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This programme contains some violent scenes, | 0:00:02 | 0:00:03 | |
and some scenes which viewers may find upsetting. | 0:00:03 | 0:00:06 | |
Two traffic officers were first at the scene. They found three bodies - | 0:00:06 | 0:00:09 | |
two young women and an elderly man. Another body's since been found in a | 0:00:09 | 0:00:12 | |
-burnt out four-by-four. -Hello, Bluebell. -Get away from her! My father... | 0:00:12 | 0:00:15 | |
He's the one to blame. | 0:00:15 | 0:00:18 | |
-Mel has gone to the hospital. -Is she OK? | 0:00:18 | 0:00:20 | |
-She's been shot. -Has she said anything? | 0:00:20 | 0:00:23 | |
-It was Andy. -He's on the run. | 0:00:23 | 0:00:25 | |
-One of the lorries is unaccounted for. -Right, | 0:00:25 | 0:00:27 | |
and I bet I know who's got that. | 0:00:27 | 0:00:29 | |
Apart from finding out where Andy is, | 0:00:29 | 0:00:31 | |
identifying who he was with is our main priority. | 0:00:31 | 0:00:34 | |
-Any idea who this is? -Yeah, we've got him. | 0:00:34 | 0:00:37 | |
Michael Adams. Listen, I can only give you 24 hours on this, OK? | 0:00:37 | 0:00:40 | |
The gun you found under the dead man's car seat, | 0:00:40 | 0:00:42 | |
it's not been sent over. | 0:00:42 | 0:00:44 | |
-It's evidence. -Evidence that the gun is police issue. | 0:00:44 | 0:00:48 | |
This is all wrong, Clarissa. | 0:00:48 | 0:00:50 | |
All wrong. | 0:00:50 | 0:00:52 | |
# Testator silens | 0:00:54 | 0:01:01 | |
# Costestes e spiritu | 0:01:04 | 0:01:10 | |
# Silentium | 0:01:10 | 0:01:17 | |
# Testator silens. # | 0:01:26 | 0:01:32 | |
When were you last at Orchard House? | 0:02:23 | 0:02:26 | |
I've not seen Andy in weeks. | 0:02:27 | 0:02:29 | |
He took out one of the articulated lorries on the 18th. | 0:02:30 | 0:02:34 | |
He couldn't afford to pay anyone, so probably ended up doing | 0:02:34 | 0:02:37 | |
-a few jobs himself. -The lorry wasn't returned to the depot. | 0:02:37 | 0:02:40 | |
Just like Andy to escape in a lorry with his name all over | 0:02:41 | 0:02:44 | |
the side of it. | 0:02:44 | 0:02:46 | |
We've got some evidence that he was... | 0:02:46 | 0:02:49 | |
with someone on Christmas Eve. | 0:02:49 | 0:02:51 | |
Who? | 0:02:53 | 0:02:55 | |
They're investigating. | 0:02:55 | 0:02:56 | |
You know what Andy's like - women, men, | 0:03:00 | 0:03:03 | |
you name it. It's one of the reasons I left him. | 0:03:03 | 0:03:06 | |
Do you have any idea who that might have been? | 0:03:06 | 0:03:08 | |
You think they were responsible for what happened? | 0:03:08 | 0:03:10 | |
We don't know yet, but... | 0:03:10 | 0:03:12 | |
Laurence... | 0:03:12 | 0:03:15 | |
why am I here? Why are you telling me this? | 0:03:15 | 0:03:18 | |
Is there something you need to tell me? | 0:03:18 | 0:03:21 | |
According to Stevie's diaries, you and her weren't speaking to each other... | 0:03:23 | 0:03:26 | |
-You clearly don't have teenage kids. -Zoe... | 0:03:26 | 0:03:28 | |
You think I could murder my own daughter? | 0:03:30 | 0:03:33 | |
Andy? Sure. His old man? | 0:03:33 | 0:03:35 | |
Absolutely no problem, but the girls? | 0:03:35 | 0:03:37 | |
You think I could point a gun at them, and... | 0:03:38 | 0:03:40 | |
If you'll excuse me, my daughter needs me. | 0:03:50 | 0:03:53 | |
What time were you back? | 0:04:04 | 0:04:07 | |
I'm a teenager all over again. | 0:04:07 | 0:04:08 | |
Just asking. | 0:04:08 | 0:04:11 | |
How was the Red Lion? | 0:04:12 | 0:04:13 | |
You made the paper. | 0:04:17 | 0:04:19 | |
There we all were, eating our Christmas lunch and there was you... | 0:04:23 | 0:04:28 | |
A whole family. | 0:04:28 | 0:04:30 | |
And we think WE'VE got problems. | 0:04:30 | 0:04:32 | |
Did you see Ryan? | 0:04:34 | 0:04:35 | |
I thought he might have called, but it's not easy for him. | 0:04:36 | 0:04:39 | |
People were asking where you were, but I didn't tell them. | 0:04:47 | 0:04:50 | |
I didn't want to put them off their Christmas pudding. | 0:04:50 | 0:04:53 | |
To tell you the truth, I...don't know how you do it. | 0:04:54 | 0:04:58 | |
I couldn't do what you do. | 0:04:58 | 0:05:00 | |
I doubt many could. | 0:05:00 | 0:05:02 | |
Are you coming back, or...was that Christmas? | 0:05:04 | 0:05:06 | |
Of course I'm coming back. I said so, didn't I? | 0:05:06 | 0:05:08 | |
I'm proud of you, son. | 0:05:15 | 0:05:17 | |
I thought Nikki was going to be here? | 0:05:42 | 0:05:44 | |
She's doing Jack's job, had to be done first thing. | 0:05:44 | 0:05:47 | |
Oh, yeah, and where's Jack? | 0:05:47 | 0:05:49 | |
He had to go to his dad's last night, | 0:05:50 | 0:05:52 | |
and he wanted to talk to the DCI about the gun | 0:05:52 | 0:05:54 | |
that still hasn't arrived. | 0:05:54 | 0:05:56 | |
Really? What about the sim card? | 0:05:56 | 0:05:58 | |
He's going to ask about that, too. | 0:05:58 | 0:06:00 | |
I thought they wanted us to look at the body from the four-by-four. | 0:06:00 | 0:06:03 | |
The DI said it's on its way. | 0:06:03 | 0:06:05 | |
Right. | 0:06:05 | 0:06:07 | |
Well, Martin McMorris it is, then. | 0:06:07 | 0:06:09 | |
Postmortem. | 0:06:11 | 0:06:12 | |
December 26th, 8am. | 0:06:13 | 0:06:15 | |
Mum. | 0:06:45 | 0:06:47 | |
-Hello, love. -Mum... | 0:06:53 | 0:06:56 | |
It's all right. You don't have to do anything. | 0:06:56 | 0:06:58 | |
It's all over now, Mel. | 0:07:02 | 0:07:04 | |
Everything is going to be fine. | 0:07:04 | 0:07:07 | |
No-one can get to us here. | 0:07:07 | 0:07:09 | |
Have you got them yet? | 0:07:12 | 0:07:14 | |
Mmm, looks like a heel. | 0:07:14 | 0:07:16 | |
Boot of some kind? | 0:07:16 | 0:07:18 | |
I'm checking the database. | 0:07:18 | 0:07:21 | |
Look at this. | 0:07:21 | 0:07:23 | |
Did you ever keep a diary? | 0:07:23 | 0:07:25 | |
Every January I started one, but then... | 0:07:25 | 0:07:28 | |
Mine was full of the most desperate angst, most of it made up. | 0:07:28 | 0:07:32 | |
-Are you reading Stevie's diary? -Well, I'm trying to. | 0:07:32 | 0:07:35 | |
Not only is her handwriting indecipherable, | 0:07:35 | 0:07:38 | |
it's full of drawings and symbols that could mean anything. | 0:07:38 | 0:07:42 | |
But I don't think "M," the letter on the gift tag, means Melanie, | 0:07:42 | 0:07:47 | |
cos I've found this entry. | 0:07:47 | 0:07:49 | |
"Must tell Mel the truth about M." | 0:07:52 | 0:07:55 | |
Did you get this tyre mark? | 0:07:55 | 0:07:57 | |
It's a...a bike? | 0:07:57 | 0:08:00 | |
-No. -A scooter? Motorbike? Wheelbarrow? | 0:08:00 | 0:08:03 | |
Hmm. | 0:08:03 | 0:08:05 | |
Still no sign of Andy or the Arctic. | 0:08:05 | 0:08:07 | |
And the gun. You assured me you'd sent it to the Lyell. | 0:08:07 | 0:08:10 | |
-Don't worry, I've still got it. -Why? | 0:08:10 | 0:08:13 | |
Yesterday morning, I was called by my Chief Superintendent. | 0:08:13 | 0:08:16 | |
Apparently, there's an ongoing classified operation that | 0:08:16 | 0:08:19 | |
-supersedes this investigation. -What? | 0:08:19 | 0:08:21 | |
I was urged to hold on to the gun, | 0:08:21 | 0:08:23 | |
and hold off examining the four-by-four, and the body inside. | 0:08:23 | 0:08:27 | |
Were you also urged to remove the sim card from the phone we found? | 0:08:27 | 0:08:31 | |
I don't know what you're talking about, and, frankly, Jack, | 0:08:31 | 0:08:34 | |
I resent that implication. | 0:08:34 | 0:08:36 | |
There's a photo in there of the two of you cosying up | 0:08:36 | 0:08:39 | |
at a clay pigeon shooting event. | 0:08:39 | 0:08:40 | |
I get to meet a lot of people in my new | 0:08:41 | 0:08:44 | |
-role as Detective Chief Inspector. -All right. | 0:08:44 | 0:08:46 | |
Yeah, I knew who Andy was, | 0:08:46 | 0:08:47 | |
and I knew he'd been on trial for murder, | 0:08:47 | 0:08:49 | |
he wasn't convicted - in my opinion, he was a good man | 0:08:49 | 0:08:52 | |
until proven otherwise and, besides, | 0:08:52 | 0:08:53 | |
you can get information from a phone without the sim. | 0:08:53 | 0:08:56 | |
The phone was seriously damaged by the fire. | 0:08:56 | 0:08:59 | |
The serial number's illegible, | 0:08:59 | 0:09:00 | |
so we don't know who the service provider was, | 0:09:00 | 0:09:02 | |
-and without that sim card... -HE SIGHS | 0:09:02 | 0:09:05 | |
What about Andy's service provider? | 0:09:05 | 0:09:07 | |
Any information from them? | 0:09:07 | 0:09:09 | |
No calls or messages between the 18th and the 23rd, | 0:09:09 | 0:09:12 | |
but then quite a few to a number, | 0:09:12 | 0:09:15 | |
which could possibly belong to a burner phone - | 0:09:15 | 0:09:18 | |
the type used by undercover police officers. | 0:09:18 | 0:09:21 | |
All right, Jack, | 0:09:21 | 0:09:23 | |
-I'm as frustrated as you are... -Are you? | 0:09:23 | 0:09:25 | |
..but let me assure you, I will not rest | 0:09:25 | 0:09:28 | |
until I've ascertained the truth of what's happened round here. | 0:09:28 | 0:09:32 | |
-OK? -OK. | 0:09:32 | 0:09:33 | |
Apart from the gunshot wounds, there are indications that the deceased | 0:09:36 | 0:09:40 | |
sustained a number of heavy blows. | 0:09:40 | 0:09:43 | |
We've got severe bruising, right across the body, | 0:09:43 | 0:09:46 | |
defused red in colour. | 0:09:46 | 0:09:49 | |
Two classic entry wounds to the chest. | 0:09:49 | 0:09:51 | |
Stippling around the margin of the wounds where there are burn | 0:09:53 | 0:09:57 | |
marks and some slight tears. | 0:09:57 | 0:09:59 | |
I would estimate that the distance from which he was shot was... | 0:09:59 | 0:10:02 | |
..was point blank range. | 0:10:02 | 0:10:03 | |
Point blank range. | 0:10:07 | 0:10:08 | |
The tissue samples taken from under Martin McMorris' ring? | 0:10:08 | 0:10:11 | |
Yeah, what about them? | 0:10:11 | 0:10:13 | |
It wasn't father fighting son as we suspected. | 0:10:13 | 0:10:15 | |
It was Martin, | 0:10:17 | 0:10:19 | |
but with a man named Vernon Rye. | 0:10:19 | 0:10:22 | |
Please don't, Mr Rye. | 0:10:58 | 0:11:00 | |
I've already seen four bodies riddled with bullets this | 0:11:00 | 0:11:03 | |
Christmas holiday, let's not make it a fifth. | 0:11:03 | 0:11:06 | |
Hey, you be careful in there. It's all I've got. | 0:11:12 | 0:11:16 | |
That your bike, is it? | 0:11:18 | 0:11:20 | |
You're all here cos I nicked a bike? | 0:11:21 | 0:11:23 | |
I knew things had changed this last nine years, | 0:11:23 | 0:11:25 | |
-but isn't this a bit over the top? -Get moving. | 0:11:25 | 0:11:28 | |
The boots are wellingtons, | 0:12:23 | 0:12:26 | |
size seven or eight... | 0:12:26 | 0:12:28 | |
There are some at the house. | 0:12:28 | 0:12:30 | |
And Jack found a pair in Vernon Rye's caravan. | 0:12:30 | 0:12:32 | |
He also has a bike and a motive for being there. | 0:12:32 | 0:12:35 | |
Why would he have come down here? | 0:12:35 | 0:12:37 | |
Maybe we're missing something. | 0:12:37 | 0:12:39 | |
Morning. | 0:12:39 | 0:12:41 | |
Morning. Any news on DI Gibbs? | 0:12:42 | 0:12:45 | |
She's still in a critical condition, I'm afraid. | 0:12:45 | 0:12:47 | |
I was wondering when the lake was going to be searched. | 0:12:48 | 0:12:51 | |
Soon, I hope. We're prioritising our resources into the search for Andy. | 0:12:51 | 0:12:55 | |
It seems that Christmas has slowed everything down. | 0:12:55 | 0:12:58 | |
I understand you've offered to take some things over to Mel. | 0:13:00 | 0:13:04 | |
-Yes. -Would you do that now? I'm going over there. She's awake. | 0:13:04 | 0:13:07 | |
-Of course. -I'd like you to come with me. | 0:13:07 | 0:13:09 | |
What for? I... | 0:13:09 | 0:13:10 | |
We have a suspect in custody | 0:13:10 | 0:13:13 | |
who I think Mel may well be able to identify. | 0:13:13 | 0:13:15 | |
-I don't know, I... -Dr Alexander, | 0:13:15 | 0:13:18 | |
she trusts you. | 0:13:18 | 0:13:20 | |
You saved her life. | 0:13:20 | 0:13:22 | |
Please. | 0:13:22 | 0:13:23 | |
-Pyjamas and knickers, I mean, that's what I'D want. -Yeah. | 0:13:48 | 0:13:51 | |
Rimonabant? They help release serotonin. | 0:14:05 | 0:14:08 | |
They're illegal. | 0:14:08 | 0:14:10 | |
To suppress the appetite. | 0:14:10 | 0:14:12 | |
Very popular amongst teenagers, but the side effects are awful. | 0:14:12 | 0:14:16 | |
Perhaps she needed to keep her weight down for riding. | 0:14:16 | 0:14:19 | |
Dr Alexander? | 0:14:20 | 0:14:22 | |
Coming. | 0:14:22 | 0:14:24 | |
Is this about the other night? | 0:14:32 | 0:14:34 | |
I can't believe Martin. | 0:14:37 | 0:14:39 | |
I never thought he'd be one to grass me up. | 0:14:39 | 0:14:42 | |
How do you know Martin? | 0:14:42 | 0:14:44 | |
He used to run a scaffolding yard, I did some jobs for him. | 0:14:44 | 0:14:47 | |
-You again. -Mr Hodgson just wants to take a few samples from you. | 0:14:49 | 0:14:52 | |
A few swabs is all. | 0:14:52 | 0:14:54 | |
Will that be OK? | 0:14:54 | 0:14:55 | |
Were you wearing these on Christmas Eve? | 0:14:57 | 0:14:59 | |
Don't have much else. | 0:14:59 | 0:15:01 | |
This is not about some punch-up, is it? | 0:15:04 | 0:15:06 | |
Martin McMorris was found shot dead on Christmas morning. | 0:15:09 | 0:15:12 | |
Holy shit! And you think it was ME? | 0:15:13 | 0:15:15 | |
-Was it? -No way! | 0:15:15 | 0:15:17 | |
I just wanted me money. | 0:15:19 | 0:15:20 | |
Me and Martin, we're mates. | 0:15:21 | 0:15:22 | |
You're looking for gunshot residue. | 0:15:25 | 0:15:27 | |
You know the drill. | 0:15:27 | 0:15:28 | |
It's how they nailed me last time. | 0:15:28 | 0:15:30 | |
If you didn't fire a gun, there'll be no residue. | 0:15:30 | 0:15:33 | |
Nothing to worry about. Roll your sleeves up. | 0:15:33 | 0:15:35 | |
Where did the fight take place, Vernon? | 0:15:44 | 0:15:46 | |
Back of the King and Queen. | 0:15:46 | 0:15:47 | |
Any witnesses? | 0:15:48 | 0:15:50 | |
Don't know. We were off our tits. | 0:15:50 | 0:15:51 | |
What was it about? | 0:15:51 | 0:15:53 | |
Relax your hand. | 0:15:53 | 0:15:54 | |
What are fights usually about? Women, money, football. | 0:15:54 | 0:15:59 | |
I served time for that man and he owes me, big time, but he's all, | 0:16:00 | 0:16:04 | |
"Money's all gone and it's backs to the wall." And I take him outside | 0:16:04 | 0:16:08 | |
and I let him know what it's really like to have your back to the wall. | 0:16:08 | 0:16:13 | |
Then he tells me he can get the money off his son Andy who's loaded | 0:16:13 | 0:16:17 | |
and he shows me pictures of Andy's house. I mean, have you seen it?! | 0:16:17 | 0:16:22 | |
Look, when I last saw Martin, | 0:16:25 | 0:16:27 | |
he was getting in a cab singing Rudolph the red pissed reindeer. | 0:16:27 | 0:16:31 | |
-Did you follow him? -On me bike, you mean? | 0:16:31 | 0:16:33 | |
-Did you follow him to Orchard House? -No, I didn't! | 0:16:33 | 0:16:36 | |
And you better prove I didn't. | 0:16:39 | 0:16:41 | |
Were you with Bluebell when she...? | 0:16:44 | 0:16:46 | |
I did my best to make her as comfortable as possible. | 0:16:46 | 0:16:49 | |
You used to have a horse. | 0:16:49 | 0:16:51 | |
You remember me saying that? | 0:16:52 | 0:16:54 | |
You were upset. | 0:16:55 | 0:16:56 | |
Do you remember anything else, Mel? | 0:16:57 | 0:16:59 | |
He has a photo he wants you to look at. | 0:17:02 | 0:17:04 | |
Do you recognise that man? | 0:17:05 | 0:17:07 | |
Are you sure? We have evidence he was fighting your grandfather. | 0:17:09 | 0:17:15 | |
No. | 0:17:16 | 0:17:17 | |
Grandad was fighting with Dad. | 0:17:19 | 0:17:20 | |
Shouting and screaming. | 0:17:22 | 0:17:24 | |
Me and Stevie and Gabrielle came back from church | 0:17:32 | 0:17:36 | |
and Grandad was off his face... | 0:17:36 | 0:17:38 | |
..knocking stuff off the dining room table | 0:17:39 | 0:17:43 | |
and Dad was white with anger. | 0:17:43 | 0:17:45 | |
I went upstairs to my room. | 0:17:47 | 0:17:49 | |
Best out of the way when he gets like that. | 0:17:51 | 0:17:53 | |
And then... | 0:17:54 | 0:17:56 | |
..bang! | 0:17:58 | 0:17:59 | |
So you didn't actually see who started the shooting. | 0:18:00 | 0:18:03 | |
She was upstairs, in her bedroom. | 0:18:03 | 0:18:05 | |
What happened to Stevie? | 0:18:06 | 0:18:07 | |
I told you what happened. | 0:18:09 | 0:18:10 | |
There was an explosion. | 0:18:12 | 0:18:13 | |
-The four-by-four? -The four-by-four? | 0:18:16 | 0:18:19 | |
The one Mike drove? | 0:18:19 | 0:18:20 | |
Mike was there? | 0:18:20 | 0:18:22 | |
Who's Mike? | 0:18:22 | 0:18:24 | |
He's a friend. He works for Andy. | 0:18:24 | 0:18:26 | |
Has he been killed as well? | 0:18:28 | 0:18:30 | |
We believe the man driving the four-by-four | 0:18:30 | 0:18:33 | |
has been identified as Michael Adams. | 0:18:33 | 0:18:36 | |
No, no, please. | 0:18:36 | 0:18:39 | |
You need to stop now. | 0:18:40 | 0:18:41 | |
I just had to get to Bluebell. | 0:18:41 | 0:18:43 | |
I just had to get away. | 0:18:43 | 0:18:45 | |
Shh. | 0:18:45 | 0:18:47 | |
I had to get away from... | 0:18:47 | 0:18:51 | |
SHE SOBS | 0:18:51 | 0:18:52 | |
So, Christmas Eve, we know Vernon Rye and Martin McMorris had | 0:18:54 | 0:18:57 | |
a fight round the back of the King and Queen pub. | 0:18:57 | 0:19:00 | |
McMorris getting in a cab at 12.35 am. | 0:19:00 | 0:19:04 | |
He owes Rye thousands of pounds, and he tells him | 0:19:04 | 0:19:07 | |
he's going to get it from his son at Orchard House. | 0:19:07 | 0:19:09 | |
Well, I wouldn't trust him, would you? | 0:19:09 | 0:19:11 | |
-I'd follow him there and make sure. -Here, watch this. | 0:19:11 | 0:19:13 | |
Here's Rye unlocking his bike, clearly a bit worse for wear, | 0:19:13 | 0:19:17 | |
then he cycles off in a different direction. | 0:19:17 | 0:19:21 | |
That doesn't prove he didn't steal a car or get into a taxi | 0:19:21 | 0:19:23 | |
and go to Orchard House. | 0:19:23 | 0:19:24 | |
But crucially, there's no gunshot residue on either his skin | 0:19:24 | 0:19:27 | |
-or on his clothes. -You're sure they weren't washed? | 0:19:27 | 0:19:30 | |
The shirt he was wearing that night is still covered | 0:19:30 | 0:19:32 | |
in Martin's blood from the fight. | 0:19:32 | 0:19:33 | |
Given Martin was shot at point blank range, | 0:19:33 | 0:19:35 | |
that suggests Vernon Rye wasn't the man who pulled the trigger. | 0:19:35 | 0:19:38 | |
He'd have been covered in GSR. | 0:19:38 | 0:19:40 | |
HE SIGHS | 0:19:42 | 0:19:44 | |
When did you identify Michael Adams? | 0:19:48 | 0:19:50 | |
That's not his real name. | 0:19:50 | 0:19:52 | |
He was an undercover police officer working for McMorris. | 0:19:52 | 0:19:56 | |
Does that explain why the four-by-four and his body haven't been sent over | 0:19:56 | 0:19:58 | |
to The Lyell? PHONE CHIMES | 0:19:58 | 0:19:59 | |
Nikki, my hands are tied. Excuse me. | 0:19:59 | 0:20:03 | |
DI Baker - "The Lyell confirm Vernon Rye unlikely to have been involved | 0:20:03 | 0:20:07 | |
"in shootings." | 0:20:07 | 0:20:08 | |
Which brings us back to Andy - did you find anything this morning? | 0:20:10 | 0:20:14 | |
Footwear marks across the lawn leading towards to the lake, | 0:20:14 | 0:20:16 | |
and a tyre mark which I think probably belongs to a wheelbarrow. | 0:20:16 | 0:20:20 | |
-What would Andy be doing with a wheelbarrow? -I don't know. Thanks. | 0:20:20 | 0:20:24 | |
Right, so we know that Andy was with someone else Christmas Eve. | 0:20:24 | 0:20:26 | |
Is there any evidence that THAT person's been murdered? | 0:20:26 | 0:20:29 | |
Not that we've found so far, but that doesn't mean | 0:20:29 | 0:20:31 | |
that they weren't murdered somewhere else and then taken. | 0:20:31 | 0:20:33 | |
So he could have murdered them, dumped them, | 0:20:33 | 0:20:35 | |
but why didn't he dump all the other bodies? | 0:20:35 | 0:20:37 | |
The neighbours heard "fireworks" shortly after 1.00, | 0:20:37 | 0:20:41 | |
and then the police officers arrived just after half past. | 0:20:41 | 0:20:44 | |
-He only had a 30-minute window. -All right. | 0:20:44 | 0:20:47 | |
What if it wasn't a body? | 0:20:48 | 0:20:51 | |
It's my belief that Michael Adams, working undercover, | 0:20:51 | 0:20:54 | |
was investigating Andy's haulage firm. | 0:20:54 | 0:20:57 | |
We know that Andy took a lorry out on the 18th of December, | 0:20:57 | 0:21:00 | |
possibly to pick up a consignment of Russian automatic weapons. | 0:21:00 | 0:21:04 | |
Now, there's no sign of weapons at the haulage depot... | 0:21:04 | 0:21:07 | |
So you think he took them to the house? | 0:21:07 | 0:21:09 | |
We've searched everywhere else. Apart from the ones we found in | 0:21:09 | 0:21:12 | |
Andy's office, there's no sign of the other weapons. | 0:21:12 | 0:21:16 | |
The only place we haven't searched is... | 0:21:16 | 0:21:18 | |
-The lake. -The lake, yeah. | 0:21:18 | 0:21:20 | |
The lake. | 0:21:22 | 0:21:23 | |
Is that it? | 0:21:23 | 0:21:26 | |
How exactly am I meant to get back to me caravan? | 0:21:26 | 0:21:28 | |
Do you want a lift? | 0:21:34 | 0:21:35 | |
Yeah. | 0:21:43 | 0:21:44 | |
My brother's inside. | 0:21:52 | 0:21:54 | |
What did he do? | 0:21:57 | 0:21:58 | |
Does it matter? | 0:21:58 | 0:22:00 | |
No. | 0:22:00 | 0:22:01 | |
We all never did it. | 0:22:03 | 0:22:04 | |
Was it you who proved me innocent? | 0:22:07 | 0:22:09 | |
Science did that. | 0:22:09 | 0:22:11 | |
My family stopped coming to see me a few years into me sentence. | 0:22:15 | 0:22:19 | |
I thought, "I'll be all right, who cares?" | 0:22:21 | 0:22:24 | |
But I DID care. | 0:22:25 | 0:22:26 | |
In the end, they're the only ones who really know you... | 0:22:29 | 0:22:33 | |
..who'll give you a second chance. | 0:22:34 | 0:22:36 | |
-What's your name? -Jack. | 0:22:50 | 0:22:52 | |
Happy Christmas, Jack. | 0:22:53 | 0:22:55 | |
And a better New Year. | 0:22:55 | 0:22:56 | |
What are you doing out of bed? | 0:23:29 | 0:23:31 | |
Mel? It's all right. | 0:23:31 | 0:23:32 | |
It's all right. | 0:23:35 | 0:23:36 | |
It's OK. | 0:23:36 | 0:23:38 | |
Oh, love. | 0:23:42 | 0:23:43 | |
-Hi. -Want some tea? | 0:23:49 | 0:23:51 | |
No, thanks. So, Michael Adams | 0:23:51 | 0:23:53 | |
is the name of the man in the four-by-four. | 0:23:53 | 0:23:56 | |
Our undercover cop. | 0:23:56 | 0:23:58 | |
I'm thinking that he could be the M in Stevie's diary. | 0:23:58 | 0:24:01 | |
"Must tell Mel the truth about M." | 0:24:01 | 0:24:03 | |
What do you think it means? | 0:24:03 | 0:24:05 | |
An undercover cop bought a 19- year-old an iPhone for Christmas? | 0:24:05 | 0:24:08 | |
A reconditioned one. It wasn't new. | 0:24:08 | 0:24:11 | |
-Thanks. -You never make tea. | 0:24:11 | 0:24:13 | |
Happy Christmas. | 0:24:13 | 0:24:14 | |
Do you think that Martin didn't know that his son had bankrupted | 0:24:14 | 0:24:17 | |
the business, and that everything was lost? | 0:24:17 | 0:24:19 | |
I don't know. Not an easy thing to own up to. Thank you. | 0:24:19 | 0:24:22 | |
So, Martin McMorris owes Vernon Rye money. | 0:24:23 | 0:24:26 | |
Goes to see his son, asks him to help out. | 0:24:26 | 0:24:28 | |
But son can't help Dad out because...he doesn't have any. | 0:24:28 | 0:24:31 | |
You examine the shoes you found in the master bedroom? | 0:24:31 | 0:24:34 | |
-Just about to. -Thank you. | 0:24:34 | 0:24:35 | |
Andy's upstairs sipping the last of the champagne, | 0:24:35 | 0:24:38 | |
snorting the last of the cocaine, in walks the old man demanding money | 0:24:38 | 0:24:42 | |
he doesn't have. Add an automatic weapon to that lethal cocktail... | 0:24:42 | 0:24:45 | |
What we know is whoever killed Martin would have been | 0:24:45 | 0:24:48 | |
covered in gunshot residue, and the only person | 0:24:48 | 0:24:50 | |
we haven't been able to test who we know was there is Andy McMorris. | 0:24:50 | 0:24:53 | |
-I claim my prize. -What? | 0:24:53 | 0:24:55 | |
-I knew I'd seen it somewhere before. -What? -The necklace. | 0:24:56 | 0:24:59 | |
Who's that? | 0:24:59 | 0:25:01 | |
That's Zoe's sister, Jackie Emmans. | 0:25:01 | 0:25:03 | |
She was with Andy on Christmas Eve? | 0:25:05 | 0:25:06 | |
You're going to be fine, sweetheart. | 0:25:08 | 0:25:10 | |
Yeah. | 0:25:11 | 0:25:12 | |
Thanks for coming, Auntie Jackie. | 0:25:13 | 0:25:15 | |
She's going to be all right, isn't she? | 0:25:26 | 0:25:28 | |
-Mrs Emmans? -Yes. | 0:25:32 | 0:25:34 | |
Just a quick question regarding the events at Orchard House. | 0:25:36 | 0:25:39 | |
Is that your necklace, Mrs Emmans? | 0:25:41 | 0:25:43 | |
I'm so sorry. | 0:25:47 | 0:25:49 | |
I was with Andy Christmas Eve. I was going to tell you... | 0:25:53 | 0:25:55 | |
-You BITCH! -Get her out of here! -Yep, yeah. | 0:25:57 | 0:26:00 | |
Get off me! | 0:26:01 | 0:26:03 | |
Calm down, | 0:26:06 | 0:26:08 | |
OK? | 0:26:08 | 0:26:09 | |
Two days ago, I had a family. Now look at me. | 0:26:09 | 0:26:11 | |
So how long had you and Andy been having sex for? | 0:26:15 | 0:26:18 | |
Couple of months. | 0:26:22 | 0:26:23 | |
After Zoe left him, I went round to collect some stuff, and... | 0:26:26 | 0:26:30 | |
We've always had this flirty thing going on, and... | 0:26:32 | 0:26:35 | |
Well, it just happened. | 0:26:35 | 0:26:37 | |
What time did you get there on Christmas Eve? | 0:26:37 | 0:26:39 | |
He sent a message about 10.30 on WhatsApp. | 0:26:40 | 0:26:43 | |
Stevie and Mel were going to church, and so... | 0:26:44 | 0:26:47 | |
"I've left the gate open - get over here quick." | 0:26:47 | 0:26:50 | |
And what did you tell your husband? It was Christmas Eve. | 0:26:51 | 0:26:54 | |
I had tonnes of wrapping to do... | 0:26:57 | 0:26:59 | |
..and, erm... | 0:27:03 | 0:27:05 | |
..he should go upstairs to bed. He's not been well. | 0:27:08 | 0:27:11 | |
What time did you get to Orchard House? | 0:27:12 | 0:27:15 | |
About 11.45. | 0:27:15 | 0:27:16 | |
I saw the au pair leaving with the girls. | 0:27:17 | 0:27:19 | |
And what did you and Andy do? | 0:27:19 | 0:27:21 | |
We had a drink. Had sex. | 0:27:28 | 0:27:30 | |
Any drugs involved? | 0:27:30 | 0:27:31 | |
-Coke is Andy's thing, not mine. -How long were you there? | 0:27:31 | 0:27:34 | |
About an hour, not long. | 0:27:34 | 0:27:36 | |
His dad walked in on us. | 0:27:36 | 0:27:38 | |
Mm-hm. What time was that? | 0:27:38 | 0:27:40 | |
Around 1.00. | 0:27:40 | 0:27:41 | |
And what was Martin's reaction | 0:27:41 | 0:27:43 | |
when he saw his son screwing his sister-in-law? | 0:27:43 | 0:27:46 | |
I thought Andy was going to kill him. | 0:27:46 | 0:27:48 | |
He was swearing... | 0:27:50 | 0:27:51 | |
..shouting. I was scared. I was really scared. | 0:27:52 | 0:27:55 | |
And then what happened? | 0:27:56 | 0:27:57 | |
I got out of there as quickly as I could. What do you think? | 0:27:57 | 0:28:00 | |
You left your necklace. It's broken. | 0:28:00 | 0:28:02 | |
Did someone rip it off your neck? | 0:28:02 | 0:28:04 | |
Andy was crazy. I've never seen him like that before. | 0:28:04 | 0:28:07 | |
And what were you wearing? | 0:28:10 | 0:28:11 | |
-What were you wearing? -A red dress and stockings. | 0:28:15 | 0:28:19 | |
I am now showing Mrs Emmans two items of underwear - | 0:28:19 | 0:28:21 | |
a bra and knickers. | 0:28:21 | 0:28:23 | |
We retrieved those from your linen basket in the bathroom. | 0:28:23 | 0:28:26 | |
Would you care to explain how gunshot residue was found on them? | 0:28:26 | 0:28:30 | |
I never touched a gun. I swear! | 0:28:30 | 0:28:33 | |
-And what about Andy? Did you ever see him touch a gun? -No. | 0:28:33 | 0:28:35 | |
-I promise you on my kids' lives. -OK. | 0:28:35 | 0:28:37 | |
OK. Where was Andy going on the 18th? | 0:28:39 | 0:28:41 | |
-How would I know? -He took a truck from the depot. | 0:28:42 | 0:28:44 | |
I was at a school nativity on the 18th. | 0:28:46 | 0:28:48 | |
-You knew where he was. -No, I didn't know where he was. | 0:28:48 | 0:28:50 | |
-Where is he now? -In hell, as far as I'm concerned. | 0:28:50 | 0:28:53 | |
Cooke believes Andy McMorris was using the lake to store guns. | 0:28:56 | 0:29:00 | |
We're going to be here all night. | 0:29:02 | 0:29:03 | |
What do you mean, there's not enough evidence? | 0:29:08 | 0:29:10 | |
Jackie Emmans is lying through her teeth. | 0:29:10 | 0:29:12 | |
What about the gunshot residue on her underwear? | 0:29:12 | 0:29:15 | |
McMorris must have had residue on his hands, | 0:29:15 | 0:29:17 | |
and it transferred onto Jackie's clothing when he undressed her. | 0:29:17 | 0:29:19 | |
So you're telling us that Jackie didn't fire the gun | 0:29:19 | 0:29:21 | |
that killed the rest of the family? | 0:29:21 | 0:29:23 | |
No, I'm saying there's insufficient evidence from her clothing. | 0:29:23 | 0:29:25 | |
Right, where does this leave us? Exactly where we started. | 0:29:25 | 0:29:28 | |
-We need to find Andy. -Have a look at this. | 0:29:28 | 0:29:30 | |
This is the 18th of December. | 0:29:30 | 0:29:33 | |
Andy leaves the house, gets in his car, drives off through the gates. | 0:29:35 | 0:29:38 | |
And this - this is Zoe arriving on the 21st. | 0:29:38 | 0:29:42 | |
She's come to pick up her kids to go and see her mum. | 0:29:42 | 0:29:44 | |
Now, we don't see Andy again | 0:29:44 | 0:29:46 | |
till the 23rd of December. | 0:29:46 | 0:29:48 | |
The day that we know he drove back through Dover. | 0:29:48 | 0:29:51 | |
We've got images of him on the M25, M20 | 0:29:51 | 0:29:53 | |
and then he goes off at the junction. | 0:29:53 | 0:29:56 | |
We know that Andy came back to the house. | 0:29:56 | 0:29:58 | |
-Look, we need to find this lorry. -Right, well, have a look at this. | 0:29:58 | 0:30:01 | |
This is Andy returning to the house, the 23rd of December. | 0:30:01 | 0:30:04 | |
Right, what's he got there, then? | 0:30:06 | 0:30:08 | |
-Mistletoe. So what? -It's not just the mistletoe. | 0:30:11 | 0:30:13 | |
We found mud on his car. We tested it. | 0:30:13 | 0:30:15 | |
It's a match for the mud we found on the boot | 0:30:15 | 0:30:18 | |
upstairs in the bedroom at Orchard House. Traces of calcium. | 0:30:18 | 0:30:21 | |
-Chalk. -So, Andy leaves the house on the 18th | 0:30:22 | 0:30:25 | |
and he comes back on the 23rd. | 0:30:25 | 0:30:27 | |
We think wherever he left his car during that period | 0:30:27 | 0:30:30 | |
-is where he left the lorry. -Right. | 0:30:30 | 0:30:31 | |
This...is McMorris Haulage. | 0:30:31 | 0:30:34 | |
And this - this is a chalk pit. | 0:30:35 | 0:30:37 | |
-Wow. -It's a two-mile walk. | 0:30:38 | 0:30:40 | |
Bingo. | 0:30:41 | 0:30:42 | |
Call it in. | 0:30:44 | 0:30:45 | |
Clear! | 0:31:30 | 0:31:31 | |
They've got something! | 0:31:57 | 0:31:59 | |
You're kidding me. | 0:32:12 | 0:32:13 | |
We've found guns. | 0:32:21 | 0:32:23 | |
We've found Andy McMorris. | 0:32:26 | 0:32:27 | |
Brought across the lawn in a wheelbarrow that was also | 0:32:29 | 0:32:32 | |
found in the lake. | 0:32:32 | 0:32:34 | |
I thought Mel told you it was her father who did this. | 0:32:34 | 0:32:36 | |
Yes, but she was in shock, so... | 0:32:37 | 0:32:39 | |
Maybe she's covering for someone. | 0:32:39 | 0:32:41 | |
Who? Who? If it wasn't Andy, who is it? | 0:32:41 | 0:32:44 | |
Clarissa mentioned that Andy was on trial for attempted murder, | 0:32:45 | 0:32:48 | |
and the trial collapsed. Could it have been someone connected to that? | 0:32:48 | 0:32:51 | |
We're looking into that, but it's highly unlikely. | 0:32:51 | 0:32:53 | |
Isn't it time we looked at the four-by-four, | 0:32:53 | 0:32:55 | |
and at the body of Michael Adams? | 0:32:55 | 0:32:56 | |
An undercover police officer investigating the importation | 0:32:56 | 0:32:59 | |
of some serious weaponry. | 0:32:59 | 0:33:01 | |
Andy was clearly mixing with some very dangerous people. | 0:33:01 | 0:33:03 | |
And what, Jack? What do you think it was? A hit? | 0:33:03 | 0:33:06 | |
What, he's crossed the Russian mafia, has he? | 0:33:06 | 0:33:09 | |
Maybe that's what Mel meant - | 0:33:09 | 0:33:11 | |
that her father was to blame, | 0:33:11 | 0:33:13 | |
for bringing this on the family. | 0:33:13 | 0:33:15 | |
I think it's time we get the four-by-four back to The Lyell | 0:33:15 | 0:33:18 | |
so we can start doing our jobs. | 0:33:18 | 0:33:19 | |
When it was found, the body was in the so-called pugilistic posture, | 0:33:37 | 0:33:41 | |
curled up, fists gripped tight. | 0:33:41 | 0:33:42 | |
So we've got full thickness burns across most of the body, | 0:33:50 | 0:33:55 | |
particularly the right side of the head, the right shoulder, | 0:33:55 | 0:34:00 | |
upper chest, right hip. | 0:34:00 | 0:34:01 | |
As the skin has burned, we've got breaches. | 0:34:08 | 0:34:11 | |
Significant ones on both calves, right and left thighs, | 0:34:11 | 0:34:14 | |
right hip, right elbow... | 0:34:14 | 0:34:17 | |
Yes, and left elbow. | 0:34:17 | 0:34:19 | |
He WAS hit by a bullet. | 0:34:31 | 0:34:33 | |
We have an entry wound, left side of the neck, | 0:34:34 | 0:34:38 | |
ten centimetres below the external auditory meatus. | 0:34:38 | 0:34:41 | |
The fire has destroyed any reliable evidence of soot stains | 0:34:41 | 0:34:44 | |
or burns around it. | 0:34:44 | 0:34:45 | |
Did the bullet kill him? | 0:34:52 | 0:34:53 | |
Hard to say, but from its appearance, | 0:34:53 | 0:34:55 | |
and location, I'd say it was probably not in itself fatal. | 0:34:55 | 0:34:59 | |
So was he alive when the four-by-four caught fire? | 0:35:00 | 0:35:03 | |
Soot in the trachea, down towards both lungs. | 0:35:19 | 0:35:22 | |
-Indicates Mr Adams was still alive when the fire started. -Jesus. | 0:35:24 | 0:35:28 | |
As the fire caught hold, burning the various man-made materials | 0:35:28 | 0:35:31 | |
in the car, they'll have given off significant amounts of cyanide | 0:35:31 | 0:35:34 | |
and carbon monoxide, which he would have inhaled. | 0:35:34 | 0:35:37 | |
Hold on... | 0:35:39 | 0:35:40 | |
That is a sim card. | 0:35:46 | 0:35:48 | |
What, you think Adams know he was going to die | 0:35:51 | 0:35:53 | |
and, what, decided to swallow it? | 0:35:53 | 0:35:55 | |
Maybe. | 0:36:01 | 0:36:03 | |
Wow. OK. | 0:36:03 | 0:36:05 | |
I need to see what's on that. | 0:36:05 | 0:36:06 | |
Merry Christmas. | 0:36:10 | 0:36:11 | |
A tracking device. Just what I've always wanted! | 0:36:14 | 0:36:17 | |
A tracking device that not only tracks where a vehicle is, | 0:36:17 | 0:36:20 | |
but if it's incapacitated in some way, | 0:36:20 | 0:36:22 | |
-it automatically sends a signal... -A signal to the minder, | 0:36:22 | 0:36:26 | |
who called it in from a phone box outside Reading Station. | 0:36:26 | 0:36:30 | |
What happens now? | 0:36:31 | 0:36:32 | |
PHONE RINGS | 0:36:39 | 0:36:42 | |
Mum? | 0:36:42 | 0:36:44 | |
It's Laurence. | 0:36:53 | 0:36:54 | |
Hi. | 0:36:58 | 0:36:59 | |
OK. I understand. I'll get there as soon as I can. | 0:37:05 | 0:37:08 | |
They want me to identify your dad. | 0:37:13 | 0:37:15 | |
Andy's phone, Stevie's phone, Mel's phone | 0:37:38 | 0:37:41 | |
and the sim card we found in Michael Adams. | 0:37:41 | 0:37:43 | |
Andy called and sent messages to Michael Adams, | 0:37:43 | 0:37:46 | |
he clearly trusted him. | 0:37:46 | 0:37:47 | |
Stevie, the older sister, also sent messages. | 0:37:47 | 0:37:51 | |
In the last month, they got more and more suggestive, | 0:37:51 | 0:37:54 | |
invitations out, promises of intimacy. She also sent him some | 0:37:54 | 0:37:58 | |
quite intimate photos, but Adams seems to have kept his distance. | 0:37:58 | 0:38:03 | |
That's good to hear. Did you find anything on the sim card? | 0:38:03 | 0:38:06 | |
Not very much. Most of the calls he made and messages had been deleted. | 0:38:06 | 0:38:10 | |
Yeah, well, the last thing he would have wanted was to be found out | 0:38:10 | 0:38:13 | |
as an undercover police officer. | 0:38:13 | 0:38:14 | |
Was it Andy who called Adams on Christmas Eve? | 0:38:14 | 0:38:17 | |
No, it was Mel who called him. We know she trusted him. | 0:38:17 | 0:38:21 | |
A desperate call for help. | 0:38:21 | 0:38:23 | |
I don't think I can do this. | 0:38:27 | 0:38:28 | |
You can take as much time as you like. | 0:38:30 | 0:38:32 | |
No. Please. | 0:38:35 | 0:38:36 | |
I'm afraid we do need the body formally identified. | 0:38:36 | 0:38:39 | |
This way. | 0:38:41 | 0:38:42 | |
So if Adams deleted most of his messages and calls, | 0:38:52 | 0:38:55 | |
why did he swallow the sim card? | 0:38:55 | 0:38:57 | |
Because he was saving something for us to find. | 0:38:57 | 0:39:00 | |
Stored on this card was a landline number for a place in Reading. | 0:39:01 | 0:39:06 | |
-A minder. -Exactly. | 0:39:06 | 0:39:08 | |
There was also a message he received earlier in the day | 0:39:08 | 0:39:11 | |
which he didn't delete - "What if it's not all over by Christmas?" | 0:39:11 | 0:39:14 | |
-Who sent that? -We don't know. | 0:39:14 | 0:39:16 | |
Right, let's call it. | 0:39:16 | 0:39:17 | |
PHONE RINGS NEARBY | 0:39:35 | 0:39:38 | |
You sent Michael Adams a text. | 0:39:57 | 0:39:59 | |
He said it would be all over by Christmas. | 0:40:04 | 0:40:07 | |
I made sure of it. | 0:40:08 | 0:40:10 | |
I never should have married him. | 0:40:14 | 0:40:16 | |
Everyone said I was mad, but I was in love, | 0:40:16 | 0:40:19 | |
and determined to make it work. | 0:40:19 | 0:40:20 | |
With my father's money, we built the most amazing house, | 0:40:21 | 0:40:25 | |
but it was never enough. | 0:40:25 | 0:40:27 | |
-I -was never enough for any of them. | 0:40:29 | 0:40:32 | |
All Mel could think about was her precious bloody horse, | 0:40:33 | 0:40:36 | |
and as for Stevie... | 0:40:36 | 0:40:37 | |
..thrown out of school for dealing drugs, and blaming me. Me! | 0:40:39 | 0:40:43 | |
It wasn't me who screwed everything up, everything we had. | 0:40:43 | 0:40:47 | |
And you know what Andy's big plan was? | 0:40:47 | 0:40:49 | |
Guns! Smuggling guns! | 0:40:49 | 0:40:52 | |
And then he applied for sole custody. | 0:40:54 | 0:40:55 | |
We'd agreed we wouldn't fight for the kids, | 0:40:55 | 0:40:58 | |
that they would be wherever they wanted to be, | 0:40:58 | 0:41:01 | |
and I went round there with a letter from my solicitor. | 0:41:01 | 0:41:04 | |
I would have killed him then, but he wasn't there. | 0:41:07 | 0:41:09 | |
I told Mike I was going to the police, | 0:41:10 | 0:41:13 | |
I was going to destroy Andy, and he told me the police were | 0:41:13 | 0:41:16 | |
already onto him, and that it would all be over by Christmas, | 0:41:16 | 0:41:20 | |
but then it hit me... | 0:41:20 | 0:41:22 | |
..if Andy goes down, he'll make sure I go down with him, | 0:41:23 | 0:41:27 | |
and I wasn't going to let that happen. No way. | 0:41:27 | 0:41:29 | |
No way. | 0:41:31 | 0:41:32 | |
It's Christmas Eve. So at 11.45, | 0:41:35 | 0:41:38 | |
the au pair, Gabrielle, | 0:41:38 | 0:41:40 | |
took Stevie and Mel to midnight mass. | 0:41:40 | 0:41:43 | |
ECHOING SPEECH AND LAUGHTER | 0:41:49 | 0:41:51 | |
-Bye, Dad. -Take care, yeah? Look after my girls, yeah? | 0:41:57 | 0:41:59 | |
The girls drove to the church and passed Jackie Emmans, who, | 0:42:05 | 0:42:08 | |
after getting a message from Andy, was waiting for them to leave. | 0:42:08 | 0:42:10 | |
Andy left the gates open, switched off the CCTV, | 0:42:13 | 0:42:16 | |
and awaited Jackie's arrival. | 0:42:16 | 0:42:18 | |
-How are you doing? You all right? -Yeah, I'm good. | 0:42:21 | 0:42:23 | |
Jackie only had a couple of hours before her husband would miss her, | 0:42:27 | 0:42:31 | |
so they had a quick drink and headed upstairs. | 0:42:31 | 0:42:34 | |
Later, in the master bedroom... | 0:42:40 | 0:42:42 | |
..we know that Andy and Jackie drank champagne, | 0:42:44 | 0:42:47 | |
and that Andy snorted some cocaine. | 0:42:47 | 0:42:49 | |
We also know that McMorris loved his guns... | 0:42:52 | 0:42:54 | |
..which might explain how Jackie got gunshot residue... | 0:42:56 | 0:42:59 | |
..on her underwear. | 0:43:00 | 0:43:01 | |
Andy! | 0:43:03 | 0:43:04 | |
Stay there. | 0:43:06 | 0:43:07 | |
And later, his father, Martin, arrives... | 0:43:07 | 0:43:11 | |
..we think around 12.50. | 0:43:12 | 0:43:15 | |
The old man walks in, catches them having sex, and an argument ensues. | 0:43:22 | 0:43:26 | |
Jackie says she left the house at around 1.00. | 0:43:34 | 0:43:37 | |
And Zoe, according to her confession, also arrives at 1.00. | 0:43:37 | 0:43:42 | |
But Jackie never mentioned seeing Zoe either in the house | 0:43:42 | 0:43:45 | |
or on her way out. | 0:43:45 | 0:43:47 | |
But I thought Zoe said one of her motives for what happened | 0:43:47 | 0:43:49 | |
was her seeing Jackie and Andy in bed together. | 0:43:49 | 0:43:51 | |
Yeah, but I don't think she meant that literally. | 0:43:51 | 0:43:54 | |
She said she saw Jackie leaving the house. | 0:43:54 | 0:43:57 | |
The only thing we know for certain is that Jackie drove past | 0:43:57 | 0:44:01 | |
the police who were called to the house, six miles away, at 1.20. | 0:44:01 | 0:44:06 | |
Who's going to pay for this bloody lot, then, eh? | 0:44:06 | 0:44:08 | |
What are you doing, you fool? Eh? | 0:44:08 | 0:44:10 | |
I bet Zoe don't know what you're up to. | 0:44:10 | 0:44:12 | |
And you're going to go and tell her, are you? | 0:44:12 | 0:44:14 | |
For a price, I might not. | 0:44:14 | 0:44:16 | |
Zoe also said she came home and saw Andy and his father arguing. | 0:44:16 | 0:44:20 | |
Happy bloody Christmas. | 0:44:22 | 0:44:24 | |
You've got what's coming, love. | 0:44:24 | 0:44:26 | |
She said that Martin was laughing at her, | 0:44:28 | 0:44:30 | |
and told her that Andy and Jackie had been having sex upstairs. | 0:44:30 | 0:44:32 | |
-At least he kept it in the family, eh? -Oi! | 0:44:32 | 0:44:35 | |
-Get out before I throw you out! -Zoe went in to the study. | 0:44:35 | 0:44:37 | |
She opened the drawer, and picked up the machine gun. | 0:44:37 | 0:44:40 | |
And, as soon as she saw Andy's dad, | 0:44:43 | 0:44:46 | |
she started shooting. | 0:44:46 | 0:44:47 | |
She said Andy ran through the kitchen. | 0:44:58 | 0:45:00 | |
She followed him, firing the gun as she went, | 0:45:00 | 0:45:03 | |
accidentally shooting Stevie, who was making herself a hot chocolate. | 0:45:03 | 0:45:07 | |
She ran out, she opened fire. | 0:45:23 | 0:45:26 | |
She killed Andy, | 0:45:26 | 0:45:27 | |
but she also shot the horse | 0:45:27 | 0:45:29 | |
and seriously wounded Mel. | 0:45:29 | 0:45:31 | |
Who had climbed out of her window and made it across the paddock. | 0:45:31 | 0:45:35 | |
Zoe then made her way back through the house. | 0:45:38 | 0:45:41 | |
She heard Gabrielle, the au pair, coming up the stairs | 0:45:42 | 0:45:47 | |
to see what had happened. | 0:45:47 | 0:45:48 | |
GABRIELLE GASPS | 0:45:51 | 0:45:52 | |
She told her to take a car and leave the house. | 0:45:54 | 0:45:57 | |
It's at this point she saw the four-by-four arriving. | 0:45:58 | 0:46:01 | |
Why did she kill Michael Adams? | 0:46:01 | 0:46:03 | |
She said she didn't know who it was, | 0:46:03 | 0:46:05 | |
and that she was so out of her mind, that she just opened fire. | 0:46:05 | 0:46:08 | |
Can I just say that none of this really makes much sense? | 0:46:08 | 0:46:11 | |
What did the text mean? "What if it's not all over by Christmas?" | 0:46:11 | 0:46:14 | |
From what I understand, | 0:46:14 | 0:46:16 | |
the consignment of illegal guns was to be sold on Boxing Day. | 0:46:16 | 0:46:19 | |
The undercover operation would see Andy and his buyers arrested. | 0:46:19 | 0:46:23 | |
Michael knew this was going to happen, | 0:46:24 | 0:46:26 | |
-but he wanted to reassure Zoe. -Reassure Zoe? About what? | 0:46:26 | 0:46:28 | |
All right, OK, I know there's discrepancies. | 0:46:28 | 0:46:31 | |
I'm sure, in the weeks to come, | 0:46:31 | 0:46:34 | |
Zoe will clarify exactly what's happened here. | 0:46:34 | 0:46:36 | |
In the meantime, thank you all for your hard work. | 0:46:37 | 0:46:40 | |
What? You think Zoe made it all up? | 0:46:47 | 0:46:49 | |
I think a lot of what she said in her statement doesn't coincide | 0:46:49 | 0:46:53 | |
with the facts as we know them. | 0:46:53 | 0:46:55 | |
He said that Mel was possibly covering for someone. | 0:46:55 | 0:46:57 | |
-Mm. -Did she say anything about her mother to you? | 0:46:57 | 0:47:00 | |
I'm seeing her later. I promised to get her some more things. | 0:47:00 | 0:47:04 | |
I heard on the news that they'd found the father's body in the lake. | 0:47:04 | 0:47:08 | |
Is that right? | 0:47:08 | 0:47:09 | |
We'll see you back at The Lyell. | 0:47:11 | 0:47:12 | |
Mel must be devastated. | 0:47:16 | 0:47:17 | |
I'm sure, when she's feeling a bit better, you could visit her. | 0:47:19 | 0:47:23 | |
I was wondering what to do with Mel's present. | 0:47:23 | 0:47:26 | |
She'd brought her father some freshwater fish for the lake. | 0:47:26 | 0:47:30 | |
When did she buy them? | 0:47:30 | 0:47:32 | |
Well, they were delivered a few days ago, | 0:47:32 | 0:47:34 | |
and then she came round on Christmas Eve to make sure they were all OK. | 0:47:34 | 0:47:37 | |
She was really looking forward to giving them to him. | 0:47:38 | 0:47:41 | |
She so wanted this Christmas to be just perfect. | 0:47:41 | 0:47:44 | |
LINE RINGS | 0:48:02 | 0:48:05 | |
-Hello. -Did you do the tests on Mel's clothes? | 0:48:05 | 0:48:08 | |
Have you got the results? | 0:48:08 | 0:48:09 | |
I'm wondering if there's been some kind of Christmas mix-up. | 0:48:09 | 0:48:12 | |
What do you mean? | 0:48:12 | 0:48:13 | |
Well, we know Melanie was shot and so her blood would be on the dress, | 0:48:13 | 0:48:17 | |
and we know she tried to help Bluebell. | 0:48:17 | 0:48:20 | |
Who lost a lot of blood. | 0:48:20 | 0:48:21 | |
But there are also traces of Martin's blood, | 0:48:21 | 0:48:25 | |
of her father's, and her sister Stevie's. | 0:48:25 | 0:48:29 | |
-I'll call Nikki. -And I'll call Cooke and update him. | 0:48:29 | 0:48:31 | |
Shit. Turn round. | 0:48:31 | 0:48:33 | |
"Must tell Mel the truth about M." | 0:49:09 | 0:49:11 | |
"Rimonabant. | 0:49:52 | 0:49:54 | |
"Side effects may include severe depression, anxiety, mood changes." | 0:49:54 | 0:49:58 | |
Mel? | 0:50:02 | 0:50:04 | |
Mel! | 0:50:06 | 0:50:07 | |
Right, listen, Mel's gone missing. Is Nikki still at the house? | 0:50:15 | 0:50:18 | |
-Yep. -I've tried her. Phone's dead. | 0:50:18 | 0:50:20 | |
Right, I'm calling for backup. | 0:50:20 | 0:50:22 | |
MEL SOBS | 0:50:23 | 0:50:26 | |
Mel! | 0:50:26 | 0:50:27 | |
-Mel! -Leave me alone! | 0:50:30 | 0:50:32 | |
I knew you'd find out. | 0:50:39 | 0:50:40 | |
Oh, Mel. | 0:50:42 | 0:50:43 | |
Dad always told me that everything was going to be OK. | 0:50:43 | 0:50:46 | |
Look at it! | 0:50:49 | 0:50:51 | |
How can you lose all this? | 0:50:53 | 0:50:55 | |
But that wasn't why you took the gun from your dad's office, was it? | 0:50:56 | 0:51:00 | |
You were jealous of your sister. | 0:51:00 | 0:51:01 | |
-Mel... -Leave me alone! | 0:51:05 | 0:51:07 | |
Mel! | 0:51:14 | 0:51:16 | |
Mel! | 0:51:19 | 0:51:20 | |
Why did you call Michael Adams? | 0:51:28 | 0:51:31 | |
He was the only one that cared about you and Bluebell. | 0:51:31 | 0:51:34 | |
Stevie knew how much Mike meant to me. | 0:51:38 | 0:51:40 | |
He didn't know how I felt, | 0:51:43 | 0:51:47 | |
but...she did, | 0:51:47 | 0:51:49 | |
and she had to have him. | 0:51:49 | 0:51:51 | |
When I phoned Mike, he tried to explain... | 0:51:54 | 0:51:56 | |
..but Grandad was laughing at me, and Dad... | 0:51:59 | 0:52:02 | |
I bought Dad these stupid fish... | 0:52:15 | 0:52:18 | |
..for his stupid lake. | 0:52:19 | 0:52:21 | |
All that money wasted. | 0:52:24 | 0:52:26 | |
I was going to put everyone in there, but then... | 0:52:28 | 0:52:30 | |
..the police arrived, and... | 0:52:32 | 0:52:33 | |
You needed to cover your tracks. | 0:52:35 | 0:52:37 | |
It was like I'd suddenly woken up. | 0:52:40 | 0:52:42 | |
Is that when you tried to shoot yourself? | 0:52:44 | 0:52:46 | |
I went into the woods... | 0:52:50 | 0:52:52 | |
..where they'd never find me. | 0:52:55 | 0:52:57 | |
I wrapped the gun in the blanket... | 0:53:00 | 0:53:02 | |
..and pointed it at my heart. | 0:53:04 | 0:53:06 | |
Dr Alexander? | 0:53:07 | 0:53:09 | |
Sergeant Chainey! I'm with Mel! | 0:53:10 | 0:53:12 | |
I know. DCI Cooke called it in. | 0:53:12 | 0:53:15 | |
She's very scared. | 0:53:15 | 0:53:17 | |
If I go out there now, | 0:53:18 | 0:53:20 | |
they'll shoot me. | 0:53:20 | 0:53:22 | |
And it'll all be over. | 0:53:24 | 0:53:26 | |
I told you I once had a horse. | 0:53:28 | 0:53:30 | |
How did it make you feel, riding Bluebell? | 0:53:35 | 0:53:37 | |
It was the only time I ever felt completely free. | 0:53:40 | 0:53:42 | |
But my horse died, and I stopped. | 0:53:44 | 0:53:47 | |
But you know what? | 0:53:50 | 0:53:52 | |
I want to ride again. | 0:53:52 | 0:53:54 | |
To feel that again. | 0:53:57 | 0:53:58 | |
Isn't that what you want, Mel? | 0:54:02 | 0:54:03 | |
To feel like that again? | 0:54:05 | 0:54:07 | |
To feel that alive? | 0:54:11 | 0:54:13 | |
MEL SOBS | 0:54:30 | 0:54:32 | |
-I've got one more present. -Look at that one! | 0:55:11 | 0:55:15 | |
-Thank you for my Christmas presents. -I'm glad you like them. | 0:55:23 | 0:55:26 | |
How are you doing? | 0:55:29 | 0:55:31 | |
Maybe this is how we should do Christmas Day next year. | 0:55:32 | 0:55:35 | |
Your folks on Boxing Day, | 0:55:37 | 0:55:39 | |
a new tradition. | 0:55:39 | 0:55:41 | |
-Just me and you? -Mm. | 0:55:41 | 0:55:44 | |
I'd like that. | 0:55:45 | 0:55:47 | |
# I wish it could be Christmas everyday... # | 0:55:51 | 0:55:55 | |
Thank you for coming with me now. | 0:55:57 | 0:55:59 | |
Still think it's a waste of time. | 0:56:01 | 0:56:03 | |
He's not going to want to see me, Dad. | 0:56:03 | 0:56:05 | |
You don't know that. | 0:56:06 | 0:56:07 | |
He's your brother. | 0:56:12 | 0:56:13 | |
That's sweet. | 0:56:28 | 0:56:30 | |
SHE GASPS | 0:56:32 | 0:56:34 | |
They're beautiful! | 0:56:35 | 0:56:37 | |
-Awesome, cheers! Thanks very much. -Who's that? Is that you? | 0:56:38 | 0:56:41 | |
You didn't have any other presents? Not even a card or anything? | 0:56:45 | 0:56:48 | |
Only from Secret Santa at The Lyell. | 0:56:48 | 0:56:50 | |
Don't you think you should open that? | 0:56:51 | 0:56:53 | |
OK. | 0:56:54 | 0:56:56 | |
That's a Santa secret that needs to be opened. | 0:56:57 | 0:57:00 | |
-Look at my tree! -Wow! It's very festive. | 0:57:00 | 0:57:04 | |
An open ticket to Washington! | 0:57:18 | 0:57:19 | |
What time is it there? | 0:57:20 | 0:57:21 | |
Just after 4.30. | 0:57:23 | 0:57:25 | |
OK, well, you'd better hurry up, because the last flight's at 9.00pm. | 0:57:25 | 0:57:28 | |
-What? -It's all booked. | 0:57:28 | 0:57:31 | |
I spoke to Clarissa, everything is fine. | 0:57:31 | 0:57:33 | |
I can't! | 0:57:33 | 0:57:34 | |
No, she spoke to Jack, and then spoke to Thomas... | 0:57:34 | 0:57:37 | |
You're serious? | 0:57:37 | 0:57:38 | |
"Happy to get rid of you", I think is what they said. | 0:57:38 | 0:57:41 | |
So, what do you think? | 0:57:43 | 0:57:45 | |
-I think I'd better get packing! -Yes, hurry! | 0:57:47 | 0:57:50 | |
DOORBELL RINGS | 0:57:50 | 0:57:51 | |
Oh, wait. Hang on, don't go anywhere. | 0:57:51 | 0:57:55 | |
Oh, hi. | 0:58:01 | 0:58:02 | |
Merry Christmas! | 0:58:07 | 0:58:09 | |
# Testator silens | 0:58:27 | 0:58:34 | |
# Costestes e spiritu | 0:58:36 | 0:58:43 | |
# Silentium. # | 0:58:43 | 0:58:54 |