Browse content similar to Part One. Check below for episodes and series from the same categories and more!
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This programme some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
Ow! | 0:00:29 | 0:00:31 | |
No, I'm really not happy with the arrangements for this evening. | 0:00:58 | 0:01:01 | |
Couple of things. | 0:01:03 | 0:01:04 | |
You say you can fit an extra ten people in the alcove | 0:01:04 | 0:01:06 | |
by the window, but I've seen that alcove, and, with respect, | 0:01:06 | 0:01:09 | |
a romantic meal for two would be a squeeze. | 0:01:09 | 0:01:12 | |
It's my sister's baby shower and I need everything to be perfect. | 0:01:13 | 0:01:17 | |
Listen, I'm coming over now. | 0:01:17 | 0:01:19 | |
To show you how the seating can work. | 0:01:21 | 0:01:23 | |
Honestly, it's no trouble. See you in a minute. | 0:01:27 | 0:01:30 | |
SHE SIGHS | 0:01:34 | 0:01:36 | |
BIRDSONG | 0:01:44 | 0:01:46 | |
CAR REVS LOUDLY | 0:01:52 | 0:01:54 | |
-ON PHONE: -'999, emergency...' | 0:02:00 | 0:02:02 | |
CRASHING | 0:02:02 | 0:02:03 | |
BRAKES SCREECH | 0:02:05 | 0:02:07 | |
CAR DOOR SHUTS | 0:02:09 | 0:02:11 | |
CAR REVS AND DRIVES OFF | 0:02:41 | 0:02:44 | |
# Testator silens | 0:02:52 | 0:03:00 | |
# Costestes e spiritu | 0:03:00 | 0:03:08 | |
# Silentium. # | 0:03:08 | 0:03:16 | |
DCI Andy Steemson. This is DS Karen Wretzky. | 0:03:24 | 0:03:27 | |
Nikki Alexander, pathologist. | 0:03:27 | 0:03:29 | |
Jack Hodgson, forensics. | 0:03:29 | 0:03:30 | |
I know what you're thinking. | 0:03:30 | 0:03:32 | |
It's only been 24 hours since Lucy disappeared, | 0:03:32 | 0:03:35 | |
but there's something we're keeping under wraps. | 0:03:35 | 0:03:37 | |
We got a one-second 999 call from her mobile at 9.23am. | 0:03:37 | 0:03:42 | |
-Nothing audible. -Well, it should help with the location at least. | 0:03:42 | 0:03:45 | |
Only picked up on the one mast. | 0:03:45 | 0:03:46 | |
-So we can't triangulate. -No. | 0:03:46 | 0:03:48 | |
Traces of what looks like blood and maybe fingerprints were found here - | 0:03:48 | 0:03:53 | |
the samples are on their way to you. | 0:03:53 | 0:03:55 | |
Of course, it's still possible that she walked off into the sunset, | 0:03:55 | 0:03:58 | |
but I want to rule out that she was taken by force from this location. | 0:03:58 | 0:04:01 | |
I also want to rule out that she's in this location. | 0:04:01 | 0:04:04 | |
OK. | 0:04:04 | 0:04:05 | |
Let me spell it out. A missing girl. A big search party. | 0:04:05 | 0:04:08 | |
A media circus. | 0:04:08 | 0:04:09 | |
Couple of days later, the body shows up in her home, | 0:04:09 | 0:04:11 | |
in the attic or cellar, usually. It's been there all the time. | 0:04:11 | 0:04:14 | |
That's not going to happen on my watch. | 0:04:14 | 0:04:16 | |
You want a forensic guarantee | 0:04:16 | 0:04:17 | |
there's not a dead body on the premises... | 0:04:17 | 0:04:19 | |
basically? | 0:04:19 | 0:04:20 | |
Basically, yeah. | 0:04:20 | 0:04:22 | |
Fine. Then we'll need the run of the house. | 0:04:22 | 0:04:24 | |
OK. | 0:04:26 | 0:04:27 | |
He grows on you. | 0:04:30 | 0:04:31 | |
I look forward to it. | 0:04:31 | 0:04:32 | |
SHE SNIFFS | 0:04:36 | 0:04:37 | |
Getting that burnt smell? | 0:04:37 | 0:04:38 | |
Mm. | 0:04:38 | 0:04:39 | |
This is a big place for a primary school teacher. | 0:04:41 | 0:04:44 | |
Hm. | 0:04:44 | 0:04:45 | |
I'm thinking family money. | 0:04:48 | 0:04:50 | |
Got some bike treads here. | 0:04:56 | 0:04:59 | |
No bike. | 0:04:59 | 0:05:00 | |
Jack? | 0:05:40 | 0:05:41 | |
What is that? | 0:05:48 | 0:05:50 | |
I think it was...a cake. | 0:05:50 | 0:05:53 | |
Who bakes a cake then disappears into the sunset? | 0:05:53 | 0:05:56 | |
HE KNOCKS | 0:06:03 | 0:06:04 | |
Haven't you got a rehearsal? | 0:06:15 | 0:06:17 | |
No. | 0:06:17 | 0:06:18 | |
Want me to run you in? | 0:06:18 | 0:06:20 | |
No. | 0:06:21 | 0:06:23 | |
Someone got a hangover by any chance? | 0:06:23 | 0:06:25 | |
No. | 0:06:26 | 0:06:28 | |
You've got two minutes. I'll make toast to go. | 0:06:28 | 0:06:31 | |
Dad, I've got four lines. | 0:06:31 | 0:06:33 | |
I don't want to spend my Sunday waiting to say them. Please! | 0:06:33 | 0:06:38 | |
Mum won't be happy. | 0:06:38 | 0:06:39 | |
Mum's not going to remember unless you tell her. | 0:06:39 | 0:06:42 | |
Wow. They're searching the lane. | 0:06:44 | 0:06:46 | |
Think they've found her? | 0:06:51 | 0:06:53 | |
No idea. Tell you what, though, forget about the rehearsal. | 0:06:53 | 0:06:57 | |
Dad, I can look after myself. | 0:06:57 | 0:06:59 | |
Fair enough. Off you go, then. | 0:07:00 | 0:07:02 | |
WHIMPERING | 0:07:55 | 0:07:57 | |
WHIMPERING CONTINUES | 0:08:05 | 0:08:07 | |
I found a cycling app on Lucy's laptop - it uploaded automatically | 0:08:22 | 0:08:27 | |
and tells us she cycled 3.75 miles on the morning she vanished. | 0:08:27 | 0:08:31 | |
What time was it activated? | 0:08:31 | 0:08:33 | |
Um, 9.10. | 0:08:33 | 0:08:35 | |
So, she triggered the program as she left her house... | 0:08:35 | 0:08:37 | |
I'm ahead of you. | 0:08:37 | 0:08:39 | |
Sorry. | 0:08:39 | 0:08:40 | |
Traffic cams on the main road | 0:08:40 | 0:08:41 | |
-were checked for the morning she went missing. -No sightings? -No. | 0:08:41 | 0:08:45 | |
Leaving five surrounding lanes and a B-road. | 0:08:45 | 0:08:50 | |
We've got something - bang on 3.75 miles from her house. | 0:09:05 | 0:09:08 | |
WHIMPERING | 0:09:12 | 0:09:15 | |
SHE GROANS AND CRIES | 0:09:29 | 0:09:32 | |
'We believe Lucy left her home in Felking, Surrey, at around 9am | 0:09:34 | 0:09:38 | |
'on Saturday morning and that she was riding | 0:09:38 | 0:09:41 | |
'the bike in this photograph. | 0:09:41 | 0:09:43 | |
'Did anyone see her in that area at that time? | 0:09:43 | 0:09:46 | |
'Whoever's taken my sister, Lucy is a good person to her bones. | 0:09:46 | 0:09:51 | |
'She'd help anyone in any situation, | 0:09:51 | 0:09:53 | |
'and I want her back. I NEED her back.' | 0:09:53 | 0:09:58 | |
MOBILE RINGS | 0:09:58 | 0:10:00 | |
Hello. | 0:10:03 | 0:10:04 | |
All right, I'll be there in 30 minutes. | 0:10:07 | 0:10:09 | |
Hiya. Thomas Chamberlain. | 0:10:32 | 0:10:35 | |
DS Steele. Maureen to my friends. | 0:10:35 | 0:10:38 | |
Right. | 0:10:40 | 0:10:41 | |
She's got track marks on both arms. Looks like a user. | 0:10:44 | 0:10:48 | |
Just saying. | 0:10:48 | 0:10:50 | |
Ah! I used to have one of them! | 0:10:57 | 0:10:59 | |
I couldn't get those little tapes any more. | 0:10:59 | 0:11:01 | |
Bloke on Tottenham Court Road still sells them. | 0:11:01 | 0:11:03 | |
Yeah? When we're done, give me his details, would you? | 0:11:03 | 0:11:06 | |
Gladly. | 0:11:06 | 0:11:07 | |
Victim is female, no apparent ID, and is lying on her back. | 0:11:07 | 0:11:12 | |
There's a single, penetrating wound to her chest, | 0:11:12 | 0:11:14 | |
dusting of fine white powder to her tracksuit. | 0:11:14 | 0:11:18 | |
Got to be coke, right? | 0:11:18 | 0:11:19 | |
Well, yes...or talcum powder. | 0:11:19 | 0:11:23 | |
Either way, she's not a primary school teacher, that's for sure. | 0:11:23 | 0:11:28 | |
What is it with bank holiday weekends and girls going missing? | 0:11:28 | 0:11:32 | |
I blame the tabloids myself. | 0:11:32 | 0:11:34 | |
Check for a planar distribution of any injuries in case she fell | 0:11:34 | 0:11:37 | |
or was thrown from the road above. | 0:11:37 | 0:11:40 | |
Who called this in? | 0:11:42 | 0:11:43 | |
Council engineer. Routine checks on the bridge struts. | 0:11:43 | 0:11:47 | |
He was getting back into his van when, thank God, he found the body. | 0:11:47 | 0:11:51 | |
If she was dumped from up there, | 0:11:53 | 0:11:55 | |
killer's on camera one side of the bridge or the other. | 0:11:55 | 0:11:58 | |
Well, I'll get on with the postmortem, if that suits. | 0:11:58 | 0:12:02 | |
Before you do, do me a favour? | 0:12:02 | 0:12:04 | |
What? | 0:12:04 | 0:12:05 | |
Run her prints. | 0:12:05 | 0:12:06 | |
If she hasn't got a record a mile long, I'll take it all back. | 0:12:06 | 0:12:10 | |
Bike gets dragged under the car... | 0:12:14 | 0:12:17 | |
Paint's a visual match to Lucy's bike - | 0:12:22 | 0:12:26 | |
manufacturer will confirm that. | 0:12:26 | 0:12:28 | |
Now we know the road she took, we can do targeted house-to-house... | 0:12:28 | 0:12:31 | |
Strand of hair! | 0:12:41 | 0:12:43 | |
Must've hit her at speed to send her off the road at this height. | 0:12:52 | 0:12:55 | |
Brake marks on the asphalt back that up. | 0:12:55 | 0:12:57 | |
Bastard. | 0:12:57 | 0:12:59 | |
Tread prints? | 0:12:59 | 0:13:00 | |
Jack? | 0:13:00 | 0:13:01 | |
We'll see, but when wheels lock up, all you tend to get is burnt rubber. | 0:13:01 | 0:13:05 | |
We need to search these woods now in case she came round and wandered off. | 0:13:11 | 0:13:15 | |
What, you're not hopeful? | 0:13:17 | 0:13:18 | |
That velocity and impact - no. | 0:13:18 | 0:13:20 | |
Given that her bike and phone are missing, | 0:13:20 | 0:13:22 | |
it's more likely the assailant removed her body from the scene. | 0:13:22 | 0:13:25 | |
You'll be pleased to know you were entirely correct. | 0:13:57 | 0:13:59 | |
About our victim? | 0:13:59 | 0:14:01 | |
Mm-hm. Tina Lunt, 32. | 0:14:01 | 0:14:04 | |
Long record for theft and possession - coke and cannabis - | 0:14:04 | 0:14:07 | |
nothing for a couple of years, though. | 0:14:07 | 0:14:10 | |
She's listed as divorced, ten-year-old son. | 0:14:10 | 0:14:13 | |
Jack, I need you to check out the white powder on this tracksuit. | 0:14:16 | 0:14:19 | |
Sure. Just leave it on my desk. | 0:14:19 | 0:14:21 | |
Right. When do you think you might get round to it? | 0:14:22 | 0:14:25 | |
Er, this afternoon, the earliest. Might need a gentle nudge. | 0:14:25 | 0:14:29 | |
Count on it. | 0:14:29 | 0:14:30 | |
Although both arms bear scars suggestive of needle-use, | 0:14:32 | 0:14:37 | |
the marks are old - months, possibly years - | 0:14:37 | 0:14:42 | |
no evidence of recent activity. | 0:14:42 | 0:14:45 | |
Maybe she was smoking it? | 0:14:45 | 0:14:48 | |
Yeah, why don't we see what tox says? | 0:14:48 | 0:14:50 | |
There's some kind of metal object embedded in her chest. | 0:14:52 | 0:14:56 | |
Can you see? | 0:14:56 | 0:14:58 | |
Oh. | 0:14:58 | 0:14:59 | |
Clean, neat entry wound. Right. | 0:14:59 | 0:15:03 | |
Let's have a look at it. | 0:15:07 | 0:15:09 | |
My God. | 0:15:18 | 0:15:20 | |
It's a fork screwdriver. | 0:15:24 | 0:15:26 | |
The tip of the screwdriver has been bent at a 45-degree angle. | 0:15:27 | 0:15:31 | |
The metal is discoloured with a mottled sheen, | 0:15:31 | 0:15:33 | |
suggesting it's been heated and recast. | 0:15:33 | 0:15:35 | |
There's also, can you see, crisscross markings on the shaft, | 0:15:35 | 0:15:39 | |
possibly from being clamped in a vice. | 0:15:39 | 0:15:41 | |
Wow. | 0:15:44 | 0:15:46 | |
You see these plastic flakes in the wound? | 0:15:47 | 0:15:50 | |
-Yeah. -She was stabbed with such force, the handle broke clean off. | 0:15:50 | 0:15:54 | |
That's unusual? | 0:15:54 | 0:15:55 | |
Very. Tool handles are made with cellulose acetate - | 0:15:55 | 0:15:58 | |
noted for its extreme durability. | 0:15:58 | 0:16:00 | |
All of which suggests it was done deliberately. | 0:16:00 | 0:16:04 | |
And that couldn't have bent when it struck her sternum? | 0:16:04 | 0:16:06 | |
No. | 0:16:06 | 0:16:07 | |
So, what kind of person needs to modify the end of a screwdriver? | 0:16:09 | 0:16:13 | |
Did you see or hear anything unusual yesterday morning? | 0:16:15 | 0:16:19 | |
Car alarm. | 0:16:19 | 0:16:21 | |
That's right. My car alarm went off. | 0:16:21 | 0:16:24 | |
I didn't hear it because our bedroom faces the back. | 0:16:24 | 0:16:27 | |
And you sleep like a donkey. | 0:16:27 | 0:16:28 | |
That, too. Yep. | 0:16:28 | 0:16:30 | |
It woke you up, though? | 0:16:30 | 0:16:32 | |
I went out and checked on the car. | 0:16:32 | 0:16:34 | |
Nothing suspicious - no indication why it'd gone off. | 0:16:34 | 0:16:37 | |
Has that happened before? | 0:16:37 | 0:16:39 | |
Once or twice. Not lately. | 0:16:39 | 0:16:41 | |
I just turned it off. | 0:16:41 | 0:16:43 | |
What time was that? When you were out on the drive? | 0:16:45 | 0:16:48 | |
It was about nine, I think. | 0:16:48 | 0:16:50 | |
Maybe a bit after. | 0:16:50 | 0:16:52 | |
Mr Timpson, that's exactly when we think Lucy cycled past on the lane. | 0:16:52 | 0:16:55 | |
You're sure you didn't see her? | 0:16:55 | 0:16:57 | |
Positive. | 0:16:57 | 0:16:58 | |
What about a vehicle? | 0:16:58 | 0:16:59 | |
I'm sorry. I just shut off the alarm, went back to bed. | 0:17:00 | 0:17:05 | |
It was my day off. | 0:17:05 | 0:17:07 | |
What do you do? | 0:17:07 | 0:17:08 | |
I'm a GP. | 0:17:08 | 0:17:10 | |
You're married? | 0:17:11 | 0:17:12 | |
My wife's in her study if you need to speak to her. | 0:17:12 | 0:17:14 | |
Was she around Saturday morning? | 0:17:14 | 0:17:16 | |
She was asleep next to me. | 0:17:16 | 0:17:18 | |
I saw someone this morning in the lane... | 0:17:19 | 0:17:23 | |
big guy in his 30s. | 0:17:23 | 0:17:24 | |
He was weird. | 0:17:24 | 0:17:25 | |
He pulled up across the road, just staring at the house. | 0:17:25 | 0:17:29 | |
When he saw me, he drove off. | 0:17:29 | 0:17:31 | |
Do you remember what kind of car? The colour? | 0:17:31 | 0:17:33 | |
Golf... Fiesta? That kind of thing. Black or navy. | 0:17:33 | 0:17:38 | |
You definitely didn't recognise him? | 0:17:38 | 0:17:41 | |
Why? | 0:17:41 | 0:17:42 | |
Guess I'm just wondering | 0:17:42 | 0:17:44 | |
whether he was watching the house or watching you. | 0:17:44 | 0:17:46 | |
Good, we got the CT scan back. | 0:17:50 | 0:17:53 | |
Seems the shaft made an upward, diagonally-oriented chest wound, | 0:17:53 | 0:17:58 | |
penetrated the pleural cavity here and was cause of death. | 0:17:58 | 0:18:02 | |
I don't get it. | 0:18:08 | 0:18:10 | |
It must've gone through the flesh with massive force not to tear the surrounding skin... | 0:18:10 | 0:18:15 | |
See these fragments of bone? Smashed right through her sternum. | 0:18:15 | 0:18:19 | |
So, what, we're looking for a body-builder? A giant? | 0:18:19 | 0:18:22 | |
Maybe to the former, no to the latter. | 0:18:22 | 0:18:26 | |
If you were going to stab me with a screwdriver, DS Steele, | 0:18:27 | 0:18:30 | |
how would you do it? | 0:18:30 | 0:18:32 | |
Go on, show me. | 0:18:32 | 0:18:34 | |
Yeah, classic stabbing movement. Downward arc. | 0:18:34 | 0:18:37 | |
But a downward arc yields a downward wound tract. | 0:18:37 | 0:18:39 | |
What, and we've got the opposite? | 0:18:39 | 0:18:41 | |
Yeah. Upward trajectory - so either our killer is three foot tall | 0:18:41 | 0:18:45 | |
or they stabbed her from some kind of lowered position, | 0:18:45 | 0:18:48 | |
but that would've resulted in a far messier entry wound. | 0:18:48 | 0:18:50 | |
Clarissa? | 0:18:53 | 0:18:54 | |
Tox is back on Tina Lunt - clean for drugs and alcohol. | 0:18:54 | 0:18:57 | |
Fancy a trip to her flat in Hounslow? | 0:19:00 | 0:19:03 | |
SHE GROANS | 0:19:10 | 0:19:11 | |
SHE CRIES OUT | 0:19:18 | 0:19:20 | |
Oh. OK. Thanks. | 0:19:22 | 0:19:24 | |
Bad news? | 0:19:25 | 0:19:26 | |
No traffic cams on the bridge. | 0:19:26 | 0:19:28 | |
Nearest one is the other side of a six-outlet roundabout. | 0:19:28 | 0:19:32 | |
Oh, so, no way of telling which vehicles went over the bridge? | 0:19:32 | 0:19:35 | |
And they whine about us being the CCTV capital of the world... | 0:19:35 | 0:19:38 | |
Oh, hang on. We should get uniforms to sweep, shouldn't we? | 0:19:43 | 0:19:46 | |
Oh, sod that. | 0:19:46 | 0:19:48 | |
Hello? | 0:19:48 | 0:19:49 | |
Hello? | 0:19:51 | 0:19:52 | |
Oh... | 0:19:54 | 0:19:55 | |
Jesus! You all right? | 0:20:19 | 0:20:20 | |
Yes. Go on! | 0:20:20 | 0:20:21 | |
CAR DOOR CLOSES | 0:21:00 | 0:21:02 | |
Oh! | 0:21:14 | 0:21:15 | |
Did you get his registration number? | 0:21:16 | 0:21:18 | |
If you remember anything else, please call us. | 0:21:21 | 0:21:24 | |
Thank you. | 0:21:24 | 0:21:25 | |
FOOTSTEPS | 0:21:30 | 0:21:31 | |
That was the police. | 0:21:33 | 0:21:35 | |
I heard. | 0:21:35 | 0:21:36 | |
Why did you have to tell them about the bloody car alarm? | 0:21:40 | 0:21:43 | |
When you turned the alarm off, was Alec's Land Rover outside? | 0:21:52 | 0:21:56 | |
You're getting in a state about nothing. | 0:21:56 | 0:21:58 | |
Was it parked outside? | 0:21:58 | 0:22:00 | |
No, I don't think so. | 0:22:00 | 0:22:01 | |
But that doesn't mean much. | 0:22:01 | 0:22:04 | |
He always parks beside the guesthouse, | 0:22:04 | 0:22:06 | |
and you can't see back there from the drive. | 0:22:06 | 0:22:08 | |
SHE GROANS | 0:22:14 | 0:22:16 | |
Find anything? | 0:22:42 | 0:22:44 | |
Five empty beer bottles. No alcohol in Tina's blood, remember. | 0:22:44 | 0:22:47 | |
Could be our runner's? | 0:22:47 | 0:22:48 | |
Yeah. What do you think? Came back here to clean up? | 0:22:48 | 0:22:53 | |
No sign of a mobile? | 0:22:53 | 0:22:55 | |
No. | 0:22:55 | 0:22:56 | |
Empty, but still a mess. Bit like my place. | 0:23:14 | 0:23:17 | |
DS Steele. | 0:23:37 | 0:23:38 | |
Same crisscross markings as the one I extracted from Tina's chest. | 0:23:44 | 0:23:49 | |
What was she into? | 0:23:49 | 0:23:51 | |
Something tells me our runner might've had an inkling. | 0:23:51 | 0:23:54 | |
All right. Don't rub it in. | 0:23:54 | 0:23:56 | |
Christ. | 0:24:08 | 0:24:09 | |
It's probably been like this for days. | 0:24:09 | 0:24:12 | |
Sell-by date tomorrow. | 0:24:22 | 0:24:23 | |
So? | 0:24:23 | 0:24:24 | |
So, it means he could've been here on Friday night. | 0:24:26 | 0:24:28 | |
Ellie... | 0:24:28 | 0:24:29 | |
Like you said, we wouldn't know. | 0:24:29 | 0:24:32 | |
OK, so he was here on Friday night? So what? | 0:24:34 | 0:24:37 | |
What are you worried about? | 0:24:39 | 0:24:41 | |
I don't know. | 0:24:41 | 0:24:42 | |
You can't think Alec's got anything to do with this girl? | 0:24:44 | 0:24:47 | |
No! | 0:24:47 | 0:24:49 | |
No, of course not. | 0:24:49 | 0:24:51 | |
So...? | 0:24:51 | 0:24:52 | |
It doesn't matter what I think. | 0:24:52 | 0:24:55 | |
If they find out about Alec, they'll... | 0:24:55 | 0:24:58 | |
They'll be all over him like a rash. | 0:24:58 | 0:25:01 | |
He won't survive it, not again. | 0:25:03 | 0:25:07 | |
SHE GRUNTS | 0:25:10 | 0:25:13 | |
Isn't this a bit excessive? | 0:25:42 | 0:25:44 | |
I hope so. | 0:25:45 | 0:25:46 | |
What's going on? | 0:25:48 | 0:25:51 | |
Just having a bit of a clear-out. | 0:25:51 | 0:25:53 | |
That's Alec's coat. Why are you chucking it out? | 0:25:53 | 0:25:56 | |
It's falling apart. | 0:25:56 | 0:25:57 | |
It's his coat. | 0:25:57 | 0:25:58 | |
Jessica, please, what do you want? | 0:25:58 | 0:26:01 | |
I'm sure your brother can look after himself. | 0:26:13 | 0:26:15 | |
Can he? | 0:26:15 | 0:26:17 | |
I'm not so sure. | 0:26:17 | 0:26:18 | |
Is that dope? | 0:26:46 | 0:26:48 | |
I thought the first rule of Alec using the guesthouse was no guests, | 0:26:48 | 0:26:51 | |
female or otherwise? | 0:26:51 | 0:26:52 | |
Jessica. | 0:26:53 | 0:26:55 | |
What? | 0:26:55 | 0:26:56 | |
How do you know? | 0:26:56 | 0:26:58 | |
It's my lipstick. She's always borrowing it. | 0:26:58 | 0:27:01 | |
I'll talk to Jess. I'm better at that stuff than you. | 0:27:01 | 0:27:04 | |
It's not her I'm angry with. | 0:27:05 | 0:27:07 | |
RINGING | 0:27:16 | 0:27:18 | |
RINGING | 0:27:20 | 0:27:22 | |
RINGING CONTINUES | 0:27:28 | 0:27:32 | |
-'Please leave a message after the tone.' -BEEP | 0:27:33 | 0:27:36 | |
Alec, listen, it's very important that you don't use the guesthouse for a bit. | 0:27:36 | 0:27:41 | |
Don't even come to the house. | 0:27:41 | 0:27:43 | |
Um... I'll explain when I speak to you. | 0:27:43 | 0:27:46 | |
Jessica? | 0:28:01 | 0:28:03 | |
Jessica, are you OK? | 0:28:03 | 0:28:06 | |
Yeah. Sorry. I'll turn around. | 0:28:06 | 0:28:08 | |
OK. | 0:28:08 | 0:28:09 | |
RINGING | 0:28:09 | 0:28:11 | |
Just finishing up here, sir. Yep... | 0:28:11 | 0:28:13 | |
HOOTS HORN | 0:28:17 | 0:28:19 | |
Hey! Watch out! | 0:28:19 | 0:28:20 | |
Are you all right? | 0:28:30 | 0:28:32 | |
No, I'm fine. Yep, sorry. | 0:28:32 | 0:28:34 | |
ENGINE | 0:29:39 | 0:29:42 | |
DOOR CLOSES | 0:29:59 | 0:30:00 | |
DOOR CREAKS | 0:30:16 | 0:30:17 | |
Ah! | 0:30:25 | 0:30:26 | |
BREATHES HEAVILY | 0:30:32 | 0:30:34 | |
CLATTERING | 0:30:53 | 0:30:55 | |
You didn't call me back. | 0:33:34 | 0:33:35 | |
Want a drink or something? | 0:33:49 | 0:33:52 | |
No, no, I'm fine. | 0:33:52 | 0:33:53 | |
You got my message? | 0:34:00 | 0:34:02 | |
Yes. | 0:34:02 | 0:34:03 | |
Some girl has gone missing? | 0:34:04 | 0:34:07 | |
Just down the road from us. All things considered, I... | 0:34:07 | 0:34:12 | |
I think it would be best if you... | 0:34:12 | 0:34:14 | |
What? If I... If I stayed away? | 0:34:14 | 0:34:16 | |
Of course. Fine. I'll stay away. | 0:34:17 | 0:34:21 | |
OK. | 0:34:21 | 0:34:22 | |
Last week, which night did you stay at the guesthouse? | 0:34:28 | 0:34:31 | |
Um... Tuesday, Wednesday I was panelling at the golf club... | 0:34:31 | 0:34:38 | |
..er...Thursday night. | 0:34:40 | 0:34:42 | |
Not Friday night? | 0:34:42 | 0:34:43 | |
Why are you asking? | 0:34:43 | 0:34:44 | |
The girl went missing on Saturday morning. | 0:34:44 | 0:34:47 | |
If they found out that you were in the area... | 0:34:47 | 0:34:49 | |
..we all know how quickly they jump to conclusions. | 0:34:52 | 0:34:55 | |
What about you, Ellie? | 0:34:55 | 0:34:56 | |
Are you jumping to any conclusions? | 0:34:56 | 0:34:58 | |
That is not fair, Alec. | 0:34:58 | 0:35:00 | |
But it's true. | 0:35:00 | 0:35:02 | |
Back then, do you think that I would've lied for you? | 0:35:02 | 0:35:05 | |
Do you think I would have given you an alibi if I'd had any doubts whatsoever? | 0:35:05 | 0:35:09 | |
I'm sorry. | 0:35:12 | 0:35:13 | |
Thanks. | 0:36:18 | 0:36:19 | |
Lucy has a swallow tattoo on her left wrist. | 0:36:40 | 0:36:43 | |
No visible decomposition. She can't have been in the water long. | 0:36:47 | 0:36:51 | |
You think he dumped her today? | 0:36:51 | 0:36:52 | |
I'd say in the last two to four hours. | 0:36:52 | 0:36:54 | |
He's confident. | 0:36:54 | 0:36:55 | |
I swabbed the tool kit - multiple prints and DNA samples, | 0:37:02 | 0:37:05 | |
mostly belonging to Tina herself. | 0:37:05 | 0:37:06 | |
What about the lager bottles? | 0:37:06 | 0:37:08 | |
Well, again, multiple prints and DNA, but only one overlapping with the samples from the tool kit. | 0:37:08 | 0:37:14 | |
Belonging to a Wesley Beale. | 0:37:14 | 0:37:18 | |
His CV reads like a criminal decathlon. | 0:37:18 | 0:37:21 | |
That's him. That's the man I chased. | 0:37:21 | 0:37:23 | |
You chased someone? | 0:37:23 | 0:37:24 | |
Yeah. | 0:37:24 | 0:37:26 | |
Is there CCTV? | 0:37:26 | 0:37:27 | |
What have we got - blackmail, housebreaking, drug dealing... | 0:37:27 | 0:37:31 | |
And that's just the shit we nicked him for. | 0:37:31 | 0:37:33 | |
-Current address? -Er, no, | 0:37:33 | 0:37:35 | |
but last time he was arrested, he gave Maconi's car mechanics | 0:37:35 | 0:37:39 | |
in Hounslow as his place of employment. | 0:37:39 | 0:37:41 | |
Owner Marc Maconi nicked but not charged back in '04 | 0:37:41 | 0:37:45 | |
for stealing stereos and airbags. | 0:37:45 | 0:37:48 | |
Off-limits, I'm afraid - as he didn't do it. | 0:37:48 | 0:37:52 | |
Weasley Beale worked here, right? | 0:37:54 | 0:37:56 | |
About two years ago. So what? | 0:37:56 | 0:37:59 | |
When did you last see him? | 0:37:59 | 0:38:00 | |
We didn't stay in touch. | 0:38:02 | 0:38:04 | |
Aww, did you and Wesley have a falling out(?) | 0:38:04 | 0:38:07 | |
After he got busted, you lot turned this place over for days. | 0:38:07 | 0:38:11 | |
And that was a cause for concern, was it? | 0:38:11 | 0:38:13 | |
Loss of trade was my concern, nothing else. | 0:38:13 | 0:38:17 | |
-So, do you know where we might find Wesley? -No. | 0:38:17 | 0:38:21 | |
Oi! What, you lost or something? | 0:39:17 | 0:39:20 | |
Need a warrant to be nosing about in here. | 0:39:22 | 0:39:24 | |
You got one? | 0:39:24 | 0:39:25 | |
-No. -Well, it's trespassing, then, innit? | 0:39:25 | 0:39:29 | |
And if you're trespassing... | 0:39:29 | 0:39:31 | |
If I'm trespassing, what? | 0:39:31 | 0:39:33 | |
Then the law's on my side. | 0:39:33 | 0:39:35 | |
Wouldn't bet on it, mate. | 0:39:35 | 0:39:37 | |
Let's go. | 0:39:40 | 0:39:41 | |
What was that about? | 0:39:46 | 0:39:48 | |
You get anything on Beale? | 0:39:48 | 0:39:49 | |
Nope. | 0:39:49 | 0:39:51 | |
RINGING | 0:39:51 | 0:39:54 | |
Thomas. | 0:39:54 | 0:39:56 | |
Jack. Have you checked out the white powder on that tracksuit? | 0:39:56 | 0:40:00 | |
Sorry, haven't got to it yet. | 0:40:00 | 0:40:03 | |
Right. | 0:40:03 | 0:40:04 | |
I did say you might need to nudge me. | 0:40:04 | 0:40:06 | |
Yeah, well, consider this a nudge. First and last. | 0:40:06 | 0:40:09 | |
He hung up on me! | 0:40:12 | 0:40:13 | |
There's a deep ligature wound to the throat. | 0:40:23 | 0:40:26 | |
Skin damage has released a serum that's dried out in patches in a parchment effect - | 0:40:27 | 0:40:31 | |
that could be consistent with death by strangulation. | 0:40:31 | 0:40:35 | |
Left earlobe's torn - a wound often caused by a snagged earring. | 0:40:35 | 0:40:39 | |
Could've happened when she came off the bike? | 0:40:39 | 0:40:41 | |
Hm, scabbing over the wound suggests it was sustained at least a week ago - maybe longer. | 0:40:41 | 0:40:47 | |
We'll ask her sister about it. | 0:40:47 | 0:40:49 | |
A clump of her hair's been cut off. | 0:40:58 | 0:41:00 | |
Trophy? | 0:41:01 | 0:41:03 | |
The lack of lividity and general decomposition suggests she died between 12 and 24 hours ago. | 0:41:37 | 0:41:43 | |
So, where was he keeping her since Saturday morning? | 0:41:45 | 0:41:47 | |
Two distinct injuries to the skull. One, here - | 0:41:52 | 0:41:57 | |
to the side... | 0:41:57 | 0:41:58 | |
..where we can see bark embedded in the flesh. | 0:42:02 | 0:42:08 | |
This one's partially healed. | 0:42:09 | 0:42:12 | |
Well, that makes sense - we know she didn't die when he ran her down. | 0:42:12 | 0:42:16 | |
Second head injury... | 0:42:17 | 0:42:20 | |
..right on the back of the skull. | 0:42:21 | 0:42:24 | |
Unhealed. | 0:42:24 | 0:42:25 | |
And there's what look like cement chips in this wound. | 0:42:29 | 0:42:35 | |
So, he hits her head against a wall? The floor? | 0:42:35 | 0:42:38 | |
And with massive force - it staved in the rear of her skull. | 0:42:38 | 0:42:43 | |
Death would've been almost instantaneous. | 0:42:43 | 0:42:45 | |
So, what killed her? The ligature wound or the smashed skull? | 0:42:45 | 0:42:49 | |
I don't know. | 0:42:49 | 0:42:51 | |
Yet. | 0:42:52 | 0:42:53 | |
So, given the victim's criminal history, I thought I'd start | 0:43:15 | 0:43:19 | |
with a wet chemistry test to see if the powder was cocaine. | 0:43:19 | 0:43:21 | |
-Negative? -Negative. | 0:43:21 | 0:43:22 | |
So, I spun it down in this guy, checked it under the scope. | 0:43:22 | 0:43:25 | |
It's cornstarch. | 0:43:25 | 0:43:26 | |
Cornstarch? | 0:43:26 | 0:43:27 | |
Which is found pretty much everywhere. | 0:43:27 | 0:43:29 | |
But the dispersal of the powder - not just all over the clothes | 0:43:29 | 0:43:32 | |
but embedded in the fabric - prompted a best guess. | 0:43:32 | 0:43:35 | |
I think your victim was in a car where the air bag exploded. | 0:43:36 | 0:43:39 | |
Maconi has form for stolen airbags. | 0:43:41 | 0:43:43 | |
That's leverage. | 0:43:43 | 0:43:44 | |
He tells us where Beale is | 0:43:44 | 0:43:46 | |
or we take our time turning his garage over. | 0:43:46 | 0:43:49 | |
Yeah, starting with that machine room upstairs. | 0:43:49 | 0:43:51 | |
Marks on his vice match marks on Tina's screwdrivers. | 0:43:51 | 0:43:54 | |
My guess is she's into air-bag theft | 0:43:54 | 0:43:56 | |
and bent the tips to prise them out... | 0:43:56 | 0:43:58 | |
Always happy to help! | 0:44:00 | 0:44:02 | |
There's no bruising in the musculature of the neck. | 0:44:12 | 0:44:15 | |
OK. | 0:44:15 | 0:44:17 | |
The hyoid bone is fractured, but there's no bleeding. | 0:44:17 | 0:44:20 | |
And that tells you what? | 0:44:20 | 0:44:21 | |
That the ligature wound was inflicted after death. | 0:44:21 | 0:44:24 | |
The skull fracture killed her? | 0:44:24 | 0:44:25 | |
Making strangulation redundant. | 0:44:25 | 0:44:27 | |
Maybe not. Maybe that was the main event. | 0:44:29 | 0:44:32 | |
I worked on a serial case when I was a DC. | 0:44:34 | 0:44:37 | |
The guy's thing was posthumous mutilation. | 0:44:37 | 0:44:39 | |
He killed his victims with a hammer and then had his fun. | 0:44:39 | 0:44:44 | |
He's confident, careful and forensically aware. | 0:44:45 | 0:44:48 | |
I'd be very surprised if he hadn't killed before. | 0:44:48 | 0:44:50 | |
I might be able to help with a timeline on the injury to Lucy's ear. | 0:44:55 | 0:44:59 | |
How? | 0:44:59 | 0:45:00 | |
A recent selfie. Uploaded automatically to her cloud. | 0:45:00 | 0:45:04 | |
Yeah. | 0:45:06 | 0:45:08 | |
Note...there, the lovely - but snaggable - earrings. | 0:45:08 | 0:45:13 | |
Photo was taken nine days ago. | 0:45:13 | 0:45:16 | |
You thought the ear injury was over a week old. | 0:45:16 | 0:45:20 | |
Could have just been a sartorial mishap. | 0:45:20 | 0:45:22 | |
But it would be nice to be sure. | 0:45:22 | 0:45:24 | |
If you'd nothing to hide, Mr Beale, why did you run? | 0:45:24 | 0:45:29 | |
You never said you was police! | 0:45:29 | 0:45:31 | |
You never gave us much chance. | 0:45:31 | 0:45:33 | |
I didn't know who you were. | 0:45:33 | 0:45:36 | |
Tina had a lot of dodgy mates, God rest her soul. | 0:45:36 | 0:45:39 | |
God rest her soul. | 0:45:41 | 0:45:43 | |
Dumped in wasteland. Talk about insult to injury. | 0:45:46 | 0:45:50 | |
That's where you found her? | 0:45:50 | 0:45:52 | |
Where is this place? | 0:45:52 | 0:45:53 | |
I ask the questions, Wesley. | 0:45:53 | 0:45:55 | |
Your finger prints are all over these screwdrivers. | 0:45:56 | 0:45:59 | |
Want to tell me what the angled tips are about? | 0:45:59 | 0:46:02 | |
No idea. | 0:46:03 | 0:46:05 | |
I think they make it easier to prise the airbags out without them deploying. | 0:46:05 | 0:46:10 | |
That's your line of work, isn't it? Airbags. One of them, anyway. | 0:46:10 | 0:46:15 | |
Well, what happened? You and Tina have a falling out? | 0:46:16 | 0:46:19 | |
She didn't want to do it any more? | 0:46:19 | 0:46:21 | |
And you found another use for your screwdrivers? | 0:46:21 | 0:46:23 | |
KNOCKING | 0:46:23 | 0:46:26 | |
You got a minute? | 0:46:26 | 0:46:28 | |
We swept his car and his flat. | 0:46:28 | 0:46:31 | |
There's no sign of any air-bag residue. | 0:46:31 | 0:46:33 | |
Shit! | 0:46:33 | 0:46:34 | |
You said whoever killed Tina had superhuman strength? | 0:46:37 | 0:46:40 | |
Well, I didn't use those precise words. | 0:46:40 | 0:46:42 | |
Oh, whatever. He's a big bastard, isn't he? | 0:46:42 | 0:46:46 | |
I haven't got a thing to hold him on. | 0:46:47 | 0:46:49 | |
I'm sorry to put you through this, Alice. | 0:46:54 | 0:46:56 | |
It's OK. | 0:46:56 | 0:46:58 | |
Look like them? | 0:47:26 | 0:47:27 | |
They were Mum's. | 0:47:29 | 0:47:30 | |
Is that your husband outside? | 0:47:43 | 0:47:45 | |
Yes. He's waiting to take me home. | 0:47:45 | 0:47:48 | |
So, Lucy lived here all by herself? | 0:47:50 | 0:47:52 | |
You can ask. | 0:47:52 | 0:47:55 | |
Why didn't big sister get the big house? | 0:47:55 | 0:47:58 | |
My parents cut me out of their will. | 0:47:59 | 0:48:01 | |
They were worried whatever money they left me would've gone straight up my nose. | 0:48:01 | 0:48:06 | |
Back then, they were probably right. | 0:48:08 | 0:48:10 | |
The blood found here matched Lucy's DNA. | 0:48:15 | 0:48:18 | |
Lucy told her sister that she caught her earring | 0:48:18 | 0:48:20 | |
on a bush getting out of a taxi. | 0:48:20 | 0:48:22 | |
But even if the taxi didn't drop her at the front door... | 0:48:23 | 0:48:26 | |
Seems a stretch she'd stumble into the bushes. | 0:48:28 | 0:48:31 | |
So, why lie about it? | 0:48:33 | 0:48:35 | |
We'll swab for DNA, but there's an outside chance you won't have to wait that long. | 0:48:37 | 0:48:42 | |
Why not? | 0:48:42 | 0:48:43 | |
Partial print in the blood. | 0:48:43 | 0:48:45 | |
Probably Lucy's, but it's on the large side. | 0:48:46 | 0:48:51 | |
Not Lucy's. | 0:49:12 | 0:49:13 | |
Christ! That's Alice's husband. | 0:49:13 | 0:49:15 | |
Lucy's blood. Your fingerprint. | 0:49:17 | 0:49:21 | |
With your record, I'm thinking you wanted drug money. | 0:49:21 | 0:49:24 | |
When Alice's parents cut her out of their will, | 0:49:25 | 0:49:28 | |
Lucy promised that she'd get her share. | 0:49:28 | 0:49:31 | |
She reneged? | 0:49:31 | 0:49:32 | |
They died within a month of each other two years ago. We never saw a penny. | 0:49:32 | 0:49:36 | |
And Alice with a baby on the way. | 0:49:36 | 0:49:38 | |
Exactly, and we've been clean for more than a year. | 0:49:38 | 0:49:41 | |
Both of us. | 0:49:41 | 0:49:43 | |
So, you confronted her? | 0:49:43 | 0:49:44 | |
What do you want, Jasper? | 0:49:50 | 0:49:51 | |
Can I come in a second, please? | 0:49:51 | 0:49:53 | |
My financial affairs are between me and my sister. | 0:49:53 | 0:49:55 | |
Well, your sister's carrying my child. | 0:49:55 | 0:49:57 | |
If she wants to play happy families with a junkie, that's her prerogative. | 0:49:57 | 0:50:00 | |
Oh! | 0:50:00 | 0:50:01 | |
If... If she'd have just talked to me in a civilised way... | 0:50:09 | 0:50:12 | |
Where were you Saturday morning? | 0:50:14 | 0:50:16 | |
At home. | 0:50:16 | 0:50:17 | |
With Alice? | 0:50:17 | 0:50:18 | |
No, she had an antenatal class. | 0:50:18 | 0:50:22 | |
You must've been crapping yourself she'd tell Alice what you'd done. | 0:50:22 | 0:50:26 | |
That was motive enough to shut Lucy up, and if it wasn't? | 0:50:26 | 0:50:29 | |
Well, there's the massive sweetener that with her gone, Alice would inherit | 0:50:29 | 0:50:33 | |
-and you'd be moved into that big house before the baby was born. -That is NOT what happened. | 0:50:33 | 0:50:36 | |
-Prove it. -No. That's your job. | 0:50:36 | 0:50:38 | |
Alice. There's something you need to know about Jasper. | 0:50:50 | 0:50:54 | |
Tell me you've got something, please? | 0:50:56 | 0:50:59 | |
Jasper's car tyres match the width of the brake marks on the lane. | 0:50:59 | 0:51:03 | |
We can compare rubber samples all day long, but it's not DNA. | 0:51:03 | 0:51:08 | |
What does he do? Jasper? | 0:51:11 | 0:51:14 | |
He taught creative writing. | 0:51:14 | 0:51:15 | |
Interesting. | 0:51:15 | 0:51:16 | |
Why? | 0:51:16 | 0:51:17 | |
Well, if you're right about him, | 0:51:17 | 0:51:19 | |
we could be looking at some very creative staging. | 0:51:19 | 0:51:22 | |
He runs Lucy down but she doesn't die. | 0:51:22 | 0:51:25 | |
He doesn't have the stomach to kill her with his bare hands, | 0:51:25 | 0:51:28 | |
so he keeps her somewhere while he summons the courage. | 0:51:28 | 0:51:31 | |
When it comes to disposal, | 0:51:31 | 0:51:32 | |
he does everything he can to suggest a psychosexual motive. | 0:51:32 | 0:51:35 | |
The severed hair, the body left naked, the posthumous strangulation. | 0:51:35 | 0:51:39 | |
All misdirection. | 0:51:39 | 0:51:41 | |
He is arrogant enough to try that on, but I need more than theories. | 0:51:41 | 0:51:45 | |
If it wasn't for the water we would know more about where he kept her. | 0:51:45 | 0:51:48 | |
There is one place that we haven't looked. Her turbinates. | 0:51:48 | 0:51:51 | |
The cavities in her nose. | 0:51:51 | 0:51:53 | |
Not usually examined at PM, but they can trap material not detectable elsewhere on the body. | 0:51:53 | 0:51:58 | |
Listen, please... | 0:53:17 | 0:53:18 | |
There's nothing I want to hear you say. | 0:53:18 | 0:53:20 | |
She was never going to give us the money. Never. | 0:53:20 | 0:53:23 | |
I-I was thinking of our baby! | 0:53:23 | 0:53:25 | |
My baby! | 0:53:25 | 0:53:26 | |
I ran the washings from Lucy Chatham's turbinates - | 0:53:29 | 0:53:32 | |
nothing out of the ordinary except trace levels of cornstarch. | 0:53:32 | 0:53:35 | |
Cornstarch? | 0:53:35 | 0:53:37 | |
What? | 0:53:37 | 0:53:38 | |
Thomas! You're going to want to see this. | 0:53:42 | 0:53:45 | |
-What is it? -What's this sample from? | 0:53:46 | 0:53:49 | |
This is cornstarch found on their victim, Tina Lunt. | 0:53:49 | 0:53:52 | |
-As you know, I think it's from an air bag. -Yeah, and...? | 0:53:52 | 0:53:55 | |
And Clarissa's just retrieved cornstarch powder from Lucy Chatham's turbinates. | 0:53:55 | 0:53:59 | |
The samples are identical. | 0:53:59 | 0:54:01 | |
Hang on, hang on... | 0:54:01 | 0:54:02 | |
If they are from airbags, | 0:54:02 | 0:54:03 | |
then surely hundreds are deployed every day, yeah? | 0:54:03 | 0:54:06 | |
But the majority have silicate filling, not cornstarch. | 0:54:06 | 0:54:08 | |
What are the chances of two women being murdered within a day | 0:54:08 | 0:54:11 | |
of each other coming into contact with the same cornstarch powder? | 0:54:11 | 0:54:15 | |
Bloody slim, I'd say. | 0:54:15 | 0:54:17 | |
We're working the same case. | 0:54:17 | 0:54:18 | |
Do you have a suspect in your case? | 0:54:18 | 0:54:21 | |
Listen... I'm not stupid. | 0:54:21 | 0:54:23 | |
When nice people like you don't call the police, that's unusual. | 0:54:24 | 0:54:28 | |
When you start moving dead bodies, that's just plain weird. | 0:54:28 | 0:54:32 | |
I don't want an explanation. I just want paying. | 0:54:34 | 0:54:37 | |
MOBILE RINGS | 0:54:41 | 0:54:44 | |
SHE KNOCKS | 0:54:55 | 0:54:57 | |
VEHICLE APPROACHES | 0:56:47 | 0:56:49 | |
VEHICLE REVS LOUDLY | 0:56:57 | 0:57:00 | |
CRASHING Argh! | 0:57:00 | 0:57:03 | |
Argh! CRUNCHING | 0:57:14 | 0:57:16 | |
HE GASPS | 0:57:23 | 0:57:26 | |
If this is the same killer, he's learning fast. | 0:57:36 | 0:57:39 | |
We know from Lucy that you blow up when things don't go your way. | 0:57:39 | 0:57:42 | |
Is that what happened to Beale? | 0:57:42 | 0:57:43 | |
You were found innocent, so why did you change your name? | 0:57:43 | 0:57:46 | |
And I know her well enough to know when she's lying. | 0:57:47 | 0:57:50 | |
I think they've seen each other. | 0:57:50 | 0:57:52 | |
It's very important you don't take any more calls, Jess. | 0:57:52 | 0:57:54 | |
-The police will be tracking your phone. -What...? | 0:57:54 | 0:57:56 | |
It's our worst decisions that define us, Nikki - | 0:57:56 | 0:58:00 | |
they're the ones we have to live by. | 0:58:00 | 0:58:01 | |
# Testator silens | 0:58:01 | 0:58:08 | |
# Costestes e spiritu | 0:58:08 | 0:58:17 | |
# Silentium. # | 0:58:17 | 0:58:25 |