Browse content similar to Part One. Check below for episodes and series from the same categories and more!
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This programme contains some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
No! No! No! Where is she?! | 0:00:19 | 0:00:22 | |
Please! Give her back! | 0:00:23 | 0:00:25 | |
Ah, Nikki. This is Detective Inspector Rory Goodchild | 0:00:30 | 0:00:33 | |
and Agent Pia Butler, who's from Immigration Enforcement. | 0:00:33 | 0:00:36 | |
They need our help with an ID. | 0:00:36 | 0:00:38 | |
Is it my mother's? | 0:00:47 | 0:00:49 | |
Hm. You look prosperous. | 0:01:04 | 0:01:06 | |
Don't. You show off your money, looking like this. Hm? | 0:01:06 | 0:01:09 | |
Please! Please! Where is my daughter? | 0:01:13 | 0:01:17 | |
Please! I paid you what you asked for! | 0:01:17 | 0:01:20 | |
PLEASE! We have nothing left! | 0:01:20 | 0:01:23 | |
-What was that? -He's insane. | 0:01:25 | 0:01:28 | |
He's desperate, not insane. What was it? | 0:01:28 | 0:01:30 | |
I don't know. | 0:01:30 | 0:01:32 | |
I pay you to know. | 0:01:32 | 0:01:33 | |
Loyalty is important to me, Jamal. | 0:01:33 | 0:01:35 | |
If I find out you've put me in danger, | 0:01:35 | 0:01:37 | |
I'll kill you, and your friends. | 0:01:37 | 0:01:39 | |
Why didn't you tell me about the van?! | 0:01:42 | 0:01:44 | |
I'm sorry, Jamal, I should have! I'm sorry! | 0:01:44 | 0:01:47 | |
He does this in public! In public! | 0:01:47 | 0:01:51 | |
I left the van where Kali told me. | 0:01:54 | 0:01:56 | |
You let the new guy do it?! | 0:01:56 | 0:01:58 | |
You should have told me. | 0:02:00 | 0:02:03 | |
Send me the place you left it. | 0:02:03 | 0:02:05 | |
And get another van! | 0:02:06 | 0:02:08 | |
What's this about? | 0:02:14 | 0:02:15 | |
Family members are missing. | 0:02:15 | 0:02:17 | |
Police think it's some sort of extortion racket. | 0:02:17 | 0:02:20 | |
The finger...is proof of life. | 0:02:20 | 0:02:23 | |
Or proof of torture. | 0:02:23 | 0:02:25 | |
# Testator silens | 0:02:52 | 0:02:59 | |
# Costestes e spiritu | 0:02:59 | 0:03:07 | |
# Silentium. # | 0:03:07 | 0:03:13 | |
X-rays? | 0:03:27 | 0:03:29 | |
Thanks. | 0:03:29 | 0:03:30 | |
Traumatic head injuries consistent with a fall from a great height. | 0:03:45 | 0:03:49 | |
There are multiple comminuted skull fractures | 0:03:50 | 0:03:52 | |
with fracture contusions and lacerations of the brain. | 0:03:52 | 0:03:56 | |
There are fractures to the orbital plates | 0:03:56 | 0:03:59 | |
and associated periorbital haemorrhages. | 0:03:59 | 0:04:01 | |
Right, so the plants blocked the CCTV view from the terrace. | 0:04:01 | 0:04:06 | |
-So, no-one one saw him fall? -No. We haven't found any witnesses. | 0:04:06 | 0:04:09 | |
And no-one heard screams? | 0:04:09 | 0:04:10 | |
Jumpers don't scream. | 0:04:12 | 0:04:14 | |
You think it's suicide? | 0:04:14 | 0:04:16 | |
We think he went over the barrier there | 0:04:16 | 0:04:18 | |
and he stepped up on the edge of the planter and threw himself over. | 0:04:18 | 0:04:21 | |
Do we have a name yet? | 0:04:23 | 0:04:24 | |
Jamal al Sham. | 0:04:24 | 0:04:27 | |
What do you think? | 0:04:28 | 0:04:30 | |
Well, it's a theory, but I don't see any sign of a footprint. | 0:04:30 | 0:04:35 | |
Right, come on, let's go. Come on! | 0:04:38 | 0:04:40 | |
If you had to choose, would you rather be | 0:04:40 | 0:04:42 | |
looking down at the ground as you fell, or looking up? | 0:04:42 | 0:04:45 | |
Do you really think I'm going to play that game? | 0:04:45 | 0:04:47 | |
I hadn't really developed a view. | 0:04:47 | 0:04:50 | |
Suicide, assisted suicide, I don't believe in it. | 0:04:50 | 0:04:53 | |
I don't think Jamal did either. | 0:04:54 | 0:04:57 | |
Well, according to the police, you're wrong. | 0:04:57 | 0:04:59 | |
Thomas? | 0:05:26 | 0:05:28 | |
He's got subha, Muslim prayer beads, on his personal effects list. | 0:05:29 | 0:05:33 | |
You're sure they're prayer beads? | 0:05:33 | 0:05:36 | |
33 beads. | 0:05:36 | 0:05:38 | |
He uses them to count as he recites the words of the Dhikr. | 0:05:38 | 0:05:41 | |
So it's reasonable to think he was somewhat devout. | 0:05:41 | 0:05:44 | |
What's that mean exactly? | 0:05:44 | 0:05:46 | |
The Prophet said, | 0:05:46 | 0:05:47 | |
"Whoever throws himself down from a mountain and kills himself | 0:05:47 | 0:05:50 | |
"will be in the Fire of Hell, | 0:05:50 | 0:05:52 | |
"throwing himself down therein for ever and ever". | 0:05:52 | 0:05:54 | |
In Islam, suicide is a sin. | 0:05:54 | 0:05:57 | |
Did you notice any blood at the spot where he went over the barrier? | 0:05:58 | 0:06:01 | |
Er...no. No obvious blood or footprints. | 0:06:01 | 0:06:04 | |
Detective Renick thought he was likely to be a jumper. | 0:06:04 | 0:06:06 | |
-But you looked? -Er... | 0:06:06 | 0:06:08 | |
What did he miss? | 0:06:08 | 0:06:10 | |
I think he was stabbed in the neck. | 0:06:10 | 0:06:12 | |
The wound suggests a narrow symmetrical blade | 0:06:12 | 0:06:15 | |
about 15mm in width. | 0:06:15 | 0:06:16 | |
There was nothing that I found on or around the body | 0:06:16 | 0:06:18 | |
which can account for it, | 0:06:18 | 0:06:20 | |
and I think he was stabbed before he fell. | 0:06:20 | 0:06:22 | |
It's an arterial wound. There should be blood. | 0:06:22 | 0:06:24 | |
I'm on it. | 0:06:24 | 0:06:26 | |
We both walked through here earlier. | 0:06:31 | 0:06:33 | |
Have you found something? | 0:06:33 | 0:06:35 | |
-What? -I've got an idea. | 0:06:49 | 0:06:50 | |
HE SIGHS | 0:07:14 | 0:07:15 | |
RECORDING: ..fracture contusions and lacerations of the brain. | 0:07:27 | 0:07:31 | |
There are fractures to the orbital plates and associated... | 0:07:31 | 0:07:35 | |
DCI Goodchild, please. | 0:07:57 | 0:07:59 | |
There's an absence of lysosomal enzymes. | 0:07:59 | 0:08:02 | |
The finger was cut from a living person. | 0:08:02 | 0:08:04 | |
The girl Akka's DNA results. | 0:08:05 | 0:08:07 | |
Swab is the column on the left, tissue on the right. | 0:08:07 | 0:08:09 | |
Indicative result here. | 0:08:09 | 0:08:11 | |
Akka is not a blood relative. | 0:08:11 | 0:08:12 | |
-Any chance they could be wrong? -Unlikely. | 0:08:16 | 0:08:18 | |
But there is always a chance. | 0:08:18 | 0:08:20 | |
Let's go tell her. | 0:08:20 | 0:08:22 | |
I sent her a message on the app she uses, told her we had a result. | 0:08:31 | 0:08:34 | |
She told me where she lives. | 0:08:34 | 0:08:36 | |
Akka's illegal, we contacted Immigration. | 0:08:36 | 0:08:39 | |
It's a joint operation. | 0:08:40 | 0:08:41 | |
PANICKED SHOUTS | 0:08:44 | 0:08:46 | |
Why do you think they're running? | 0:08:48 | 0:08:50 | |
-Illegal workers. -I thought we were trying to help? | 0:08:55 | 0:08:58 | |
We are. | 0:08:58 | 0:09:00 | |
Everyone deserves to enjoy the full protection of the law. | 0:09:00 | 0:09:02 | |
Protection? | 0:09:02 | 0:09:04 | |
Akka's family paid to smuggle her mother into Britain. | 0:09:04 | 0:09:07 | |
Then they get a message saying they need to pay more | 0:09:07 | 0:09:09 | |
if they want to see her alive. | 0:09:09 | 0:09:10 | |
If you're outside the law, it's easy to be victimised. | 0:09:10 | 0:09:13 | |
We're bringing them to the bosom of justice. | 0:09:13 | 0:09:16 | |
Nice van. Is that what low-key looks like to you? | 0:09:16 | 0:09:19 | |
They ran. | 0:09:19 | 0:09:20 | |
-What house is she in? -End of the street, on the right. | 0:09:20 | 0:09:24 | |
I know, you wish you parked closer. | 0:09:24 | 0:09:26 | |
So, you didn't tell Akka the outcome of the test? | 0:09:30 | 0:09:33 | |
-Not yet. -But you told her I was coming? -I did. | 0:09:33 | 0:09:35 | |
I figured her need to know would mean she and her family showed up. | 0:09:35 | 0:09:38 | |
You're using me as bait? | 0:09:38 | 0:09:40 | |
Yeah, all right, call it that. | 0:09:41 | 0:09:43 | |
I'm not interested in sending them back where they came from, | 0:09:43 | 0:09:46 | |
that's Butler's party. | 0:09:46 | 0:09:47 | |
I want to stop the criminals exploiting them. | 0:09:47 | 0:09:50 | |
They're coming! They're coming here! | 0:09:59 | 0:10:02 | |
-How do they know? -We can't run! We have to hide! | 0:10:04 | 0:10:06 | |
-It's OK. -OK? How is it OK? | 0:10:06 | 0:10:09 | |
I...I-I wanted to know if it was her. | 0:10:09 | 0:10:12 | |
-You went to the police?! -They did tests! | 0:10:12 | 0:10:14 | |
-Did you tell them where we live?! -You trusted them?! | 0:10:14 | 0:10:16 | |
I wanted to know if Mama is still alive! | 0:10:16 | 0:10:18 | |
-There is no-one you can trust! -Don't you want to know?! | 0:10:18 | 0:10:21 | |
She's dead! They're all dead! Everyone is dead! | 0:10:21 | 0:10:24 | |
-We don't know that. -What does it matter? We cannot pay them! | 0:10:24 | 0:10:28 | |
We have nothing left. They have taken everything! | 0:10:28 | 0:10:31 | |
Let them die in your heart, Akka. | 0:10:33 | 0:10:35 | |
Your mother and brother are the past. | 0:10:35 | 0:10:38 | |
Don't think about them. | 0:10:38 | 0:10:40 | |
They're coming for us! | 0:10:42 | 0:10:43 | |
We do what we have to do. | 0:10:46 | 0:10:48 | |
-Akka? -He knows you? | 0:10:51 | 0:10:54 | |
Akka, it's me. I've brought Dr Alexander with me. | 0:10:59 | 0:11:02 | |
Back alley. | 0:11:05 | 0:11:06 | |
Akka? It's Dr Alexander. | 0:11:12 | 0:11:14 | |
Hi. | 0:11:20 | 0:11:22 | |
Can we come in? | 0:11:27 | 0:11:28 | |
Argh! | 0:11:34 | 0:11:36 | |
Don't do anything! | 0:11:36 | 0:11:38 | |
-I'll cut her throat! -Butler! Don't! | 0:11:40 | 0:11:42 | |
The toilet! | 0:11:43 | 0:11:45 | |
Get in! | 0:11:45 | 0:11:46 | |
-The toilet, get in! -Come on! -Now! Get in! | 0:11:46 | 0:11:49 | |
Come on! | 0:11:49 | 0:11:51 | |
Lock it! Quickly, we go! | 0:11:52 | 0:11:54 | |
-You're not kidnappers. -Shut up! | 0:11:55 | 0:11:57 | |
Are you going to kill me? | 0:11:57 | 0:11:59 | |
Don't do this! | 0:11:59 | 0:12:01 | |
She'll slow us down. | 0:12:03 | 0:12:05 | |
NIKKI HYPERVENTILATES | 0:12:10 | 0:12:12 | |
Come on! | 0:12:13 | 0:12:16 | |
Come on! | 0:12:24 | 0:12:26 | |
-Don't! I will cut you and leave you to bleed to death! -Please! | 0:12:29 | 0:12:32 | |
We are not the same as them. We are not them. | 0:12:32 | 0:12:35 | |
-Let her go. -She's slowing us down! | 0:12:35 | 0:12:38 | |
Let's go! | 0:12:38 | 0:12:39 | |
NIKKI GASPS FOR BREATH | 0:12:39 | 0:12:41 | |
Akka, come on! | 0:12:45 | 0:12:47 | |
Are you all right? | 0:12:55 | 0:12:57 | |
Call an ambulance. Where? | 0:12:58 | 0:13:00 | |
Let me see. Let me see. | 0:13:02 | 0:13:04 | |
-Can you stand? -(Yeah.) | 0:13:06 | 0:13:08 | |
OK. All right. | 0:13:10 | 0:13:12 | |
(OK.) | 0:13:13 | 0:13:14 | |
BIRDSONG | 0:13:16 | 0:13:18 | |
RUSTLING | 0:13:40 | 0:13:42 | |
MAN SPEAKS FRENCH | 0:13:44 | 0:13:45 | |
CHATTER | 0:14:08 | 0:14:10 | |
He found blood spray on three windows. | 0:14:39 | 0:14:42 | |
Arterial blood. Spurting as he fell, decreasing in volume. | 0:14:42 | 0:14:46 | |
-Good look. -Cut myself shaving. | 0:14:48 | 0:14:51 | |
DCI Goodchild called, wanted to make sure you're all right. | 0:14:53 | 0:14:56 | |
-I'm fine. -That's what I told him. | 0:14:56 | 0:14:58 | |
-You might have asked me first. -Why? | 0:14:58 | 0:15:00 | |
Even if you weren't, you'd say you were. I know you. | 0:15:00 | 0:15:03 | |
He's right. | 0:15:03 | 0:15:04 | |
-DI Renick's in reception. -Meeting room? | 0:15:04 | 0:15:07 | |
Yep. Come on. | 0:15:07 | 0:15:08 | |
Notice how men always think they know us? | 0:15:08 | 0:15:12 | |
Probably best to leave them in the dark. | 0:15:12 | 0:15:14 | |
He was stabbed before he fell | 0:15:16 | 0:15:18 | |
and was still alive on the way down. | 0:15:18 | 0:15:20 | |
You're sure the lack of blood on the roof doesn't bother you? | 0:15:20 | 0:15:23 | |
When he was stabbed, the natural reaction would be | 0:15:23 | 0:15:25 | |
to grab his neck to try and stop the bleeding. | 0:15:25 | 0:15:29 | |
He succeeded in reducing blood flow, but, with only one free hand, | 0:15:29 | 0:15:33 | |
was vulnerable to being shoved over the barrier. | 0:15:33 | 0:15:35 | |
He didn't jump, he was pushed. | 0:15:35 | 0:15:37 | |
Well, why didn't he scream? | 0:15:37 | 0:15:39 | |
Speckled pattern on the lungs. He inhaled blood. | 0:15:39 | 0:15:42 | |
I looked at the hyoid bone, the knife lacerated his larynx. | 0:15:42 | 0:15:46 | |
You can see the markings of the blade of the knife just here. | 0:15:46 | 0:15:49 | |
I'll finish the postmortem | 0:15:49 | 0:15:51 | |
and look for contact and trace samples of his assailant. | 0:15:51 | 0:15:53 | |
You may need to explain the delay to next of kin. | 0:15:53 | 0:15:56 | |
Well, we haven't identified next of kin. | 0:15:56 | 0:15:58 | |
Jamal was a French national from Marseille. | 0:15:58 | 0:16:00 | |
French police are, er... Yeah, they're struggling. | 0:16:00 | 0:16:03 | |
His personal effects lead us believe he was a practising Muslim. | 0:16:03 | 0:16:06 | |
He was in a bar. | 0:16:06 | 0:16:08 | |
Cou-cou? | 0:16:29 | 0:16:30 | |
Cou? | 0:16:30 | 0:16:32 | |
Je peux t'aider, hein? | 0:16:33 | 0:16:35 | |
Are you a righteous girl? | 0:16:51 | 0:16:53 | |
Stay here, petite soeur. | 0:17:08 | 0:17:11 | |
The fall didn't do Jamal's phone any favours. | 0:17:20 | 0:17:24 | |
-It's dead. -Try plugging it in. | 0:17:25 | 0:17:27 | |
-Hm! -Oh, don't be smug. | 0:17:35 | 0:17:38 | |
OK, check locations of phone, last screen, apps used, | 0:17:39 | 0:17:43 | |
text messages, access e-mail server. | 0:17:43 | 0:17:46 | |
-It's locked. -Unlock it! | 0:17:46 | 0:17:47 | |
Try 1234, or the old four zeros trick. | 0:17:47 | 0:17:51 | |
"Eight tries left before you wipe the phone." | 0:17:51 | 0:17:53 | |
4321. | 0:17:53 | 0:17:54 | |
Where are you going? | 0:17:58 | 0:17:59 | |
KNOCK AT DOOR | 0:18:04 | 0:18:06 | |
I need to get into this phone. | 0:18:14 | 0:18:16 | |
The human body is a capacitor. | 0:18:34 | 0:18:37 | |
Yes. And your point is...? | 0:18:37 | 0:18:38 | |
The finger needs an electric pulse | 0:18:40 | 0:18:43 | |
of, say, 100 picofarads to fool the sensor. | 0:18:43 | 0:18:46 | |
Finger, phone. | 0:19:03 | 0:19:04 | |
Here goes... | 0:19:08 | 0:19:10 | |
PHONE CHIMES | 0:19:11 | 0:19:12 | |
Bingo! | 0:19:12 | 0:19:14 | |
-Jack? -Hm? | 0:19:20 | 0:19:21 | |
Last message he received - A267B94. | 0:19:21 | 0:19:27 | |
-A password? -Password? For what? | 0:19:27 | 0:19:30 | |
I don't know - Wi-Fi? A website? I don't know. | 0:19:30 | 0:19:34 | |
-Who's it from? -Unknown. | 0:19:34 | 0:19:36 | |
The last screen on his phone was the CloudHookUp app. | 0:19:36 | 0:19:40 | |
19:30. He was meeting a woman. | 0:19:43 | 0:19:45 | |
-Janna. -Mm. Look at the messages. | 0:19:45 | 0:19:48 | |
She asks him to meet her on the roof garden. | 0:19:48 | 0:19:51 | |
Mm-hm. | 0:19:51 | 0:19:52 | |
Detective Inspector Renick? | 0:19:55 | 0:19:57 | |
There's Jamal walking to the garden. 19:31. | 0:20:03 | 0:20:06 | |
We should have seen her. | 0:20:11 | 0:20:13 | |
She was waiting for him. | 0:20:13 | 0:20:15 | |
We'll go back through the credit card list. Show them a photo. | 0:20:15 | 0:20:19 | |
Why isn't she on the CCTV? | 0:20:19 | 0:20:21 | |
Get the licence plates. | 0:20:27 | 0:20:28 | |
I trusted you. | 0:20:50 | 0:20:51 | |
Oi! | 0:20:53 | 0:20:54 | |
Is it my mother's finger? | 0:21:21 | 0:21:23 | |
There is no-one else. | 0:21:23 | 0:21:25 | |
-How did you get in? -Just tell me. Is it my mother? | 0:21:25 | 0:21:28 | |
What's happened to you? | 0:21:28 | 0:21:29 | |
Just tell me, please. | 0:21:29 | 0:21:31 | |
No. The DNA doesn't match. It's not your mother's. | 0:21:31 | 0:21:35 | |
My grandfather...my brother... | 0:21:45 | 0:21:48 | |
..they were right... | 0:21:50 | 0:21:51 | |
Sorry. I don't know what to say. | 0:21:53 | 0:21:55 | |
I don't know if that's good or bad news. | 0:21:55 | 0:21:56 | |
The message said they had her. They wanted money. | 0:21:56 | 0:22:01 | |
We have no more money. | 0:22:03 | 0:22:06 | |
We have nothing. | 0:22:06 | 0:22:08 | |
Everything is gone. | 0:22:08 | 0:22:11 | |
She...she is gone. | 0:22:13 | 0:22:16 | |
She could be alive... | 0:22:19 | 0:22:21 | |
My grandfather, he brought the war with him. | 0:22:23 | 0:22:26 | |
He will never escape it. | 0:22:27 | 0:22:29 | |
He says it is better to tear the hope from your heart. | 0:22:29 | 0:22:33 | |
It is easier to live without hope. | 0:22:33 | 0:22:35 | |
Then there will be no pain. | 0:22:35 | 0:22:37 | |
Who hurt you? | 0:22:40 | 0:22:42 | |
Why did you bring the police with you? | 0:22:45 | 0:22:48 | |
I didn't... | 0:22:49 | 0:22:51 | |
You came with the police like we are criminals. | 0:22:51 | 0:22:53 | |
You broke the law. | 0:22:53 | 0:22:55 | |
Some laws are unfair. | 0:22:55 | 0:22:57 | |
You can't pick and choose the laws you obey. | 0:22:57 | 0:23:00 | |
Why not? I know what is just. | 0:23:00 | 0:23:03 | |
Being able to live without being afraid is just. | 0:23:03 | 0:23:08 | |
Laws are the tools of justice. They protect us. | 0:23:08 | 0:23:12 | |
The police didn't come to protect me. | 0:23:13 | 0:23:16 | |
They came to get me. | 0:23:16 | 0:23:18 | |
Will you let me look at your face? | 0:23:21 | 0:23:23 | |
I think you may have fractured your cheek bone. | 0:23:27 | 0:23:30 | |
These men, these men who promised to bring us here, | 0:23:31 | 0:23:37 | |
who promised us a new life... | 0:23:37 | 0:23:40 | |
They stole from us, they cheated us, they lied to us. | 0:23:40 | 0:23:46 | |
And we, we are the criminals? | 0:23:48 | 0:23:51 | |
Who did this to you? | 0:23:58 | 0:24:00 | |
Will you let me look at your arm? | 0:24:05 | 0:24:07 | |
Can you move your fingers? | 0:24:11 | 0:24:13 | |
You've broken your arm. You need to come with me. | 0:24:18 | 0:24:21 | |
You can trust me. | 0:24:23 | 0:24:25 | |
Hey. | 0:24:38 | 0:24:39 | |
Where are you from? | 0:24:43 | 0:24:45 | |
Syria. | 0:24:46 | 0:24:47 | |
So am I! | 0:24:49 | 0:24:51 | |
Everyone is from Syria. | 0:24:51 | 0:24:52 | |
Where are you going to? | 0:24:54 | 0:24:55 | |
England. London. | 0:24:57 | 0:24:59 | |
And you are going by yourself? | 0:25:01 | 0:25:02 | |
My mother. My brother and sister. | 0:25:04 | 0:25:08 | |
They are waiting for me. | 0:25:08 | 0:25:10 | |
Recite from the Koran. | 0:25:13 | 0:25:15 | |
You know the Koran? | 0:25:23 | 0:25:24 | |
You are a righteous girl? | 0:25:26 | 0:25:28 | |
So recite Al-Fatihah... | 0:25:30 | 0:25:32 | |
Recite it! | 0:25:36 | 0:25:37 | |
There's one like we need... | 0:25:39 | 0:25:41 | |
Just get the plates. | 0:25:41 | 0:25:42 | |
What you waiting for? | 0:25:44 | 0:25:46 | |
Asking for "guidance and assistance". | 0:25:46 | 0:25:48 | |
You don't believe in anything? | 0:25:48 | 0:25:50 | |
"Faith" is a power. | 0:25:50 | 0:25:52 | |
Shut up. Get over here. | 0:25:52 | 0:25:53 | |
Get on the bin. | 0:25:53 | 0:25:54 | |
What you doing, Kali? | 0:25:58 | 0:25:59 | |
Take off your jacket! Do it! | 0:25:59 | 0:26:01 | |
Don't look at me! Walk. | 0:26:09 | 0:26:12 | |
What happened? You woke up one day and go home | 0:26:16 | 0:26:18 | |
and tell your mother you were a slave to Allah? | 0:26:18 | 0:26:21 | |
You think I believe that? | 0:26:21 | 0:26:23 | |
I know what you are. I know what you did with the van! | 0:26:23 | 0:26:27 | |
You lied to me. | 0:26:29 | 0:26:32 | |
Get on your hands and knees! | 0:26:32 | 0:26:34 | |
Do it! | 0:26:34 | 0:26:35 | |
Don't look at me! | 0:26:39 | 0:26:41 | |
Insha'Allah. | 0:26:44 | 0:26:46 | |
Yeah? | 0:26:47 | 0:26:48 | |
Whatever. | 0:26:48 | 0:26:50 | |
Jack? | 0:27:10 | 0:27:11 | |
Nikki? | 0:27:14 | 0:27:15 | |
Thomas. | 0:27:17 | 0:27:18 | |
I'm here. | 0:27:18 | 0:27:20 | |
What is it? | 0:27:20 | 0:27:21 | |
Her. | 0:27:21 | 0:27:22 | |
It's OK, come on. | 0:27:31 | 0:27:34 | |
It's all right. | 0:27:34 | 0:27:36 | |
Can I get some details, please? | 0:27:36 | 0:27:38 | |
Name? | 0:27:38 | 0:27:39 | |
It's OK. | 0:27:41 | 0:27:42 | |
Akka Khoury. | 0:27:44 | 0:27:46 | |
Date of birth. | 0:27:46 | 0:27:47 | |
September 2001. | 0:27:47 | 0:27:49 | |
Address? | 0:27:49 | 0:27:51 | |
Thomas Lyell House. 118 Giles Street. London, W2. | 0:27:53 | 0:27:58 | |
-Do you have a phone number? -No, she doesn't have a phone. | 0:27:58 | 0:28:01 | |
She doesn't have a phone? | 0:28:01 | 0:28:02 | |
Why don't we get her in to see a doctor | 0:28:02 | 0:28:05 | |
and then we can worry about that? | 0:28:05 | 0:28:06 | |
How did you get your injuries? | 0:28:06 | 0:28:09 | |
I don't think it's appropriate for you to ask that. | 0:28:09 | 0:28:11 | |
It's on the form here. | 0:28:11 | 0:28:13 | |
A fall. | 0:28:15 | 0:28:16 | |
What kind of fall? | 0:28:16 | 0:28:18 | |
Look, she really needs to see a doctor as soon as possible. | 0:28:18 | 0:28:21 | |
And I'll need to contact her parents. | 0:28:21 | 0:28:23 | |
No, you won't. | 0:28:23 | 0:28:25 | |
Gillick Competency. | 0:28:25 | 0:28:26 | |
What is your relationship with Miss Khoury? | 0:28:27 | 0:28:30 | |
A friend. | 0:28:30 | 0:28:31 | |
Not next of kin? | 0:28:31 | 0:28:32 | |
No. I would have said "next of kin." | 0:28:32 | 0:28:34 | |
I need to sit down. | 0:28:34 | 0:28:36 | |
No. And I don't know anyone called "Janna". | 0:28:45 | 0:28:48 | |
I'm not on CloudHookUp. I didn't do anything... | 0:28:48 | 0:28:51 | |
Sit down, Miss Nasr. | 0:28:51 | 0:28:52 | |
Is your real name Tamara Nasr? | 0:28:59 | 0:29:01 | |
Yes. Of course. What is this about? | 0:29:01 | 0:29:04 | |
We just need to check a few details. | 0:29:05 | 0:29:07 | |
She's Lebanese. And her visa expired three months ago. | 0:29:16 | 0:29:20 | |
She doesn't have the CloudHookUp app on her phone. | 0:29:20 | 0:29:23 | |
Second phone? | 0:29:23 | 0:29:24 | |
I think she was the one to see him alive. | 0:29:25 | 0:29:28 | |
Why wasn't she on the CCTV? | 0:29:28 | 0:29:30 | |
I'll hold her on the overstay. | 0:29:32 | 0:29:34 | |
We need DNA to put her at the crime scene. | 0:29:34 | 0:29:37 | |
Akka...Khoury? | 0:29:40 | 0:29:42 | |
Just Akka. | 0:29:46 | 0:29:48 | |
It will be OK. | 0:29:49 | 0:29:52 | |
Could you tell the doctor that she's fractured the left orbital rim | 0:29:54 | 0:29:57 | |
and possibly the anterior maxillary wall | 0:29:57 | 0:29:59 | |
and the radius and ulna are fractured in her left arm. | 0:29:59 | 0:30:01 | |
Of course, Dr Google. | 0:30:01 | 0:30:03 | |
Open. | 0:30:07 | 0:30:08 | |
Thank you. | 0:30:15 | 0:30:16 | |
Why are you doing this to me? | 0:30:16 | 0:30:19 | |
Sorry, excuse me. | 0:30:48 | 0:30:49 | |
Can I help you? | 0:31:05 | 0:31:07 | |
Radiology. Looking for Akka Khoury? | 0:31:07 | 0:31:10 | |
Thanks. | 0:31:11 | 0:31:12 | |
We're going. | 0:31:19 | 0:31:20 | |
Right. | 0:31:22 | 0:31:23 | |
Sorry. | 0:31:28 | 0:31:30 | |
That's her. | 0:31:36 | 0:31:38 | |
Excuse me. | 0:31:38 | 0:31:39 | |
Excuse me! | 0:31:40 | 0:31:42 | |
Put your arm here. | 0:32:06 | 0:32:08 | |
Sorry. That's it. | 0:32:18 | 0:32:22 | |
Where can you go where you'll be safe? | 0:32:40 | 0:32:43 | |
You weren't working that night. | 0:32:48 | 0:32:50 | |
You weren't at The Rooftop. | 0:32:50 | 0:32:52 | |
So what were you doing? | 0:32:52 | 0:32:54 | |
I got a takeaway. | 0:32:54 | 0:32:56 | |
-Takeaway. From where? -Catino's. | 0:32:56 | 0:32:58 | |
You have a credit card receipt, right? | 0:32:58 | 0:33:00 | |
I paid in cash. | 0:33:00 | 0:33:01 | |
You didn't buy a takeaway, did you? | 0:33:03 | 0:33:05 | |
I didn't do anything. | 0:33:05 | 0:33:06 | |
-Why did you hide your identity? -I didn't! | 0:33:06 | 0:33:08 | |
-Why were you meeting Jamal? -I wasn't. | 0:33:08 | 0:33:10 | |
What happened, Tamara? | 0:33:10 | 0:33:12 | |
Let me try and help you out. | 0:33:14 | 0:33:16 | |
Maybe you were defending yourself. | 0:33:16 | 0:33:17 | |
Clarissa, can we get the CCTV of a takeaway restaurant? | 0:33:17 | 0:33:21 | |
A place called "Catino's". | 0:33:21 | 0:33:22 | |
Did you kill Jamal al Sham? | 0:33:22 | 0:33:25 | |
No! | 0:33:25 | 0:33:26 | |
CCTV of the till at Catino's. | 0:33:29 | 0:33:32 | |
She paid cash. 20:57. | 0:33:32 | 0:33:34 | |
Time code is in the upper right hand corner. | 0:33:34 | 0:33:37 | |
That's her. No question about it. | 0:33:37 | 0:33:38 | |
She wasn't there. | 0:33:38 | 0:33:39 | |
-You've made me look a right tosser. -Jamal was catfished. | 0:33:39 | 0:33:42 | |
-So were we... -Wait - "catfish"? | 0:33:42 | 0:33:44 | |
"Janna" is a fiction. | 0:33:44 | 0:33:45 | |
They took a photo of Tamara they found online, | 0:33:45 | 0:33:47 | |
created "Janna" and built up a profile on CloudHookUp. | 0:33:47 | 0:33:50 | |
Right, so who is "Janna"? | 0:33:50 | 0:33:52 | |
It could be anyone. | 0:33:52 | 0:33:54 | |
Can we find out who built the profile? | 0:33:54 | 0:33:55 | |
I've tried and so far nothing. | 0:33:55 | 0:33:58 | |
Why pick Tamara Nasr? | 0:33:58 | 0:33:59 | |
Is there some purpose in choosing her or is it just random? | 0:33:59 | 0:34:03 | |
Good-looking. Muslim. She was bait. | 0:34:03 | 0:34:04 | |
Race hate? | 0:34:04 | 0:34:05 | |
Islam isn't a race. | 0:34:05 | 0:34:07 | |
Oh, come on, you know what I mean. | 0:34:07 | 0:34:09 | |
Sadly, I do. | 0:34:09 | 0:34:10 | |
I told you how much it costs. | 0:34:13 | 0:34:15 | |
If you have the money then we've something we can talk about... | 0:34:15 | 0:34:18 | |
Please. I show you. | 0:34:18 | 0:34:19 | |
Please. | 0:34:57 | 0:35:00 | |
For you. | 0:35:00 | 0:35:01 | |
She is infidel. You take her. | 0:35:04 | 0:35:07 | |
For you. Take her for you. | 0:35:07 | 0:35:08 | |
For me? | 0:35:11 | 0:35:12 | |
Yeah. She for you. | 0:35:12 | 0:35:14 | |
You do things to her! What you want. | 0:35:14 | 0:35:17 | |
Sell her. Fun. Make money. | 0:35:17 | 0:35:19 | |
Do what you want. | 0:35:19 | 0:35:21 | |
Now what do you want? | 0:35:23 | 0:35:24 | |
Please. Take us to England. | 0:35:24 | 0:35:27 | |
Both. Please, take us to England. | 0:35:28 | 0:35:31 | |
I take the girl as payment so you two can go to England? | 0:35:33 | 0:35:36 | |
Yes. | 0:35:38 | 0:35:39 | |
Leve-toi! Leve-toi! | 0:35:45 | 0:35:47 | |
I'll take her. | 0:35:56 | 0:35:58 | |
Merci. Merci beaucoup. | 0:35:59 | 0:36:01 | |
I'm not buying her. I'm taking her. | 0:36:07 | 0:36:10 | |
You come near me again, I'll kill you! | 0:36:10 | 0:36:12 | |
Tamara? | 0:36:35 | 0:36:37 | |
Tamara Nasr? I'm from Immigration Enforcement. | 0:36:37 | 0:36:41 | |
I have reason to believe that you've overstayed your visa. | 0:36:42 | 0:36:45 | |
She... | 0:36:54 | 0:36:55 | |
No she's got to go, Nikki. She, she cannot stay here. | 0:36:55 | 0:36:58 | |
I know, I know, I know. You're right, but I... | 0:36:58 | 0:37:00 | |
-There are no buts. -They beat her up, Thomas. | 0:37:00 | 0:37:02 | |
Her grandfather, her brother. | 0:37:02 | 0:37:04 | |
People she is meant to trust beat her up. | 0:37:04 | 0:37:06 | |
Broke her cheekbone, her arm. | 0:37:06 | 0:37:08 | |
Go to the police. | 0:37:08 | 0:37:09 | |
So they can detain her? You know that's not going to happen. | 0:37:09 | 0:37:13 | |
There is no safe place for her, Thomas. | 0:37:13 | 0:37:16 | |
She didn't come from one of the refugee camps, | 0:37:16 | 0:37:19 | |
so we won't give her asylum. | 0:37:19 | 0:37:20 | |
Their home in Aleppo is rubble. | 0:37:20 | 0:37:22 | |
They walked here for a better life and she's lying there, | 0:37:22 | 0:37:25 | |
15 years old and battered! | 0:37:25 | 0:37:26 | |
You change who you are for a better life, not where you are. | 0:37:26 | 0:37:29 | |
I'm guessing that's going to sound like bullshit to anyone who's had to flee their own country. | 0:37:29 | 0:37:34 | |
You live in the shadows. | 0:37:41 | 0:37:44 | |
Always looking over your shoulder. | 0:37:44 | 0:37:46 | |
And you still think it's a better life. | 0:37:46 | 0:37:48 | |
What do I do? | 0:37:49 | 0:37:51 | |
Let her sleep. | 0:37:54 | 0:37:57 | |
You're Christian? | 0:38:09 | 0:38:10 | |
From Aleppo? | 0:38:12 | 0:38:13 | |
Why are you alone? | 0:38:29 | 0:38:31 | |
We were waiting for the boat. | 0:38:32 | 0:38:36 | |
People were pushing and shoving. | 0:38:38 | 0:38:42 | |
I...I fell down. No-one helped me up. | 0:38:44 | 0:38:48 | |
They just kept walking on me, pushing me down. | 0:38:49 | 0:38:53 | |
When I got to the edge of the water... | 0:38:55 | 0:38:57 | |
..there was no room left. | 0:38:59 | 0:39:02 | |
I could see my mother. | 0:39:02 | 0:39:04 | |
I shouted to her... | 0:39:06 | 0:39:08 | |
She didn't look back. | 0:39:10 | 0:39:11 | |
Maybe she didn't hear you. | 0:39:13 | 0:39:15 | |
Maybe. | 0:39:16 | 0:39:18 | |
Maybe she's dead. | 0:39:23 | 0:39:26 | |
I have family in England. | 0:39:26 | 0:39:28 | |
Here. | 0:39:30 | 0:39:31 | |
At this address, in my coat. | 0:39:31 | 0:39:34 | |
How old are you? | 0:39:34 | 0:39:35 | |
12. | 0:39:35 | 0:39:37 | |
Get in. | 0:39:50 | 0:39:51 | |
Get in! | 0:39:52 | 0:39:54 | |
No. Wait, wait, wait. | 0:39:54 | 0:39:57 | |
Wear this. You'll be safer. | 0:40:05 | 0:40:08 | |
Get in. Get some sleep. | 0:40:14 | 0:40:17 | |
-My friend. -No. | 0:40:32 | 0:40:35 | |
-Please. -No, no. -Please. | 0:40:35 | 0:40:37 | |
SHE SCREAMS | 0:40:58 | 0:41:00 | |
Where are we? | 0:41:28 | 0:41:30 | |
Be quiet. | 0:41:30 | 0:41:31 | |
Stay here. | 0:41:35 | 0:41:37 | |
I told you to stay in the car. | 0:42:07 | 0:42:08 | |
Stop it. | 0:42:18 | 0:42:19 | |
Quickly. | 0:42:21 | 0:42:22 | |
Vite! Bisur'a! | 0:42:22 | 0:42:24 | |
Get in the van. | 0:42:25 | 0:42:27 | |
England? | 0:42:45 | 0:42:47 | |
Insha'Allah. | 0:42:47 | 0:42:49 | |
Come on. | 0:42:49 | 0:42:51 | |
Good morning. | 0:43:58 | 0:44:00 | |
Yeah. | 0:44:00 | 0:44:02 | |
I didn't want to wake her. | 0:44:02 | 0:44:04 | |
Yeah. She's got to go, Nikki. | 0:44:04 | 0:44:06 | |
She cannot become our problem. | 0:44:06 | 0:44:09 | |
She is our problem. | 0:44:09 | 0:44:10 | |
Look! Quick! Your heart's bleeding. | 0:44:10 | 0:44:12 | |
PHONE RINGS | 0:44:12 | 0:44:17 | |
Hello. | 0:44:17 | 0:44:19 | |
Yeah, yeah. I'll be right there. | 0:44:19 | 0:44:21 | |
Are you expecting DCI Goodchild? | 0:44:21 | 0:44:24 | |
No. | 0:44:24 | 0:44:25 | |
Akka? | 0:44:35 | 0:44:36 | |
Thank you. | 0:44:39 | 0:44:41 | |
You're welcome. | 0:44:41 | 0:44:43 | |
Listen, we need to talk about what you're going to do | 0:44:43 | 0:44:47 | |
and where you're going to go. | 0:44:47 | 0:44:49 | |
-Good morning. -Dr Chamberlain. | 0:44:57 | 0:44:59 | |
How can I help you? | 0:44:59 | 0:45:00 | |
This is a funny one... | 0:45:00 | 0:45:02 | |
Good, the world's always short of a laugh. | 0:45:02 | 0:45:04 | |
Two uniformed officers attended Alderman hospital last night. | 0:45:04 | 0:45:07 | |
There were fears that a young girl who had been brought into A&E | 0:45:07 | 0:45:10 | |
with injuries consistent with an assault | 0:45:10 | 0:45:12 | |
might be the victim of human trafficking. | 0:45:12 | 0:45:14 | |
Yes, well, that's very funny so far. | 0:45:14 | 0:45:15 | |
The girl looks like she might be Akka Khoury, | 0:45:15 | 0:45:18 | |
and she was brought there by a woman | 0:45:18 | 0:45:20 | |
who looked remarkably like Dr Alexander on the CCTV. | 0:45:20 | 0:45:22 | |
Unfortunately, she left before the police could speak to her. | 0:45:22 | 0:45:25 | |
Curious, don't you think? | 0:45:25 | 0:45:27 | |
Mm-hm. | 0:45:27 | 0:45:28 | |
Still not a barrel of laughs. | 0:45:28 | 0:45:30 | |
She left this as her home address. | 0:45:30 | 0:45:32 | |
Let me talk to Dr Alexander, see if she knows anything about this. | 0:45:34 | 0:45:37 | |
Why don't we come with you? | 0:45:37 | 0:45:39 | |
Why don't you wait here? | 0:45:39 | 0:45:41 | |
Goodchild and Butler are here looking for Akka. | 0:45:56 | 0:45:59 | |
How did they...? | 0:45:59 | 0:46:00 | |
You gave this as her home address. | 0:46:00 | 0:46:02 | |
Nikki, I am not happy. | 0:46:02 | 0:46:05 | |
No. | 0:46:06 | 0:46:07 | |
Do you know where Akka is? | 0:46:09 | 0:46:11 | |
No. I'm not sure that I do. | 0:46:15 | 0:46:17 | |
Has she left the Lyell Centre? | 0:46:17 | 0:46:19 | |
Possibly. | 0:46:20 | 0:46:21 | |
Right. They'd like to speak to you. | 0:46:21 | 0:46:23 | |
Shall we all chat in the meeting room? | 0:46:23 | 0:46:25 | |
Good idea. | 0:46:25 | 0:46:27 | |
This is my phone number. Let me know that you're safe. | 0:46:35 | 0:46:38 | |
OK, this is what's going to happen. | 0:46:41 | 0:46:44 | |
Good morning. | 0:46:51 | 0:46:53 | |
Yeah, well, it's nice to be hopeful. | 0:46:53 | 0:46:55 | |
Please, sit down. | 0:46:55 | 0:46:57 | |
Now then. Coffee. | 0:46:59 | 0:47:02 | |
-Were you at the hospital with Akka? -Yes. | 0:47:30 | 0:47:34 | |
-Where is she? -I don't know. | 0:47:34 | 0:47:35 | |
Are you playing games with me? | 0:47:35 | 0:47:37 | |
Playing games? | 0:47:37 | 0:47:39 | |
You mean like using me as bait to arrest a group of desperate people? | 0:47:39 | 0:47:42 | |
They broke the law. | 0:47:42 | 0:47:43 | |
Illegal immigration. | 0:47:43 | 0:47:45 | |
Assault, mutilation, extortion, those are serious matters. | 0:47:45 | 0:47:48 | |
You think a 15-year-old girl is responsible? | 0:47:48 | 0:47:50 | |
No, we think a 15-year-old girl is in danger. | 0:47:50 | 0:47:54 | |
I'm afraid she thinks you're the danger. | 0:47:54 | 0:47:56 | |
Perhaps you could convince her otherwise? | 0:47:56 | 0:47:58 | |
It would be irresponsible not to. | 0:47:58 | 0:48:00 | |
She's afraid. | 0:48:00 | 0:48:01 | |
Afraid of what? | 0:48:01 | 0:48:02 | |
Losing the little she's got left. | 0:48:02 | 0:48:05 | |
Overcrowded detention centres riddled with disease, | 0:48:05 | 0:48:08 | |
being deported with her family... | 0:48:08 | 0:48:09 | |
She should be afraid of extortion and being exploited. | 0:48:09 | 0:48:12 | |
Oh, yeah. How's that going for you? | 0:48:12 | 0:48:14 | |
I'm back. Everything sorted? | 0:48:14 | 0:48:17 | |
Where is she, Dr Alexander? | 0:48:17 | 0:48:19 | |
I've told you, I don't know. | 0:48:19 | 0:48:21 | |
If you hear from her, I suggest you let us know. | 0:48:31 | 0:48:34 | |
I wouldn't want to think you were obstructing justice. | 0:48:34 | 0:48:37 | |
I'm confident I'm not doing that. | 0:48:37 | 0:48:39 | |
An app? | 0:49:02 | 0:49:03 | |
I don't think so. | 0:49:03 | 0:49:05 | |
Letter. Three numbers. Letter. Two numbers. | 0:49:05 | 0:49:08 | |
Seven character password. | 0:49:08 | 0:49:10 | |
Most passwords are between six and nine characters. | 0:49:10 | 0:49:13 | |
OK. That narrows it down. Erm... | 0:49:13 | 0:49:16 | |
What apps did he have on his phone? | 0:49:16 | 0:49:18 | |
CloudHookUp. MemoWire messenger app. | 0:49:18 | 0:49:21 | |
Maps for Europe. | 0:49:21 | 0:49:23 | |
That all? That should be easy to check. | 0:49:23 | 0:49:25 | |
It's going to be a website. | 0:49:25 | 0:49:27 | |
You're sure? | 0:49:27 | 0:49:28 | |
Yeah 100%. Well, 99. | 0:49:28 | 0:49:31 | |
PHONE RINGS | 0:49:31 | 0:49:32 | |
Hello. Yep. | 0:49:32 | 0:49:36 | |
Er, address? | 0:49:36 | 0:49:37 | |
OK. On my way. Nikki? | 0:49:39 | 0:49:43 | |
Just got it. Ready? | 0:49:43 | 0:49:45 | |
Nikki? | 0:49:45 | 0:49:46 | |
Password for a website. | 0:49:48 | 0:49:50 | |
A website? Wow. Good thinking. | 0:49:50 | 0:49:53 | |
-Thanks. -You're welcome. | 0:49:53 | 0:49:56 | |
I think he was struck out there. | 0:50:05 | 0:50:07 | |
Latex gloves. Robbery gone wrong? | 0:50:08 | 0:50:10 | |
Could be. | 0:50:10 | 0:50:11 | |
Low-level droplets suggest he crawled to the position | 0:50:11 | 0:50:14 | |
where the body was found. | 0:50:14 | 0:50:15 | |
Mm-hm. | 0:50:15 | 0:50:16 | |
Murder weapon? | 0:50:16 | 0:50:18 | |
No obvious wood splinter. Metal? A metal bar? | 0:50:18 | 0:50:21 | |
A bar would do it. Blood on it? | 0:50:21 | 0:50:23 | |
Almost certainly. | 0:50:23 | 0:50:24 | |
Cast-offs? | 0:50:31 | 0:50:33 | |
-Yeah. -Yeah. | 0:50:33 | 0:50:34 | |
I think he threw it in one of these skips. | 0:50:45 | 0:50:48 | |
I'm going in. | 0:50:49 | 0:50:50 | |
Blunt force injury. | 0:50:53 | 0:50:54 | |
Crushed the external occipital crest. | 0:50:54 | 0:50:57 | |
Didn't die instantly. | 0:50:57 | 0:50:59 | |
Brain possibly haemorrhaged from the blow. | 0:50:59 | 0:51:03 | |
The first officers on the scene pulled his wallet to try and ID him. | 0:51:18 | 0:51:21 | |
We think he's called Kali Aziz. | 0:51:21 | 0:51:23 | |
Renick? | 0:51:26 | 0:51:27 | |
You're going to want to see this. | 0:51:27 | 0:51:29 | |
So it's a password? | 0:51:38 | 0:51:40 | |
One of the last messages he sent. | 0:51:40 | 0:51:41 | |
He sent to an unknown recipient, but from the time stamp, | 0:51:41 | 0:51:44 | |
it's likely to be Jamal al Sham. | 0:51:44 | 0:51:46 | |
Did they knew each other? They're both dead. | 0:51:46 | 0:51:49 | |
What were they involved in? | 0:51:49 | 0:51:51 | |
-Well, do we know what it's a password for? -Not yet. | 0:51:51 | 0:51:54 | |
Is that the password? For a website? | 0:51:54 | 0:51:58 | |
You think? | 0:51:58 | 0:52:00 | |
That's funny. I didn't see that at all. | 0:52:00 | 0:52:02 | |
I have a friend who lives south of Tunbridge Wells, | 0:52:02 | 0:52:05 | |
just off the A267. | 0:52:05 | 0:52:07 | |
A267. | 0:52:07 | 0:52:10 | |
"B" means "Back to London". 94km to Charing Cross. | 0:52:10 | 0:52:12 | |
It's kilometres, not miles, cos of the EU or something. | 0:52:12 | 0:52:16 | |
It's not a password, it's a place. | 0:52:16 | 0:52:19 | |
There's nothing. Why are we here?! | 0:52:25 | 0:52:28 | |
Yes. It's Renick. There's nothing. | 0:52:42 | 0:52:45 | |
Nothing. Well, we're down here. | 0:52:45 | 0:52:47 | |
-There's no car. -Jack? | 0:52:47 | 0:52:50 | |
Nothing down here. Double check the marker again... | 0:52:50 | 0:52:55 | |
Do you see them? Buzzards. | 0:52:58 | 0:53:03 | |
They can smell the ethyl mercaptan emitted when an animal has died. | 0:53:03 | 0:53:07 | |
They smell death. | 0:53:07 | 0:53:09 | |
Renick? | 0:53:15 | 0:53:17 | |
Over here! | 0:53:35 | 0:53:38 | |
Dents. | 0:54:05 | 0:54:07 | |
Have you touched anything? | 0:54:22 | 0:54:24 | |
Jack? | 0:54:27 | 0:54:29 | |
BUZZING | 0:54:54 | 0:54:58 | |
God forgive us all. | 0:55:02 | 0:55:03 | |
Where's my brother? | 0:55:08 | 0:55:09 | |
I have no more money. | 0:55:09 | 0:55:11 | |
Please. Where is he? Please! | 0:55:11 | 0:55:13 | |
-May we take a look in the back, please? -Sure. | 0:55:13 | 0:55:16 | |
Nehwe sebyonokh... | 0:55:16 | 0:55:17 | |
My mother, she's alive! | 0:55:19 | 0:55:21 | |
-Liar! -No. She's not a liar. | 0:55:21 | 0:55:24 | |
Are they safe, Abdul? Are they safe? | 0:55:24 | 0:55:26 | |
I'm going to have him. | 0:55:26 | 0:55:28 | |
# Testator silens | 0:55:29 | 0:55:36 | |
# Costestes e spiritu | 0:55:36 | 0:55:44 | |
# Silentium... # | 0:55:47 | 0:55:55 |