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He's confident, careful and forensically aware. | 0:00:03 | 0:00:05 | |
I'd be very surprised if he hadn't killed before. | 0:00:05 | 0:00:08 | |
Your finger prints are all over these screwdrivers. | 0:00:08 | 0:00:11 | |
You want to tell me what the angled tips are about? | 0:00:11 | 0:00:13 | |
No idea. | 0:00:13 | 0:00:14 | |
This is corn-starch found on their victim, Tina Lunt. | 0:00:16 | 0:00:19 | |
And Clarissa's just retrieved corn-starch powder from | 0:00:19 | 0:00:22 | |
Lucy Chatham's turbinates. | 0:00:22 | 0:00:24 | |
We're working the same case. | 0:00:24 | 0:00:26 | |
If she wants to play happy families with a junkie, that's her prerogative. | 0:00:26 | 0:00:30 | |
SHE CRIES OUT | 0:00:30 | 0:00:31 | |
When you turned the alarm off, was Alec's Land Rover outside? | 0:00:31 | 0:00:35 | |
-You're getting in a state about nothing. -Was it parked outside? | 0:00:35 | 0:00:39 | |
Which night did you stay at the guesthouse? | 0:00:41 | 0:00:43 | |
Why are you asking? | 0:00:43 | 0:00:44 | |
HE CRIES OUT | 0:00:44 | 0:00:46 | |
# Testator silens | 0:00:53 | 0:00:59 | |
# Costestes e spiritu | 0:01:01 | 0:01:08 | |
# Silentium. # | 0:01:08 | 0:01:21 | |
Massive trauma to the torso. | 0:01:25 | 0:01:27 | |
Trauma to the face. | 0:01:27 | 0:01:29 | |
Tyre tread marks on his clothing. | 0:01:29 | 0:01:31 | |
And in the blood. | 0:01:31 | 0:01:32 | |
If this is the same killer, he's learning fast. | 0:01:34 | 0:01:36 | |
How do you mean? | 0:01:36 | 0:01:37 | |
He hit Lucy with his car, but she survived. | 0:01:37 | 0:01:40 | |
Multiple impact - he left nothing to chance. | 0:01:41 | 0:01:44 | |
So much for Beale being your prime suspect. | 0:01:44 | 0:01:47 | |
Just because someone's killed him doesn't mean he didn't kill Tina. | 0:01:47 | 0:01:51 | |
Wasn't a chance robbery. | 0:01:54 | 0:01:57 | |
There's a couple of hundred quid in here. | 0:01:57 | 0:01:59 | |
Which leaves what - pre-arranged meeting? | 0:01:59 | 0:02:02 | |
-With Wesley Beale doing the arranging. -Says who? | 0:02:02 | 0:02:04 | |
Well, he lives less than a mile away. | 0:02:04 | 0:02:06 | |
No CCTV, no prying eyes. Feels like his call. | 0:02:06 | 0:02:10 | |
If it's his choice of venue, why's he the one that's dead? | 0:02:10 | 0:02:12 | |
Someone he under-estimated? | 0:02:12 | 0:02:15 | |
Wolf in sheep's clothing? | 0:02:15 | 0:02:17 | |
VEHICLE APPROACHING OUTSIDE | 0:03:11 | 0:03:14 | |
What are you doing in here? How did you get in? | 0:03:33 | 0:03:36 | |
Set of keys in your coat. | 0:03:36 | 0:03:38 | |
-What coat? -The one you keep in the guesthouse. Mum was going to chuck all your stuff out. | 0:03:38 | 0:03:42 | |
I thought you might want it. | 0:03:42 | 0:03:43 | |
Oh. | 0:03:43 | 0:03:45 | |
Thanks. | 0:03:48 | 0:03:49 | |
I think I know what Mum's worried about. | 0:03:53 | 0:03:56 | |
That the police will find out you used to be Brett Porter. | 0:03:56 | 0:03:59 | |
Mum was acting so weird, I decided to get some answers for myself. | 0:04:00 | 0:04:04 | |
Jessie... | 0:04:06 | 0:04:08 | |
I've read all the articles. | 0:04:08 | 0:04:10 | |
Only one thing I don't get. | 0:04:10 | 0:04:11 | |
You were found innocent - so why did you change your name? | 0:04:12 | 0:04:16 | |
Jack. | 0:04:19 | 0:04:20 | |
ELECTRONIC BEEP | 0:04:23 | 0:04:25 | |
Guv. Remember what that girl said? Jessica Timpson? | 0:04:34 | 0:04:38 | |
Big bloke watching her from a black Fiesta. | 0:04:38 | 0:04:41 | |
Yeah. We can get her to confirm easily enough. | 0:04:41 | 0:04:45 | |
So...what was Hounslow Wesley doing in leafy Surrey? | 0:04:45 | 0:04:48 | |
Getting petrol, for one. | 0:04:48 | 0:04:50 | |
Dated yesterday morning. A service station in Surrey. | 0:04:51 | 0:04:55 | |
-Isn't that near where Lucy was run down? -Yeah. | 0:04:55 | 0:04:58 | |
And Alice and Jasper's flat. | 0:04:58 | 0:05:00 | |
So, we've got a dead bloke with form for dealing | 0:05:00 | 0:05:02 | |
and a suspect with form for possession and assault. | 0:05:02 | 0:05:06 | |
Even if Beale was Jasper's supplier, why would Jasper kill Beale? | 0:05:06 | 0:05:09 | |
He ripped him off? A bad batch? Any number of reasons. | 0:05:09 | 0:05:12 | |
I'm still not seeing a motive. | 0:05:12 | 0:05:14 | |
Beale's record includes blackmail, yeah? | 0:05:14 | 0:05:17 | |
Maybe he tries to shake Jasper down | 0:05:17 | 0:05:19 | |
cos he knows he's got something to do with Lucy's murder? | 0:05:19 | 0:05:21 | |
We know there is a link between Lucy and Tina's murders. | 0:05:21 | 0:05:25 | |
We know Beale was in both locales very recently | 0:05:25 | 0:05:27 | |
and we know he's in the drug business. We need to talk to Jasper. | 0:05:27 | 0:05:30 | |
The police did everything they could... | 0:05:33 | 0:05:35 | |
to pin it on me. | 0:05:35 | 0:05:37 | |
The jury saw through it. | 0:05:38 | 0:05:41 | |
Well, they must've had something else... | 0:05:41 | 0:05:43 | |
for you to be their main suspect? | 0:05:43 | 0:05:45 | |
I'd picked up a conviction... two years earlier. | 0:05:47 | 0:05:50 | |
For, um, | 0:05:50 | 0:05:51 | |
unlawful sex. | 0:05:51 | 0:05:53 | |
It was all consensual, | 0:05:54 | 0:05:56 | |
completely consensual, but... | 0:05:56 | 0:05:58 | |
..she was 15. | 0:05:59 | 0:06:00 | |
Jess, I know, I know. | 0:06:00 | 0:06:02 | |
But I...I...I was a different person back then. | 0:06:02 | 0:06:05 | |
Successful. I had half-a-dozen bars in Brighton | 0:06:05 | 0:06:07 | |
and the girls were just on tap. | 0:06:07 | 0:06:09 | |
Shame you had to pick one that was 15(!) | 0:06:09 | 0:06:11 | |
It was a mistake. | 0:06:11 | 0:06:13 | |
ONE mistake. | 0:06:13 | 0:06:15 | |
Still. | 0:06:15 | 0:06:16 | |
She didn't even want to press charges. | 0:06:16 | 0:06:19 | |
It was all down to her parents and the police and... | 0:06:19 | 0:06:22 | |
Ellie's right, though... | 0:06:28 | 0:06:30 | |
about the missing girl. | 0:06:30 | 0:06:32 | |
With all the police crawling around, | 0:06:32 | 0:06:34 | |
they might find out I use the guesthouse. | 0:06:34 | 0:06:36 | |
-So? -So! If they do, | 0:06:36 | 0:06:39 | |
it's best they don't know I stayed there on Friday night | 0:06:39 | 0:06:43 | |
and only you know that I did. | 0:06:43 | 0:06:44 | |
You want me to lie?! | 0:06:47 | 0:06:49 | |
The police are always looking for another shot at me. | 0:06:49 | 0:06:52 | |
Do you recognise the service station, Jasper? | 0:07:27 | 0:07:29 | |
It's down the road from my flat. | 0:07:29 | 0:07:31 | |
What about the bloke filling up? You recognise him? | 0:07:32 | 0:07:36 | |
Forgive me for asking. What is it? | 0:07:39 | 0:07:40 | |
Six, seven counts of possession you've clocked up over the years? | 0:07:40 | 0:07:43 | |
Go on. Indulge me. | 0:07:45 | 0:07:47 | |
One last look. | 0:07:47 | 0:07:48 | |
Maybe you remember him... | 0:07:51 | 0:07:53 | |
more like this? | 0:07:53 | 0:07:55 | |
HE GROANS | 0:07:55 | 0:07:56 | |
We know from Lucy that you blow up when things don't go your way. | 0:07:56 | 0:07:59 | |
-Is that what happened to Beale? -I don't know Beale! | 0:07:59 | 0:08:02 | |
Did he think you were some sad, posh junkie | 0:08:02 | 0:08:04 | |
that he could just push around? | 0:08:04 | 0:08:05 | |
-Did you put him straight on that score? -Are you listening to me?! | 0:08:05 | 0:08:08 | |
OK, OK. You say you don't know him, I believe you. | 0:08:08 | 0:08:11 | |
Where were you this evening, say, from 8pm onwards? | 0:08:13 | 0:08:16 | |
-I've been at home all night with Alice. -That's not what SHE says. | 0:08:16 | 0:08:19 | |
She says you didn't get home until 11. | 0:08:19 | 0:08:21 | |
So, who's lying? | 0:08:22 | 0:08:24 | |
You left here under a bit of a cloud, didn't you? | 0:08:26 | 0:08:29 | |
Alice didn't want you in the same car as her, | 0:08:29 | 0:08:31 | |
let alone the same house. | 0:08:31 | 0:08:33 | |
So where did you go, Jasper? | 0:08:34 | 0:08:35 | |
Jesus... | 0:08:39 | 0:08:40 | |
That's it... Get it off your chest. | 0:08:40 | 0:08:42 | |
I went out to score. | 0:08:43 | 0:08:45 | |
All that shit you put me through, I needed a fix. | 0:08:46 | 0:08:49 | |
But my dealer is not Wesley Beale. | 0:08:49 | 0:08:52 | |
-And where does he reside, YOUR dealer? -Brentford. | 0:08:52 | 0:08:55 | |
42, Pixley Road. | 0:08:55 | 0:08:57 | |
You lot have got cameras up and down that street, | 0:08:57 | 0:08:59 | |
for all the good it does you. | 0:08:59 | 0:09:01 | |
So, unless I snuck out the back, | 0:09:01 | 0:09:03 | |
hightailed it over to this, what... | 0:09:03 | 0:09:06 | |
Industrial estate...? | 0:09:06 | 0:09:07 | |
Ran this poor chap over - not forgetting I don't have my car - | 0:09:07 | 0:09:10 | |
before quietly sneaking back... | 0:09:10 | 0:09:11 | |
I think you'd better order me a cab. | 0:09:13 | 0:09:15 | |
Hiya. | 0:09:18 | 0:09:20 | |
Sorry it's late. | 0:09:20 | 0:09:22 | |
Can you process that for me? | 0:09:22 | 0:09:24 | |
Sure. | 0:09:24 | 0:09:25 | |
Huh! | 0:09:27 | 0:09:28 | |
What's it's, er, provenance? | 0:09:28 | 0:09:30 | |
-Bit unusual. -OK... | 0:09:30 | 0:09:32 | |
It was dumped by a girl only tangentially involved in the case. | 0:09:32 | 0:09:36 | |
-Right. -If you just find one set of prints, one set of female DNA, | 0:09:36 | 0:09:40 | |
then no further action required. | 0:09:40 | 0:09:42 | |
I see. | 0:09:42 | 0:09:44 | |
Getting soft in your old age? | 0:09:44 | 0:09:45 | |
SHUTTER CLANKS | 0:09:53 | 0:09:56 | |
SHUTTER CLANKS AND WHIRS | 0:10:37 | 0:10:39 | |
Where've you been? | 0:11:04 | 0:11:06 | |
Visiting a patient. | 0:11:06 | 0:11:07 | |
But you weren't on call tonight? | 0:11:07 | 0:11:10 | |
Clive Jones. | 0:11:11 | 0:11:12 | |
He seems to distrust the younger doctors. | 0:11:12 | 0:11:14 | |
And, it must be said, they're not crazy about him. | 0:11:14 | 0:11:17 | |
What's that car you're driving? | 0:11:19 | 0:11:21 | |
I told you. Garage lent it to me. | 0:11:21 | 0:11:23 | |
While they're fixing the VW. | 0:11:23 | 0:11:24 | |
Mm, right. | 0:11:24 | 0:11:25 | |
What's wrong with it? | 0:11:25 | 0:11:27 | |
The petrol gauge is playing up. | 0:11:30 | 0:11:32 | |
Says "empty" when it's full. | 0:11:32 | 0:11:34 | |
I asked Jess, point blank, | 0:11:39 | 0:11:41 | |
which night she saw Alec at the guesthouse. | 0:11:41 | 0:11:44 | |
-She said it was Thursday. -And? | 0:11:46 | 0:11:48 | |
And I know her well enough to know when she's lying. | 0:11:48 | 0:11:51 | |
-Not this again... -And I remember her being around on Thursday night. | 0:11:52 | 0:11:55 | |
What are you saying? That he got her to lie? | 0:11:55 | 0:11:57 | |
-I think they've seen each other. -Well, they've always been close. | 0:12:02 | 0:12:05 | |
-At the very least, they've spoken. -Why are you torturing yourself? | 0:12:05 | 0:12:09 | |
If he was here Friday, | 0:12:09 | 0:12:12 | |
that means he left Saturday morning. | 0:12:12 | 0:12:14 | |
And that's when Lucy Chatham... | 0:12:16 | 0:12:18 | |
So, we're back to that again? | 0:12:18 | 0:12:19 | |
Ellie, | 0:12:23 | 0:12:25 | |
you're worrying about nothing. | 0:12:25 | 0:12:27 | |
Am I? | 0:12:27 | 0:12:28 | |
How do you know? | 0:12:30 | 0:12:31 | |
-ON VIDEO: -'That trust. That love. | 0:12:48 | 0:12:51 | |
'I think you mean total, undiluted dependence.. | 0:12:52 | 0:12:55 | |
'I know love when I see it. | 0:12:55 | 0:12:56 | |
'God, you're such a softie! | 0:12:58 | 0:13:00 | |
'If we stopped feeding her and the neighbours stepped in, | 0:13:00 | 0:13:03 | |
-'they'd get that look. -That's just cynical... | 0:13:03 | 0:13:06 | |
'What're you saying? | 0:13:06 | 0:13:07 | |
'Our kids never love us? | 0:13:07 | 0:13:09 | |
'It's never real? | 0:13:09 | 0:13:11 | |
'What crap is Mummy spouting? | 0:13:12 | 0:13:15 | |
'Let me translate. | 0:13:15 | 0:13:17 | |
'"I love my Dad. | 0:13:18 | 0:13:20 | |
'"He's the greatest. | 0:13:20 | 0:13:21 | |
'"He can do no wrong." | 0:13:21 | 0:13:23 | |
'What about Mum?! | 0:13:23 | 0:13:25 | |
'"On the fence about Mum." | 0:13:26 | 0:13:28 | |
'"On the fence"! | 0:13:28 | 0:13:30 | |
'Hello. | 0:13:32 | 0:13:33 | |
'Say "hello" to the camera. | 0:13:33 | 0:13:36 | |
'Look at you! Lovely girl! | 0:13:38 | 0:13:42 | |
'Yay!' | 0:13:42 | 0:13:44 | |
BEEPING | 0:14:24 | 0:14:25 | |
STEEMSON: 'Obviously, the discovery of Lucy's body is a devastating blow | 0:14:52 | 0:14:55 | |
'to the family, but from an investigative angle, | 0:14:55 | 0:14:57 | |
'we now have a wealth of new evidence to work with. | 0:14:57 | 0:15:00 | |
'The net is closing in on this man, make no mistake...' | 0:15:00 | 0:15:03 | |
Someone have a nightcap? | 0:15:11 | 0:15:13 | |
I had a couple after you went to bed. | 0:15:13 | 0:15:15 | |
"Couple"(!) | 0:15:15 | 0:15:17 | |
Shouldn't it be me hitting the bottle? | 0:15:17 | 0:15:19 | |
What is it? | 0:15:29 | 0:15:31 | |
Nick...? | 0:15:34 | 0:15:35 | |
I've had a lot of patients die recently. | 0:15:40 | 0:15:43 | |
Mostly of old age, no great surprises, but... | 0:15:45 | 0:15:48 | |
..people who meant a lot to me... | 0:15:49 | 0:15:51 | |
I'm so proud of you. | 0:15:53 | 0:15:55 | |
Is there anything else? | 0:16:14 | 0:16:15 | |
This girl going missing, it's stirred up memories for me, too. | 0:16:17 | 0:16:21 | |
What Alec went through when we were young... | 0:16:22 | 0:16:24 | |
the trauma, the after-effects... | 0:16:24 | 0:16:26 | |
..we all weathered that storm, me included. | 0:16:27 | 0:16:30 | |
I've always thought you didn't like Alec. | 0:16:30 | 0:16:32 | |
Back in the day, not much. | 0:16:32 | 0:16:33 | |
Not sure he liked me much, either. | 0:16:33 | 0:16:35 | |
Thought I was trying to cramp his sister's style. | 0:16:35 | 0:16:39 | |
That's not true. | 0:16:40 | 0:16:42 | |
But I like the man he grew into. | 0:16:42 | 0:16:44 | |
I like Alec. | 0:16:45 | 0:16:47 | |
That's what matters, isn't it? | 0:16:49 | 0:16:52 | |
Who we are today? | 0:16:52 | 0:16:53 | |
In the here and now? | 0:16:54 | 0:16:56 | |
Who'd like their younger self if they met them in the street? | 0:16:58 | 0:17:00 | |
I was a stuffy old git when I was young. | 0:17:01 | 0:17:04 | |
If I hadn't met you. I would've stayed one. | 0:17:05 | 0:17:07 | |
HE COUGHS AND GASPS | 0:17:17 | 0:17:19 | |
HE SPITS AND GROANS | 0:17:19 | 0:17:21 | |
MOBILE RINGS | 0:17:23 | 0:17:25 | |
Yes. | 0:17:39 | 0:17:40 | |
'Dr Timpson? | 0:17:40 | 0:17:42 | |
'Ali from the garage here.' | 0:17:42 | 0:17:43 | |
Ali, hi... | 0:17:44 | 0:17:46 | |
'Well, your car's ready, all fixed.' | 0:17:46 | 0:17:48 | |
Right. Great. | 0:17:50 | 0:17:51 | |
'We can drop that off later | 0:17:52 | 0:17:53 | |
'and we'll pop the keys through the letterbox if no-one's there.' | 0:17:53 | 0:17:57 | |
No, no, I'll come and collect it. | 0:17:57 | 0:17:59 | |
'It's no bother.' | 0:17:59 | 0:18:00 | |
I'll come and collect it now, thank you. | 0:18:02 | 0:18:04 | |
I found two sets of prints and DNA on the hash pipe and the clingfilm. | 0:18:09 | 0:18:13 | |
-What hash pipe? -This one. | 0:18:13 | 0:18:15 | |
I saw Jessica Timpson get rid of a carrier bag | 0:18:17 | 0:18:19 | |
in a bin just down the road from her house. | 0:18:19 | 0:18:21 | |
She's the daughter of the guy whose car alarm went off. | 0:18:21 | 0:18:23 | |
Yeah, I know who she is. | 0:18:23 | 0:18:24 | |
I didn't want to take any action unless it related to the case. | 0:18:24 | 0:18:27 | |
That's my call, not yours. | 0:18:27 | 0:18:29 | |
One set of prints scored a match with a Brett Porter. | 0:18:30 | 0:18:34 | |
Prime suspect in the rape and murder of Leah Tyler in Brighton in '96 - | 0:18:34 | 0:18:40 | |
he now goes by the name of Alec Porter. | 0:18:40 | 0:18:43 | |
Name change. Never a good sign... | 0:18:43 | 0:18:44 | |
17-year-old Leah was walking home when she was raped, | 0:18:44 | 0:18:47 | |
bludgeoned and strangled near Porter's house. | 0:18:47 | 0:18:50 | |
Local offie recalled Porter coming in for cigarettes at 3am. | 0:18:50 | 0:18:53 | |
Right when the pathologist believed that Leah was killed. | 0:18:53 | 0:18:56 | |
When police got wind of his unlawful sex conviction, | 0:18:56 | 0:18:59 | |
-and their interest doubled. -But he didn't go down for it? | 0:18:59 | 0:19:01 | |
But swathes of the public still thought he did it. | 0:19:01 | 0:19:03 | |
Pretty clear the police did, too. | 0:19:03 | 0:19:05 | |
Porter's prints showing up could be just a coincidence. | 0:19:05 | 0:19:08 | |
She's young, blonde and pretty - just like Lucy. | 0:19:10 | 0:19:12 | |
And she suffered blunt force trauma to the head. | 0:19:12 | 0:19:15 | |
Porter's vehicle's registered in Brighton, | 0:19:15 | 0:19:17 | |
but he's no stranger to Surrey. | 0:19:17 | 0:19:19 | |
Last year, he got three points going through a camera on the A34. | 0:19:19 | 0:19:22 | |
A34, that's, what, half a mile from Lucy's front door? | 0:19:22 | 0:19:26 | |
Hang on, still leaves Tina Lunt. | 0:19:26 | 0:19:28 | |
Maybe she was a witness? | 0:19:28 | 0:19:29 | |
I know - well, I KNEW - | 0:19:31 | 0:19:33 | |
the pathologist on the Leah Tyler murder. Mike Liston. | 0:19:33 | 0:19:37 | |
But? | 0:19:37 | 0:19:39 | |
He's in Esher Open Prison. | 0:19:39 | 0:19:41 | |
Got caught falsifying path reports, | 0:19:41 | 0:19:43 | |
casting doubt on all his previous cases. | 0:19:43 | 0:19:46 | |
Including Leah Tyler's? | 0:19:46 | 0:19:48 | |
Are you up for speaking to him? | 0:19:50 | 0:19:52 | |
It might speed things up? | 0:19:52 | 0:19:53 | |
Just sign some paperwork for us. | 0:19:58 | 0:20:00 | |
I got my own. Thanks. | 0:20:00 | 0:20:02 | |
-Couldn't hold the page down for me, could you? -Oh, sure. | 0:20:03 | 0:20:06 | |
Lovely. | 0:20:11 | 0:20:13 | |
Good as new. | 0:20:13 | 0:20:14 | |
You'd never know anything ever happened. | 0:20:14 | 0:20:16 | |
Great. Thanks. | 0:20:16 | 0:20:17 | |
-Where's the key? -Oh. | 0:20:19 | 0:20:21 | |
You don't mind me asking how the air bag went off? | 0:20:23 | 0:20:25 | |
What...? I've no idea. | 0:20:25 | 0:20:27 | |
Some kind of malfunction. | 0:20:27 | 0:20:29 | |
That can happen, but we'd usually see it when we strip it out. | 0:20:29 | 0:20:32 | |
-OK...? -There was nothing wrong with your air bag. | 0:20:33 | 0:20:36 | |
Thanks so much, Ali. Key, please. | 0:20:36 | 0:20:38 | |
Everything all right, Dr Timpson? | 0:20:39 | 0:20:41 | |
Fine. Lots of patients to see. | 0:20:41 | 0:20:44 | |
ENGINE TURNS | 0:20:45 | 0:20:48 | |
Thanks. | 0:20:59 | 0:21:00 | |
Here you go, Dr Alexander. | 0:21:05 | 0:21:06 | |
Thanks. | 0:21:08 | 0:21:09 | |
Mike! | 0:21:27 | 0:21:28 | |
You have a visitor. | 0:21:28 | 0:21:30 | |
Oh... | 0:21:30 | 0:21:31 | |
Thanks. | 0:21:31 | 0:21:32 | |
Hi, Mike. | 0:21:34 | 0:21:35 | |
Thanks for seeing me. | 0:21:35 | 0:21:37 | |
Sit down. | 0:21:37 | 0:21:38 | |
I, er... | 0:21:40 | 0:21:41 | |
I was going to just read the path report, but, um... | 0:21:41 | 0:21:44 | |
You thought it might have been one of ones I doctored? | 0:21:44 | 0:21:46 | |
Well, it wasn't. | 0:21:46 | 0:21:48 | |
CHATTER | 0:21:48 | 0:21:51 | |
Hello, Jessica. | 0:22:02 | 0:22:03 | |
Hi... | 0:22:03 | 0:22:05 | |
Do you know an Alec Porter? | 0:22:06 | 0:22:08 | |
Um... | 0:22:10 | 0:22:11 | |
He's my uncle. | 0:22:11 | 0:22:13 | |
He tore off her skirt and underwear, | 0:22:14 | 0:22:17 | |
-and probably raped her. -"Probably"? | 0:22:17 | 0:22:20 | |
There was evidence of recent sexual activity and the presence of semen. | 0:22:20 | 0:22:24 | |
But as you know, rape is, er, notoriously hard to prove. | 0:22:25 | 0:22:28 | |
-What about cause of death? -Well, I called that wrong to start with. | 0:22:29 | 0:22:32 | |
At the scene, I assumed the cause of death | 0:22:32 | 0:22:35 | |
was blunt force trauma to the skull... | 0:22:35 | 0:22:38 | |
Think I might've thought the same... | 0:22:39 | 0:22:42 | |
Yeah, well, | 0:22:42 | 0:22:43 | |
I found a Yorkstone brick in the undergrowth | 0:22:43 | 0:22:46 | |
which matched the yellow brick dust in Leah's wounds... | 0:22:46 | 0:22:50 | |
The brick itself came from a pallet on Porter's front drive - | 0:22:50 | 0:22:53 | |
he was having his house extended. | 0:22:53 | 0:22:54 | |
Another black mark against him? | 0:22:54 | 0:22:57 | |
Big one. | 0:22:57 | 0:22:58 | |
Yeah, but where the case against Porter fell down | 0:22:58 | 0:23:01 | |
was the semen deposits. | 0:23:01 | 0:23:03 | |
-Didn't match his DNA? -The police were not deterred. | 0:23:03 | 0:23:05 | |
I mean, they formed a theory that the semen | 0:23:05 | 0:23:07 | |
came from an earlier sexual encounter | 0:23:07 | 0:23:10 | |
and that Porter wore a condom, or... | 0:23:10 | 0:23:13 | |
he was unable to perform | 0:23:13 | 0:23:16 | |
after a heavy night at his club. | 0:23:16 | 0:23:18 | |
-That might've explained his rage and overkill. -Well, it might. | 0:23:18 | 0:23:21 | |
Anything else to support the theory? | 0:23:23 | 0:23:25 | |
Leah had told a girlfriend that she was seeing an older, married man. | 0:23:25 | 0:23:29 | |
The police thought the semen was his, | 0:23:30 | 0:23:32 | |
but he'd never come forward, | 0:23:32 | 0:23:34 | |
for obvious reasons... | 0:23:34 | 0:23:36 | |
He was never traced? | 0:23:36 | 0:23:38 | |
No. | 0:23:38 | 0:23:39 | |
Gun to the head, do you think Porter killed her? | 0:23:40 | 0:23:44 | |
Mmm, it always bothered me | 0:23:44 | 0:23:46 | |
we never ID'd the secretor of the semen found on Leah. | 0:23:46 | 0:23:49 | |
-It bothered the jury, too. -It was a factor in his acquittal? | 0:23:51 | 0:23:54 | |
The ONLY factor. | 0:23:54 | 0:23:55 | |
Almost the definition of "reasonable doubt". | 0:23:55 | 0:23:59 | |
Thanks, Mike. | 0:24:00 | 0:24:01 | |
I appreciate this. | 0:24:01 | 0:24:02 | |
I... | 0:24:04 | 0:24:05 | |
I...I don't feel sorry for myself. | 0:24:05 | 0:24:08 | |
Only for the people I've let down. | 0:24:09 | 0:24:10 | |
My family, | 0:24:10 | 0:24:12 | |
my colleagues... | 0:24:12 | 0:24:14 | |
When I was first sentenced, | 0:24:15 | 0:24:17 | |
I had an answer for everything. | 0:24:17 | 0:24:19 | |
I'd tell myself it wasn't fair to judge a man by his worst decision. | 0:24:19 | 0:24:23 | |
By a moment of weakness and greed. | 0:24:24 | 0:24:28 | |
But now, I know better. | 0:24:29 | 0:24:31 | |
It's our worst decisions that define us, Nikki. | 0:24:32 | 0:24:36 | |
They're the ones we have to live by. | 0:24:37 | 0:24:39 | |
-KNOCK AT DOOR -Grace? | 0:25:31 | 0:25:33 | |
It's me. It's Nick. | 0:25:33 | 0:25:35 | |
How have you been, Grace? | 0:25:40 | 0:25:42 | |
Oh, you know. Can't complain. | 0:25:43 | 0:25:45 | |
Up to date with your pills? | 0:25:47 | 0:25:49 | |
-I've been using that timer you got me. -Good. | 0:25:49 | 0:25:52 | |
Glad that's working out. | 0:25:52 | 0:25:54 | |
Oh! | 0:25:59 | 0:26:00 | |
What's happened here? | 0:26:00 | 0:26:02 | |
Oh... | 0:26:02 | 0:26:04 | |
I've been asking myself that question all day. | 0:26:04 | 0:26:07 | |
Have you put it in your journal? | 0:26:07 | 0:26:09 | |
Be a blessing when the rest of my memory goes... | 0:26:09 | 0:26:12 | |
Oh, what sort of talk is that? | 0:26:12 | 0:26:14 | |
The pipe, the dope - it's all mine. | 0:26:15 | 0:26:18 | |
You want to arrest me - fine, go ahead. | 0:26:18 | 0:26:21 | |
Don't drag Alec into it. He's been through enough shit, thanks to you. | 0:26:21 | 0:26:24 | |
-Some would say he got off lightly. -You ruined his life. | 0:26:24 | 0:26:27 | |
-How is that getting off "lightly"? -When did you last see your uncle? | 0:26:27 | 0:26:30 | |
In Brighton. Two months ago. | 0:26:30 | 0:26:33 | |
See, I think you've seen him more recently. And not in Brighton. | 0:26:33 | 0:26:37 | |
-No, Alec never comes to our house. -Never? | 0:26:37 | 0:26:40 | |
Not for ages... | 0:26:40 | 0:26:41 | |
That's funny, a week ago, he went through a speed camera | 0:26:41 | 0:26:45 | |
half a mile from your front door. | 0:26:45 | 0:26:46 | |
You sure he didn't drop in for a cup of tea? | 0:26:48 | 0:26:50 | |
CAR APPROACHES | 0:26:56 | 0:26:58 | |
SIRENS IN DISTANCE | 0:26:58 | 0:27:00 | |
SIRENS APPROACH | 0:27:06 | 0:27:08 | |
CAR DOORS OPEN AND CLOSE | 0:27:16 | 0:27:18 | |
HE GRUNTS | 0:27:31 | 0:27:33 | |
SIRENS WAIL | 0:27:42 | 0:27:44 | |
INDISTINCT RADIO CHATTER | 0:27:58 | 0:28:01 | |
BIRDSONG | 0:28:40 | 0:28:42 | |
FIRE CRACKLES | 0:29:27 | 0:29:29 | |
MOBILE RINGS | 0:29:36 | 0:29:38 | |
Ellie... | 0:29:43 | 0:29:44 | |
'Where've you been? Why the HELL aren't you answering your phone?' | 0:29:44 | 0:29:48 | |
Sorry, I was with a patient... | 0:29:48 | 0:29:50 | |
'Come home NOW. The police are here.' | 0:29:50 | 0:29:53 | |
The police? Want do they want...exactly? | 0:29:53 | 0:29:57 | |
'They went to arrest Alec mob-handed. | 0:29:57 | 0:30:00 | |
'He lashed out and ran. | 0:30:00 | 0:30:02 | |
'They're still looking for him. | 0:30:02 | 0:30:04 | |
'Nick?!' | 0:30:05 | 0:30:07 | |
Yeah. I'm still here. | 0:30:07 | 0:30:09 | |
What is that? | 0:30:14 | 0:30:15 | |
This... | 0:30:15 | 0:30:17 | |
is an air bag, | 0:30:17 | 0:30:19 | |
minus its housing.. | 0:30:19 | 0:30:21 | |
Want to make yourself useful? | 0:30:21 | 0:30:23 | |
Not particularly. | 0:30:23 | 0:30:25 | |
Fridge over there. Top shelf. | 0:30:26 | 0:30:28 | |
Ah! Thank you. | 0:30:42 | 0:30:44 | |
You might want to stand well back. | 0:30:49 | 0:30:51 | |
Three. | 0:31:03 | 0:31:05 | |
DOOR SLAMS NEARBY | 0:31:06 | 0:31:09 | |
Two. | 0:31:11 | 0:31:12 | |
SHE CLATTERS | 0:31:12 | 0:31:13 | |
SHE GRUNTS | 0:31:13 | 0:31:15 | |
One. | 0:31:15 | 0:31:16 | |
CLATTERING, CAR ALARM WAILS | 0:31:18 | 0:31:21 | |
SLICING | 0:31:21 | 0:31:22 | |
CAR ALARM WAILS | 0:31:23 | 0:31:25 | |
Clean entry wound. | 0:31:32 | 0:31:35 | |
Barely torn the flesh. | 0:31:35 | 0:31:36 | |
Sound familiar? | 0:31:36 | 0:31:38 | |
-Tina Lunt... -The screwdriver was driven into her with such force, | 0:31:38 | 0:31:41 | |
it broke off the handle, smashed through her sternum | 0:31:41 | 0:31:44 | |
and scarcely tore the skin... | 0:31:44 | 0:31:46 | |
Covering her in cornstarch powder. | 0:31:46 | 0:31:49 | |
If Tina Lunt wasn't murdered, | 0:31:50 | 0:31:52 | |
who moved her body and why? | 0:31:52 | 0:31:54 | |
My money? Wesley Beale, for reasons of self-preservation. | 0:31:54 | 0:31:57 | |
The same powder was found on Lucy Chatham - | 0:31:57 | 0:31:59 | |
are we saying Beale killed HER? | 0:31:59 | 0:32:00 | |
Well, I'm hoping Wesley can provide some answers. | 0:32:00 | 0:32:03 | |
Have a look. | 0:32:04 | 0:32:05 | |
Right, this is what we know. | 0:32:07 | 0:32:08 | |
Cause of death - chest and abdominal injuries | 0:32:10 | 0:32:12 | |
consistent with multiple overrunnings by a vehicle. | 0:32:12 | 0:32:15 | |
Look at these. These are different. | 0:32:16 | 0:32:18 | |
They're older and the abrasions are not consistent with a collision. | 0:32:18 | 0:32:22 | |
He'd been struck repeatedly by the same implement. | 0:32:22 | 0:32:24 | |
Twin marks with a broadening at one end... | 0:32:24 | 0:32:27 | |
it's not a blade, or we'd see deeper cuts... | 0:32:27 | 0:32:30 | |
Is this a spanner? | 0:32:30 | 0:32:32 | |
Well, a spanner is a contender, certainly. | 0:32:32 | 0:32:35 | |
Do you think we'd find a spanner lying around Maconi's garage? | 0:32:36 | 0:32:40 | |
Yeah, one or two. | 0:32:40 | 0:32:41 | |
-All right, Dan? -All right. | 0:32:43 | 0:32:44 | |
So, this... | 0:32:45 | 0:32:47 | |
is a photograph of Wesley Beale's back. | 0:32:47 | 0:32:49 | |
I didn't kill him. | 0:32:52 | 0:32:54 | |
Those wounds were sustained some days before he died. | 0:32:54 | 0:32:56 | |
Our money's on a spanner. | 0:32:56 | 0:32:58 | |
-I can't help you. -Think of it more as helping yourself. | 0:32:58 | 0:33:01 | |
Beale's dead. Murdered. | 0:33:01 | 0:33:03 | |
Those wounds... | 0:33:03 | 0:33:05 | |
they're systematic. | 0:33:05 | 0:33:06 | |
Controlled. | 0:33:06 | 0:33:08 | |
Features associated with torture. | 0:33:08 | 0:33:10 | |
In most juror's minds, from torture to murder's but a hop and a skip. | 0:33:10 | 0:33:14 | |
Added to which, Beale was killed by a car, | 0:33:14 | 0:33:17 | |
and you, well... | 0:33:17 | 0:33:19 | |
You're in the car business. | 0:33:19 | 0:33:21 | |
He owed me some money, OK? | 0:33:24 | 0:33:27 | |
Ah, so, your lot thought beating was a friendly reminder? | 0:33:27 | 0:33:30 | |
Yeah! Seemed to work, too. | 0:33:30 | 0:33:32 | |
Go on... | 0:33:32 | 0:33:34 | |
He comes in yesterday, all cocky. Pleased with himself. | 0:33:34 | 0:33:37 | |
He's found a way to get my money. | 0:33:37 | 0:33:39 | |
-He's got some rich bloke over a barrel. -He mention a name? | 0:33:39 | 0:33:42 | |
-No. -You ask him what he had on this bloke? | 0:33:42 | 0:33:45 | |
He said it wasn't murder, but it was as good as. | 0:33:45 | 0:33:48 | |
< CAR ALARM WAILS | 0:33:48 | 0:33:50 | |
-Nick, tell them! They won't listen! -Tell them what? | 0:34:38 | 0:34:41 | |
-Don't answer that, please. -That we haven't seen Alec for months. | 0:34:41 | 0:34:44 | |
-Well? Is it true? -Yes, we haven't seen Alec for a good while. | 0:34:46 | 0:34:50 | |
Fortunately, I don't have to take your word for it - | 0:34:50 | 0:34:52 | |
-this is a warrant to search the premises. -Shall we? -Thank you. | 0:34:52 | 0:34:54 | |
What are you expecting to find, exactly? | 0:34:54 | 0:34:56 | |
-Well, whatever it is, we don't need any help, thank you. -Wait a second! | 0:34:56 | 0:35:00 | |
I just spoke to your neighbours. | 0:35:00 | 0:35:02 | |
They say your brother's a frequent visitor | 0:35:02 | 0:35:04 | |
-and stays in a guesthouse in the back garden? -That's not true... | 0:35:04 | 0:35:07 | |
-You don't have a guesthouse? -We do, but Alec doesn't stay in it. | 0:35:07 | 0:35:11 | |
So, when we process it for prints and DNA, | 0:35:11 | 0:35:13 | |
we won't find results matching his profile? | 0:35:13 | 0:35:15 | |
OK, Christ! | 0:35:15 | 0:35:16 | |
Has he ever stayed there? Yes, | 0:35:16 | 0:35:18 | |
but...not recently, so it doesn't matter, does it? | 0:35:18 | 0:35:21 | |
Can you show us the guesthouse, please? | 0:35:21 | 0:35:23 | |
One of your vehicles have an oil leak? | 0:35:33 | 0:35:36 | |
We had some friends staying last week. | 0:35:36 | 0:35:38 | |
-It must be from their car. -Right, you two, | 0:35:38 | 0:35:40 | |
just take a couple of paces that way, please. Thank you. | 0:35:40 | 0:35:43 | |
She's lying. | 0:35:44 | 0:35:45 | |
Yeah, no shit(!) | 0:35:45 | 0:35:47 | |
RINGING TONE | 0:35:47 | 0:35:49 | |
Hi, can you check under Alec's vehicle, | 0:35:51 | 0:35:53 | |
see if there's an oil leak, please? | 0:35:53 | 0:35:55 | |
Checking now. | 0:35:57 | 0:35:58 | |
Yeah. | 0:36:05 | 0:36:07 | |
OK, thank you. | 0:36:07 | 0:36:09 | |
OK, just to clarify, no two brands of oil are the same. | 0:36:10 | 0:36:14 | |
So, if this oil comes from Alec's vehicle, | 0:36:14 | 0:36:16 | |
I'll be able to prove that, chemically. | 0:36:16 | 0:36:19 | |
One more time. | 0:36:19 | 0:36:20 | |
When did you last see your brother? | 0:36:20 | 0:36:23 | |
I think he may have stayed here Friday night. | 0:36:25 | 0:36:27 | |
SIRENS APPROACH | 0:36:28 | 0:36:30 | |
DOG BARKS OUTSIDE | 0:36:30 | 0:36:32 | |
DOGS BARK | 0:36:39 | 0:36:41 | |
BARKING | 0:36:44 | 0:36:45 | |
Stop. I'll let the dogs go! | 0:37:07 | 0:37:09 | |
Stop where you are! | 0:37:09 | 0:37:11 | |
Stop now! | 0:37:12 | 0:37:13 | |
Stop! | 0:37:15 | 0:37:16 | |
SHOUTING | 0:37:17 | 0:37:19 | |
BARKING | 0:37:19 | 0:37:21 | |
What is it? | 0:37:36 | 0:37:38 | |
A hunch. | 0:37:38 | 0:37:39 | |
Thomas. | 0:37:39 | 0:37:41 | |
'Jack. I think Tina Lunt was killed by a deployed air bag. | 0:37:41 | 0:37:44 | |
'This morning, DS Wretzky' | 0:37:44 | 0:37:46 | |
said something about Timpson's car alarm going off? | 0:37:46 | 0:37:49 | |
-A deployed air bag would trigger the alarm. -Exactly. | 0:37:49 | 0:37:53 | |
How does this tie in with Beale's murder? | 0:37:53 | 0:37:55 | |
'Not sure. Seems like Beale was blackmailing someone | 0:37:55 | 0:37:59 | |
'and it backfired.' | 0:37:59 | 0:38:00 | |
I hear your car alarm went off on Saturday morning? | 0:38:06 | 0:38:09 | |
Just a malfunction. Was no harm done. | 0:38:09 | 0:38:12 | |
-Had some work done recently? -Sorry? | 0:38:14 | 0:38:17 | |
Seat covers in your car. | 0:38:17 | 0:38:18 | |
Oh, petrol gauge was playing up. | 0:38:20 | 0:38:22 | |
Saying it was empty when it wasn't. | 0:38:22 | 0:38:23 | |
Covered your seats just for that? | 0:38:23 | 0:38:25 | |
They know I'm a neat-freak. | 0:38:25 | 0:38:28 | |
So, nothing to do with the alarm going off? | 0:38:28 | 0:38:31 | |
-No. -Same vehicle, though? | 0:38:31 | 0:38:33 | |
Yeah. Same vehicle. | 0:38:33 | 0:38:35 | |
OK. | 0:38:35 | 0:38:36 | |
Thank you. | 0:38:36 | 0:38:38 | |
-Looks like Nick's had some work done on his car. -Right. | 0:38:42 | 0:38:46 | |
Be good to know it had nothing to do with air bags. | 0:38:46 | 0:38:49 | |
OK. Where is he? | 0:38:50 | 0:38:52 | |
-Did you see where Nick Timpson went to? -No, why? | 0:38:54 | 0:38:57 | |
-Where's your husband? -What...? -Where's Nick? | 0:38:59 | 0:39:02 | |
-MOBILE RINGS -Dad? | 0:39:16 | 0:39:19 | |
I need you to come and pick me up, sweetheart. | 0:39:19 | 0:39:21 | |
'What's going on?' | 0:39:21 | 0:39:23 | |
It's Alec. The police are hanging round like a bad smell | 0:39:23 | 0:39:25 | |
-'and we need to warn him.' -Where are you? You sound weird. | 0:39:25 | 0:39:28 | |
It's very important you don't take any more calls, Jess. | 0:39:28 | 0:39:31 | |
-'The police will be tracking your phone.' -What...? | 0:39:31 | 0:39:33 | |
Here's where I want you to meet me. | 0:39:33 | 0:39:35 | |
INDISTINCT RADIO CHATTER | 0:39:35 | 0:39:37 | |
-Where would Nick go? -I don't know. -Think! | 0:39:39 | 0:39:43 | |
I don't know where he'd go. I don't know WHY he'd go. I don't know! | 0:39:44 | 0:39:48 | |
CAR DOOR CLOSES | 0:39:48 | 0:39:50 | |
What have you got? | 0:39:54 | 0:39:55 | |
I've just called his mechanics - | 0:39:55 | 0:39:58 | |
they fitted a new air bag yesterday | 0:39:58 | 0:40:00 | |
as well as replacing the front bumper, touching up the paintwork... | 0:40:00 | 0:40:03 | |
It looks like Tina Lunt tried to steal the air bag from Nick's car - | 0:40:03 | 0:40:07 | |
killing herself in the process. | 0:40:07 | 0:40:09 | |
The air bag propelled the screwdriver into her heart. | 0:40:09 | 0:40:13 | |
Accidental death? | 0:40:13 | 0:40:14 | |
Wesley Beale, her partner-in-crime - | 0:40:16 | 0:40:18 | |
showed his true colours and fled the scene. | 0:40:18 | 0:40:20 | |
So, Jessica tells her dad his car alarm is going off. | 0:40:24 | 0:40:26 | |
He comes out to investigate and then... | 0:40:26 | 0:40:28 | |
'decides to remove Tina's body from the car.' | 0:40:28 | 0:40:31 | |
From the direction Lucy was travelling in, | 0:40:38 | 0:40:40 | |
she would have turned into the lane | 0:40:40 | 0:40:42 | |
and would have had a clear view into the drive. | 0:40:42 | 0:40:45 | |
STEEMSON: 'And then, Nick had another problem on his hands. | 0:40:50 | 0:40:53 | |
CAR REVS | 0:40:57 | 0:40:59 | |
CAR REVS | 0:41:06 | 0:41:07 | |
THUDDING, CRASHING | 0:41:07 | 0:41:09 | |
THUD! | 0:41:11 | 0:41:12 | |
TYRES SCREECH | 0:41:12 | 0:41:14 | |
'Why?' | 0:41:23 | 0:41:24 | |
Why did he take Tina's body out of the car? | 0:41:24 | 0:41:27 | |
Why couldn't he call the police? | 0:41:27 | 0:41:29 | |
Keep going straight ahead. | 0:41:33 | 0:41:35 | |
Almost there. | 0:41:35 | 0:41:36 | |
And turn left into the house. | 0:41:36 | 0:41:38 | |
Where are we going, Dad? | 0:41:38 | 0:41:39 | |
Somewhere safe. | 0:41:40 | 0:41:42 | |
Alec will join us later. | 0:41:42 | 0:41:44 | |
And Mum. | 0:41:44 | 0:41:45 | |
It's all going to be OK! | 0:41:46 | 0:41:48 | |
MOBILE RINGS | 0:41:51 | 0:41:53 | |
-SHOUTS: -I told you to turn that off! -It's Mum! | 0:41:53 | 0:41:54 | |
Doesn't she need to know where to find us? | 0:41:54 | 0:41:57 | |
Jessica's still not answering. | 0:42:01 | 0:42:03 | |
Look... | 0:42:06 | 0:42:07 | |
You're not in trouble, Ellie. | 0:42:10 | 0:42:11 | |
We just need your help. | 0:42:11 | 0:42:12 | |
OK. | 0:42:12 | 0:42:14 | |
So, who would Nick turn to when he's in a bind? Who are his mates? | 0:42:14 | 0:42:19 | |
He doesn't really have any mates. | 0:42:21 | 0:42:23 | |
Sounds weird, but...his best friends are probably his patients. | 0:42:24 | 0:42:28 | |
-It's nice to meet you. -You too, Jessica. | 0:42:30 | 0:42:32 | |
-Well, I'll put the kettle on. -No, I'll do it. | 0:42:34 | 0:42:36 | |
-Nick? -Mm-hm? | 0:42:39 | 0:42:42 | |
Did you put something in the burner...earlier? | 0:42:42 | 0:42:45 | |
-What? -After you left, I had a walk around | 0:42:46 | 0:42:50 | |
and it had been used. | 0:42:50 | 0:42:51 | |
Really? You sure? | 0:42:55 | 0:42:57 | |
Mm. It was hot. | 0:42:57 | 0:42:59 | |
It looked like someone had been burning clothes. | 0:42:59 | 0:43:02 | |
Strange. | 0:43:03 | 0:43:04 | |
-I think I shall call the police. -The police? | 0:43:10 | 0:43:13 | |
-I'm sure that's not necessary. -How do you know? | 0:43:13 | 0:43:16 | |
If they're using the burner, what else are they doing? | 0:43:16 | 0:43:20 | |
You're right, we should get to the bottom of this. | 0:43:21 | 0:43:24 | |
-I'll call them in a minute. -Oh, you don't have to do that. -No trouble. | 0:43:24 | 0:43:27 | |
If they get a call from me, they'll take it seriously. | 0:43:27 | 0:43:30 | |
Thank you. | 0:43:30 | 0:43:31 | |
I'd be lost without your dad. | 0:43:33 | 0:43:35 | |
I'm tired. | 0:43:37 | 0:43:38 | |
Might have a sit down. | 0:43:38 | 0:43:40 | |
When the tea's ready, I'll bring it through. | 0:43:42 | 0:43:44 | |
Why don't you want her to phone the police? | 0:43:47 | 0:43:50 | |
I told you... | 0:43:50 | 0:43:51 | |
Alec's meeting us here. They'll arrest him. | 0:43:51 | 0:43:54 | |
-Right. -I'm sorry I shouted in the car. | 0:43:54 | 0:43:58 | |
-It's OK. -I'm just... | 0:43:58 | 0:44:00 | |
worried about Alec. | 0:44:00 | 0:44:02 | |
-And Mum. -Sure. | 0:44:02 | 0:44:05 | |
Me too. | 0:44:05 | 0:44:06 | |
Would you...? | 0:44:09 | 0:44:11 | |
Would you say I'm a good dad? | 0:44:11 | 0:44:12 | |
That I've been a good father? | 0:44:12 | 0:44:14 | |
Course. | 0:44:16 | 0:44:17 | |
You love me, don't you? | 0:44:17 | 0:44:18 | |
-Dad...? -Just... | 0:44:18 | 0:44:20 | |
..tell me. Please. | 0:44:21 | 0:44:23 | |
Yes. | 0:44:23 | 0:44:24 | |
I love you. | 0:44:24 | 0:44:25 | |
-And nothing can change that? -No. | 0:44:25 | 0:44:28 | |
What's with all the weird questions? | 0:44:28 | 0:44:30 | |
Whatever happens, whatever people tell you... | 0:44:34 | 0:44:37 | |
..you brought out the good in me. | 0:44:39 | 0:44:41 | |
As a man, | 0:44:43 | 0:44:44 | |
as a father. | 0:44:44 | 0:44:46 | |
Raising you...saved me. | 0:44:48 | 0:44:50 | |
What do you mean? | 0:44:51 | 0:44:52 | |
You gave me something to live for. | 0:44:54 | 0:44:56 | |
What about Mum? | 0:44:58 | 0:44:59 | |
Your mum... | 0:45:01 | 0:45:02 | |
..couldn't help. | 0:45:03 | 0:45:05 | |
Because... | 0:45:05 | 0:45:06 | |
..in so many ways... | 0:45:08 | 0:45:09 | |
..she was to blame. | 0:45:11 | 0:45:12 | |
TV: 'You're not looking at...' CHANGES CHANNEL | 0:45:16 | 0:45:18 | |
'Tonight, police in Surrey have launched a manhunt | 0:45:18 | 0:45:21 | |
'for the missing GP, Nick Timpson, | 0:45:21 | 0:45:23 | |
'in connection with the murder of Lucy Chatham. | 0:45:23 | 0:45:25 | |
'She was found dead yesterday in a pond close to the M25.' | 0:45:25 | 0:45:29 | |
You got the list of his patients? | 0:45:30 | 0:45:32 | |
Yeah, it's a bloody mile long. | 0:45:32 | 0:45:34 | |
-I'd prioritise any farms or residences near farms. -Why? | 0:45:34 | 0:45:39 | |
There's what looks...and smells like slurry under here. | 0:45:39 | 0:45:43 | |
-That could've been there for weeks... -Nope. | 0:45:43 | 0:45:45 | |
The mechanics said they cleaned it inside and out. | 0:45:45 | 0:45:48 | |
These deposits were made today. | 0:45:48 | 0:45:49 | |
'..them immediately. Police say the man should not be approached.' | 0:45:49 | 0:45:52 | |
Who are you phoning, Grace? | 0:46:01 | 0:46:02 | |
SHE SHIVERS | 0:46:02 | 0:46:04 | |
Just a friend. | 0:46:04 | 0:46:06 | |
-Which friend? -I...I... | 0:46:06 | 0:46:08 | |
Give me the phone, Grace. | 0:46:15 | 0:46:17 | |
No. | 0:46:17 | 0:46:19 | |
Give me the phone. | 0:46:27 | 0:46:28 | |
DOOR CLOSES | 0:46:34 | 0:46:36 | |
OK? | 0:46:38 | 0:46:40 | |
-Dad. -Yes? | 0:46:40 | 0:46:41 | |
Brett and Mum aren't coming, are they? | 0:46:43 | 0:46:45 | |
What's the matter? | 0:46:51 | 0:46:53 | |
What's going on? | 0:46:53 | 0:46:55 | |
When I was small, you always said, | 0:46:56 | 0:46:58 | |
"A problem shared is a problem halved." | 0:46:58 | 0:47:01 | |
Some problems can't be shared. | 0:47:02 | 0:47:04 | |
Look, whatever it is, I can take it. | 0:47:04 | 0:47:06 | |
I can help you. | 0:47:07 | 0:47:08 | |
Your mum. | 0:47:16 | 0:47:18 | |
She was the best thing that ever happened to me. | 0:47:19 | 0:47:22 | |
The best thing. | 0:47:22 | 0:47:24 | |
I had to pinch myself that she was...you know...mine. | 0:47:25 | 0:47:28 | |
But deep down... | 0:47:30 | 0:47:31 | |
..I knew it was too good to be true. | 0:47:33 | 0:47:35 | |
That there'd be...a...a reckoning. | 0:47:36 | 0:47:39 | |
A price to pay. | 0:47:41 | 0:47:42 | |
I just didn't know it would hurt so much. | 0:47:44 | 0:47:47 | |
What do you mean? | 0:47:47 | 0:47:48 | |
What price? | 0:47:50 | 0:47:51 | |
I love you. | 0:48:00 | 0:48:01 | |
Dad...! | 0:48:01 | 0:48:02 | |
Let's go back to the car. | 0:48:04 | 0:48:06 | |
MOANING > | 0:48:07 | 0:48:10 | |
No! No, no! Stop! | 0:48:10 | 0:48:12 | |
Oh, God... | 0:48:13 | 0:48:15 | |
I told you not to go in there! | 0:48:15 | 0:48:17 | |
THUD, SHE GROANS | 0:48:17 | 0:48:19 | |
Jess... | 0:48:19 | 0:48:20 | |
I'm sorry, I'm sorry. | 0:48:22 | 0:48:23 | |
SHE SOBS AND GASPS | 0:48:23 | 0:48:25 | |
Jess! Talk to me! | 0:48:25 | 0:48:27 | |
Are you OK? | 0:48:27 | 0:48:28 | |
-CROCKERY SMASHES -Argh! Argh... | 0:48:29 | 0:48:32 | |
Jess! | 0:48:36 | 0:48:37 | |
SHE WHIMPERS | 0:48:37 | 0:48:39 | |
Jess! | 0:48:40 | 0:48:41 | |
SIRENS APPROACH | 0:48:41 | 0:48:42 | |
JESS! | 0:48:46 | 0:48:48 | |
SIRENS WAIL | 0:48:48 | 0:48:51 | |
Nick Timpson, I'm arresting you | 0:48:54 | 0:48:55 | |
on the suspicion of the murders of Lucy Chatham and Wesley Beale. | 0:48:55 | 0:48:59 | |
You don't have to say anything, | 0:49:00 | 0:49:02 | |
but it may harm your defence if you do not mention when questioned | 0:49:02 | 0:49:04 | |
something which you later rely on in court. | 0:49:04 | 0:49:07 | |
Anything you do say may be given in evidence. | 0:49:07 | 0:49:09 | |
Put him in. Put him in. | 0:49:12 | 0:49:14 | |
LATCHES CLICK | 0:49:22 | 0:49:25 | |
I need to take a DNA swab sample. | 0:49:42 | 0:49:44 | |
Of course. | 0:49:47 | 0:49:49 | |
Open your mouth. | 0:49:56 | 0:49:58 | |
I need you to open your mouth. | 0:50:00 | 0:50:02 | |
Open. | 0:50:04 | 0:50:06 | |
VEHICLE APPROACHES | 0:50:35 | 0:50:37 | |
I had a chat with Tina Lunt's stepdad. | 0:50:53 | 0:50:56 | |
All the way from Florida. | 0:50:56 | 0:50:58 | |
Aw. She was more appreciated than we thought. | 0:50:58 | 0:51:01 | |
-That's something. -Yeah, yeah, it is. | 0:51:01 | 0:51:03 | |
God bless Professor Jeffreys, eh? | 0:51:04 | 0:51:06 | |
The forefather of DNA profiling. | 0:51:07 | 0:51:09 | |
I know who he is, Einstein! | 0:51:09 | 0:51:11 | |
-Well, this is me. -CAR ALARM CHIRPS | 0:51:12 | 0:51:15 | |
-Oh, I've got something for you, Maureen. -Oh, yeah? | 0:51:15 | 0:51:18 | |
HE CHUCKLES | 0:51:26 | 0:51:29 | |
I will have to do some work now, won't I! | 0:51:29 | 0:51:32 | |
We've got news on your brother's condition. | 0:51:34 | 0:51:36 | |
He's going to have serious and lasting injuries, | 0:51:37 | 0:51:40 | |
but he's going to live. | 0:51:40 | 0:51:41 | |
And... | 0:51:43 | 0:51:44 | |
..there's something else. | 0:51:45 | 0:51:47 | |
We've taken Nick's DNA | 0:51:48 | 0:51:50 | |
and it's a match to the man who raped and murdered Leah Tyler | 0:51:50 | 0:51:54 | |
in Brighton in 1996. | 0:51:54 | 0:51:56 | |
The murder your brother was charged and acquitted of. | 0:51:56 | 0:51:59 | |
That's impossible. | 0:52:01 | 0:52:03 | |
DNA doesn't lie, I'm afraid. | 0:52:04 | 0:52:06 | |
Now we know why Nick removed Tina's body. | 0:52:06 | 0:52:08 | |
If he'd called the police, | 0:52:08 | 0:52:10 | |
they'd have processed his car and found his DNA... | 0:52:10 | 0:52:12 | |
which would have linked him to Leah's murder. | 0:52:12 | 0:52:15 | |
But Nick wasn't there. | 0:52:15 | 0:52:17 | |
He was in London. | 0:52:17 | 0:52:18 | |
He was doing his finals, and that's why I... | 0:52:20 | 0:52:23 | |
That's why I came down to see Alec. | 0:52:25 | 0:52:27 | |
'We went out to his club...' | 0:52:27 | 0:52:29 | |
Cheers, mate. Thanks very much. | 0:52:29 | 0:52:31 | |
MUSIC PLAYS FROM CAR STEREO | 0:52:31 | 0:52:33 | |
'..and I met an old boyfriend there.' | 0:52:33 | 0:52:35 | |
Here we are. | 0:52:35 | 0:52:36 | |
THEY LAUGH AND CHATTER, MINICAB REVS AWAY | 0:52:36 | 0:52:39 | |
SHE GIGGLES | 0:52:42 | 0:52:44 | |
SHE GIGGLES | 0:52:49 | 0:52:51 | |
Get a room, you two! | 0:52:51 | 0:52:53 | |
-Down the hall on the right. -Where are you going? | 0:52:53 | 0:52:56 | |
Going to get some fags. Don't do anything I wouldn't do. | 0:52:56 | 0:52:59 | |
'And Nick wasn't there.' | 0:52:59 | 0:53:01 | |
He was in London. | 0:53:02 | 0:53:03 | |
He was doing his finals in London. | 0:53:05 | 0:53:07 | |
Well, clearly he was there. | 0:53:08 | 0:53:10 | |
You just didn't know it. | 0:53:10 | 0:53:12 | |
And the question is, | 0:53:13 | 0:53:14 | |
why didn't you know? | 0:53:14 | 0:53:16 | |
What was the state of your relationship with Nick at the time? | 0:53:18 | 0:53:21 | |
He was studying every night... | 0:53:29 | 0:53:30 | |
but at the same time, he was... | 0:53:30 | 0:53:32 | |
He was very possessive. | 0:53:40 | 0:53:42 | |
We fell out about it. | 0:53:47 | 0:53:49 | |
SHE SNIFFLES | 0:53:51 | 0:53:52 | |
SHE SOBS | 0:53:54 | 0:53:55 | |
SHE GIGGLES | 0:54:05 | 0:54:07 | |
SHE MOANS | 0:54:19 | 0:54:21 | |
SHE LAUGHS | 0:54:25 | 0:54:27 | |
DOOR SLAMS | 0:54:29 | 0:54:30 | |
SHE SCREAMS | 0:55:03 | 0:55:05 | |
Where is he? | 0:55:12 | 0:55:13 | |
WHERE IS HE?! Where is he?! | 0:55:17 | 0:55:20 | |
He's the father of my child. | 0:55:27 | 0:55:30 | |
He's my husband. | 0:55:31 | 0:55:33 | |
How could I not know it? | 0:55:37 | 0:55:39 | |
How could I not see it? | 0:55:42 | 0:55:44 | |
How could I not know?! | 0:55:47 | 0:55:49 | |
How could I not know? | 0:55:49 | 0:55:51 | |
SHE SOBS | 0:55:53 | 0:55:54 | |
How long has she been in there? | 0:55:58 | 0:56:00 | |
Looks like an indentation of an H. | 0:56:00 | 0:56:02 | |
'Cos there's no way that's a coincidence, is it? | 0:56:02 | 0:56:04 | |
'Two young women. Two friends. | 0:56:04 | 0:56:06 | |
'It has to be the same killer.' | 0:56:06 | 0:56:08 | |
I wouldn't hurt her, OK? I never touched her. | 0:56:08 | 0:56:10 | |
That's better! Some reaction! | 0:56:10 | 0:56:12 | |
'You want her to have been murdered, don't you?' | 0:56:12 | 0:56:15 | |
-I want to know the truth. -No. You want to be right. | 0:56:15 | 0:56:19 | |
I will do everything I can to find her, I promise! | 0:56:19 | 0:56:23 | |
# Testator silens | 0:56:24 | 0:56:32 | |
# Costestes e spiritu | 0:56:32 | 0:56:40 | |
# Silentium. # | 0:56:40 | 0:56:51 |