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-VOICE REVERBERATES: -We're coming for you. We're coming. Nikki! | 0:00:02 | 0:00:05 | |
This programme contains some violent scenes and some scenes which some viewers may find upsetting. | 0:00:08 | 0:00:15 | |
One, two, three. One, two, three. | 0:00:31 | 0:00:35 | |
One, two, three. Good. Go, come on! | 0:00:35 | 0:00:40 | |
Slip. Two, three. | 0:00:40 | 0:00:43 | |
One, two, three. | 0:00:43 | 0:00:44 | |
Car's outside, Naomi. | 0:00:49 | 0:00:50 | |
-Come on, I've got ten minutes left. -Come on. | 0:00:50 | 0:00:54 | |
-You're saved by the bell. -Uh-huh. -SHE LAUGHS | 0:00:54 | 0:00:57 | |
-Thank you, sir. -Thank you. | 0:01:06 | 0:01:08 | |
I rang you earlier... | 0:01:28 | 0:01:29 | |
Yeah. I was at the gym. | 0:01:29 | 0:01:31 | |
How's that going? | 0:01:31 | 0:01:33 | |
Fine. You? | 0:01:33 | 0:01:35 | |
Good. Better than her, anyway. | 0:01:37 | 0:01:39 | |
Yeah. Who's in charge? | 0:01:39 | 0:01:42 | |
-You in charge? -Guv? | 0:01:49 | 0:01:51 | |
-I'm DI Silva -I'm Jack Hodgson, forensics. | 0:01:59 | 0:02:02 | |
Nice to meet you, Jack Hodgson. | 0:02:04 | 0:02:06 | |
Nice to meet you too, Naomi Silva. | 0:02:06 | 0:02:09 | |
Hey. | 0:02:17 | 0:02:19 | |
Her name's Karen Sawyers. Local estate agent. | 0:02:19 | 0:02:23 | |
The cleaner found her first thing this morning. | 0:02:23 | 0:02:26 | |
So, how long do you think she's been lying here? | 0:02:26 | 0:02:29 | |
Very rough estimate? 8 to 12 hours. | 0:02:29 | 0:02:32 | |
We've got significant facial bruising. | 0:02:34 | 0:02:36 | |
Her bottom lip has been split and her front tooth is missing. | 0:02:36 | 0:02:40 | |
The gum damage suggests it's a recent injury. | 0:02:40 | 0:02:43 | |
Significant bruising around her left bicep, too. | 0:02:43 | 0:02:46 | |
So, it's possible she was grabbed from behind, held tight. | 0:02:46 | 0:02:51 | |
Two stab wounds to the back and | 0:02:51 | 0:02:52 | |
multiple stab wounds to the chest and abdomen. | 0:02:52 | 0:02:55 | |
We have several through and through wounds to the arms. | 0:02:55 | 0:02:59 | |
So she might have been trying to protect her stomach. | 0:02:59 | 0:03:04 | |
I think she could have been pregnant. | 0:03:04 | 0:03:08 | |
PM will tell us more. | 0:03:08 | 0:03:11 | |
# Testator silens | 0:03:11 | 0:03:17 | |
# Costestes e spiritu | 0:03:20 | 0:03:27 | |
# Silentium | 0:03:27 | 0:03:35 | |
# Testator silens.# | 0:03:42 | 0:03:48 | |
Hey. So, we've got blood on the kitchen doors. | 0:03:58 | 0:04:02 | |
We've got blood on the gate. Neither was secured. | 0:04:02 | 0:04:05 | |
So our man left in a hurry. | 0:04:05 | 0:04:07 | |
Probably, but if you're heading out that way, | 0:04:07 | 0:04:09 | |
why make a detour through here? | 0:04:09 | 0:04:12 | |
-Look, he wanted to hide something. -Exactly. | 0:04:12 | 0:04:16 | |
-Be a decent place to dump a knife. -Yup. | 0:04:16 | 0:04:18 | |
Or a phone. | 0:04:28 | 0:04:29 | |
Whose phone is this? | 0:04:34 | 0:04:36 | |
-Peter Sawyers. -That's her husband. -Mm-hmm. | 0:04:37 | 0:04:40 | |
And he hasn't showed up for work this morning | 0:04:40 | 0:04:42 | |
What was my last call? | 0:04:42 | 0:04:44 | |
Alice Sawyers. Call logged at 9:30pm. | 0:04:46 | 0:04:50 | |
Around our estimated time of death. | 0:04:50 | 0:04:52 | |
Could be his sister, could be his mother. | 0:04:52 | 0:04:54 | |
-Thank you, Jack. -You're welcome. | 0:04:54 | 0:04:57 | |
Chest wounds are 3cm wide, they match those on her back, but... | 0:06:28 | 0:06:33 | |
Yeah. They're considerably deeper. | 0:06:33 | 0:06:37 | |
So, perhaps she was stabbed in the back whilst upright, | 0:06:38 | 0:06:41 | |
but the chest wounds were inflicted when she was on the floor? | 0:06:41 | 0:06:44 | |
Knife handle impacted on her chest. | 0:06:44 | 0:06:46 | |
Maybe her attacker had more purchase once she was on the floor, | 0:06:47 | 0:06:51 | |
could deliver the blows with more power. | 0:06:51 | 0:06:54 | |
Plenty of them. | 0:06:54 | 0:06:55 | |
Six in total, tightly packed together. | 0:06:56 | 0:06:59 | |
Thomas. | 0:07:13 | 0:07:14 | |
What is it? | 0:07:16 | 0:07:18 | |
Pregnant. | 0:07:22 | 0:07:23 | |
Without oxygen, the foetus wouldn't have survived long. | 0:07:25 | 0:07:29 | |
So, mother and baby died pretty much the same time. | 0:07:29 | 0:07:31 | |
Right, let's get some sample cells from the foetus. | 0:07:35 | 0:07:38 | |
Sorry to interrupt. | 0:07:41 | 0:07:43 | |
Thomas, you've got a visitor. | 0:07:43 | 0:07:45 | |
Rosie! | 0:07:53 | 0:07:54 | |
Hello, darling. You all right? | 0:08:00 | 0:08:03 | |
-Who brought you down? -Erm... | 0:08:03 | 0:08:06 | |
-Our next door neighbour. -Right. Conrad was... | 0:08:06 | 0:08:08 | |
He had to go to the hospital with Mum. | 0:08:08 | 0:08:10 | |
-The hospital? -They tried calling you. | 0:08:10 | 0:08:13 | |
God! | 0:08:13 | 0:08:14 | |
Did they say what was wrong? | 0:08:16 | 0:08:19 | |
-Pro...clampsea...? -Pre-eclampsia? | 0:08:19 | 0:08:22 | |
Mm-hmm. But I've got no idea what that means. | 0:08:22 | 0:08:25 | |
Oh, Bunny. | 0:08:27 | 0:08:29 | |
You mustn't worry. Mm? Everything's going to be fine. | 0:08:30 | 0:08:35 | |
Mum's in hospital, she's getting the treatment she and the baby need. | 0:08:35 | 0:08:39 | |
They're always ultra cautious about these things, yeah? | 0:08:39 | 0:08:42 | |
Must be pretty serious, though. | 0:08:42 | 0:08:45 | |
Conrad was saying how she might have to stay in hospital for three weeks | 0:08:45 | 0:08:48 | |
-Three weeks? -Maybe more. | 0:08:48 | 0:08:51 | |
Which is great, yeah? We'll get to spend some time together, yeah? | 0:08:51 | 0:08:54 | |
Me and you time? | 0:08:54 | 0:08:55 | |
Having said that - right now I'm in the middle of a PM. | 0:08:56 | 0:08:59 | |
-PM? -Sorry. Sorry. A postmortem. | 0:08:59 | 0:09:04 | |
Rosie, can you sit tight for a bit? | 0:09:04 | 0:09:07 | |
You want me to stay in here? | 0:09:07 | 0:09:09 | |
Yeah. I won't be long. You must have some homework to do. | 0:09:09 | 0:09:11 | |
It's the holidays, Dad. | 0:09:11 | 0:09:13 | |
Yeah. So, just watch TV or play on your phone | 0:09:13 | 0:09:17 | |
and I'll be back as quick as I possibly can. | 0:09:17 | 0:09:20 | |
And, Rosie, can you...try not to touch anything? | 0:09:20 | 0:09:24 | |
Good girl. | 0:09:26 | 0:09:28 | |
Do you think she had a name in mind? | 0:09:30 | 0:09:33 | |
For the baby, I mean. | 0:09:33 | 0:09:35 | |
Probably not. She was only, what, four months along? | 0:09:35 | 0:09:39 | |
I don't know. Julia decided what we were going to call Rosie | 0:09:39 | 0:09:42 | |
before we even started trying. | 0:09:42 | 0:09:45 | |
-Is Rosie OK? -Sure. She's fine. | 0:09:45 | 0:09:47 | |
Little shaken up, but she's a level-headed girl. | 0:09:47 | 0:09:50 | |
Takes after her father. | 0:09:50 | 0:09:52 | |
-I don't understand. What's going on? -We just need to find your brother. | 0:09:58 | 0:10:01 | |
I've told you, I've no idea where Pete is. | 0:10:01 | 0:10:03 | |
He rang you last night. About 9:30. | 0:10:03 | 0:10:05 | |
My phone was switched off. I went to bed early. | 0:10:05 | 0:10:08 | |
Did he leave a message? | 0:10:08 | 0:10:09 | |
No. Check my phone if you like. | 0:10:09 | 0:10:12 | |
When last did you see him? | 0:10:12 | 0:10:14 | |
He came round last week. For my birthday. | 0:10:14 | 0:10:16 | |
-How did he seem? -Good. | 0:10:16 | 0:10:18 | |
He and Karen had just celebrated their tenth wedding anniversary, | 0:10:18 | 0:10:21 | |
they were planning a trip away together. | 0:10:21 | 0:10:22 | |
No signs of any trouble between them? | 0:10:22 | 0:10:24 | |
None. He doted on her. | 0:10:24 | 0:10:26 | |
I sometimes worried he loved her too much. | 0:10:26 | 0:10:29 | |
Please, tell me what's happening. What's he supposed to have done? | 0:10:29 | 0:10:32 | |
-It's a twinkle. -Should I know what that is? | 0:11:46 | 0:11:48 | |
A cosmetic diamond. | 0:11:48 | 0:11:49 | |
So we've got a successful, attractive woman, | 0:11:51 | 0:11:54 | |
with a big house, a happy family. | 0:11:54 | 0:11:56 | |
And then what? An explosion of violence. | 0:11:56 | 0:12:00 | |
-Does Sawyers have form? -Not even a parking ticket. | 0:12:00 | 0:12:02 | |
-History of mental illness? -Not according to his sister. | 0:12:02 | 0:12:05 | |
So, why would Pete Sawyers deliberately pull | 0:12:05 | 0:12:08 | |
the house down on himself like this? | 0:12:08 | 0:12:09 | |
Well, you will want to see this. | 0:12:09 | 0:12:11 | |
I compared the foetal DNA with the sample | 0:12:11 | 0:12:13 | |
I took from Pete Sawyers' inhaler, and they're not a match. | 0:12:13 | 0:12:17 | |
Karen Sawyers was carrying someone else's baby. | 0:12:17 | 0:12:20 | |
SIRENS | 0:12:20 | 0:12:22 | |
-Hi. I'm Jane. -Morning. -After you. -Thank you. | 0:12:24 | 0:12:29 | |
Mr Laing will only be able to spare you a few minutes. | 0:12:29 | 0:12:32 | |
A&E's full, we're running out of beds, and he has to chair | 0:12:32 | 0:12:35 | |
an emergency meeting at 12 to review our full capacity protocol. | 0:12:35 | 0:12:38 | |
We're a whisker away from Code Red. And it's only noon. | 0:12:38 | 0:12:42 | |
THEY LAUGH | 0:12:42 | 0:12:44 | |
So, another day in paradise. | 0:12:44 | 0:12:46 | |
-I'm sorry, but I can't help you. -Karen Sawyers is dead. | 0:12:47 | 0:12:50 | |
I don't see how giving us access to her medical records is a breach of anyone's privacy. | 0:12:52 | 0:12:56 | |
I'm not sure her family would agree with you. | 0:12:56 | 0:12:58 | |
Have you spoken to them? | 0:12:58 | 0:13:00 | |
Look, I just need to confirm the dates of her appointments and check | 0:13:00 | 0:13:05 | |
whether anyone accompanied her to her pre-natal examinations. | 0:13:05 | 0:13:08 | |
As hospital CEO, my first duty is to our patients. | 0:13:08 | 0:13:12 | |
Now, I'm not obliged to give you access to her records | 0:13:12 | 0:13:14 | |
and I certainly couldn't do so without a valid DP2. | 0:13:14 | 0:13:17 | |
Which is being faxed to you now, but you know how these things are, | 0:13:17 | 0:13:21 | |
it'll take several hours for it to work its way through the system. | 0:13:21 | 0:13:24 | |
Look... | 0:13:24 | 0:13:25 | |
..all I'm asking for is a little common sense, | 0:13:27 | 0:13:29 | |
for you to use your discretion. | 0:13:29 | 0:13:31 | |
The perpetrator is still at large, probably armed and dangerous. | 0:13:32 | 0:13:36 | |
I understand your predicament. I really do. | 0:13:37 | 0:13:43 | |
But without the proper paperwork, I'm afraid my hands are tied. | 0:13:43 | 0:13:47 | |
Rosie! | 0:13:54 | 0:13:55 | |
-I told you not to touch anything. -I was bored. | 0:13:58 | 0:14:00 | |
Those are confidential files, real cases. | 0:14:00 | 0:14:03 | |
All right, all right. | 0:14:03 | 0:14:05 | |
I don't mean to be cross, but if you're going to be here, | 0:14:05 | 0:14:07 | |
we need to establish some rules, some boundaries. | 0:14:07 | 0:14:10 | |
-You are 12 years old. -Well remembered. -Rosie... | 0:14:10 | 0:14:14 | |
Why can't you just take the day off? You're the boss, right? | 0:14:14 | 0:14:16 | |
-Because it's not that simple. -Why not? | 0:14:16 | 0:14:18 | |
Because I have responsibilities - to my team, to the police... | 0:14:18 | 0:14:20 | |
What about me?! | 0:14:20 | 0:14:21 | |
Yes, what about you? | 0:14:24 | 0:14:26 | |
I'm sorry, OK? | 0:14:28 | 0:14:30 | |
I'll try and find some time later this afternoon, | 0:14:32 | 0:14:34 | |
and then maybe tomorrow we can organise something a bit more fun. | 0:14:34 | 0:14:39 | |
Must be someone you'd like to go and see. What about...Janet? | 0:14:39 | 0:14:42 | |
Janine. | 0:14:42 | 0:14:43 | |
Janine, exactly. Shall I call her mum? | 0:14:43 | 0:14:45 | |
Whatever. | 0:14:47 | 0:14:49 | |
-CLARISSA: -There are some interesting diary entries here. | 0:14:49 | 0:14:52 | |
-Have you heard a single word I've said? -Mm? | 0:14:52 | 0:14:55 | |
Yeah. Diaries, dates... Yeah, got it. | 0:14:56 | 0:15:00 | |
That'll be a no, then. | 0:15:00 | 0:15:02 | |
I said that I found numerous entries in Karen's diary | 0:15:02 | 0:15:04 | |
for appointments at a local cosmetic clinic. | 0:15:04 | 0:15:07 | |
-The tooth? -Plus botox, fillers, you name it. | 0:15:07 | 0:15:10 | |
But there's no evidence in her bank statements, or Pete's, for that matter, | 0:15:10 | 0:15:14 | |
of anyone ever having paid for those procedures and treatments. | 0:15:14 | 0:15:17 | |
All told they must have cost hundreds of pounds, | 0:15:17 | 0:15:19 | |
and that's not even accounting for the cosmetic diamond. | 0:15:19 | 0:15:22 | |
-So, if she didn't pay for them... -Maybe her lover did. | 0:15:22 | 0:15:25 | |
I'll let Silva know. | 0:15:28 | 0:15:29 | |
The first treatment was on May 3rd. | 0:15:32 | 0:15:35 | |
Fillers for Karen Sawyers. | 0:15:35 | 0:15:36 | |
That's strange. The treatment was never paid for. | 0:15:39 | 0:15:44 | |
The account is outstanding. | 0:15:44 | 0:15:46 | |
Normally we're pretty hot on that kind of thing. | 0:15:46 | 0:15:48 | |
Try the next one. July 14th. | 0:15:48 | 0:15:50 | |
Yeah. Same thing. Payment outstanding. | 0:15:50 | 0:15:52 | |
Any idea why that might be? | 0:15:52 | 0:15:54 | |
You'd have to speak to Dr Hayes about that. | 0:15:54 | 0:15:57 | |
He was treating Mrs Sawyers... | 0:15:57 | 0:16:00 | |
-He's not here. -Where is he? | 0:16:00 | 0:16:03 | |
He left about half an hour ago. Said he had to go home. | 0:16:03 | 0:16:05 | |
You knew this woman? | 0:16:06 | 0:16:08 | |
Yes. | 0:16:09 | 0:16:11 | |
How did you know her? | 0:16:11 | 0:16:12 | |
You bastard. | 0:16:16 | 0:16:19 | |
You utter bastard. | 0:16:19 | 0:16:22 | |
-You promised. -It only lasted a few months. | 0:16:22 | 0:16:25 | |
-Well, that's all right, then(!) -And it ended a while back. | 0:16:25 | 0:16:27 | |
-When? -Three weeks ago. | 0:16:27 | 0:16:29 | |
Who ended it? | 0:16:31 | 0:16:32 | |
Who ended it, Adam? | 0:16:33 | 0:16:36 | |
She did. | 0:16:36 | 0:16:37 | |
Mum, can we eat now? I'm starving. | 0:16:37 | 0:16:40 | |
-SILVA ON PHONE: -Hey, Jack. So, I'll ask Hayes some questions, | 0:16:47 | 0:16:49 | |
then I need you to do the full number - computers, phones, cameras. | 0:16:49 | 0:16:52 | |
We need concrete evidence linking Adam Hayes to our victim. | 0:16:52 | 0:16:56 | |
-So, I'll need you with me. -It would be my pleasure. | 0:16:56 | 0:16:59 | |
-Everything all right, Guv? -Yep. | 0:17:02 | 0:17:04 | |
Didn't need asking twice, did he? | 0:17:04 | 0:17:07 | |
What? | 0:17:07 | 0:17:08 | |
Jack. Not normally this attentive to the SIO. | 0:17:08 | 0:17:12 | |
Karen Sawyers' toxicology results. All pretty normal, | 0:17:14 | 0:17:18 | |
except for very high levels of Mifepristone. | 0:17:18 | 0:17:20 | |
-She was planning to terminate the pregnancy. -Yep. | 0:17:22 | 0:17:25 | |
Aw, Mum... All my toys are broken! | 0:17:46 | 0:17:50 | |
Adam? | 0:17:57 | 0:17:59 | |
Adam Hayes? | 0:17:59 | 0:18:01 | |
MUFFLED SHOUTING OUTSIDE | 0:18:03 | 0:18:06 | |
-She was my wife! -Oh, my God! | 0:18:08 | 0:18:11 | |
-What's wrong? -Boys, get back. | 0:18:11 | 0:18:13 | |
Get to my room. Lock the door! Keep it locked! | 0:18:13 | 0:18:16 | |
Police. | 0:18:24 | 0:18:25 | |
There's a...a man... | 0:18:29 | 0:18:30 | |
SHE SCREAMS | 0:18:30 | 0:18:32 | |
Did you know I worked at the Lyell? | 0:18:35 | 0:18:36 | |
Did you ask for me to be assigned to this case? | 0:18:38 | 0:18:41 | |
Er, no, I didn't, Jack. | 0:18:41 | 0:18:43 | |
And I don't believe in fate, either. So, don't get your hopes up. | 0:18:43 | 0:18:46 | |
RADIO: 'Stabbing reported at 46 Rostock Lane, Fanham. All units to respond. | 0:18:48 | 0:18:53 | |
-'All units to respond. Over.' -OK. Let's go. | 0:18:53 | 0:18:55 | |
-HE MUTTERS: -I loved her. | 0:18:59 | 0:19:01 | |
DISTANT SIRENS | 0:19:05 | 0:19:08 | |
SIREN WAILS | 0:19:12 | 0:19:14 | |
TYRES SCREECH | 0:19:14 | 0:19:16 | |
OK, all right, slow down, slow down, I think it's round here. | 0:19:20 | 0:19:24 | |
BRAKES SCREECH | 0:19:24 | 0:19:25 | |
That's him! Peter Sawyers. | 0:19:27 | 0:19:30 | |
Call it in. | 0:19:30 | 0:19:32 | |
HE PANTS | 0:20:38 | 0:20:41 | |
-JACK'S VOICE ECHOES DISTANTLY: -OK... Breathe. | 0:20:42 | 0:20:46 | |
This is not the answer. We can sort things out. | 0:20:53 | 0:20:57 | |
We know you're in a rough place. | 0:20:57 | 0:20:59 | |
We want to help you. | 0:20:59 | 0:21:01 | |
It's OK. | 0:21:01 | 0:21:02 | |
Would you like Alice to come? | 0:21:04 | 0:21:06 | |
Would you like to talk to her, Pete? | 0:21:06 | 0:21:09 | |
Want us to do that, Pete? Shall we get her here, yeah? | 0:21:09 | 0:21:11 | |
-VOICE ECHOES: -Pete? Pete? | 0:21:12 | 0:21:15 | |
C'mon, C'mon... | 0:21:17 | 0:21:20 | |
You're all right. Pete? | 0:21:20 | 0:21:23 | |
You OK? | 0:21:46 | 0:21:47 | |
Jack? | 0:21:53 | 0:21:54 | |
-Ready? -Sure. | 0:22:03 | 0:22:05 | |
I didn't believe him at first. | 0:23:02 | 0:23:03 | |
Thought it was some kind of sick joke. | 0:23:05 | 0:23:07 | |
He's been very attentive of late. | 0:23:10 | 0:23:12 | |
Presumably since she ended it. | 0:23:14 | 0:23:16 | |
Did you have an inkling prior to today that he | 0:23:18 | 0:23:20 | |
was in a relationship with Karen Sawyers? | 0:23:20 | 0:23:23 | |
No. I thought he loved me. | 0:23:23 | 0:23:27 | |
Loved the boys. | 0:23:27 | 0:23:29 | |
What do we have? | 0:23:42 | 0:23:44 | |
Multiple stab wounds to the chest and abdomen. | 0:23:44 | 0:23:47 | |
Similar in width to Karen Sawyers' injuries. | 0:23:47 | 0:23:50 | |
He's taken a hell of a beating. | 0:23:50 | 0:23:53 | |
Massive bruising to the face, broken nose, a couple of damaged teeth. | 0:23:53 | 0:23:58 | |
Something's been forced right down his throat. | 0:24:01 | 0:24:03 | |
Can't have helped his breathing. | 0:24:17 | 0:24:19 | |
Though I strongly suspect that any danger of suffocation was | 0:24:20 | 0:24:23 | |
pretty much academic by that point. | 0:24:23 | 0:24:25 | |
"Hamilton Ashe". Mean anything? | 0:24:31 | 0:24:34 | |
Karen Sawyers was having a termination at Hamilton Ashe Hospital. | 0:24:39 | 0:24:43 | |
Antenatal scans have revealed a foetal abnormality. | 0:24:43 | 0:24:45 | |
She'd decided to terminate. | 0:24:45 | 0:24:47 | |
We found this letter in Adam Hayes' throat. | 0:24:47 | 0:24:50 | |
It's from the hospital to her GP, confirming Karen's decision, | 0:24:50 | 0:24:53 | |
adding that discretion was required, as the husband was unaware. | 0:24:53 | 0:24:57 | |
But before the procedure is complete, | 0:24:57 | 0:24:59 | |
-the husband finds out about the affair, the pregnancy... -Yeah. And takes his revenge. | 0:24:59 | 0:25:03 | |
The knife we recovered had blood traces from Adam Hayes and Karen Sawyers, | 0:25:03 | 0:25:08 | |
but only Pete Sawyers' prints on the handle. | 0:25:08 | 0:25:11 | |
How did Pete Sawyers get hold of the letter? | 0:25:11 | 0:25:14 | |
Lucky me, I got to go through the Sawyers' rubbish this morning. | 0:25:14 | 0:25:17 | |
There was an empty A4 envelope in it, addressed to Pete Sawyers. | 0:25:17 | 0:25:22 | |
-THOMAS: -Any DNA? | 0:25:22 | 0:25:23 | |
No, self adhesive but it must have got damaged in the post | 0:25:23 | 0:25:26 | |
cos there's a small tear in it at the bottom left hand corner. | 0:25:26 | 0:25:30 | |
This letter was damaged in the same place. | 0:25:30 | 0:25:33 | |
-Somebody mailed it to Pete Sawyers? -Looks that way. | 0:25:33 | 0:25:37 | |
Adam Hayes could have done it. | 0:25:37 | 0:25:39 | |
Maybe he was angry at her for breaking it off? | 0:25:39 | 0:25:42 | |
Or Hayes' wife? | 0:25:42 | 0:25:43 | |
We only have her word for it that she didn't know about the affair. | 0:25:43 | 0:25:45 | |
But why would they have the letter in the first place? | 0:25:45 | 0:25:48 | |
Karen Sawyers is hardly likely to have given it to Adam Hayes. | 0:25:48 | 0:25:51 | |
Plus the Hayes' prints aren't on the envelope. | 0:25:51 | 0:25:54 | |
There are lots of others - probably postal staff - but not theirs. | 0:25:54 | 0:25:57 | |
Well, if they didn't send it to Pete Sawyers, who did? | 0:25:59 | 0:26:03 | |
Well, well, well. | 0:26:17 | 0:26:19 | |
Good to see you, Jason. | 0:26:19 | 0:26:21 | |
Likewise. | 0:26:22 | 0:26:24 | |
You got it? | 0:26:24 | 0:26:25 | |
Go on, then. Have a line on the house. | 0:26:43 | 0:26:46 | |
Seeing as you're here. | 0:26:47 | 0:26:49 | |
No, thanks. | 0:26:49 | 0:26:50 | |
You're no better than the rest of us, you know. | 0:26:52 | 0:26:54 | |
HE CHUCKLES | 0:26:57 | 0:26:59 | |
-WOMAN ON PHONE: -'Hi Jason. I'm here waiting. Where are you?' | 0:26:59 | 0:27:03 | |
Anyway. Call me when you get this, yeah? I love you. | 0:27:05 | 0:27:11 | |
I spent the night with someone. | 0:27:25 | 0:27:27 | |
I'll buy a hat, shall I? | 0:27:30 | 0:27:32 | |
I don't mind talking to you. I enjoy it, even. | 0:27:34 | 0:27:36 | |
But... | 0:27:36 | 0:27:38 | |
It isn't what you're here for. | 0:27:38 | 0:27:39 | |
We both know what's wrong with me. We gave it a name. | 0:27:39 | 0:27:43 | |
I'm post-traumatic. I was referred for EMDR. | 0:27:43 | 0:27:47 | |
Eye Movement Desensitisation is just one element of treatment. | 0:27:47 | 0:27:51 | |
And this... | 0:27:51 | 0:27:53 | |
This is the other part? | 0:27:53 | 0:27:55 | |
We need to find a specific moment of trauma to work from. | 0:27:56 | 0:28:00 | |
15 hours in a box? | 0:28:02 | 0:28:04 | |
A specific moment of trauma. | 0:28:06 | 0:28:08 | |
We need to get very close to your experience. | 0:28:11 | 0:28:14 | |
From there, we start to desensitize. | 0:28:14 | 0:28:16 | |
You know, Hamilton Ashe came up at work. | 0:28:22 | 0:28:25 | |
And I felt stupidly embarrassed. | 0:28:25 | 0:28:27 | |
You're still working? | 0:28:27 | 0:28:29 | |
I thought we said that you were going to... | 0:28:29 | 0:28:31 | |
I said I'd think about it. | 0:28:31 | 0:28:33 | |
A lot of evidence suggests that returning to work, | 0:28:34 | 0:28:36 | |
to routine, is good for trauma. | 0:28:36 | 0:28:39 | |
Your job isn't routine. Or lacking in additional trauma. | 0:28:39 | 0:28:44 | |
What does work give you, Nikki? | 0:28:44 | 0:28:47 | |
I need it, I suppose. | 0:28:49 | 0:28:52 | |
Like I said, I feel useless. | 0:28:53 | 0:28:56 | |
At work I'm useful. | 0:28:56 | 0:28:58 | |
I can help people. | 0:29:00 | 0:29:01 | |
Without answers people can stumble around in darkness. | 0:29:01 | 0:29:06 | |
The answers aren't always comfortable, | 0:29:07 | 0:29:09 | |
but they bring some light. | 0:29:09 | 0:29:11 | |
They save people from that darkness. | 0:29:11 | 0:29:15 | |
But nobody saved you. | 0:29:15 | 0:29:17 | |
From the darkness. | 0:29:18 | 0:29:20 | |
They did everything they could. | 0:29:23 | 0:29:24 | |
And they failed. | 0:29:26 | 0:29:27 | |
You said Jack is angry with you. | 0:29:40 | 0:29:42 | |
QUIETLY: Did I? | 0:29:48 | 0:29:49 | |
He's suffering, too. | 0:29:53 | 0:29:54 | |
But it didn't happen to him. | 0:29:57 | 0:29:58 | |
I have my PTSD. He doesn't get to call it some fancy name. | 0:30:00 | 0:30:05 | |
Isn't something like this meant to bind us, bring us together? | 0:30:09 | 0:30:14 | |
-But instead... -You want his forgiveness? | 0:30:14 | 0:30:15 | |
I want him to look me in the eye. | 0:30:17 | 0:30:19 | |
I was trapped. | 0:30:27 | 0:30:29 | |
I was dying. | 0:30:32 | 0:30:34 | |
Alone in the dark. | 0:30:36 | 0:30:37 | |
I'm never getting out of there. | 0:30:41 | 0:30:43 | |
I'm dead. | 0:30:48 | 0:30:49 | |
I think that's a strong place to start. | 0:30:59 | 0:31:02 | |
Yeah. | 0:31:07 | 0:31:08 | |
OK. | 0:31:11 | 0:31:12 | |
All right, bye. | 0:31:12 | 0:31:14 | |
-All on your lonesome, Jack? -Yeah. | 0:31:19 | 0:31:21 | |
Clarissa is out to dinner with Max, Thomas is playing happy families, | 0:31:21 | 0:31:25 | |
and Nikki... | 0:31:25 | 0:31:27 | |
Well, actually, I have no idea what Nikki does these days. | 0:31:27 | 0:31:30 | |
Hmm. Looks like we're both at a loose end. | 0:31:31 | 0:31:35 | |
I know I could do with a drink. | 0:31:46 | 0:31:48 | |
LIVELY MUSIC PLAYS | 0:31:51 | 0:31:55 | |
-Beer? -Thanks | 0:31:59 | 0:32:02 | |
Rough day? | 0:32:10 | 0:32:11 | |
Yep. Pretty rough. | 0:32:13 | 0:32:16 | |
-That's my cousin. -Oh, yeah? | 0:32:20 | 0:32:24 | |
He was a talented amateur, boxed for Hackney Swifts. | 0:32:24 | 0:32:27 | |
He could have gone pro, if circumstances had been different, but... | 0:32:27 | 0:32:31 | |
We used to spar together when I was younger. | 0:32:31 | 0:32:33 | |
He'll tell you he was better than me, but I was just letting him win. | 0:32:33 | 0:32:37 | |
-Bet you were. -SHE LAUGHS | 0:32:37 | 0:32:40 | |
How about you? | 0:32:42 | 0:32:44 | |
Family? Brothers? Sisters? | 0:32:44 | 0:32:47 | |
Er...I got a brother. | 0:32:48 | 0:32:51 | |
Oh. What does he do? | 0:32:51 | 0:32:54 | |
Erm... | 0:32:55 | 0:32:56 | |
Another time. | 0:33:03 | 0:33:04 | |
OK. | 0:33:06 | 0:33:07 | |
Well, chin-chin! | 0:33:10 | 0:33:12 | |
-Chin-chin! -West Africa's finest snack. | 0:33:13 | 0:33:17 | |
All right. | 0:33:17 | 0:33:18 | |
Wait, wait, wait. | 0:33:18 | 0:33:19 | |
You got to choose the most attractive looking one. | 0:33:19 | 0:33:22 | |
-You for real? -SHE LAUGHS | 0:33:22 | 0:33:25 | |
You're sure you don't mind? It's really kind of you. | 0:33:27 | 0:33:29 | |
Of course. That's no problem. | 0:33:29 | 0:33:31 | |
Right. I'll call you as soon as I'm done. | 0:33:31 | 0:33:33 | |
-Keep your phone on. -Sure. | 0:33:33 | 0:33:36 | |
-Bye, Bunny. -Bye. | 0:33:36 | 0:33:38 | |
-Thanks again. -See you later. | 0:33:40 | 0:33:41 | |
Oh, shit! | 0:33:43 | 0:33:44 | |
SHE WHISTLES | 0:33:46 | 0:33:48 | |
You're in an obnoxiously good mood this morning. | 0:33:48 | 0:33:52 | |
Why do you think that is? | 0:33:52 | 0:33:54 | |
Dinner went well? | 0:33:54 | 0:33:56 | |
Dessert went better. | 0:33:56 | 0:33:58 | |
Spare me the details... | 0:33:58 | 0:34:00 | |
I've got something for you. | 0:34:02 | 0:34:04 | |
What you got? | 0:34:06 | 0:34:07 | |
Karen Sawyers was pretty diligent about deleting e-mails, texts, tweets... | 0:34:09 | 0:34:14 | |
But they're not permanently deleted, just moved to the flash memory. | 0:34:14 | 0:34:18 | |
And when I had a poke around... | 0:34:18 | 0:34:21 | |
This text message was sent to Karen Sawyers exactly one week ago. | 0:34:26 | 0:34:30 | |
It threatens to send her husband a copy of the hospital's letter, | 0:34:30 | 0:34:34 | |
unless she coughs up 10 grand. | 0:34:34 | 0:34:37 | |
Two days later, she gets a follow up text, | 0:34:37 | 0:34:40 | |
giving details of the drop location. | 0:34:40 | 0:34:43 | |
A derelict warehouse in Waltham Cross. | 0:34:43 | 0:34:45 | |
-Did she respond to these messages? -No. | 0:34:45 | 0:34:47 | |
Did she withdraw any large sums around this time? | 0:34:47 | 0:34:49 | |
Not that we can see, no. She had the money, she could have paid. | 0:34:49 | 0:34:52 | |
Maybe she thought the sender was bluffing, | 0:34:52 | 0:34:54 | |
or maybe she just didn't want to play ball. | 0:34:54 | 0:34:57 | |
Either way, a week later the blackmailer carried out their threat. | 0:34:57 | 0:35:00 | |
Sorry. Carry on. Don't mind me. | 0:35:01 | 0:35:05 | |
Can we trace the phone the texts were sent from? | 0:35:05 | 0:35:07 | |
They were sent from a pay-as-you-go phone | 0:35:07 | 0:35:09 | |
that dropped off the grid three days ago. | 0:35:09 | 0:35:11 | |
So we pulled the phone's call and message logs, | 0:35:11 | 0:35:14 | |
but it looks like it was only used to send these two messages. | 0:35:14 | 0:35:17 | |
However, geographical mapping shows that both times the phone was | 0:35:17 | 0:35:20 | |
used within half a mile of the drop location. | 0:35:20 | 0:35:23 | |
Great! Let's check out the drop-site. | 0:35:23 | 0:35:25 | |
Presumably the blackmailer chose the location specifically, | 0:35:25 | 0:35:27 | |
-knows the area well, perhaps. -My thoughts exactly. | 0:35:27 | 0:35:30 | |
Where did the blackmailer get the letter from? | 0:35:30 | 0:35:33 | |
Can you pull the letter up on screen? | 0:35:33 | 0:35:35 | |
The hospital obviously had a copy. So did her GP. | 0:35:37 | 0:35:40 | |
Karen may have been sent the letter too, | 0:35:40 | 0:35:42 | |
but that's not what we're looking at here. | 0:35:42 | 0:35:45 | |
This document is a draft copy. | 0:35:45 | 0:35:47 | |
It isn't signed by the consultant or the midwife. | 0:35:47 | 0:35:49 | |
So, this must have been printed off before the letters to Karen and her GP were sent out. | 0:35:51 | 0:35:55 | |
Yeah. | 0:35:55 | 0:35:56 | |
By someone who had direct access to Karen Sawyers' medical files. | 0:35:56 | 0:36:01 | |
OK. You guys check out the drop site. | 0:36:01 | 0:36:04 | |
will you come with me to Hamilton Ashe hospital to speak to Mr Laing? | 0:36:04 | 0:36:06 | |
-Erm... -Yeah. | 0:36:06 | 0:36:09 | |
Yeah. | 0:36:09 | 0:36:10 | |
TEXT ALERT | 0:36:30 | 0:36:32 | |
KNOCK AT DOOR | 0:36:40 | 0:36:42 | |
Court One, 15 minutes, Mr Farrell. | 0:36:42 | 0:36:45 | |
I don't dispute that my client has been absent from his children's lives, | 0:36:52 | 0:36:58 | |
but that was by necessity, not by design. | 0:36:58 | 0:37:01 | |
His ex-wife frequently altered arrangements | 0:37:01 | 0:37:03 | |
without consulting him, and when he was allowed in the family home... | 0:37:03 | 0:37:07 | |
Well, the atmosphere was toxic. | 0:37:08 | 0:37:13 | |
So, for the good of the children, my client took a step back. | 0:37:13 | 0:37:16 | |
That's bullshit! | 0:37:16 | 0:37:17 | |
It was never my client's intention to give up on his children. | 0:37:19 | 0:37:23 | |
And given the stable home he can provide them with, | 0:37:25 | 0:37:29 | |
it is our belief that joint custody | 0:37:29 | 0:37:33 | |
is the very least my client deserves. | 0:37:33 | 0:37:35 | |
To the best of your knowledge, has anyone had unauthorised access | 0:37:39 | 0:37:42 | |
to this hospital's confidential medical files? | 0:37:42 | 0:37:45 | |
I've said I don't think it's appropriate for me | 0:37:45 | 0:37:47 | |
to comment without a member of the Trust's legal team present. | 0:37:47 | 0:37:50 | |
It's a criminal offence to obstruct the police in the execution of their duties. | 0:37:50 | 0:37:54 | |
And if you withhold vital evidence from us, | 0:37:54 | 0:37:56 | |
-then you will be charged with perverting the course of justice. -All right! | 0:37:56 | 0:38:00 | |
You've made your point. | 0:38:00 | 0:38:02 | |
Jane! | 0:38:02 | 0:38:03 | |
Can you cancel the Departmental Heads meeting? | 0:38:09 | 0:38:12 | |
-We'll have to re-schedule. Somehow. -Of course. | 0:38:12 | 0:38:15 | |
Jane! The door, please. | 0:38:15 | 0:38:19 | |
A few weeks ago, we had a fairly sizeable data breach. | 0:38:29 | 0:38:33 | |
A cyber hacker calling himself Splinter | 0:38:33 | 0:38:36 | |
managed to penetrate our systems and downloaded patient files. | 0:38:36 | 0:38:42 | |
How? | 0:38:42 | 0:38:43 | |
He e-mailed our Patient Liaison Service with a bogus enquiry. | 0:38:43 | 0:38:46 | |
A member of the team opened the e-mail | 0:38:46 | 0:38:49 | |
and the malware started to download. | 0:38:49 | 0:38:51 | |
Our digital defences should have detected it, | 0:38:51 | 0:38:54 | |
but these things are changing all the time. | 0:38:54 | 0:38:56 | |
How many patients are affected? | 0:38:56 | 0:38:58 | |
Hard to tell. | 0:38:58 | 0:39:01 | |
Up to 30,000. | 0:39:01 | 0:39:03 | |
People's notes, the treatments they were taking, the drugs they were on? | 0:39:06 | 0:39:11 | |
Yes. | 0:39:11 | 0:39:12 | |
You said he was called Splinter? | 0:39:14 | 0:39:16 | |
Yes. Shortly after the breach, he e-mailed me directly. | 0:39:16 | 0:39:23 | |
Alerted me to the theft, and included samples of the stolen files | 0:39:23 | 0:39:27 | |
and demanded £100,000. | 0:39:27 | 0:39:29 | |
Said if we didn't comply, he'd put all the files in the public domain. | 0:39:29 | 0:39:33 | |
What did you do? | 0:39:33 | 0:39:34 | |
I refused to pay, of course. | 0:39:34 | 0:39:37 | |
-Have you still got the e-mail? -No. | 0:39:37 | 0:39:39 | |
We deleted it and our IT people removed it from the server. | 0:39:39 | 0:39:43 | |
-And he hasn't been in touch since? -No, not a thing. | 0:39:43 | 0:39:46 | |
And you never considered reporting it? | 0:39:46 | 0:39:48 | |
I thought it was an empty threat. | 0:39:48 | 0:39:50 | |
-I didn't want to alarm people unnecess... -You have a duty of candour | 0:39:50 | 0:39:54 | |
to your patients, to your staff... | 0:39:54 | 0:39:55 | |
I had the reputation of the hospital to consider, the Trust. | 0:39:55 | 0:39:59 | |
What you did was both stupid and illegal. | 0:39:59 | 0:40:02 | |
And has cost three people their lives. | 0:40:03 | 0:40:05 | |
I'm going to need that computer from Patient Liaison. | 0:40:10 | 0:40:13 | |
And your full co-operation. | 0:40:13 | 0:40:15 | |
So, how long have you been working with DI Silva? | 0:40:20 | 0:40:23 | |
About six months or so. | 0:40:23 | 0:40:25 | |
Mm-hm? What do you make of her? | 0:40:25 | 0:40:28 | |
I'd say her bark is as bad as her bite. | 0:40:28 | 0:40:31 | |
Not that I'd say that to her face, of course. | 0:40:31 | 0:40:33 | |
Your secret's safe with me. | 0:40:33 | 0:40:35 | |
Broken. | 0:40:41 | 0:40:42 | |
Handy. | 0:40:42 | 0:40:44 | |
After you. | 0:40:46 | 0:40:47 | |
Walters! | 0:41:52 | 0:41:53 | |
Camera. | 0:41:59 | 0:42:00 | |
So, we checked the tapes from the night Karen Sawyers was supposed to pay the ransom. | 0:42:03 | 0:42:09 | |
She never turned up, | 0:42:09 | 0:42:11 | |
but just before 8:00pm, this guy does. | 0:42:11 | 0:42:16 | |
He takes care to stay in the shadows for as long as possible, | 0:42:17 | 0:42:21 | |
then heads towards the warehouse. | 0:42:21 | 0:42:24 | |
OK? Ten minutes later... | 0:42:24 | 0:42:26 | |
..he's back. | 0:42:29 | 0:42:31 | |
Walking away from the scene empty handed. | 0:42:31 | 0:42:35 | |
And presumably pretty pissed off. | 0:42:35 | 0:42:37 | |
What do we know about this Splinter? | 0:42:37 | 0:42:40 | |
He's been linked to a number of cyber scams, | 0:42:40 | 0:42:43 | |
but has never been definitively identified. | 0:42:43 | 0:42:45 | |
He began with sextortion, then hacked an infidelity website, | 0:42:45 | 0:42:49 | |
before moving on to phone companies, broadcasters and banks. | 0:42:49 | 0:42:53 | |
He's a 21st century highwayman. | 0:42:53 | 0:42:56 | |
Data theft and extortion are his stock in trade. | 0:42:56 | 0:43:00 | |
Stealing secrets. I suppose we've all got something to hide. | 0:43:00 | 0:43:03 | |
I'll get our data forensic boys onto it. | 0:43:05 | 0:43:07 | |
Though they're pretty overrun at the moment. | 0:43:07 | 0:43:09 | |
I've got a better idea. | 0:43:09 | 0:43:11 | |
PHONE RINGS | 0:43:15 | 0:43:17 | |
Didn't think you'd be able to stay away after last night. | 0:43:20 | 0:43:23 | |
-SPEAKERPHONE: -'Fancy another nibble, do you?' | 0:43:23 | 0:43:25 | |
Max, you're on speakerphone, and I'm with the police. | 0:43:25 | 0:43:29 | |
Ah, of course. Sorry. | 0:43:29 | 0:43:33 | |
Erm, what can I do for you? | 0:43:34 | 0:43:36 | |
Have you seen my bag, Shelley? | 0:43:42 | 0:43:44 | |
-Sorry? -My gym bag. I had it yesterday. | 0:43:44 | 0:43:47 | |
What about the trial? | 0:43:47 | 0:43:49 | |
They settled. | 0:43:49 | 0:43:51 | |
Even still, shouldn't you be in chambers? | 0:43:51 | 0:43:53 | |
Jason! What's going on? | 0:43:58 | 0:44:02 | |
You come home in the middle of the night. | 0:44:02 | 0:44:04 | |
You're gone again before we even get the chance to talk. | 0:44:04 | 0:44:07 | |
You're scaring me. | 0:44:09 | 0:44:10 | |
You know you can talk to me about anything, don't you? | 0:44:18 | 0:44:21 | |
Anything at all. | 0:44:23 | 0:44:24 | |
It's fine. Trust me. | 0:44:27 | 0:44:29 | |
Everything's going to be just fine. | 0:44:31 | 0:44:33 | |
What exactly are you suggesting, Ms Glennister? | 0:44:49 | 0:44:51 | |
Let's go public about the breach, issue an apology | 0:44:51 | 0:44:54 | |
and then try and rectify the situation. | 0:44:54 | 0:44:55 | |
What would that achieve? Panic. | 0:44:55 | 0:44:58 | |
-Groundless panic. -It's hardly groundless. | 0:44:58 | 0:45:01 | |
We should let the police investigation run its course | 0:45:01 | 0:45:06 | |
before making a final decision. | 0:45:06 | 0:45:08 | |
If the perpetrator is our cyber hacker, | 0:45:08 | 0:45:12 | |
and if he's caught, and the hacked files recovered, | 0:45:12 | 0:45:16 | |
then we may not need to go public | 0:45:16 | 0:45:18 | |
and damage the reputation of this hospital. | 0:45:18 | 0:45:22 | |
Is it damage to the hospital you're worried about, Simon? | 0:45:22 | 0:45:25 | |
-Or damage to your career? -Oh! | 0:45:25 | 0:45:27 | |
If it's the latter, let me be straight with you. | 0:45:27 | 0:45:30 | |
Tomorrow there will be an extraordinary meeting of the Trust board, | 0:45:30 | 0:45:35 | |
-at which your suspension will be discussed. -I just... | 0:45:35 | 0:45:38 | |
I need to report the matter to the Information Commissioner's Office, | 0:45:38 | 0:45:41 | |
and we also need to liaise with the police about possible criminal charges. | 0:45:41 | 0:45:46 | |
I mean, for God's sake, Simon, why didn't you bring this to me sooner?! | 0:45:46 | 0:45:51 | |
HE SNORTS | 0:45:53 | 0:45:55 | |
All good hackers use obfuscation techniques to conceal their IP addresses. | 0:47:20 | 0:47:25 | |
Meaning...? | 0:47:25 | 0:47:27 | |
They ping their activity around numerous international servers, | 0:47:27 | 0:47:30 | |
usually routing via countries which are hard to police, | 0:47:30 | 0:47:33 | |
like Russia and Serbia. | 0:47:33 | 0:47:35 | |
Throw in the fact that they also use sophisticated encryption programmes, | 0:47:35 | 0:47:38 | |
and you are going to be pissing in the wind trying to track them via traffic analysis. | 0:47:38 | 0:47:42 | |
Any good news? | 0:47:42 | 0:47:43 | |
The good news is that we have the computer from Hamilton Ashe | 0:47:45 | 0:47:49 | |
that let the malware into the hospital system. | 0:47:49 | 0:47:51 | |
Each malware programme has its own unique digital make up. | 0:47:53 | 0:47:56 | |
This one goes by the name Imprimo. | 0:47:56 | 0:47:59 | |
If you can work out which UK users have purchased this specific | 0:47:59 | 0:48:02 | |
Malware programme via the Dark Web or other covert spaces... | 0:48:02 | 0:48:05 | |
That must be hundreds of people - thousands, even. | 0:48:05 | 0:48:07 | |
So, you cross reference your findings with your other big clue - | 0:48:07 | 0:48:12 | |
his online alias. | 0:48:12 | 0:48:14 | |
So, what happens when you type in Splinter, then? | 0:48:14 | 0:48:16 | |
I didn't say it was going to be easy. | 0:48:24 | 0:48:27 | |
It's not hypnosis, there is no trance. | 0:48:27 | 0:48:30 | |
Some studies suggest this replicates eye movements during REM sleep... | 0:48:30 | 0:48:34 | |
..when the brain is most able to reprocess events. | 0:48:36 | 0:48:38 | |
-I just follow the light? -Mmm. | 0:48:43 | 0:48:46 | |
You were trapped, Nikki. | 0:48:53 | 0:48:56 | |
You open your eyes... | 0:48:56 | 0:48:59 | |
..and it's dark. | 0:48:59 | 0:49:01 | |
"I'm dead." | 0:49:03 | 0:49:04 | |
I can't move. | 0:49:14 | 0:49:15 | |
I push. | 0:49:18 | 0:49:20 | |
I shout. | 0:49:22 | 0:49:23 | |
But there's nothing. | 0:49:25 | 0:49:27 | |
And you feel... ? | 0:49:27 | 0:49:28 | |
Enraged. | 0:49:31 | 0:49:32 | |
Embarrassed. | 0:49:35 | 0:49:37 | |
Stupid. | 0:49:39 | 0:49:41 | |
You're in the dark. | 0:49:45 | 0:49:46 | |
Jack is trying to help you, he's talking to you on the phone. | 0:49:48 | 0:49:53 | |
I said I could help them. | 0:49:55 | 0:49:57 | |
Now everyone has to help me. | 0:49:59 | 0:50:01 | |
And nobody can. | 0:50:02 | 0:50:03 | |
Are you helpless, Nikki? | 0:50:06 | 0:50:09 | |
A helpless girl? | 0:50:11 | 0:50:12 | |
What does that bring up? | 0:50:15 | 0:50:16 | |
Everyone is trying to talk to me. | 0:50:24 | 0:50:25 | |
They keep saying they want to help me. | 0:50:27 | 0:50:30 | |
But it's not me that needs help. | 0:50:32 | 0:50:34 | |
She's dead. | 0:50:35 | 0:50:38 | |
She's in the box. | 0:50:38 | 0:50:39 | |
Who? You, Nikki? | 0:50:40 | 0:50:42 | |
No, not me. | 0:50:42 | 0:50:44 | |
Mum. | 0:50:45 | 0:50:47 | |
My mother. | 0:50:48 | 0:50:50 | |
You were 14 when she died. | 0:50:53 | 0:50:54 | |
I don't want to talk about this, I don't need to. | 0:50:57 | 0:51:00 | |
Your mother's death came up. | 0:51:02 | 0:51:03 | |
Trauma attaches to other trauma. | 0:51:05 | 0:51:08 | |
That's why it's so potent, it knows you very well. | 0:51:09 | 0:51:12 | |
This is pointless, I want to stop. | 0:51:12 | 0:51:14 | |
This isn't what you hoped for? | 0:51:14 | 0:51:16 | |
It's not the fix you wanted. | 0:51:16 | 0:51:18 | |
My patients come in to me on a slab and I have to figure them out. | 0:51:18 | 0:51:22 | |
You have a live one in front of you and this is really all you've got? | 0:51:22 | 0:51:25 | |
I don't want to leave this here, Nikki. | 0:51:25 | 0:51:28 | |
Right now you're very vulnerable. | 0:51:28 | 0:51:30 | |
Please, Nikki, sit down. | 0:51:30 | 0:51:33 | |
Do you know there's been a data breach in the hospital? | 0:51:33 | 0:51:35 | |
I only heard about it yesterday. | 0:51:35 | 0:51:38 | |
So, I'm vulnerable in all sorts of ways, aren't I? | 0:51:38 | 0:51:41 | |
-You're worried about people knowing? -Aren't you? Shouldn't you be? | 0:51:41 | 0:51:46 | |
All our secrets! | 0:51:46 | 0:51:48 | |
I'm not a child any more. And I'm not trapped any more. | 0:51:49 | 0:51:53 | |
So, how is this helping? | 0:51:53 | 0:51:54 | |
I think we're here at cross-purposes, Nikki. | 0:51:54 | 0:51:57 | |
You seem to be here to want to prove I can't help you. | 0:51:57 | 0:52:01 | |
And I'm here to see if I can. | 0:52:01 | 0:52:03 | |
You're saying that I can't go back to how things were before it happened. | 0:52:03 | 0:52:07 | |
You're saying that it's been there for a long time. | 0:52:07 | 0:52:10 | |
So, what, my condition is defeat? | 0:52:10 | 0:52:14 | |
I can't make connections, or can't keep them? | 0:52:16 | 0:52:19 | |
Nikki... | 0:52:21 | 0:52:23 | |
-How was that? Good day? -Sure. | 0:53:00 | 0:53:02 | |
Mum's feeling a bit better, why don't we drop in there now? | 0:53:02 | 0:53:05 | |
I've got some flowers, a card you can write. | 0:53:05 | 0:53:08 | |
If you don't like the card, we can get another. | 0:53:08 | 0:53:10 | |
I just thought it might save a bit of time, that's all. | 0:53:10 | 0:53:12 | |
-Got somewhere to be? -No. I didn't mean it like that. | 0:53:12 | 0:53:15 | |
Anyway, I'm sure she's keen to see you, so jump in. | 0:53:15 | 0:53:17 | |
-I can walk. -What? | 0:53:17 | 0:53:19 | |
I said I can walk. It's only five minutes away. | 0:53:19 | 0:53:22 | |
I've got the car right here. Come on, Ro, it's getting late. | 0:53:22 | 0:53:25 | |
I can't have you walking the streets, can I? | 0:53:25 | 0:53:28 | |
I walk to school by myself every day, Dad. | 0:53:28 | 0:53:30 | |
I know you do. But even so, I'm responsible for you, | 0:53:30 | 0:53:33 | |
-so I would like you to get in the car and... -Fine! | 0:53:33 | 0:53:36 | |
I'm going to see Mum by myself, though. | 0:53:38 | 0:53:40 | |
Come out! | 0:54:17 | 0:54:19 | |
Come out, you bastard! | 0:54:21 | 0:54:24 | |
HE WINCES | 0:54:53 | 0:54:55 | |
Come on! | 0:55:13 | 0:55:14 | |
'Hi, this is Jason Farrell. Sorry I can't take your call. Please leave a message.' | 0:55:54 | 0:55:59 | |
'Where are you? Baby, look, I'm freaking out here. | 0:55:59 | 0:56:03 | |
'Please, Jason, just call me. I'm still at the house. | 0:56:03 | 0:56:07 | |
'I'm not angry, OK? Just call me. Please.' | 0:56:08 | 0:56:12 | |
# Testator silens | 0:56:15 | 0:56:22 | |
# Costestes e spiritu | 0:56:25 | 0:56:32 | |
# Silentium. # | 0:56:32 | 0:56:38 |