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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
-Please, let me go. Let me go. Please! -Kevin! -Leave me alone! -Kevin! Kevin! | 0:00:05 | 0:00:08 | |
Go away, please! Let me go! | 0:00:08 | 0:00:10 | |
THEY GRUNT Aw, Kevin! | 0:00:10 | 0:00:14 | |
If you don't get off me, I'll get my gun and shoot you! | 0:00:14 | 0:00:16 | |
GRUNTING | 0:00:17 | 0:00:19 | |
Calm down! | 0:00:21 | 0:00:22 | |
GRUNTING | 0:00:23 | 0:00:26 | |
-Breathe. Breathe, Kevin. Deep breath. -Kevin, relax. | 0:00:29 | 0:00:32 | |
HE BREATHES DEEPLY | 0:00:32 | 0:00:34 | |
-Breathe. -Breathe. | 0:00:34 | 0:00:35 | |
All right, Kevin, we're going to get up now. All together. | 0:00:37 | 0:00:41 | |
Going to walk over to the house together. All right? OK, here we go. | 0:00:41 | 0:00:44 | |
One, two, three. | 0:00:45 | 0:00:49 | |
Up you get. | 0:00:49 | 0:00:50 | |
KEVIN GRUNTS | 0:00:50 | 0:00:52 | |
Right, go and get it from the cage. | 0:00:52 | 0:00:54 | |
BIRDSONG | 0:01:00 | 0:01:02 | |
SIREN | 0:01:15 | 0:01:17 | |
ENGINE REVS | 0:01:42 | 0:01:44 | |
SHE GASPS | 0:01:54 | 0:01:56 | |
HORNS BEEP | 0:02:04 | 0:02:06 | |
ENGINE REVS | 0:02:09 | 0:02:11 | |
HORN BEEPS | 0:02:12 | 0:02:14 | |
TYRES SQUEAL | 0:02:14 | 0:02:17 | |
SCREAMING | 0:02:17 | 0:02:18 | |
TYRES SQUEAL | 0:02:18 | 0:02:20 | |
SHOUTING | 0:02:20 | 0:02:23 | |
Argh, argh! | 0:02:23 | 0:02:24 | |
SHE GASPS | 0:02:25 | 0:02:27 | |
TYRES SQUEAL | 0:02:36 | 0:02:39 | |
BABY CRIES | 0:02:44 | 0:02:47 | |
# Testator silens | 0:02:47 | 0:02:55 | |
# Costestes e spiritu | 0:02:57 | 0:03:04 | |
# Silentium | 0:03:04 | 0:03:12 | |
# Testator silens. # | 0:03:19 | 0:03:24 | |
When I got the call, the first thought I had was terrorism. | 0:03:35 | 0:03:38 | |
Everyone's first thought. | 0:03:38 | 0:03:39 | |
-Just one fatality? -M'hm. -Body's still in there, huh? -Yep. | 0:03:39 | 0:03:42 | |
RADIO CHATTER | 0:03:42 | 0:03:44 | |
Right. | 0:03:44 | 0:03:46 | |
BACKGROUND CHATTER | 0:03:46 | 0:03:48 | |
The room in question is on the first-floor landing. | 0:03:58 | 0:04:01 | |
It overlooks the back gardens. Lovely view. | 0:04:01 | 0:04:04 | |
Of course, we like the residents to feel that they have as much | 0:04:05 | 0:04:09 | |
freedom as possible. | 0:04:09 | 0:04:11 | |
It's a difficult decision, | 0:04:12 | 0:04:14 | |
I know. This room is en suite, with a nice sitting area. | 0:04:14 | 0:04:21 | |
KNOCK ON DOOR | 0:04:21 | 0:04:22 | |
Mr Stride? | 0:04:22 | 0:04:23 | |
Oh! It's OK. Mr Stride is in the garden taking some air. | 0:04:26 | 0:04:29 | |
DOOR SHUTS | 0:04:33 | 0:04:34 | |
Conor? Um, Mr Stride's wife - she's waiting for you outside. | 0:04:37 | 0:04:41 | |
Oh. | 0:04:41 | 0:04:42 | |
SHE INHALES | 0:04:48 | 0:04:49 | |
INDISTINCT DIALOGUE IN POLISH | 0:04:52 | 0:04:56 | |
Lawyer? | 0:05:02 | 0:05:04 | |
Translator. Driver's Polish. | 0:05:04 | 0:05:06 | |
Hi! Hello! | 0:05:08 | 0:05:11 | |
-Hi. -Dr Nikki Alexander? | 0:05:11 | 0:05:13 | |
-Yes. -Nice to see you again. | 0:05:13 | 0:05:15 | |
-Have we...? -March 11th, 2015. | 0:05:15 | 0:05:17 | |
Bicycle under a coach. I was a constable then, | 0:05:17 | 0:05:20 | |
securing the scene while you worked. I got you a coffee. | 0:05:20 | 0:05:23 | |
We chatted. | 0:05:24 | 0:05:26 | |
We got on really well. You don't remember? | 0:05:26 | 0:05:28 | |
Sorry. | 0:05:28 | 0:05:30 | |
-Sergeant now. -Congratulations. | 0:05:30 | 0:05:32 | |
Thank you. | 0:05:32 | 0:05:33 | |
I'm the Road Policing Senior Investigating Officer on this one. | 0:05:33 | 0:05:37 | |
RPSIO. | 0:05:37 | 0:05:38 | |
-RPSIO? Congratulations again. -Thanks. | 0:05:38 | 0:05:42 | |
Small world. Should we get on? | 0:05:42 | 0:05:45 | |
-We haven't met before? -No. -No. | 0:05:45 | 0:05:47 | |
-No. -I didn't think so. | 0:05:47 | 0:05:48 | |
-So... -So. | 0:05:51 | 0:05:53 | |
-Did I thank you for the coffee? -Yes! Of course. Of course. | 0:05:55 | 0:05:59 | |
You did. Very polite. | 0:05:59 | 0:06:01 | |
-Made an impression. -I can see that. | 0:06:01 | 0:06:03 | |
Er, have you been able to identify the deceased? | 0:06:03 | 0:06:06 | |
Registered keeper of the car is Jacquelyn McDowd | 0:06:06 | 0:06:09 | |
but we'll need to confirm if she was the driver | 0:06:09 | 0:06:12 | |
and find the next of kin to identify the body. | 0:06:12 | 0:06:15 | |
I'll be starting with three lines of investigation. | 0:06:15 | 0:06:17 | |
One - was it intentional? | 0:06:17 | 0:06:19 | |
Two - was it mechanical? Three - was the driver impaired? | 0:06:19 | 0:06:22 | |
-Shall we get started? -We already have. | 0:06:24 | 0:06:27 | |
I'll get bloods done as soon as we get to the Lyell Centre. | 0:06:27 | 0:06:29 | |
Of course. | 0:06:29 | 0:06:31 | |
-Can I get you a coffee? -No, thanks. | 0:06:33 | 0:06:36 | |
Yeah. Milk, one sugar. Not too milky, though. Muddy brown. | 0:06:36 | 0:06:40 | |
She was an old woman with dementia. Who decided this was necessary? | 0:06:47 | 0:06:52 | |
Well, because she hadn't seen a doctor in the two weeks prior to | 0:06:52 | 0:06:55 | |
her death, a postmortem is required by law. | 0:06:55 | 0:06:57 | |
We don't want her body cut up. It's the ultimate indignity. | 0:06:57 | 0:07:02 | |
In the last few years of her life, she was given no respect. | 0:07:02 | 0:07:04 | |
At least give her that in death. | 0:07:04 | 0:07:06 | |
The coroner has ordered a postmortem. | 0:07:06 | 0:07:08 | |
Your arguments are for him or her, not me. | 0:07:08 | 0:07:10 | |
She couldn't even recognise us. It wasn't even her. | 0:07:10 | 0:07:15 | |
I could look at her and she'd say | 0:07:17 | 0:07:20 | |
that she had two sons but they don't come to visit her. | 0:07:20 | 0:07:24 | |
Our real mum died three years ago. | 0:07:24 | 0:07:26 | |
I'm sorry. Really I am. | 0:07:26 | 0:07:29 | |
The coroner obviously felt that it was important to determine | 0:07:30 | 0:07:32 | |
-the cause of death. -Old age. That was the cause. | 0:07:32 | 0:07:35 | |
How long will her body have to be here? | 0:07:37 | 0:07:39 | |
-We'd like to make arrangements with the church. -Yeah. | 0:07:39 | 0:07:42 | |
-Jacquelyn McDowd. -We don't have a formal ID yet. | 0:07:43 | 0:07:46 | |
The woman we THINK is Jacquelyn McDowd is on her way home. | 0:07:46 | 0:07:49 | |
-How do you know that? -It's a guess. | 0:07:49 | 0:07:52 | |
I'd prefer we didn't guess. | 0:07:52 | 0:07:53 | |
Well, she lives 400 yards away from the crash scene - here - | 0:07:53 | 0:07:57 | |
and she was travelling toward her home. It's a good guess. | 0:07:57 | 0:08:01 | |
Still a guess. | 0:08:01 | 0:08:03 | |
-Where's she been? -No idea. -Have a guess. | 0:08:03 | 0:08:07 | |
ID in her handbag makes us believe that she | 0:08:07 | 0:08:09 | |
works as an administrator in a discount bathroom centre in Clapham. | 0:08:09 | 0:08:12 | |
That's much further east. | 0:08:12 | 0:08:13 | |
She's coming from the west. We'll confirm general travel | 0:08:13 | 0:08:16 | |
direction from mobile phone masts. | 0:08:16 | 0:08:17 | |
Have you managed to grab anything from her phone? | 0:08:17 | 0:08:19 | |
Not looked at it yet. It was badly damaged in the accident. | 0:08:19 | 0:08:22 | |
Hard to access. So I've used video from a witness' phone and the lorry | 0:08:22 | 0:08:28 | |
driver's dashcam to recreate the events. | 0:08:28 | 0:08:31 | |
Jacquelyn McDowd's car jumps onto the pavement. | 0:08:35 | 0:08:39 | |
Steers back into the road. Hits a car and cyclist. | 0:08:39 | 0:08:45 | |
It avoids a woman and her child. | 0:08:45 | 0:08:48 | |
And then veers into the path of the lorry. And then there is... | 0:08:48 | 0:08:53 | |
Impact. | 0:08:58 | 0:09:00 | |
COMPUTER CHIMES | 0:09:00 | 0:09:01 | |
PRINTER WHIRS | 0:09:14 | 0:09:16 | |
-Whoo! -Lawyers? -Children. | 0:09:21 | 0:09:23 | |
-Same thing. -Hmm. | 0:09:23 | 0:09:24 | |
Mother died recently - they want to bury her. | 0:09:24 | 0:09:27 | |
Coroner wants a postmortem. They're not thrilled. | 0:09:27 | 0:09:29 | |
Oh. I feel bad for being glib. | 0:09:29 | 0:09:31 | |
Have you seen Jack? | 0:09:31 | 0:09:32 | |
He's in the viewing gallery with Clarissa. Oh, and your ex-boyfriend. | 0:09:32 | 0:09:37 | |
-The RPSIO. -Ex-boyfriend? Charming. | 0:09:37 | 0:09:42 | |
What's that? The road death? | 0:09:42 | 0:09:43 | |
Yeah, Jacquelyn McDowd. | 0:09:43 | 0:09:45 | |
Ah. The one we thought was a terrorist? | 0:09:45 | 0:09:47 | |
Until they thought she was drunk. | 0:09:47 | 0:09:49 | |
-Was she drunk? -Not a terrorist. Not drunk. | 0:09:49 | 0:09:53 | |
Hmm. Screening for drugs? | 0:09:53 | 0:09:54 | |
She's not testing positive for any of the run-of-the-mill | 0:09:59 | 0:10:01 | |
why-stupid-people-die drugs. | 0:10:01 | 0:10:03 | |
I'll run a full screen when I do the postmortem later. | 0:10:03 | 0:10:06 | |
-Mechanical? -Accelerator. Brakes. Steering. Nothing found. | 0:10:06 | 0:10:10 | |
-Too much damage? -No. Just nothing to be found. | 0:10:10 | 0:10:12 | |
So it WAS intentional? | 0:10:12 | 0:10:15 | |
We don't think so. Clarissa? | 0:10:15 | 0:10:17 | |
Please. Call me Sidekick. | 0:10:17 | 0:10:19 | |
There are 31 possible targets for her to hit | 0:10:20 | 0:10:24 | |
and she kills exactly none. | 0:10:24 | 0:10:27 | |
There is no impact that changes the car's course of direction. | 0:10:31 | 0:10:34 | |
And if you look at the front tyres, the car is being | 0:10:34 | 0:10:37 | |
steered away from pedestrians. | 0:10:37 | 0:10:39 | |
And into the path of the lorry. | 0:10:39 | 0:10:41 | |
The driver's intention is to avoid injuring others. | 0:10:43 | 0:10:46 | |
-At her own expense. -Certainly was expensive. | 0:10:47 | 0:10:49 | |
You have two loving sons, Noreen. | 0:10:59 | 0:11:01 | |
I bet you were really proud of them. | 0:11:03 | 0:11:05 | |
-OK. So when did this happen? -He passed away overnight. | 0:11:53 | 0:11:55 | |
Serena! | 0:12:06 | 0:12:07 | |
With respect to the heart... | 0:13:06 | 0:13:09 | |
..left haemothorax as a consequence of aortic dissection. | 0:13:11 | 0:13:14 | |
-Do we have the CT scans? -Yep. | 0:13:17 | 0:13:20 | |
Was aortic dissection the cause of death? | 0:13:22 | 0:13:26 | |
It could be. | 0:13:26 | 0:13:27 | |
-Bicuspid aortic valve? -No. -Any indication of Marfan Syndrome? | 0:13:27 | 0:13:30 | |
It looks like blunt force trauma from the impact of the collision. | 0:13:30 | 0:13:32 | |
If it's blunt force, dissection occurs AFTER she mounts the pavement. | 0:13:32 | 0:13:36 | |
-That's right. -It doesn't explain events before the collision. | 0:13:36 | 0:13:38 | |
I mean, why did she lose control of her car? | 0:13:38 | 0:13:41 | |
So it's just human error? | 0:13:41 | 0:13:44 | |
It could be but I don't think it is. | 0:13:44 | 0:13:48 | |
The CT scan picks up a subarachnoid haemorrhage here | 0:13:48 | 0:13:53 | |
confirmed by the autopsy, often fatal, so it COULD be as a result of the collision, but... | 0:13:53 | 0:13:59 | |
What? | 0:13:59 | 0:14:01 | |
It could be the CAUSE of the accident. | 0:14:01 | 0:14:03 | |
Hard to be 100% certain. | 0:14:03 | 0:14:06 | |
Sometimes an elderly person falls and people say | 0:14:06 | 0:14:09 | |
they fell and broke their hip, | 0:14:09 | 0:14:10 | |
when in fact their hip spontaneously broke and then they fell. | 0:14:10 | 0:14:14 | |
She has a stroke. Loses control of the car. | 0:14:14 | 0:14:17 | |
Desperately tries to avoid hurting anyone. | 0:14:17 | 0:14:19 | |
-She's a hero. -It's just a terrible accident? | 0:14:19 | 0:14:23 | |
More than likely. | 0:14:23 | 0:14:24 | |
-Do you know Jackie McDowd? -No, I don't. | 0:14:50 | 0:14:52 | |
-We'll find out. -OK. Sorry. | 0:14:54 | 0:14:56 | |
All right? | 0:14:59 | 0:15:00 | |
No-one knows their neighbours. | 0:15:04 | 0:15:07 | |
-Sign of the times. -Shall we knock one more time? | 0:15:08 | 0:15:10 | |
Knock yourself out. | 0:15:10 | 0:15:12 | |
We need next of kin to ID the body... | 0:15:12 | 0:15:15 | |
..and, you know, sort out what happens to it. | 0:15:17 | 0:15:20 | |
We'll find something inside. | 0:15:20 | 0:15:22 | |
HE EXHALES | 0:15:30 | 0:15:32 | |
DOOR OPENS | 0:15:38 | 0:15:39 | |
Single mother. She's got a son and a dog. | 0:15:53 | 0:15:56 | |
Do you think she was married? | 0:15:58 | 0:15:59 | |
Was there a wedding ring in her personal effects? | 0:15:59 | 0:16:01 | |
Not that I remember. Had she been reported missing? | 0:16:01 | 0:16:04 | |
No. | 0:16:04 | 0:16:05 | |
We'll need to, um, examine this. | 0:16:05 | 0:16:08 | |
I'll bag it, get it to an expert. | 0:16:09 | 0:16:12 | |
It's got a password. | 0:16:12 | 0:16:14 | |
Son is not here. | 0:16:21 | 0:16:23 | |
Divorced? Perhaps he's with the father? Where's the dog? | 0:16:23 | 0:16:28 | |
I haven't seen anything that suggests a dog lives here. | 0:16:28 | 0:16:31 | |
Maybe it's an old photo. | 0:16:31 | 0:16:32 | |
-Boom. -How did you...? -Don't tell him. | 0:16:35 | 0:16:39 | |
A magician never reveals their secrets. | 0:16:39 | 0:16:41 | |
"123456" is the most common password. | 0:16:41 | 0:16:44 | |
Followed by "password" and then "12345678". | 0:16:44 | 0:16:48 | |
Not very original. | 0:16:48 | 0:16:49 | |
What exactly are you looking for? | 0:16:51 | 0:16:53 | |
Next of kin. | 0:16:53 | 0:16:54 | |
Sidekick? | 0:16:56 | 0:16:57 | |
There's nothing I can see that looks like correspondence with | 0:17:01 | 0:17:04 | |
an ex-husband - no maintenance payments or solicitors. | 0:17:04 | 0:17:09 | |
She's got an online dating profile but that doesn't give us much. | 0:17:09 | 0:17:13 | |
This...is her online bank account. | 0:17:13 | 0:17:18 | |
Jacquelyn McDowd pays £1,600 a month to Kingscote Bows Residential Home. | 0:17:18 | 0:17:24 | |
-Assisted living? -Care home. | 0:17:24 | 0:17:26 | |
That's 20 grand a year. | 0:17:26 | 0:17:27 | |
For her mum or dad. | 0:17:30 | 0:17:31 | |
There's your next of kin. | 0:17:31 | 0:17:33 | |
Hello ? | 0:17:58 | 0:18:00 | |
DOOR BEEPS | 0:18:00 | 0:18:02 | |
Can I help? | 0:18:02 | 0:18:03 | |
I tried to call several times. No-one ever picks up. | 0:18:03 | 0:18:06 | |
Have you thought about an answering machine? | 0:18:06 | 0:18:08 | |
We have thought about it. | 0:18:08 | 0:18:10 | |
If it's important, people tend to call back. | 0:18:10 | 0:18:13 | |
If you could just sign in here. | 0:18:13 | 0:18:15 | |
We like to keep an eye on who comes in and out. Health and safety. | 0:18:15 | 0:18:20 | |
Yep. Those, er, those elfs are everywhere. | 0:18:20 | 0:18:24 | |
Elves, I believe, if it's plural. | 0:18:24 | 0:18:27 | |
Elves. Of course. | 0:18:27 | 0:18:30 | |
Er, how many people live here? | 0:18:30 | 0:18:32 | |
18. We're full up. Have a long waiting list. | 0:18:32 | 0:18:36 | |
Old people? | 0:18:36 | 0:18:37 | |
A range of needs. | 0:18:37 | 0:18:40 | |
Dementia is one. | 0:18:40 | 0:18:41 | |
I was going to put my mother in one. | 0:18:41 | 0:18:43 | |
-Then she died. -Oh. I'm terribly sorry. | 0:18:45 | 0:18:48 | |
Yeah. Thank you. It was sad. | 0:18:48 | 0:18:51 | |
But, you know... | 0:18:52 | 0:18:55 | |
I guess it saved me some money. | 0:18:55 | 0:18:56 | |
Now, how may we help? | 0:18:58 | 0:19:00 | |
Jacquelyn McDowd's toxicology report. | 0:19:02 | 0:19:04 | |
Go on, then, give me a clue. What am I looking for? | 0:19:05 | 0:19:07 | |
I think it will jump out at you. | 0:19:07 | 0:19:09 | |
Nothing jumping so far. | 0:19:11 | 0:19:12 | |
Line nine. Antidepressant. | 0:19:12 | 0:19:14 | |
Come on. Almost 10% of the adult population in the UK take them. | 0:19:14 | 0:19:17 | |
Yeah. Usually they have a prescription. | 0:19:17 | 0:19:19 | |
Yeah, fluoxetine. | 0:19:19 | 0:19:21 | |
I accessed her NHS records. No history of any mental health issues. | 0:19:21 | 0:19:24 | |
No prescription for antidepressants. She was in good health. | 0:19:24 | 0:19:28 | |
Oh, my. | 0:19:28 | 0:19:30 | |
-Jumping now? -Like a young salmon. | 0:19:30 | 0:19:31 | |
A high-binding affinity for alpha-2 adrenergic | 0:19:31 | 0:19:34 | |
and M1 muscarinic receptors. | 0:19:34 | 0:19:36 | |
-That's almost 20 times the safe amount. It's a suicide dose. -M'hm. | 0:19:38 | 0:19:41 | |
Hang on - she would have fallen asleep. How did she drive the car? | 0:19:41 | 0:19:44 | |
Line 17. | 0:19:44 | 0:19:45 | |
"Methamphetamine HCL." | 0:19:47 | 0:19:49 | |
She combined them? | 0:19:50 | 0:19:52 | |
And her brain blew up. | 0:19:52 | 0:19:54 | |
You'll have to excuse me. I have a meeting I must attend. | 0:19:56 | 0:19:59 | |
-This is Mr Flannery. -Hi. -He'll show you Mr McDowd's room. | 0:20:00 | 0:20:04 | |
OK. Thank you. | 0:20:04 | 0:20:05 | |
We don't want to lose anyone. | 0:20:10 | 0:20:12 | |
Thanks. | 0:20:13 | 0:20:16 | |
Hello, Mary. | 0:20:16 | 0:20:17 | |
Have you worked here a long time? | 0:20:19 | 0:20:21 | |
Depends on what you mean by long. | 0:20:21 | 0:20:22 | |
Some days it feels very long! | 0:20:22 | 0:20:24 | |
Yeah. I totally get that. | 0:20:24 | 0:20:26 | |
I work at a number of different places. | 0:20:26 | 0:20:28 | |
I work for an agency. They send me here a fair bit. | 0:20:28 | 0:20:31 | |
-Cup of tea? -Er, no, thanks. | 0:20:33 | 0:20:34 | |
-Plants watered? -All good. | 0:20:37 | 0:20:38 | |
Er, Jacquelyn McDowd's father. | 0:20:43 | 0:20:46 | |
He doesn't have Alzheimer's, or something? | 0:20:46 | 0:20:49 | |
I need to, er, speak to him. Deliver some news. | 0:20:49 | 0:20:54 | |
This is Kevin McDowd. Her son. | 0:20:58 | 0:21:01 | |
I'm not sure how reliable his answers will be. | 0:21:04 | 0:21:07 | |
Hello, Kevin. | 0:21:07 | 0:21:08 | |
Go back to your room, Serena. | 0:21:10 | 0:21:11 | |
-Hi. -Are you OK, Kevin? | 0:21:11 | 0:21:15 | |
I'm...OK. | 0:21:15 | 0:21:17 | |
Serena! | 0:21:17 | 0:21:19 | |
Oh, don't touch him. He doesn't like being touched. It sets him off. | 0:21:22 | 0:21:26 | |
Can I speak to you outside? | 0:21:28 | 0:21:29 | |
DOOR SHUTS | 0:21:35 | 0:21:36 | |
I presumed it was her parent. Stupid mistake. | 0:21:38 | 0:21:42 | |
This is my first death visit. | 0:21:42 | 0:21:44 | |
I came to tell him that his mother is dead. | 0:21:45 | 0:21:47 | |
When did she die? | 0:21:48 | 0:21:49 | |
-This morning. -Oh. -Car accident. | 0:21:49 | 0:21:52 | |
Will he understand? Will he be OK? | 0:21:53 | 0:21:55 | |
I don't know. He's got a very loose grip on what's happening around him. | 0:21:56 | 0:22:00 | |
I don't know what their relationship was like but he's living here, | 0:22:00 | 0:22:03 | |
not at home, so that has to tell you something, doesn't it? | 0:22:03 | 0:22:06 | |
Well, we'll support him the best we can. | 0:22:08 | 0:22:11 | |
I'm really sorry for your loss. | 0:22:21 | 0:22:23 | |
DOOR OPENS | 0:22:31 | 0:22:33 | |
What do you think? Was she TRYING to kill herself? | 0:22:46 | 0:22:48 | |
There are so many other ways to do it. Take a load of drugs, | 0:22:48 | 0:22:51 | |
jump in the car and drive? Nah. | 0:22:51 | 0:22:53 | |
-She wasn't prescribed them? -No. | 0:22:53 | 0:22:56 | |
Maybe she was she an addict and this time went too far? | 0:22:56 | 0:22:59 | |
-How did she get them? -We don't know. | 0:22:59 | 0:23:02 | |
-Do we know where she was before the accident? -No. | 0:23:02 | 0:23:04 | |
How long would it take for the anti-psychotic and the methamphetamine to metabolise? | 0:23:06 | 0:23:09 | |
Depends on method of delivery and other variables. | 0:23:09 | 0:23:13 | |
-Anything in her stomach? -Nothing substantial. | 0:23:13 | 0:23:15 | |
Stomach contents were biscuit and based on the caffeine - | 0:23:15 | 0:23:18 | |
tests will verify this - tea. | 0:23:18 | 0:23:19 | |
What's a reasonable amount of time between ingestion and effect? | 0:23:19 | 0:23:23 | |
-30 or 40 minutes? -Oh. -Could be faster. | 0:23:23 | 0:23:26 | |
Clarissa, what's the average speed of traffic in London? | 0:23:26 | 0:23:28 | |
Central London, 7.8 miles an hour. | 0:23:28 | 0:23:30 | |
Greater London, 17.4 miles an hour. | 0:23:30 | 0:23:34 | |
On it. | 0:23:34 | 0:23:36 | |
The black dot is the scene of the accident. Green dot is her home. | 0:23:37 | 0:23:42 | |
She was moving in this direction. | 0:23:42 | 0:23:44 | |
Where's the assisted living home where her - what was it, mother? | 0:23:44 | 0:23:47 | |
-Father? -Probably mother. Women live longer. | 0:23:47 | 0:23:49 | |
Son. | 0:23:49 | 0:23:50 | |
He's, erm... | 0:23:51 | 0:23:53 | |
I don't know how you call it, er - slow, difficult? | 0:23:53 | 0:23:59 | |
Not, not all there. | 0:23:59 | 0:24:00 | |
I don't know. | 0:24:02 | 0:24:03 | |
For not knowing, you had three pretty good stabs at it. | 0:24:03 | 0:24:06 | |
How about crazy? | 0:24:06 | 0:24:08 | |
You left that one out. | 0:24:08 | 0:24:09 | |
They called it complex learning deficits. | 0:24:09 | 0:24:12 | |
Do you know what that means? I don't. | 0:24:12 | 0:24:14 | |
Do you know what to expect from him? I don't. | 0:24:15 | 0:24:18 | |
Crazy is actually easier. | 0:24:20 | 0:24:21 | |
OK. The red dot is the Kingscote Bows Residential Home, yeah? | 0:24:22 | 0:24:27 | |
-For crazy people. -Of course. | 0:24:27 | 0:24:29 | |
-Any drugs at the house or in her car? -No. | 0:24:29 | 0:24:32 | |
If it's an assisted living residential home, there will be access to drugs. | 0:24:32 | 0:24:35 | |
We need to put her here in the hour before the accident. | 0:24:35 | 0:24:38 | |
I think Jacquelyn McDowd was unlawfully killed. | 0:24:38 | 0:24:40 | |
-OK, my colleague's going to come over and have a word. -OK. | 0:24:43 | 0:24:46 | |
She would have signed the visitors' book? Wouldn't she? | 0:24:48 | 0:24:51 | |
Yes, I would have thought so. | 0:24:53 | 0:24:55 | |
-Well, could we...? -Yes. | 0:24:56 | 0:24:57 | |
Broken down, old girl? | 0:25:02 | 0:25:04 | |
No. | 0:25:04 | 0:25:05 | |
SHE FALTERS | 0:25:05 | 0:25:07 | |
You go in. I'll wait. | 0:25:07 | 0:25:10 | |
-I need you to do the drug inventory. -I don't want to go in! | 0:25:10 | 0:25:13 | |
OK. | 0:25:16 | 0:25:17 | |
I don't see her name. Last sign-in was at 10.30am. | 0:25:32 | 0:25:35 | |
-Do you have CCTV? -In parts of the grounds. | 0:25:35 | 0:25:38 | |
We try not to make it feel like a prison. This way. | 0:25:38 | 0:25:42 | |
You need to be careful what you say in front of the residents. | 0:25:45 | 0:25:48 | |
-George, there you go. -Thank you. | 0:25:52 | 0:25:56 | |
And last but NOT least, young Serena. | 0:25:56 | 0:26:00 | |
What are you doing? | 0:26:23 | 0:26:24 | |
-Inventory. -Police? | 0:26:26 | 0:26:28 | |
Rose had a message you were coming. | 0:26:29 | 0:26:31 | |
Do you have a pharmacist that comes here to dispense? | 0:26:31 | 0:26:35 | |
Prescriptions are delivered for the residents. We keep them in here | 0:26:35 | 0:26:38 | |
and one of the carers administers them. | 0:26:38 | 0:26:40 | |
-You? -When I'm here. Could be me. Could be somebody else. | 0:26:40 | 0:26:43 | |
Mr P Stride. Where can I find him? | 0:26:44 | 0:26:47 | |
Walking in Elysium's fields. | 0:26:47 | 0:26:49 | |
-What? -He's dead. Died in his sleep. | 0:26:49 | 0:26:53 | |
Born in 1980. | 0:26:56 | 0:26:57 | |
He was 38 years old? | 0:26:58 | 0:26:59 | |
Stroke. He couldn't see, he couldn't hear, he couldn't speak. | 0:26:59 | 0:27:04 | |
He couldn't move. | 0:27:04 | 0:27:05 | |
Nothing. I mean, he could shit. He could piss. | 0:27:05 | 0:27:09 | |
What kind of a life is that, huh? | 0:27:09 | 0:27:10 | |
That's a God with a dark sense of humour. | 0:27:10 | 0:27:13 | |
Relief for his family, I think. That's what they said. | 0:27:15 | 0:27:18 | |
Mmm. | 0:27:18 | 0:27:20 | |
There were seven different drugs he was taking. | 0:27:20 | 0:27:24 | |
I don't see them. | 0:27:24 | 0:27:26 | |
We throw them out. We throw them out when they die. | 0:27:26 | 0:27:29 | |
You don't send them back? | 0:27:29 | 0:27:30 | |
Chemist won't take them. We bin them. | 0:27:30 | 0:27:32 | |
-Where do you keep the bins? -Out the back. | 0:27:32 | 0:27:34 | |
Where's Kevin McDowd's room? | 0:27:38 | 0:27:39 | |
If you'd like to follow me, I'll show you. | 0:27:39 | 0:27:42 | |
BIRDSONG | 0:27:45 | 0:27:46 | |
CAMERA SHUTTER CLICKS | 0:27:49 | 0:27:53 | |
What's your name? | 0:27:59 | 0:28:01 | |
Jack. | 0:28:01 | 0:28:03 | |
My name is Kevin. | 0:28:03 | 0:28:05 | |
He doesn't like to be touched. | 0:28:05 | 0:28:06 | |
-Hi, Kevin. -Hi. | 0:28:08 | 0:28:10 | |
-Take my picture? -M'hm. | 0:28:11 | 0:28:13 | |
Ready? | 0:28:15 | 0:28:17 | |
CAMERA SHUTTER CLICKS | 0:28:18 | 0:28:19 | |
I...Is it good? | 0:28:19 | 0:28:22 | |
Yeah. Not bad. | 0:28:22 | 0:28:24 | |
I'm not bad. I'm good. | 0:28:24 | 0:28:27 | |
Yeah. | 0:28:27 | 0:28:28 | |
What are you doing? | 0:28:30 | 0:28:32 | |
He's just taking some photos for his job. | 0:28:32 | 0:28:35 | |
What is your job? | 0:28:35 | 0:28:37 | |
What do you think he is? He's a photographer, stupid! | 0:28:37 | 0:28:40 | |
I'm not stupid. | 0:28:40 | 0:28:42 | |
-Course not. -YOU'RE stupid. | 0:28:42 | 0:28:44 | |
Do you think I'm stupid? | 0:28:44 | 0:28:46 | |
That's enough questions, Kevin. | 0:28:46 | 0:28:48 | |
Do you, Jack? Do you think I am stupid? | 0:28:48 | 0:28:51 | |
-No. -Just ignore him. | 0:28:51 | 0:28:53 | |
I'm not stupid. | 0:28:53 | 0:28:55 | |
Shall we let the nice man do his work? | 0:28:55 | 0:28:57 | |
Tilly likes you. She thinks you're nice. | 0:28:57 | 0:29:00 | |
Aw, that makes me lucky, then, don't you think? | 0:29:00 | 0:29:02 | |
Maybe she wants you to be her girlfriend. | 0:29:02 | 0:29:04 | |
Shut up, Kevin! | 0:29:04 | 0:29:07 | |
Do you think it's OK for me to have a girlfriend? | 0:29:07 | 0:29:09 | |
-Yeah. Sure. -Me, too. | 0:29:09 | 0:29:11 | |
Do you have sex, Jack? | 0:29:12 | 0:29:14 | |
What's it like? Cos Tilly won't tell me. | 0:29:16 | 0:29:20 | |
That's not something we're going to talk about. | 0:29:20 | 0:29:23 | |
-Tell me. -What I'd love, Kevin, is to swab the inside of your cheek. | 0:29:23 | 0:29:30 | |
-Will you let me do that? -If you tell me. | 0:29:30 | 0:29:32 | |
It would be really helpful. | 0:29:34 | 0:29:35 | |
Just let me swab the inside of your cheek. | 0:29:35 | 0:29:38 | |
No? | 0:29:38 | 0:29:39 | |
OK. | 0:29:40 | 0:29:41 | |
-Um, can I take his toothbrush? -Mmm, yeah. | 0:29:41 | 0:29:44 | |
-Don't steal my things! -That's an old one, innit? | 0:29:44 | 0:29:47 | |
I'll get you a brand-new one. | 0:29:47 | 0:29:48 | |
-Purple and green. -Yeah, yeah. Purple and green. | 0:29:48 | 0:29:51 | |
-Tilly likes you. -She likes you, too. | 0:29:54 | 0:29:56 | |
No, she doesn't. She says things about me to Mum. | 0:29:56 | 0:29:59 | |
That I lie. I'm not stupid. She made Mum hate me. | 0:29:59 | 0:30:03 | |
Mum said she'd cut my bollocks off like she did to the dog. | 0:30:03 | 0:30:08 | |
I hate her. | 0:30:08 | 0:30:09 | |
-You hate Tilly? -I hate Mum. | 0:30:09 | 0:30:13 | |
Is there biscuits today, Tilly? I've been good. | 0:30:13 | 0:30:16 | |
You haven't been good, have you, Kevin? | 0:30:16 | 0:30:18 | |
I just need to have a quick look around the room, if that's OK. | 0:30:18 | 0:30:21 | |
I want a biscuit. | 0:30:21 | 0:30:22 | |
Um, it would be great if I could, you know... | 0:30:22 | 0:30:25 | |
All right. Come on, then, Kevin. Let's get you some biscuits. | 0:30:27 | 0:30:30 | |
Yeah, biscuit. | 0:30:30 | 0:30:31 | |
-You want something? -No, thanks. | 0:30:31 | 0:30:33 | |
DOOR SHUTS | 0:30:38 | 0:30:40 | |
-Right. That is a gelatine capsule. -M'hm. | 0:32:15 | 0:32:19 | |
-20mg? -They were under his bed. | 0:32:21 | 0:32:23 | |
-Marked "BJ" on the cap and "F20" on the body. -Fluoxetine? | 0:32:23 | 0:32:28 | |
-What's fluoxetine? -A selective serotonin re-uptake inhibitor. | 0:32:28 | 0:32:31 | |
An antidepressant. | 0:32:32 | 0:32:34 | |
I found this on a counter in his room. | 0:32:34 | 0:32:37 | |
I'll test it. So, what - he takes the powder out of the capsule | 0:32:37 | 0:32:41 | |
and puts it in his mother's tea? | 0:32:41 | 0:32:42 | |
Can we actually prove she was there? | 0:32:42 | 0:32:44 | |
She's not signed into the log book. | 0:32:44 | 0:32:46 | |
Yes, she is. | 0:32:46 | 0:32:48 | |
Why would he drug her? | 0:32:51 | 0:32:52 | |
Because he hates her. | 0:32:52 | 0:32:54 | |
He said to me she wanted him castrated like a dog he once had. | 0:32:54 | 0:32:58 | |
Does he mean to kill her? | 0:32:58 | 0:33:00 | |
This really isn't about the accident any more, is it? | 0:33:00 | 0:33:02 | |
Orestes. | 0:33:05 | 0:33:07 | |
I'm going to have to make a call. | 0:33:07 | 0:33:09 | |
-You're sure that the drugs caused the death? -We... -KNOCK ON DOOR | 0:33:21 | 0:33:24 | |
Sorry. Am I late? | 0:33:26 | 0:33:28 | |
No. I was early. I like being early. | 0:33:28 | 0:33:31 | |
Er, Nikki. Nikki Alexander, this is Detective Inspector Alex Hunter. | 0:33:31 | 0:33:35 | |
Nice to meet you. This car accident seems to be evolving. | 0:33:35 | 0:33:40 | |
Governor thought we ought to put a little more expertise on it. | 0:33:40 | 0:33:43 | |
Right. Drugs and cause of death - that's where we were. | 0:33:43 | 0:33:45 | |
You did the postmortem? | 0:33:45 | 0:33:47 | |
I did. Cause of death? Yes, they could have caused the haemorrhage. | 0:33:47 | 0:33:50 | |
-It's a reasonable hypothesis. -Reasonable? | 0:33:50 | 0:33:53 | |
OK, can we sex the language up a little bit here? | 0:33:54 | 0:33:57 | |
Reasonable - or likely? And not that I'm trying to shape anything here | 0:33:57 | 0:34:00 | |
but I prefer the latter. | 0:34:00 | 0:34:01 | |
-Likely. -Progress. | 0:34:03 | 0:34:06 | |
Likely or irrefutable? | 0:34:06 | 0:34:07 | |
-And you can guess where I am on this. -Likely. | 0:34:07 | 0:34:10 | |
OK, we touched the sides. How does the boy get the drugs? | 0:34:10 | 0:34:15 | |
When we visited Kingscote Bow Residential Home... | 0:34:15 | 0:34:17 | |
Button, I didn't come here to listen to the sound of your voice. | 0:34:17 | 0:34:20 | |
I'm here to listen to the sound of a doctor's voice. | 0:34:20 | 0:34:22 | |
Doctor? | 0:34:22 | 0:34:24 | |
Well, what was it Jack said? The drugs are kept in a locked area | 0:34:24 | 0:34:28 | |
but the staff appeared to leave that area open and unattended | 0:34:28 | 0:34:31 | |
while they distributed medication to the residents. | 0:34:31 | 0:34:33 | |
Well, one - he had to get 'em. | 0:34:33 | 0:34:35 | |
Two - he had to take 'em out of the gelcaps. | 0:34:35 | 0:34:37 | |
That's intention. That's premeditation. | 0:34:37 | 0:34:38 | |
Is he physically capable of opening the gelcaps? | 0:34:41 | 0:34:43 | |
Physically capable? | 0:34:43 | 0:34:44 | |
That was my question. | 0:34:44 | 0:34:46 | |
Almost certainly, yeah. | 0:34:46 | 0:34:47 | |
He's agreed to identify the body. If he'd poisoned his mother... | 0:34:47 | 0:34:50 | |
Button? Would you get me a coffee, son? | 0:34:50 | 0:34:52 | |
Outside. On the left. | 0:34:53 | 0:34:54 | |
-Dirty brown. -Yes, sir. | 0:34:57 | 0:34:59 | |
He tells me you're old friends. | 0:35:03 | 0:35:05 | |
-Who? -Button. | 0:35:05 | 0:35:06 | |
Yeah. That's what I thought. | 0:35:08 | 0:35:11 | |
Why isn't the McDowd boy in custody? | 0:35:14 | 0:35:16 | |
-Coffee? -Mmm. | 0:35:18 | 0:35:20 | |
Did you find everything? HE LAUGHS | 0:35:27 | 0:35:29 | |
Why the two drugs in the drink? | 0:35:33 | 0:35:35 | |
Why the methamphetamine? | 0:35:37 | 0:35:40 | |
The amount of fluoxetine - she'd fall asleep very quickly. | 0:35:40 | 0:35:43 | |
She wouldn't have made it to the car without the methamphetamine. | 0:35:43 | 0:35:46 | |
And he knew that? He could plan that? | 0:35:46 | 0:35:50 | |
That lad couldn't have done this. There's not a chance of it. | 0:35:52 | 0:35:56 | |
How are you? | 0:36:04 | 0:36:05 | |
I don't want to talk about it, Jack. | 0:36:05 | 0:36:08 | |
We're not. We're just talking about how you are. | 0:36:08 | 0:36:10 | |
I'm fine. And I know that you're sneaking up on me. | 0:36:10 | 0:36:14 | |
-No, I'm not. -Trying to act all nice like you care. | 0:36:14 | 0:36:16 | |
I'm happy not to be nice. | 0:36:16 | 0:36:18 | |
It's none of my business if you want to act irrationally. | 0:36:18 | 0:36:21 | |
You're right. It isn't. | 0:36:21 | 0:36:22 | |
And I wasn't irrational. | 0:36:22 | 0:36:24 | |
OK. | 0:36:27 | 0:36:28 | |
Try not to talk to me, then. | 0:36:30 | 0:36:32 | |
I won't. | 0:36:32 | 0:36:34 | |
I have to go and see her at the place where they cut up dead people. | 0:36:50 | 0:36:53 | |
To see if it's really her. It's a big responsibility. | 0:36:53 | 0:36:57 | |
Will you go with me? | 0:36:57 | 0:36:59 | |
No. | 0:36:59 | 0:37:01 | |
They won't cut her up while we're there. | 0:37:01 | 0:37:04 | |
I don't want to. | 0:37:04 | 0:37:06 | |
We could get out of here. We can escape. | 0:37:07 | 0:37:09 | |
It's not safe. | 0:37:11 | 0:37:13 | |
I can keep you safe. | 0:37:13 | 0:37:15 | |
I'm scared. | 0:37:17 | 0:37:19 | |
I don't want to go. | 0:37:20 | 0:37:23 | |
OK. | 0:37:23 | 0:37:24 | |
Varky can keep you safe. | 0:37:27 | 0:37:29 | |
SHE GIGGLES | 0:37:29 | 0:37:31 | |
DOOR OPENS | 0:37:33 | 0:37:35 | |
Serena? I was looking for you. | 0:37:37 | 0:37:40 | |
I didn't say you can come in. | 0:37:40 | 0:37:42 | |
It's time to take your medication. | 0:37:42 | 0:37:44 | |
It's MY ROOM! | 0:37:44 | 0:37:45 | |
Sorry, Kevin but Serena has to take her pills. | 0:37:45 | 0:37:49 | |
OK. | 0:37:49 | 0:37:50 | |
And I've warned you about sitting on the bed together, haven't I? | 0:37:50 | 0:37:53 | |
Don't do it. | 0:37:53 | 0:37:54 | |
Sorry. | 0:37:54 | 0:37:55 | |
Kevin's a perv. You know that. | 0:37:55 | 0:37:57 | |
Stop talking to me like that. | 0:37:57 | 0:38:00 | |
Don't start with me, Kevin. | 0:38:00 | 0:38:01 | |
Don't take them. | 0:38:06 | 0:38:08 | |
I have to. | 0:38:08 | 0:38:10 | |
Don't. Please. They make you stupid. They make you sleep. | 0:38:10 | 0:38:14 | |
Please, don't take them. Please! | 0:38:14 | 0:38:17 | |
Serena? | 0:38:22 | 0:38:23 | |
Kevin. Tilly is waiting for you. | 0:38:32 | 0:38:34 | |
Will you be OK? | 0:38:35 | 0:38:37 | |
Come on, Kevin. Tilly will let you play with yourself in the car. | 0:38:37 | 0:38:40 | |
You can get it out and show it to her. | 0:38:40 | 0:38:42 | |
I said, stop talking to me like that. | 0:38:42 | 0:38:44 | |
Don't be abusive. You know what will happen. | 0:38:44 | 0:38:46 | |
Ah, there you are. Come on. Let's go. | 0:38:49 | 0:38:51 | |
Come on, then, Serena. Back to your room. Chop chop. | 0:38:55 | 0:38:59 | |
DOOR LOCK BEEPS | 0:39:17 | 0:39:19 | |
Follow me. | 0:39:22 | 0:39:23 | |
Er, there'll be a policeman who'll join us this morning. | 0:39:25 | 0:39:28 | |
I don't like the police. | 0:39:28 | 0:39:29 | |
Right, well, all you have to do is... | 0:39:29 | 0:39:31 | |
I know. Stop talking. | 0:39:31 | 0:39:33 | |
Lucy! Lucy, come on, darling. We've got to go now. | 0:39:47 | 0:39:50 | |
Your mum's not coming. | 0:39:55 | 0:39:57 | |
She's dead. Killed herself. Cos of you. | 0:39:57 | 0:40:01 | |
Aw, sorry, sweetheart. Sorry. There was a problem at work. | 0:40:13 | 0:40:17 | |
What is it? Why are you so upset? | 0:40:18 | 0:40:21 | |
INDISTINCT CONVERSATION | 0:40:23 | 0:40:26 | |
If I stay out here, will she be able to see me? | 0:40:27 | 0:40:30 | |
-You all right? -Mmm. | 0:40:30 | 0:40:31 | |
-She's dead, Kevin. -I know. I'm not stupid. | 0:40:33 | 0:40:36 | |
-Jack! This is Jack! -Yeah. Come on, Kevin. -I want to speak to Jack. | 0:40:37 | 0:40:42 | |
-Do what Tilly says, Kevin. -I don't want to do what Tilly says. -OK. | 0:40:42 | 0:40:45 | |
-Will you come with me? -Yeah. Of course. | 0:40:47 | 0:40:50 | |
-HE WHISPERS: -Tilly likes you. | 0:40:52 | 0:40:54 | |
Is it your mother, Kevin? | 0:41:00 | 0:41:02 | |
Yes. | 0:41:04 | 0:41:06 | |
Is this a religious place? Because my mum's not religious. | 0:41:06 | 0:41:10 | |
It's a non-denominational chapel. | 0:41:10 | 0:41:12 | |
-Chapel is religious. -Yes. It is. | 0:41:12 | 0:41:15 | |
You have to move her. | 0:41:15 | 0:41:16 | |
She said there wasn't a God and that she wouldn't set foot in a church. | 0:41:16 | 0:41:19 | |
OK, Kevin. We'll move her. | 0:41:21 | 0:41:22 | |
-Jack, I'll be in my office, yeah? -OK. | 0:41:32 | 0:41:33 | |
So will she come to see me today? | 0:41:35 | 0:41:38 | |
Er, Kevin, your mother's dead. | 0:41:40 | 0:41:43 | |
Do you understand what that means? | 0:41:45 | 0:41:47 | |
Yes. I understand. | 0:41:47 | 0:41:49 | |
So she's not going to come? | 0:41:49 | 0:41:50 | |
-What do you think? -I think he killed her. | 0:41:50 | 0:41:52 | |
The boy's going to need an appropriate adult. | 0:41:54 | 0:41:57 | |
Kevin McDowd, I am arresting you on suspicion of murdering Jacquelyn McDowd. | 0:41:57 | 0:42:00 | |
-What's going on, Tilly? -You do not have to say anything... -Tilly! | 0:42:00 | 0:42:03 | |
-Tilly! -Don't... | 0:42:03 | 0:42:05 | |
Don't touch...! | 0:42:05 | 0:42:06 | |
-Sir, sir! Are you all right? -Kevin! -Thomas! -Kevin, come back! -Er, can we get him up? | 0:42:06 | 0:42:10 | |
Come back, Kevin! | 0:42:10 | 0:42:12 | |
Possible traumatic brain injury from a fall. | 0:42:12 | 0:42:15 | |
White male, 22 years old. Solidly built. | 0:42:15 | 0:42:17 | |
Do you want to get on? | 0:42:44 | 0:42:45 | |
No? | 0:42:45 | 0:42:47 | |
I'm afraid of being abandoned. | 0:43:39 | 0:43:40 | |
All my life. | 0:43:42 | 0:43:43 | |
Afraid my parents, social services, my teachers, would put me | 0:43:44 | 0:43:49 | |
somewhere, and leave me there. | 0:43:49 | 0:43:51 | |
And I know it didn't happen and I know they never would have. | 0:43:53 | 0:43:58 | |
But the fear never goes away. | 0:44:00 | 0:44:02 | |
A home terrifies me. | 0:44:02 | 0:44:06 | |
Everything about it. | 0:44:08 | 0:44:10 | |
Because I think, once I go in, I'll never come out. | 0:44:10 | 0:44:13 | |
FOOTSTEPS | 0:44:20 | 0:44:21 | |
DOOR SHUTS | 0:44:24 | 0:44:26 | |
LOCK BEEPS | 0:44:26 | 0:44:27 | |
-What were you doing? -Looking after her. Where have you been? | 0:44:37 | 0:44:40 | |
She's fine. Leave it. | 0:44:44 | 0:44:46 | |
RESTRAINED CRYING | 0:44:54 | 0:44:56 | |
RESTRAINED CRYING | 0:44:59 | 0:45:01 | |
What's wrong with you? | 0:45:11 | 0:45:14 | |
What are you going to do about it? | 0:45:14 | 0:45:15 | |
Yeah. Great. | 0:45:19 | 0:45:20 | |
It's time to water the plants. | 0:45:20 | 0:45:22 | |
What? | 0:45:52 | 0:45:53 | |
All right, mate? It's all right. It's all right. | 0:46:06 | 0:46:11 | |
What you got for me? | 0:46:11 | 0:46:13 | |
Please, no! No! | 0:46:13 | 0:46:15 | |
HE MOANS | 0:46:15 | 0:46:16 | |
Get off me! I'll shoot you. | 0:46:16 | 0:46:19 | |
Have they found Kevin? | 0:46:54 | 0:46:56 | |
Oh, um, I've heard nothing. | 0:46:56 | 0:46:58 | |
They're keeping DI Hunter in overnight for observation - against his will, by all accounts. | 0:46:58 | 0:47:03 | |
Seems he's fine. | 0:47:03 | 0:47:04 | |
Nikki. I need some advice. | 0:47:07 | 0:47:09 | |
I'm well-known to be able to give advice on all manner of things - | 0:47:11 | 0:47:15 | |
relationships, restaurants, holiday destinations. | 0:47:15 | 0:47:18 | |
I hope it's not cars - I'm not good on cars. | 0:47:18 | 0:47:21 | |
All right. What about barbiturates and anti-emetics? | 0:47:21 | 0:47:24 | |
Blood results of Noreen Fielden. | 0:47:26 | 0:47:27 | |
Remember the woman with the two sons? Just got them. | 0:47:27 | 0:47:30 | |
There's your barbiturate, there's your anti-emetic. | 0:47:30 | 0:47:34 | |
-They're euthanasia drugs. -Yeah. -Suicide? | 0:47:36 | 0:47:39 | |
Was Noreen Fielden capable of | 0:47:42 | 0:47:44 | |
administering the suicide drugs herself? | 0:47:44 | 0:47:46 | |
She had dementia. | 0:47:46 | 0:47:48 | |
Even if she was physically capable, | 0:47:48 | 0:47:49 | |
would she have known what she was doing? | 0:47:49 | 0:47:51 | |
Your results aren't good. | 0:47:52 | 0:47:54 | |
We should not put value judgments on results. | 0:47:54 | 0:47:57 | |
Value judgment isn't on the result. It's on the situation. | 0:47:57 | 0:48:00 | |
Somebody helped her. | 0:48:00 | 0:48:01 | |
Yeah. I think they did. I'll tell the coroner and the police. | 0:48:01 | 0:48:05 | |
-That was the advice you wanted? -Uh. | 0:48:05 | 0:48:07 | |
Her boys wanted to bury her. | 0:48:08 | 0:48:09 | |
This should have been routine. | 0:48:12 | 0:48:14 | |
You weren't looking for advice. You wanted an accomplice. | 0:48:14 | 0:48:17 | |
Goodnight. | 0:48:28 | 0:48:29 | |
Bye. | 0:48:31 | 0:48:32 | |
THEY LAUGH | 0:48:32 | 0:48:33 | |
Hello, there. Yeah, OK. Jump in. | 0:48:37 | 0:48:40 | |
Serena? | 0:49:09 | 0:49:10 | |
Serena? | 0:49:13 | 0:49:15 | |
-Serena. Are you OK? -Yes. OK. | 0:49:20 | 0:49:24 | |
Happy. | 0:49:26 | 0:49:28 | |
Come on. | 0:49:33 | 0:49:34 | |
We're going. | 0:49:36 | 0:49:38 | |
No, please don't do this to me. | 0:49:38 | 0:49:44 | |
I don't want to leave. | 0:49:44 | 0:49:46 | |
I can't leave. | 0:49:46 | 0:49:49 | |
I'm sorry but we HAVE to go. | 0:49:50 | 0:49:53 | |
Yes. I'm calling from Kingscote Bows. | 0:50:27 | 0:50:30 | |
Two of our residents are missing. | 0:50:30 | 0:50:33 | |
Serena Prentice and Kevin McDowd. | 0:50:33 | 0:50:37 | |
Yes. I reported him missing yesterday. They know each other. | 0:50:38 | 0:50:42 | |
Yes, of course, it's possible they're together. | 0:50:43 | 0:50:47 | |
SHE LAUGHS | 0:51:29 | 0:51:31 | |
One, two, three, four, five, six. Everywhere! | 0:51:33 | 0:51:38 | |
-Are you OK? -Yeah. | 0:52:23 | 0:52:25 | |
-Are you OK? -Yes. | 0:52:27 | 0:52:31 | |
-KEVIN: -I'm sorry but we have to go. | 0:52:49 | 0:52:52 | |
-SERENA: -No, Kevin. I don't want to leave. | 0:52:53 | 0:52:58 | |
Jack? Thomas! | 0:52:58 | 0:53:00 | |
Don't do this to me. | 0:53:00 | 0:53:02 | |
What is it? | 0:53:04 | 0:53:05 | |
-KEVIN: -I'm sorry but we have to go. | 0:53:05 | 0:53:09 | |
This is on Jacquelyn McDowd's computer. | 0:53:09 | 0:53:12 | |
-It was filmed four hours ago. SERENA: -I don't want to leave. | 0:53:12 | 0:53:14 | |
What's going on? I can't see anything. | 0:53:14 | 0:53:17 | |
The camera's not pointing into the room. | 0:53:17 | 0:53:18 | |
Please don't do this to me. | 0:53:18 | 0:53:22 | |
Is he kidnapping her? | 0:53:22 | 0:53:24 | |
-KEVIN: -You see this? I will buy this for you. | 0:53:24 | 0:53:29 | |
We can make this our home. | 0:53:29 | 0:53:30 | |
I have to ask you to leave. | 0:53:31 | 0:53:32 | |
But we didn't do anything. | 0:53:34 | 0:53:36 | |
It's all right, Kevin. | 0:53:36 | 0:53:38 | |
-We close at dusk. -It's still light. | 0:53:38 | 0:53:40 | |
But we're closing now. | 0:53:41 | 0:53:42 | |
I said, if you don't leave, I will get my gun and shoot you! | 0:53:42 | 0:53:46 | |
Kevin, it's all right. | 0:53:49 | 0:53:52 | |
It's all right, Kevin. | 0:53:53 | 0:53:55 | |
-So you told him you were closing. -Yeah. | 0:54:03 | 0:54:05 | |
-And then what did he say? -He said he'd shoot me. | 0:54:06 | 0:54:09 | |
-RADIO: -Suspect is learning disabled, | 0:54:24 | 0:54:26 | |
has a history of violence and may be armed. | 0:54:26 | 0:54:28 | |
No visuals of the suspect. | 0:54:45 | 0:54:46 | |
One day. | 0:55:18 | 0:55:19 | |
I love you. | 0:55:21 | 0:55:22 | |
You too, Serena. | 0:55:24 | 0:55:25 | |
-Are we set? -I have him. | 0:55:35 | 0:55:37 | |
Are you Kevin? | 0:55:55 | 0:55:57 | |
Yes. | 0:55:59 | 0:56:00 | |
I need you to let Serena go. | 0:56:00 | 0:56:03 | |
But Serena doesn't want to go. | 0:56:03 | 0:56:05 | |
I understand that, mate, but you're going to have to let her go. | 0:56:05 | 0:56:08 | |
-She's safer with me. -Serena needs her medication. | 0:56:08 | 0:56:12 | |
She's not going back to the home. | 0:56:12 | 0:56:13 | |
Kevin, let's not get ourselves in any more trouble. | 0:56:15 | 0:56:18 | |
I said, she's safer WITH ME! | 0:56:18 | 0:56:19 | |
Step away from her now, with your hands in the air. | 0:56:19 | 0:56:23 | |
Now, you're going to have to let her go, Kevin. | 0:56:23 | 0:56:25 | |
No. Leave us alone. Please! | 0:56:25 | 0:56:26 | |
GUNSHOT | 0:56:26 | 0:56:28 | |
-Hold your fire! -No! -Hold your fire. | 0:56:28 | 0:56:31 | |
SERENA CRIES | 0:56:31 | 0:56:33 | |
Gun trauma. White male, early 20s. | 0:56:34 | 0:56:37 | |
SERENA CRIES | 0:56:37 | 0:56:39 | |
Kevin! KEVIN! | 0:56:40 | 0:56:44 | |
SERENA SOBS | 0:56:44 | 0:56:46 | |
Kevin! | 0:56:49 | 0:56:51 | |
# Testator silens | 0:56:54 | 0:57:02 | |
# Costestes e spiritu | 0:57:04 | 0:57:11 | |
# Silentium. # | 0:57:11 | 0:57:19 |