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This programme contains scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
-The first thought I had was terrorism. -Everyone's first thought. | 0:00:05 | 0:00:07 | |
31 possible targets for her to hit and she kills exactly none. | 0:00:07 | 0:00:12 | |
That's almost 20 times the safe amount. | 0:00:12 | 0:00:14 | |
-It's a suicide dose. -Mm-hm. | 0:00:14 | 0:00:15 | |
I hate her. I hate Mum. | 0:00:15 | 0:00:18 | |
I found this on a counter in his room. | 0:00:19 | 0:00:21 | |
He takes the powder out of the capsule | 0:00:21 | 0:00:23 | |
and puts it in his mother's tea? | 0:00:23 | 0:00:25 | |
Kevin McDowd, I'm arresting you on suspicion | 0:00:25 | 0:00:27 | |
-of murdering Jacqueline McDowd. -What's going on, Tillie? -Don't touch him! | 0:00:27 | 0:00:30 | |
-We're going. -No. | 0:00:33 | 0:00:36 | |
You're gonna have to let her go, Kevin. | 0:00:36 | 0:00:38 | |
No! Leave us alone, please! | 0:00:38 | 0:00:40 | |
-GUNSHOT -Kevin! | 0:00:40 | 0:00:44 | |
# Testator silens | 0:00:44 | 0:00:51 | |
# Costestes e spiritu | 0:00:53 | 0:01:00 | |
# Silentium | 0:01:00 | 0:01:14 | |
# Testator Silens. # | 0:01:14 | 0:01:21 | |
The deceased is a white male, 22 years old. | 0:01:36 | 0:01:39 | |
Body length, 5 foot 11. Medium build. | 0:01:39 | 0:01:42 | |
The scalp is intact, hair blond and in full distribution. | 0:01:43 | 0:01:48 | |
There is an entry gunshot wound | 0:01:48 | 0:01:51 | |
in the left pectoral region of the chest, | 0:01:51 | 0:01:53 | |
and an exit wound is between the spine and right scapula. | 0:01:53 | 0:01:57 | |
The entry wound is medial and superior to the left nipple. | 0:01:59 | 0:02:03 | |
The entry wound, including the abrasion collar, | 0:02:06 | 0:02:09 | |
is 1.1cm in diameter. | 0:02:09 | 0:02:12 | |
No soot deposition or gunpowder stippling is on the skin | 0:02:18 | 0:02:22 | |
or in the soft tissues around this wound. | 0:02:22 | 0:02:24 | |
Did he do anything to you? | 0:02:42 | 0:02:43 | |
He loved me. | 0:02:44 | 0:02:47 | |
Take her to the sexual assault referral centre. | 0:02:52 | 0:02:55 | |
Get a rape kit done. | 0:02:55 | 0:02:57 | |
The direction of the wound path | 0:03:02 | 0:03:03 | |
with respect to the standard anatomic position is left to right, | 0:03:03 | 0:03:07 | |
front to back, and slightly upward. | 0:03:07 | 0:03:09 | |
Serena, let's get you undressed and we'll do a vaginal swab. | 0:03:14 | 0:03:18 | |
He wouldn't hurt me. | 0:03:21 | 0:03:24 | |
He was my friend. | 0:03:24 | 0:03:27 | |
The Police want to make sure they do the best thing for you. | 0:03:27 | 0:03:31 | |
I think I decide what the best thing for me is. | 0:03:31 | 0:03:37 | |
The wound track through the heart begins as a circular defect | 0:03:39 | 0:03:42 | |
on the anterior aspect of the right ventricular outflow tract | 0:03:42 | 0:03:46 | |
and passes through the posterior portion of the atrial septum, | 0:03:46 | 0:03:51 | |
and exits the heart at the origin of the right inferior pulmonary vein. | 0:03:51 | 0:03:55 | |
Is she OK? | 0:03:58 | 0:04:00 | |
-Serena? -Yeah. | 0:04:00 | 0:04:02 | |
She's being examined. | 0:04:02 | 0:04:04 | |
-How old is she? -29. | 0:04:04 | 0:04:07 | |
-Are her parents alive? -No, I don't think so. -No. | 0:04:07 | 0:04:10 | |
Serena is a lovely name. | 0:04:11 | 0:04:13 | |
How could she be OK? Stupid question. | 0:04:15 | 0:04:17 | |
If you weren't disturbed by seeing someone shot dead in front of you, | 0:04:19 | 0:04:22 | |
I'd put you down as a psychopath. | 0:04:22 | 0:04:24 | |
Well... | 0:04:24 | 0:04:25 | |
When I watch her working, I feel moved, | 0:04:28 | 0:04:32 | |
to see something miraculous reduced to weights and measures, chemicals. | 0:04:32 | 0:04:38 | |
We're so much more than the sum of our parts. | 0:04:38 | 0:04:41 | |
But I look at him... | 0:04:44 | 0:04:46 | |
..I feel nothing. | 0:04:47 | 0:04:49 | |
So what am I? | 0:04:50 | 0:04:52 | |
Rose Blakefield, the lady who runs things here, she tells me | 0:04:57 | 0:05:00 | |
that you don't like to leave the building. | 0:05:00 | 0:05:02 | |
That you're frightened to go outside. Is that true? | 0:05:04 | 0:05:06 | |
Did you consent to go with him? | 0:05:08 | 0:05:10 | |
You can answer honestly. Nothing's going to happen to you. | 0:05:12 | 0:05:14 | |
Was Kevin violent toward you? | 0:05:20 | 0:05:22 | |
Hm? | 0:05:22 | 0:05:24 | |
Did he threaten you? | 0:05:25 | 0:05:27 | |
Were you scared of him? | 0:05:28 | 0:05:30 | |
SHE SOBS | 0:05:30 | 0:05:33 | |
You don't have to be scared of him any more. | 0:05:33 | 0:05:35 | |
Did the police use a Taser on Kevin before he was shot? | 0:05:46 | 0:05:50 | |
-No. I think they felt the threat he posed was... -No, no, no. | 0:05:50 | 0:05:52 | |
I'm not making a value judgment | 0:05:52 | 0:05:54 | |
on whether they should have shot him or not, it's what it looks like. | 0:05:54 | 0:05:57 | |
-Do you think those were caused by a Taser? -Hmm. | 0:06:01 | 0:06:04 | |
The skin hasn't been punctured. | 0:06:04 | 0:06:06 | |
There are several of them. | 0:06:06 | 0:06:08 | |
Some of them have faded, through, so presumably older. | 0:06:08 | 0:06:11 | |
Wonder what could have caused them? | 0:06:11 | 0:06:13 | |
-I'll mention them in my full report. -Yeah. | 0:06:14 | 0:06:16 | |
The camera doesn't run all the time. | 0:06:17 | 0:06:19 | |
It may have a motion or light sensor. | 0:06:19 | 0:06:21 | |
But I can access the last 12 hours that it recorded. | 0:06:21 | 0:06:26 | |
After that, it may be encrypted | 0:06:26 | 0:06:28 | |
or kept on Jacqueline McDowd's cloud account. | 0:06:28 | 0:06:30 | |
Why would she set up a camera in Kevin's room? | 0:06:33 | 0:06:36 | |
Hard to know. | 0:06:36 | 0:06:38 | |
It's difficult to see. | 0:06:38 | 0:06:40 | |
HEAVY BREATHING | 0:06:40 | 0:06:42 | |
What is that? | 0:06:42 | 0:06:44 | |
Exactly what you think it is. | 0:06:44 | 0:06:46 | |
Can you look at something for me? | 0:06:49 | 0:06:51 | |
Thanks. | 0:06:52 | 0:06:53 | |
-You see those two dots? -Mm-hm. -There are several pairs of them, | 0:06:55 | 0:06:58 | |
some more faded than others. | 0:06:58 | 0:07:00 | |
-Was there any Taser confetti found at the scene? -No. | 0:07:00 | 0:07:03 | |
Not a Taser. The pattern's regular. | 0:07:03 | 0:07:06 | |
And probe marks are broader. | 0:07:07 | 0:07:10 | |
Burnt skin. | 0:07:10 | 0:07:11 | |
A cattle prod doesn't delivery enough current to burn. | 0:07:11 | 0:07:14 | |
It's a stun gun. | 0:07:14 | 0:07:16 | |
But they're illegal in Britain. | 0:07:16 | 0:07:17 | |
So is marijuana. | 0:07:17 | 0:07:19 | |
Do you know how far apart the dots are? | 0:07:19 | 0:07:22 | |
-3.175cm. -That's an odd number. | 0:07:27 | 0:07:31 | |
Um, 1.25 inches. | 0:07:31 | 0:07:35 | |
American import. | 0:07:35 | 0:07:37 | |
To burn the skin, you'd need a powerful charge, | 0:07:37 | 0:07:40 | |
over 1 microcoulombs. | 0:07:40 | 0:07:42 | |
Three different models for sale on the internet in the US. | 0:07:42 | 0:07:46 | |
I can count nine different pairs of dots. | 0:07:48 | 0:07:51 | |
Shocked nine times? | 0:07:51 | 0:07:54 | |
Abuse? Torture? | 0:07:55 | 0:07:57 | |
Shhh. | 0:08:09 | 0:08:11 | |
We're friends, aren't we, Serena? | 0:08:11 | 0:08:13 | |
Hmm? Yeah? | 0:08:13 | 0:08:16 | |
And friends look after each other, don't they? | 0:08:16 | 0:08:19 | |
Yes. | 0:08:19 | 0:08:20 | |
I've got some medication for you. | 0:08:20 | 0:08:23 | |
Good girl. | 0:08:23 | 0:08:25 | |
Such a good girl. | 0:08:29 | 0:08:31 | |
Traces of semen were found on her body and underwear. | 0:08:39 | 0:08:42 | |
Has Serena said anything? | 0:08:42 | 0:08:44 | |
No. Wouldn't say a word. | 0:08:44 | 0:08:46 | |
Elective mutism, result of trauma. | 0:08:46 | 0:08:48 | |
We'll have the Sexual Assault Referral Clinic send you the samples | 0:08:48 | 0:08:51 | |
so you can run DNA. | 0:08:51 | 0:08:53 | |
You've got Kevin McDowd's DNA? | 0:08:53 | 0:08:54 | |
We're expecting it soon. | 0:08:54 | 0:08:56 | |
Well, if you can let me have it back, | 0:08:56 | 0:08:58 | |
we'll get them both over to the IPCC. | 0:08:58 | 0:09:00 | |
That just about wraps up both investigations - | 0:09:00 | 0:09:04 | |
Mrs McDowd and her son. | 0:09:04 | 0:09:06 | |
-Button, you have anything? -No. -Then we're done. | 0:09:06 | 0:09:08 | |
-Thank you. -I'll see you out. | 0:09:08 | 0:09:11 | |
She did say something. | 0:09:17 | 0:09:19 | |
She said, "He loved me." | 0:09:20 | 0:09:23 | |
Button? | 0:09:23 | 0:09:24 | |
'I'm not always going to be here for you, Clarissa, | 0:09:34 | 0:09:37 | |
'you know that, don't you? | 0:09:37 | 0:09:40 | |
'But you're going to find someone to love you. | 0:09:40 | 0:09:43 | |
'And when you find them,' | 0:09:43 | 0:09:46 | |
hang on to them. | 0:09:46 | 0:09:48 | |
Never let them go. | 0:09:48 | 0:09:49 | |
Sounds a bit creepy doesn't it? | 0:09:51 | 0:09:53 | |
SHE LAUGHS | 0:09:53 | 0:09:54 | |
You'll find someone. | 0:09:57 | 0:09:58 | |
-Love you. -Love you too. | 0:10:01 | 0:10:02 | |
-Night. -Good night, Mum. | 0:10:06 | 0:10:08 | |
-Dr Chamberlain. -Superintendent. | 0:10:25 | 0:10:27 | |
Bill Gardiner, Crown Prosecution Service. | 0:10:27 | 0:10:30 | |
-Hello. -I asked him to join us. -Right. | 0:10:30 | 0:10:33 | |
Looked like a routine postmortem - Noreen Fielden, 66, | 0:10:34 | 0:10:37 | |
living with dementia but in otherwise good health. | 0:10:37 | 0:10:40 | |
If you overlook the fact that she's dead. | 0:10:40 | 0:10:42 | |
Well, actually, that's the point. | 0:10:42 | 0:10:44 | |
She was in good health for her age. | 0:10:44 | 0:10:45 | |
How did she die? | 0:10:45 | 0:10:47 | |
A lethal concentration of barbiturates causes | 0:10:47 | 0:10:49 | |
respiratory paralysis, | 0:10:49 | 0:10:51 | |
the anti-emetics prevent vomiting, after that the heart stops. | 0:10:51 | 0:10:53 | |
Can someone with dementia take their own life? | 0:10:53 | 0:10:56 | |
Can they have intention? | 0:10:56 | 0:10:57 | |
Why not? | 0:10:57 | 0:10:59 | |
They intend to open a door, they open it - intention fulfilled. | 0:10:59 | 0:11:02 | |
-Do they know why they're opening it? -Ah. | 0:11:02 | 0:11:03 | |
Intention and cognition are two different things. | 0:11:03 | 0:11:07 | |
They are culpable for the act. | 0:11:07 | 0:11:08 | |
How can they be if they're incapable of knowing cause and effect? | 0:11:08 | 0:11:11 | |
Look, there is no way someone profoundly affected by dementia | 0:11:11 | 0:11:14 | |
could possible know what the combination | 0:11:14 | 0:11:16 | |
of those two drugs would do to them. | 0:11:16 | 0:11:18 | |
They'd have to be assisted in the acquisition of the drugs, | 0:11:18 | 0:11:20 | |
quite probably in the ingestion of them. | 0:11:20 | 0:11:22 | |
Was dementia established | 0:11:22 | 0:11:23 | |
and recorded in medical records before her death? | 0:11:23 | 0:11:25 | |
-Well before. Three years. -Has the Coroner not opined? | 0:11:25 | 0:11:28 | |
This hasn't gone to the Coroner yet, I wanted to speak to you first. | 0:11:28 | 0:11:31 | |
Legal responsibility had passed to the children? | 0:11:31 | 0:11:34 | |
-Yes, both obligation and benefit. -Hmm. | 0:11:34 | 0:11:37 | |
Loving family? Didn't want their mother to suffer? | 0:11:39 | 0:11:42 | |
-Was she suffering? -From the dementia, yeah. | 0:11:42 | 0:11:44 | |
But not from any other obvious physical ailment. | 0:11:44 | 0:11:47 | |
How would the drugs be obtained? | 0:11:47 | 0:11:48 | |
Not sure. She'd need a prescription. | 0:11:48 | 0:11:51 | |
-Did she die at home? -No. | 0:11:51 | 0:11:52 | |
-Where did she die? -At Pleasant Manor. It's a care home. | 0:11:52 | 0:11:55 | |
I was alerted that she wasn't answering, | 0:11:55 | 0:11:57 | |
so I came to check. | 0:11:57 | 0:11:59 | |
She wasn't breathing. I tried to revive her. | 0:11:59 | 0:12:01 | |
I called the police, 999. | 0:12:01 | 0:12:03 | |
That's it, really. | 0:12:03 | 0:12:05 | |
-Presumably there's a written report of the incident. -Of course. | 0:12:05 | 0:12:08 | |
Did she have friends? | 0:12:08 | 0:12:10 | |
Are you joking me? Her memory was almost gone. | 0:12:10 | 0:12:13 | |
I mean, she remembered some thing, sometimes strange things, | 0:12:13 | 0:12:16 | |
but most of the time, I don't think she knew who she was. | 0:12:16 | 0:12:19 | |
Her boys were good. They'd always come and visit. | 0:12:19 | 0:12:22 | |
A real credit to her. | 0:12:22 | 0:12:24 | |
How often does a doctor visit? | 0:12:24 | 0:12:26 | |
We use a service to organise all caring and medical staff. | 0:12:26 | 0:12:29 | |
Locum GP's available to anyone that needs him. | 0:12:29 | 0:12:32 | |
Stops in every month or so as required. | 0:12:32 | 0:12:34 | |
-Do you have his name? -Albert Kahari. | 0:12:34 | 0:12:36 | |
Normally, he would have been here at Pleasant Manor, | 0:12:36 | 0:12:38 | |
but he had a family commitment. | 0:12:38 | 0:12:39 | |
-Where can I find him? -Singen, Germany. | 0:12:39 | 0:12:42 | |
Not sure when he's next over. | 0:12:42 | 0:12:44 | |
And this was her room. | 0:12:45 | 0:12:47 | |
Right. | 0:12:47 | 0:12:48 | |
-This Kahari, he does all your prescriptions, yeah? -Yes. | 0:12:50 | 0:12:54 | |
Which chemist do you use? | 0:12:54 | 0:12:56 | |
The local one, Young's, they deliver. | 0:12:56 | 0:12:59 | |
What do you do if you need a GP and he's not around. | 0:12:59 | 0:13:01 | |
A&E. | 0:13:01 | 0:13:03 | |
No. No. We don't have any record of ever dispensing those drugs. | 0:13:07 | 0:13:11 | |
-Doctor's name? -Dr Albert Kahari. | 0:13:11 | 0:13:14 | |
I've got many prescriptions written by Dr Kahari, | 0:13:16 | 0:13:19 | |
but none for the two drugs you're looking for. Sorry. | 0:13:19 | 0:13:22 | |
-Thank you. -Thank you. | 0:13:22 | 0:13:24 | |
-KEVIN: -We have to go. -SERENA: -No, Kevin. | 0:13:27 | 0:13:30 | |
I don't want to leave. | 0:13:30 | 0:13:33 | |
Just... We HAVE to! | 0:13:33 | 0:13:36 | |
Please, don't do this to me. | 0:13:36 | 0:13:40 | |
I'm sorry. But we have to... | 0:13:40 | 0:13:43 | |
VIDEO STOPS | 0:13:43 | 0:13:45 | |
What the hell's going on? I got a call from the police. | 0:13:55 | 0:13:58 | |
You're accusing us of killing our mother? | 0:13:58 | 0:14:00 | |
Oh, I can see you're upset, Mr Fielden... | 0:14:00 | 0:14:03 | |
You're goddamned right I'm upset. | 0:14:03 | 0:14:04 | |
-We have a duty to protect your mother. -From us? | 0:14:04 | 0:14:06 | |
-Well... -You want to protect her from us? | 0:14:06 | 0:14:09 | |
-The people who loved her the most? -Mr Fielden... | 0:14:09 | 0:14:11 | |
-Ah! -You think we killed her? | 0:14:11 | 0:14:13 | |
Hey! What are you doing? | 0:14:13 | 0:14:15 | |
We didn't kill my mother. | 0:14:16 | 0:14:18 | |
-You all right? -Yeah. | 0:14:20 | 0:14:22 | |
Ooh, think so. | 0:14:23 | 0:14:25 | |
I had him. | 0:14:27 | 0:14:28 | |
Yeah. I could see that. | 0:14:28 | 0:14:30 | |
Good. | 0:14:30 | 0:14:32 | |
Thomas? | 0:14:36 | 0:14:38 | |
-What happened to you? -Nothing. It's fine. | 0:14:38 | 0:14:40 | |
Thomas! | 0:14:40 | 0:14:43 | |
Sit down. | 0:14:43 | 0:14:44 | |
Broken wrist, broken fingers. | 0:14:54 | 0:14:57 | |
-They Kevin's? -Yes. | 0:14:57 | 0:14:59 | |
What do you think? Accidental? | 0:14:59 | 0:15:01 | |
Perhaps. The breaks have healed but not properly set. | 0:15:01 | 0:15:04 | |
No doctor in the UK would have left the bones like this. | 0:15:04 | 0:15:07 | |
HE WINCES Sorry | 0:15:07 | 0:15:09 | |
Overseas? | 0:15:09 | 0:15:11 | |
I guess so. | 0:15:11 | 0:15:13 | |
Hold this. | 0:15:13 | 0:15:15 | |
Look. | 0:15:16 | 0:15:18 | |
Breaks in the metacarpals in both hands. | 0:15:18 | 0:15:20 | |
Hamate is broken here. | 0:15:21 | 0:15:23 | |
Capitate on this hand. | 0:15:23 | 0:15:26 | |
It looks as though they might have forced the fingers back | 0:15:26 | 0:15:29 | |
until they broke at the joint. | 0:15:29 | 0:15:30 | |
-Could be self harm? -Maybe. | 0:15:31 | 0:15:35 | |
You think someone did this intentionally? | 0:15:35 | 0:15:37 | |
That's where I got to. | 0:15:37 | 0:15:39 | |
-Are you feeling very manly now? -Oh, exceptionally. | 0:15:41 | 0:15:45 | |
What are you doing? | 0:15:45 | 0:15:47 | |
-Being confused. -First time for everything. | 0:15:47 | 0:15:51 | |
-Hunter says Kevin kidnapped and raped her. -Mm. | 0:15:51 | 0:15:55 | |
Serena said he loved her. | 0:15:55 | 0:15:58 | |
-Maybe she misunderstands what love is. -Why? | 0:16:00 | 0:16:03 | |
Because she's disabled? | 0:16:03 | 0:16:04 | |
No, because lots of people do. | 0:16:04 | 0:16:07 | |
Why is the spy camera footage on Jacquelyn McDowd's computer, | 0:16:08 | 0:16:14 | |
when the camera's in Serena Prentice's room? | 0:16:14 | 0:16:18 | |
-This her room, is it? -Yeah. | 0:16:18 | 0:16:20 | |
So you think that's the camera? | 0:16:22 | 0:16:25 | |
I don't know how those breaks would have happened. | 0:16:37 | 0:16:39 | |
You know, many of our residents come from backgrounds | 0:16:39 | 0:16:42 | |
-where there's deprivation or violence. -Mm-hm. | 0:16:42 | 0:16:45 | |
Mrs McDowd couldn't look after her son. | 0:16:45 | 0:16:49 | |
She was quite difficult herself. | 0:16:49 | 0:16:51 | |
You think she might have actually harmed her own boy? | 0:16:51 | 0:16:53 | |
No, I'm not saying that. I'm not saying anything. | 0:16:53 | 0:16:56 | |
Yes. Yes. I can see that. | 0:16:56 | 0:16:57 | |
Do you have a list of all the carers that have worked here | 0:16:57 | 0:17:00 | |
over the past six months? | 0:17:00 | 0:17:01 | |
I'm not at liberty to give that information out. | 0:17:01 | 0:17:03 | |
-Really? Why not? -I just don't feel at liberty. | 0:17:03 | 0:17:07 | |
And how can I change your mind? | 0:17:07 | 0:17:09 | |
You can't, I'm afraid. | 0:17:09 | 0:17:11 | |
Hey! No! | 0:17:31 | 0:17:34 | |
Put it back. It's not yours. | 0:17:34 | 0:17:38 | |
-I'm sorry. I need to look at it. -It was a gift to me. | 0:17:38 | 0:17:43 | |
Serena? You're supposed to stay in the sitting room. Come on. | 0:17:44 | 0:17:48 | |
He's stealing from me. | 0:17:48 | 0:17:51 | |
I need to borrow it. I'll bring it back. | 0:17:51 | 0:17:53 | |
I don't want him to take it. | 0:17:53 | 0:17:57 | |
I'll get it back to you as soon as possible. | 0:17:57 | 0:17:59 | |
He gave it to me. | 0:17:59 | 0:18:02 | |
My friend. | 0:18:02 | 0:18:05 | |
My Kevin. | 0:18:05 | 0:18:07 | |
We were going to live together. | 0:18:08 | 0:18:13 | |
He had a house, and we were going to live in it. | 0:18:13 | 0:18:19 | |
Serena, I think it's time for your medication. | 0:18:19 | 0:18:22 | |
Serena, I know this means a lot to you. | 0:18:27 | 0:18:31 | |
I give you my word, I'll bring it back. | 0:18:33 | 0:18:36 | |
OK? | 0:18:36 | 0:18:37 | |
It'll help us find out what happened to Kevin. | 0:18:39 | 0:18:42 | |
Can I borrow it? | 0:18:43 | 0:18:44 | |
Thank you. | 0:18:47 | 0:18:49 | |
There we go. | 0:19:06 | 0:19:08 | |
All right? You take your pills for me now sweetheart, OK? | 0:19:09 | 0:19:14 | |
Good girl. | 0:19:14 | 0:19:15 | |
You knew. | 0:19:17 | 0:19:19 | |
What did I know? | 0:19:24 | 0:19:26 | |
You knew. | 0:19:26 | 0:19:29 | |
Take your pills, Serena. | 0:19:35 | 0:19:37 | |
DOOR CLOSES | 0:19:42 | 0:19:44 | |
Thank you. I'll pull his NHS records. | 0:19:58 | 0:20:00 | |
See who looked after him and where. | 0:20:00 | 0:20:02 | |
What did you get? | 0:20:02 | 0:20:04 | |
An aardvark. | 0:20:04 | 0:20:06 | |
Camera, transmitter and sensor. | 0:20:23 | 0:20:26 | |
Memory card. Presumably that's what the app's accessing | 0:20:27 | 0:20:31 | |
from Jacqueline's computer. | 0:20:31 | 0:20:33 | |
Can you get into it? | 0:20:33 | 0:20:34 | |
We'll leave it here, yeah? | 0:20:48 | 0:20:49 | |
Kevin's Mother. | 0:20:49 | 0:20:50 | |
-Don't touch it! Leave it! -It's strange looking. | 0:20:55 | 0:20:58 | |
It's not as strange as you. | 0:20:58 | 0:21:00 | |
Stop it! | 0:21:00 | 0:21:02 | |
Just leave it. | 0:21:02 | 0:21:04 | |
-MAN: -Cup of tea, Jacqueline? -Yeah, thanks. | 0:21:07 | 0:21:10 | |
You're strange looking. | 0:21:17 | 0:21:19 | |
I like you. | 0:21:19 | 0:21:21 | |
HE KISSES | 0:21:22 | 0:21:24 | |
-Hm. -JACK SIGHS | 0:21:31 | 0:21:33 | |
Ugh! | 0:21:34 | 0:21:36 | |
Get off me. | 0:21:37 | 0:21:40 | |
Got off me! Please, get off me! | 0:21:40 | 0:21:42 | |
-MAN: -Give me the thing! Give me the thing! | 0:21:42 | 0:21:44 | |
ELECTRICITY CLICKS KEVIN WAILS | 0:21:45 | 0:21:48 | |
Nikki! | 0:21:49 | 0:21:50 | |
-What is it? -Your two dots. | 0:21:52 | 0:21:54 | |
-Stun gun? -He convulses. | 0:22:04 | 0:22:07 | |
-Do we actually see the gun at any point? -No. | 0:22:07 | 0:22:10 | |
You can see the result. | 0:22:10 | 0:22:12 | |
-Have you got the extra for room 19? -Yeah, extra one. | 0:22:15 | 0:22:17 | |
OK. | 0:22:17 | 0:22:19 | |
CLATTERING | 0:22:57 | 0:22:59 | |
That's the pills for room 19 done. | 0:23:03 | 0:23:06 | |
-Can you get me a couple of captopril? -Captopril. | 0:23:06 | 0:23:09 | |
Captopril. | 0:23:10 | 0:23:11 | |
Captopril. | 0:23:13 | 0:23:15 | |
-Captopril. -They're there on the left. | 0:23:16 | 0:23:19 | |
-Two? -Yeah. | 0:23:22 | 0:23:24 | |
All right. I'll do room 4. You take those to Mr Smallsby, OK? | 0:23:28 | 0:23:32 | |
Thanks. | 0:23:32 | 0:23:34 | |
Serena? | 0:23:52 | 0:23:54 | |
It's time for bed. I'll bring you your medication. | 0:23:54 | 0:23:57 | |
Thank you. | 0:23:57 | 0:23:58 | |
Get to your room, no silly business. | 0:23:58 | 0:24:01 | |
No. | 0:24:01 | 0:24:02 | |
No silly business. | 0:24:02 | 0:24:05 | |
Kevin McDowd had injuries that appear to be historic | 0:24:18 | 0:24:21 | |
and suggest some sort of abuse. | 0:24:21 | 0:24:23 | |
We have a list of the people that have worked at Kingscote Bows | 0:24:23 | 0:24:26 | |
-over the past six months. -I believe that these two dots... | 0:24:26 | 0:24:28 | |
Stop. | 0:24:28 | 0:24:30 | |
That's why we're here? | 0:24:30 | 0:24:32 | |
Historic injuries to a dead rapist with mental problems | 0:24:32 | 0:24:34 | |
who was shot by the police during a kidnapping? | 0:24:34 | 0:24:36 | |
Luckily, you're not jumping to conclusions. | 0:24:36 | 0:24:39 | |
We're concerned that it may indicate systemic abuse | 0:24:39 | 0:24:41 | |
within the assisted living residence. | 0:24:41 | 0:24:43 | |
Kevin's injuries, fractures, burns on the skin... | 0:24:43 | 0:24:46 | |
Kevin McDowd's GP confirmed that | 0:24:46 | 0:24:47 | |
although he referred him to the fracture clinic at the hospital, | 0:24:47 | 0:24:50 | |
he wasn't seen because he displayed violent behaviour. | 0:24:50 | 0:24:53 | |
Have you got the name of the doctor? | 0:24:53 | 0:24:55 | |
Yeah, Albert Kahari. | 0:24:55 | 0:24:57 | |
-Kahari? -You know him? -Of him. | 0:24:57 | 0:25:00 | |
We've got video of Kevin being subdued by a stun gun. | 0:25:00 | 0:25:04 | |
Screaming in pain. | 0:25:04 | 0:25:05 | |
-And you know that because? -We can hear him. | 0:25:05 | 0:25:07 | |
-Oh, you can hear him? -Yes. -In his room? -Mm-hm. | 0:25:07 | 0:25:11 | |
Were there signs letting people know they were being filmed? | 0:25:11 | 0:25:14 | |
-No. -But there was sound? -Yes. | 0:25:14 | 0:25:16 | |
If there was sound, it's inadmissible in court | 0:25:16 | 0:25:18 | |
unless procedures have been followed. | 0:25:18 | 0:25:20 | |
A crime is being committed! | 0:25:20 | 0:25:22 | |
The crime that I'm certain is being committed is | 0:25:22 | 0:25:23 | |
the secret filming of individuals who have an expectation of privacy. | 0:25:23 | 0:25:26 | |
-Can you see the person who's using the gun? -Their back. | 0:25:26 | 0:25:30 | |
-Do you see him apply the gun? -No, it's obscured. | 0:25:30 | 0:25:32 | |
Then we don't have a case. | 0:25:32 | 0:25:34 | |
Do you see the gun in their hand, even for a frame? | 0:25:34 | 0:25:36 | |
It's obscured, Button. | 0:25:36 | 0:25:38 | |
I don't know what's happening in those images and neither do you. | 0:25:38 | 0:25:41 | |
You found the camera in Serena's room and you took it? | 0:25:41 | 0:25:44 | |
-Yes. -Did you have a warrant? -She gave me permission to take it. | 0:25:44 | 0:25:46 | |
-Anyone there when she gave it? -No. | 0:25:46 | 0:25:48 | |
Then you interfered with my investigation. | 0:25:48 | 0:25:50 | |
Come on, I thought I was helping. | 0:25:50 | 0:25:52 | |
Look, I understand that you all feel somehow culpable | 0:25:55 | 0:25:59 | |
for what was a tragic situation. | 0:25:59 | 0:26:02 | |
I wish the boy wasn't dead, I really do, | 0:26:02 | 0:26:04 | |
but wishing is a waste of time. | 0:26:04 | 0:26:06 | |
We knew the boy was violent, | 0:26:06 | 0:26:08 | |
we believed the woman to be in danger, | 0:26:08 | 0:26:10 | |
we took a decision that we'll all have to live with. | 0:26:10 | 0:26:12 | |
Now, we have a theory about who killed Kevin's Mother. | 0:26:12 | 0:26:15 | |
Evidence that goes to that is worthwhile, | 0:26:15 | 0:26:17 | |
anything else is a side show. | 0:26:17 | 0:26:20 | |
It's a distraction. | 0:26:21 | 0:26:22 | |
-Dr Alexander? -No coffee for me, thanks. | 0:26:29 | 0:26:31 | |
If we find the stun gun in the residential home, | 0:26:33 | 0:26:35 | |
it will go a long way to making our case. | 0:26:35 | 0:26:37 | |
There's no evidence that links the stun gun to the home. | 0:26:37 | 0:26:40 | |
We can't just turn up at Kingscote and start searching. | 0:26:40 | 0:26:42 | |
I can. | 0:26:42 | 0:26:44 | |
-Hunter? -I believe a crime has been committed. | 0:26:44 | 0:26:47 | |
I'm a Sergeant in the Greater London Police | 0:26:47 | 0:26:49 | |
and I'm the Road Policing Senior Investigating Officer. | 0:26:49 | 0:26:52 | |
I serve the Queen in the Office of Constable, | 0:26:52 | 0:26:55 | |
with fairness, integrity, diligence and impartiality. | 0:26:55 | 0:26:58 | |
I believe it may assist my investigation. | 0:26:59 | 0:27:01 | |
All right? | 0:27:11 | 0:27:12 | |
-Anything? -No, nothing. | 0:27:19 | 0:27:22 | |
Do you mind opening up? | 0:27:34 | 0:27:36 | |
You can't go in there. | 0:27:36 | 0:27:38 | |
I think I can. Open up, please. | 0:27:38 | 0:27:40 | |
-It's just medications and supplies in there. -Good. | 0:27:40 | 0:27:43 | |
They know something. | 0:28:39 | 0:28:41 | |
Police have been back, they're asking questions. | 0:28:41 | 0:28:44 | |
They searched the cage. | 0:28:44 | 0:28:45 | |
For what? | 0:28:45 | 0:28:47 | |
You know. | 0:28:49 | 0:28:50 | |
Did they find it? | 0:28:51 | 0:28:53 | |
Well, maybe they don't want to find anything. | 0:28:55 | 0:28:57 | |
In the end, nobody cares. | 0:28:57 | 0:28:59 | |
Compassion runs out. | 0:28:59 | 0:29:01 | |
It's a job nobody wants. | 0:29:02 | 0:29:04 | |
We've met and discussed this internally and, the bottom line is, | 0:29:07 | 0:29:12 | |
we don't think Noreen Fielden's case has legs. | 0:29:12 | 0:29:15 | |
She was given a lethal cocktail. | 0:29:15 | 0:29:17 | |
We can't prove she was given it | 0:29:17 | 0:29:19 | |
and we don't know where it came from. | 0:29:19 | 0:29:21 | |
But you agree a crime may have been committed? | 0:29:21 | 0:29:23 | |
This is a grieving family. | 0:29:23 | 0:29:25 | |
Am I going to accuse them | 0:29:25 | 0:29:27 | |
of giving their mother a lethal cocktail of drugs | 0:29:27 | 0:29:30 | |
with absolutely no evidence behind the accusation? | 0:29:30 | 0:29:32 | |
-I'm not. -Someone gave her the drugs. | 0:29:32 | 0:29:35 | |
Most likely, yes. | 0:29:35 | 0:29:37 | |
The justice system is a blunt tool. | 0:29:37 | 0:29:39 | |
We have to think of the whole family. | 0:29:39 | 0:29:41 | |
Right, and who's thinking about Noreen Fielden? | 0:29:41 | 0:29:43 | |
We all have, Dr Chamberlain. | 0:29:43 | 0:29:44 | |
No-one wants to imagine being in her shoes. | 0:29:46 | 0:29:48 | |
Living death, isn't it? | 0:29:48 | 0:29:49 | |
If that's your existence, what's the point of being alive? | 0:29:49 | 0:29:52 | |
-HE SCOFFS -Hang on, you're... | 0:29:52 | 0:29:54 | |
You're not seriously suggesting you can make that judgment? | 0:29:54 | 0:29:57 | |
It's the sort of judgment doctors make all the time, isn't it? | 0:29:57 | 0:30:00 | |
The NHS makes. Rationalise resources. Who's worth saving. | 0:30:00 | 0:30:04 | |
We have to take a view, based on what we know, | 0:30:04 | 0:30:07 | |
whether it's in the public interest. | 0:30:07 | 0:30:10 | |
I don't think it is. | 0:30:10 | 0:30:11 | |
This is what it is. | 0:30:27 | 0:30:29 | |
A casual decision based on someone's utility. | 0:30:29 | 0:30:33 | |
Two drugs and they're gone. | 0:30:33 | 0:30:35 | |
No more cost, no more burden, erased. | 0:30:35 | 0:30:38 | |
Not in the public interest. | 0:30:38 | 0:30:39 | |
-You all right? -Why should he be all right? | 0:30:39 | 0:30:42 | |
Go for it, Thomas. I'm with you, 100%. | 0:30:42 | 0:30:44 | |
Someone else's judgment on whether your life has any value? | 0:30:44 | 0:30:48 | |
You have my permission to be furious. | 0:30:48 | 0:30:50 | |
Have another go on me. | 0:30:50 | 0:30:52 | |
Thomas? The DNA doesn't match. | 0:30:52 | 0:30:55 | |
What you talking about? | 0:30:55 | 0:30:56 | |
The semen found on Serena's clothing and on her swab - not Kevin. | 0:30:56 | 0:31:00 | |
Not a rapist. | 0:31:02 | 0:31:04 | |
He loved her. | 0:31:04 | 0:31:05 | |
-Is there any indication who...? -No. | 0:31:06 | 0:31:08 | |
It was run through the Police database, no match. | 0:31:08 | 0:31:11 | |
The Police need to talk to Serena. | 0:31:13 | 0:31:15 | |
Do you want to come? | 0:31:16 | 0:31:18 | |
She's not been taking her pills | 0:31:48 | 0:31:50 | |
It's dry in there. It hasn't been used for a while. | 0:31:50 | 0:31:53 | |
NURSE: I've got the linen for downstairs, | 0:31:53 | 0:31:55 | |
but they're going to have to come back... | 0:31:55 | 0:31:57 | |
-Have you seen Serena Prentice? -Oh, no. | 0:31:57 | 0:32:00 | |
-Well, where is she? -I don't know. | 0:32:00 | 0:32:02 | |
Why don't you know? Isn't it your job to know? | 0:32:02 | 0:32:05 | |
-I know. -Where's your colleague, Connor? | 0:32:05 | 0:32:08 | |
Flannery? | 0:32:08 | 0:32:09 | |
-He's working elsewhere at the moment. -Where? | 0:32:09 | 0:32:12 | |
You're scaring some of the residents. | 0:32:12 | 0:32:13 | |
-Oh, we're scaring them? -I need to ask you to leave. | 0:32:13 | 0:32:16 | |
I know how you treat residents here. I've seen it. | 0:32:17 | 0:32:20 | |
What do you mean, "You've seen it"? What are you suggesting? | 0:32:20 | 0:32:22 | |
Ask Tillie. | 0:32:22 | 0:32:24 | |
-Where is she, Tillie? What have you done with her? -I don't know. | 0:32:24 | 0:32:27 | |
If you'll excuse me, I need to begin the missing resident protocol. | 0:32:27 | 0:32:30 | |
Once we've searched the building and the grounds, | 0:32:30 | 0:32:33 | |
-I'll make a full report to the police. -I am the police, Ms Blakefield. | 0:32:33 | 0:32:36 | |
I'll be requesting that Kingscote Bows be closed | 0:32:36 | 0:32:38 | |
until the safety of the residents be guaranteed. | 0:32:38 | 0:32:40 | |
-What did he see, Tillie? -Nothing. | 0:32:45 | 0:32:48 | |
He didn't see anything. | 0:32:48 | 0:32:50 | |
Serena is gone. | 0:32:54 | 0:32:55 | |
She's not here, she's gone. What have you done? | 0:32:55 | 0:32:58 | |
What do you mean she's gone? It doesn't make any sense to me. | 0:32:58 | 0:33:01 | |
Rose is asking questions as well. | 0:33:01 | 0:33:03 | |
Questions about what? | 0:33:03 | 0:33:05 | |
Listen, I don't want any part of this. | 0:33:05 | 0:33:09 | |
-Tillie, you need to take a deep breath and... -No. | 0:33:09 | 0:33:13 | |
Our priority must be to find her. | 0:33:20 | 0:33:22 | |
We need to review the evidence we've collected for leads. | 0:33:22 | 0:33:24 | |
Now, maybe she had another boyfriend? | 0:33:24 | 0:33:26 | |
None of us are privy to her private life. | 0:33:26 | 0:33:28 | |
Come on, it was rape and Kevin McDowd was not the rapist. | 0:33:28 | 0:33:31 | |
We can only operate on what we know | 0:33:31 | 0:33:32 | |
and I appreciate that the evidence is now taking us | 0:33:32 | 0:33:34 | |
-in a different direction. -The boy is dead! | 0:33:34 | 0:33:36 | |
There was a perceived threat. | 0:33:36 | 0:33:38 | |
It was real, the officer did his job, end of. | 0:33:38 | 0:33:40 | |
Now, until Serena Prentice answers our questions, | 0:33:40 | 0:33:43 | |
we won't know what happened, will we? | 0:33:43 | 0:33:44 | |
A woman with agoraphobia, willingly leaves the building | 0:33:44 | 0:33:48 | |
-and that doesn't worry you? -Of course it worries me, | 0:33:48 | 0:33:50 | |
and we'll get the appropriate amount of resources on this. | 0:33:50 | 0:33:53 | |
We're looking for her. | 0:33:58 | 0:34:00 | |
Now, she hasn't helped herself on this, | 0:34:00 | 0:34:03 | |
and we're not going to rush to judgment. | 0:34:03 | 0:34:05 | |
-You were wrong about Kevin. -Yeah. | 0:34:05 | 0:34:07 | |
We rushed on that. | 0:34:07 | 0:34:08 | |
A lot of people were wrong about Kevin. | 0:34:09 | 0:34:12 | |
But then Kevin never made it easy for people to be right about him. | 0:34:12 | 0:34:15 | |
Dr Kahari. | 0:34:20 | 0:34:22 | |
Both residences - Kingscote Bows and Pleasant Manor. | 0:34:22 | 0:34:25 | |
It could be a coincidence. | 0:34:25 | 0:34:27 | |
It doesn't automatically make him Harold Shipman. | 0:34:27 | 0:34:30 | |
He's a locum. He only visits once a month. | 0:34:30 | 0:34:33 | |
He saw Noreen Fielden 28 days ago. | 0:34:33 | 0:34:36 | |
-Yeah, and? -Yeah, and that helps us. | 0:34:36 | 0:34:39 | |
-Do what? -Look for a pattern. | 0:34:39 | 0:34:41 | |
In death notices, they increase around his visits. | 0:34:41 | 0:34:45 | |
In room turnover, Pleasant Manor turns over three times as many rooms | 0:34:45 | 0:34:50 | |
in the seven days during and after his visits. | 0:34:50 | 0:34:53 | |
-There can be correlation without causation. -Yeah, of course. | 0:34:53 | 0:34:56 | |
Go home, get some sleep. | 0:34:56 | 0:34:58 | |
Yeah. | 0:34:59 | 0:35:00 | |
I'm staying. Max is still away. I like working. | 0:35:00 | 0:35:04 | |
OK. Well, don't burn yourself out. | 0:35:04 | 0:35:07 | |
-Don't be paternal. -Can't help it. | 0:35:07 | 0:35:10 | |
Jack? | 0:35:10 | 0:35:11 | |
Yes. | 0:35:12 | 0:35:13 | |
I don't think Detective Inspector Hunter is showing enough concern. | 0:35:15 | 0:35:19 | |
Do you? | 0:35:19 | 0:35:20 | |
JACK SIGHS | 0:35:20 | 0:35:22 | |
He could show more. | 0:35:22 | 0:35:24 | |
He's just trying to justify | 0:35:24 | 0:35:25 | |
the choices he made and the actions he took. | 0:35:25 | 0:35:27 | |
We all acted on what we knew. | 0:35:27 | 0:35:29 | |
You're the only one I can say this to, you understand, right? | 0:35:29 | 0:35:33 | |
-Mm-hm. -There is a sacredness in this... | 0:35:33 | 0:35:37 | |
I get it. | 0:35:37 | 0:35:38 | |
So do you believe it's because Kevin was disabled, | 0:35:38 | 0:35:43 | |
Noreen Fielden was disabled, | 0:35:43 | 0:35:45 | |
Serena is disabled? | 0:35:45 | 0:35:47 | |
That he thinks they're all... | 0:35:47 | 0:35:49 | |
I don't know, "less"? | 0:35:49 | 0:35:51 | |
If he does, he doesn't know he does. | 0:35:53 | 0:35:55 | |
-That may be worse. -Yeah. | 0:35:55 | 0:35:59 | |
He should be looking at Dr Kahari. | 0:36:00 | 0:36:02 | |
Because he works there? | 0:36:02 | 0:36:03 | |
-Do we have any other evidence? -Not yet. | 0:36:03 | 0:36:07 | |
Do you think we need some? | 0:36:07 | 0:36:08 | |
So do I. | 0:36:10 | 0:36:11 | |
Let's figure that out tomorrow, yeah? I'm tired. | 0:36:12 | 0:36:15 | |
I'll see you in the morning, yeah? | 0:36:15 | 0:36:18 | |
-Night. -Night. | 0:36:18 | 0:36:20 | |
What about red? | 0:36:29 | 0:36:31 | |
-I chose that dress. -Sorry? -Sorry, that was that lady's dress. | 0:36:31 | 0:36:34 | |
-I chose that dress. -It was just lying there. | 0:36:34 | 0:36:36 | |
-I chose that dress. -What do you need it for? | 0:36:36 | 0:36:38 | |
-The lady was just... -It's not going to make a difference, is it? -What did you say? | 0:36:38 | 0:36:41 | |
How dare you? Give me that dress. | 0:36:41 | 0:36:44 | |
-Sorry, excuse me... -She was just about to buy it. | 0:36:44 | 0:36:46 | |
-Give her the dress back. -Could you take your little hands off! | 0:36:46 | 0:36:49 | |
-POLICE OFFICER: -Will you just take me through slowly and calmly... | 0:36:54 | 0:36:58 | |
It's always your fight. Always. | 0:36:58 | 0:37:01 | |
Never forget that. | 0:37:01 | 0:37:03 | |
-Hey, would you like to see room eight? -Yeah. | 0:37:27 | 0:37:29 | |
It's a nice room. Plenty of space for all your gear. | 0:37:29 | 0:37:33 | |
The last resident just passed away, | 0:37:33 | 0:37:34 | |
so luckily for you this room's available for a few days. | 0:37:34 | 0:37:38 | |
Here we are. | 0:37:38 | 0:37:39 | |
It's quite pleasant. | 0:37:39 | 0:37:41 | |
A bit pricier than most, but I think it's worth it. | 0:37:41 | 0:37:44 | |
Connor. | 0:37:44 | 0:37:46 | |
Connor, meet Clarissa. | 0:37:46 | 0:37:48 | |
She's going to be joining our community for a little while. | 0:37:48 | 0:37:50 | |
Respite care. | 0:37:50 | 0:37:51 | |
Life's got a bit too much for her, hasn't it, Clarissa? | 0:37:51 | 0:37:54 | |
Yeah. | 0:37:54 | 0:37:55 | |
Needs a break, needs a rest. | 0:37:55 | 0:37:57 | |
Yeah, a restful break. | 0:37:57 | 0:38:00 | |
This is Connor Flannery. He's much-loved by everyone here. | 0:38:00 | 0:38:03 | |
-Hello? -Nice to meet you. | 0:38:03 | 0:38:04 | |
Well, I'm sure we'll be seeing a lot of each other. | 0:38:06 | 0:38:08 | |
Is it Serena? | 0:38:45 | 0:38:47 | |
One of the carers. | 0:38:47 | 0:38:50 | |
Tillie Maddox. | 0:38:50 | 0:38:51 | |
-Cause of death? -Nothing conclusive yet. | 0:38:53 | 0:38:56 | |
-Any news on Serena? -No. | 0:38:56 | 0:38:58 | |
This was meant to keep your residents safe? | 0:39:04 | 0:39:07 | |
Who ever put this system in should be fired. | 0:39:07 | 0:39:10 | |
TALKING IN ANOTHER ROOM | 0:39:34 | 0:39:37 | |
Hi, Clarissa. | 0:39:50 | 0:39:51 | |
Hi. | 0:39:53 | 0:39:55 | |
Do you need anything? | 0:39:55 | 0:39:56 | |
No, I'm good. Fine. | 0:39:56 | 0:39:59 | |
If I wanted to see the doctor... | 0:40:01 | 0:40:03 | |
-Doctor Kahari? -Yeah. | 0:40:03 | 0:40:05 | |
How do I go about doing it? | 0:40:05 | 0:40:07 | |
I can let him know that you want to see him. | 0:40:07 | 0:40:09 | |
Is he a good doctor? | 0:40:09 | 0:40:12 | |
He seems to be good. | 0:40:13 | 0:40:15 | |
I've never been his patient, but he's attentive. | 0:40:15 | 0:40:18 | |
Is he here every day? | 0:40:18 | 0:40:19 | |
Usually here for a couple of days every month, | 0:40:19 | 0:40:22 | |
but you can contact him via e-mail if you need a prescription. | 0:40:22 | 0:40:27 | |
So I could get pain killers from him? | 0:40:27 | 0:40:29 | |
Do you have pain, Clarissa? | 0:40:29 | 0:40:31 | |
Sometimes. | 0:40:32 | 0:40:33 | |
Well, if you have pain, I can help you, too. | 0:40:35 | 0:40:37 | |
Thank you. | 0:40:39 | 0:40:41 | |
Thomas. | 0:40:58 | 0:41:00 | |
There's another. | 0:41:05 | 0:41:07 | |
Right, let's turn her. | 0:41:13 | 0:41:15 | |
Multiple use of a stun gun. | 0:41:20 | 0:41:22 | |
-3.175. -One and a quarter inches. | 0:41:24 | 0:41:27 | |
Could the stun gun have actually killed her? | 0:41:29 | 0:41:31 | |
The stun gun causes cardiac arrhythmia. | 0:41:31 | 0:41:33 | |
Which leads to ventricular fibrillation. | 0:41:33 | 0:41:35 | |
Which results in cardiac arrest. | 0:41:35 | 0:41:37 | |
-Car. -What car? | 0:41:40 | 0:41:43 | |
My car. | 0:41:43 | 0:41:44 | |
Your car's at our house now, don't you remember? | 0:41:44 | 0:41:48 | |
-The doctor said you're not allowed to drive it... -Why? | 0:41:48 | 0:41:50 | |
..so you said we could give it to George. | 0:41:50 | 0:41:53 | |
Why are you stealing...? | 0:41:53 | 0:41:54 | |
-Hello. -Hi! Are you going to die soon? | 0:41:54 | 0:41:58 | |
I don't think so. | 0:41:58 | 0:42:00 | |
Why is she stealing my car? | 0:42:00 | 0:42:02 | |
-I'm not stealing your car. -You're stealing. | 0:42:02 | 0:42:05 | |
Why are you stealing from me? | 0:42:05 | 0:42:07 | |
-Mum, calm down. -Sh-sh-sh-she's a thief. -Mum! | 0:42:07 | 0:42:09 | |
-She's the thief! -Oh, Mum... -She's... | 0:42:09 | 0:42:12 | |
Nurse! I want my car! I want my car! | 0:42:12 | 0:42:16 | |
-Mum, please, don't. -Dorothy. Dorothy, darling. | 0:42:16 | 0:42:19 | |
-Where's the car? -Let's go back to your room for a minute. | 0:42:19 | 0:42:22 | |
Is the car there? | 0:42:22 | 0:42:23 | |
She's a thief! She's a thief! | 0:42:23 | 0:42:26 | |
-Dorothy, come on. Let's just go back to your room. -My car! | 0:42:26 | 0:42:29 | |
My name is William. | 0:42:33 | 0:42:35 | |
Hi, William. I'm Clarissa. | 0:42:35 | 0:42:37 | |
Do you like me? | 0:42:37 | 0:42:39 | |
-Yes. -WOMAN: -Every time it's something else. | 0:42:39 | 0:42:42 | |
-She doesn't know who we are. -Thank you. | 0:42:42 | 0:42:44 | |
It's too hard. | 0:42:44 | 0:42:46 | |
I can't do it any more... | 0:42:46 | 0:42:50 | |
Thomas? Did Clarissa call in sick? | 0:43:06 | 0:43:09 | |
She never calls in sick. | 0:43:09 | 0:43:10 | |
No, she doesn't. | 0:43:12 | 0:43:13 | |
It's OK. You're safe. You're safe. | 0:43:16 | 0:43:20 | |
PHONE RINGS | 0:43:20 | 0:43:23 | |
-Dr Kahari? -Yes? | 0:43:34 | 0:43:36 | |
Can I help you? | 0:43:36 | 0:43:38 | |
I was wondering if I could make an appointment to see you? | 0:43:38 | 0:43:41 | |
Yes, of course. | 0:43:41 | 0:43:42 | |
Speak to Mr Flannery and he'll put you in the diary. | 0:43:42 | 0:43:45 | |
-Thank you. -You're new, aren't you? | 0:43:45 | 0:43:47 | |
-Yes. -Well... | 0:43:47 | 0:43:49 | |
-Nice to meet you. -Same. | 0:43:51 | 0:43:53 | |
Thank you. | 0:43:53 | 0:43:54 | |
Clarissa, checking up on you. Where are you? | 0:44:01 | 0:44:05 | |
Need you here at the lab. | 0:44:05 | 0:44:07 | |
Call me back, please. Bye. | 0:44:07 | 0:44:10 | |
-Mr Flannery? -Call me Connor. | 0:44:41 | 0:44:45 | |
Connor, I'd like to make an appointment with the doctor. | 0:44:45 | 0:44:48 | |
Uh, he's only here one more day on this visit. | 0:44:48 | 0:44:52 | |
-I'll see if he has time for you. -Thank you. | 0:44:52 | 0:44:55 | |
Have you worked here a long time? | 0:44:57 | 0:44:59 | |
On and off. | 0:45:01 | 0:45:03 | |
Did you know Noreen Fielden? | 0:45:03 | 0:45:05 | |
No. I don't think so. Why are you asking? | 0:45:06 | 0:45:09 | |
Well, I heard Dr Kahari was looking after her. | 0:45:10 | 0:45:13 | |
She was perfectly well and then one day she died. | 0:45:13 | 0:45:18 | |
HE LAUGHS | 0:45:18 | 0:45:20 | |
Yes, that happens to quite a few people, doesn't it? | 0:45:20 | 0:45:22 | |
yeah, I suppose it does. | 0:45:22 | 0:45:24 | |
Who told you she was perfectly well? | 0:45:24 | 0:45:27 | |
-One of the other residents. -Hmm, not a doctor? | 0:45:29 | 0:45:32 | |
No. | 0:45:32 | 0:45:35 | |
Which resident? | 0:45:35 | 0:45:36 | |
I don't know their name. | 0:45:36 | 0:45:38 | |
-Of course, you're new. -Yeah. | 0:45:38 | 0:45:40 | |
Well, what did they look like? | 0:45:40 | 0:45:42 | |
Man or a woman? | 0:45:43 | 0:45:44 | |
I'm sure they didn't mean anything by it. | 0:45:46 | 0:45:48 | |
It worried you. Who was it? | 0:45:51 | 0:45:53 | |
I'm feeling a bit tired. | 0:45:55 | 0:45:57 | |
I'm going to have a rest. | 0:45:57 | 0:46:00 | |
Of course. | 0:46:00 | 0:46:02 | |
DISTANT COUGHING AND SPLUTTERING | 0:46:10 | 0:46:14 | |
DOOR CLOSES | 0:46:28 | 0:46:30 | |
Where are you from, Clarissa? | 0:46:39 | 0:46:42 | |
What are you doing in my room? | 0:46:42 | 0:46:44 | |
I just wanted to make sure you're OK. | 0:46:54 | 0:46:57 | |
I'm fine. | 0:46:57 | 0:46:58 | |
PHONE RINGS | 0:47:00 | 0:47:03 | |
Clarissa? | 0:47:05 | 0:47:06 | |
Clarissa? | 0:47:08 | 0:47:09 | |
Are you there? | 0:47:09 | 0:47:12 | |
Hello? | 0:47:12 | 0:47:14 | |
Clarissa? | 0:47:14 | 0:47:15 | |
-PHONE RINGS -You have friends? | 0:47:19 | 0:47:23 | |
It's probably PPI. | 0:47:23 | 0:47:27 | |
THEY CHUCKLE | 0:47:27 | 0:47:30 | |
PHONE CONTINUES RINGING | 0:47:30 | 0:47:32 | |
Now, I don't want you to be lonely, | 0:47:32 | 0:47:35 | |
but you have to be more considerate. | 0:47:35 | 0:47:37 | |
-No. -These things... -No. What are you doing? | 0:47:37 | 0:47:41 | |
These things disturb other residents when they're trying to rest. | 0:47:41 | 0:47:46 | |
HE SIGHS | 0:47:49 | 0:47:50 | |
Clarissa? You're scaring me now. Come on. | 0:47:50 | 0:47:53 | |
Call me back. | 0:47:53 | 0:47:54 | |
LINE RINGS | 0:48:19 | 0:48:22 | |
Hi, this is Max. Leave me a message. | 0:48:24 | 0:48:27 | |
Max? It's Jack. I'm trying to reach Clarissa. | 0:48:27 | 0:48:33 | |
I can't seem to find her. | 0:48:33 | 0:48:35 | |
I'm sure it's nothing to worry about. Call me back. | 0:48:35 | 0:48:38 | |
Thanks. | 0:48:38 | 0:48:39 | |
-MAN: -Yes, that's her. | 0:48:49 | 0:48:51 | |
Hello, Clarissa. | 0:49:17 | 0:49:19 | |
I understand that you wanted to see me. | 0:49:19 | 0:49:21 | |
I'm a good doctor, you know. | 0:49:23 | 0:49:25 | |
-I heard you were asking. -Uh... | 0:49:26 | 0:49:29 | |
-Now, what do you want to see me about? -Uh, just medication. | 0:49:29 | 0:49:32 | |
I'll have to look at your NHS records | 0:49:34 | 0:49:35 | |
and we can discuss what you need. | 0:49:35 | 0:49:38 | |
You were asking about Noreen Fielden? | 0:49:38 | 0:49:41 | |
-Yeah. -We can discuss that too. | 0:49:41 | 0:49:44 | |
OK. | 0:49:45 | 0:49:46 | |
I don't know where she is. She's not at home. | 0:50:03 | 0:50:07 | |
She called but didn't speak. | 0:50:07 | 0:50:10 | |
I called back she didn't answer. | 0:50:10 | 0:50:12 | |
-Did she say anything last time you saw her? -Yeah, many things. | 0:50:12 | 0:50:15 | |
She was disappointed in Hunter and suspicious about Kahari. | 0:50:15 | 0:50:20 | |
-Kahari? -Do we know where he is? | 0:50:22 | 0:50:24 | |
No. | 0:50:24 | 0:50:26 | |
But I might be able to find out. | 0:50:26 | 0:50:30 | |
BUTTONS CLICK | 0:50:30 | 0:50:33 | |
-OVER PHONE: -Good morning, Pleasant Manor. -Oh, good Morning. | 0:50:33 | 0:50:36 | |
I'm trying to find the whereabouts or Dr Kahari, | 0:50:36 | 0:50:38 | |
he's not with you at the moment by any chance? | 0:50:38 | 0:50:40 | |
-He is, shall I get him for you? -No, no, don't disturb him. I'll... | 0:50:40 | 0:50:43 | |
-I'll call back later. -OK, thank you. -Thank you, bye. -Bye. | 0:50:43 | 0:50:47 | |
He's at Pleasant Manor. | 0:50:47 | 0:50:48 | |
She's not gone to Pleasant Manor. | 0:50:50 | 0:50:53 | |
She's gone to Pleasant Manor. | 0:50:53 | 0:50:54 | |
To find out what happened to Noreen Fielden. | 0:50:54 | 0:50:56 | |
-What the hell is she playing at? -I'll call the police. | 0:50:56 | 0:50:59 | |
Where are you going? | 0:52:01 | 0:52:02 | |
I thought I might want to change rooms. | 0:52:02 | 0:52:04 | |
The guy next to mine makes a lot of noise. | 0:52:04 | 0:52:07 | |
What's that in your hand? | 0:52:07 | 0:52:09 | |
Nothing. Nothing! | 0:52:09 | 0:52:12 | |
-Get... Don't touch me! Get off me! Leave me alone! -Come on, Clarissa. | 0:52:17 | 0:52:21 | |
-Let's get you back to your room, shall we? -Leave me alone! Help me! | 0:52:21 | 0:52:24 | |
-Leave me alone! -It's all in hand, nurse, thank you. | 0:52:24 | 0:52:26 | |
-Help me, please. -Come on. -Please, help me! Please! | 0:52:26 | 0:52:28 | |
-We're all trying our best to look after you. -Help me! | 0:52:28 | 0:52:30 | |
Where are you taking me? Where? | 0:52:30 | 0:52:32 | |
Wait, what are you doing? | 0:52:38 | 0:52:40 | |
SHE SCREAMS | 0:52:43 | 0:52:45 | |
SHE WHIMPERS | 0:52:45 | 0:52:48 | |
HE CHUCKLES | 0:52:48 | 0:52:49 | |
You killed them! | 0:52:57 | 0:52:59 | |
Tell me what the point of them is. | 0:53:01 | 0:53:03 | |
You killed those people. | 0:53:03 | 0:53:05 | |
-Help! -They take up resources. | 0:53:05 | 0:53:07 | |
They contribute nothing. | 0:53:07 | 0:53:09 | |
They don't even know who or where they are half the time. | 0:53:09 | 0:53:13 | |
Even the relatives don't want them. | 0:53:13 | 0:53:16 | |
-Help! Help! -They're a condemned building, aren't they? | 0:53:18 | 0:53:22 | |
PILLS RATTLE | 0:53:22 | 0:53:23 | |
Rotting from the inside. | 0:53:23 | 0:53:25 | |
Look at you - useless, no good to anyone. | 0:53:28 | 0:53:32 | |
What is the point of you? | 0:53:34 | 0:53:35 | |
MUFFLED SCREAMS | 0:53:37 | 0:53:38 | |
-DOOR BANGS OPEN -Get away from her! Clarissa! | 0:53:38 | 0:53:41 | |
Get away from her. | 0:53:41 | 0:53:42 | |
Connor Flannery, you're under arrest. | 0:53:47 | 0:53:49 | |
-You do not have to say anything... -Come on, I've got you. | 0:53:49 | 0:53:52 | |
It's OK. It's OK. | 0:53:52 | 0:53:56 | |
You're now going to be taken to the station. | 0:54:00 | 0:54:02 | |
My colleague will take it from here. | 0:54:02 | 0:54:05 | |
£4,000. | 0:54:23 | 0:54:25 | |
That's what Kahari and Flannery charged them | 0:54:25 | 0:54:27 | |
to let their mother slip away. | 0:54:27 | 0:54:29 | |
Easy maths. | 0:54:31 | 0:54:33 | |
And what about Jacquelyn McDowd? | 0:54:36 | 0:54:38 | |
Well, she was going to blow the whistle on them for hurting her son, | 0:54:38 | 0:54:42 | |
so he drugged her and let her kill herself in the car. | 0:54:42 | 0:54:48 | |
Gentlemen. | 0:55:04 | 0:55:06 | |
We believe that you conspired to murder you mother, Noreen Fielden. | 0:55:06 | 0:55:10 | |
That isn't true. It's ridiculous! | 0:55:10 | 0:55:12 | |
We have evidence to suggest that Andrew Fielden paid 4,000 | 0:55:12 | 0:55:16 | |
to Connor Flannery to have drugs administered to your mother | 0:55:16 | 0:55:19 | |
-which would kill her. -This is insane. Andy? | 0:55:19 | 0:55:22 | |
-You do not have to say anything... -Andy!? -Be quiet, Edward. | 0:55:22 | 0:55:25 | |
She didn't even know who we were. | 0:55:25 | 0:55:27 | |
What were we meant to do? | 0:55:27 | 0:55:29 | |
Everything she'd saved was gone. | 0:55:29 | 0:55:31 | |
There'd be nothing left. | 0:55:32 | 0:55:34 | |
The scene of Tillie Maddox's body. | 0:55:37 | 0:55:39 | |
There are two footprints. | 0:55:39 | 0:55:41 | |
One not bearing weight completely. | 0:55:41 | 0:55:44 | |
It's worn on the front of the shoe. | 0:55:44 | 0:55:47 | |
Presumably where the foot's being dragged. | 0:55:47 | 0:55:50 | |
See the sole is being pulled apart on the left foot. | 0:55:50 | 0:55:53 | |
What foot does Serena drag? | 0:55:55 | 0:55:58 | |
Serena's not missing. | 0:55:58 | 0:56:00 | |
She's hiding. | 0:56:01 | 0:56:03 | |
SIREN WAILS | 0:56:03 | 0:56:06 | |
DOOR OPENS | 0:56:23 | 0:56:25 | |
DOOR CLOSES | 0:56:28 | 0:56:31 | |
Mum. | 0:57:34 | 0:57:35 | |
It's me, Clarissa. | 0:57:36 | 0:57:40 | |
-Of course it is. -I brought you these. | 0:57:40 | 0:57:43 | |
-How are you? -I'm fine. | 0:57:43 | 0:57:46 | |
How lovely to see you too. | 0:57:46 | 0:57:48 | |
It's lovely to see you, too. | 0:57:49 | 0:57:52 | |
-Clarissa, did you say your name is? -Yeah. | 0:57:53 | 0:57:57 | |
I have a daughter named Clarissa. | 0:57:57 | 0:58:00 | |
A beautiful daughter. | 0:58:00 | 0:58:02 | |
I love you, Mum. | 0:58:07 | 0:58:09 | |
# Testator silens | 0:58:24 | 0:58:31 | |
# Costestes e spiritu | 0:58:33 | 0:58:41 | |
# Silentium. # | 0:58:41 | 0:58:51 |