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Ssh, ssh. | 0:00:12 | 0:00:13 | |
There you are. | 0:00:13 | 0:00:15 | |
FOOTSTEPS APPROACH | 0:00:16 | 0:00:18 | |
SIGH | 0:00:18 | 0:00:20 | |
That's a big light. | 0:00:20 | 0:00:21 | |
RADIO PLAYS: Handbags And Gladrags by Stereophonics | 0:00:23 | 0:00:28 | |
You going to put her down? | 0:00:29 | 0:00:31 | |
I'll put her down when she's ready. | 0:00:31 | 0:00:33 | |
Are you going to relax? | 0:00:33 | 0:00:35 | |
We're supposed to be on holiday. | 0:00:35 | 0:00:37 | |
RADIO CONTINUES PLAYING | 0:00:45 | 0:00:47 | |
BABY GURGLES HAPPILY | 0:00:47 | 0:00:48 | |
Let it go. They were just kids. | 0:00:55 | 0:00:58 | |
Right. I'm sorry. | 0:01:00 | 0:01:02 | |
Give me a cuddle. | 0:01:04 | 0:01:06 | |
Come here. | 0:01:06 | 0:01:07 | |
CRASH | 0:01:12 | 0:01:14 | |
It's them. | 0:01:22 | 0:01:23 | |
Get back. | 0:01:26 | 0:01:27 | |
-We should call the police, Greg. -Police? | 0:01:27 | 0:01:30 | |
They'll be the ones need the police by the time I'm finished with them. | 0:01:30 | 0:01:34 | |
-Greg, c'mon... -Shut up. | 0:01:37 | 0:01:39 | |
-SHOUTS: -You want some? | 0:01:46 | 0:01:47 | |
I'm right here! | 0:01:47 | 0:01:49 | |
Come on! | 0:01:50 | 0:01:52 | |
SCREAMS | 0:02:08 | 0:02:09 | |
# Testator silens | 0:02:09 | 0:02:15 | |
# Costestes e spiritu | 0:02:18 | 0:02:25 | |
# Silencium | 0:02:25 | 0:02:37 | |
# Testator silens... # | 0:02:39 | 0:02:47 | |
MUSIC: Safe European Home by the Clash | 0:02:49 | 0:02:53 | |
MUSIC MUFFLED | 0:03:03 | 0:03:05 | |
SCREAM | 0:03:12 | 0:03:14 | |
BREATHING HITCHES | 0:03:14 | 0:03:16 | |
Get me out of here! | 0:03:19 | 0:03:20 | |
PHONE RINGING | 0:03:29 | 0:03:31 | |
PHONE RINGING | 0:03:32 | 0:03:34 | |
MUSIC RESTARTS | 0:03:47 | 0:03:48 | |
BEEPS | 0:03:51 | 0:03:53 | |
Morning, Gwen. Be with you in a sec, OK? | 0:04:38 | 0:04:41 | |
Fine. | 0:04:41 | 0:04:42 | |
We sent a Melissa Lowell over to you on Monday. | 0:04:45 | 0:04:48 | |
Is she still with you? | 0:04:48 | 0:04:49 | |
I'll have to check. Why? | 0:04:49 | 0:04:50 | |
I need you to look her over for me. Top to bottom. | 0:04:50 | 0:04:53 | |
What am I looking for? | 0:04:53 | 0:04:54 | |
I'm not sure. Anything out of the ordinary. | 0:04:54 | 0:04:57 | |
-I'll call you back. -Thanks, Brian. | 0:04:57 | 0:04:58 | |
-Morning. -Morning, David. | 0:05:02 | 0:05:04 | |
Weren't here all night, were you? | 0:05:04 | 0:05:05 | |
No. No, I got here early. | 0:05:05 | 0:05:07 | |
PHONE RINGS | 0:05:07 | 0:05:10 | |
Yeah. Get that if you need to. | 0:05:10 | 0:05:12 | |
We'll start without you, shall we? | 0:05:12 | 0:05:14 | |
DOORBELL | 0:05:21 | 0:05:23 | |
Nikki. | 0:05:26 | 0:05:27 | |
Sorry I couldn't make it over last week. | 0:05:29 | 0:05:31 | |
-It's OK. I know you're busy. -I don't mind busy, it's... | 0:05:31 | 0:05:34 | |
Oh, well. No excuses. | 0:05:34 | 0:05:36 | |
You're just one of the few people I'd rather see than not. | 0:05:37 | 0:05:41 | |
Thank you. | 0:05:41 | 0:05:42 | |
Come in. | 0:05:42 | 0:05:43 | |
My husband dropped dead right in front of me | 0:05:44 | 0:05:47 | |
and it turned out that sitting at home was a disaster. | 0:05:47 | 0:05:50 | |
I'm not saying you should go back to work, either, by the way. | 0:05:50 | 0:05:53 | |
But you were glad you did? | 0:05:54 | 0:05:57 | |
It was right for me. | 0:05:57 | 0:05:58 | |
But only you know what you went through, what you need to do. | 0:05:58 | 0:06:03 | |
You've been home...six weeks? | 0:06:03 | 0:06:06 | |
Two months. | 0:06:08 | 0:06:09 | |
In one sense that's no time at all. But in another... | 0:06:10 | 0:06:13 | |
It's an eternity. | 0:06:13 | 0:06:15 | |
Only you know which - everyone else can respectfully shut up. | 0:06:15 | 0:06:19 | |
After Mexico...I didn't want to come home. | 0:06:21 | 0:06:25 | |
I stopped off in New York, did I tell you? | 0:06:25 | 0:06:27 | |
You said you made a pit-stop. | 0:06:27 | 0:06:29 | |
What happened? | 0:06:29 | 0:06:31 | |
For about 48 hours, it was incredible. | 0:06:31 | 0:06:35 | |
I didn't feel scared, I didn't feel relieved... | 0:06:35 | 0:06:39 | |
I felt alive, awake, | 0:06:39 | 0:06:42 | |
and I wanted to hold on to that. | 0:06:42 | 0:06:44 | |
And then you woke up? | 0:06:45 | 0:06:47 | |
Now I'm scared, Sally. | 0:06:49 | 0:06:51 | |
I'm scared of my own shadow. | 0:06:52 | 0:06:54 | |
I'm scared of the bloody dark, and that's not me. | 0:06:54 | 0:06:58 | |
And that makes you angry? | 0:06:58 | 0:07:00 | |
Furious. | 0:07:00 | 0:07:01 | |
Come here. | 0:07:01 | 0:07:03 | |
-What're you doing, David? -I just want to talk. | 0:07:32 | 0:07:34 | |
You've had all day to talk. | 0:07:34 | 0:07:35 | |
Except every time I try, you brush me off. | 0:07:35 | 0:07:38 | |
If Brian Hawke wants a word, no problem, yeah? | 0:07:39 | 0:07:42 | |
-But your own colleague... -That is such bullshit. | 0:07:42 | 0:07:44 | |
At least allow me to explain how it would work. | 0:07:44 | 0:07:46 | |
You don't even have to be directly involved. | 0:07:46 | 0:07:48 | |
Five minutes. | 0:07:48 | 0:07:49 | |
Two minutes. | 0:07:51 | 0:07:53 | |
INDISTINCT SHOUTING | 0:08:05 | 0:08:06 | |
SHOUTING, GLASS SMASHING | 0:08:15 | 0:08:18 | |
ALARM | 0:08:19 | 0:08:21 | |
Hi, this is Sally, please leave a message. | 0:08:27 | 0:08:30 | |
Sally, it's Nikki. | 0:08:30 | 0:08:32 | |
Checking in with you again like you said to. | 0:08:32 | 0:08:36 | |
I know you're up to your eyes, but... | 0:08:36 | 0:08:38 | |
..text me, call me, whatever. | 0:08:38 | 0:08:41 | |
I haven't heard back from you - you've got me worried. | 0:08:41 | 0:08:44 | |
It's probably just my paranoia, I'm sure there's nothing... | 0:08:44 | 0:08:48 | |
Sorry. Rambling. | 0:08:48 | 0:08:50 | |
Just let me know you got this. | 0:08:50 | 0:08:52 | |
Lots of love. | 0:08:52 | 0:08:53 | |
Sorry, can I help you? | 0:09:54 | 0:09:55 | |
-Where's Sally? What's going on? -What's your connection? | 0:09:56 | 0:09:59 | |
I'm a friend of hers. Is she OK? Who are you? | 0:09:59 | 0:10:04 | |
Guy Bernhardt. NCA. Can I see some ID? | 0:10:04 | 0:10:08 | |
Sorry. | 0:10:13 | 0:10:14 | |
Nikki Alexander. | 0:10:16 | 0:10:17 | |
Right, well, I'm afraid she's gone missing. | 0:10:19 | 0:10:22 | |
-How long? -Three days. | 0:10:23 | 0:10:25 | |
-But couldn't she...? -She didn't turn up for court. | 0:10:25 | 0:10:28 | |
When did you last see her? | 0:10:28 | 0:10:31 | |
Er... | 0:10:31 | 0:10:33 | |
Four days ago...Tuesday? | 0:10:33 | 0:10:35 | |
-Oh, my God... -Don't panic. We'll go and sit down. | 0:10:37 | 0:10:41 | |
So how long have you known her? | 0:10:45 | 0:10:47 | |
Er... | 0:10:47 | 0:10:48 | |
We worked together on a difficult case | 0:10:50 | 0:10:52 | |
and we stayed in touch as friends. | 0:10:52 | 0:10:54 | |
And when you saw her last Tuesday, how did she...? | 0:10:54 | 0:10:58 | |
How did she come across? | 0:10:58 | 0:11:00 | |
A bit distracted. | 0:11:03 | 0:11:05 | |
Tense. | 0:11:06 | 0:11:07 | |
She said she didn't mind being busy like... | 0:11:08 | 0:11:12 | |
..like there was something else bothering her | 0:11:13 | 0:11:16 | |
other than day-to-day stuff. | 0:11:16 | 0:11:18 | |
Anything specific? | 0:11:18 | 0:11:19 | |
She was selling her lab. Did you know that? | 0:11:21 | 0:11:24 | |
Mm-hmm. | 0:11:24 | 0:11:25 | |
One of her staff had made her an offer. | 0:11:25 | 0:11:28 | |
If Sally signed over the lab to them, | 0:11:28 | 0:11:31 | |
then she'd get a cut, something like that. | 0:11:31 | 0:11:33 | |
She wasn't interested? | 0:11:33 | 0:11:35 | |
No, but they were being difficult. Weren't taking no for an answer. | 0:11:35 | 0:11:40 | |
She didn't say the word "bullied", but that's what it sounded like. | 0:11:42 | 0:11:46 | |
Are we talking about David Cannon? | 0:11:46 | 0:11:48 | |
Is he a suspect? | 0:11:50 | 0:11:51 | |
He's a person of interest. | 0:11:51 | 0:11:53 | |
Why? | 0:11:53 | 0:11:55 | |
-He's just one of a number of leads we're... -Why? | 0:11:55 | 0:11:57 | |
Four years ago, he was arrested for falsifying PM reports. | 0:11:58 | 0:12:02 | |
But he wasn't charged? | 0:12:03 | 0:12:04 | |
No, but he still warrants a closer look. | 0:12:04 | 0:12:07 | |
I asked David Cannon when he last saw Sally. | 0:12:10 | 0:12:13 | |
He said Tuesday at the lab. | 0:12:13 | 0:12:15 | |
But we pulled his fingerprints off a smashed mug | 0:12:15 | 0:12:17 | |
found in her kitchen bin. | 0:12:17 | 0:12:19 | |
-But that doesn't mean... -He said, HE said, | 0:12:21 | 0:12:23 | |
the last time he'd been there was a Christmas party two years ago. | 0:12:23 | 0:12:27 | |
-How did he explain it? -Didn't ask him to. | 0:12:29 | 0:12:31 | |
-Why? -He knows the drill. | 0:12:31 | 0:12:34 | |
If we show our hand, he'll clam up and get a lawyer. | 0:12:34 | 0:12:36 | |
Then, of course, if he does know where Sally is... | 0:12:36 | 0:12:39 | |
-He'll never tell you. -Exactly. | 0:12:39 | 0:12:41 | |
We've closed the lab on a ruse that we're looking into old cases | 0:12:41 | 0:12:44 | |
that might explain her disappearance. | 0:12:44 | 0:12:46 | |
We applied for warrants to search his flat and access his phone, | 0:12:46 | 0:12:49 | |
both denied. Now you can tell me to buzz off... | 0:12:49 | 0:12:52 | |
..but maybe you can help us? | 0:12:53 | 0:12:55 | |
APPLAUSE | 0:12:56 | 0:12:58 | |
Ladies and gentlemen, thank you very much for joining us. | 0:12:58 | 0:13:01 | |
Early on, somebody said to me, | 0:13:01 | 0:13:03 | |
"Starting your own club isn't a sprint, it's a marathon." | 0:13:03 | 0:13:06 | |
Having run a few marathons myself, | 0:13:06 | 0:13:08 | |
I can safely say that was a cruel lie. | 0:13:08 | 0:13:10 | |
It's been a hard road, | 0:13:11 | 0:13:14 | |
and I would've given up years ago | 0:13:14 | 0:13:16 | |
without the faith and encouragement of my wife Emma. | 0:13:16 | 0:13:18 | |
Even now, we're not quite there on our funding. | 0:13:23 | 0:13:26 | |
Which is why you've all been invited here today. | 0:13:28 | 0:13:31 | |
Anyway, I'm sure you've all heard quite enough from me. | 0:13:31 | 0:13:34 | |
Now it's your turn. Does anybody have any questions? | 0:13:34 | 0:13:37 | |
Yes. What's the total budget for this project? | 0:13:37 | 0:13:40 | |
BEEP, DOOR UNLOCKS | 0:13:48 | 0:13:49 | |
Hi. | 0:14:15 | 0:14:16 | |
What the hell are you doing here? | 0:14:19 | 0:14:21 | |
Nice to see you, too, Thomas. | 0:14:21 | 0:14:23 | |
So we're offering this guy a job just so we can keep an eye on him? | 0:14:27 | 0:14:31 | |
Yep, that's what we've been asked to do. | 0:14:31 | 0:14:33 | |
-What? -You know what. | 0:14:41 | 0:14:42 | |
-Thomas... -Not exactly page one of the recovery manual, is it? | 0:14:42 | 0:14:45 | |
This wasn't my idea. | 0:14:45 | 0:14:47 | |
No-one goes through what you did and gets away unscathed. | 0:14:47 | 0:14:50 | |
-Not even you, Nikki. -Four days. | 0:14:50 | 0:14:51 | |
If she's alive, we might not have long. | 0:14:51 | 0:14:54 | |
Look. If it doesn't work out, we can call it. | 0:14:54 | 0:14:56 | |
All right. But supportive capacity only. | 0:14:56 | 0:15:00 | |
-OK! -Baby steps. No postmortems. | 0:15:00 | 0:15:02 | |
I volunteered to go on leave in the first place. | 0:15:02 | 0:15:05 | |
And if you hadn't, I'd've insisted. | 0:15:05 | 0:15:07 | |
BUZZER | 0:15:09 | 0:15:11 | |
Thanks for seeing us, David. | 0:15:12 | 0:15:14 | |
No problem. | 0:15:14 | 0:15:15 | |
Is there any news? | 0:15:17 | 0:15:19 | |
No. Nothing. | 0:15:19 | 0:15:20 | |
Course, the police are saying they're not winding down the search, | 0:15:22 | 0:15:25 | |
but I know for a bloody fact | 0:15:25 | 0:15:26 | |
all the lads from Berkshire were sent home last night. | 0:15:26 | 0:15:29 | |
So what's this about? | 0:15:29 | 0:15:30 | |
Well, we were wondering... | 0:15:30 | 0:15:33 | |
How would you feel about coming to work at the Lyell for a bit? | 0:15:33 | 0:15:37 | |
Seriously? | 0:15:37 | 0:15:39 | |
Yeah. Truth is, Nikki's been off for a while | 0:15:39 | 0:15:41 | |
and we've been struggling with our workload. | 0:15:41 | 0:15:44 | |
You've got a backlog? | 0:15:46 | 0:15:47 | |
-I'm about to install a freezer in my office. -Right. | 0:15:47 | 0:15:50 | |
Why me? | 0:15:53 | 0:15:54 | |
Sally said you were the best. | 0:15:54 | 0:15:56 | |
And if you're anything like me, | 0:15:57 | 0:16:00 | |
time on your hands is the last thing you want right now. | 0:16:00 | 0:16:03 | |
It was just a thought, so please don't feel like... | 0:16:05 | 0:16:07 | |
Sally said that? About me? | 0:16:07 | 0:16:09 | |
She said you were bloody good. | 0:16:11 | 0:16:12 | |
Ah, Jack. David, this is Jack Hodgson. | 0:16:25 | 0:16:27 | |
Jack. Good to know you. | 0:16:27 | 0:16:29 | |
How you doing? You all right? | 0:16:29 | 0:16:30 | |
David's going to help us out for a bit. | 0:16:30 | 0:16:32 | |
Us? | 0:16:34 | 0:16:36 | |
As in...you're back? | 0:16:36 | 0:16:38 | |
He's a colleague of Sally Vaughan's. | 0:16:38 | 0:16:41 | |
-Right. How long's it been now? -Hello, stranger. | 0:16:41 | 0:16:46 | |
-Clarissa! My goodness, it's so good to see you. -What? | 0:16:46 | 0:16:50 | |
Did she put you up to this? | 0:16:50 | 0:16:51 | |
Hang on, what, you two know each other? | 0:16:51 | 0:16:53 | |
-Hello! -David! | 0:16:53 | 0:16:56 | |
Moscow, 2008, the Monarch Hotel. | 0:16:56 | 0:16:58 | |
-Seven days. -7,000 Russian criminologists... | 0:16:58 | 0:17:01 | |
-You're exaggerating. -..hanging on your every word. | 0:17:01 | 0:17:03 | |
They wanted to learn from the best. Hello. | 0:17:03 | 0:17:06 | |
-Good to see you. -Maybe I should leave you two to it. | 0:17:06 | 0:17:08 | |
-Will you show him around? -She can indeed. Let's go. | 0:17:08 | 0:17:11 | |
See you later. See you in a bit. | 0:17:11 | 0:17:13 | |
-Welcome to my world. -Are you having fun here? | 0:17:13 | 0:17:16 | |
Hello, Jack. | 0:17:19 | 0:17:21 | |
Hi. | 0:17:21 | 0:17:23 | |
Good to see you. | 0:17:23 | 0:17:25 | |
Mmm. | 0:17:26 | 0:17:27 | |
I've been trying to call you. | 0:17:28 | 0:17:30 | |
I know. | 0:17:32 | 0:17:33 | |
-You got my messages, then? -Mm-hmm. | 0:17:33 | 0:17:37 | |
So? | 0:17:37 | 0:17:38 | |
So, uh, it's been full-on since I've been back, it's just been really... | 0:17:40 | 0:17:43 | |
-Full-on? -Yeah. | 0:17:43 | 0:17:45 | |
Fair enough. | 0:17:49 | 0:17:51 | |
-A few changes, I see. -Yeah. A few. | 0:17:54 | 0:17:56 | |
We don't hear a word, then you show up with David bloody Cannon in tow. | 0:17:59 | 0:18:04 | |
-Is he that bad? -No, he's great. | 0:18:04 | 0:18:07 | |
How are you, Nikki? | 0:18:07 | 0:18:09 | |
Yeah. I'm...getting there. | 0:18:09 | 0:18:11 | |
Absolutely getting there. | 0:18:11 | 0:18:14 | |
Right. We've got a job on. | 0:18:14 | 0:18:17 | |
DCI Pete Hollis, DC Heidi Bailey. | 0:18:35 | 0:18:39 | |
-Nikki Alexander, David Cannon. -Hi. | 0:18:39 | 0:18:42 | |
Body was found floating face-down about 20 yards out. | 0:18:58 | 0:19:02 | |
Who found him? | 0:19:02 | 0:19:03 | |
Early fisherman. | 0:19:03 | 0:19:05 | |
-Did divers bring the body up here? -Yeah. | 0:19:05 | 0:19:07 | |
We should supervise a move like that. | 0:19:09 | 0:19:11 | |
Yeah, I needed to get started. | 0:19:11 | 0:19:13 | |
Your Jack squared it with the crime scene manager. | 0:19:13 | 0:19:15 | |
Yeah. Blame me. | 0:19:15 | 0:19:16 | |
I took lots of pictures. | 0:19:17 | 0:19:19 | |
Thanks. | 0:19:20 | 0:19:22 | |
Over to you. | 0:19:26 | 0:19:27 | |
Got a preliminary ID from his wallet. Livtar Singh. | 0:19:32 | 0:19:35 | |
Audi in the car park's also registered to him. | 0:19:35 | 0:19:38 | |
Lovely. | 0:19:38 | 0:19:39 | |
Thank you. | 0:19:42 | 0:19:43 | |
Well... | 0:19:44 | 0:19:46 | |
Looks like he was wearing a head torch, | 0:19:48 | 0:19:49 | |
the lens of which is broken. | 0:19:49 | 0:19:51 | |
Alcohol. | 0:19:54 | 0:19:55 | |
Yeah. Whisky. | 0:19:55 | 0:19:57 | |
Found it up by the railings. | 0:19:57 | 0:19:59 | |
I can't see him falling over those railings no matter how drunk he was. | 0:19:59 | 0:20:02 | |
But we can't rule out that he jumped, can we? | 0:20:02 | 0:20:05 | |
No, we can't. | 0:20:05 | 0:20:07 | |
With a bit of Dutch courage to help him on his way. | 0:20:07 | 0:20:11 | |
Problem. | 0:20:11 | 0:20:13 | |
Did he smash it in the fall? | 0:20:13 | 0:20:15 | |
Maybe it was already broken. | 0:20:15 | 0:20:16 | |
Then why not leave it in the car? | 0:20:16 | 0:20:18 | |
PHONE RINGTONE: "You Sexy Thing" | 0:20:18 | 0:20:20 | |
Hold that a sec, would you? Cheers. | 0:20:21 | 0:20:23 | |
Hello, mate. You all right? | 0:20:27 | 0:20:29 | |
What do you need? | 0:20:31 | 0:20:32 | |
Oooh, if you'd asked me three years ago | 0:20:36 | 0:20:38 | |
I could have told you any number of places. | 0:20:38 | 0:20:40 | |
Erm...the Wheatsheaf just off the Common. | 0:20:42 | 0:20:46 | |
I better go. | 0:20:46 | 0:20:48 | |
Yep. See you later. Ta-ta. | 0:20:48 | 0:20:51 | |
-Bye-bye. -Time and place. | 0:20:51 | 0:20:53 | |
Illuminating? | 0:21:29 | 0:21:30 | |
Buckfield Services, 11.32pm. | 0:21:30 | 0:21:34 | |
30 quid's worth of fuel, bottle of Evian, | 0:21:34 | 0:21:38 | |
two bunches of flowers and a miscellaneous item priced 3.99. | 0:21:38 | 0:21:42 | |
-No whisky? -No. | 0:21:42 | 0:21:44 | |
Bottle of Evian's half-drunk. | 0:21:46 | 0:21:48 | |
Where are the flowers? | 0:21:48 | 0:21:50 | |
And who were they for? | 0:21:51 | 0:21:53 | |
Everything OK? | 0:22:00 | 0:22:02 | |
Yeah. Thanks. | 0:22:02 | 0:22:04 | |
-No breakfast. -Most important meal of the day. | 0:22:04 | 0:22:09 | |
-There's no sign of the whisky bottle. -Could be in his coat. | 0:22:13 | 0:22:16 | |
Yeah, but he's walking steadily. No indication he's drunk. | 0:22:16 | 0:22:20 | |
Maybe he didn't imbibe until he reached his spot. | 0:22:20 | 0:22:23 | |
-Do you think that...? -I think that | 0:22:25 | 0:22:27 | |
it's always too early to jump to conclusions. | 0:22:27 | 0:22:30 | |
Sure. OK. | 0:22:31 | 0:22:34 | |
Thing is, I haven't worked on an actual homicide yet, and... | 0:22:36 | 0:22:39 | |
So you're kind of hoping that it's murder? | 0:22:39 | 0:22:42 | |
No! | 0:22:42 | 0:22:43 | |
No. Of course not, no. I just... | 0:22:43 | 0:22:46 | |
Mm-hmm. | 0:22:46 | 0:22:48 | |
My advice? Work backwards. | 0:22:48 | 0:22:50 | |
Why was he here? | 0:22:50 | 0:22:52 | |
What did this place mean to him? | 0:22:52 | 0:22:54 | |
Who else knew he came here? | 0:22:54 | 0:22:55 | |
Some kind of grey powder, or silt. | 0:23:00 | 0:23:04 | |
-Uh-huh. -Yeah, yeah. There's transfer on the brake and accelerator pedal. | 0:23:04 | 0:23:08 | |
Dried mud in the bag. | 0:23:08 | 0:23:10 | |
Looks like he switched his shoes for hiking boots... | 0:23:10 | 0:23:14 | |
Why would you change your shoes and strap a head torch on | 0:23:14 | 0:23:16 | |
if you're about to end it all? | 0:23:16 | 0:23:18 | |
I met Livtar at that reservoir. | 0:23:24 | 0:23:26 | |
We were both sailing instructors. | 0:23:28 | 0:23:31 | |
He was so great with the kids. | 0:23:31 | 0:23:33 | |
I didn't have the patience back then. | 0:23:34 | 0:23:36 | |
There's no way he'd kill himself. | 0:23:40 | 0:23:43 | |
No way. | 0:23:43 | 0:23:45 | |
We going to need a formal identification, Emma. | 0:23:50 | 0:23:53 | |
It's him. | 0:23:57 | 0:23:58 | |
Thank you. | 0:24:00 | 0:24:01 | |
This way. | 0:24:13 | 0:24:14 | |
-Emma, David. Saw you earlier. -Yes. | 0:24:16 | 0:24:18 | |
-Can I get you anything? -No, thank you. | 0:24:18 | 0:24:21 | |
Would you like to sit down? | 0:24:21 | 0:24:22 | |
No. I'm fine, thanks. | 0:24:22 | 0:24:23 | |
Thanks. | 0:24:25 | 0:24:27 | |
Emma, we were wondering if Livtar was much of a drinker. | 0:24:27 | 0:24:30 | |
When we first met, every couple of months or so he'd get really drunk. | 0:24:34 | 0:24:37 | |
I mean, annihilated, actually. | 0:24:37 | 0:24:41 | |
On what? | 0:24:41 | 0:24:42 | |
Spirits, mostly. | 0:24:42 | 0:24:44 | |
It was like a ritual. | 0:24:45 | 0:24:48 | |
A valve. Something he had to do. | 0:24:48 | 0:24:50 | |
I didn't like it, | 0:24:52 | 0:24:53 | |
so when we got married he swore he'd stop. | 0:24:53 | 0:24:55 | |
And did he? | 0:24:55 | 0:24:56 | |
Unless you're telling me different? | 0:25:00 | 0:25:02 | |
No, we're not. We haven't reached any firm conclusions yet. | 0:25:02 | 0:25:07 | |
Victim was wearing this. Something white embedded in the lens frame. | 0:25:07 | 0:25:10 | |
-You want an upgrade on "something white"? -I do. | 0:25:10 | 0:25:14 | |
-Hello. DC Bailey. -Good to have Nikki back. | 0:25:14 | 0:25:16 | |
Bit of a surprise. | 0:25:18 | 0:25:20 | |
Yeah. Yeah, for me, too. | 0:25:21 | 0:25:22 | |
You sanctioned it. | 0:25:22 | 0:25:24 | |
For now. Yeah. | 0:25:25 | 0:25:27 | |
How'd you think she seems? | 0:25:28 | 0:25:30 | |
So far, so good - too early to say. | 0:25:30 | 0:25:34 | |
What's David Cannon like? | 0:25:34 | 0:25:35 | |
He's a good laugh. I don't really know him. | 0:25:35 | 0:25:38 | |
It was one week nine - ten? - years ago. | 0:25:38 | 0:25:41 | |
Miscellaneous item on Livtar's receipt. | 0:25:41 | 0:25:43 | |
Let me see. | 0:25:43 | 0:25:45 | |
He was so excited about becoming a dad. | 0:25:49 | 0:25:52 | |
But when Amy arrived he just seemed...sad. | 0:25:54 | 0:25:59 | |
Why? | 0:25:59 | 0:26:01 | |
I dunno...it was like he couldn't enjoy her. | 0:26:01 | 0:26:04 | |
SOBS | 0:26:11 | 0:26:12 | |
Sorry. | 0:26:12 | 0:26:14 | |
Hey, hey, come here. | 0:26:14 | 0:26:16 | |
It's OK, it's OK. | 0:26:16 | 0:26:18 | |
PANTING AND GRUNTING | 0:26:27 | 0:26:30 | |
LIGHTER CLICKS | 0:26:43 | 0:26:44 | |
Gave up. | 0:26:46 | 0:26:48 | |
Yeah? | 0:26:48 | 0:26:49 | |
Since when? | 0:26:51 | 0:26:52 | |
Two years. | 0:26:52 | 0:26:54 | |
That how long it's been? | 0:26:57 | 0:26:59 | |
No. It's been four years. | 0:26:59 | 0:27:02 | |
Sorry. | 0:27:07 | 0:27:09 | |
It's all right. You're a busy woman. | 0:27:09 | 0:27:12 | |
Suspected suicide? | 0:27:19 | 0:27:21 | |
That's what they said. | 0:27:23 | 0:27:25 | |
I don't get it. | 0:27:26 | 0:27:27 | |
He'd just become a father. | 0:27:28 | 0:27:30 | |
Who knows what goes on in another person's head? | 0:27:32 | 0:27:35 | |
Ain't that the truth. | 0:27:35 | 0:27:38 | |
Do you think it's our fault? | 0:27:40 | 0:27:42 | |
Probably. | 0:27:43 | 0:27:45 | |
Hope the police didn't find anything untoward. | 0:27:46 | 0:27:49 | |
Like what? | 0:27:50 | 0:27:52 | |
I've no idea. | 0:27:54 | 0:27:56 | |
I've got to go. | 0:27:59 | 0:28:01 | |
Mrs Singh, before Livtar drove to the reservoir, | 0:28:07 | 0:28:11 | |
he stopped off at a garage and made some purchases. | 0:28:11 | 0:28:13 | |
-Right...? -Among other things, he bought two bunches of flowers | 0:28:13 | 0:28:16 | |
and a teddy bear. | 0:28:16 | 0:28:17 | |
We didn't retrieve these items from his car. | 0:28:17 | 0:28:19 | |
I can't help you...I'm sorry. | 0:28:21 | 0:28:23 | |
No friends who've just had a baby? Or a child's birthday? | 0:28:23 | 0:28:27 | |
The journey from the garage to the reservoir was 30 minutes, | 0:28:27 | 0:28:30 | |
but he didn't get there for an hour. Now if he stopped off somewhere, | 0:28:30 | 0:28:33 | |
-it explains the missing half-hour and... -I'm really sorry - | 0:28:33 | 0:28:35 | |
-I need to go home now. -Of course. Just one moment. | 0:28:35 | 0:28:37 | |
-Can I have a word? -Yeah. | 0:28:37 | 0:28:39 | |
I need you to escort her home. | 0:28:41 | 0:28:43 | |
Sir, no! I don't want to miss the PM. | 0:28:43 | 0:28:45 | |
There'll be plenty more PMs. | 0:28:45 | 0:28:46 | |
It's the flowers and the toys we need to explain. So take Jack, | 0:28:46 | 0:28:50 | |
have a nose around, | 0:28:50 | 0:28:51 | |
hoover up any computers, laptops, phones that you find. | 0:28:51 | 0:28:54 | |
If she asks any questions, say we're checking | 0:28:54 | 0:28:56 | |
whether Livtar was in financial difficulties, all right? | 0:28:56 | 0:28:59 | |
All right. Warrant? | 0:28:59 | 0:29:01 | |
It's my next call. | 0:29:01 | 0:29:04 | |
Want to give me a hand? | 0:29:11 | 0:29:13 | |
-Excuse me. Sorry. -David? | 0:29:14 | 0:29:16 | |
What is the matter with that guy? | 0:29:17 | 0:29:20 | |
It's OK. Want me to assist? | 0:29:21 | 0:29:24 | |
The rectangular mark on his forehead is from a head torch. | 0:29:30 | 0:29:33 | |
Camera? | 0:29:37 | 0:29:39 | |
That and the torch's broken lens | 0:29:41 | 0:29:44 | |
suggests he struck something head-first with force. | 0:29:44 | 0:29:48 | |
Torch is being processed for trace. | 0:29:50 | 0:29:52 | |
There's a champignon de mousse - foam in his throat, pinkish tinge. | 0:29:56 | 0:30:00 | |
Clear hallmark of drowning. | 0:30:00 | 0:30:02 | |
Lack of oxygen, myocardial and cerebral anoxia, | 0:30:02 | 0:30:07 | |
death. | 0:30:07 | 0:30:08 | |
SIREN | 0:30:10 | 0:30:12 | |
Hey. | 0:30:17 | 0:30:18 | |
Hey. Sorry. | 0:30:18 | 0:30:21 | |
-Sorry. -It's OK. What happened? | 0:30:21 | 0:30:23 | |
Just, er, lost it a bit. | 0:30:23 | 0:30:26 | |
Right. | 0:30:27 | 0:30:29 | |
Soon as I saw the body bag, all I could think of was... | 0:30:32 | 0:30:35 | |
..when we unzipped it... | 0:30:35 | 0:30:38 | |
..it was going to be her inside and not Livtar Singh. | 0:30:38 | 0:30:40 | |
Sally? | 0:30:40 | 0:30:42 | |
Sorry. | 0:30:43 | 0:30:45 | |
OK. | 0:30:46 | 0:30:48 | |
TV: And now it's time for a news update. | 0:30:54 | 0:30:56 | |
Police are continuing the hunt for Sally Vaughan, | 0:30:56 | 0:30:58 | |
who's now been missing for five days. | 0:30:58 | 0:31:00 | |
At a press conference last night | 0:31:00 | 0:31:02 | |
detectives from the National Crime Agency | 0:31:02 | 0:31:04 | |
said they were pursuing a number of active leads | 0:31:04 | 0:31:07 | |
but refused to say if Dr Vaughan's disappearance | 0:31:07 | 0:31:10 | |
is being linked to her work as a pathologist. | 0:31:10 | 0:31:13 | |
In other news... | 0:31:13 | 0:31:15 | |
Is that really necessary? | 0:32:20 | 0:32:22 | |
You'll get them all back. | 0:32:25 | 0:32:27 | |
He... He had a shortfall in the funding. | 0:32:33 | 0:32:36 | |
His dad could've bridged the gap easily, but... | 0:32:38 | 0:32:40 | |
..Livtar could never ask for help from anyone, | 0:32:41 | 0:32:44 | |
-even though he was the first to help others. -I know the species. | 0:32:44 | 0:32:48 | |
I found it really hard. | 0:32:50 | 0:32:51 | |
When you love someone, you want to be there for them, right? | 0:32:53 | 0:32:56 | |
Right. | 0:32:58 | 0:32:59 | |
I'll...let you get on. | 0:33:02 | 0:33:05 | |
Thomas. Tox is back on Livtar Singh. | 0:33:11 | 0:33:14 | |
Interesting results. | 0:33:14 | 0:33:16 | |
High levels of alcohol in his stomach contents, | 0:33:16 | 0:33:18 | |
but almost none in his blood and urine. | 0:33:18 | 0:33:21 | |
Could he have drowned before it entered his system? | 0:33:23 | 0:33:25 | |
We'd still expect to find some alcohol in his urine. | 0:33:25 | 0:33:27 | |
-And the fact you didn't...? -Suggests the whisky | 0:33:27 | 0:33:29 | |
was tipped down his throat after he lost consciousness. | 0:33:29 | 0:33:32 | |
Well, well. | 0:33:32 | 0:33:34 | |
I think someone tried very hard | 0:33:34 | 0:33:35 | |
to make Livtar look like the author of his own demise. | 0:33:35 | 0:33:38 | |
Thank you, Emma. | 0:33:42 | 0:33:43 | |
Regina vs Henry Drake. Ring a bell? | 0:34:03 | 0:34:07 | |
No. Why would it? | 0:34:07 | 0:34:09 | |
Don't worry. We've got a resident expert. | 0:34:09 | 0:34:12 | |
18 years ago, I worked on the Valerie Drake investigation. | 0:34:15 | 0:34:19 | |
It was unusual because there was no body, | 0:34:19 | 0:34:21 | |
but the police were in no doubt her husband Henry Drake had killed her. | 0:34:21 | 0:34:24 | |
Why were they so sure? | 0:34:24 | 0:34:25 | |
No other suspects, plus we found traces of her blood | 0:34:25 | 0:34:27 | |
-and fingernails in the boot of his car. -Not enough? | 0:34:27 | 0:34:31 | |
PHONE RINGTONE: You Sexy Thing | 0:34:31 | 0:34:33 | |
No. Drake had money - and money bought him Morgan Lawson. | 0:34:36 | 0:34:39 | |
The barrister. | 0:34:39 | 0:34:41 | |
He kept drumming home the same simple mantra. | 0:34:41 | 0:34:44 | |
No body, no case. No body, no case. | 0:34:44 | 0:34:47 | |
Right. Not exactly legal argument, but it stuck | 0:34:47 | 0:34:50 | |
-and Drake was acquitted. -So what happened to him? | 0:34:50 | 0:34:52 | |
Remarried and moved to New Zealand, where he made a fortune in wine. | 0:34:52 | 0:34:55 | |
Morgan Lawson became one of the highest-paid barristers | 0:34:55 | 0:34:58 | |
in the country. Karma? | 0:34:58 | 0:35:00 | |
It's a myth. | 0:35:00 | 0:35:01 | |
So what do we think of this note? | 0:35:03 | 0:35:05 | |
It says, "I can make you disappear and get away with it." | 0:35:05 | 0:35:08 | |
-Threat? -Maybe. | 0:35:08 | 0:35:10 | |
The Drake case was national news, | 0:35:10 | 0:35:12 | |
doesn't exactly narrow down the sender. | 0:35:12 | 0:35:14 | |
And I've processed the note - no prints except Livtar's own. | 0:35:14 | 0:35:18 | |
PHONE ALERT | 0:35:18 | 0:35:20 | |
Bollocks. | 0:35:20 | 0:35:22 | |
Excuse me. Just going to pop out for five minutes. | 0:35:22 | 0:35:25 | |
Excuse me. | 0:35:29 | 0:35:31 | |
Come on, come on... | 0:35:37 | 0:35:39 | |
-Bernhardt. -It's Nikki. | 0:35:40 | 0:35:41 | |
David just got a text and walked out of a police briefing. | 0:35:41 | 0:35:44 | |
I need you to keep eyes on him. | 0:35:44 | 0:35:45 | |
-Well, I can't. -Nikki, please. | 0:35:45 | 0:35:47 | |
He could be going to find Sally. | 0:35:47 | 0:35:50 | |
We might not get another chance. | 0:35:51 | 0:35:53 | |
DOOR CLOSES | 0:36:56 | 0:36:57 | |
CAMERA CLICKS | 0:37:34 | 0:37:36 | |
I've been processing the evidence | 0:37:40 | 0:37:42 | |
you brought back from the Singh house. | 0:37:42 | 0:37:44 | |
I recovered data from the USB in Livtar's drawer. | 0:37:44 | 0:37:48 | |
Simplest if I just show you what's on it. | 0:37:48 | 0:37:50 | |
Who is this woman? | 0:37:58 | 0:37:59 | |
And who was she to Livtar Singh? | 0:37:59 | 0:38:02 | |
Flowers and teddy bears... | 0:38:04 | 0:38:06 | |
Any ideas on location? | 0:38:07 | 0:38:09 | |
Well, I'm working on the shop fronts visible in the background. | 0:38:09 | 0:38:12 | |
She's pretty. | 0:38:12 | 0:38:13 | |
I've also sourced the white fragments | 0:38:15 | 0:38:18 | |
embedded in Livtar's head torch. | 0:38:18 | 0:38:20 | |
Barium metaborate. | 0:38:20 | 0:38:22 | |
-Anti-rust paint? -Yeah. | 0:38:22 | 0:38:25 | |
I assumed it was grit from the dam wall. | 0:38:25 | 0:38:27 | |
Anything painted white at the scene he might've run into? | 0:38:27 | 0:38:30 | |
Some missing paint chips consistent with Livtar's head torch | 0:38:31 | 0:38:34 | |
striking the gate. | 0:38:34 | 0:38:36 | |
Also traces of glass or plastic on the ground. | 0:38:36 | 0:38:40 | |
-From the head torch...? -I'll be pissed off if they're not. | 0:38:40 | 0:38:42 | |
Yeah. I've got to say you've seemed rather pissed off most of the day. | 0:38:42 | 0:38:45 | |
I should have seen this the first time. | 0:38:46 | 0:38:48 | |
You've seen it now. That's the important thing. | 0:38:48 | 0:38:50 | |
It's good. | 0:38:50 | 0:38:52 | |
So he hits the gate face-first coming from this direction... | 0:38:53 | 0:38:57 | |
So he was heading back to his car. | 0:38:57 | 0:38:58 | |
Running back, given the impact. | 0:38:58 | 0:39:00 | |
And if he was looking round as he ran, | 0:39:00 | 0:39:02 | |
explains why he didn't see it until it was too late, | 0:39:02 | 0:39:04 | |
even with a head torch. | 0:39:04 | 0:39:05 | |
-Begging the question... -What was he running from? | 0:39:05 | 0:39:08 | |
I told you. I don't know her. | 0:39:16 | 0:39:18 | |
Are you sure, Emma? | 0:39:18 | 0:39:20 | |
Yes, I'm sure. | 0:39:20 | 0:39:22 | |
Look, what am I doing in a police station? | 0:39:22 | 0:39:25 | |
I'm sorry, Emma. But you say you don't know this woman. | 0:39:25 | 0:39:27 | |
You say you don't know why Livtar went off on midnight drives | 0:39:27 | 0:39:30 | |
or why he bought flowers or teddy bears | 0:39:30 | 0:39:32 | |
or why he drank whisky back in the day... | 0:39:32 | 0:39:34 | |
What is your point? | 0:39:34 | 0:39:36 | |
I'm just trying to find out what happened to your husband. | 0:39:38 | 0:39:40 | |
You think this wasn't an accident? | 0:39:45 | 0:39:47 | |
That's why you're in a police station. | 0:39:47 | 0:39:50 | |
-He's right. -Huh? -It's no big deal you missed the gate. | 0:39:56 | 0:40:00 | |
-Out of character, though. -I was distracted. | 0:40:00 | 0:40:03 | |
That's what I mean. Out of character. | 0:40:03 | 0:40:05 | |
What do you want, Nikki? | 0:40:05 | 0:40:07 | |
I want to know why you missed the gate. | 0:40:07 | 0:40:08 | |
-I told you. -The real reason. -I missed it cos I was thinking, | 0:40:08 | 0:40:11 | |
"Why is Nikki back when she's so clearly not ready?" | 0:40:11 | 0:40:15 | |
How would you know? You haven't seen me in months. | 0:40:15 | 0:40:18 | |
-Sorry. -I don't want an apology. | 0:40:20 | 0:40:23 | |
I just want to understand why. Why you haven't seen me. | 0:40:23 | 0:40:27 | |
-Why do you think? -I don't know! | 0:40:27 | 0:40:29 | |
-It's a genuine question... -I was supposed... | 0:40:29 | 0:40:31 | |
I went out there to find you. | 0:40:34 | 0:40:36 | |
To bring you home. | 0:40:38 | 0:40:39 | |
I failed. | 0:40:39 | 0:40:41 | |
Jack...that's nuts. | 0:40:43 | 0:40:46 | |
You're here. I'm here. | 0:40:46 | 0:40:49 | |
-We made it. You saved the lives of... -Please stop. | 0:40:49 | 0:40:52 | |
Jack, you've got nothing to prove. | 0:40:57 | 0:41:00 | |
Nothing. | 0:41:01 | 0:41:02 | |
Get a room! | 0:41:04 | 0:41:06 | |
Check this out. | 0:41:08 | 0:41:09 | |
So, came through here. | 0:41:19 | 0:41:22 | |
Got various broken branches, got trampled ground. | 0:41:22 | 0:41:25 | |
That gave me a reverse path round to... | 0:41:25 | 0:41:29 | |
..this. | 0:41:30 | 0:41:31 | |
I didn't bag it, cos, well, that's your bag. | 0:41:33 | 0:41:35 | |
You're on fire, David. | 0:41:35 | 0:41:37 | |
So you say there was a problem with the contractors. Anything specific? | 0:41:40 | 0:41:43 | |
Not really. | 0:41:43 | 0:41:45 | |
But they knew he had a launch date that he needed to hit | 0:41:45 | 0:41:49 | |
and they dragged their heels. | 0:41:49 | 0:41:50 | |
At the fundraiser I had to leave early | 0:41:52 | 0:41:54 | |
to take my daughter to an appointment. | 0:41:54 | 0:41:57 | |
I went to say goodbye to Livtar and I found him | 0:41:57 | 0:41:59 | |
in the spa with this man who was obviously giving him grief. | 0:41:59 | 0:42:02 | |
Do you know what about? | 0:42:04 | 0:42:06 | |
Money, I think. | 0:42:06 | 0:42:09 | |
Anyway, the guy was dodgy. | 0:42:10 | 0:42:12 | |
As soon as he saw me coming | 0:42:12 | 0:42:14 | |
he picked up some plans that were lying around. | 0:42:14 | 0:42:17 | |
But it was bullshit. | 0:42:17 | 0:42:19 | |
He was holding them upside down. | 0:42:19 | 0:42:21 | |
He said something like, "It's one thing asking for money | 0:42:21 | 0:42:25 | |
"for yourself, but asking for it for her is something else." | 0:42:25 | 0:42:29 | |
I know it doesn't make any sense. | 0:42:30 | 0:42:32 | |
Who was the her? | 0:42:32 | 0:42:33 | |
I don't know. | 0:42:35 | 0:42:37 | |
And you didn't ask Livtar about it? | 0:42:37 | 0:42:39 | |
I never got a chance. | 0:42:40 | 0:42:42 | |
OK. Will do. Thanks, Heidi. | 0:42:45 | 0:42:47 | |
-Where's Jack? -Went back to the reservoir. | 0:42:49 | 0:42:52 | |
Why? | 0:42:54 | 0:42:55 | |
-Thinks he might've missed something. -And did he? | 0:42:55 | 0:42:58 | |
What are you after? | 0:43:00 | 0:43:01 | |
Clarissa... | 0:43:01 | 0:43:03 | |
I think he was a bit thrown by Nikki coming back. | 0:43:03 | 0:43:07 | |
Sally Vaughan must be dragging it all up for her. | 0:43:07 | 0:43:11 | |
What did you need Jack for? | 0:43:12 | 0:43:14 | |
Secure some plans from Livtar's club, | 0:43:14 | 0:43:16 | |
-see if we can lift fingerprints. -OK. I can do that. | 0:43:16 | 0:43:20 | |
Right. Good. | 0:43:20 | 0:43:23 | |
Go carefully - it's still a building site. | 0:43:24 | 0:43:26 | |
Good day's work. Fancy a beer later? | 0:43:29 | 0:43:32 | |
Nice offer, but...knackered. | 0:43:32 | 0:43:35 | |
-OK, raincheck? -Raincheck. -Raincheck. | 0:43:35 | 0:43:39 | |
PHONE VIBRATES | 0:43:43 | 0:43:45 | |
Hello? | 0:43:48 | 0:43:49 | |
Sally's phone just came back online for 30 seconds. | 0:43:49 | 0:43:52 | |
-You're kidding! -Is David Cannon with you? | 0:43:52 | 0:43:55 | |
Yes. | 0:43:56 | 0:43:58 | |
The phone pinged a mast in North Kent. | 0:43:58 | 0:44:00 | |
One mast means no exact location, but Cannon's definitely with you? | 0:44:00 | 0:44:04 | |
-Yes. -Great. Thanks, Nikki. | 0:44:04 | 0:44:06 | |
Just the one, then. | 0:44:11 | 0:44:12 | |
Yeah. | 0:44:12 | 0:44:14 | |
Can I help you with something? | 0:45:09 | 0:45:11 | |
You do know you're on private property? | 0:45:11 | 0:45:14 | |
Excuse me. | 0:45:19 | 0:45:20 | |
OK, so we've traced the signal from Sally's phone to a farm. | 0:45:35 | 0:45:39 | |
Angus Merrick. Why do I know that name? | 0:45:43 | 0:45:46 | |
Shit. | 0:45:49 | 0:45:50 | |
He's not going to come quietly. | 0:45:50 | 0:45:52 | |
-Mobilise Firearms, be discreet. -Sir. | 0:45:53 | 0:45:57 | |
Well, it's really good of you to help us out, David. | 0:46:00 | 0:46:02 | |
Don't be daft. You're helping me. | 0:46:02 | 0:46:05 | |
I was worried about you earlier. | 0:46:05 | 0:46:07 | |
-Why? -You disappeared again. | 0:46:08 | 0:46:11 | |
Did I? | 0:46:11 | 0:46:12 | |
Yeah, yeah, I went to see... Gwen Blair. Our lab technician. | 0:46:13 | 0:46:17 | |
-I thought maybe she'd have some news about Sally. -Did she? | 0:46:17 | 0:46:21 | |
Did you and Sally see each other much outside of work? | 0:46:26 | 0:46:29 | |
No. Not lately. | 0:46:29 | 0:46:31 | |
Used to. When I got divorced... | 0:46:31 | 0:46:33 | |
She's a bloody good listener. | 0:46:33 | 0:46:36 | |
Yeah, she is. | 0:46:36 | 0:46:38 | |
Can I tell you something? | 0:46:38 | 0:46:40 | |
In confidence. | 0:46:40 | 0:46:41 | |
Sure. | 0:46:41 | 0:46:43 | |
When I last saw Sally... | 0:46:44 | 0:46:46 | |
..we argued. | 0:46:46 | 0:46:48 | |
Right. | 0:46:48 | 0:46:50 | |
Well, Jack and I fight sometimes. | 0:46:52 | 0:46:54 | |
No, I mean a proper, full-on, stand-up row. | 0:46:54 | 0:46:56 | |
About what? | 0:46:56 | 0:46:58 | |
About the lab. You know she was selling the lab. | 0:46:58 | 0:47:01 | |
And I wanted her to make it over to me. | 0:47:02 | 0:47:05 | |
She'd be a sleeping partner. | 0:47:05 | 0:47:06 | |
She could keep her hand in if she wanted... | 0:47:06 | 0:47:08 | |
-That doesn't sound like a terrible idea. -No, it wasn't. | 0:47:08 | 0:47:10 | |
She thought it was. | 0:47:10 | 0:47:11 | |
And that's what you rowed about? | 0:47:11 | 0:47:13 | |
Yeah. We made the lab together. | 0:47:13 | 0:47:15 | |
You know, I did everything to help her with it. | 0:47:15 | 0:47:18 | |
But she owned it all on paper. Every brick. | 0:47:18 | 0:47:20 | |
She could be stubborn. | 0:47:20 | 0:47:22 | |
Yeah. So can I, believe me. | 0:47:22 | 0:47:25 | |
I should've let it drop. | 0:47:26 | 0:47:28 | |
-I didn't have the right. -Did you tell the police? | 0:47:28 | 0:47:30 | |
Of course. | 0:47:32 | 0:47:33 | |
And they said the same - I shouldn't beat myself up about it. | 0:47:33 | 0:47:36 | |
I'm going to nip to the loo. Excuse me. | 0:47:38 | 0:47:40 | |
PAPER UNFOLDING | 0:47:59 | 0:48:01 | |
CAMERA CLICKS | 0:48:15 | 0:48:17 | |
VIBRATING ALERT | 0:48:19 | 0:48:20 | |
-Hello? -Hi, Nikki, it's Bernhardt. | 0:48:22 | 0:48:24 | |
Listen. The woman that Cannon met earlier - | 0:48:24 | 0:48:27 | |
she gave him a map of Sally's village. | 0:48:27 | 0:48:29 | |
We traced her phone to a farm in Kent. | 0:48:29 | 0:48:32 | |
Angus Merrick - ring any bells? | 0:48:32 | 0:48:34 | |
No. | 0:48:34 | 0:48:36 | |
His brother Craig was killed in a high-speed police chase last year. | 0:48:36 | 0:48:39 | |
Angus blamed them and then didn't want a pathologist | 0:48:39 | 0:48:42 | |
adding insult to injury by cutting up his brother. | 0:48:42 | 0:48:44 | |
Sally did the postmortem? | 0:48:44 | 0:48:46 | |
Sorry, I'm going to have to go. I'll call you back. | 0:48:46 | 0:48:49 | |
Thanks. Bye. | 0:48:49 | 0:48:50 | |
Everything OK? | 0:48:50 | 0:48:51 | |
Yeah. Sorry, where were we? | 0:48:51 | 0:48:54 | |
FRUSTRATED SHOUT | 0:49:05 | 0:49:06 | |
Nikki? | 0:49:10 | 0:49:11 | |
Nikki! | 0:49:12 | 0:49:14 | |
-Hello, mate. -All right? -What brings you here? | 0:49:45 | 0:49:47 | |
Fancy a couple of rounds yourself? | 0:49:47 | 0:49:50 | |
I've got a slot Friday night. | 0:49:50 | 0:49:53 | |
Yeah. Why not? | 0:49:55 | 0:49:57 | |
Angus Merrick! | 0:50:17 | 0:50:19 | |
We just want to talk, Angus. | 0:50:55 | 0:50:57 | |
Yeah - like you wanted to talk to my brother! | 0:50:57 | 0:51:00 | |
We need to know Sally's safe. | 0:51:02 | 0:51:04 | |
I don't know any Sally! | 0:51:04 | 0:51:06 | |
That's not true, is it, Angus? | 0:51:06 | 0:51:09 | |
SHOTGUN BLAST | 0:51:09 | 0:51:11 | |
GUNSHOT | 0:51:11 | 0:51:12 | |
Go, go, go! | 0:51:13 | 0:51:15 | |
Call Sally's mobile. | 0:51:15 | 0:51:16 | |
PHONE RINGING | 0:51:23 | 0:51:24 | |
TYPING | 0:52:42 | 0:52:43 | |
PHONE VIBRATING | 0:53:03 | 0:53:04 | |
-Hello? -Hi, Nikki, it's Bernhardt. | 0:53:09 | 0:53:11 | |
-Have you found her? -No, but we've got him. | 0:53:11 | 0:53:13 | |
How do you know it's him? | 0:53:13 | 0:53:14 | |
Merrick had her phone. Blood on the screen matches Sally's. | 0:53:14 | 0:53:17 | |
Christ. | 0:53:19 | 0:53:20 | |
David Cannon was a blind alley - sorry. | 0:53:21 | 0:53:24 | |
I've ID'd the man Emma saw arguing with Livtar. | 0:53:37 | 0:53:40 | |
Gary Hadlow - loan shark and bouncer. | 0:53:40 | 0:53:43 | |
He was at the club yesterday - I saw him. | 0:53:43 | 0:53:46 | |
-What were you doing there? -My job. | 0:53:46 | 0:53:48 | |
-Why were his prints on file? -He has form for GBH. | 0:53:48 | 0:53:51 | |
I've been over Livtar's phone records - | 0:53:51 | 0:53:54 | |
there's calls to and from Hadlow's mobile in the past month. | 0:53:54 | 0:53:58 | |
Loan shark? | 0:53:58 | 0:54:00 | |
We know Livtar had some issues with some contractors. | 0:54:00 | 0:54:03 | |
Sir, we should bring Hadlow in now. | 0:54:03 | 0:54:05 | |
And hit him with what? Making phone calls? | 0:54:05 | 0:54:08 | |
We can't even place him at the reservoir. | 0:54:08 | 0:54:10 | |
No - but somebody breached that fence. | 0:54:10 | 0:54:12 | |
This snagged material contains neoprene, a synthetic rubber. | 0:54:12 | 0:54:17 | |
Neoprene finger ridges are found in army tactical gloves. | 0:54:17 | 0:54:21 | |
-It was a good find. -David's find. I just ran it. | 0:54:21 | 0:54:24 | |
Don't...don't we need to focus on the gap between | 0:54:24 | 0:54:27 | |
Livtar leaving the service station and getting to the reservoir? | 0:54:27 | 0:54:30 | |
Where did he go in that half an hour? | 0:54:30 | 0:54:32 | |
What did he do with the flowers and the toy? | 0:54:32 | 0:54:34 | |
We might have a few ideas about that. | 0:54:34 | 0:54:36 | |
Clarissa looked at the grey powder on the bottom of Livtar's shoes. | 0:54:36 | 0:54:39 | |
It's significantly degraded amorphous carbon. | 0:54:39 | 0:54:42 | |
Ash, basically. | 0:54:42 | 0:54:44 | |
Would you do me the honours? | 0:54:44 | 0:54:46 | |
Given the limits of where Livtar could've gone in 30 minutes, | 0:54:46 | 0:54:48 | |
we have a best guess. | 0:54:48 | 0:54:51 | |
-Yeah, it's the globe, isn't it? -Yeah. -Here you go. | 0:54:51 | 0:54:54 | |
Maitland Salt Factory, which burned to the ground in '85. | 0:54:54 | 0:54:58 | |
Necklace is quite distinctive. | 0:55:55 | 0:55:57 | |
Might help with the ID. | 0:56:00 | 0:56:02 | |
Look at that. | 0:56:05 | 0:56:07 | |
CAMERA SHUTTER CLICKS | 0:56:09 | 0:56:11 | |
Any idea how long we're talking? | 0:56:11 | 0:56:13 | |
Ten years? Maybe more. | 0:56:14 | 0:56:16 | |
Livtar knew where they were buried. | 0:56:19 | 0:56:21 | |
Look at this. | 0:56:25 | 0:56:26 | |
DISTANT SCREAM | 0:56:33 | 0:56:34 | |
# Testator silens | 0:57:11 | 0:57:18 | |
# Costestes e spiritu | 0:57:20 | 0:57:28 | |
# Silencium. # | 0:57:28 | 0:57:39 |