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-Where's Sally? What's going on? -I'm afraid she's gone missing. | 0:00:02 | 0:00:04 | |
-David Cannon. -Is he a suspect? -You could help us keep an eye on him. | 0:00:04 | 0:00:07 | |
How would you feel about coming to work at the Lyell for a bit? | 0:00:07 | 0:00:09 | |
Seriously? | 0:00:09 | 0:00:11 | |
We traced her phone to a farm in Kent. | 0:00:12 | 0:00:14 | |
-Just want to talk, Angus! -We need to know Sally's safe! | 0:00:14 | 0:00:17 | |
GUNSHOT | 0:00:17 | 0:00:18 | |
Got a preliminary ID from his wallet. | 0:00:20 | 0:00:22 | |
Livtar Singh. | 0:00:22 | 0:00:23 | |
Do you think it's our fault? | 0:00:23 | 0:00:25 | |
Probably. | 0:00:25 | 0:00:26 | |
Regina vs Henry Drake. | 0:00:26 | 0:00:28 | |
Drake had money. And money bought him Morgan Lawson. | 0:00:28 | 0:00:31 | |
No body, no case. | 0:00:31 | 0:00:32 | |
Who was this woman? | 0:00:32 | 0:00:34 | |
And who was she to Livtar Singh? | 0:00:34 | 0:00:36 | |
Before Livtar drove to the reservoir, he stopped off at a garage | 0:00:36 | 0:00:39 | |
and made some purchases. | 0:00:39 | 0:00:40 | |
He bought two bunches of flowers and a teddy bear. | 0:00:40 | 0:00:43 | |
-Any idea how long we're talking? -10 years. Maybe more. | 0:00:43 | 0:00:45 | |
Look at this. | 0:00:45 | 0:00:47 | |
WOMAN SCREAMS | 0:00:47 | 0:00:49 | |
Morphology of the pelvic bone suggests one adult male | 0:01:37 | 0:01:40 | |
and one adult female. | 0:01:40 | 0:01:41 | |
And I would say the infant was approximately a year old. | 0:01:42 | 0:01:45 | |
DNA will tell us the sex. | 0:01:45 | 0:01:47 | |
-You all right? -Hmm. | 0:01:55 | 0:01:57 | |
Kids. Can't get used to it. | 0:01:58 | 0:02:02 | |
No. Me neither. | 0:02:03 | 0:02:05 | |
Got a possible ID on the necklace recovered from the female. | 0:02:05 | 0:02:08 | |
Good work. | 0:02:08 | 0:02:10 | |
Greg, Suzie and Fiona Tudor. Disappeared August 2001. | 0:02:10 | 0:02:12 | |
PHONE BEEPS | 0:02:12 | 0:02:15 | |
When am I going to get DNA confirmation? | 0:02:15 | 0:02:17 | |
-Close of play today. -Ow! | 0:02:17 | 0:02:20 | |
You all right? | 0:02:20 | 0:02:22 | |
Plasters. In the back of my car. | 0:02:22 | 0:02:25 | |
Thanks. | 0:02:25 | 0:02:26 | |
What happened to the bike? | 0:02:26 | 0:02:28 | |
Rode it to Istanbul last year. Back down the garage. | 0:02:28 | 0:02:32 | |
Hi, Nikki, it's Bernhardt. | 0:02:35 | 0:02:38 | |
Hi. Is there news on Sally? | 0:02:38 | 0:02:40 | |
No. I'm sorry. Merrick's still under. | 0:02:40 | 0:02:42 | |
-But he does have her address. -How did he get her home address? | 0:02:42 | 0:02:45 | |
I don't know. I'll ask him when he wakes up. | 0:02:45 | 0:02:48 | |
Where are you? | 0:02:48 | 0:02:49 | |
Crime scene. We've had a breakthrough on a case. | 0:02:49 | 0:02:52 | |
Thanks for coming in, Mick. | 0:04:43 | 0:04:45 | |
Sorry it's such short notice. | 0:04:45 | 0:04:47 | |
It's about the Tudor case - that's all they'd tell me. | 0:04:47 | 0:04:49 | |
Back in 2001 you led the homicide team, correct? | 0:04:51 | 0:04:54 | |
-Have you got him? -Who? | 0:04:54 | 0:04:56 | |
Greg Tudor. Have you got him? | 0:04:56 | 0:04:59 | |
We've found his body. | 0:05:05 | 0:05:07 | |
Buried alongside his wife and daughter. | 0:05:08 | 0:05:11 | |
What...? | 0:05:12 | 0:05:13 | |
Greg Tudor didn't kill Suzie and Fiona. | 0:05:13 | 0:05:16 | |
How long were you looking for him? | 0:05:44 | 0:05:46 | |
Ten years. | 0:05:47 | 0:05:49 | |
Took early retirement in '03 so that I could do it properly. | 0:05:49 | 0:05:54 | |
Cost me everything. | 0:05:56 | 0:05:58 | |
Why were you so sure it was Greg? | 0:05:58 | 0:06:01 | |
Violent man. Wicked temper. | 0:06:01 | 0:06:06 | |
He was beating Suzie up throughout their marriage. | 0:06:06 | 0:06:10 | |
Had a suspended sentence to prove it. | 0:06:10 | 0:06:12 | |
If I was to read this cover to cover, | 0:06:16 | 0:06:19 | |
would I come across the name Livtar Singh? | 0:06:19 | 0:06:22 | |
No. | 0:06:26 | 0:06:28 | |
Right, I give up. What is it? | 0:06:33 | 0:06:35 | |
A cornea. Human. | 0:06:35 | 0:06:37 | |
Adhered to blood on plastic sheeting in the boot of David's car. | 0:06:39 | 0:06:42 | |
Could be accidental transfer from a crime scene. | 0:06:45 | 0:06:49 | |
I know. And it could be Sally's. | 0:06:49 | 0:06:51 | |
Nikki. | 0:06:51 | 0:06:52 | |
I just want to know for sure. | 0:06:56 | 0:06:58 | |
I thought you said they had someone in custody? | 0:06:58 | 0:07:00 | |
They haven't charged him yet. | 0:07:00 | 0:07:02 | |
All right, we'll run DNA. But after that, we're done. | 0:07:04 | 0:07:06 | |
-I am sending him packing. -What...? | 0:07:06 | 0:07:08 | |
We have a triple murder on our hands, Nikki. | 0:07:08 | 0:07:10 | |
This is a distraction we can't afford. | 0:07:10 | 0:07:12 | |
-The fact Sally's your friend doesn't change that. -One more day. | 0:07:12 | 0:07:15 | |
-No. -I asked him where he went in such a hurry yesterday. | 0:07:15 | 0:07:17 | |
He said to meet Gwen, his lab assistant, | 0:07:17 | 0:07:20 | |
-to ask if she had news of Sally. -So? | 0:07:20 | 0:07:22 | |
The woman he met was young enough to be her daughter. | 0:07:26 | 0:07:29 | |
-Why would he lie? -I don't know. Lovers' tiff? | 0:07:29 | 0:07:32 | |
-He's a good-looking bloke. -She passed him a map of the lanes near Sally's house. -Come on! | 0:07:32 | 0:07:36 | |
I just need to know it's not him. | 0:07:36 | 0:07:38 | |
But if there's a chance he's involved, | 0:07:38 | 0:07:40 | |
we have to see this through. | 0:07:40 | 0:07:41 | |
Right. One more day. | 0:07:44 | 0:07:46 | |
Are you all right, Nikki? | 0:07:49 | 0:07:50 | |
I mean, are you happy to do PMs, I mean...with him? | 0:07:51 | 0:07:55 | |
Yes. I'm fine. | 0:07:55 | 0:07:56 | |
It's easier when we're busy. | 0:07:56 | 0:07:59 | |
DNA matches samples on file with Greg, Suzie and Fiona Tudor. | 0:08:02 | 0:08:07 | |
No question it's them. | 0:08:07 | 0:08:09 | |
All three bodies are skeletonised but high levels of saline | 0:08:10 | 0:08:14 | |
in the soil have led to good preservation of the bones. | 0:08:14 | 0:08:17 | |
Greg Tudor was wearing polyester hiking gear | 0:08:17 | 0:08:19 | |
so most of the material's survived intact. | 0:08:19 | 0:08:22 | |
Evidence of a massive blow to the top and rear of his head. | 0:08:22 | 0:08:26 | |
Given that Greg's about...six foot, well-built, then | 0:08:26 | 0:08:31 | |
I think there's a fair chance that his assailant was tall and strong. | 0:08:31 | 0:08:35 | |
It's also possible he was sitting down when he was attacked. | 0:08:35 | 0:08:38 | |
-Or was taken by surprise. -Mm-hm. | 0:08:38 | 0:08:40 | |
Skull and likely attendant brain injuries are of such gravity | 0:08:40 | 0:08:45 | |
that death would have been almost instantaneous. | 0:08:45 | 0:08:48 | |
And we found something long and sharp embedded in the scalp. | 0:08:48 | 0:08:51 | |
Looks like a splinter. | 0:08:53 | 0:08:55 | |
What we've also got - | 0:08:55 | 0:08:57 | |
across the right hand | 0:08:57 | 0:08:58 | |
we've got a lot of unhealed fractures, | 0:08:58 | 0:09:01 | |
one complete finger break and also | 0:09:01 | 0:09:04 | |
the knuckles here, they bear traces | 0:09:04 | 0:09:07 | |
of what looks to be like rusted metal. | 0:09:07 | 0:09:10 | |
So...shortly before he died, | 0:09:10 | 0:09:13 | |
his hand connected to steel of some kind? | 0:09:13 | 0:09:16 | |
-A punch, maybe? -Who punches steel? | 0:09:16 | 0:09:19 | |
You might have to if your assailant was wearing this. | 0:09:19 | 0:09:22 | |
This is it. | 0:09:42 | 0:09:44 | |
The Tudors were staying here when they disappeared. | 0:09:44 | 0:09:47 | |
Has it changed much? | 0:09:47 | 0:09:49 | |
No. | 0:09:49 | 0:09:50 | |
So, what, they were on holiday? | 0:09:50 | 0:09:52 | |
Greg Tudor was Surrey born-and-bred but he settled in Glasgow. | 0:09:52 | 0:09:56 | |
His wife Suzie's hometown? | 0:09:56 | 0:09:58 | |
Right. Every August they'd travel south to see his relatives. | 0:09:58 | 0:10:03 | |
Creature of habit was our Greg. | 0:10:03 | 0:10:06 | |
I'm going to set up a video link for us to watch the PM. | 0:10:06 | 0:10:09 | |
Jack? We're... We're here. | 0:10:13 | 0:10:15 | |
OK. Tell us about the knife. | 0:10:15 | 0:10:17 | |
You asked me why I suspected Greg? Wasn't just his record. | 0:10:20 | 0:10:25 | |
We found the knife in the boot of Greg's car about five miles | 0:10:26 | 0:10:30 | |
south of here, right behind a truck stop. | 0:10:30 | 0:10:33 | |
Fingerprints? | 0:10:33 | 0:10:35 | |
Just Greg's - and the blood was Suzie's. | 0:10:35 | 0:10:38 | |
Good, clear set. | 0:10:43 | 0:10:45 | |
Don't look planted after-the-fact. | 0:10:45 | 0:10:47 | |
Hmm, there's the knife. Lot of blood on the handle, too. | 0:10:47 | 0:10:51 | |
Nikki, any indication Suzie Tudor was stabbed? | 0:10:51 | 0:10:54 | |
None. | 0:10:54 | 0:10:55 | |
And no tears or spatter on what's left of her clothing either. | 0:10:55 | 0:10:58 | |
I can see your logic about the truck stop. | 0:10:58 | 0:11:02 | |
It's a perfect place to hitch a ride. | 0:11:02 | 0:11:04 | |
Even out of the country. | 0:11:04 | 0:11:05 | |
Thanks...but you don't have to be kind just because I was wrong. | 0:11:05 | 0:11:09 | |
Suzie Tudor also bears a severe depressed fracture to the | 0:11:11 | 0:11:15 | |
front of the skull. This injury is also studded with wooden | 0:11:15 | 0:11:19 | |
splinters but smaller than Greg's. | 0:11:19 | 0:11:21 | |
Makes sense. | 0:11:21 | 0:11:23 | |
We found traces of Suzie's blood and hair on the leg of a coffee table. | 0:11:23 | 0:11:28 | |
What was your theory at the time? | 0:11:28 | 0:11:31 | |
Greg and Suzie had a row, she ran to the bedroom, | 0:11:31 | 0:11:34 | |
he pushed her over or she tripped and hit her head on the leg. | 0:11:34 | 0:11:40 | |
That makes sense. | 0:11:40 | 0:11:42 | |
Suzie has an unhealed fracture to her right ankle, | 0:11:42 | 0:11:45 | |
suggesting the injury was sustained prior to her death. | 0:11:45 | 0:11:48 | |
What about cause of death? | 0:11:48 | 0:11:50 | |
I would say, probably, same as her husband. | 0:11:50 | 0:11:54 | |
Blow to the head. | 0:11:54 | 0:11:56 | |
What about Greg? | 0:11:56 | 0:11:57 | |
He had a bigger head injury so where's the blood? | 0:11:57 | 0:12:00 | |
Not inside the house. | 0:12:00 | 0:12:01 | |
You checked outside? | 0:12:01 | 0:12:03 | |
-Of course we checked outside. -Right, OK. | 0:12:03 | 0:12:06 | |
So we've got Greg attacked first... | 0:12:06 | 0:12:09 | |
probably outside...Suzie comes rushing in to save her baby. | 0:12:09 | 0:12:12 | |
Fiona's body bears no broken bones... | 0:12:12 | 0:12:14 | |
..or even damaged bones. Light blue fibres are attached to | 0:12:14 | 0:12:20 | |
a broken nail on her right hand. | 0:12:20 | 0:12:22 | |
Have a look at this. | 0:12:23 | 0:12:25 | |
This was taken the morning that she disappeared. | 0:12:25 | 0:12:28 | |
It's possible that the blue fibres came from this blue blanket. | 0:12:30 | 0:12:34 | |
When she was found, her right hand was positioned near her mouth. | 0:12:34 | 0:12:37 | |
Which only really leaves the question - | 0:12:37 | 0:12:39 | |
could saliva be an effective adhesive? | 0:12:39 | 0:12:41 | |
Maybe if it was mixed with blood. | 0:12:41 | 0:12:44 | |
Jack? | 0:12:44 | 0:12:46 | |
Is there a blue blanket in the scene photos? | 0:12:46 | 0:12:48 | |
-Mick? -No. | 0:12:48 | 0:12:50 | |
No, no sign of a blanket. | 0:12:50 | 0:12:52 | |
So we can't say definitively but given the fibres | 0:12:52 | 0:12:56 | |
attached to the nail and the absence of injuries...I'd say it's possible | 0:12:56 | 0:13:01 | |
that Fiona was clawing at the blanket | 0:13:01 | 0:13:04 | |
while she was being suffocated. | 0:13:04 | 0:13:06 | |
Is there a next-of-kin? | 0:13:09 | 0:13:11 | |
Anyone else we should contact? | 0:13:11 | 0:13:13 | |
Greg and Suzie had another daughter - Jane. | 0:13:13 | 0:13:17 | |
Where was she that night? | 0:13:17 | 0:13:19 | |
Stayed behind in Glasgow with her grandparents. | 0:13:19 | 0:13:21 | |
What happened to her? | 0:13:21 | 0:13:23 | |
Her grandparents made a good fist of bringing her up | 0:13:24 | 0:13:26 | |
but when they died... | 0:13:26 | 0:13:28 | |
..bounced from foster home to foster home. | 0:13:28 | 0:13:31 | |
By her 16th birthday, she had a record for drugs and soliciting. | 0:13:31 | 0:13:35 | |
See you back at the Lyell. | 0:13:37 | 0:13:38 | |
Sally Vaughan drives a red Merc. | 0:13:44 | 0:13:46 | |
-I want a comparison by close of play. -Sir. | 0:13:46 | 0:13:49 | |
DOG BARKS | 0:13:52 | 0:13:54 | |
Is it her? | 0:14:07 | 0:14:09 | |
Yes, sir. | 0:14:09 | 0:14:10 | |
HE HUMS TO HIMSELF | 0:14:15 | 0:14:17 | |
Just out of interest...how did you know that Woodlands was closed? | 0:14:19 | 0:14:23 | |
Sorry? | 0:14:23 | 0:14:25 | |
When you came to see us, you knew our lab was shut. | 0:14:25 | 0:14:28 | |
It wasn't on the news. | 0:14:28 | 0:14:29 | |
I specifically asked the police to keep it under wraps. | 0:14:29 | 0:14:32 | |
We both use GDL Mortuary Products. | 0:14:32 | 0:14:34 | |
-One of the drivers said something. -Mm-hm. | 0:14:34 | 0:14:37 | |
Did you come back to work the same day I started? | 0:14:38 | 0:14:41 | |
Yes. | 0:14:43 | 0:14:44 | |
Jack or Clarissa spoke to the driver - they mentioned it to me. | 0:14:44 | 0:14:47 | |
PHONE BUZZES | 0:15:14 | 0:15:16 | |
Hello. | 0:15:18 | 0:15:19 | |
We've found her, Nikki. | 0:15:19 | 0:15:21 | |
We've found Sally. I'm so sorry. | 0:15:21 | 0:15:23 | |
Where? | 0:15:27 | 0:15:28 | |
The hay barn on the Merrick farm. | 0:15:28 | 0:15:31 | |
It looks like a neck break. | 0:15:47 | 0:15:49 | |
That could be a seatbelt mark. | 0:15:51 | 0:15:53 | |
Her car. | 0:15:54 | 0:15:58 | |
What the hell did Merrick do with her car? | 0:15:58 | 0:16:01 | |
Nikki. I'm really sorry. | 0:16:28 | 0:16:30 | |
When I last saw her, she was distracted. | 0:16:31 | 0:16:34 | |
She wanted to tell me something. | 0:16:34 | 0:16:36 | |
I got DNA back on the blood and the cornea. | 0:16:40 | 0:16:44 | |
Same unknown female, not Sally. | 0:16:44 | 0:16:47 | |
I'll put it through the database - might get a hit. | 0:16:47 | 0:16:51 | |
Might even tell us what it was doing in the back of David's car. | 0:16:51 | 0:16:54 | |
How did you find me? | 0:17:44 | 0:17:46 | |
Stupid question. | 0:17:47 | 0:17:48 | |
You don't need to run, Gary. | 0:17:49 | 0:17:51 | |
In fact, I'd advise against it. | 0:17:51 | 0:17:54 | |
Not that criminal law's my bag. | 0:17:54 | 0:17:56 | |
Who says I'm running? | 0:17:57 | 0:17:59 | |
Just a hunch. | 0:17:59 | 0:18:01 | |
I heard the police are treating Livtar's death as murder. | 0:18:02 | 0:18:05 | |
Did you? | 0:18:05 | 0:18:07 | |
All I can think is - who'd want to hurt Livtar? | 0:18:07 | 0:18:10 | |
And did you come up with any answers? | 0:18:10 | 0:18:14 | |
Work in progress. | 0:18:15 | 0:18:18 | |
Are you threatening me, Gary? Just so I'm clear. | 0:18:18 | 0:18:21 | |
Why? You got something to hide? | 0:18:23 | 0:18:25 | |
No more than you. | 0:18:25 | 0:18:27 | |
But you've got more to lose. Don't you, Anna? | 0:18:27 | 0:18:31 | |
BEEP | 0:18:34 | 0:18:35 | |
Is that...? | 0:19:14 | 0:19:16 | |
I'm so sorry, Nikki. | 0:19:19 | 0:19:22 | |
You don't have to be here, you know. | 0:19:24 | 0:19:26 | |
Yes, I do. | 0:19:26 | 0:19:27 | |
I need to be here and I need to stay busy | 0:19:27 | 0:19:30 | |
and you, of all people, should understand that. | 0:19:30 | 0:19:32 | |
Fair enough. | 0:19:33 | 0:19:35 | |
Does David know? | 0:19:35 | 0:19:36 | |
Not yet. | 0:19:38 | 0:19:40 | |
-So how did you get those? -I asked for them. | 0:19:41 | 0:19:43 | |
But it's not your case. | 0:19:43 | 0:19:44 | |
Jack... | 0:19:44 | 0:19:46 | |
..there's something you wanted to tell me? | 0:19:47 | 0:19:49 | |
No, it can wait. | 0:19:50 | 0:19:52 | |
Honestly. Go ahead. | 0:19:52 | 0:19:54 | |
Well... | 0:19:56 | 0:19:58 | |
..fragments from Greg's knuckles are decarburised steel | 0:19:58 | 0:20:01 | |
and match samples from the welder's mask. | 0:20:01 | 0:20:03 | |
-Right. -Decarburisation usually occurs between 900C and 950C... | 0:20:03 | 0:20:08 | |
David. | 0:20:10 | 0:20:11 | |
Sally? | 0:20:15 | 0:20:16 | |
I don't know Sally Vaughan. | 0:20:21 | 0:20:23 | |
I think you do. We found her address in your diary. | 0:20:23 | 0:20:28 | |
You threatened her because she'd "sliced and diced" your brother. | 0:20:28 | 0:20:31 | |
Your words. | 0:20:31 | 0:20:33 | |
I was angry... lashing out, that's all. | 0:20:33 | 0:20:36 | |
So why's her body on your property? | 0:20:36 | 0:20:39 | |
Someone dumped it there! | 0:20:39 | 0:20:41 | |
So why is there paint from her car all over your truck, which has | 0:20:42 | 0:20:46 | |
a broken bumper? | 0:20:46 | 0:20:47 | |
Earlier...I heard someone... | 0:20:49 | 0:20:52 | |
You "heard someone"? | 0:20:52 | 0:20:54 | |
I heard the dog barking... | 0:20:54 | 0:20:56 | |
You are going to have to do a lot better than that, Angus. | 0:20:56 | 0:20:59 | |
Then I heard a car drive off. Fast. | 0:20:59 | 0:21:01 | |
I thought it was your lot watching me. | 0:21:01 | 0:21:04 | |
Angus Merrick, I'm arresting you on suspicion of the murder of Sally Vaughan. | 0:21:04 | 0:21:07 | |
You do not have to say anything but it may harm your defence | 0:21:07 | 0:21:10 | |
if you fail to mention something you later rely upon in court. | 0:21:10 | 0:21:13 | |
We have a name on the woman from Livtar's memory stick. | 0:21:13 | 0:21:16 | |
Now I knew from phone numbers | 0:21:16 | 0:21:18 | |
and shop names in the background the pictures were from Glasgow. | 0:21:18 | 0:21:22 | |
Then when Jack mentioned the only surviving member of the Tudor | 0:21:22 | 0:21:25 | |
family had tragically gone off the rails... | 0:21:25 | 0:21:28 | |
Jane Tudor. | 0:21:28 | 0:21:29 | |
Got confirmation from her arrest sheet. | 0:21:29 | 0:21:32 | |
If Livtar was involved with the deaths of Jane's parents | 0:21:32 | 0:21:35 | |
and sister, why go after Jane? | 0:21:35 | 0:21:37 | |
Same reason he left the teddy bear and the flowers. | 0:21:38 | 0:21:41 | |
He wanted to make amends, and he's looking for forgiveness... | 0:21:43 | 0:21:46 | |
..and he can only get that from Jane. | 0:21:48 | 0:21:49 | |
Hard to ask for it without incriminating himself. | 0:21:49 | 0:21:52 | |
Unless he's trying to earn it? | 0:21:52 | 0:21:55 | |
I mean, literally, earn it? | 0:21:55 | 0:21:58 | |
What do you mean? | 0:21:59 | 0:22:01 | |
Remember what Emma told us about the row between Gary Hadlow and Livtar. | 0:22:01 | 0:22:05 | |
Hadlow said, "Asking for money for yourself is one thing, | 0:22:05 | 0:22:08 | |
"asking for money for her is something else." | 0:22:08 | 0:22:11 | |
Was "her" Jane Tudor? | 0:22:11 | 0:22:12 | |
So Livtar's asking Hadlow for money to compensate Jane? | 0:22:12 | 0:22:16 | |
Maybe Hadlow's also involved in the murders. | 0:22:16 | 0:22:19 | |
Much easier to imagine him smashing in Greg's skull than it is Livtar. | 0:22:19 | 0:22:22 | |
It would explain why he risked going back to scrub his prints... | 0:22:22 | 0:22:25 | |
Also gives him motive to kill Livtar. | 0:22:25 | 0:22:27 | |
Easy, easy. We haven't linked Hadlow to the Tudor case yet, | 0:22:27 | 0:22:30 | |
let alone anything else. | 0:22:30 | 0:22:32 | |
The splinter from Greg's skull is coated in linseed oil, | 0:22:32 | 0:22:35 | |
often found on sports equipment like cricket or baseball bats. | 0:22:35 | 0:22:39 | |
A bat could certainly do this kind of damage. | 0:22:45 | 0:22:47 | |
Elm Tree Hall, the college Livtar was attending | 0:22:49 | 0:22:52 | |
-when the Tudors went missing. -You're going there later, right? -Mm-hm. | 0:22:52 | 0:22:55 | |
The recovered traces of blood from the front of the mask - | 0:22:58 | 0:23:01 | |
enough to score a DNA match with Greg Tudor. | 0:23:01 | 0:23:04 | |
So that explains why they took it away and buried it. | 0:23:06 | 0:23:09 | |
So Greg hits the mask and breaks his fingers. | 0:23:09 | 0:23:12 | |
The mask hits back with a bat or a mallet... | 0:23:12 | 0:23:16 | |
Cracking Greg's skull. | 0:23:16 | 0:23:18 | |
Which would have caused extensive blood loss - | 0:23:18 | 0:23:20 | |
but that blood was never found. | 0:23:20 | 0:23:22 | |
It makes sense if they were trying to get rid of it. | 0:23:22 | 0:23:24 | |
-But why? -Moving Greg's car and planting the knife was a clear effort to frame him. | 0:23:24 | 0:23:28 | |
If you leave his blood back at the original crime scene, | 0:23:28 | 0:23:30 | |
then that casts serious doubt on the framing. | 0:23:30 | 0:23:33 | |
I also found some hairs that were caught in the strap. | 0:23:33 | 0:23:37 | |
Root sheath material is in poor condition but we'll try for DNA... | 0:23:37 | 0:23:42 | |
Nikki. | 0:23:42 | 0:23:43 | |
Sorry. | 0:23:46 | 0:23:47 | |
-Nice work on the splinter. -Thanks. | 0:23:49 | 0:23:51 | |
Let's hope it leads somewhere. | 0:23:52 | 0:23:55 | |
This is big now. A whole family dead. | 0:23:55 | 0:23:58 | |
-Press will be all over it. -It was big this morning. | 0:23:58 | 0:24:00 | |
They hadn't found Sally this morning, had they? | 0:24:00 | 0:24:04 | |
What? I'm fine. | 0:24:04 | 0:24:06 | |
What is it? What've you found? | 0:24:08 | 0:24:11 | |
The blood and cornea belong to a Melissa Lowell, 31. | 0:24:11 | 0:24:14 | |
Her DNA's on file thanks to a drink-driving conviction. | 0:24:14 | 0:24:17 | |
-When did she die? -Three weeks ago. Berry aneurysm. | 0:24:17 | 0:24:21 | |
Suffered facial injuries when she fell but nothing suspicious about her death. | 0:24:21 | 0:24:24 | |
But the coroner wanted a postmortem...? | 0:24:24 | 0:24:26 | |
Carried out by Sally Vaughan at Woodlands lab. | 0:24:26 | 0:24:29 | |
-Did David Cannon assist? -Not according to the file. No. | 0:24:29 | 0:24:32 | |
So how did Melissa Lowell's blood end up in his car? | 0:24:32 | 0:24:35 | |
Exactly. Does make accidental transfer less likely... | 0:24:35 | 0:24:39 | |
We need to view the body. | 0:24:40 | 0:24:42 | |
Yep. | 0:24:42 | 0:24:44 | |
Was there anything unusual about the state of Melissa Lowell's body? | 0:24:46 | 0:24:50 | |
Not that I'm aware of. | 0:24:50 | 0:24:52 | |
Do you take a lot of work from Woodlands? | 0:24:52 | 0:24:54 | |
A fair bit. | 0:24:54 | 0:24:56 | |
So you know David Cannon? | 0:24:56 | 0:24:57 | |
I knew Sally Vaughan better. | 0:24:57 | 0:25:00 | |
-Right. -Terrible thing. | 0:25:00 | 0:25:02 | |
Yes. Terrible. | 0:25:02 | 0:25:04 | |
What's your interest here? I'm confused. | 0:25:05 | 0:25:08 | |
I was Sally's friend, too. | 0:25:08 | 0:25:11 | |
I'm just trying to do my bit. | 0:25:11 | 0:25:13 | |
Take care of some of her outstanding work. | 0:25:13 | 0:25:16 | |
I see. | 0:25:16 | 0:25:18 | |
Has Melissa been buried yet? | 0:25:19 | 0:25:21 | |
I don't believe so. | 0:25:21 | 0:25:23 | |
Can we see the body? | 0:25:23 | 0:25:24 | |
I'd have to ask my daughter, Katie. | 0:25:25 | 0:25:27 | |
We offer two funeral packages here - Standard and Traditional. | 0:25:29 | 0:25:32 | |
Katie takes care of Standard and we keep things pretty separate. | 0:25:32 | 0:25:36 | |
Church and state. | 0:25:38 | 0:25:39 | |
Can we to talk to her? | 0:25:40 | 0:25:42 | |
She'll be in later - I'll have her call you. | 0:25:42 | 0:25:45 | |
Well, thanks very much. | 0:25:45 | 0:25:47 | |
Can I use your loo, please? | 0:25:47 | 0:25:49 | |
Well, of course. It's down those stairs on the left. | 0:25:49 | 0:25:53 | |
As we're taking over Sally's work, | 0:25:55 | 0:25:57 | |
we'll need you to sign our lab's terms and conditions. | 0:25:57 | 0:26:00 | |
Is that really necessary? | 0:26:00 | 0:26:03 | |
Purely a formality - but it protects us both. | 0:26:03 | 0:26:05 | |
Yes, yes, of course. | 0:26:07 | 0:26:08 | |
If you've got wi-fi up here, we could do it right now. | 0:26:08 | 0:26:11 | |
Let me see. That's the form. | 0:26:13 | 0:26:15 | |
CAMERA CLICKS | 0:27:09 | 0:27:11 | |
There. All done. | 0:27:12 | 0:27:14 | |
Thank you. | 0:27:14 | 0:27:15 | |
I think we should check where your colleague's got to. | 0:27:17 | 0:27:20 | |
Oh, no, I'm sure she'll be back in just a moment. | 0:27:20 | 0:27:23 | |
No, I think we should check. | 0:27:23 | 0:27:24 | |
Er, Mr Hawke... | 0:27:24 | 0:27:26 | |
Thanks. | 0:27:34 | 0:27:35 | |
We'll leave you in peace. | 0:27:35 | 0:27:36 | |
Here's my card. | 0:27:39 | 0:27:40 | |
Thank you. | 0:27:40 | 0:27:42 | |
So? | 0:27:48 | 0:27:49 | |
Her cornea's been surgically removed - | 0:27:49 | 0:27:52 | |
wasn't the result of any fall. | 0:27:52 | 0:27:54 | |
-Really? -Tendons in her right leg are missing, too. | 0:27:54 | 0:27:56 | |
You're kidding. | 0:27:56 | 0:27:57 | |
-That wasn't in the postmortem either? -No. | 0:27:57 | 0:28:00 | |
It was a neat, surgical job. | 0:28:00 | 0:28:02 | |
If a pathologist's stealing body parts, | 0:28:16 | 0:28:18 | |
all they've got to worry about is a watchful undertaker. | 0:28:18 | 0:28:21 | |
But if they're colluding with them... | 0:28:21 | 0:28:23 | |
Home and dry. | 0:28:23 | 0:28:25 | |
Corneas are valuable and we know that David's enterprising - | 0:28:25 | 0:28:30 | |
he tried to buy out Sally's lab. | 0:28:30 | 0:28:31 | |
What if Sally was on to him? | 0:28:31 | 0:28:34 | |
But she was found on Merrick's farm. | 0:28:34 | 0:28:36 | |
Conveniently. | 0:28:36 | 0:28:37 | |
You think Cannon put her there? | 0:28:37 | 0:28:39 | |
I think he'd know Merrick threatened Sally - | 0:28:39 | 0:28:41 | |
that he was the ideal person to frame. | 0:28:41 | 0:28:44 | |
What? | 0:28:50 | 0:28:51 | |
Nikki...? | 0:28:54 | 0:28:55 | |
That's her. The woman David met in the pub. | 0:28:56 | 0:28:59 | |
Nikki, are you sure? | 0:28:59 | 0:29:01 | |
Yes, I'm sure. | 0:29:01 | 0:29:02 | |
God, it'd be good to get hold of David's phone. | 0:29:10 | 0:29:12 | |
Now, Gwen, I appreciate this is hard for you | 0:29:14 | 0:29:17 | |
but I need to ask you some questions about Angus Merrick. | 0:29:17 | 0:29:19 | |
And specifically... | 0:29:19 | 0:29:21 | |
..did Sally mention his name recently? | 0:29:21 | 0:29:25 | |
He turned up at the lab the other day. | 0:29:25 | 0:29:27 | |
Merrick? | 0:29:27 | 0:29:28 | |
Sally would not call the police. | 0:29:28 | 0:29:30 | |
And made me promise I wouldn't either. | 0:29:30 | 0:29:32 | |
Why? | 0:29:32 | 0:29:33 | |
Sally...always wanted to... | 0:29:33 | 0:29:36 | |
..understand people. | 0:29:36 | 0:29:39 | |
She said she'd been looking into why Angus was | 0:29:39 | 0:29:42 | |
so against her carrying out his brother's PM... | 0:29:42 | 0:29:45 | |
And? | 0:29:46 | 0:29:47 | |
He believed bodily intrusion, cutting the flesh, | 0:29:47 | 0:29:51 | |
violates the human spirit. | 0:29:51 | 0:29:55 | |
Right. | 0:29:55 | 0:29:56 | |
When did Sally talk to you about this? | 0:29:57 | 0:29:58 | |
Recently. Month or so ago. | 0:29:58 | 0:30:00 | |
She hinted she might contact Merrick. | 0:30:01 | 0:30:04 | |
Well, what did you say? | 0:30:04 | 0:30:05 | |
That it was a bad idea! | 0:30:05 | 0:30:06 | |
Merrick threatened her life! | 0:30:08 | 0:30:09 | |
Why would she want anything to do with him?! | 0:30:09 | 0:30:11 | |
-Do you think she listened? -I don't know. | 0:30:14 | 0:30:16 | |
PEACOCKS HOOT | 0:30:52 | 0:30:53 | |
Where are all the pupils? | 0:31:04 | 0:31:06 | |
Crammers don't follow the three term calendar. | 0:31:06 | 0:31:08 | |
Short bursts. High intensity. Relieved parents. | 0:31:08 | 0:31:11 | |
That's what we're about. | 0:31:11 | 0:31:13 | |
We're here about a pupil who attended in August 2001. | 0:31:13 | 0:31:16 | |
Livtar Singh? | 0:31:16 | 0:31:18 | |
Doesn't ring a bell. | 0:31:19 | 0:31:20 | |
What about Gary Hadlow? | 0:31:20 | 0:31:21 | |
-HE CLEARS HIS THROAT -Sorry. | 0:31:23 | 0:31:24 | |
Did a pupil make that? | 0:31:25 | 0:31:26 | |
We used to offer metalwork as a way for the kids to let off steam. | 0:31:29 | 0:31:33 | |
Recognise that? | 0:31:33 | 0:31:34 | |
Wherever did you find it? | 0:31:37 | 0:31:39 | |
Tell you what. You see what you have on Livtar Singh, | 0:31:39 | 0:31:41 | |
we'll take a look at your workshop. | 0:31:41 | 0:31:43 | |
PIGEONS COO | 0:32:49 | 0:32:50 | |
Jack? | 0:32:50 | 0:32:52 | |
Yeah? | 0:32:53 | 0:32:54 | |
Look. | 0:32:59 | 0:33:00 | |
Hmm. | 0:33:01 | 0:33:02 | |
Oiled. | 0:33:09 | 0:33:10 | |
Not splintered or broken either. | 0:33:10 | 0:33:12 | |
There's your furnace. | 0:33:16 | 0:33:18 | |
Maybe the bat went in there? | 0:33:18 | 0:33:20 | |
Or it's still in the ground, and we didn't dig deep enough. | 0:33:21 | 0:33:23 | |
Look familiar? | 0:33:27 | 0:33:28 | |
If you'll come inside, I'll show you what I have on Livtar Singh. | 0:33:29 | 0:33:33 | |
Yeah, I know, but I'd rather have him inside the tent, | 0:34:01 | 0:34:03 | |
if you know what I mean. | 0:34:03 | 0:34:04 | |
After banknotes, what printed material do we stuff in our pockets? | 0:34:08 | 0:34:11 | |
Cannon? | 0:34:12 | 0:34:14 | |
Receipts? | 0:34:14 | 0:34:15 | |
Correct. So I was pretty chuffed to decipher lettering | 0:34:15 | 0:34:18 | |
stained on Greg Tudor's pocket. | 0:34:18 | 0:34:20 | |
But unless it was Gaelic or something, | 0:34:21 | 0:34:26 | |
didn't make any sense. | 0:34:26 | 0:34:27 | |
It's a mirror. It's all back to front. | 0:34:30 | 0:34:33 | |
Thank you. | 0:34:33 | 0:34:34 | |
I spun it around, which gave me... | 0:34:34 | 0:34:38 | |
Moat Wines. | 0:34:38 | 0:34:40 | |
Local off-licence, two miles from the house. | 0:34:40 | 0:34:42 | |
Given the Tudors only arrived that morning... | 0:34:42 | 0:34:45 | |
He could've gone there the night that he was killed? | 0:34:45 | 0:34:47 | |
RINGTONE: # I believe in miracles | 0:34:47 | 0:34:49 | |
Excuse me. | 0:34:49 | 0:34:50 | |
# Where you from? You sexy thing | 0:34:50 | 0:34:53 | |
# I believe in miracles... # | 0:34:56 | 0:34:59 | |
Hello? | 0:35:01 | 0:35:02 | |
Your new colleagues have been round. | 0:35:02 | 0:35:04 | |
-What? -Nikki Alexander and Thomas Chamberlain. | 0:35:04 | 0:35:06 | |
Got Dad in a right tiss. What's going on? | 0:35:06 | 0:35:09 | |
I don't know. I'll find out and call you back. OK. | 0:35:09 | 0:35:11 | |
I remember Livtar, now. | 0:35:22 | 0:35:24 | |
Nice kid. Pushy dad. | 0:35:24 | 0:35:26 | |
Bet you see a few of them. | 0:35:26 | 0:35:27 | |
Oh, yes. | 0:35:27 | 0:35:28 | |
That's Gary Hadlow. | 0:35:30 | 0:35:32 | |
Bit of an emo thing going on. | 0:35:33 | 0:35:34 | |
Who's the girl? | 0:35:36 | 0:35:37 | |
Anna Lawson. | 0:35:37 | 0:35:39 | |
Good memory. | 0:35:39 | 0:35:40 | |
She got four As and went to Cambridge, my biggest ever export. | 0:35:40 | 0:35:43 | |
What about Gary? | 0:35:43 | 0:35:45 | |
Not sure how he fared. | 0:35:45 | 0:35:48 | |
They were an unlikely couple. | 0:35:48 | 0:35:50 | |
In what way? | 0:35:50 | 0:35:51 | |
She was posh, he was a bit rough and ready... | 0:35:51 | 0:35:55 | |
..but very much under her spell. | 0:35:55 | 0:35:57 | |
And how did Livtar fit in? | 0:35:58 | 0:36:00 | |
Not sure. | 0:36:00 | 0:36:01 | |
I was surprised when he started hanging round with them. | 0:36:02 | 0:36:05 | |
Did any of them stay in touch? | 0:36:05 | 0:36:06 | |
Anna came back to speak to our pupils. | 0:36:06 | 0:36:08 | |
Tell them how she snatched victory from the jaws of defeat. | 0:36:08 | 0:36:11 | |
What does she do now? | 0:36:11 | 0:36:13 | |
Lawyer. Like her dad, but on the corporate side. | 0:36:13 | 0:36:15 | |
Last I heard, she was working for a mining company. | 0:36:16 | 0:36:18 | |
"Like her dad?" | 0:36:20 | 0:36:22 | |
Morgan Lawson, the defence barrister. | 0:36:22 | 0:36:24 | |
"No body, no case"? | 0:36:25 | 0:36:26 | |
"No body, no case." | 0:36:28 | 0:36:29 | |
I think Sally's car was rammed. | 0:36:31 | 0:36:34 | |
Seatbelt mark on her chest, | 0:36:34 | 0:36:35 | |
and bruise on her chin is textbook steering wheel impact. | 0:36:35 | 0:36:38 | |
Mm-hm, I agree. | 0:36:38 | 0:36:40 | |
So...finding her car is a priority. | 0:36:40 | 0:36:42 | |
Yes. | 0:36:44 | 0:36:45 | |
David Cannon rented one of these yesterday. | 0:36:46 | 0:36:49 | |
Goes through a steering block. | 0:36:49 | 0:36:51 | |
If you want to cut up a car, this is what you'd use. | 0:36:51 | 0:36:53 | |
David Cannon has nothing to do with Sally's death. | 0:36:53 | 0:36:56 | |
Have you done the postmortem? | 0:36:56 | 0:36:58 | |
And? | 0:36:58 | 0:36:59 | |
I'm not discussing it with you. | 0:36:59 | 0:37:01 | |
Well, have you found any forensics that tie Merrick to her death? | 0:37:02 | 0:37:05 | |
What, apart from her body being on his farm? | 0:37:05 | 0:37:07 | |
Yes. Apart from that. | 0:37:07 | 0:37:09 | |
We've got paint from her car on his truck. | 0:37:10 | 0:37:13 | |
If you're going to plant a body, why not a few paint chips? | 0:37:13 | 0:37:15 | |
We have got Sally telling a colleague | 0:37:15 | 0:37:17 | |
she wanted to contact and understand him. | 0:37:17 | 0:37:20 | |
We've got Merrick with no alibi on the night and day she disappeared. | 0:37:20 | 0:37:23 | |
-Nor does David... -Nikki! | 0:37:23 | 0:37:24 | |
Merrick killed Sally. | 0:37:24 | 0:37:26 | |
Let's find her car first. | 0:37:26 | 0:37:27 | |
If David Cannon is up to something else, that is a separate issue. | 0:37:27 | 0:37:30 | |
One person couldn't lift her onto those bales alone. | 0:37:30 | 0:37:33 | |
In that case, the same applies to Cannon. | 0:37:33 | 0:37:35 | |
-What if he had an accomplice? -Nikki, I'm sorry, my advice is this - | 0:37:35 | 0:37:38 | |
go and find a CID who you know and trust and see if they'll bite. | 0:37:38 | 0:37:41 | |
I cannot help you without undermining my case... | 0:37:41 | 0:37:43 | |
..and neither of us want that. | 0:37:44 | 0:37:46 | |
-Well, no-one could accuse you of not being thorough. -Hm! | 0:38:44 | 0:38:48 | |
Year later, and all this would have been on hard drives somewhere. | 0:38:49 | 0:38:53 | |
Yeah, well, that's why you're here, Mick - | 0:38:53 | 0:38:55 | |
to help me find the proverbial needle. | 0:38:55 | 0:38:57 | |
Now, we think Greg went to an off-licence | 0:38:58 | 0:39:02 | |
on the night that he died. Moat Wines? | 0:39:02 | 0:39:04 | |
No way. | 0:39:05 | 0:39:07 | |
What? | 0:39:07 | 0:39:09 | |
We had a lead about a row outside an offie. | 0:39:09 | 0:39:12 | |
Some kids, | 0:39:12 | 0:39:13 | |
and a bloke that could've been Greg. | 0:39:13 | 0:39:15 | |
But you didn't get a positive ID? | 0:39:15 | 0:39:17 | |
We tried, but resources were limited. | 0:39:17 | 0:39:19 | |
And of course I was so sure Greg Tudor was my man. | 0:39:20 | 0:39:24 | |
We need to keep digging. | 0:39:25 | 0:39:27 | |
If they buried the mask there, why not the bat? | 0:39:27 | 0:39:30 | |
We're still shy of a murder weapon. | 0:39:30 | 0:39:32 | |
So we're looking for a witness statement? | 0:39:37 | 0:39:39 | |
Mm-hm. | 0:39:39 | 0:39:40 | |
Yeah? | 0:39:40 | 0:39:42 | |
A man fitting Greg's description went into Moat Wines around 8pm... | 0:39:42 | 0:39:49 | |
After he left, the owner heard raised voices in the street... | 0:39:58 | 0:40:01 | |
Want me to break your jaw? | 0:40:01 | 0:40:03 | |
He saw the man facing off with three teenagers, | 0:40:03 | 0:40:07 | |
two boys and a girl. | 0:40:07 | 0:40:10 | |
Faggots. | 0:40:10 | 0:40:11 | |
He thought one of the boys looked Indian, or North African. | 0:40:12 | 0:40:16 | |
Livtar. | 0:40:19 | 0:40:20 | |
And who were the other two? | 0:40:21 | 0:40:23 | |
I've got a handle on our suspects. | 0:40:41 | 0:40:43 | |
Livtar and two others. | 0:40:44 | 0:40:45 | |
One male, and one female. | 0:40:45 | 0:40:47 | |
Gary Hadlow and Anna Lawson. | 0:40:47 | 0:40:49 | |
You've ID'd them? | 0:40:49 | 0:40:50 | |
Just been to the crammer where they met. | 0:40:50 | 0:40:52 | |
Remember the note we found, | 0:40:52 | 0:40:53 | |
Regina vs Henry Drake? | 0:40:53 | 0:40:55 | |
Yeah? | 0:40:55 | 0:40:56 | |
Anna's father, Morgan Lawson, got Drake off because there was no body. | 0:40:56 | 0:41:00 | |
A lack of bodies was also the defining trait of the Tudor case. | 0:41:00 | 0:41:03 | |
So what you're saying is...? | 0:41:03 | 0:41:05 | |
Livtar wasn't the recipient of that note, he was the sender. | 0:41:05 | 0:41:07 | |
Can you prove that? | 0:41:09 | 0:41:10 | |
No prints or DNA on it, except his. | 0:41:10 | 0:41:13 | |
We think he was turning the screw, | 0:41:14 | 0:41:17 | |
coercing Anna into paying off Jane Tudor. | 0:41:17 | 0:41:19 | |
If we're right, it suggests Anna was inspired by her father's mantra. | 0:41:19 | 0:41:23 | |
"No body, no case." | 0:41:24 | 0:41:25 | |
Moving Greg's car. | 0:41:25 | 0:41:27 | |
Planting the knife in the boot. | 0:41:27 | 0:41:29 | |
Livtar's volatile, | 0:41:29 | 0:41:30 | |
Gary's a hard case. | 0:41:30 | 0:41:31 | |
Neither had the smarts for that. | 0:41:31 | 0:41:33 | |
Right. We bring in Gary Hadlow. | 0:41:37 | 0:41:39 | |
If he talks, we use it to break Anna. | 0:41:39 | 0:41:41 | |
We're going past his flat in ten minutes. | 0:41:41 | 0:41:43 | |
Right. I'm sending an advance party. No heroics! | 0:41:43 | 0:41:46 | |
Yes, sir. | 0:41:47 | 0:41:49 | |
Hi. | 0:41:55 | 0:41:56 | |
Hi. | 0:41:56 | 0:41:57 | |
-Oh, I've... -Sorry. Got to split. | 0:42:05 | 0:42:07 | |
Is everything all right? | 0:42:07 | 0:42:08 | |
Yes. Yes. Just got to check that I'm not going...completely mad. | 0:42:09 | 0:42:13 | |
How do you mean? | 0:42:14 | 0:42:15 | |
Uniform's just arrived. It looks like he's cleared out. | 0:42:24 | 0:42:27 | |
Oh, sure, while we're here. Come on. | 0:42:30 | 0:42:32 | |
-Nikki. -SHE GASPS | 0:43:25 | 0:43:27 | |
David. | 0:43:28 | 0:43:29 | |
What are you doing? | 0:43:31 | 0:43:32 | |
Checking that I'm not going mad. | 0:43:33 | 0:43:35 | |
Why are you following me? | 0:43:38 | 0:43:39 | |
Why are you following me? | 0:43:43 | 0:43:44 | |
Sally found out what you were doing and you killed her. | 0:43:49 | 0:43:51 | |
HE CHUCKLES | 0:43:54 | 0:43:56 | |
And what am I doing, exactly? | 0:43:58 | 0:44:01 | |
I found a cornea covered in blood in your car. | 0:44:02 | 0:44:05 | |
-What? -On the plastic sheeting in the boot | 0:44:05 | 0:44:07 | |
-where you keep a freezer. -That's not my car. | 0:44:07 | 0:44:09 | |
You surgically removed it from a Melissa Lowell. | 0:44:09 | 0:44:11 | |
It's a pool car, it belongs to the lab. | 0:44:11 | 0:44:13 | |
-I think you're selling tissue. Body parts! -Oh... | 0:44:13 | 0:44:15 | |
Oh, not again! | 0:44:17 | 0:44:19 | |
Mm-hm. | 0:44:20 | 0:44:21 | |
OK. Good. Well done. | 0:44:21 | 0:44:23 | |
You got me. | 0:44:23 | 0:44:24 | |
Bailey. | 0:44:53 | 0:44:54 | |
Hey! HEY! | 0:45:00 | 0:45:02 | |
Whoa! | 0:45:03 | 0:45:04 | |
Bailey! | 0:45:11 | 0:45:12 | |
Two days ago you got a text, and you practically ran out of the lab. | 0:45:12 | 0:45:15 | |
Who did you go and meet? | 0:45:15 | 0:45:17 | |
I told you - Gwen. | 0:45:17 | 0:45:18 | |
Gwen? | 0:45:18 | 0:45:19 | |
Is that true, David? | 0:45:20 | 0:45:21 | |
No. | 0:45:26 | 0:45:28 | |
It was someone I had a fling with a while back. | 0:45:28 | 0:45:30 | |
What was her name? | 0:45:31 | 0:45:33 | |
Katie Hawke. | 0:45:33 | 0:45:34 | |
Daughter of Brian Hawke, | 0:45:34 | 0:45:35 | |
he's an undertaker that we sometimes work with. | 0:45:35 | 0:45:37 | |
I believe you've met him. | 0:45:37 | 0:45:38 | |
Why would you lie about that? | 0:45:38 | 0:45:40 | |
Cos it's messy. | 0:45:40 | 0:45:42 | |
OK? | 0:45:42 | 0:45:43 | |
It's messy. | 0:45:44 | 0:45:45 | |
I ended it a few weeks ago, | 0:45:46 | 0:45:48 | |
and now she's trying to use Sally to rekindle things. | 0:45:48 | 0:45:51 | |
How? | 0:45:51 | 0:45:52 | |
-Not even worth going into... -I think it is. | 0:45:52 | 0:45:55 | |
She thinks her dad's got something to do with Sally's murder. | 0:45:55 | 0:45:57 | |
-It's nuts. -Why does she think that? | 0:45:57 | 0:46:00 | |
-You found a cornea... -Why does she think that? | 0:46:00 | 0:46:02 | |
Because she heard her dad having an argument with Sally on the phone. | 0:46:02 | 0:46:05 | |
-That's it? -Yes, and she... | 0:46:05 | 0:46:06 | |
..she accessed his search history. | 0:46:06 | 0:46:08 | |
He was looking at the lane near Sally's house. | 0:46:08 | 0:46:10 | |
And you don't think that's weird? | 0:46:12 | 0:46:13 | |
Course I do, but I don't think it makes him a killer. | 0:46:13 | 0:46:15 | |
You lied to the police about when you last saw Sally. | 0:46:18 | 0:46:20 | |
HE SIGHS | 0:46:20 | 0:46:21 | |
You said it was at the lab, but it was at Sally's house, wasn't it? | 0:46:21 | 0:46:25 | |
Again, why would you lie about that? | 0:46:25 | 0:46:26 | |
I lost my temper, | 0:46:26 | 0:46:28 | |
and I knew how it would look. | 0:46:28 | 0:46:29 | |
Yeah, you said you lost your temper. And... | 0:46:29 | 0:46:31 | |
I smashed a mug. | 0:46:31 | 0:46:33 | |
I threw it in the sink and it broke. | 0:46:33 | 0:46:35 | |
Yes, it was stupid, yes, it was childish and thoughtless, | 0:46:35 | 0:46:38 | |
but that does not make me a killer! | 0:46:38 | 0:46:40 | |
-This is insane. -So why not tell the police that? | 0:46:40 | 0:46:42 | |
OK. | 0:46:44 | 0:46:46 | |
I'll tell you. | 0:46:46 | 0:46:48 | |
Because four years ago, I was nearly struck off. | 0:46:49 | 0:46:53 | |
Struck off, for falsifying postmortem reports. | 0:46:53 | 0:46:57 | |
And they sweated me for days. | 0:46:57 | 0:47:00 | |
For weeks, they sweated me, | 0:47:00 | 0:47:02 | |
and I know that look... | 0:47:02 | 0:47:03 | |
..when a policeman wants you to be guilty. | 0:47:04 | 0:47:07 | |
And I saw that look in Bernhardt. | 0:47:09 | 0:47:11 | |
PHONE BUZZES | 0:47:14 | 0:47:16 | |
Jack. | 0:47:28 | 0:47:30 | |
Hi, Nikki. Thomas has gone back to the Salt Factory. | 0:47:30 | 0:47:32 | |
Has he called you with any news? | 0:47:33 | 0:47:35 | |
No. | 0:47:35 | 0:47:36 | |
I told him we had to keep digging. | 0:47:36 | 0:47:38 | |
What's that? | 0:47:52 | 0:47:53 | |
All right, let's start with an easy one, shall we? | 0:47:55 | 0:47:58 | |
Is that you? | 0:47:59 | 0:48:00 | |
Yes. | 0:48:03 | 0:48:04 | |
Do you recognise this? | 0:48:09 | 0:48:11 | |
No. | 0:48:13 | 0:48:14 | |
Blood on the mask has a DNA match to a Greg Tudor? | 0:48:16 | 0:48:20 | |
Inside the mask, we found a hair on the strap. | 0:48:21 | 0:48:24 | |
That's a potential match to your friend, | 0:48:24 | 0:48:27 | |
Gary Hadlow. | 0:48:27 | 0:48:28 | |
You want some?! I'm right here! Come on! | 0:48:29 | 0:48:34 | |
After your bust up with Greg, you followed him. | 0:48:34 | 0:48:36 | |
You wanted to get your own back. | 0:48:37 | 0:48:39 | |
Give him a good scare. | 0:48:39 | 0:48:42 | |
You want it, do you?! | 0:48:42 | 0:48:43 | |
-You're mad. -It's a joke! A joke! | 0:48:43 | 0:48:45 | |
GARY GROANS | 0:48:45 | 0:48:47 | |
What you hadn't reckoned on was his temper. | 0:48:47 | 0:48:48 | |
METALLIC THUD | 0:48:48 | 0:48:50 | |
Gary fought back... | 0:48:50 | 0:48:52 | |
..dealing Greg a fatal blow. | 0:48:53 | 0:48:55 | |
WOMAN SCREAMS | 0:48:57 | 0:48:58 | |
This injury would've caused extensive bleeding. | 0:48:59 | 0:49:02 | |
But not a drop of Greg's blood was found at the scene. | 0:49:02 | 0:49:04 | |
Suzie's blood, on the other hand, | 0:49:05 | 0:49:07 | |
was left in plain sight. | 0:49:07 | 0:49:08 | |
And the knife, bearing Greg's prints, was covered in her blood. | 0:49:09 | 0:49:13 | |
But Suzie wasn't stabbed. | 0:49:16 | 0:49:18 | |
She suffered a break to her right ankle, | 0:49:23 | 0:49:25 | |
suggesting she broke it just before she fell. | 0:49:25 | 0:49:27 | |
You were the only one who kept their nerve. | 0:49:28 | 0:49:30 | |
It was your father's case that suggested a way out. | 0:49:32 | 0:49:34 | |
Put the bodies in the car. | 0:49:34 | 0:49:35 | |
What? | 0:49:35 | 0:49:37 | |
No bodies, no case. | 0:49:38 | 0:49:39 | |
BABY CRIES | 0:49:39 | 0:49:41 | |
-And one of you... -BABY WAILS | 0:49:47 | 0:49:49 | |
..killed the baby. | 0:49:49 | 0:49:51 | |
When Livtar became a dad, | 0:49:55 | 0:49:57 | |
he couldn't live with himself. | 0:49:57 | 0:49:59 | |
When he found out what happened to the Tudors' surviving daughter, | 0:50:00 | 0:50:03 | |
that made it even worse. | 0:50:03 | 0:50:04 | |
I haven't seen Livtar in years. | 0:50:09 | 0:50:11 | |
He asked you to compensate her. | 0:50:12 | 0:50:15 | |
All I'm hearing is baseless speculation. | 0:50:15 | 0:50:18 | |
And that was a crazy idea, wasn't it? | 0:50:18 | 0:50:19 | |
A suicidal idea. | 0:50:21 | 0:50:22 | |
I'd like to leave now. | 0:50:22 | 0:50:23 | |
So, to deal with Livtar, | 0:50:23 | 0:50:25 | |
you utilised the shadier contacts | 0:50:25 | 0:50:28 | |
that you've made in the mining industry. | 0:50:28 | 0:50:30 | |
What, mercenaries on the payroll? | 0:50:30 | 0:50:31 | |
You're 30 years out of date. | 0:50:31 | 0:50:33 | |
Well, you've managed to get them off the payroll. | 0:50:33 | 0:50:35 | |
Well done. | 0:50:36 | 0:50:37 | |
KNOCK ON DOOR | 0:50:37 | 0:50:38 | |
Nikki, can I have a word? | 0:50:41 | 0:50:42 | |
Find the bat? | 0:50:50 | 0:50:51 | |
No. A black bin liner full of earth. | 0:50:51 | 0:50:54 | |
-Greg's blood. -Yeah, and something else. | 0:50:54 | 0:50:56 | |
I think you're right. | 0:50:56 | 0:50:57 | |
I think the baby put up a fight. | 0:50:57 | 0:50:59 | |
How do you know? | 0:50:59 | 0:51:00 | |
Her blanket. | 0:51:01 | 0:51:02 | |
We've run DNA. My theory? | 0:51:04 | 0:51:05 | |
The broken fingernail came from scratching an assailant. | 0:51:05 | 0:51:08 | |
-Or it could be her own blood. -It's not. | 0:51:08 | 0:51:10 | |
The DNA's not a match for her, or her mother. | 0:51:10 | 0:51:12 | |
But it is female. | 0:51:13 | 0:51:15 | |
We're going to need a DNA sample. | 0:51:27 | 0:51:28 | |
How could you live with yourself? | 0:51:34 | 0:51:35 | |
I want to speak to my lawyer in private... | 0:51:40 | 0:51:42 | |
..as is my right. | 0:51:42 | 0:51:44 | |
It's Gwen. | 0:52:11 | 0:52:12 | |
She's working with Katie's dad. | 0:52:12 | 0:52:13 | |
David. | 0:52:14 | 0:52:15 | |
The receipt for the saw rental. | 0:52:19 | 0:52:21 | |
-It's hers. -It was in your jacket. | 0:52:21 | 0:52:22 | |
Course it was in my jacket, I wanted to ask her about it. | 0:52:22 | 0:52:24 | |
-900 quid's a lot of money. -Oh, bullshit. -Yeah, but... | 0:52:24 | 0:52:27 | |
-Listen. Listen! Sh-sh-sh! -SHE WHIMPERS | 0:52:27 | 0:52:28 | |
Just ask yourself this, OK! Sh-sh-sh! | 0:52:28 | 0:52:31 | |
Why am I still here? | 0:52:33 | 0:52:34 | |
Hmm? | 0:52:34 | 0:52:35 | |
Sorry. Sorry. | 0:52:36 | 0:52:37 | |
Sorry. | 0:52:37 | 0:52:38 | |
Why haven't I run away? Hmm? | 0:52:40 | 0:52:41 | |
Why haven't I run away? | 0:52:45 | 0:52:47 | |
What's Gwen's address? | 0:52:51 | 0:52:52 | |
Why? | 0:52:53 | 0:52:54 | |
Her address. | 0:52:54 | 0:52:56 | |
Write it down. | 0:52:56 | 0:52:57 | |
-If you're... -The only thing I'm guilty of | 0:53:04 | 0:53:07 | |
is pressing Sally to sell the lab. | 0:53:07 | 0:53:09 | |
And I feel more terrible about that than you will ever, ever understand. | 0:53:09 | 0:53:14 | |
-Are we going to sort this out? -No. | 0:53:19 | 0:53:22 | |
You stay here. | 0:53:22 | 0:53:23 | |
I'm sorry. | 0:53:24 | 0:53:25 | |
If what you're saying is true... | 0:53:28 | 0:53:30 | |
..then I'm the one that's sorry. | 0:53:31 | 0:53:33 | |
-Nikki. -Jack. | 0:53:50 | 0:53:51 | |
You asked about the pictures | 0:53:52 | 0:53:54 | |
from the Sally Vaughan scene on my computer. | 0:53:54 | 0:53:56 | |
Where are you? | 0:53:56 | 0:53:58 | |
KNOCK ON DOOR | 0:54:34 | 0:54:35 | |
Bumper damage. | 0:55:16 | 0:55:18 | |
Red paint. | 0:55:18 | 0:55:19 | |
Sally drove a red Mercedes. | 0:55:21 | 0:55:23 | |
Why didn't you tell me? | 0:55:25 | 0:55:27 | |
About what? | 0:55:27 | 0:55:28 | |
About David. | 0:55:28 | 0:55:29 | |
You didn't ask. | 0:55:30 | 0:55:31 | |
-It wasn't my call. -Since when has that stopped you? | 0:55:32 | 0:55:35 | |
If Gwen and Brian are stealing body parts regularly, | 0:55:38 | 0:55:40 | |
they must have a regular buyer. | 0:55:40 | 0:55:42 | |
ELECTRICAL SAW WHIRS | 0:55:42 | 0:55:45 | |
WHIRRING STOPS | 0:55:54 | 0:55:56 | |
Brian, Brian, Brian... | 0:56:03 | 0:56:04 | |
What are you doing? | 0:56:07 | 0:56:08 | |
WHIRRING STARTS | 0:56:10 | 0:56:11 | |
This is private property. | 0:56:11 | 0:56:12 | |
-Please put that down, Mr Hawke! -Hey! -Brian! Brian! | 0:56:13 | 0:56:17 | |
WHIRRING STOPS | 0:56:17 | 0:56:18 | |
Call the police. | 0:56:18 | 0:56:19 | |
HE GROANS | 0:56:35 | 0:56:36 | |
Jack... Jack! | 0:56:44 | 0:56:46 | |
Jack. | 0:56:46 | 0:56:47 | |
SHE GRUNTS | 0:56:47 | 0:56:48 | |
-SHE MOANS -You OK? You OK? | 0:56:51 | 0:56:54 | |
Let me see. Let me see. | 0:56:54 | 0:56:56 | |
You're OK. You're OK. | 0:56:56 | 0:56:57 | |
SIRENS WAIL | 0:56:57 | 0:56:58 | |
HORN TOOTS | 0:57:57 | 0:57:58 | |
Well, well, well. It's always nice to see a familiar face. | 0:58:11 | 0:58:15 | |
Did you ask for me to be assigned to this case? | 0:58:15 | 0:58:17 | |
No. I didn't, Jack. So, don't get your hopes up. | 0:58:17 | 0:58:20 | |
Boys, get back! Look, get to my room. Lock the door! | 0:58:22 | 0:58:25 | |
Local estate agent. Cleaner found her first thing this morning. | 0:58:25 | 0:58:28 | |
Multiple stab wounds to the chest and abdomen. | 0:58:29 | 0:58:32 | |
Similar in width to Karen Sawyer's injuries. | 0:58:32 | 0:58:34 | |
I didn't think you'd be able to stay away after last night. | 0:58:34 | 0:58:37 | |
You're on speaker phone, and I'm with the police. | 0:58:37 | 0:58:39 | |
Do you know there's been a data breach in the hospital? | 0:58:39 | 0:58:41 | |
He e-mailed me directly, alerted me to the theft, | 0:58:41 | 0:58:43 | |
and demanded £100,000. | 0:58:43 | 0:58:45 | |
The perpetrator is still at large, | 0:58:45 | 0:58:47 | |
probably armed and dangerous. | 0:58:47 | 0:58:48 | |
So I'm vulnerable in all sorts of ways, aren't I? | 0:58:48 | 0:58:51 |