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-No! -No-one is going to work harder | 0:00:02 | 0:00:03 | |
to find out who killed your husband and son. | 0:00:03 | 0:00:05 | |
But now Frankie's dead and Liam's terrified. | 0:00:05 | 0:00:08 | |
And now it's all going to come out. | 0:00:08 | 0:00:10 | |
Mate, your girlfriend is so fit. | 0:00:10 | 0:00:12 | |
-Clarissa, where did you find this? -In Frankie's mobile cache. | 0:00:12 | 0:00:15 | |
I'm not surprised they were worried. That was rape. | 0:00:15 | 0:00:17 | |
'I need to speak to Becky and she's blocked me. | 0:00:17 | 0:00:19 | |
'It's about her dad.' | 0:00:19 | 0:00:20 | |
-You're going to call her. -And what if I don't? | 0:00:20 | 0:00:23 | |
-Is Paul your boyfriend? -No. | 0:00:23 | 0:00:25 | |
-We live together, but not like that. -We think Frankie may have been | 0:00:25 | 0:00:28 | |
killed because of something him and Liam did. | 0:00:28 | 0:00:30 | |
I know where Liam is. I'm on my way. | 0:00:30 | 0:00:33 | |
# Testator silens | 0:00:35 | 0:00:41 | |
# Costestes e spiritu | 0:00:42 | 0:00:50 | |
# Silentium. # | 0:00:50 | 0:00:58 | |
This programme contains some violent scenes | 0:00:58 | 0:01:01 | |
This programme contains scenes which some viewers may find upsetting | 0:01:01 | 0:01:04 | |
KNOCKING | 0:01:04 | 0:01:06 | |
Liam? | 0:01:06 | 0:01:07 | |
Liam. | 0:01:08 | 0:01:09 | |
Liam? | 0:01:11 | 0:01:13 | |
Don't touch anything. | 0:01:21 | 0:01:23 | |
Stop! | 0:01:26 | 0:01:27 | |
Police! | 0:01:28 | 0:01:29 | |
PANTING | 0:01:34 | 0:01:35 | |
DCI Underhill requesting assistance. Mill House Estate, Watmore Road end. | 0:01:35 | 0:01:40 | |
In pursuit of a suspect, over. | 0:01:42 | 0:01:44 | |
Cheer, guys. Drink up, please! | 0:01:53 | 0:01:55 | |
You all right, mate? Come on. | 0:02:07 | 0:02:08 | |
-You all right? -Sorry. | 0:02:08 | 0:02:10 | |
-I'm really sorry. -It's all right. | 0:02:10 | 0:02:11 | |
-Sorry. -All right. | 0:02:11 | 0:02:12 | |
Liam opens the door, | 0:02:14 | 0:02:15 | |
but keeps the chain on, because he's suspicious. | 0:02:15 | 0:02:18 | |
He was right to be. | 0:02:19 | 0:02:21 | |
Gunman shoots him through the crack... | 0:02:21 | 0:02:23 | |
..hits him in the shoulder. | 0:02:25 | 0:02:27 | |
He kicks the door in...but Liam, he's still mobile, stumbles away. | 0:02:27 | 0:02:33 | |
Now, someone, presumably Liam... | 0:02:35 | 0:02:36 | |
..smashes the bottle of beer - mind the glass - | 0:02:38 | 0:02:41 | |
he crawls toward the back door. | 0:02:41 | 0:02:44 | |
Bullet wound to the right shoulder, | 0:02:44 | 0:02:47 | |
another bullet caught him in the back of the knee. | 0:02:47 | 0:02:49 | |
And one to the back of the skull. | 0:02:49 | 0:02:53 | |
Looks like our gunman caught his clothing as he climbed over. | 0:02:58 | 0:03:01 | |
What is it? | 0:03:04 | 0:03:05 | |
Not just fibres. He cut himself. | 0:03:06 | 0:03:09 | |
Both boys in the video are dead, guv. | 0:03:44 | 0:03:47 | |
And we know that they were scared about retribution. | 0:03:47 | 0:03:50 | |
I've just checked with the nursing staff. | 0:03:50 | 0:03:52 | |
Stuart Teller arrived back at the hospital in the last hour. | 0:03:52 | 0:03:55 | |
Becky's his only child. | 0:03:56 | 0:03:58 | |
If he'd somehow found out what those boys had done... | 0:03:58 | 0:04:01 | |
Mr Teller? | 0:04:07 | 0:04:08 | |
Mr Teller. | 0:04:10 | 0:04:11 | |
DI Tanner. We met briefly yesterday at Becky's flat. | 0:04:16 | 0:04:19 | |
Is this about my daughter's boss? | 0:04:23 | 0:04:25 | |
Just a quick word down the station, if you don't mind. | 0:04:25 | 0:04:29 | |
ALARM BUZZES | 0:04:35 | 0:04:36 | |
PINGING | 0:04:40 | 0:04:42 | |
CHILDREN'S HAPPY CHATTER | 0:04:52 | 0:04:56 | |
INAUDIBLE | 0:05:03 | 0:05:05 | |
We're taking your dad in for questioning. | 0:05:07 | 0:05:10 | |
-Why? -He assaulted your boss, Jason Bradwell. | 0:05:12 | 0:05:15 | |
I didn't know. | 0:05:18 | 0:05:20 | |
They say you can go home today. Will there be someone there? | 0:05:20 | 0:05:23 | |
Erm...Paul. | 0:05:23 | 0:05:26 | |
Why? | 0:05:26 | 0:05:27 | |
Becky, I need to ask you some questions | 0:05:27 | 0:05:29 | |
that you might find difficult. | 0:05:29 | 0:05:30 | |
Embarrassing. | 0:05:32 | 0:05:33 | |
You know we were investigating the murder of your ex-boyfriend, | 0:05:35 | 0:05:38 | |
Frankie McAteer. | 0:05:38 | 0:05:39 | |
I'm afraid that his friend, | 0:05:41 | 0:05:42 | |
Liam Stanwell, was also murdered last night. | 0:05:42 | 0:05:45 | |
I'm sorry to have to tell you like this. | 0:05:51 | 0:05:53 | |
Did you know Liam well? | 0:05:55 | 0:05:57 | |
We went out...a couple of times. | 0:05:58 | 0:06:00 | |
Never really talked much. | 0:06:02 | 0:06:03 | |
Becky, I have to ask... | 0:06:06 | 0:06:07 | |
..did you ever have sexual relations with Liam Stanwell? | 0:06:09 | 0:06:14 | |
I know this is hard... | 0:06:22 | 0:06:23 | |
..but we need to talk about this. | 0:06:25 | 0:06:27 | |
That... | 0:06:35 | 0:06:37 | |
That doctor you brought to the house... | 0:06:37 | 0:06:39 | |
..I'll talk to her. | 0:06:41 | 0:06:43 | |
I found out that Bradwell had fired my daughter. | 0:06:43 | 0:06:46 | |
I went round there to reason with him. | 0:06:46 | 0:06:48 | |
You broke his nose. Knocked two of his teeth out. | 0:06:48 | 0:06:50 | |
Doesn't seem that reasonable to me. | 0:06:50 | 0:06:52 | |
Don't get me wrong, I can understand the anger. | 0:06:53 | 0:06:56 | |
Got a couple of girls myself. | 0:06:56 | 0:06:58 | |
Some of the fellas they've brought home? Christ on a bike. | 0:06:58 | 0:07:01 | |
Bushy beards, half-mast jeans. I've imagined doing what you did. | 0:07:01 | 0:07:05 | |
Taking my fist and planting it full-square in their stupid, | 0:07:05 | 0:07:08 | |
grinning faces. | 0:07:08 | 0:07:10 | |
But that's the difference between me and you, right there. | 0:07:10 | 0:07:13 | |
I fantasise about extreme violence... | 0:07:13 | 0:07:16 | |
..you actually do it. | 0:07:17 | 0:07:18 | |
If you can do that to some little ponce who sacked your daughter... | 0:07:20 | 0:07:23 | |
..I wonder what you'd do to someone who really hurt her. | 0:07:25 | 0:07:28 | |
Why don't you just say what you mean? | 0:07:28 | 0:07:29 | |
I think you know what I mean. Becky was filmed having sex. | 0:07:29 | 0:07:32 | |
One of the boys involved put the footage on the internet. | 0:07:32 | 0:07:35 | |
You didn't know about this? | 0:07:36 | 0:07:38 | |
I said "boys", plural, and you didn't even question that? | 0:07:38 | 0:07:42 | |
The footage depicts your daughter having sex with | 0:07:45 | 0:07:48 | |
the two young men who are now dead. | 0:07:48 | 0:07:50 | |
We don't know if it was consensual or if it was assault. | 0:07:50 | 0:07:55 | |
I can only imagine how terrible that must feel... | 0:07:58 | 0:08:00 | |
..knowing that your daughter's been treated that way. | 0:08:02 | 0:08:05 | |
If it was me... | 0:08:06 | 0:08:08 | |
..I'd want to do something about it. | 0:08:10 | 0:08:12 | |
And if I'd known about that... | 0:08:15 | 0:08:16 | |
..you bet your life, I would have done. | 0:08:18 | 0:08:20 | |
Becky, some footage was found on Frankie's phone. | 0:08:22 | 0:08:27 | |
He'd deleted it, but my colleagues managed to retrieve it. | 0:08:27 | 0:08:31 | |
You've seen it? | 0:08:32 | 0:08:33 | |
I think you should go. | 0:08:36 | 0:08:38 | |
I only agreed to see you because I thought you hadn't seen it. | 0:08:39 | 0:08:42 | |
-Just go. -Of course. If that's what you want. | 0:08:42 | 0:08:44 | |
But I think that maybe you agreed to see me | 0:08:46 | 0:08:49 | |
because you know you need to talk about it. | 0:08:49 | 0:08:51 | |
And I'm a doctor, not a police officer. | 0:08:53 | 0:08:55 | |
It's a lot for you to carry around. | 0:08:56 | 0:08:59 | |
I don't actually remember that much. | 0:09:03 | 0:09:06 | |
I know...I had sex. | 0:09:07 | 0:09:11 | |
I had sex with both of them. | 0:09:13 | 0:09:15 | |
-Oh, Christ. -Saying you had sex suggests it was consensual. | 0:09:16 | 0:09:20 | |
To give consent, you need the freedom and the capacity to choose. | 0:09:21 | 0:09:25 | |
I don't think you got to choose, Becky. | 0:09:26 | 0:09:28 | |
Whatever happened wasn't your fault. | 0:09:29 | 0:09:32 | |
Look, I'm sorry. | 0:09:39 | 0:09:40 | |
This isn't me. | 0:09:42 | 0:09:44 | |
Before all this happened, I... | 0:09:46 | 0:09:48 | |
..I was strong, | 0:09:50 | 0:09:51 | |
I was... I was happy. | 0:09:51 | 0:09:53 | |
I thought...that people that tried | 0:09:54 | 0:09:57 | |
to kill themselves were...pathetic. | 0:09:57 | 0:10:00 | |
But I just...can't get it out of my head. | 0:10:05 | 0:10:09 | |
That's me, out there, on the internet, for anyone to see. | 0:10:11 | 0:10:16 | |
And I just want it to go away. | 0:10:18 | 0:10:20 | |
But I... | 0:10:22 | 0:10:23 | |
I just... | 0:10:24 | 0:10:26 | |
I know it never will. | 0:10:26 | 0:10:27 | |
What happened is awful. | 0:10:28 | 0:10:30 | |
But Liam and Frankie are dead. The police think that what happened | 0:10:32 | 0:10:36 | |
to them is linked to what happened to you. | 0:10:36 | 0:10:39 | |
Did you tell anyone? | 0:10:41 | 0:10:42 | |
Did you tell your dad? | 0:10:45 | 0:10:47 | |
Why did you lie to us, Mr Teller? | 0:10:56 | 0:10:58 | |
You said you didn't know about the footage. | 0:10:58 | 0:11:01 | |
We know that's not true. | 0:11:02 | 0:11:03 | |
Your daughter just informed a doctor. | 0:11:07 | 0:11:09 | |
When did she tell you? | 0:11:11 | 0:11:13 | |
A couple of days after. | 0:11:17 | 0:11:18 | |
She found out that one of those little bastards had uploaded it. | 0:11:19 | 0:11:23 | |
She was going out of her mind. | 0:11:23 | 0:11:25 | |
But you didn't approach the police. Why? | 0:11:25 | 0:11:27 | |
Didn't want to draw attention to it. | 0:11:27 | 0:11:30 | |
And I thought I could handle it myself. | 0:11:30 | 0:11:32 | |
What do you mean by that? | 0:11:32 | 0:11:33 | |
I wanted to get that filth off the internet. | 0:11:35 | 0:11:37 | |
All I could think about was some old pervert | 0:11:39 | 0:11:41 | |
sat at his computer watching my little girl. | 0:11:41 | 0:11:43 | |
-They put it up there. They can get it off. -So, you threatened him? | 0:11:45 | 0:11:48 | |
-Oh, yeah. -One of the young men had a historic head fracture | 0:11:48 | 0:11:51 | |
that can't be accounted for. | 0:11:51 | 0:11:53 | |
-That was you? -Damn right. | 0:11:55 | 0:11:57 | |
I took a baseball bat to that little prick's head. | 0:11:57 | 0:12:00 | |
Took every ounce of my self-control to stop myself from killing him. | 0:12:03 | 0:12:06 | |
But you threatened him. You threatened to kill both of them. | 0:12:06 | 0:12:09 | |
You said you had daughters. | 0:12:11 | 0:12:13 | |
Imagine your daughter was... | 0:12:15 | 0:12:17 | |
Raped. | 0:12:19 | 0:12:21 | |
She's my little girl. | 0:12:26 | 0:12:27 | |
I didn't kill those boys. | 0:12:35 | 0:12:37 | |
But when you find out who did, | 0:12:37 | 0:12:39 | |
will you let me know, so I can shake them by the hand? | 0:12:39 | 0:12:41 | |
You've already confessed to two assaults, | 0:12:41 | 0:12:43 | |
on Frankie McAteer and Jason Bradwell. | 0:12:43 | 0:12:46 | |
You need to start remembering where you were last night, | 0:12:46 | 0:12:48 | |
cos if we can't establish your whereabouts, | 0:12:48 | 0:12:50 | |
a GBH charge is gonna be the least of your worries. | 0:12:50 | 0:12:53 | |
No need to worry. | 0:12:58 | 0:12:59 | |
-We're just eliminating you from the scene. -Yeah. | 0:12:59 | 0:13:02 | |
Last one. | 0:13:03 | 0:13:04 | |
-That's it. -Right, I'm done? -Mm-hm. | 0:13:10 | 0:13:13 | |
Is he here? | 0:13:20 | 0:13:21 | |
He is, yeah. | 0:13:23 | 0:13:24 | |
You're Frankie's father. | 0:13:31 | 0:13:32 | |
You have a right to see him. | 0:13:37 | 0:13:39 | |
I'm sorry for your loss, Mr McAteer. | 0:13:42 | 0:13:44 | |
It's not my loss. | 0:13:47 | 0:13:49 | |
Bill was his dad in every way that mattered. | 0:13:49 | 0:13:51 | |
You never told your brother? | 0:13:54 | 0:13:56 | |
I thought about it. | 0:13:56 | 0:13:57 | |
But Bill loved his boy, his boy loved Bill. | 0:13:57 | 0:14:00 | |
Anyone could see that. | 0:14:02 | 0:14:03 | |
I thought about it. | 0:14:10 | 0:14:11 | |
What a night! | 0:14:19 | 0:14:20 | |
Oh, man, I'm wasted! | 0:14:22 | 0:14:23 | |
Nikki? | 0:14:23 | 0:14:25 | |
You have to see this. | 0:14:25 | 0:14:26 | |
And this is my main man, Frankie. | 0:14:28 | 0:14:29 | |
-Clarissa, I really don't want to... -Neither do I. | 0:14:29 | 0:14:32 | |
This is the raw footage from Liam's mobile that was recovered | 0:14:32 | 0:14:36 | |
last night. The video he uploaded, the video on Frankie's phone, | 0:14:36 | 0:14:39 | |
had been edited right down. | 0:14:39 | 0:14:41 | |
-And this...this is Becky. -Watch. | 0:14:41 | 0:14:45 | |
Beautiful Becky. | 0:14:47 | 0:14:48 | |
Mate, your girlfriend is so fit. | 0:14:52 | 0:14:53 | |
I know, mate! | 0:14:53 | 0:14:56 | |
There. | 0:14:59 | 0:15:00 | |
Rewind. | 0:15:01 | 0:15:03 | |
Do you know him? | 0:15:15 | 0:15:16 | |
It's Becky's flatmate. | 0:15:16 | 0:15:18 | |
She said that she told him about the assault, | 0:15:19 | 0:15:21 | |
but she never said he was actually there. | 0:15:21 | 0:15:23 | |
Maybe she didn't know. | 0:15:23 | 0:15:25 | |
I'm just saying the fact Paul Kirkeby was there | 0:16:44 | 0:16:46 | |
-may not mean that much. -It does mean he knew what happened that night. | 0:16:46 | 0:16:49 | |
And that makes him what? A potential murderer? | 0:16:49 | 0:16:51 | |
If the killer's motive is to take revenge on anybody involved | 0:16:51 | 0:16:54 | |
in what happened to Becky, he could be a potential victim. | 0:16:54 | 0:16:57 | |
The police still have Stuart Teller in custody, don't they? | 0:16:59 | 0:17:01 | |
So maybe it doesn't matter. But they should be told, in any case. | 0:17:01 | 0:17:04 | |
-That doesn't make sense. -Of course they should! -Not that - this. | 0:17:04 | 0:17:07 | |
The blood left by the gunman who shot Liam | 0:17:07 | 0:17:10 | |
doesn't match the DNA on the cigarette dropped | 0:17:10 | 0:17:13 | |
by the McAteer killer. | 0:17:13 | 0:17:15 | |
Yeah, but the same gun was used in both cases. | 0:17:15 | 0:17:17 | |
So, maybe it wasn't the gunman who dropped the cigarette | 0:17:17 | 0:17:20 | |
in the garage forecourt. | 0:17:20 | 0:17:21 | |
Or, the blood you found at the flat isn't his. | 0:17:21 | 0:17:25 | |
Where are you going? | 0:18:01 | 0:18:03 | |
Back out the front door? | 0:18:24 | 0:18:25 | |
Yep. | 0:18:35 | 0:18:36 | |
Huh. | 0:18:36 | 0:18:38 | |
SCHOOL BELL RINGS | 0:19:10 | 0:19:11 | |
The fact that the DNA from both killings didn't match bothered me. | 0:19:20 | 0:19:24 | |
I mean, we know it was the same gun, | 0:19:24 | 0:19:26 | |
-so it had to be the same shooter, right? -You don't think it was? | 0:19:26 | 0:19:29 | |
I'm not saying that. | 0:19:29 | 0:19:30 | |
I'm saying that the person who ran out the back door | 0:19:30 | 0:19:32 | |
just before you arrived wasn't the gunman. | 0:19:32 | 0:19:35 | |
I remembered this little quirk I read. | 0:19:36 | 0:19:40 | |
When you put Guinness under UV light, it luminesces. | 0:19:40 | 0:19:45 | |
Lights up bright green. | 0:19:45 | 0:19:47 | |
Now, the gunman stepped in Guinness. I followed his steps. | 0:19:47 | 0:19:51 | |
He approached the point where Liam's body was found. | 0:19:51 | 0:19:55 | |
Presumably that's when he finished him off. | 0:19:55 | 0:19:58 | |
But does he go anywhere near the back door? He does not. | 0:19:58 | 0:20:01 | |
He exits the way he came in. Out the front door. | 0:20:01 | 0:20:05 | |
So who was the bloke I saw running from the flats? | 0:20:05 | 0:20:08 | |
I don't know, but it wasn't the gunman. | 0:20:08 | 0:20:11 | |
There were three people in that room - Liam, | 0:20:11 | 0:20:13 | |
the killer and someone else. | 0:20:13 | 0:20:15 | |
What about Paul Kirkeby? | 0:20:15 | 0:20:17 | |
I cross-referenced all the data on Liam's phone to see if | 0:20:17 | 0:20:21 | |
I could find any correlation with Paul Kirkeby. | 0:20:21 | 0:20:23 | |
Just one hit. A phone call. | 0:20:23 | 0:20:25 | |
From Liam to Paul on the day he died... | 0:20:25 | 0:20:28 | |
And we know from the footage found on Liam's phone | 0:20:28 | 0:20:30 | |
that Paul was at his apartment on the night Becky was assaulted. | 0:20:30 | 0:20:33 | |
He knew what happened. | 0:20:33 | 0:20:35 | |
Are you following me? | 0:20:46 | 0:20:47 | |
Talked about the funerals today. | 0:20:52 | 0:20:55 | |
Father Gallagher suggested they're buried side by side, father and son. | 0:20:56 | 0:21:03 | |
I couldn't - and I didn't want to... | 0:21:07 | 0:21:10 | |
No, no, no. It's good. | 0:21:10 | 0:21:13 | |
It's... It's great. | 0:21:13 | 0:21:16 | |
I saw him today. | 0:21:19 | 0:21:21 | |
I saw Frankie. | 0:21:21 | 0:21:24 | |
It wasn't my idea. | 0:21:27 | 0:21:29 | |
I... | 0:21:29 | 0:21:31 | |
I, um.... | 0:21:33 | 0:21:36 | |
I'm glad. | 0:21:38 | 0:21:40 | |
Glad you saw him. | 0:21:44 | 0:21:46 | |
Yeah, so am I. | 0:21:47 | 0:21:49 | |
Carol... | 0:21:53 | 0:21:55 | |
You want to be a father to that boy? | 0:21:55 | 0:21:57 | |
You find out who did this. | 0:21:57 | 0:21:59 | |
You find 'em, and you tear them to pieces, d'you hear me? | 0:21:59 | 0:22:02 | |
You find 'em! | 0:22:02 | 0:22:03 | |
Sorry. | 0:22:07 | 0:22:09 | |
Woody? It's me, Tommy McAteer. | 0:22:28 | 0:22:30 | |
Paul Kirkeby? | 0:22:33 | 0:22:34 | |
I'm DCI Underhill. This is DI Tanner. | 0:22:35 | 0:22:39 | |
You all right, son? | 0:22:39 | 0:22:41 | |
Don't tell her, please. Don't tell her I saw. | 0:22:41 | 0:22:46 | |
We won't have to, unless it becomes relevant. | 0:22:46 | 0:22:49 | |
Why is it so important that Becky doesn't know you saw what happened, Paul? | 0:22:49 | 0:22:52 | |
Because I'm her friend. Because it nearly destroyed her. | 0:22:52 | 0:22:56 | |
She's ashamed. If she knew... | 0:22:57 | 0:22:58 | |
You're worried that she might not want to look at you again. | 0:22:58 | 0:23:02 | |
But she told you afterwards. Told you what happened. | 0:23:02 | 0:23:05 | |
Not all of it. They'd been drinking, smoking. She was barely conscious. | 0:23:05 | 0:23:10 | |
She doesn't remember much. She doesn't understand exactly what happened. | 0:23:10 | 0:23:13 | |
But you do. | 0:23:13 | 0:23:14 | |
They took advantage of her. | 0:23:14 | 0:23:15 | |
-But you didn't. -No! | 0:23:15 | 0:23:17 | |
No, you weren't involved in any way. | 0:23:17 | 0:23:18 | |
Of course not! | 0:23:18 | 0:23:20 | |
I'd been out. | 0:23:20 | 0:23:21 | |
So when you came back, when you saw what was happening, why didn't you stop it? | 0:23:21 | 0:23:25 | |
Because you were afraid? | 0:23:25 | 0:23:27 | |
Did you know Liam and Frankie well? | 0:23:27 | 0:23:29 | |
-No. -But you knew them? | 0:23:29 | 0:23:30 | |
-Yes. -Knew them well enough for Liam to have your phone number. | 0:23:30 | 0:23:32 | |
I don't know. Maybe. | 0:23:32 | 0:23:34 | |
Maybe? Definitely. He called you yesterday at around 5pm. | 0:23:34 | 0:23:36 | |
The same day he was murdered. | 0:23:36 | 0:23:38 | |
He was murdered, and the last call he made was to you. | 0:23:38 | 0:23:41 | |
Yeah, that's...that's right. Yeah, I remember now. | 0:23:41 | 0:23:44 | |
-Now? This was yesterday. -Becky had been admitted to hospital. I hadn't been thinking straight. | 0:23:44 | 0:23:48 | |
-What did he want to speak to you about? -I don't know! | 0:23:48 | 0:23:50 | |
Was he warning you, maybe? | 0:23:50 | 0:23:51 | |
-Why would he want to warn me? -Maybe he thought you were in danger, too. | 0:23:51 | 0:23:54 | |
Maybe you went to see him. | 0:23:54 | 0:23:56 | |
No. Absolutely not. | 0:23:56 | 0:23:58 | |
Look, I answered the call, | 0:23:58 | 0:24:00 | |
but as soon as I heard his voice, I cut it off. | 0:24:00 | 0:24:02 | |
-Why? -Because I didn't want to speak to him. | 0:24:02 | 0:24:04 | |
-Because you were angry about what he did to Becky. -Yes! | 0:24:04 | 0:24:06 | |
You really care about her, don't you, Paul? | 0:24:06 | 0:24:09 | |
Yes. | 0:24:10 | 0:24:12 | |
Look, I-I don't know why Liam tried to call me. | 0:24:13 | 0:24:17 | |
Perhaps he was trying to get in touch with Becky, | 0:24:17 | 0:24:20 | |
and that that when he couldn't contact her, he tried me. | 0:24:20 | 0:24:23 | |
OK, Paul, I can see that you're finding this stressful. | 0:24:27 | 0:24:31 | |
Just so we can cover all eventualities, | 0:24:31 | 0:24:33 | |
appreciate it if you could tell us exactly where you've been the past couple of nights. | 0:24:33 | 0:24:37 | |
OK, so, Kirkeby's alibi checks out both nights. | 0:24:42 | 0:24:45 | |
He stayed over in Manchester on a training course. | 0:24:45 | 0:24:48 | |
Didn't finish until lunchtime, | 0:24:48 | 0:24:50 | |
so he wasn't even in the city when the McAteers were killed. | 0:24:50 | 0:24:53 | |
And then last night he was in the pub. Barman remembers him. | 0:24:53 | 0:24:56 | |
He was drunk out of his skull. | 0:24:56 | 0:24:57 | |
Knocked over a table as he left around midnight. | 0:24:57 | 0:25:00 | |
So he can't've been the third person in the flat last night. | 0:25:00 | 0:25:02 | |
Yeah, but he's definitely hiding something. Jumpy as hell. | 0:25:02 | 0:25:05 | |
Yeah, but we know how much he cares about Becky, and that does give him motive. | 0:25:05 | 0:25:08 | |
With that alibi, you're looking at accessory at best. | 0:25:08 | 0:25:10 | |
Could he have been working with Teller? Feeding him information? | 0:25:10 | 0:25:13 | |
Have you established Teller's presence in the flat? | 0:25:13 | 0:25:15 | |
Turned the place upside down. Can't find anything to put him there. | 0:25:15 | 0:25:18 | |
Yeah, but absence of evidence | 0:25:18 | 0:25:20 | |
doesn't mean evidence of absence if he's prepared, forensically aware. | 0:25:20 | 0:25:23 | |
We are missing something here. | 0:25:23 | 0:25:27 | |
Cast iron alibi or not, Kirkeby has to be involved somehow, right? | 0:25:27 | 0:25:30 | |
Sorry to interrupt. Jack, we've got a stabbing victim, West London. | 0:25:30 | 0:25:34 | |
What did the police want? | 0:25:36 | 0:25:38 | |
They were asking about your dad. | 0:25:38 | 0:25:39 | |
Have you spoken to him? | 0:25:41 | 0:25:42 | |
What did they ask? | 0:25:43 | 0:25:45 | |
What he knew. | 0:25:45 | 0:25:47 | |
When he knew it. | 0:25:47 | 0:25:49 | |
What did you tell them? | 0:25:49 | 0:25:51 | |
The truth. | 0:25:51 | 0:25:53 | |
And that he didn't do it. | 0:25:53 | 0:25:54 | |
You don't know that. | 0:25:54 | 0:25:56 | |
Yes, I do. | 0:25:56 | 0:25:58 | |
This is your dad we're talking about, Becky. | 0:25:58 | 0:26:01 | |
He couldn't do something like that. | 0:26:01 | 0:26:04 | |
It's not a coincidence they're both dead. | 0:26:04 | 0:26:07 | |
I saw his face when I told him what happened. The rage... | 0:26:07 | 0:26:11 | |
It-it scared me. | 0:26:11 | 0:26:13 | |
If I hadn't told him, if I'd just kept it to myself... | 0:26:13 | 0:26:16 | |
You can't blame yourself. None of this is your fault. | 0:26:16 | 0:26:21 | |
Come on. You go to bed. | 0:26:21 | 0:26:22 | |
The doctors said you had to rest. | 0:26:22 | 0:26:25 | |
I'm sorry. I'm sorry you had to find me. | 0:26:26 | 0:26:30 | |
I just panicked, and I just wasn't... | 0:26:32 | 0:26:34 | |
-Don't ever say that. -..thinking... | 0:26:34 | 0:26:37 | |
Never be sorry. | 0:26:37 | 0:26:38 | |
I'm so lucky to have you. | 0:26:41 | 0:26:43 | |
Brilliant, thanks. | 0:26:56 | 0:26:58 | |
Have we got a name? | 0:26:58 | 0:27:00 | |
Clive Maitland. Deputy Head. | 0:27:00 | 0:27:02 | |
Croxley Park Academy. Just left work. | 0:27:02 | 0:27:05 | |
What, dressed like this? | 0:27:05 | 0:27:06 | |
Yeah, he was headed to the gym. | 0:27:06 | 0:27:08 | |
Colleagues say he went every day after work. 50 years old. | 0:27:08 | 0:27:13 | |
Trying to get back in shape. Poor bugger. | 0:27:13 | 0:27:16 | |
I know the feeling. Any thoughts on motive? | 0:27:16 | 0:27:19 | |
Well, his wallet was emptied | 0:27:19 | 0:27:20 | |
so they're running with robbery gone wrong. | 0:27:20 | 0:27:23 | |
Yeah, I don't buy it, either. | 0:27:24 | 0:27:26 | |
The victim has multiple stab wounds, | 0:27:26 | 0:27:28 | |
separated into two distinct clusters. | 0:27:28 | 0:27:31 | |
Three wounds in the abdomen. | 0:27:31 | 0:27:32 | |
The majority of the blood... | 0:27:32 | 0:27:34 | |
Yeah, seems to have issued from the uppermost of these three. | 0:27:35 | 0:27:38 | |
-May have hit the celiac artery. -He may. | 0:27:38 | 0:27:40 | |
The wounds are elliptical in shape, | 0:27:40 | 0:27:42 | |
suggesting the knife was doubled-edged. | 0:27:42 | 0:27:44 | |
Also, yeah, there are small contusions above and below | 0:27:44 | 0:27:47 | |
each wound, which may indicate the weapon had some sort of fingerguard. | 0:27:47 | 0:27:50 | |
So what do you think? | 0:27:50 | 0:27:51 | |
Combat knife bought for the job, rather than a kitchen knife? | 0:27:51 | 0:27:54 | |
Possibly, yeah. | 0:27:54 | 0:27:56 | |
A blush of bruising. | 0:27:56 | 0:27:57 | |
Maybe. Anything else? | 0:27:57 | 0:28:00 | |
Discoid bruising suggests the attacker grabbed the back of his neck with his right hand... | 0:28:02 | 0:28:08 | |
Whilst pushing the knife in with his left... | 0:28:08 | 0:28:12 | |
Thank you. | 0:28:15 | 0:28:16 | |
The wounds in the chest angle downwards. | 0:28:18 | 0:28:22 | |
Don't know. Suggests maybe they were inflicted once the victim had | 0:28:22 | 0:28:27 | |
fallen backwards onto the floor, his attacker straddling him, | 0:28:27 | 0:28:30 | |
knife held in a reverse grip. | 0:28:30 | 0:28:32 | |
Four, five, six - seven stab wounds. | 0:28:32 | 0:28:34 | |
He really wanted to make sure. | 0:28:34 | 0:28:35 | |
I've got blood. Back of the collar. | 0:28:37 | 0:28:41 | |
Given the location, it's unlikely to be spatter from the wounds. | 0:28:41 | 0:28:45 | |
This wound is ragged round the edges. So are a few of the others. | 0:28:45 | 0:28:49 | |
Either he had two weapons, or... | 0:28:49 | 0:28:51 | |
Or the weapon he was using was damaged in the act. | 0:28:51 | 0:28:54 | |
Yeah, there's a distinct mark, here on the sternum. | 0:28:54 | 0:28:57 | |
Can you get me some tweezers? | 0:28:57 | 0:28:59 | |
It looks as if the knife hit square on. | 0:29:00 | 0:29:03 | |
Sternum one, knife nil. | 0:29:12 | 0:29:14 | |
Anything interesting? | 0:29:15 | 0:29:17 | |
Yeah, blood on the victim's collar. | 0:29:17 | 0:29:19 | |
It's a possibility it came from the attacker. | 0:29:19 | 0:29:20 | |
Well, makes sense. | 0:29:20 | 0:29:22 | |
We found bruising suggesting the victim was grabbed by the neck. | 0:29:22 | 0:29:25 | |
This knife tip from the victim's chest - unusual. | 0:29:25 | 0:29:29 | |
Think you can find a make? | 0:29:29 | 0:29:30 | |
We can try. | 0:29:32 | 0:29:33 | |
BANGING | 0:29:37 | 0:29:39 | |
Are you OK? | 0:29:43 | 0:29:44 | |
Fine. You? | 0:29:44 | 0:29:47 | |
That noise. What was it? | 0:29:47 | 0:29:50 | |
Um, I've been putting some pictures up. | 0:29:50 | 0:29:54 | |
Are you sure you're OK, Paul? | 0:29:54 | 0:29:56 | |
Me? Of course. | 0:29:56 | 0:29:58 | |
I'm sorry about the noise. | 0:30:00 | 0:30:02 | |
'Night. | 0:30:03 | 0:30:05 | |
'Night. | 0:30:05 | 0:30:06 | |
Morning. | 0:30:19 | 0:30:21 | |
Can you come here a second? | 0:30:21 | 0:30:22 | |
You did go home last night? | 0:30:22 | 0:30:25 | |
I need you to check this, because I can't believe what I'm seeing... | 0:30:25 | 0:30:28 | |
DNA results from the blood on Maitland's collar, right? | 0:30:28 | 0:30:33 | |
OK. | 0:30:33 | 0:30:35 | |
OK, same DNA. So where's this sample come from? | 0:30:39 | 0:30:43 | |
Tommy McAteer's back yard. | 0:30:43 | 0:30:46 | |
Whoever killed Clive Maitland was also present in McAteer's flat when Liam was killed. | 0:30:46 | 0:30:51 | |
Somehow, these cases are linked. | 0:30:51 | 0:30:53 | |
We're all absolutely devastated. | 0:30:53 | 0:30:56 | |
Mr Maitland was one of the transformational teachers. You know? | 0:30:56 | 0:31:00 | |
I mean, you ask anyone in this community, | 0:31:00 | 0:31:05 | |
and I guarantee they'll know someone whose life he helped turn around. | 0:31:05 | 0:31:09 | |
It's just so senseless. | 0:31:11 | 0:31:12 | |
How can the murder of a 51-year-old school teacher from the other side of town be linked to this case? | 0:31:16 | 0:31:21 | |
Unrelated victims. Different MO. | 0:31:21 | 0:31:24 | |
The blade's coated in polytetrafluoroethylene. | 0:31:24 | 0:31:27 | |
-In English? -Teflon. | 0:31:27 | 0:31:28 | |
Does that suggest we could be looking at a kitchen knife after all? | 0:31:28 | 0:31:31 | |
I don't think so. | 0:31:31 | 0:31:33 | |
It's double-edged, for a start, | 0:31:33 | 0:31:35 | |
and extrapolating from this fragment and your post-mortem, | 0:31:35 | 0:31:38 | |
I'd say that we're looking at a Teflon-coated stiletto knife. | 0:31:38 | 0:31:42 | |
You'd have to order that from abroad. | 0:31:42 | 0:31:44 | |
Which suggests the killing was pre-planned. | 0:31:44 | 0:31:46 | |
Hang on a second. | 0:31:46 | 0:31:47 | |
Liam and Frankie's murders were both gun crimes. | 0:31:47 | 0:31:50 | |
We're looking at two different killers. | 0:31:51 | 0:31:53 | |
One shot the McAteers and Stanwell, | 0:31:53 | 0:31:56 | |
the other stabbed Maitland. | 0:31:56 | 0:31:57 | |
That's the man you saw running away. | 0:31:57 | 0:31:59 | |
And the blood we found in the backyard? | 0:31:59 | 0:32:01 | |
Same blood on Maitland's collar. | 0:32:01 | 0:32:03 | |
So what you're saying is, although we've got Stuart Teller in custody, | 0:32:03 | 0:32:06 | |
he couldn't have killed Maitland, | 0:32:06 | 0:32:08 | |
but he could have still carried out the other two murders. | 0:32:08 | 0:32:10 | |
Correct. So, if Teller's our gunman, how does he link to stiletto knife man? | 0:32:10 | 0:32:14 | |
He was ex-military, wasn't he? Might he have drafted in a colleague? | 0:32:14 | 0:32:17 | |
We're exploring that, but no joy so far. | 0:32:17 | 0:32:20 | |
Wait. Are we looking at this the wrong way? | 0:32:20 | 0:32:22 | |
Rather than trying to find the link between the assailants, | 0:32:22 | 0:32:26 | |
maybe we should be focusing on the link between the victims. | 0:32:26 | 0:32:29 | |
Thanks for agreeing to meet me here, Michael. Seemed to make sense. | 0:32:57 | 0:33:02 | |
I, er, understand you told one of my colleagues you wanted to see your father's body. | 0:33:02 | 0:33:06 | |
I was hoping we could talk about him. | 0:33:06 | 0:33:08 | |
I don't know what I can tell you that I haven't already told your colleagues. | 0:33:08 | 0:33:12 | |
I'm on the investigation that might have some bearing on your father's murder. | 0:33:12 | 0:33:16 | |
I'm sorry? I don't understand. | 0:33:16 | 0:33:19 | |
Did your father ever mention someone called Frankie McAteer? | 0:33:19 | 0:33:22 | |
Liam Stanwell? | 0:33:25 | 0:33:27 | |
They ex-students? | 0:33:27 | 0:33:28 | |
No. Why d'you say that? | 0:33:29 | 0:33:32 | |
I already told the other police officers... | 0:33:33 | 0:33:35 | |
I know, and I'm sorry. | 0:33:35 | 0:33:37 | |
But if you could just tell me. | 0:33:37 | 0:33:39 | |
My dad had worked at Croxley Park all his career. | 0:33:39 | 0:33:42 | |
Never had any problems. Loved the school, loved the kids. | 0:33:42 | 0:33:45 | |
Couple of months ago, he had a run-in with two ex-students | 0:33:47 | 0:33:51 | |
who were selling weed outside the school gates. | 0:33:51 | 0:33:54 | |
He confronted them. One of them pulled a knife... | 0:33:54 | 0:33:57 | |
It has to be him. | 0:33:57 | 0:33:59 | |
He was the last person to enter that alley before the girl who found the body. | 0:33:59 | 0:34:02 | |
Can you fast forward? | 0:34:02 | 0:34:04 | |
Yep. | 0:34:04 | 0:34:06 | |
Stop. Turned right. | 0:34:06 | 0:34:09 | |
Now, you've been there - where would he be going? | 0:34:09 | 0:34:12 | |
Jack? | 0:34:15 | 0:34:16 | |
It's not where he's going, it's what he's left behind. | 0:34:16 | 0:34:19 | |
He was carrying a plastic bag when he went down the alley. | 0:34:19 | 0:34:22 | |
He's dumped it. | 0:34:25 | 0:34:27 | |
You all right, mate? You Tommy McAteer? | 0:34:33 | 0:34:35 | |
Yeah, that's me. | 0:34:35 | 0:34:37 | |
Nice one. Yeah, well, Woody told me to come here. | 0:34:37 | 0:34:40 | |
Something about you needing a car. | 0:34:40 | 0:34:42 | |
Now, Woody tells me you nicked a car five nights back. | 0:34:42 | 0:34:45 | |
Black Nissan X-Trail. Is that right? | 0:34:45 | 0:34:47 | |
Shit, mate - look, if that was your motor... | 0:34:48 | 0:34:51 | |
Now... | 0:34:54 | 0:34:56 | |
I only want to hear two words from you now, son. | 0:34:56 | 0:34:59 | |
The name of the man you sold it to. | 0:35:00 | 0:35:02 | |
But you've searched here, right? | 0:35:02 | 0:35:04 | |
Obviously not well enough. | 0:35:04 | 0:35:06 | |
-Well, the bins? That's the first place you'd look. -We did. | 0:35:06 | 0:35:09 | |
Got something. | 0:35:25 | 0:35:26 | |
Urgh! | 0:35:30 | 0:35:32 | |
Watch yourself. | 0:35:32 | 0:35:33 | |
There you go. | 0:35:49 | 0:35:50 | |
He'd scouted the area. | 0:35:52 | 0:35:53 | |
Knew exactly where he was going to dump it. | 0:35:53 | 0:35:55 | |
New phone? | 0:36:49 | 0:36:50 | |
Er, yeah. | 0:36:50 | 0:36:52 | |
You going? | 0:37:03 | 0:37:05 | |
Er...bottle of wine. | 0:37:05 | 0:37:08 | |
Paul, is there something wrong? | 0:37:08 | 0:37:09 | |
Of course not. | 0:37:09 | 0:37:11 | |
If there was, you'd tell me, right? | 0:37:11 | 0:37:14 | |
DOOR CLOSES | 0:37:14 | 0:37:15 | |
Traced the knife to the manufacturer using the serial code on the blade. | 0:37:48 | 0:37:51 | |
It was shipped from Italy two weeks ago. | 0:37:51 | 0:37:53 | |
Address? | 0:37:53 | 0:37:55 | |
Well, the buyer stipulated a collection locker, | 0:37:55 | 0:37:57 | |
so we can try to trace, but it might be difficult. | 0:37:57 | 0:38:00 | |
How did he pay? | 0:38:00 | 0:38:02 | |
-They won't say. -We could try to get the Italian courts to force them to disclose. | 0:38:02 | 0:38:05 | |
I'll be pensioned off before that happens. | 0:38:05 | 0:38:07 | |
Was Maitland's son able to give you any insight as to how the victims might be linked? | 0:38:07 | 0:38:11 | |
Nothing. Dad talked about some skirmish with a couple of ex-students, | 0:38:11 | 0:38:15 | |
one of them pulled a knife. | 0:38:15 | 0:38:16 | |
-Would a kid really go to the trouble of ordering a specialist knife like that? -Whoa... | 0:38:16 | 0:38:20 | |
Are you having a moment, Jack, or is there something you'd like to share with us? | 0:38:20 | 0:38:23 | |
I looked at trace residues on the knife blade. | 0:38:23 | 0:38:26 | |
It tests positive for toner ink. | 0:38:26 | 0:38:28 | |
Toner ink? | 0:38:28 | 0:38:30 | |
Toner ink. Like the stuff you use in a laser printer. | 0:38:30 | 0:38:32 | |
Yeah, I know what it is, but how is it relevant? | 0:38:32 | 0:38:34 | |
How often do you actually have to change a toner cartridge? | 0:38:34 | 0:38:37 | |
This is either a massive coincidence, | 0:38:37 | 0:38:39 | |
or we're looking at someone who does this all the time. | 0:38:39 | 0:38:41 | |
Who do we know who works in a print shop? Becky. | 0:38:41 | 0:38:44 | |
Yeah, and her flatmate Paul. | 0:38:44 | 0:38:45 | |
Hi, Becky. Is Paul here? | 0:38:54 | 0:38:56 | |
No. He...just nipped out. | 0:38:57 | 0:39:00 | |
Paul ever talk to you about someone called... | 0:39:02 | 0:39:04 | |
Clive Maitland? | 0:39:04 | 0:39:06 | |
No. | 0:39:06 | 0:39:07 | |
D'you know where Paul was yesterday afternoon? | 0:39:07 | 0:39:10 | |
No, | 0:39:10 | 0:39:11 | |
I-I only saw him when he got back from talking to you. | 0:39:11 | 0:39:14 | |
Yeah, we noticed that he seemed distracted, anxious. | 0:39:14 | 0:39:18 | |
He's been acting strange since...I got back from hospital. | 0:39:18 | 0:39:23 | |
First I thought it was because of what I'd done. | 0:39:24 | 0:39:28 | |
Look, I know you're worried about him... | 0:39:28 | 0:39:30 | |
and it's possible that he's got himself mixed up in something, | 0:39:30 | 0:39:34 | |
and we need to get him out. | 0:39:34 | 0:39:36 | |
So Becky, if there's anything you can think of that might help us help him... | 0:39:36 | 0:39:41 | |
He smashed up his computer, | 0:39:44 | 0:39:48 | |
and his phone. | 0:39:48 | 0:39:50 | |
We waited at the shop, he didn't show. | 0:39:50 | 0:39:53 | |
Becky tried calling, no answer. Print shop's closed. | 0:39:53 | 0:39:55 | |
She says he's been acting weird ever since yesterday. | 0:39:55 | 0:39:57 | |
When Maitland was murdered. | 0:39:57 | 0:39:59 | |
We know Kirkeby left the shop at three o'clock. | 0:39:59 | 0:40:01 | |
That gave him an hour to get across town to kill Maitland. | 0:40:01 | 0:40:04 | |
We picked him up on his return to the flat. | 0:40:04 | 0:40:06 | |
Chances are he'd just come straight from the crime scene. | 0:40:06 | 0:40:10 | |
Do we think he knew Maitland? | 0:40:10 | 0:40:11 | |
Well, Becky can't think why he would. | 0:40:11 | 0:40:13 | |
Totally different lines of work, different part of town. | 0:40:13 | 0:40:15 | |
The chances of them crossing in a city of eight million! Yeah, right. | 0:40:15 | 0:40:18 | |
So what's the motive? Even if it was a random killing, | 0:40:18 | 0:40:21 | |
why head across town to select a victim? It doesn't make sense. | 0:40:21 | 0:40:24 | |
I don't know. But I've got a smashed-up laptop and a mobile phone that might shine a light. | 0:40:24 | 0:40:29 | |
You reckon you might be able to get access? | 0:40:29 | 0:40:30 | |
How badly damaged? | 0:40:30 | 0:40:32 | |
Put it this way. If it was a car got smashed up like this, | 0:40:32 | 0:40:35 | |
the insurers wouldn't even bother opening the bonnet. | 0:40:35 | 0:40:37 | |
Can you do something or not? | 0:40:37 | 0:40:39 | |
Hate to say it, but, er, | 0:40:39 | 0:40:41 | |
Max specialises in data recovery. | 0:40:41 | 0:40:44 | |
Can we do it here? | 0:40:44 | 0:40:45 | |
Go on, then. | 0:40:48 | 0:40:49 | |
'Is that a yes?' | 0:40:51 | 0:40:52 | |
Fine. We'll come get it. | 0:40:54 | 0:40:55 | |
SIRENS WAIL | 0:40:57 | 0:41:00 | |
Good afternoon, Emma. | 0:41:16 | 0:41:17 | |
Afternoon. There we are. | 0:41:17 | 0:41:19 | |
Hi. | 0:41:19 | 0:41:20 | |
Hi there. Thank you. | 0:41:20 | 0:41:22 | |
You're here! | 0:41:24 | 0:41:26 | |
-Welcome! -Maximilian. | 0:41:27 | 0:41:29 | |
Jackson. | 0:41:29 | 0:41:31 | |
-Shall we? -Mm. | 0:41:31 | 0:41:33 | |
I've seen worse. | 0:41:40 | 0:41:42 | |
I've just restored a laptop that'd been smashed up, | 0:41:42 | 0:41:45 | |
then burnt by a blowtorch and then dumped in a river. | 0:41:45 | 0:41:48 | |
99% data recovery. | 0:41:48 | 0:41:50 | |
It's impressive. | 0:41:50 | 0:41:51 | |
People think computers are delicate as bone china... | 0:41:51 | 0:41:53 | |
..and everything disappears like it was never there. | 0:41:55 | 0:41:57 | |
If you're serious, you need to get an angle grinder... | 0:41:57 | 0:42:00 | |
Can you access it, Max? Yes or no. | 0:42:00 | 0:42:03 | |
This better be good, Tom, cos I'm up to my neck. | 0:42:16 | 0:42:19 | |
The car used by the gunman... He commissioned the theft online. | 0:42:22 | 0:42:26 | |
And that...that's your website. | 0:42:26 | 0:42:28 | |
And this? | 0:42:32 | 0:42:33 | |
That's the gunman. Or if it ain't, he knows who is. | 0:42:33 | 0:42:37 | |
Just check it out. That's all I'm saying. | 0:42:38 | 0:42:41 | |
So I replaced the broken heads. | 0:42:46 | 0:42:48 | |
The platter was a bit scratched, but nothing too catastrophic. | 0:42:48 | 0:42:51 | |
Um... Now, what does that say? | 0:42:51 | 0:42:53 | |
100% data recovery. | 0:42:53 | 0:42:57 | |
RINGING | 0:42:57 | 0:42:58 | |
I have to admit, I'm impressed. | 0:42:58 | 0:43:00 | |
That was Underhill. One of the men was using an online identity. | 0:43:02 | 0:43:05 | |
Dreadnought. We should cross-reference that name with the data on Kirkeby's laptop. | 0:43:05 | 0:43:09 | |
Oh, I'm ahead of you. | 0:43:09 | 0:43:11 | |
Thinking they have some kind of relationship online? | 0:43:11 | 0:43:14 | |
Relationship? | 0:43:14 | 0:43:15 | |
Judging by the amount of correspondence I'm seeing here, | 0:43:15 | 0:43:18 | |
-they were halfway down the aisle. -Whoa! | 0:43:18 | 0:43:20 | |
In the last month they were talking on a forum non-stop, all day, | 0:43:20 | 0:43:24 | |
every day... | 0:43:24 | 0:43:26 | |
Hello, Paul. | 0:43:28 | 0:43:30 | |
How d'you know my name? | 0:43:30 | 0:43:32 | |
It wasn't that difficult. | 0:43:32 | 0:43:33 | |
What am I supposed to call you? Dreadnought? | 0:43:33 | 0:43:35 | |
Why are we here? | 0:43:37 | 0:43:38 | |
I wanted to know who you are. | 0:43:38 | 0:43:39 | |
You know who I am. | 0:43:39 | 0:43:41 | |
We're friends. | 0:43:41 | 0:43:43 | |
Friends don't pressurise each other to...to doing what we've done. | 0:43:43 | 0:43:48 | |
You threatened me! | 0:43:48 | 0:43:49 | |
You needed a push to go through with it. I pushed. | 0:43:49 | 0:43:52 | |
To kill someone? | 0:43:52 | 0:43:53 | |
To do what you promised. | 0:43:53 | 0:43:55 | |
And I dunno why you're angry. | 0:43:55 | 0:43:57 | |
I should be the angry one. The police have linked the murders. | 0:43:57 | 0:44:00 | |
How? | 0:44:00 | 0:44:02 | |
Don't know. | 0:44:02 | 0:44:04 | |
But I was careful. | 0:44:04 | 0:44:06 | |
Were YOU careful, Paul? | 0:44:07 | 0:44:09 | |
The night Becky was assaulted, Kirkeby was online. | 0:44:09 | 0:44:11 | |
He spent two hours on this website forum. He has friends there, | 0:44:11 | 0:44:16 | |
and he alludes to something bad happening to his flatmate. | 0:44:16 | 0:44:19 | |
He can't talk about it. One friend won't let it go. | 0:44:19 | 0:44:23 | |
Dreadnought. | 0:44:23 | 0:44:24 | |
Exactly. | 0:44:24 | 0:44:25 | |
All this in a month? | 0:44:25 | 0:44:27 | |
You can follow the narrative. I mean, it starts off as venting. | 0:44:27 | 0:44:30 | |
Paul's blowing off steam. | 0:44:30 | 0:44:33 | |
Fantasist projections, for Paul at least. | 0:44:33 | 0:44:35 | |
He's hurt, he's feeling impotent, he wants revenge for Becky. | 0:44:35 | 0:44:39 | |
He, er, he imagines torturing Liam and Frankie | 0:44:39 | 0:44:42 | |
but it's scary movie stuff. | 0:44:42 | 0:44:44 | |
I'm not even sure Paul Kirkeby was aware that he was planning a murder. | 0:44:44 | 0:44:47 | |
But Dreadnought was. | 0:44:47 | 0:44:48 | |
At first he's the friendly ear, but that changes. | 0:44:48 | 0:44:51 | |
He has his own axe to grind. He says he's been abused, | 0:44:51 | 0:44:55 | |
and he wants to find the man. He wants justice. | 0:44:55 | 0:44:58 | |
Clive Maitland? | 0:44:58 | 0:44:59 | |
He doesn't mention Maitland by name. | 0:44:59 | 0:45:01 | |
So he builds the fantasy, feeds Kirkeby's anger. | 0:45:01 | 0:45:04 | |
Yeah, and then it's Dreadnought who suggests the murders. | 0:45:04 | 0:45:07 | |
So, how does Stuart Teller fit into this? | 0:45:07 | 0:45:10 | |
Well, he doesn't. | 0:45:10 | 0:45:11 | |
Paul and Stuart know each other in the real world. | 0:45:11 | 0:45:15 | |
This relationship's born online. | 0:45:15 | 0:45:16 | |
Well...how do we find Dreadnought? | 0:45:16 | 0:45:19 | |
I don't know, Thomas. | 0:45:19 | 0:45:21 | |
Nikki, you said something earlier. | 0:45:21 | 0:45:23 | |
Find the link between the victims. | 0:45:23 | 0:45:26 | |
But there IS no link between the victims. | 0:45:26 | 0:45:28 | |
And there's the point. There's no link between the victims, | 0:45:28 | 0:45:30 | |
because there's no link between the KILLERS, in the real world. | 0:45:30 | 0:45:33 | |
Paul Kirkeby worships Becky. | 0:45:33 | 0:45:36 | |
He knew what Frankie and Liam had done, and he was angry. | 0:45:36 | 0:45:38 | |
But he know he didn't kill them. He's got an alibi! | 0:45:38 | 0:45:41 | |
Of course he had an alibi for those murders, because he didn't do them. | 0:45:41 | 0:45:43 | |
Dreadnought did. | 0:45:43 | 0:45:45 | |
Paul and Dreadnought. Strangers On A Server. | 0:45:45 | 0:45:48 | |
Each wants someone dead, neither wants to get caught. | 0:45:48 | 0:45:51 | |
So what do they do? They swap. | 0:45:51 | 0:45:53 | |
They swap murders. | 0:45:53 | 0:45:54 | |
You lied to me! You said he was an abuser! | 0:45:54 | 0:45:58 | |
That he'd raped you, ruined your life. | 0:45:58 | 0:46:00 | |
He DID ruin my life! | 0:46:00 | 0:46:01 | |
No. He was just a...just a teacher. | 0:46:01 | 0:46:04 | |
He was just an ordinary bloke. | 0:46:04 | 0:46:05 | |
The kids that he taught, they loved him. | 0:46:05 | 0:46:07 | |
They didn't know him. | 0:46:07 | 0:46:09 | |
No. You're lying. | 0:46:09 | 0:46:10 | |
How can I be sure he wasn't just some random bloke you made me kill just because you bloody could? | 0:46:13 | 0:46:18 | |
Please! | 0:46:22 | 0:46:23 | |
Please tell me the truth, because I can't live with this. | 0:46:26 | 0:46:30 | |
I pushed a knife into a stranger's body | 0:46:32 | 0:46:34 | |
and I took away...his life. | 0:46:34 | 0:46:37 | |
Are you following me? | 0:46:37 | 0:46:39 | |
'I can't eat. I can't sleep. | 0:46:39 | 0:46:42 | |
'Every time I close my eyes, I see his face. | 0:46:42 | 0:46:46 | |
'He was trying to understand why...' | 0:46:46 | 0:46:49 | |
I know... | 0:46:59 | 0:47:01 | |
you're looking for forgiveness. | 0:47:01 | 0:47:03 | |
You don't need it. | 0:47:04 | 0:47:06 | |
You killed for me, | 0:47:06 | 0:47:07 | |
I killed for you. | 0:47:07 | 0:47:09 | |
I'm not your enemy, Paul. I'm your friend. | 0:47:11 | 0:47:15 | |
We found each other in the darkness. | 0:47:17 | 0:47:19 | |
We raised each other up. | 0:47:19 | 0:47:20 | |
You think that'll make everything better? | 0:47:26 | 0:47:28 | |
I never wanted this. Any of it. | 0:47:28 | 0:47:31 | |
Well, you're going to have to learn to live with it. | 0:47:31 | 0:47:33 | |
Because if you can't, if you weaken... | 0:47:34 | 0:47:38 | |
..I'll find her again. | 0:47:39 | 0:47:41 | |
Do you understand? | 0:47:42 | 0:47:45 | |
Do you understand?! | 0:47:45 | 0:47:46 | |
'So we know Dreadnought's the prime mover? | 0:47:54 | 0:47:56 | |
'Absolutely. He has the idea,' | 0:47:56 | 0:47:58 | |
takes care of the practicalities, he sources the gun, the car. Even the stiletto knife Kirkeby used. | 0:47:58 | 0:48:05 | |
So if Kirkeby's gone to ground, how do we find Dreadnought? | 0:48:05 | 0:48:07 | |
I don't know. But if Paul's motivation was personal, then maybe Dreadnought's was, too. | 0:48:07 | 0:48:12 | |
Did anyone follow you here? | 0:48:23 | 0:48:25 | |
No, I don't think so. I did just like you said. | 0:48:25 | 0:48:29 | |
Changed tubes. Doubled back. | 0:48:29 | 0:48:32 | |
Thank you. Thank you for coming. | 0:48:32 | 0:48:35 | |
You won't thank me when you know what I've done. | 0:48:35 | 0:48:38 | |
I don't care. Whatever it is. | 0:48:38 | 0:48:41 | |
Your phone, and computer... When the police came to look for you... | 0:48:41 | 0:48:46 | |
Really, Becky, | 0:48:46 | 0:48:48 | |
none of that matters any more. | 0:48:48 | 0:48:50 | |
I'm so scared. | 0:48:52 | 0:48:54 | |
-SHE SIGHS -Paul... | 0:48:55 | 0:48:57 | |
What's happening? | 0:48:59 | 0:49:01 | |
D'you remember when we first met? | 0:49:03 | 0:49:05 | |
Of course. | 0:49:07 | 0:49:09 | |
-When you started working at the shop... -No. | 0:49:09 | 0:49:11 | |
No, it was at the Lamb and Flag about three weeks before. | 0:49:11 | 0:49:15 | |
You were drunk, and we talked. | 0:49:17 | 0:49:19 | |
I fell in love with you that night. Right there and then. | 0:49:22 | 0:49:26 | |
You were the most magical person that I'd ever met. | 0:49:26 | 0:49:29 | |
You told me where you worked. | 0:49:31 | 0:49:33 | |
I used to walk past the shop now and again, trying to bump into you... | 0:49:34 | 0:49:38 | |
and then a job came up, and I applied. | 0:49:38 | 0:49:42 | |
When I first saw you at the shop, | 0:49:44 | 0:49:45 | |
I was ready to make out it was all this big coincidence, | 0:49:45 | 0:49:48 | |
but you didn't remember me. | 0:49:48 | 0:49:50 | |
Now, when I say it, it all sounds kinda creepy, I know. | 0:49:54 | 0:49:57 | |
They raped you, Becky. Frankie and Liam. | 0:50:02 | 0:50:05 | |
Don't say that. | 0:50:05 | 0:50:06 | |
I don't know if that's what they thought they were doing, but it really doesn't matter. | 0:50:06 | 0:50:10 | |
I was there, and I was too scared to do anything. | 0:50:12 | 0:50:16 | |
Argh! | 0:50:21 | 0:50:22 | |
Why?! | 0:50:23 | 0:50:24 | |
I know this changes everything. | 0:50:24 | 0:50:27 | |
I know you won't ever want to see me again, but... | 0:50:27 | 0:50:29 | |
you needed to know what they did to you, Becky. | 0:50:29 | 0:50:32 | |
I think it's how you get better. | 0:50:37 | 0:50:39 | |
Go. Just go. | 0:50:46 | 0:50:49 | |
Please! | 0:50:51 | 0:50:52 | |
Don't-Don't come back to the flat tonight, go to your dad's. | 0:50:58 | 0:51:01 | |
Please. Just give me this one night to clear out, | 0:51:01 | 0:51:04 | |
and then you can forget this whole thing ever happened. | 0:51:04 | 0:51:06 | |
'Society has to extract its petty revenge however inhumane as it may be. | 0:51:38 | 0:51:42 | |
'Don't get bitter, son, just do your time and move on. | 0:51:42 | 0:51:45 | |
'Well, I mean, will you? | 0:51:45 | 0:51:49 | |
'It's not any of my business why you're in here, but... | 0:51:49 | 0:51:51 | |
'Oh, it was a heist...' | 0:51:51 | 0:51:53 | |
Nikki... | 0:52:12 | 0:52:14 | |
Clive Maitland's DNA. | 0:52:14 | 0:52:15 | |
He's a paternal match. | 0:52:17 | 0:52:18 | |
Paternal match for who? | 0:52:18 | 0:52:19 | |
The man who gunned down the McAteers. | 0:52:21 | 0:52:23 | |
The gunman's Clive Maitland's son. | 0:52:24 | 0:52:27 | |
DOOR CLOSES | 0:52:29 | 0:52:30 | |
FOOTSTEPS | 0:52:32 | 0:52:34 | |
You came quickly. | 0:52:43 | 0:52:45 | |
I can't live with this. | 0:52:49 | 0:52:50 | |
I know. | 0:52:50 | 0:52:52 | |
I've been trying to work out how the police linked the murders. | 0:52:53 | 0:52:56 | |
I went to the flat. | 0:52:56 | 0:52:58 | |
Where Liam was staying. It was probably that. | 0:52:58 | 0:53:01 | |
Why would you do that? We had it all planned. | 0:53:01 | 0:53:04 | |
I can't live with this, any of it! | 0:53:04 | 0:53:07 | |
You don't need to be scared, Paul. | 0:53:07 | 0:53:09 | |
I'm not. | 0:53:09 | 0:53:11 | |
I told you - now you tell ME. | 0:53:12 | 0:53:14 | |
Who was he? | 0:53:15 | 0:53:16 | |
My father. | 0:53:16 | 0:53:17 | |
Your father? | 0:53:17 | 0:53:19 | |
Are you following me? | 0:53:19 | 0:53:20 | |
-Why? -Because. | 0:53:20 | 0:53:21 | |
What? | 0:53:23 | 0:53:24 | |
Shut up. | 0:53:27 | 0:53:29 | |
SHUT UP! | 0:53:29 | 0:53:30 | |
Single shot pierced the frontal bone. Massive brain trauma. | 0:53:34 | 0:53:37 | |
Death would have been almost instantaneous. | 0:53:37 | 0:53:39 | |
-Weapon? -Same gun used to kill McAteer, Stanwell. | 0:53:39 | 0:53:42 | |
Please tell me you can put Michael Maitland in the flat? | 0:53:42 | 0:53:44 | |
Not yet. | 0:53:44 | 0:53:46 | |
But you have DNA evidence - | 0:53:46 | 0:53:47 | |
the cigarette butt dropped out of the SUV window. | 0:53:47 | 0:53:49 | |
His brief's already suggested that Maitland visited that garage earlier that same week. | 0:53:49 | 0:53:53 | |
Scouting it out in advance. | 0:53:53 | 0:53:54 | |
Or filling up with petrol if you believe him. | 0:53:54 | 0:53:56 | |
So unless we can prove that the cigarette we found was | 0:53:56 | 0:53:58 | |
indisputably dropped from that SUV on the night in question, then... | 0:53:58 | 0:54:02 | |
Thank you. | 0:54:04 | 0:54:06 | |
For, um... For letting me see him. | 0:54:06 | 0:54:10 | |
It's a very human need. | 0:54:11 | 0:54:14 | |
Seeing the things that upset us makes them real... | 0:54:14 | 0:54:18 | |
..and then we can move on. | 0:54:20 | 0:54:22 | |
He said that... | 0:54:26 | 0:54:28 | |
..I was raped. | 0:54:35 | 0:54:36 | |
Maitland has been released pending further investigation. | 0:54:53 | 0:54:58 | |
How is that even possible? | 0:54:58 | 0:55:00 | |
The CPS don't think there's enough evidence to launch a prosecution yet. | 0:55:00 | 0:55:03 | |
But he's had to surrender his passport. He can't run. | 0:55:03 | 0:55:07 | |
-You thinking he might wriggle out of this? -No. | 0:55:07 | 0:55:09 | |
We've got some forensic evidence and we're hoping we can pin him on it, | 0:55:09 | 0:55:14 | |
but the bulk of the case rests on his online interactions with Kirkeby. | 0:55:14 | 0:55:18 | |
HTCU are working on it, and it's a massive job. | 0:55:18 | 0:55:22 | |
Big difference between what we know and what we can prove. | 0:55:22 | 0:55:26 | |
Have faith, Mrs McAteer. He'll get what's coming to him. | 0:55:28 | 0:55:31 | |
Ah, Max. | 0:55:37 | 0:55:39 | |
Excuse me a second. | 0:55:39 | 0:55:40 | |
Thanks a lot for all your assistance. | 0:55:40 | 0:55:42 | |
Oh - always happy to collaborate. | 0:55:42 | 0:55:44 | |
And, um, if you ever want to kick some of your employees my way | 0:55:44 | 0:55:47 | |
for a little training... | 0:55:47 | 0:55:49 | |
-What's wrong, Jack? -I'll tell you what's wrong. | 0:55:49 | 0:55:51 | |
I'm...a bit worried he's going to try and tempt you away. | 0:55:51 | 0:55:54 | |
-Well, he does try. -I knew it! | 0:55:54 | 0:55:57 | |
Well, he tries because Max is Max and he can't help himself. | 0:55:57 | 0:56:00 | |
He knows I'll never say yes. | 0:56:00 | 0:56:01 | |
Big pay rise, swanky office. | 0:56:01 | 0:56:03 | |
And leave all this? | 0:56:03 | 0:56:04 | |
You never know. | 0:56:04 | 0:56:06 | |
No. I like it down here with the blood and the bones. | 0:56:06 | 0:56:09 | |
Besides - you'd be lost without me. | 0:56:09 | 0:56:12 | |
Proper catch-up soon? | 0:56:12 | 0:56:13 | |
Absolutely. | 0:56:13 | 0:56:14 | |
-Right. And I'll see you at home. -Mm-hm. | 0:56:14 | 0:56:18 | |
-Text me when you leave? -Yeah. | 0:56:18 | 0:56:19 | |
I know I married him for his mind, but... | 0:56:21 | 0:56:24 | |
I do love the way that man leaves a room... | 0:56:24 | 0:56:26 | |
What will you do with the business? | 0:56:30 | 0:56:32 | |
Well, I'll try and run it. | 0:56:32 | 0:56:34 | |
There's been a McAteer at Billingsgate for 150 years, | 0:56:35 | 0:56:38 | |
I can...I can do a couple more. | 0:56:38 | 0:56:40 | |
Let's talk about money later, though. | 0:56:40 | 0:56:43 | |
Yeah, yeah. | 0:56:43 | 0:56:44 | |
Or you could help me. | 0:56:44 | 0:56:46 | |
You and me. | 0:56:47 | 0:56:50 | |
Together. | 0:56:50 | 0:56:52 | |
Too late for us, Tommy. | 0:57:01 | 0:57:04 | |
INAUDIBLE | 0:57:18 | 0:57:20 | |
HE WHISTLES | 0:57:29 | 0:57:30 | |
GUNSHOT | 0:57:55 | 0:57:56 | |
I want to be a pathologist, Nikki, but I have to go home. | 0:57:58 | 0:58:01 | |
SHOUTING | 0:58:02 | 0:58:04 | |
It's not your job. And this is not our fight. | 0:58:04 | 0:58:07 | |
Maybe our being here is another reason for them to kill. | 0:58:07 | 0:58:10 | |
Tell me, where are they? | 0:58:10 | 0:58:12 | |
Nikki! | 0:58:12 | 0:58:15 | |
# Testator silens | 0:58:15 | 0:58:22 | |
# Costestes e spiritu | 0:58:22 | 0:58:30 | |
# Silentium. # | 0:58:30 | 0:58:41 |