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-What's this about? -Family members are missing. | 0:00:02 | 0:00:03 | |
Police think it's an extortion racket. | 0:00:03 | 0:00:05 | |
Is it my mother's? | 0:00:05 | 0:00:06 | |
-You trusted them?! -I wanted to know if Mama is still alive. | 0:00:06 | 0:00:09 | |
There is no-one you can trust! | 0:00:09 | 0:00:10 | |
I know what you are. | 0:00:10 | 0:00:12 | |
I know what you did with the van. | 0:00:12 | 0:00:13 | |
Where can you go where you'll be safe? | 0:00:13 | 0:00:15 | |
I'm not buying her. I'm taking her. | 0:00:15 | 0:00:18 | |
You come near me again, I'll kill you! | 0:00:18 | 0:00:20 | |
-Murder weapon? -No obvious wood splinter. A metal bar? | 0:00:20 | 0:00:23 | |
Metal bar would do it. | 0:00:23 | 0:00:24 | |
Wear this. You'll be safer. | 0:00:24 | 0:00:25 | |
A267. B means "Back to London". | 0:00:28 | 0:00:30 | |
94 kilometres to Charing Cross. | 0:00:30 | 0:00:32 | |
It's not a password. It's a place. | 0:00:32 | 0:00:34 | |
This programme contains scenes which some viewers may find upsetting from the start | 0:00:36 | 0:00:44 | |
# Costestes e spiritu | 0:00:46 | 0:00:53 | |
# Silentium. # | 0:00:53 | 0:01:01 | |
Please! Where is my brother? | 0:01:45 | 0:01:47 | |
When will I see him? | 0:01:50 | 0:01:52 | |
Please, I have no more money... | 0:01:52 | 0:01:55 | |
Where is he? Please. Please! | 0:01:55 | 0:01:56 | |
When will I...? | 0:01:59 | 0:02:00 | |
Oh, please! | 0:02:00 | 0:02:02 | |
THEY MOAN AND HIT THE WALLS | 0:03:03 | 0:03:05 | |
SOFTLY SINGING | 0:04:00 | 0:04:02 | |
FOGHORN BLASTS | 0:04:45 | 0:04:46 | |
-PA: -'Ladies and gentlemen, we will shortly be arriving at Dover. | 0:04:51 | 0:04:56 | |
'Le ferry est sur le point de partir. | 0:04:56 | 0:04:58 | |
'Les passagers sont pries de se rendre sur les points...' | 0:04:58 | 0:05:01 | |
Please. | 0:05:06 | 0:05:08 | |
Please. Please. | 0:05:08 | 0:05:10 | |
Do we have any idea who these dead people are? | 0:06:02 | 0:06:05 | |
No, not yet. None of the bodies had ID on them. | 0:06:05 | 0:06:08 | |
-Trafficking? -I think so. | 0:06:09 | 0:06:11 | |
I need Butler in the loop. | 0:06:12 | 0:06:13 | |
I think these deaths are related to the killings in London. | 0:06:13 | 0:06:16 | |
You think that? These people died weeks ago. | 0:06:16 | 0:06:18 | |
The London victims are recent. | 0:06:18 | 0:06:20 | |
Both of my London victims had the A-road location marker | 0:06:20 | 0:06:23 | |
in messages in their phone. | 0:06:23 | 0:06:25 | |
How are they involved? | 0:06:25 | 0:06:26 | |
I don't know. | 0:06:28 | 0:06:30 | |
Ugh, no signal. | 0:06:30 | 0:06:31 | |
You have to... You have to walk out to the road. | 0:06:33 | 0:06:36 | |
Out to the road? How did you call me? | 0:06:36 | 0:06:38 | |
I walked out to the road. | 0:06:39 | 0:06:41 | |
I'm not a thief. | 0:07:10 | 0:07:11 | |
Can you work for a place to stay? | 0:07:13 | 0:07:16 | |
Was it a mistake? | 0:07:19 | 0:07:21 | |
They know when the van passed through Dover, | 0:07:21 | 0:07:23 | |
did they die en route? | 0:07:23 | 0:07:24 | |
Two murdered men knew the location. | 0:07:24 | 0:07:26 | |
So someone kills Jamal al Sham and Kali Aziz to keep the van hidden. | 0:07:26 | 0:07:30 | |
Did they know? The van was hidden. | 0:07:30 | 0:07:31 | |
Why would you hide it? | 0:07:33 | 0:07:35 | |
Because you open the doors when you arrived and found | 0:07:35 | 0:07:37 | |
the people inside were dead. | 0:07:37 | 0:07:40 | |
You didn't know what to do, so you hid the van. | 0:07:40 | 0:07:42 | |
No. | 0:07:42 | 0:07:44 | |
The panels of the van were pressed out. | 0:07:44 | 0:07:46 | |
You can see where they kicked and pounded the doors. | 0:07:48 | 0:07:51 | |
If it happened en route, the driver would have known. | 0:07:52 | 0:07:56 | |
Someone would have noticed. Border Force, another driver. | 0:07:56 | 0:07:59 | |
No, they were alive when they got here. | 0:08:01 | 0:08:04 | |
Hidden in the trees and left to die, slowly. | 0:08:06 | 0:08:11 | |
In a metal prison they thought was going to save them. | 0:08:11 | 0:08:14 | |
Assalamu alaikum. | 0:09:03 | 0:09:04 | |
Wa alaikum assalaam. | 0:09:04 | 0:09:06 | |
Zakat. | 0:09:06 | 0:09:08 | |
Thanks for your help and everything you do. | 0:09:08 | 0:09:10 | |
-Written in blood? -Yeah. | 0:09:21 | 0:09:23 | |
DNA. | 0:09:24 | 0:09:25 | |
Police. | 0:09:36 | 0:09:38 | |
Do you rent rooms here? | 0:09:38 | 0:09:40 | |
Yeah? How many people you got staying here? | 0:09:40 | 0:09:42 | |
What's your name? | 0:09:44 | 0:09:45 | |
Fred. | 0:09:46 | 0:09:47 | |
We found this address written next to the body of a gentleman | 0:09:47 | 0:09:50 | |
who had passed away, Fred. | 0:09:50 | 0:09:52 | |
We have a facial reconstruction. | 0:09:52 | 0:09:55 | |
Do you recognise him? | 0:09:55 | 0:09:56 | |
No. | 0:10:02 | 0:10:03 | |
We have a warrant to search these premises, | 0:10:05 | 0:10:07 | |
would you open the door, please? | 0:10:07 | 0:10:09 | |
OK. I open the door. OK? | 0:10:09 | 0:10:12 | |
Thank you. | 0:10:12 | 0:10:13 | |
He's running. | 0:10:24 | 0:10:25 | |
Go! | 0:10:25 | 0:10:27 | |
-You all right? -Yeah. Yeah. | 0:10:39 | 0:10:40 | |
We did this. | 0:10:58 | 0:10:59 | |
We locked them in the back of the van and left them to die. | 0:11:00 | 0:11:04 | |
We created the problem | 0:11:04 | 0:11:06 | |
and then we slammed the door. | 0:11:06 | 0:11:09 | |
Oh, God. | 0:11:09 | 0:11:10 | |
Teeth marks. | 0:11:11 | 0:11:12 | |
We made them beasts. | 0:11:15 | 0:11:17 | |
The beasts are the people that put them in the van, Nikki. | 0:11:18 | 0:11:22 | |
Gave them false hope and took their money. | 0:11:22 | 0:11:26 | |
And then their humanity. | 0:11:26 | 0:11:28 | |
If people migrate illegally, then they put themselves in danger. | 0:11:28 | 0:11:31 | |
Hobson's choice. They're in danger if they stay. | 0:11:31 | 0:11:34 | |
We've consistently said we will help refugees, just only from a camp. | 0:11:34 | 0:11:37 | |
Then we've been consistently inhuman. | 0:11:37 | 0:11:40 | |
-There are 14 million of them... -"Them"? | 0:11:40 | 0:11:42 | |
What, we, we just take them all? | 0:11:42 | 0:11:43 | |
Take them in or leave them to die? Not a tough choice for me. | 0:11:43 | 0:11:46 | |
Nikki, we can't afford it. | 0:11:46 | 0:11:48 | |
What is it? | 0:12:02 | 0:12:03 | |
Someone's dreams of the future. Diamonds. | 0:12:14 | 0:12:18 | |
They don't want to be a burden, Thomas. | 0:12:19 | 0:12:22 | |
They want to be safe. | 0:12:22 | 0:12:23 | |
Where are you coming from, sir? | 0:13:38 | 0:13:40 | |
Calais, but I'm from Belgium. | 0:13:40 | 0:13:41 | |
You are... You're Brian? | 0:13:41 | 0:13:43 | |
No, I'm not. | 0:13:45 | 0:13:46 | |
Began your journey in Belgium? | 0:13:46 | 0:13:48 | |
Yeah. | 0:13:48 | 0:13:49 | |
Is this your van? | 0:13:51 | 0:13:52 | |
Aboon Dbashmayo... | 0:13:52 | 0:13:53 | |
No, actually, I borrowed it from a friend. | 0:13:53 | 0:13:55 | |
Nethcadash shmokh... | 0:13:55 | 0:13:57 | |
You borrowed it? | 0:13:57 | 0:13:58 | |
-Yes. -Teethe malkoothokh... | 0:13:58 | 0:14:00 | |
Nehwe sebyonokh... | 0:14:02 | 0:14:04 | |
-Are you aware of your customs allowances, sir? -Yes. | 0:14:05 | 0:14:08 | |
May we take a look in the back, please? | 0:14:10 | 0:14:12 | |
Sure. | 0:14:12 | 0:14:14 | |
-Can you pull into the inspection bay, please, sir. -Mmm-hmm. | 0:14:44 | 0:14:47 | |
His brother was in the van. | 0:14:53 | 0:14:55 | |
Does he know? | 0:14:56 | 0:14:57 | |
-Those from the van? -Yeah. All dead... | 0:15:02 | 0:15:05 | |
-Bad choice of words. -Yeah. | 0:15:07 | 0:15:10 | |
They're charging. | 0:15:10 | 0:15:11 | |
I cross checked the address books, | 0:15:14 | 0:15:16 | |
numbers received and numbers dialled on our two victims, | 0:15:16 | 0:15:20 | |
-Jamal and Kali's phones... -And? | 0:15:20 | 0:15:22 | |
And they had each other's numbers. | 0:15:22 | 0:15:26 | |
One French mobile number in common, under the letters YH. | 0:15:26 | 0:15:30 | |
One English mobile number in common, marked AW. | 0:15:30 | 0:15:34 | |
Both have the MemoWire messenger app. | 0:15:34 | 0:15:37 | |
Hmm. | 0:15:37 | 0:15:38 | |
ALL PHONES BLEEP/VIBRATE WITH MULTIPLE NEW MESSAGES | 0:15:46 | 0:15:49 | |
What should we do, Jack? | 0:15:53 | 0:15:54 | |
Jack? | 0:15:56 | 0:15:57 | |
The messages are being sent by the phones I found in the van. | 0:16:04 | 0:16:08 | |
"Please, in the name of God, don't let us die this way." | 0:16:08 | 0:16:12 | |
They were locked in the back of the van. | 0:16:13 | 0:16:15 | |
No signal in the forest, the messages didn't send. | 0:16:15 | 0:16:18 | |
Batteries ran out searching for signal. | 0:16:19 | 0:16:22 | |
"Help us. We're dying." | 0:16:22 | 0:16:24 | |
Messages from the dead. | 0:16:27 | 0:16:29 | |
But this world... | 0:16:32 | 0:16:33 | |
it's nothing. | 0:16:33 | 0:16:35 | |
Soiled, meaningless. | 0:16:35 | 0:16:37 | |
We must say to the kafir as the Koran has taught us - | 0:16:37 | 0:16:41 | |
you have rejected the truth, | 0:16:41 | 0:16:43 | |
so, sooner or later... | 0:16:43 | 0:16:45 | |
PHONE RINGS | 0:16:45 | 0:16:47 | |
..a punishment will come. | 0:16:57 | 0:16:58 | |
MULTIPLE PHONE ALERTS | 0:17:07 | 0:17:09 | |
Turn that off, please. | 0:18:06 | 0:18:07 | |
Off! Not in church. | 0:18:11 | 0:18:13 | |
Sorry. | 0:18:13 | 0:18:14 | |
Afternoon, chaps. What do we have? | 0:18:37 | 0:18:39 | |
All right, gents. There's no need to empty it. | 0:18:49 | 0:18:51 | |
Load it back up. | 0:18:51 | 0:18:54 | |
Thank you for your time, sir. I'll let you be back on your way. | 0:18:54 | 0:18:57 | |
DOORS CLOSE | 0:19:00 | 0:19:02 | |
ENGINE FIRES, VAN MOVES | 0:19:02 | 0:19:04 | |
I told you to turn that off in the church. | 0:19:18 | 0:19:21 | |
I need to find her. | 0:19:21 | 0:19:22 | |
My mother, she is alive. | 0:19:24 | 0:19:26 | |
TEXT ALERT | 0:19:45 | 0:19:47 | |
What is it? | 0:19:55 | 0:19:56 | |
Akka just received a message from her mother. | 0:19:58 | 0:20:00 | |
Restores your faith in the universe. | 0:20:04 | 0:20:06 | |
This was four weeks ago at Dover customs control. | 0:20:13 | 0:20:17 | |
We don't get a clear view of the driver from the video, | 0:20:17 | 0:20:20 | |
but, from the time stamp, we managed to retrieve his passport. | 0:20:20 | 0:20:23 | |
Alan Wilson. | 0:20:26 | 0:20:27 | |
He's from Croydon. | 0:20:27 | 0:20:30 | |
He was a youth offender, | 0:20:30 | 0:20:31 | |
convicted of grievous bodily harm and sent down for seven months. | 0:20:31 | 0:20:35 | |
His exact whereabouts at the moment are unknown... | 0:20:35 | 0:20:37 | |
It seems likely the van came through Dover | 0:20:37 | 0:20:39 | |
and was secreted and abandoned soon afterwards. | 0:20:39 | 0:20:41 | |
All seven victims in the van died of hypertonic dehydration. | 0:20:41 | 0:20:46 | |
Lack of fluid. | 0:20:46 | 0:20:47 | |
It takes between three and five days to die. | 0:20:48 | 0:20:51 | |
Depending on your general health. | 0:20:52 | 0:20:54 | |
All right, he parks the van amongst the trees and...goes? | 0:20:58 | 0:21:02 | |
Was Jamal or Kali Aziz meant to collect the van | 0:21:02 | 0:21:04 | |
and the people in it? | 0:21:04 | 0:21:05 | |
We don't know the answer. | 0:21:05 | 0:21:07 | |
Alan Wilson does. | 0:21:07 | 0:21:08 | |
Fingerprints, rear panel of the van... | 0:21:13 | 0:21:16 | |
Brian Hunt. | 0:21:16 | 0:21:18 | |
Works for Border Force. | 0:21:18 | 0:21:19 | |
Mr Hunt? | 0:21:35 | 0:21:37 | |
How much do you lot get paid? | 0:21:37 | 0:21:39 | |
-New? -Yeah. | 0:21:39 | 0:21:41 | |
Pia Butler. I'm from Immigration Enforcement. | 0:21:41 | 0:21:44 | |
I'm helping the police investigate the deaths of seven people. | 0:21:44 | 0:21:47 | |
-The ones in the van? -Yeah. | 0:21:47 | 0:21:48 | |
Yeah, I heard. It was a terrible tragedy. | 0:21:48 | 0:21:50 | |
-Shouldn't have happened. -No. | 0:21:50 | 0:21:52 | |
-They came through Dover? -Yeah. | 0:21:52 | 0:21:54 | |
And I was the Duty Officer? | 0:21:54 | 0:21:55 | |
Did you look in the van? | 0:21:57 | 0:21:59 | |
A white van? I would have thought so. | 0:21:59 | 0:22:01 | |
Not always. Sometimes I'll just have a chat with the driver. | 0:22:01 | 0:22:04 | |
Your fingerprints were on the rear handle. | 0:22:04 | 0:22:06 | |
-Well, then I looked. -But not on the padlock. | 0:22:06 | 0:22:08 | |
Well, then I didn't. | 0:22:10 | 0:22:12 | |
It really is a very nice car. | 0:22:12 | 0:22:13 | |
Look, I can see what you're trying to do and say without saying it. | 0:22:15 | 0:22:19 | |
I'm not bent. And you've got no evidence apart my very nice car. | 0:22:19 | 0:22:23 | |
And you are well out of order. | 0:22:23 | 0:22:25 | |
You know, when I spoke to HR, they told me you gave your notice in. | 0:22:25 | 0:22:29 | |
-Yeah. It's my last week. -Why? | 0:22:29 | 0:22:31 | |
Seems like the job's been good to you. | 0:22:31 | 0:22:33 | |
Have you ever had to pull a migrant out of the crawl space of a lorry - | 0:22:33 | 0:22:37 | |
someone who's risked their lives to get where you're standing - | 0:22:37 | 0:22:40 | |
and then send them on to some overcrowded immigration referral centre? | 0:22:40 | 0:22:43 | |
Every day. | 0:22:43 | 0:22:44 | |
Well, I got tired of shattering someone else's dreams. | 0:22:44 | 0:22:47 | |
And one day, so will you. | 0:22:47 | 0:22:48 | |
So you decided to look the other way? | 0:22:48 | 0:22:51 | |
You broke the law. | 0:22:51 | 0:22:52 | |
Well, good luck with that. | 0:22:54 | 0:22:56 | |
Because if I don't find anything, then I don't find anything. | 0:22:56 | 0:22:59 | |
I guarantee you, the seven victims we found, they wished you had. | 0:22:59 | 0:23:03 | |
Blood on the iron bar found in the skip matches Kali Aziz. | 0:23:11 | 0:23:15 | |
Injuries to the victim are blunt force made with a linear object. | 0:23:15 | 0:23:18 | |
-It's the murder weapon. -Thanks. | 0:23:18 | 0:23:20 | |
We lifted a clean print from the bar, yes? | 0:23:20 | 0:23:22 | |
Yep. And from the van. | 0:23:22 | 0:23:24 | |
-You outdid yourself. -I'll write it up. | 0:23:24 | 0:23:27 | |
Alan Wilson, when was he in prison? | 0:23:27 | 0:23:29 | |
-2008. His prints and DNA will be on the database. -Yeah, I know. | 0:23:29 | 0:23:33 | |
It's Wilson's prints on the van. | 0:23:33 | 0:23:35 | |
And the iron bar. | 0:23:35 | 0:23:36 | |
What's up? | 0:23:46 | 0:23:47 | |
I put Akka's DNA onto the database when we checked the tissue. | 0:23:48 | 0:23:51 | |
She is the mother of Akka Khoury. | 0:23:53 | 0:23:55 | |
What, so Akka received an old message when they came through today? | 0:24:02 | 0:24:05 | |
-And believed that... -Her mother was alive. | 0:24:05 | 0:24:08 | |
-Do you want me to..? -No. | 0:24:12 | 0:24:15 | |
I'll tell her. | 0:24:15 | 0:24:16 | |
The person who's extorting money from Akka's family, | 0:24:21 | 0:24:25 | |
they'd have known her mother was dead in the back of a van. | 0:24:25 | 0:24:29 | |
DRIVER GETS OUT | 0:24:48 | 0:24:50 | |
Elia Khoury, Akka's mother, was one of the deceased. | 0:25:41 | 0:25:45 | |
She was dead for a month while money was extorted from her family. | 0:25:45 | 0:25:48 | |
Whoever did this used the van as a prison. | 0:25:48 | 0:25:51 | |
-Jack? Have you got it? -Trafficker and extortionist. | 0:25:51 | 0:25:53 | |
Likely to be the same person or persons. | 0:25:53 | 0:25:56 | |
Sorry, I was waiting on the e-mail, just came in. | 0:25:56 | 0:25:58 | |
Blood on the cuff of Gyearbuor Asante's sweatshirt. | 0:25:58 | 0:26:01 | |
DNA match with Alan Wilson. Proves contact. | 0:26:01 | 0:26:03 | |
Asante's brother was in the back of the van. | 0:26:03 | 0:26:05 | |
They were extorting from him as well. | 0:26:05 | 0:26:07 | |
DRIVER GETS IN | 0:26:35 | 0:26:37 | |
ENGINE FIRES | 0:26:38 | 0:26:40 | |
She's alive! | 0:27:02 | 0:27:03 | |
I wrote her, but she didn't respond... | 0:27:03 | 0:27:06 | |
I need to find her. | 0:27:06 | 0:27:07 | |
What should I do? | 0:27:09 | 0:27:10 | |
I don't want to go to the police. | 0:27:10 | 0:27:12 | |
What should I do? | 0:27:12 | 0:27:13 | |
VAN STOPS | 0:27:50 | 0:27:52 | |
DRIVER GETS OUT | 0:28:00 | 0:28:02 | |
My brother, Eapen? | 0:28:14 | 0:28:16 | |
We found a young boy in the back of the van. | 0:28:18 | 0:28:21 | |
My aunt? | 0:28:27 | 0:28:28 | |
My cousin? | 0:28:29 | 0:28:30 | |
My uncle? | 0:28:31 | 0:28:32 | |
It doesn't really look like her. | 0:28:49 | 0:28:51 | |
Assalamu alaikum. | 0:29:18 | 0:29:19 | |
Wa alaikum assalaam. | 0:29:19 | 0:29:21 | |
Where's Jamal? | 0:29:21 | 0:29:22 | |
I don't know. I hoped you did. | 0:29:22 | 0:29:25 | |
No, I went round to Kali. He's not there. | 0:29:25 | 0:29:26 | |
Tried to call him, a woman answered. Where is he? | 0:29:26 | 0:29:28 | |
I haven't heard from him. | 0:29:28 | 0:29:30 | |
I got some messages today. | 0:29:31 | 0:29:33 | |
Old messages. | 0:29:33 | 0:29:34 | |
Seen the news? | 0:29:36 | 0:29:38 | |
I saw. | 0:29:38 | 0:29:40 | |
Messages from those people. | 0:29:40 | 0:29:42 | |
Messages from the dead. | 0:29:42 | 0:29:45 | |
I have to go. Prayers. | 0:29:45 | 0:29:47 | |
How did this happen? | 0:29:47 | 0:29:48 | |
Ask Jamal. Ask Kali. | 0:29:49 | 0:29:51 | |
No, I tried. Now I'm asking you. | 0:29:51 | 0:29:52 | |
You were the driver. What happened? | 0:29:52 | 0:29:54 | |
They were kafirs. Why do you care about them? | 0:29:54 | 0:29:56 | |
-Every one of them was a kafir. -They lost everything. | 0:29:56 | 0:30:00 | |
It's what they deserve. | 0:30:00 | 0:30:02 | |
Well, they don't have to worry about that now, do they? | 0:30:02 | 0:30:04 | |
Did Jamal and Kali do this? | 0:30:04 | 0:30:06 | |
I don't know what happened. | 0:30:06 | 0:30:08 | |
The van was parked in dense woodland, that's what it said in the paper. | 0:30:08 | 0:30:11 | |
Someone must have driven it there. | 0:30:11 | 0:30:12 | |
Now, I sent a van yesterday, did you meet it? | 0:30:12 | 0:30:14 | |
-I thought Kali was meeting it. -Now, why would you think that? You haven't heard from Kali. | 0:30:14 | 0:30:19 | |
-Are they safe, Abdul? -They're apostate. | 0:30:19 | 0:30:22 | |
Are they safe? Hey, hey, look at me. | 0:30:22 | 0:30:24 | |
"Those who reject Faith after they accepted it, | 0:30:25 | 0:30:28 | |
"never will their repentance be accepted..." | 0:30:28 | 0:30:29 | |
Only Allah can change the essence of a man, who he is. | 0:30:29 | 0:30:33 | |
I am a true believer. | 0:30:33 | 0:30:34 | |
Business is something we accept, but a person who could do this? | 0:30:34 | 0:30:37 | |
Let go of me, you filthy kafir. | 0:30:37 | 0:30:39 | |
That person is an insult to the Prophet. | 0:30:39 | 0:30:42 | |
That person is not a slave to Allah, Abdul. | 0:30:42 | 0:30:44 | |
That person is an impostor. | 0:30:44 | 0:30:47 | |
Your mother brought these with her to help you start a new life. | 0:31:02 | 0:31:05 | |
They belong to you. | 0:31:05 | 0:31:06 | |
Take them. | 0:31:09 | 0:31:10 | |
You have my brother here? | 0:31:24 | 0:31:26 | |
-Go inside. -I want my brother's body. | 0:31:26 | 0:31:28 | |
-Who is your brother? -Kwabena Asante. | 0:31:28 | 0:31:30 | |
Do you have him here? | 0:31:30 | 0:31:31 | |
If your brother is here, the police will need you to identify him. | 0:31:31 | 0:31:35 | |
No police. I only want to bury my brother. | 0:31:35 | 0:31:38 | |
-Open the door. -I can't let you in... -Give me my brother's body! | 0:31:38 | 0:31:42 | |
What is wrong with you English people, huh? | 0:31:42 | 0:31:44 | |
Do you not feel nothing? | 0:31:44 | 0:31:45 | |
-Give him to me... -Everything OK? | 0:31:45 | 0:31:47 | |
They killed him. | 0:31:47 | 0:31:49 | |
He was a sweet, good man and they killed him for money. | 0:31:50 | 0:31:54 | |
Please. Please... | 0:31:54 | 0:31:56 | |
I need to bury my brother so he can rest in peace. | 0:31:56 | 0:32:00 | |
We can't release his body to you until the police say we can. | 0:32:00 | 0:32:03 | |
-I'm sorry... -Please! -I'm really sorry, bud. | 0:32:03 | 0:32:06 | |
They took money from me. | 0:32:07 | 0:32:08 | |
They said he would be safe. | 0:32:10 | 0:32:12 | |
Then tell the police and give your brother justice. | 0:32:12 | 0:32:16 | |
You don't understand. | 0:32:16 | 0:32:18 | |
They've been looking for you. | 0:32:59 | 0:33:01 | |
I told them the news. | 0:33:01 | 0:33:03 | |
God bless you all. | 0:33:03 | 0:33:05 | |
Where is Elia? | 0:33:06 | 0:33:07 | |
You said she had gone to get her mother. | 0:33:10 | 0:33:13 | |
Where is she? | 0:33:13 | 0:33:14 | |
Where? | 0:33:16 | 0:33:17 | |
Akka? | 0:33:18 | 0:33:19 | |
Elia is dead. | 0:33:21 | 0:33:23 | |
Eapen is dead. | 0:33:23 | 0:33:25 | |
They died a month ago in the back of the van | 0:33:25 | 0:33:27 | |
that brought them here from Calais. | 0:33:27 | 0:33:29 | |
That's not true. | 0:33:29 | 0:33:31 | |
I'm sorry. | 0:33:31 | 0:33:33 | |
I will kill them. | 0:33:33 | 0:33:35 | |
I will find them and I will kill them! | 0:33:35 | 0:33:37 | |
Liar! | 0:33:37 | 0:33:38 | |
Why did you say she was alive? | 0:33:38 | 0:33:40 | |
-She thought she was. -Liar! | 0:33:40 | 0:33:42 | |
No! She's not a liar. | 0:33:42 | 0:33:44 | |
-She's lost her mother... -My daughter! | 0:33:44 | 0:33:47 | |
Only a coward would hurt her. | 0:33:47 | 0:33:49 | |
I'm not a coward. | 0:33:49 | 0:33:50 | |
Come with me. I'll find you somewhere safe to stay. | 0:33:54 | 0:33:57 | |
-Make sure you're looked after. -I am NOT a coward! | 0:33:57 | 0:34:00 | |
Come with me. | 0:34:00 | 0:34:02 | |
Please. | 0:34:02 | 0:34:03 | |
It is how they are. | 0:34:03 | 0:34:05 | |
-Akka, you can't accept how they are. -I have no-one else. | 0:34:05 | 0:34:08 | |
Akka... | 0:34:08 | 0:34:10 | |
THEY SHOUT "HELP" REPEATEDLY | 0:34:56 | 0:34:59 | |
BANGING AND SHOUTING CONTINUES | 0:35:08 | 0:35:11 | |
Have you logged all the messages? | 0:35:19 | 0:35:20 | |
I did Jamal al Sham's phone yesterday. | 0:35:20 | 0:35:23 | |
And I was just checking the Kali Aziz phone | 0:35:23 | 0:35:25 | |
and I found another message. | 0:35:25 | 0:35:26 | |
A new road marker location? | 0:35:30 | 0:35:31 | |
Another van? | 0:35:33 | 0:35:34 | |
DIALLING | 0:35:37 | 0:35:38 | |
Detective Chief Inspector? Jack Hodgson. | 0:35:38 | 0:35:41 | |
We potentially have another van. | 0:35:41 | 0:35:44 | |
DISTANT BANGING AND CRIES FOR HELP | 0:37:11 | 0:37:14 | |
BANGING AND SHOUTING CONTINUES | 0:37:37 | 0:37:40 | |
Kafir. | 0:38:04 | 0:38:05 | |
"I will cast terror into the hearts of those who disbelieve. | 0:38:11 | 0:38:14 | |
"Therefore, strike off their heads | 0:38:14 | 0:38:16 | |
"and strike off every fingertip of them." | 0:38:16 | 0:38:18 | |
HE SCREAMS | 0:38:22 | 0:38:23 | |
HE SCREAMS | 0:38:56 | 0:38:58 | |
-RADIO: -'Suspect vehicle reported moving into wooded area | 0:39:16 | 0:39:19 | |
'adjacent to A2 near Faversham.' | 0:39:19 | 0:39:20 | |
-Come on! -HORN | 0:39:20 | 0:39:23 | |
You want to get in left here. | 0:39:23 | 0:39:25 | |
That's it. | 0:39:26 | 0:39:27 | |
Get out. Go, go. | 0:39:36 | 0:39:38 | |
Bisur'a! Quick! Vite! Vite! | 0:39:38 | 0:39:40 | |
Run! | 0:39:40 | 0:39:41 | |
Run. Run, run! | 0:39:43 | 0:39:44 | |
-There. -Yeah. Got it. | 0:40:02 | 0:40:03 | |
PHONE RINGS | 0:40:12 | 0:40:13 | |
Arrived. Need urgent assistance. | 0:40:13 | 0:40:15 | |
No blues and twos. | 0:40:15 | 0:40:17 | |
What do you want to do? | 0:40:23 | 0:40:24 | |
Mr Yusuf? | 0:40:24 | 0:40:25 | |
Run. Run! | 0:40:33 | 0:40:35 | |
Police! | 0:40:37 | 0:40:38 | |
Detective! | 0:40:59 | 0:41:00 | |
Shit. | 0:41:11 | 0:41:13 | |
Ah... | 0:41:13 | 0:41:14 | |
Did you see anything? | 0:41:35 | 0:41:37 | |
Bodies in the van? | 0:41:37 | 0:41:39 | |
No. | 0:41:40 | 0:41:41 | |
Alan Wilson? | 0:42:00 | 0:42:01 | |
-Did he do it? -He says he was still in the van. | 0:42:03 | 0:42:06 | |
Who let him out? | 0:42:06 | 0:42:07 | |
Presumably, Alan Wilson's killer. | 0:42:07 | 0:42:09 | |
-He let them out? -Yep. | 0:42:09 | 0:42:10 | |
He let them go. | 0:42:13 | 0:42:14 | |
The killer took photos of the body, | 0:42:14 | 0:42:17 | |
and sent them to Jamal al Sham and Kali Aziz. | 0:42:17 | 0:42:21 | |
He is YH. | 0:42:21 | 0:42:22 | |
-He doesn't know they're dead. -No. | 0:42:22 | 0:42:26 | |
The brutality's a warning. | 0:42:26 | 0:42:28 | |
I'll get a tent up. | 0:42:28 | 0:42:29 | |
Armed police! | 0:42:37 | 0:42:39 | |
Clear. | 0:42:45 | 0:42:46 | |
Clear. | 0:42:46 | 0:42:47 | |
Detective? | 0:43:09 | 0:43:10 | |
Yusuf Hamed. | 0:43:13 | 0:43:14 | |
It's clean. | 0:43:26 | 0:43:27 | |
Hmm. | 0:43:33 | 0:43:34 | |
Why is that? | 0:43:34 | 0:43:35 | |
The rest of the place is a tip. | 0:43:35 | 0:43:37 | |
Smell bleach? | 0:43:38 | 0:43:40 | |
-Uh-huh. -Yeah. | 0:43:40 | 0:43:41 | |
Hello. | 0:44:04 | 0:44:05 | |
Yeah. | 0:44:12 | 0:44:13 | |
Hold that. | 0:44:21 | 0:44:22 | |
Oh, God. | 0:44:32 | 0:44:34 | |
Let's see. | 0:44:37 | 0:44:38 | |
Another migrant? | 0:44:42 | 0:44:43 | |
Thanks. | 0:44:50 | 0:44:51 | |
Jack? | 0:45:11 | 0:45:12 | |
She's missing a finger. | 0:45:14 | 0:45:16 | |
Stay here, sleep. | 0:45:48 | 0:45:50 | |
There'll be trains from that station in the morning. | 0:45:50 | 0:45:53 | |
No! | 0:45:53 | 0:45:54 | |
I don't want you with me. | 0:45:54 | 0:45:56 | |
You'll slow me down. | 0:45:56 | 0:45:57 | |
He sat here all night. | 0:46:58 | 0:47:00 | |
He will not speak. | 0:47:00 | 0:47:02 | |
Varkey? | 0:47:05 | 0:47:06 | |
There is no God. | 0:47:08 | 0:47:09 | |
It's all a lie. | 0:47:10 | 0:47:11 | |
Leave me. | 0:47:22 | 0:47:23 | |
There he is. Alan Wilson. | 0:47:59 | 0:48:01 | |
We were looking for Janna. | 0:48:02 | 0:48:04 | |
He murdered Jamal. | 0:48:04 | 0:48:06 | |
Yes, but we're short on the evidence to prove it. | 0:48:06 | 0:48:09 | |
This is a ledger of money he collected from his victims. | 0:48:10 | 0:48:13 | |
He left them in the van to die, but kept giving their families hope | 0:48:15 | 0:48:18 | |
in order to extort more money from them. | 0:48:18 | 0:48:20 | |
-He went rogue. -That's what it looks like. | 0:48:20 | 0:48:22 | |
Where did the money go? | 0:48:22 | 0:48:24 | |
Zakat. | 0:48:24 | 0:48:25 | |
Charity. | 0:48:25 | 0:48:26 | |
"True Faith Academy"? | 0:48:29 | 0:48:31 | |
They take your mind and your money. | 0:48:31 | 0:48:33 | |
Let's go, we have to find him. | 0:49:03 | 0:49:05 | |
Yula, come on, let's go. | 0:49:06 | 0:49:07 | |
Why did you let him hit me? | 0:49:09 | 0:49:11 | |
I'm going. | 0:49:13 | 0:49:15 | |
Are you coming with me? | 0:49:15 | 0:49:16 | |
I'm going. | 0:49:27 | 0:49:28 | |
I'm going. | 0:49:31 | 0:49:32 | |
From Abdul Al Wilson's notebook, | 0:50:10 | 0:50:12 | |
I was able to get into his MemoWire account and see the history. | 0:50:12 | 0:50:16 | |
The trafficking seems to have been well established. | 0:50:16 | 0:50:18 | |
And it IS Yusuf Hamed's business. | 0:50:18 | 0:50:21 | |
Wilson was simply exploiting a desperate situation. | 0:50:21 | 0:50:24 | |
There does seem to be a form of coded language | 0:50:24 | 0:50:27 | |
that preceded payment and the arrangements being made. | 0:50:27 | 0:50:30 | |
What was it? | 0:50:30 | 0:50:31 | |
"A friend needs your help. | 0:50:31 | 0:50:34 | |
"They have money." | 0:50:34 | 0:50:35 | |
MESSAGE ALERT | 0:50:38 | 0:50:40 | |
He's confirmed. | 0:51:03 | 0:51:05 | |
I'm going to have him. | 0:51:07 | 0:51:08 | |
Where are your grandfather and your brother? | 0:51:25 | 0:51:27 | |
They are gone. | 0:51:27 | 0:51:29 | |
I'm sorry. | 0:51:32 | 0:51:33 | |
It's how they are. | 0:51:34 | 0:51:36 | |
Akka! | 0:51:51 | 0:51:52 | |
Sosa! | 0:51:58 | 0:51:59 | |
Her cousin. | 0:52:22 | 0:52:24 | |
She was separated from Elia and Eapen in the chaos. | 0:52:24 | 0:52:27 | |
She's alive today because of it. How'd she get here? | 0:52:27 | 0:52:30 | |
Hasn't talked about it. DOOR BUZZER | 0:52:30 | 0:52:32 | |
Not to me. | 0:52:32 | 0:52:33 | |
Thank you. | 0:52:40 | 0:52:41 | |
No-one ever says that. | 0:52:41 | 0:52:42 | |
They're both under 16? | 0:52:43 | 0:52:45 | |
Yes. | 0:52:45 | 0:52:46 | |
No parents here? | 0:52:46 | 0:52:47 | |
They're cousins. Akka's parents are dead. | 0:52:47 | 0:52:50 | |
Sosa's are unaccounted for. | 0:52:50 | 0:52:52 | |
They I think they'll qualify for asylum. | 0:52:52 | 0:52:54 | |
We passed the hat, | 0:52:56 | 0:52:59 | |
bought them a few clothes. | 0:52:59 | 0:53:01 | |
Oh, thank you. | 0:53:01 | 0:53:02 | |
Twice in one day. | 0:53:02 | 0:53:04 | |
Hey, hey, shh, it's OK. | 0:53:09 | 0:53:11 | |
Just got you some clothes. | 0:53:11 | 0:53:13 | |
I'm going to come see you tomorrow. | 0:53:18 | 0:53:20 | |
How did you get out? | 0:53:39 | 0:53:41 | |
There was a man... | 0:53:44 | 0:53:45 | |
..called Mr Yusuf. | 0:53:47 | 0:53:48 | |
HE NERVOUSLY FLICKS THE LIGHTER | 0:53:49 | 0:53:52 | |
INAUDIBLE | 0:54:01 | 0:54:03 | |
INAUDIBLE | 0:54:05 | 0:54:07 | |
Stand by. | 0:54:09 | 0:54:10 | |
Contact made. | 0:54:19 | 0:54:20 | |
Can't see him. | 0:54:29 | 0:54:30 | |
On my signal. | 0:54:30 | 0:54:32 | |
No... | 0:54:45 | 0:54:47 | |
No! | 0:54:47 | 0:54:48 | |
This is Butler. We need an ambulance at the market now. | 0:54:56 | 0:54:59 | |
We have a male with a stab wound to the back and to the chest. | 0:54:59 | 0:55:02 | |
Yusuf Hamed. Male. | 0:55:19 | 0:55:21 | |
41 years old. | 0:55:21 | 0:55:23 | |
British. | 0:55:23 | 0:55:24 | |
It's very important that you don't use the guest house for a bit. | 0:56:24 | 0:56:26 | |
Don't even come to the house. | 0:56:26 | 0:56:28 | |
Do you think they found her? | 0:56:31 | 0:56:33 | |
He's confident, careful, and forensically aware. | 0:56:35 | 0:56:39 | |
I'd be very surprised if he hadn't killed before. | 0:56:39 | 0:56:41 | |
Your sister's carrying my child. | 0:56:41 | 0:56:43 | |
If she was to play happy families with a junkie, | 0:56:43 | 0:56:45 | |
that's her prerogative. | 0:56:45 | 0:56:47 | |
If they found out that you were in the area, | 0:56:47 | 0:56:49 | |
we all know how quickly they jump to conclusions. | 0:56:49 | 0:56:52 | |
What about you, Ellie? | 0:56:52 | 0:56:53 | |
Are you jumping to any conclusions? | 0:56:53 | 0:56:55 | |
# Testator silens | 0:56:55 | 0:57:02 | |
# Costestes e spiritu | 0:57:02 | 0:57:10 | |
# Silentium. # | 0:57:10 | 0:57:17 |