Browse content similar to Family, Part One. Check below for episodes and series from the same categories and more!
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This programme contains scenes which some viewers may find upsetting. | 0:00:02 | 0:00:09 | |
SIREN BLARES | 0:00:43 | 0:00:46 | |
Santa on the piss, I bet. | 0:00:51 | 0:00:53 | |
Next time. | 0:00:53 | 0:00:55 | |
Did they say the fire brigade are attending? | 0:01:17 | 0:01:19 | |
-INTERCOM RINGS -It looks like a car. | 0:01:19 | 0:01:21 | |
Hello, police, anyone there? | 0:01:21 | 0:01:22 | |
I've already tried that! | 0:01:22 | 0:01:24 | |
I thought they were letting off fireworks. | 0:01:24 | 0:01:27 | |
-You are...? -Mrs Kennedy, I live just over there. -Did you call 999? | 0:01:27 | 0:01:30 | |
Not me, no. | 0:01:30 | 0:01:32 | |
EXPLOSION | 0:01:32 | 0:01:33 | |
-Oh! -Bloody hell! | 0:01:33 | 0:01:35 | |
Do you know if anyone's in the house? | 0:01:38 | 0:01:40 | |
I don't really know them. I see one of the girls, | 0:01:40 | 0:01:42 | |
-Melanie, out on her horse. -There are kids? | 0:01:42 | 0:01:44 | |
Melanie and her sister. They were at midnight Mass. | 0:01:44 | 0:01:46 | |
Ready? One, two, three, up. | 0:01:46 | 0:01:48 | |
We've finished our shift. I'm meant to be on a plane in six hours. | 0:01:53 | 0:01:56 | |
-"We're just around the corner." -But we were. | 0:01:56 | 0:01:59 | |
What the...? | 0:01:59 | 0:02:01 | |
She's been shot. We need armed response. | 0:02:14 | 0:02:17 | |
Call it in. | 0:02:17 | 0:02:19 | |
Call it in! | 0:02:21 | 0:02:22 | |
PC Bell at Orchard House, urgent assistance required. | 0:02:24 | 0:02:27 | |
We've got a dead woman and a burning car. | 0:02:27 | 0:02:29 | |
Rachel, wait for backup! | 0:02:32 | 0:02:33 | |
There are kids! | 0:02:33 | 0:02:34 | |
-RADIO: -PC Bell? | 0:02:36 | 0:02:38 | |
She looks to have been shot, and her hands... | 0:02:38 | 0:02:40 | |
Say it again? | 0:02:42 | 0:02:44 | |
Oh, my God. | 0:02:50 | 0:02:51 | |
They're all dead. | 0:02:52 | 0:02:54 | |
What? | 0:02:57 | 0:02:59 | |
PHONE RINGS | 0:02:59 | 0:03:01 | |
Matt? Hi. | 0:03:03 | 0:03:05 | |
Nikki Alexander? This is Surrey Police. | 0:03:05 | 0:03:07 | |
Oh, sorry. I thought... | 0:03:07 | 0:03:09 | |
I understand you're on call. | 0:03:09 | 0:03:10 | |
There's been a suspected multiple shooting. | 0:03:10 | 0:03:13 | |
Oh. OK. Send me the details, I'll be right there. | 0:03:13 | 0:03:16 | |
Happy Christmas. | 0:03:17 | 0:03:18 | |
And you. | 0:03:18 | 0:03:20 | |
Happy Christmas. | 0:03:20 | 0:03:21 | |
# Testator silens | 0:03:23 | 0:03:29 | |
# Costestes e spiritu | 0:03:32 | 0:03:39 | |
# Silentium | 0:03:39 | 0:03:50 | |
# Testator silens. # | 0:03:53 | 0:04:00 | |
HE COUGHS | 0:04:04 | 0:04:06 | |
FOOTSTEPS | 0:04:23 | 0:04:26 | |
Merry Christmas! | 0:04:26 | 0:04:28 | |
Dad...cups are in here. | 0:04:29 | 0:04:31 | |
Ah! | 0:04:32 | 0:04:33 | |
Come here. | 0:04:35 | 0:04:36 | |
Happy Christmas, Bunny. | 0:04:38 | 0:04:39 | |
-Is Mum awake? -She's with Erin. I've opened my stocking, | 0:04:39 | 0:04:42 | |
-do you want to see? -Yeah, yeah. | 0:04:42 | 0:04:45 | |
Just let me grab my keys. | 0:04:45 | 0:04:47 | |
Are you going? | 0:04:48 | 0:04:49 | |
Yeah, yeah. No, I've got to. I'm on call. I did warn you. | 0:04:50 | 0:04:53 | |
Dad, no! The whole idea of coming to spend Christmas with us | 0:04:53 | 0:04:56 | |
-was so that we could all open our presents together. -I know, I know. | 0:04:56 | 0:04:59 | |
-I'm sorry. I'll come back later, yeah? -Dad! -Rosie, please! | 0:04:59 | 0:05:03 | |
Rosie! | 0:05:03 | 0:05:04 | |
HE SIGHS | 0:05:05 | 0:05:07 | |
Darling, it's my job. | 0:05:09 | 0:05:11 | |
Yeah? | 0:05:11 | 0:05:12 | |
BABY CRIES | 0:05:12 | 0:05:14 | |
I'm sorry. | 0:05:14 | 0:05:16 | |
You've just got to understand... | 0:05:16 | 0:05:17 | |
To keep you going. | 0:05:17 | 0:05:19 | |
Oh. | 0:05:20 | 0:05:22 | |
Thank you. | 0:05:22 | 0:05:23 | |
-Mine to you are just... -I know where they are. | 0:05:23 | 0:05:25 | |
Is one of them a phone? | 0:05:25 | 0:05:27 | |
-I'm not telling you. -What make is it? | 0:05:27 | 0:05:29 | |
You're a monster. Is that for me? | 0:05:29 | 0:05:31 | |
Looks like it. | 0:05:31 | 0:05:32 | |
I recognise that writing. | 0:05:34 | 0:05:35 | |
She said we weren't doing presents... | 0:05:35 | 0:05:37 | |
Just take it. Then you'll have two to open. | 0:05:37 | 0:05:39 | |
What do you think? | 0:05:44 | 0:05:45 | |
I think I need a drink. | 0:05:45 | 0:05:47 | |
No, the shirt. | 0:05:47 | 0:05:49 | |
I think it looked better online. | 0:05:50 | 0:05:53 | |
I like it. Thank you. | 0:05:53 | 0:05:55 | |
Shouldn't the turkey be in already? | 0:05:58 | 0:06:00 | |
What time are your folks getting here? | 0:06:00 | 0:06:03 | |
You know them. | 0:06:03 | 0:06:05 | |
PHONE RINGS | 0:06:05 | 0:06:06 | |
Is that Mum? | 0:06:06 | 0:06:08 | |
Merry Christmas, Thomas. | 0:06:08 | 0:06:10 | |
-It's not work? -OK. | 0:06:11 | 0:06:13 | |
-No, no, no. You're not going in. -I'm on it. | 0:06:13 | 0:06:15 | |
-It's Christmas Day. -Sorry. | 0:06:17 | 0:06:19 | |
-What about the turkey? -Stuff it. | 0:06:21 | 0:06:23 | |
Two traffic officers were first at the scene. | 0:06:29 | 0:06:32 | |
They found three bodies. | 0:06:32 | 0:06:34 | |
Two young women and an elderly man. | 0:06:35 | 0:06:38 | |
Another body's since been found inside a burnt-out four-by-four. | 0:06:38 | 0:06:41 | |
Armed Command have searched the premises for any armed suspects | 0:06:41 | 0:06:44 | |
with a negative result, so as soon as you're ready, we can go in. | 0:06:44 | 0:06:48 | |
Are the victims all from the same family? | 0:06:48 | 0:06:50 | |
I'm not sure, but it looks that way. | 0:06:50 | 0:06:53 | |
I do know the house is owned by Andy McMorris, | 0:06:53 | 0:06:55 | |
who owns a haulage company. The burnt out four-by-four | 0:06:55 | 0:06:58 | |
with the body inside has the company logo to the rear, | 0:06:58 | 0:07:00 | |
-so it could be him. -Have you spoken to my colleague, Jack? | 0:07:00 | 0:07:03 | |
Yeah, yeah. He said we should go ahead and do a prelim. | 0:07:03 | 0:07:06 | |
SOCOs are still to arrive. | 0:07:06 | 0:07:08 | |
There's been some kind of holdup. Christmas hangover, probably. | 0:07:08 | 0:07:11 | |
Excuse me. | 0:07:11 | 0:07:12 | |
Tone, can you give me an ETA on what time we're expecting | 0:07:13 | 0:07:15 | |
the rest of the crew? | 0:07:15 | 0:07:17 | |
As soon as I get back, we can do Christmas, all right? | 0:07:35 | 0:07:38 | |
What do I tell the Red Lion? | 0:07:40 | 0:07:42 | |
You can still go, it's all paid for. | 0:07:42 | 0:07:45 | |
-By myself, you mean? -I'm sure I'll be back. | 0:07:45 | 0:07:47 | |
I thought after lunch we'd go see your brother. | 0:07:49 | 0:07:53 | |
I'm the last person Ryan'll want to see, believe me. | 0:07:53 | 0:07:55 | |
It's Christmas. | 0:07:55 | 0:07:57 | |
You said yourself, it's a time for family. | 0:07:57 | 0:08:00 | |
-It's because of me... -No. | 0:08:00 | 0:08:01 | |
Ryan is inside for something he did, not you. | 0:08:02 | 0:08:05 | |
I know what you do is important, son, | 0:08:05 | 0:08:09 | |
but we're important, too. | 0:08:09 | 0:08:10 | |
I know. | 0:08:10 | 0:08:12 | |
You take care of yourself. | 0:08:14 | 0:08:15 | |
Sorry, everyone is late today. | 0:08:47 | 0:08:50 | |
I want a record of everything we see from start to finish. | 0:08:51 | 0:08:54 | |
-Are you working? -I don't know, am I? | 0:08:54 | 0:08:57 | |
-Are we good? -Yep. | 0:08:57 | 0:08:58 | |
Sound and picture look good. | 0:08:58 | 0:09:00 | |
DCI Cooke has just called. He knew Andy McMorris, personally. | 0:09:02 | 0:09:06 | |
-And? -Well, apparently, Mr McMorris and his wife Zoe | 0:09:06 | 0:09:10 | |
-had recently separated. -Until we get in there. | 0:09:10 | 0:09:13 | |
Well, Armed Command did say they found a number of weapons | 0:09:13 | 0:09:16 | |
on the premises. | 0:09:16 | 0:09:17 | |
-Nikki? Nikki? -Clarissa. | 0:09:17 | 0:09:20 | |
-Happy Christmas. -For some it might be. | 0:09:22 | 0:09:24 | |
They've patched me through a live feed. | 0:09:24 | 0:09:26 | |
Thomas is coming to the Lyell. Jack is on his way to you. | 0:09:26 | 0:09:30 | |
We can't seem to get away from each other. | 0:09:30 | 0:09:32 | |
Is that what you wanted? | 0:09:32 | 0:09:33 | |
You said yourself, it's been a bloody long year. | 0:09:33 | 0:09:36 | |
Yeah, it's not over yet. | 0:09:36 | 0:09:38 | |
-Right, you all set? -Yeah. | 0:09:38 | 0:09:40 | |
So how does a haulage company owner get to live in a place like this? | 0:09:48 | 0:09:53 | |
His wife's father was a property developer. | 0:09:53 | 0:09:56 | |
I've got hold of the architect's plans. | 0:09:56 | 0:09:59 | |
There's an indoor swimming pool, a games room, a gym, | 0:09:59 | 0:10:03 | |
a cinema, and at the back, it looks like they built their very own lake. | 0:10:03 | 0:10:08 | |
It must have cost millions. | 0:10:08 | 0:10:09 | |
-Merry Christmas. -What about the CCTV cameras? | 0:10:09 | 0:10:13 | |
I've counted four so far. | 0:10:13 | 0:10:15 | |
According to Armed Command, they'd all been turned off, | 0:10:15 | 0:10:17 | |
which suggests it was premeditated. | 0:10:17 | 0:10:19 | |
Or it would suggest they were all turned off. | 0:10:19 | 0:10:23 | |
You've been told. | 0:10:23 | 0:10:24 | |
Either way, the hard drive, if it's not been wiped, | 0:10:24 | 0:10:27 | |
could contain some vital information. | 0:10:27 | 0:10:29 | |
I'll make sure you get it. | 0:10:29 | 0:10:31 | |
A woman with a bullet wound to the head, | 0:10:31 | 0:10:34 | |
her hands seem to be clasped. | 0:10:34 | 0:10:36 | |
Possibly kneeling before she was shot. | 0:10:36 | 0:10:38 | |
How old do you think she is? | 0:10:39 | 0:10:40 | |
-In her 20s? -Not Mrs McMorris. | 0:10:42 | 0:10:46 | |
Maybe one of the daughters? | 0:10:46 | 0:10:48 | |
She looks like she's begging for her life. | 0:10:48 | 0:10:51 | |
If she was being shot at by the gunman, wouldn't she be | 0:10:51 | 0:10:54 | |
running for her life? | 0:10:54 | 0:10:56 | |
Maybe she knew who it was. SHUTTER CLICKS | 0:10:56 | 0:10:58 | |
Thought they'd show her some mercy. | 0:10:58 | 0:11:00 | |
As soon as the SOCOs arrive and we're finished with the prelim, | 0:11:03 | 0:11:05 | |
I'll get her covered up, also the four-by-four. | 0:11:05 | 0:11:08 | |
As you can just make out, | 0:11:08 | 0:11:09 | |
the company logo to the rear, and possibly Mr McMorris inside. | 0:11:09 | 0:11:13 | |
Was the door open like this? | 0:11:15 | 0:11:17 | |
I think the fire brigade opened it to gain access. | 0:11:17 | 0:11:19 | |
Multiple bullet holes across the front passenger side. | 0:11:19 | 0:11:23 | |
Probably piercing the fuel tank. | 0:11:23 | 0:11:25 | |
Are there any tyre marks from the four-by-four? | 0:11:25 | 0:11:28 | |
Yeah, as you can see, | 0:11:28 | 0:11:29 | |
the rear wheels have churned up the gravel as it came round the bend | 0:11:29 | 0:11:33 | |
and then, as the driver hit the brakes... | 0:11:33 | 0:11:35 | |
I mean, it certainly looks as though he's arrived at speed. | 0:11:35 | 0:11:38 | |
And then got fired on as they got closer? | 0:11:38 | 0:11:41 | |
-There's no bloody milk. -Funny that. | 0:11:41 | 0:11:45 | |
Ah. | 0:11:45 | 0:11:47 | |
-Is that the body cams? -Yeah. | 0:11:47 | 0:11:48 | |
I believe it's a male. | 0:11:50 | 0:11:53 | |
Hard to determine at this stage if any of the bullets hit him. | 0:11:53 | 0:11:55 | |
SHUTTER CLICKS | 0:11:57 | 0:11:58 | |
Is that a mobile phone in his hand? | 0:11:58 | 0:12:00 | |
Yep. | 0:12:02 | 0:12:03 | |
I've found a photo of Andy McMorris online - | 0:12:04 | 0:12:07 | |
white Caucasian, a lot of jewellery, necklaces, rings, | 0:12:07 | 0:12:11 | |
expensive watch, and tattoos, a distinctive one on his neck. | 0:12:11 | 0:12:14 | |
No necklace... | 0:12:14 | 0:12:16 | |
..or rings. | 0:12:17 | 0:12:18 | |
Any tattoos would have been burned off. | 0:12:18 | 0:12:21 | |
Two daughters, Stephanie and Melanie. | 0:12:21 | 0:12:23 | |
He was tried for attempted murder in 2015. | 0:12:23 | 0:12:27 | |
Trial collapsed when a witness changed his statement. | 0:12:27 | 0:12:32 | |
It's not Andy McMorris. | 0:12:32 | 0:12:34 | |
-How can you be sure? -This appears to be a black male. | 0:12:34 | 0:12:38 | |
Right, which means McMorris is not one of the bodies. | 0:12:38 | 0:12:41 | |
I'll call the DCI. If McMorris is on the run, we need to track him down. | 0:12:41 | 0:12:45 | |
If the four-by-four belongs to Mr McMorris's company, | 0:12:45 | 0:12:48 | |
the chances are the body inside is an employee of some kind. | 0:12:48 | 0:12:51 | |
This is not the Christmas I was expecting. | 0:12:51 | 0:12:53 | |
-Hello, Jack. -We're about to head inside. | 0:12:54 | 0:12:56 | |
They're going to go over to McMorris's haulage company, | 0:12:58 | 0:13:00 | |
see what they can find out there. | 0:13:00 | 0:13:01 | |
This is Jack, DI Gibbs. | 0:13:01 | 0:13:03 | |
-Hi. -Morning. | 0:13:03 | 0:13:05 | |
The DCI's on his way. | 0:13:05 | 0:13:06 | |
They were already looking for Mr McMorris, but at least | 0:13:06 | 0:13:09 | |
now they know he's not the body in the four-by-four. | 0:13:09 | 0:13:11 | |
This is where the gunman was probably standing. | 0:13:11 | 0:13:14 | |
Take a photo. | 0:13:14 | 0:13:16 | |
I'll see if I can identify... | 0:13:16 | 0:13:19 | |
GUNSHOT | 0:13:19 | 0:13:20 | |
What was that? | 0:13:20 | 0:13:22 | |
Nikki? Jack? | 0:13:22 | 0:13:24 | |
-Thomas! -A gunshot. GROANING | 0:13:28 | 0:13:30 | |
I don't know where it came from. | 0:13:31 | 0:13:33 | |
Nikki, stay where you are. | 0:13:33 | 0:13:35 | |
Armed Command, get them back in here! | 0:13:37 | 0:13:39 | |
GIBBS GROANS | 0:13:40 | 0:13:42 | |
Has she been shot? | 0:13:44 | 0:13:45 | |
-Nikki? -I'm OK! -What can you see? | 0:13:46 | 0:13:49 | |
-GIBBS: -Oh! | 0:13:52 | 0:13:53 | |
Stay where you are. | 0:13:55 | 0:13:56 | |
God! | 0:13:58 | 0:14:00 | |
-Stay where you are, stay where you are. -I've got to help her. | 0:14:00 | 0:14:03 | |
Stay where you are! | 0:14:05 | 0:14:06 | |
Shit. | 0:14:06 | 0:14:08 | |
Oh, no. Nikki! | 0:14:08 | 0:14:10 | |
-Where's the gunman? Did you see him? -No. | 0:14:13 | 0:14:14 | |
Please. | 0:14:15 | 0:14:17 | |
-Please... -Stay awake now. -I can't... | 0:14:17 | 0:14:21 | |
-Has anyone see where the gunman is? -I can't. | 0:14:21 | 0:14:23 | |
Come on. | 0:14:23 | 0:14:25 | |
BULLET RICOCHETS | 0:14:25 | 0:14:27 | |
Is Jack safe? | 0:14:27 | 0:14:28 | |
I don't know. Jack! | 0:14:28 | 0:14:30 | |
Yeah, I'm here. Stay down. | 0:14:30 | 0:14:32 | |
The gunman seems to be firing at the car. | 0:14:32 | 0:14:34 | |
I need to put more pressure on the wound, OK? | 0:14:34 | 0:14:37 | |
-Agh! -What's your name? | 0:14:37 | 0:14:39 | |
-It's Jennie. -Jennie. | 0:14:40 | 0:14:42 | |
Armed Command are on their way, Nikki! | 0:14:42 | 0:14:45 | |
I need you to hold it. Put your hand here. | 0:14:45 | 0:14:48 | |
BULLET RICOCHETS, JENNIE SCREAMS | 0:14:49 | 0:14:52 | |
Oh, my God. | 0:14:52 | 0:14:53 | |
They're here, Nikki, get out of there. | 0:14:55 | 0:14:57 | |
Is there anything else you can do? | 0:14:57 | 0:14:59 | |
-Am I going to be OK? -You are. | 0:14:59 | 0:15:02 | |
You are. | 0:15:02 | 0:15:03 | |
-Clear back to the gate. -Shots are coming from that direction. | 0:15:03 | 0:15:06 | |
There's an officer down, needs urgent medical attention. | 0:15:06 | 0:15:08 | |
They're on their way. You stay there | 0:15:08 | 0:15:10 | |
-and you don't move until ordered to. Is that clear? -Yes, get in there. | 0:15:10 | 0:15:13 | |
This Christmas was going to be so different. | 0:15:13 | 0:15:16 | |
-It is, and one that you will remember. -Yeah, yeah! | 0:15:16 | 0:15:20 | |
Nikki, they're here. Get out of there now! | 0:15:20 | 0:15:22 | |
You need to go. I'm going to be OK. You need to go. | 0:15:22 | 0:15:25 | |
Go, you have to go. | 0:15:25 | 0:15:27 | |
Go! | 0:15:27 | 0:15:29 | |
Hold it. | 0:15:29 | 0:15:30 | |
SHE SCREAMS | 0:15:33 | 0:15:35 | |
SHE BREATHES HEAVILY | 0:15:40 | 0:15:41 | |
Nikki? | 0:15:41 | 0:15:43 | |
Nikki, can you hear me? | 0:15:44 | 0:15:45 | |
Nikki! Nikki, can you hear me? | 0:15:46 | 0:15:49 | |
Nikki. | 0:15:50 | 0:15:51 | |
-Nikki? -She can't hear us. I'm heading out there. | 0:15:59 | 0:16:02 | |
Clarissa? Thomas? | 0:16:04 | 0:16:06 | |
-Nikki? -Anyone? | 0:16:06 | 0:16:07 | |
Nikki! | 0:16:08 | 0:16:09 | |
I can't hear you. | 0:16:11 | 0:16:12 | |
But maybe you can hear me, or even see me. | 0:16:14 | 0:16:16 | |
Nikki, stay. Stay where you are. They're coming. | 0:16:21 | 0:16:24 | |
The gunman sounded like he was outside, | 0:16:38 | 0:16:41 | |
so I'm going to go to the back of the house where | 0:16:41 | 0:16:44 | |
hopefully it will be safer. | 0:16:44 | 0:16:45 | |
There's a spray of bullets. | 0:16:47 | 0:16:49 | |
-Dr Alexander? -Who's this? -Sergeant Chainey, Armed Command. | 0:17:00 | 0:17:04 | |
This is Clarissa Mullery, | 0:17:04 | 0:17:06 | |
I'm a forensic examiner at the Lyell. | 0:17:06 | 0:17:08 | |
Dr Alexander's earpiece is broken. | 0:17:08 | 0:17:12 | |
She's inside the house. I have the architect's drawings. | 0:17:12 | 0:17:16 | |
She's in the hallway... | 0:17:17 | 0:17:19 | |
-..by the office. -Copy that. We're coming in to get her, | 0:17:20 | 0:17:22 | |
but we've yet to secure the exterior. Is that clear? | 0:17:22 | 0:17:26 | |
-RADIO: -Still no location on the gunman. | 0:17:39 | 0:17:41 | |
We're going to have to go back into the house. | 0:17:41 | 0:17:44 | |
Requesting medical assistance. | 0:17:44 | 0:17:46 | |
Emergency casualty, evacuation requested. | 0:17:46 | 0:17:48 | |
I'm assuming these are McMorris's daughters. | 0:17:56 | 0:17:58 | |
So who is the dead woman outside? | 0:18:00 | 0:18:03 | |
GUNSHOT | 0:18:13 | 0:18:14 | |
Oh, God. | 0:18:14 | 0:18:16 | |
If you can hear me, there's someone coming through the front door. | 0:18:18 | 0:18:21 | |
I'm heading downstairs. | 0:18:28 | 0:18:30 | |
Hide. | 0:18:44 | 0:18:46 | |
Three and four, check upstairs and downstairs. | 0:19:11 | 0:19:13 | |
-RADIO: -Copy that. | 0:19:13 | 0:19:15 | |
GUNSHOT, NIKKI GASPS | 0:19:15 | 0:19:16 | |
Another gunshot. | 0:19:16 | 0:19:18 | |
I need to go out the side exit. | 0:19:18 | 0:19:19 | |
Sergeant Chainey, Dr Alexander is heading across the lawn. | 0:19:27 | 0:19:30 | |
Where does that led to? | 0:19:30 | 0:19:32 | |
She's following the path to the tree line, | 0:19:39 | 0:19:42 | |
towards the lake and the paddock. | 0:19:42 | 0:19:45 | |
There's an IT into the back of the house. No visuals on the gunman. | 0:19:45 | 0:19:47 | |
I repeat, the gunman is still at large. | 0:19:47 | 0:19:50 | |
Nikki, get down! | 0:19:51 | 0:19:52 | |
SIREN BLARES | 0:20:08 | 0:20:10 | |
Paramedics on the scene. Area secure. | 0:20:22 | 0:20:24 | |
HORSE NEIGHS | 0:20:43 | 0:20:46 | |
Shells. | 0:21:12 | 0:21:13 | |
Sergeant Chainey? Dr Alexander's found shell casings in the woods. | 0:21:13 | 0:21:17 | |
Understood, we're on our way. | 0:21:17 | 0:21:19 | |
HORSE NEIGHS | 0:21:19 | 0:21:21 | |
Be careful, Nikki. | 0:21:33 | 0:21:34 | |
HORSE GROANS | 0:22:02 | 0:22:05 | |
House all clear. Searching woods south towards lake and paddock. | 0:22:22 | 0:22:25 | |
Evidence of gunfire. | 0:22:25 | 0:22:26 | |
Hello. | 0:22:34 | 0:22:35 | |
Hello. | 0:22:37 | 0:22:38 | |
Oh, hello, Bluebell. | 0:22:40 | 0:22:42 | |
There we are. | 0:22:47 | 0:22:48 | |
Oh. | 0:22:50 | 0:22:51 | |
You're a real beauty, aren't you? | 0:22:52 | 0:22:54 | |
A horse of a different colour. | 0:23:19 | 0:23:20 | |
BLUEBELL NEIGHS | 0:23:34 | 0:23:36 | |
Shh, shh, shh. | 0:23:36 | 0:23:37 | |
Hello? | 0:23:46 | 0:23:47 | |
-Get away from her! -NIKKI GASPS | 0:23:58 | 0:24:01 | |
-I'm not... -Get away! | 0:24:01 | 0:24:03 | |
Nikki! | 0:24:03 | 0:24:04 | |
Sergeant Chainey, where are you?! | 0:24:04 | 0:24:06 | |
My name is Nikki. | 0:24:06 | 0:24:08 | |
I'm a doctor. | 0:24:08 | 0:24:09 | |
-I'm here to help... -Bluebell. | 0:24:09 | 0:24:12 | |
I know. | 0:24:12 | 0:24:14 | |
Who did this to her? | 0:24:14 | 0:24:16 | |
My father! | 0:24:16 | 0:24:17 | |
He's the one to blame. | 0:24:17 | 0:24:19 | |
I once had a horse just like Bluebell. | 0:24:22 | 0:24:24 | |
That pig shit bastard! | 0:24:24 | 0:24:27 | |
Please! He's still out there. | 0:24:27 | 0:24:29 | |
-Who? -The gunman. | 0:24:31 | 0:24:34 | |
Dr Alexander? | 0:24:38 | 0:24:39 | |
Dr Alexander? | 0:24:41 | 0:24:42 | |
I can't see anything! What's happening over there? | 0:24:43 | 0:24:46 | |
BLUEBELL NEIGHS | 0:24:47 | 0:24:49 | |
You need to put your guns down right now before anything else happens. | 0:24:52 | 0:24:56 | |
Doctor, this is Sergeant Chainey, Armed Command. | 0:24:56 | 0:24:58 | |
We can't do that. | 0:24:58 | 0:25:00 | |
I have a very frightened young girl here. | 0:25:00 | 0:25:03 | |
She's seriously injured with a bullet wound to her shoulder | 0:25:03 | 0:25:07 | |
and her horse has been shot, so, as you can imagine, | 0:25:07 | 0:25:10 | |
she's very wary of guns. | 0:25:10 | 0:25:12 | |
-I'm asking you to put down... -As I'm sure you understand, Dr Alexander, | 0:25:12 | 0:25:15 | |
I can't do what you're asking. | 0:25:15 | 0:25:17 | |
For all I know, there's a gunman in the barn. | 0:25:17 | 0:25:19 | |
If you don't get to hospital soon, you will die. | 0:25:24 | 0:25:27 | |
Do you understand? | 0:25:27 | 0:25:28 | |
My father, he... | 0:25:32 | 0:25:33 | |
You have no idea, do you? | 0:25:37 | 0:25:39 | |
None. | 0:25:41 | 0:25:42 | |
Sergeant Chainey! I need paramedics here now! | 0:25:47 | 0:25:51 | |
-Help the girl. -Roger that. -Secure the perimeter. | 0:25:51 | 0:25:54 | |
-The gunman's still active. -Sarge. | 0:25:54 | 0:25:57 | |
-SHE SOBS: -Where are all the presents? | 0:25:57 | 0:25:59 | |
-Where are all the presents? -OK. | 0:25:59 | 0:26:01 | |
You're going to be OK, you're going to be... | 0:26:01 | 0:26:03 | |
GUNSHOT, BLUEBELL NEIGHS | 0:26:03 | 0:26:05 | |
Shots fired! Shots fired! | 0:26:05 | 0:26:06 | |
Copy that. Pull back to the house. | 0:26:06 | 0:26:08 | |
SHE SOBS | 0:26:10 | 0:26:12 | |
All units, check in, please. | 0:26:15 | 0:26:16 | |
-RADIO: -Hodgson, Jack Hodgson. | 0:26:19 | 0:26:21 | |
Does anyone have eyes on Jack Hodgson? | 0:26:21 | 0:26:23 | |
Armed police! Hold or we will fire! | 0:26:29 | 0:26:31 | |
Whoa, whoa, whoa! | 0:26:31 | 0:26:33 | |
Stand down. | 0:26:33 | 0:26:36 | |
Sergeant! | 0:26:36 | 0:26:38 | |
There is no gunman. | 0:26:38 | 0:26:40 | |
Down here. | 0:26:56 | 0:26:58 | |
-See? -Yeah. I see it. | 0:26:58 | 0:27:00 | |
Be careful. | 0:27:06 | 0:27:08 | |
So this was our lone gunman. | 0:27:08 | 0:27:11 | |
Got it. | 0:27:11 | 0:27:13 | |
-It's empty. -It was probably cocked when our friend here drove it in. | 0:27:21 | 0:27:25 | |
-The extreme heat of the fire warped the trigger mechanism. -Bloody hell. | 0:27:25 | 0:27:29 | |
When it cooled down, it went off. | 0:27:29 | 0:27:31 | |
-You want this bagged? -Huh? | 0:27:33 | 0:27:35 | |
-Bagged? -Bag? | 0:27:35 | 0:27:36 | |
Are you OK? | 0:27:37 | 0:27:39 | |
I can't hear very well. | 0:27:39 | 0:27:42 | |
Ringing. | 0:27:42 | 0:27:43 | |
Yeah, they've found a gun in the four-by-four. | 0:27:57 | 0:28:00 | |
Listen, mate, it's Christmas Day. | 0:28:00 | 0:28:03 | |
I want to know exactly what's going on! | 0:28:03 | 0:28:06 | |
BLUEBELL GROANS | 0:28:11 | 0:28:13 | |
Dr Alexander? | 0:28:24 | 0:28:26 | |
The vet's here. | 0:28:28 | 0:28:29 | |
Well done. | 0:28:34 | 0:28:35 | |
-You all right? -Yeah. | 0:28:47 | 0:28:48 | |
GUNSHOT FROM THE PADDOCK, SHE GASPS | 0:29:23 | 0:29:25 | |
SHE SIGHS | 0:29:34 | 0:29:36 | |
Clarissa? | 0:29:36 | 0:29:37 | |
-Can you hear me? -Loud and clear. | 0:29:37 | 0:29:40 | |
A few hours ago... | 0:29:45 | 0:29:46 | |
..I was waiting for a call from Matt in Washington. | 0:29:48 | 0:29:51 | |
He was going to call me at midnight. | 0:29:53 | 0:29:55 | |
I'm meant to be doing the starters. | 0:29:55 | 0:29:58 | |
I mean, I love all the preparing, the carols, | 0:29:58 | 0:30:01 | |
decorating the tree. | 0:30:01 | 0:30:03 | |
But this year, there are some traditions | 0:30:03 | 0:30:05 | |
I could do without. | 0:30:05 | 0:30:07 | |
When I was a child, we had a Christmas tradition | 0:30:07 | 0:30:09 | |
of watching The Wizard Of Oz. | 0:30:09 | 0:30:11 | |
All I could think of when I was with Bluebell... | 0:30:13 | 0:30:15 | |
The horse of a different colour. | 0:30:15 | 0:30:17 | |
How's DI Gibbs doing? | 0:30:24 | 0:30:26 | |
I'll find out for you. | 0:30:27 | 0:30:28 | |
Thanks. | 0:30:30 | 0:30:31 | |
We need to get a move on. | 0:31:14 | 0:31:16 | |
OK, thank you. | 0:31:42 | 0:31:43 | |
Is that DI Cooke? | 0:31:43 | 0:31:45 | |
DCI Cooke now. | 0:31:45 | 0:31:47 | |
He's been spotted apparently, in his car. | 0:31:47 | 0:31:49 | |
Who? Andy McMorris? | 0:31:49 | 0:31:51 | |
Then they lost him. | 0:31:51 | 0:31:52 | |
-Zoe. -Tell me what's happened. | 0:31:57 | 0:32:00 | |
There's been a firearms incident at the house. | 0:32:00 | 0:32:02 | |
No, listen to me, listen to me. | 0:32:02 | 0:32:04 | |
-Mel has gone to the hospital. -Is she OK? | 0:32:04 | 0:32:06 | |
She's been shot. We think that Andy... | 0:32:06 | 0:32:09 | |
I need to get to the hospital. Where's Stevie? | 0:32:09 | 0:32:12 | |
There's another unidentified body in the house. | 0:32:12 | 0:32:15 | |
-No. -Zoe. Zoe, I need you to... | 0:32:15 | 0:32:17 | |
-Stevie! -Zoe, Zoe! You can't go in there! | 0:32:17 | 0:32:19 | |
Stevie! No, I need to see my daughter! | 0:32:19 | 0:32:21 | |
-You can't go in there right now. -I need to see my daughter! | 0:32:21 | 0:32:24 | |
The forensics are doing their job. | 0:32:24 | 0:32:26 | |
OK? They need to do their job. | 0:32:26 | 0:32:29 | |
-Zoe! Please! -My daughter... She has blonde hair... | 0:32:29 | 0:32:33 | |
-We can't allow access to the scene. -..my height. -Zoe. | 0:32:33 | 0:32:36 | |
She has Chinese writing on her wrist, it's her name. | 0:32:36 | 0:32:39 | |
Yes, I believe it... | 0:32:43 | 0:32:45 | |
Sorry. I'm so sorry. | 0:32:49 | 0:32:50 | |
-Thank you. -Thanks. | 0:33:32 | 0:33:34 | |
Dr Alexander. Are you OK? | 0:33:37 | 0:33:39 | |
Thanks so much for your help there. | 0:33:39 | 0:33:41 | |
Good to be working with you again. | 0:33:41 | 0:33:43 | |
You too, Detective Chief Inspector. | 0:33:43 | 0:33:46 | |
-Poor woman. -Yeah, I've just sent her off to the hospital. | 0:33:46 | 0:33:51 | |
-Let's hope to God the daughter pulls through. -Yeah. | 0:33:51 | 0:33:55 | |
Listen, could I ask that you just wait until DI Baker arrives? | 0:33:55 | 0:34:00 | |
He's the new SIO, it would be very much appreciated. | 0:34:00 | 0:34:03 | |
That would be preferable, but it might be too late. | 0:34:03 | 0:34:07 | |
-Clouds are moving in. -Clouds? | 0:34:07 | 0:34:09 | |
Clarissa says a storm's coming. | 0:34:09 | 0:34:10 | |
-Ah, Clarissa, how is she? -There's a storm seven miles due west. | 0:34:10 | 0:34:13 | |
It's heading our way. If we don't get going soon, | 0:34:13 | 0:34:16 | |
most of the evidence outside the house is going to be compromised. | 0:34:16 | 0:34:18 | |
Yeah, look. I've asked you to wait, he is on his way. | 0:34:18 | 0:34:22 | |
Right. But when the CPS ask why the best evidence wasn't obtained | 0:34:22 | 0:34:26 | |
and preserved at the earliest opportunity, what do I say? | 0:34:26 | 0:34:30 | |
All right, all right. I'm not going to argue with you. | 0:34:30 | 0:34:34 | |
Right. Let's get going. | 0:34:34 | 0:34:35 | |
So if she's not one of the daughters, who is she? | 0:34:46 | 0:34:50 | |
Hopefully we'll find some ID in the house. | 0:34:50 | 0:34:53 | |
One, two, three, four, five, six, seven, eight, nine, ten. | 0:34:53 | 0:34:57 | |
A lot of rounds fired. | 0:34:57 | 0:34:59 | |
There's even more inside and approaching the paddock. | 0:34:59 | 0:35:02 | |
Nine millimetre. | 0:35:03 | 0:35:05 | |
Could be Russian. What do you think, Clarissa? | 0:35:05 | 0:35:07 | |
Are you seeing this? | 0:35:07 | 0:35:09 | |
If they are, it's unusual to see them in this country. | 0:35:09 | 0:35:14 | |
-Almost certainly illegal. -Yep. | 0:35:14 | 0:35:16 | |
Probably fired with an automatic. | 0:35:18 | 0:35:20 | |
A Stechkin, maybe even an Uzi. | 0:35:20 | 0:35:24 | |
This is heavy-duty weaponry. | 0:35:24 | 0:35:27 | |
Any idea who this is? | 0:35:27 | 0:35:29 | |
Clarissa suggested he might work for the haulage company. | 0:35:29 | 0:35:32 | |
If they check the log book, | 0:35:32 | 0:35:33 | |
they should have a record of who drives what vehicle. | 0:35:33 | 0:35:37 | |
Yeah. What time was it called in? | 0:35:37 | 0:35:39 | |
1.15 this morning. | 0:35:45 | 0:35:47 | |
Unknown caller reported the four-by-four having been | 0:35:47 | 0:35:50 | |
involved in an accident. | 0:35:50 | 0:35:53 | |
I mean, this guy was travelling at some speed. | 0:35:53 | 0:35:56 | |
That gate must have been open, no? | 0:35:56 | 0:35:58 | |
Don't they automatically close after you've driven through them? | 0:35:58 | 0:36:01 | |
And it was shut when the police first arrived. | 0:36:01 | 0:36:03 | |
What it also suggests is that the driver knew there was | 0:36:03 | 0:36:05 | |
some sort of emergency. | 0:36:05 | 0:36:07 | |
Maybe someone called him on this phone. | 0:36:07 | 0:36:09 | |
-Andy McMorris? -He leaves the gate open for him... | 0:36:09 | 0:36:12 | |
And shoots him when he arrives. | 0:36:14 | 0:36:16 | |
Or maybe one of the daughters called him. | 0:36:16 | 0:36:18 | |
Hopefully this will tell us. | 0:36:21 | 0:36:22 | |
I'm upstairs, yeah? | 0:36:57 | 0:36:59 | |
HE WHISTLES | 0:37:46 | 0:37:47 | |
So how has McMorris got hold of that lot? | 0:37:47 | 0:37:49 | |
I guess if you own a haulage company, this kind of | 0:37:49 | 0:37:52 | |
weaponry is easier to get into the country. | 0:37:52 | 0:37:56 | |
One or two of these wouldn't make you much, but an | 0:37:56 | 0:37:59 | |
Uzi automatic pistol can fetch well over a grand, | 0:37:59 | 0:38:02 | |
if he's been importing these things in bulk. | 0:38:02 | 0:38:04 | |
Someone was having fun. | 0:38:28 | 0:38:30 | |
Yeah. Champagne and cocaine. | 0:38:30 | 0:38:33 | |
Whoa. | 0:38:41 | 0:38:43 | |
Happy days. | 0:38:43 | 0:38:44 | |
Family passports. | 0:38:46 | 0:38:47 | |
Andrew McMorris. | 0:38:48 | 0:38:49 | |
Stephanie McMorris. | 0:38:50 | 0:38:52 | |
Melanie McMorris. | 0:38:53 | 0:38:54 | |
The dead woman outside is Gabrielle Papadopoulos. | 0:39:00 | 0:39:04 | |
Age 28, from Skiathos. | 0:39:04 | 0:39:09 | |
-Can you see that? -Yeah. Got it. -Credit cards. | 0:39:09 | 0:39:13 | |
If he's on the run, he's not going far. | 0:39:13 | 0:39:15 | |
If he's got all these illegal weapons, chances are | 0:39:15 | 0:39:17 | |
he's got at least one fake passport. | 0:39:17 | 0:39:20 | |
She arrived on 17th December, | 0:39:32 | 0:39:35 | |
was due to leave on the 28th. | 0:39:35 | 0:39:37 | |
A solicitor's letter: "RE: proposed divorce proceedings." | 0:39:39 | 0:39:43 | |
Dated 20th December. | 0:39:43 | 0:39:45 | |
Ouch. That's quite a Christmas present. | 0:39:45 | 0:39:47 | |
Mrs McMorris was demanding sole custody. | 0:39:47 | 0:39:51 | |
Possible motive. | 0:39:51 | 0:39:53 | |
-Is that blood on there? -Where? | 0:39:55 | 0:39:58 | |
On the pillow case? | 0:39:58 | 0:39:59 | |
Lipstick and mascara, by the looks of it. | 0:40:01 | 0:40:04 | |
I'm assuming Mr McMorris wasn't having sex with his wife. | 0:40:04 | 0:40:08 | |
That's the old man out in the hall. Andy's father, by the looks of it. | 0:40:08 | 0:40:11 | |
DCI Cooke! | 0:40:17 | 0:40:18 | |
DCI Cooke and Andy shooting together. | 0:40:18 | 0:40:21 | |
So did McMorris have a gun licence? | 0:40:21 | 0:40:25 | |
What do you think of that? | 0:40:27 | 0:40:29 | |
Expensive. | 0:40:29 | 0:40:30 | |
-Dare I ask, how did it go, staying the night? -Good. | 0:40:32 | 0:40:35 | |
Well, odd. | 0:40:38 | 0:40:39 | |
Drank too much to compensate, feel terrible. | 0:40:41 | 0:40:44 | |
Mind you, last year I only got to see Rosie after Boxing Day, so... | 0:40:44 | 0:40:49 | |
She gave me a present. | 0:40:49 | 0:40:50 | |
Did you speak to Matt? | 0:40:52 | 0:40:54 | |
He left a message. I haven't called him back yet. | 0:40:54 | 0:40:56 | |
-Doesn't seem right, with all this going on. -Yeah. | 0:40:57 | 0:41:00 | |
What about you? How's your dad? | 0:41:01 | 0:41:03 | |
You think your family's unique. | 0:41:08 | 0:41:09 | |
Uniquely awful. | 0:41:09 | 0:41:10 | |
Memories come flooding back. | 0:41:12 | 0:41:14 | |
Battles you had, you know, about... | 0:41:14 | 0:41:16 | |
..God knows what. | 0:41:17 | 0:41:19 | |
And then... | 0:41:20 | 0:41:21 | |
And then you see what families can really do to each other. | 0:41:23 | 0:41:26 | |
She was clearly very good. | 0:41:39 | 0:41:41 | |
No wonder she was risking her life for the horse. | 0:41:43 | 0:41:46 | |
My bedroom never looked like this when I was 16. | 0:41:46 | 0:41:49 | |
Mine still doesn't look like that. | 0:41:49 | 0:41:51 | |
So if the shooting started downstairs, | 0:42:03 | 0:42:05 | |
then it looks like Mel grabbed this chair... | 0:42:05 | 0:42:08 | |
..took it to the window and tried to climb out. | 0:42:11 | 0:42:14 | |
She was trying to save Bluebell. | 0:42:18 | 0:42:21 | |
-CCTV: -OK, look after my girls, yeah? | 0:42:21 | 0:42:22 | |
He left the gates open. | 0:42:32 | 0:42:34 | |
And he's turned the cameras off. | 0:42:36 | 0:42:39 | |
Now, why would he do that? | 0:42:39 | 0:42:40 | |
It's the eldest daughter Stevie's diary. | 0:43:17 | 0:43:19 | |
I didn't think kids had these any more. | 0:43:21 | 0:43:23 | |
The bullet passed through the daughter, slowing its velocity. | 0:43:25 | 0:43:29 | |
-The woman outside, was it Gabrielle? -Mm-hm. | 0:43:31 | 0:43:35 | |
According to Stevie's diary, she was their au pair. | 0:43:35 | 0:43:38 | |
-Why would teenagers still need an au pair? -I don't know. | 0:43:38 | 0:43:43 | |
Mind you, when Julia and I split up, she asked one of Rosie's | 0:43:43 | 0:43:45 | |
old nannies to come back and help out. | 0:43:45 | 0:43:48 | |
Rosie was overjoyed. | 0:43:48 | 0:43:49 | |
-Anything else? -It's hard to say. | 0:43:49 | 0:43:52 | |
It's all written in some sort of weird teenage code. | 0:43:52 | 0:43:55 | |
Clearly, this was a very unhappy family. | 0:43:55 | 0:43:57 | |
Stevie and her mum hadn't spoken in over a year, | 0:43:57 | 0:44:01 | |
constantly wishes her dead. | 0:44:01 | 0:44:03 | |
Hates her for leaving. | 0:44:03 | 0:44:05 | |
Hates her dad. | 0:44:05 | 0:44:06 | |
Then when he gives her money or time off work, she loves him again. | 0:44:09 | 0:44:12 | |
Misses her sister Mel. Jealous of her being away at school. | 0:44:12 | 0:44:16 | |
I wonder if Mel bought Stevie this. | 0:44:16 | 0:44:19 | |
"For Stevie, as promised, love M." | 0:44:19 | 0:44:22 | |
Lots of time spent getting wasted. | 0:44:23 | 0:44:25 | |
Wanting to die. | 0:44:27 | 0:44:28 | |
DI Baker, the new SIO is on his way over. | 0:44:30 | 0:44:33 | |
I've put together a file of the most relevant photos, I'll send it over. | 0:44:34 | 0:44:39 | |
OK. We'll bring them up to speed with what we know. | 0:44:39 | 0:44:41 | |
Sir. | 0:44:54 | 0:44:56 | |
Any sign of McMorris? | 0:44:56 | 0:44:57 | |
The gates have been chained up by the bailiffs. | 0:44:59 | 0:45:01 | |
There's a winding-up notice attached. | 0:45:01 | 0:45:02 | |
Not sure how he would have got in if he's in there. | 0:45:02 | 0:45:05 | |
But if he is in there, he's almost certainly still armed. | 0:45:05 | 0:45:08 | |
Yes, sir. | 0:45:08 | 0:45:09 | |
-Say the word, sir. -Right, let's go. | 0:45:09 | 0:45:11 | |
All right, team. Move in. | 0:45:13 | 0:45:14 | |
Moving in. | 0:45:15 | 0:45:17 | |
Clear. | 0:46:22 | 0:46:23 | |
Check those two doors on the left. | 0:46:23 | 0:46:25 | |
Sir. | 0:46:25 | 0:46:27 | |
-All clear? -All clear, Sarge. | 0:46:36 | 0:46:39 | |
Good work. Stand down. | 0:46:39 | 0:46:40 | |
-Through there? -Yes, sir. -Good. | 0:46:48 | 0:46:51 | |
-Nice job, boys. -Thank you, sir. | 0:46:51 | 0:46:54 | |
Michael Adams. | 0:47:30 | 0:47:32 | |
Yeah, we've got him, Michael Adams. | 0:47:42 | 0:47:46 | |
Listen, I can only give you 24 hours on this, OK? | 0:47:46 | 0:47:48 | |
OK. | 0:47:50 | 0:47:51 | |
Michael Adams. | 0:47:57 | 0:47:58 | |
Gotcha. | 0:47:59 | 0:48:01 | |
So we know Andy switched off the cameras at 11.45, | 0:48:03 | 0:48:08 | |
just after his girls left for church. | 0:48:08 | 0:48:11 | |
It was part of his preparations to shoot them on their return. | 0:48:11 | 0:48:14 | |
Or to hide the fact that someone, as yet unknown, | 0:48:14 | 0:48:16 | |
was coming over for Christmas Eve. | 0:48:16 | 0:48:18 | |
A local taxi company say they brought a man matching | 0:48:20 | 0:48:23 | |
Martin McMorris's description at 12.45am. | 0:48:23 | 0:48:27 | |
So he finds his son in bed with someone, | 0:48:27 | 0:48:31 | |
a fight starts. | 0:48:31 | 0:48:33 | |
Andy, already drunk, high on cocaine... | 0:48:35 | 0:48:38 | |
..grabs a gun... | 0:48:39 | 0:48:41 | |
..starts shooting. | 0:48:41 | 0:48:43 | |
Which also might explain why he fired so many shots. | 0:48:43 | 0:48:46 | |
So, who was he in bed with? | 0:48:48 | 0:48:49 | |
We should have enough to ID them if they're on the national database. | 0:48:49 | 0:48:53 | |
What about the au pair? | 0:48:55 | 0:48:57 | |
-She was with the girls. -I think it's unlikely. She was found | 0:48:57 | 0:49:00 | |
in pyjamas and wasn't wearing any lipstick or mascara. | 0:49:00 | 0:49:03 | |
What if they were both involved, Andy and whoever he was with? | 0:49:05 | 0:49:09 | |
It might also explain how he made his escape. | 0:49:09 | 0:49:12 | |
You mean, whoever he was partying with drove back after | 0:49:12 | 0:49:15 | |
he'd switched the cameras off and then, after the shootings, | 0:49:15 | 0:49:17 | |
-drove him away? -Whatever the scenario, apart from | 0:49:17 | 0:49:19 | |
finding out where Andy is, | 0:49:19 | 0:49:21 | |
identifying who he was with is our main priority. | 0:49:21 | 0:49:24 | |
JACK SIGHS | 0:49:25 | 0:49:27 | |
-I'll organise a low-loader for this. -Leave that to me. As I say, | 0:49:34 | 0:49:38 | |
the DCI wants us to concentrate on who was here with him last night. | 0:49:38 | 0:49:41 | |
For the moment, the four-by-four can wait. | 0:49:41 | 0:49:45 | |
-Any ID on the driver yet? -Not that I know of. | 0:49:45 | 0:49:48 | |
I understand Mel spoke to you about what had happened. | 0:49:48 | 0:49:51 | |
Yeah. She was in a state of shock, | 0:49:51 | 0:49:52 | |
she'd lost a lot of blood. | 0:49:52 | 0:49:54 | |
What exactly did she say? | 0:49:54 | 0:49:55 | |
"He's the one to blame." | 0:49:55 | 0:49:57 | |
"Pig shit bastard" I think she called him. | 0:49:58 | 0:50:01 | |
-She was referring to her father? -I believe so. | 0:50:02 | 0:50:04 | |
Oh, and, "Where are the presents?" | 0:50:05 | 0:50:07 | |
What does that mean? | 0:50:10 | 0:50:12 | |
Zoe. | 0:50:36 | 0:50:38 | |
How's she doing? | 0:50:43 | 0:50:44 | |
She's alive, Jackie. | 0:50:46 | 0:50:49 | |
She alive. | 0:50:49 | 0:50:51 | |
Has she said anything? | 0:50:51 | 0:50:52 | |
Did she see who did it? | 0:50:54 | 0:50:55 | |
It was Andy. | 0:50:58 | 0:50:59 | |
He's on the run. The police are hunting for him. | 0:51:01 | 0:51:03 | |
How could he do that? | 0:51:07 | 0:51:08 | |
I hope she's going to be OK. | 0:51:11 | 0:51:13 | |
It wasn't anyone in the house who called 999. | 0:51:28 | 0:51:32 | |
It was a man from a phone box in Reading. | 0:51:32 | 0:51:34 | |
-Reading? That's miles away. -72 miles away. | 0:51:34 | 0:51:38 | |
How on earth did someone in Reading get to know about it? | 0:51:38 | 0:51:41 | |
Did you bring the gun that was found in the four-by-four? | 0:51:41 | 0:51:43 | |
-Was I meant to? -Jack said it was on its way over. | 0:51:43 | 0:51:46 | |
I've got the mobiles we found in the house, the girl's diary, | 0:51:46 | 0:51:49 | |
the samples from the master bedroom, the four-by-four, | 0:51:49 | 0:51:52 | |
necklace, boots. | 0:51:52 | 0:51:54 | |
No gun. | 0:51:54 | 0:51:56 | |
Sir, one of the lorries is unaccounted for. | 0:52:01 | 0:52:05 | |
Right. And I bet I know who's got that. Thank you. | 0:52:05 | 0:52:07 | |
Merry bloody Christmas. | 0:52:09 | 0:52:10 | |
I can't believe how brave she was. | 0:52:17 | 0:52:19 | |
They found her mobile in the stables. | 0:52:19 | 0:52:21 | |
All this blood can't be hers. | 0:52:34 | 0:52:35 | |
No, I'd say most of it was from the horse. | 0:52:38 | 0:52:40 | |
-What did you get, then? -Cufflinks...from Rosie. | 0:52:51 | 0:52:54 | |
Very nice. | 0:52:54 | 0:52:55 | |
-Is that for me? -No. | 0:52:56 | 0:52:59 | |
We did Secret Santa, remember? | 0:52:59 | 0:53:01 | |
This is from Julia. | 0:53:01 | 0:53:02 | |
Open it, then. | 0:53:04 | 0:53:06 | |
HE LAUGHS | 0:53:09 | 0:53:11 | |
Aww. | 0:53:11 | 0:53:12 | |
Rosie drew that years ago. | 0:53:13 | 0:53:16 | |
That's me. | 0:53:16 | 0:53:17 | |
-It's lovely. -Yeah. | 0:53:19 | 0:53:21 | |
Yeah, yeah, it is. | 0:53:22 | 0:53:23 | |
-What's wrong? -Nothing. | 0:53:24 | 0:53:27 | |
It's just... | 0:53:27 | 0:53:28 | |
I don't know. Seems like yesterday... | 0:53:29 | 0:53:31 | |
..we were one big, happy family. | 0:53:34 | 0:53:37 | |
When you found her, did she say anything about what had happened? | 0:53:50 | 0:53:55 | |
We believe your daughter was more interested in her horse. | 0:53:55 | 0:53:59 | |
I forgot to ask about Bluebell. What happened? | 0:53:59 | 0:54:03 | |
Well, I'm afraid the horse had to be put down. | 0:54:03 | 0:54:05 | |
I saw all the cups and rosettes. | 0:54:10 | 0:54:12 | |
Only the ones where she came first. | 0:54:14 | 0:54:16 | |
Anything else, she's not interested. | 0:54:16 | 0:54:18 | |
Win, win, win. | 0:54:18 | 0:54:20 | |
I could collect a few of Mel's things and bring them over | 0:54:23 | 0:54:26 | |
if you'd like? | 0:54:26 | 0:54:28 | |
Anything in particular? | 0:54:28 | 0:54:29 | |
She... | 0:54:32 | 0:54:33 | |
She has a bear that we bought her before she was born, | 0:54:35 | 0:54:38 | |
she still takes it to school, if you can find that. | 0:54:38 | 0:54:41 | |
Photo of Bluebell, maybe. I don't... | 0:54:44 | 0:54:46 | |
Can I ask, when were you last at Orchard House? | 0:54:46 | 0:54:49 | |
I went to pick up the girls on the 21st to go and see my mum. | 0:54:52 | 0:54:57 | |
So, how did you find out what had happened? | 0:54:58 | 0:55:01 | |
I called Mel and Stevie to wish them happy Christmas. | 0:55:02 | 0:55:06 | |
I knew they'd be up early. | 0:55:07 | 0:55:09 | |
And then... | 0:55:16 | 0:55:18 | |
And then Laurence called me. | 0:55:18 | 0:55:20 | |
-The DCI? -Mm-hm. | 0:55:21 | 0:55:24 | |
He... | 0:55:24 | 0:55:25 | |
He said there'd been... | 0:55:27 | 0:55:28 | |
..an incident at the house and I should get there | 0:55:30 | 0:55:32 | |
as quickly as possible. | 0:55:32 | 0:55:34 | |
He wouldn't say any more. | 0:55:34 | 0:55:35 | |
We do just need to take a sample of your DNA. | 0:55:38 | 0:55:41 | |
I wasn't there last night. | 0:55:43 | 0:55:45 | |
We'd just like to eliminate your DNA from any others we find. | 0:55:45 | 0:55:48 | |
Is that OK? | 0:55:53 | 0:55:54 | |
It won't take long. | 0:55:57 | 0:55:59 | |
PHONE RINGS | 0:56:07 | 0:56:09 | |
-Hello? -There's no SIM card. -What? | 0:56:10 | 0:56:13 | |
There's no SIM card in the phone that was being held | 0:56:13 | 0:56:15 | |
-by the man in the four-by-four. -Why not? Where is it, then? | 0:56:15 | 0:56:19 | |
So Andy took one of the artics out on 18th December. | 0:56:24 | 0:56:28 | |
I want to know where he's taken it. Given we have evidence | 0:56:28 | 0:56:31 | |
that he may have been dealing in illegal weapons, | 0:56:31 | 0:56:33 | |
let's start with the M25, M20, Dover. | 0:56:33 | 0:56:36 | |
See how far we can track him. | 0:56:36 | 0:56:38 | |
We know he was back for Christmas, so let's assume he came back | 0:56:38 | 0:56:41 | |
into the country the same way. | 0:56:41 | 0:56:42 | |
I want to know where that lorry's been and, more importantly, | 0:56:42 | 0:56:45 | |
-where the bloody hell it is now. -All right. | 0:56:45 | 0:56:47 | |
I'll have it in the morning. | 0:56:47 | 0:56:48 | |
-Thank you. -Here, guv. -Mm-hm? -Merry Christmas. | 0:56:48 | 0:56:50 | |
The gun you found under the dead man's car seat, | 0:56:53 | 0:56:56 | |
it's not been sent over. | 0:56:56 | 0:56:58 | |
I was told it had. I called DI Baker. | 0:56:58 | 0:57:01 | |
We might not need it. | 0:57:01 | 0:57:03 | |
Of course we need it, it's evidence. | 0:57:03 | 0:57:05 | |
Yeah, evidence that the gun is police issue. | 0:57:13 | 0:57:16 | |
-Police issue? -The photos you took, | 0:57:17 | 0:57:19 | |
the serial number is clearly... | 0:57:19 | 0:57:21 | |
Does that mean he was a copper? | 0:57:21 | 0:57:22 | |
It means he had a phone with no SIM card and a gun issued by the police. | 0:57:22 | 0:57:28 | |
This is all wrong, Clarissa. | 0:57:31 | 0:57:33 | |
All wrong. | 0:57:33 | 0:57:35 | |
# Testator silens | 0:57:44 | 0:57:52 | |
# Costestes e spiritu | 0:57:54 | 0:58:01 | |
# Silentium... # | 0:58:01 | 0:58:10 |