33:25 | 0:33:26 | |
Becky, I'm here because I found evidence that Frankie | 0:33:32 | 0:33:36 | |
had sustained damage to his skull around the last time you saw him. | 0:33:36 | 0:33:40 | |
It could've been accidental, like falling heavily, | 0:33:41 | 0:33:45 | |
hitting his head on a kerb. | 0:33:45 | 0:33:46 | |
Did something like that happen? | 0:33:48 | 0:33:50 | |
Did Frankie mention anything? | 0:33:51 | 0:33:53 | |
Um. | 0:33:55 | 0:33:56 | |
The other possibility is that he was attacked. | 0:34:01 | 0:34:03 | |
And obviously, now that he's dead, well, that's significant. | 0:34:03 | 0:34:07 | |
And we have reason to believe that Frankie felt threatened. | 0:34:07 | 0:34:10 | |
-Did he ever speak to you about that? -Um. No. | 0:34:10 | 0:34:15 | |
And what about Liam? Did Liam say anything? | 0:34:15 | 0:34:18 | |
Well, I presume you knew Liam. | 0:34:18 | 0:34:19 | |
By all accounts they were inseparable. | 0:34:19 | 0:34:22 | |
Yeah, I, I... I knew him. | 0:34:24 | 0:34:27 | |
Sorry. It is just the way things ended with me and Frankie... | 0:34:30 | 0:34:35 | |
it was bad. | 0:34:35 | 0:34:36 | |
I've spent the last month trying to put him out of my mind, that's all. | 0:34:36 | 0:34:40 | |
Look, I wish I could help, but I just don't know anything. | 0:34:40 | 0:34:45 | |
-DOOR CLOSES -Becks? | 0:34:45 | 0:34:47 | |
Hi. | 0:34:49 | 0:34:50 | |
-This is Paul. -Thanks for your time. | 0:34:50 | 0:34:54 | |
Here's my number if you think of anything that might help us. | 0:34:54 | 0:34:57 | |
-Who was that? -The police. Frankie's dead. | 0:35:06 | 0:35:10 | |
Someone killed him and his dad this morning. | 0:35:12 | 0:35:14 | |
She's holding something back. | 0:35:17 | 0:35:18 | |
Her reaction to Liam. What was that about? | 0:35:18 | 0:35:21 | |
Maybe I should try and find Mr Stanwell and ask him. | 0:35:21 | 0:35:24 | |
Do you think he might have done it? | 0:35:29 | 0:35:31 | |
He swears he didn't, | 0:35:31 | 0:35:33 | |
but now Frankie's dead and Liam's terrified. | 0:35:33 | 0:35:36 | |
I-I think he's done what he said he was going to do, Paul. | 0:35:38 | 0:35:41 | |
And now it's all going to come out. | 0:35:42 | 0:35:44 | |
Everything. | 0:35:46 | 0:35:47 | |
Made some pasta, if you want some? | 0:36:02 | 0:36:04 | |
PHONE VIBRATES | 0:36:21 | 0:36:23 | |
-Hello? -'It's Liam. Frankie's mate. | 0:36:34 | 0:36:37 | |
'Look, I realise we don't know each other that well, | 0:36:37 | 0:36:39 | |
'but I need to speak to Becky and she's blocked me.' | 0:36:39 | 0:36:41 | |
'It's about her dad.' | 0:36:43 | 0:36:44 | |
-Hello. -We're closing. | 0:37:05 | 0:37:07 | |
My daughter says you fired her. | 0:37:07 | 0:37:08 | |
Sorry, I can't keep carrying her | 0:37:08 | 0:37:10 | |
when she feels a bit under the weather. | 0:37:10 | 0:37:12 | |
You're going to call her. You're going to tell her you made a mistake | 0:37:12 | 0:37:15 | |
-and you're going to apologise. -And what if I don't? | 0:37:15 | 0:37:18 | |
HE GROANS | 0:37:18 | 0:37:19 | |
Made you some supper. Want me to leave it outside? | 0:37:24 | 0:37:27 | |
Becky? | 0:37:33 | 0:37:34 | |
Becky, open the door. | 0:37:44 | 0:37:46 | |
Becky. | 0:37:47 | 0:37:49 | |
Oh, Jesus. Becky. Becky. Becky. Wake up. Wake up. | 0:37:53 | 0:37:56 | |
Becky, please, come on, wake up. Becky, what have you done? | 0:37:58 | 0:38:01 | |
Wake up. Come on. | 0:38:01 | 0:38:03 | |
To establish paternity, you'd generally test 15 markers... | 0:38:03 | 0:38:08 | |
You've established paternity from a cigarette butt? | 0:38:08 | 0:38:10 | |
No, that hasn't been processed yet. Bear with me. | 0:38:10 | 0:38:12 | |
In order to be considered the father, | 0:38:12 | 0:38:14 | |
all 15 markers have to match. | 0:38:14 | 0:38:17 | |
This is Frankie McAteer's profile. | 0:38:17 | 0:38:19 | |
So Frankie's DNA is a match for Bill's. What's the revelation? | 0:38:25 | 0:38:28 | |
This isn't Bill's profile. It's Tommy's. | 0:38:28 | 0:38:31 | |
No. | 0:38:36 | 0:38:37 | |
I thought about what you were saying earlier. About Carol and Tommy. | 0:38:37 | 0:38:40 | |
How she was his girl before he went to prison. | 0:38:40 | 0:38:43 | |
He was here with Carol, when she came to identify the bodies | 0:38:43 | 0:38:45 | |
-and he was upset. -Bollocks. | 0:38:45 | 0:38:48 | |
Tommy and Bill were brothers, surely that makes their DNA profiles... | 0:38:49 | 0:38:52 | |
Identical twins aside, brothers still have unique profiles. | 0:38:52 | 0:38:57 | |
There's no doubt about it. Frankie was Tommy's boy. | 0:38:57 | 0:39:00 | |
Did he know? | 0:39:06 | 0:39:08 | |
Judging by what I saw today, I'd say it was likely. | 0:39:08 | 0:39:11 | |
I don't think he killed his nephew. I think he lost his son. | 0:39:13 | 0:39:16 | |
God, it's depressing. | 0:39:23 | 0:39:24 | |
I mean, how many clips of drunk young men | 0:39:24 | 0:39:28 | |
chanting and baring their arses does one person need? | 0:39:28 | 0:39:31 | |
-Here you go. -Thank you. | 0:39:31 | 0:39:34 | |
This is chicken. | 0:39:34 | 0:39:35 | |
I asked for duck. | 0:39:35 | 0:39:37 | |
That may be chicken... | 0:39:37 | 0:39:40 | |
but I have it on particularly good authority | 0:39:40 | 0:39:43 | |
that this, this particular chicken was raised as a, as a duck. | 0:39:43 | 0:39:48 | |
-It's nice this. -The food? | 0:39:53 | 0:39:57 | |
No. | 0:39:57 | 0:39:58 | |
Working together again. | 0:39:58 | 0:40:00 | |
I need to find a way to filter through, find the relevant footage. | 0:40:02 | 0:40:07 | |
-Well, it doesn't... -Hey, Jack. -Oh sorry. -And the connection to them. | 0:40:07 | 0:40:10 | |
No, what I'm saying is, it doesn't matter whether the stuff's jumbled. | 0:40:12 | 0:40:16 | |
If we selected photos of each of the boys, | 0:40:16 | 0:40:19 | |
then we'd be able to programme the analyser to use facial recognition, | 0:40:19 | 0:40:24 | |
and then we could search for material | 0:40:24 | 0:40:25 | |
in which only they appear... | 0:40:25 | 0:40:27 | |
-KNOCK AT DOOR -Jack. | 0:40:31 | 0:40:33 | |
Just so you know, Max was dropping off food for Clarissa. | 0:40:33 | 0:40:36 | |
I didn't ask him to stay, so... | 0:40:36 | 0:40:38 | |
Ah, no, don't worry. It's fine. | 0:40:38 | 0:40:40 | |
And, erm, yeah, maybe I overreacted a bit, earlier. | 0:40:40 | 0:40:43 | |
About Max, I want you to know, | 0:40:45 | 0:40:47 | |
you've absolutely nothing to worry about as far as I'm concerned. | 0:40:47 | 0:40:50 | |
Right. | 0:40:50 | 0:40:51 | |
Clarissa says he's been recruiting for other labs. | 0:40:51 | 0:40:54 | |
So I thought maybe that's why you didn't want him around. | 0:40:54 | 0:40:57 | |
It does concern me, yeah. | 0:40:57 | 0:40:59 | |
Which is why I'm saying you don't need to worry... | 0:40:59 | 0:41:01 | |
about me leaving. | 0:41:01 | 0:41:02 | |
Oh, right, no, no, erm, that's good of you, Jack, | 0:41:03 | 0:41:07 | |
and believe me I, I do not want to see you go but, um, | 0:41:07 | 0:41:11 | |
actually I was rather more concerned he was trying to poach Clarissa. | 0:41:11 | 0:41:14 | |
You think he's trying to recruit her? | 0:41:14 | 0:41:16 | |
Yeah. Yeah, you're right. Ignore me. I'm being paranoid. | 0:41:18 | 0:41:22 | |
-OK. I should probably... -Yeah. -Yeah. | 0:41:23 | 0:41:27 | |
'What a night. Oh, man, I'm wasted.' | 0:41:36 | 0:41:41 | |
There's Liam. | 0:41:43 | 0:41:44 | |
'And this is my main man, Frankie. Oi, Frankie mate, say hello.' | 0:41:48 | 0:41:53 | |
'What you doing, mate?' | 0:41:55 | 0:41:57 | |
'And this, this is Becky.' | 0:41:57 | 0:42:01 | |
When was this clip shot? | 0:42:01 | 0:42:03 | |
Three weeks ago. | 0:42:04 | 0:42:06 | |
'Mate, your girlfriend is so fit!' | 0:42:08 | 0:42:11 | |
'I know, mate.' | 0:42:11 | 0:42:13 | |
Oh, Christ. | 0:42:14 | 0:42:16 | |
-You don't -have -to watch this. | 0:42:18 | 0:42:20 | |
If you do...I do. | 0:42:23 | 0:42:26 | |
I'm glad you're here, Max. | 0:42:29 | 0:42:31 | |
MOANING, HEAVY BREATHING | 0:42:37 | 0:42:40 | |
Oi! | 0:42:50 | 0:42:51 | |
OBJECT CLATTERS | 0:42:51 | 0:42:53 | |
What you doing? | 0:42:54 | 0:42:55 | |
Ain't what it looks like. | 0:42:55 | 0:42:57 | |
It's, it's my locker, Tom. I just don't know where my key is. | 0:42:57 | 0:43:00 | |
I'm not doubting you, son. I'm just asking what it is you need so bad. | 0:43:00 | 0:43:04 | |
Clothes. I keep a set of clothes in here, that's all. | 0:43:04 | 0:43:07 | |
You got plenty of clothes at home, no? | 0:43:09 | 0:43:12 | |
Yeah, I'm not going home. | 0:43:12 | 0:43:13 | |
Er, my mum drinks, you see. I, I can't go home. Not tonight. | 0:43:15 | 0:43:19 | |
And where will you sleep tonight? | 0:43:24 | 0:43:26 | |
'And this is my main man, Frankie.' | 0:43:30 | 0:43:34 | |
'Hey, oi, Frankie mate, say hello.' | 0:43:34 | 0:43:37 | |
'What you doing, mate?' | 0:43:37 | 0:43:39 | |
'Oh, and this, this is Becky.' | 0:43:39 | 0:43:43 | |
'Beautiful Becky.' | 0:43:45 | 0:43:47 | |
-'Your girlfriend is so fit!' -'I know, mate.' | 0:43:50 | 0:43:55 | |
Stop it. | 0:44:10 | 0:44:11 | |
We, er, think this has to be the video | 0:44:18 | 0:44:21 | |
they're referring to in their messages. | 0:44:21 | 0:44:23 | |
I'm not surprised they were worried. That was rape. | 0:44:23 | 0:44:25 | |
-One of the boys was her boyfriend, right? -Irrelevant. | 0:44:25 | 0:44:29 | |
Did you hear consent given? | 0:44:29 | 0:44:31 | |
Clarissa, where did you find this? | 0:44:32 | 0:44:34 | |
In, er, Frankie's mobile cache. He'd deleted it. | 0:44:34 | 0:44:38 | |
It gets worse, I'm afraid. | 0:44:38 | 0:44:40 | |
We, we checked his erased browser history. | 0:44:40 | 0:44:43 | |
There's a link to a website hosting revenge porn. | 0:44:43 | 0:44:45 | |
He uploaded it? | 0:44:45 | 0:44:47 | |
Someone did. A couple of days afterwards. | 0:44:47 | 0:44:49 | |
It's still there on the website now. | 0:44:50 | 0:44:52 | |
-Told me you'd keep an eye on her. -I'm sorry. | 0:45:13 | 0:45:15 | |
"I'll look after her," you said. | 0:45:15 | 0:45:17 | |
-I tried! -No, you didn't. We had an agreement. | 0:45:17 | 0:45:20 | |
Someone had to stay with her. | 0:45:20 | 0:45:22 | |
You said you'd call if you ever had to go away. | 0:45:22 | 0:45:24 | |
It was just one night. It was a training course. | 0:45:24 | 0:45:26 | |
She tell you she got jumped, one of the boys outside her work? | 0:45:26 | 0:45:30 | |
Shitting himself cos one of his mates got killed. | 0:45:30 | 0:45:32 | |
Deserved it. | 0:45:33 | 0:45:35 | |
She's my little girl, Paul. | 0:45:37 | 0:45:39 | |
She's all I've got. | 0:45:41 | 0:45:42 | |
It's my job to protect her. | 0:45:44 | 0:45:45 | |
Paul. | 0:46:05 | 0:46:06 | |
Paul. Paul. Please, can we talk? | 0:46:08 | 0:46:11 | |
Look, whatever she told you, mate, it ain't true. It can't be. | 0:46:11 | 0:46:13 | |
What was it, then? | 0:46:15 | 0:46:16 | |
It was just sex. You know, we were drunk, we were stoned. | 0:46:18 | 0:46:21 | |
It just happened. These things happen, right? | 0:46:21 | 0:46:24 | |
-You put it on the internet. -Yeah, that was a mistake. | 0:46:24 | 0:46:28 | |
I was just trying to piss off Frankie. | 0:46:30 | 0:46:33 | |
He was actin' like such a prick after she dumped him. | 0:46:33 | 0:46:35 | |
Making out it was all my fault. | 0:46:35 | 0:46:36 | |
Look, I know what I did was wrong, I do... | 0:46:38 | 0:46:40 | |
..but I don't deserve to die for it. | 0:46:42 | 0:46:44 | |
Someone's been following me. | 0:46:48 | 0:46:50 | |
Past few days, I've had this feeling. | 0:46:51 | 0:46:53 | |
Are you sure you're not just being paranoid? | 0:46:58 | 0:47:00 | |
Yeah, maybe. | 0:47:00 | 0:47:02 | |
But after what her dad did to Frankie a few weeks back? | 0:47:04 | 0:47:07 | |
And now he's gone and murdered him. | 0:47:08 | 0:47:10 | |
Frankie was in my car. I should be dead too. | 0:47:12 | 0:47:14 | |
And now I can't think straight, I can't breath. | 0:47:14 | 0:47:17 | |
I keep on thinking he's hiding round every corner. Please! | 0:47:17 | 0:47:21 | |
Just, just talk to him for me. | 0:47:21 | 0:47:23 | |
Give me your phone number. | 0:47:25 | 0:47:28 | |
I'm not using my phone no more. He can track it. | 0:47:28 | 0:47:30 | |
Then how am I going to contact you? | 0:47:30 | 0:47:32 | |
I'm staying at a mate's place. | 0:47:34 | 0:47:35 | |
It's close. | 0:47:37 | 0:47:39 | |
Please. Just talk to him. | 0:47:43 | 0:47:45 | |
Three e-mails from Frankie to the porn site administrator. | 0:48:03 | 0:48:07 | |
He was begging for the videos to be taken down. He never got an answer. | 0:48:07 | 0:48:12 | |
So Liam posts a revenge porn video online. | 0:48:12 | 0:48:16 | |
Frankie tries to get it taken down. | 0:48:16 | 0:48:17 | |
And it was about this time that Frankie was attacked. | 0:48:17 | 0:48:20 | |
Maybe he had good reason to want it taken down. | 0:48:22 | 0:48:24 | |
The video's been copied dozens of times. | 0:48:24 | 0:48:26 | |
It's hosted on countless other websites all over the world. | 0:48:26 | 0:48:30 | |
I, er, very much doubt she consented to that. | 0:48:30 | 0:48:34 | |
If this video did lead to the murder of Bill and Frankie McAteer, | 0:48:42 | 0:48:45 | |
we have to assume Liam Stanwell's also in danger. | 0:48:45 | 0:48:47 | |
Yeah, I've been trying to contact him | 0:48:47 | 0:48:49 | |
ever since we left Becky Teller's. He's not answering his phone. | 0:48:49 | 0:48:52 | |
So we keep on trying, | 0:48:52 | 0:48:53 | |
and we focus on the people who had an interest in doing him harm. | 0:48:53 | 0:48:56 | |
As far as I can see, that's the girl and her family. | 0:48:56 | 0:48:58 | |
-What do we know about Dad? -Stuart Teller. He's ex-army. | 0:48:59 | 0:49:04 | |
Lance Corporal, Blues and Royals. Did two tours of Afghanistan. | 0:49:04 | 0:49:08 | |
'And was discharged in 2011. For substance abuse and assault.' | 0:49:08 | 0:49:12 | |
Paul? DI Tanner. | 0:49:41 | 0:49:42 | |
I called round earlier with my colleague, to speak to Becky. | 0:49:42 | 0:49:45 | |
Is she here? | 0:49:45 | 0:49:46 | |
Straight back to work. | 0:49:56 | 0:49:57 | |
Yeah, well, someone's got to pay the bills. | 0:49:57 | 0:49:59 | |
Still good with a knife, I'll give you that. | 0:50:02 | 0:50:05 | |
-Your old man teach you? -What do you want? | 0:50:05 | 0:50:07 | |
I've come to say I'm sorry. | 0:50:09 | 0:50:11 | |
-About Frankie. -Yep. | 0:50:13 | 0:50:14 | |
No, Tom. | 0:50:16 | 0:50:17 | |
I really am sorry. | 0:50:18 | 0:50:20 | |
When did Carol tell you he was yours? | 0:50:30 | 0:50:32 | |
Five years back, on his 18th. | 0:50:38 | 0:50:40 | |
Bill ever know? | 0:50:43 | 0:50:44 | |
We think Frankie may have been killed | 0:50:53 | 0:50:54 | |
because of something him and Liam did. | 0:50:54 | 0:50:57 | |
Something to do with a girlfriend of Frankie's. | 0:50:58 | 0:51:02 | |
We need to find Liam. | 0:51:02 | 0:51:04 | |
Excuse me. We need to speak to Becky Teller. | 0:52:25 | 0:52:28 | |
She was admitted earlier today. | 0:52:28 | 0:52:30 | |
I'm afraid that's impossible. She's been sedated. | 0:52:30 | 0:52:32 | |
Er, what about her father? Is he here? | 0:52:32 | 0:52:34 | |
-No, he left about an hour ago. -OK. | 0:52:34 | 0:52:36 | |
Well, the nurse says that Stuart Teller left the hospital an hour ago. | 0:52:53 | 0:52:56 | |
Called it in and found they're already looking for him. | 0:52:56 | 0:52:58 | |
He assaulted Becky's boss earlier this evening. | 0:52:58 | 0:53:01 | |
If he's after Liam Stanwell, we need to find him. | 0:53:02 | 0:53:05 | |
Don't worry. I know where Liam is. Yeah, I'm on my way. | 0:53:05 | 0:53:10 | |
BANGING AT DOOR | 0:53:54 | 0:53:56 | |
BANGING AT DOOR | 0:54:03 | 0:54:05 | |
Tommy? Is it you? | 0:54:20 | 0:54:22 | |
KNOCK AT DOOR | 0:54:41 | 0:54:42 | |
Liam! Liam, it's Paul. | 0:54:42 | 0:54:46 | |
HE SOBS | 0:55:12 | 0:55:14 | |
PHONE DINGS | 0:55:17 | 0:55:19 | |
Are you following me? What do you want? | 0:55:36 | 0:55:38 | |
The attacker grabbed the back of his neck. | 0:55:38 | 0:55:40 | |
Pushing the knife in with his left. | 0:55:40 | 0:55:42 | |
Where are you going? | 0:55:42 | 0:55:44 | |
If it was me, I'd want to do something about it. | 0:55:44 | 0:55:46 | |
And if I'd known about that, you bet your life I would have done. | 0:55:46 | 0:55:49 | |
You want to be a father to that boy, you find out who did this! | 0:55:49 | 0:55:53 | |
You find them and you tear them to pieces, do you hear me? | 0:55:53 | 0:55:56 | |
You find them! | 0:55:56 | 0:55:58 |