Browse content similar to A Long Time Coming. Check below for episodes and series from the same categories and more!
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This programme/film contains very strong language | 0:00:02 | 0:00:04 | |
If this is what you think the country needs you to do, then do it. | 0:00:04 | 0:00:07 | |
Let's talk about this when I get back to DC. | 0:00:07 | 0:00:10 | |
Where's my money? | 0:00:10 | 0:00:13 | |
I don't have time for this shit, man. Move. | 0:00:13 | 0:00:15 | |
HE GRUNTS, CRIES | 0:00:15 | 0:00:17 | |
SHE INHALES | 0:00:17 | 0:00:18 | |
-WOMAN SCREAMING -Oh, my God! Holy shit! | 0:00:18 | 0:00:21 | |
What's the matter with you? Call an ambulance! | 0:00:21 | 0:00:24 | |
Uh, you said that there was no one here besides you when Logan OD'ed. | 0:00:24 | 0:00:27 | |
Don't worry so much, Teddy Mack. | 0:00:27 | 0:00:29 | |
HORNS HONKING IN DISTANCE | 0:00:36 | 0:00:38 | |
SIREN WAILING IN DISTANCE | 0:00:47 | 0:00:48 | |
JULIA'S VOICE ON RECORDING I like this one that you started. | 0:00:57 | 0:01:00 | |
PAUL BABBLES Who's that? Is that Daddy? | 0:01:00 | 0:01:03 | |
-Dada. -Oh, that's Daddy's house? | 0:01:03 | 0:01:05 | |
PAUL LAUGHS You drew your house. | 0:01:05 | 0:01:07 | |
-We going! -Hey, do you want to say "hi"? | 0:01:07 | 0:01:09 | |
You going to say, "Hi, Daddy"? Say "hi" to Daddy? | 0:01:09 | 0:01:12 | |
-No. -Do you wanna show... | 0:01:12 | 0:01:13 | |
Do you wanna...do you wanna tell Daddy your new word? | 0:01:13 | 0:01:15 | |
PAUL BABBLES, THEY LAUGH | 0:01:15 | 0:01:17 | |
Yeah! | 0:01:19 | 0:01:21 | |
Oh, you're a good boy. HE BABBLES | 0:01:21 | 0:01:23 | |
Oh... Can you say...? HE BABBLES | 0:01:23 | 0:01:26 | |
Oh, almost! You ready? I'm gonna throw it to you now. | 0:01:26 | 0:01:30 | |
-Ready for the ball? -Ready! | 0:01:30 | 0:01:32 | |
Oh! SHE LAUGHS | 0:01:32 | 0:01:34 | |
PAUL GIGGLES, SQUEALING | 0:01:34 | 0:01:36 | |
LAUGHING Mommy fell over! | 0:01:36 | 0:01:40 | |
But I caught it. | 0:01:40 | 0:01:42 | |
HE BABBLES | 0:01:42 | 0:01:44 | |
That was such a good catch! Can you throw it back to Mommy? | 0:01:44 | 0:01:47 | |
SHE LAUGHS Yay! | 0:01:47 | 0:01:49 | |
I drop it! | 0:01:50 | 0:01:51 | |
What about this? You wanna keep drawing with me? | 0:01:51 | 0:01:54 | |
RECORDING STOPS, LINE RINGS | 0:01:54 | 0:01:55 | |
-Hello? -Hi. How's the head? | 0:01:55 | 0:01:59 | |
I'll never complain about a migraine again. | 0:01:59 | 0:02:02 | |
How'd it go with Avi? | 0:02:02 | 0:02:04 | |
-Ah, it was fine. -HE SIGHS | 0:02:04 | 0:02:06 | |
Wish I could say the same for the Mexicans. | 0:02:06 | 0:02:08 | |
What happened? | 0:02:08 | 0:02:09 | |
Lucia didn't have the money. | 0:02:09 | 0:02:11 | |
Puta madre. | 0:02:11 | 0:02:14 | |
I gave her 48 hours to come up with it, | 0:02:14 | 0:02:15 | |
but I don't trust she's gonna come through, | 0:02:15 | 0:02:17 | |
so I need you to start looking for another buyer. | 0:02:17 | 0:02:19 | |
-HE SIGHS -Why can't you do it? | 0:02:19 | 0:02:21 | |
Because I am going to DC, | 0:02:21 | 0:02:24 | |
and then to San Antonio to make sure that the guns get to the Contras. | 0:02:24 | 0:02:29 | |
You remember what I told you about me not being a drug dealer? | 0:02:29 | 0:02:33 | |
All right, the sooner we get the money, | 0:02:33 | 0:02:35 | |
the sooner we can get the supplies to your people, | 0:02:35 | 0:02:37 | |
so just do what you can, okay? | 0:02:37 | 0:02:39 | |
I'll see you in a day or two. | 0:02:39 | 0:02:41 | |
-Bye. -LINE DISCONNECTS | 0:02:41 | 0:02:42 | |
HE SIGHS | 0:02:46 | 0:02:47 | |
-She probably... Oh, my God. -Right there, right there. | 0:03:05 | 0:03:08 | |
-How old is she again? -Who gives a shit? She fine. | 0:03:08 | 0:03:12 | |
-Hey, I'd hit that. -After I finish, nigga. | 0:03:12 | 0:03:14 | |
-I'm-a smack that shit up. -Man, she is fine. | 0:03:14 | 0:03:16 | |
That thing... I'm-a smack it. | 0:03:16 | 0:03:18 | |
What is wrong with you two? Claudia. | 0:03:18 | 0:03:21 | |
Meet Leon Simmons and Kevin Hamilton, my business partners. | 0:03:22 | 0:03:25 | |
Is there a Big Brother Big Sister meeting around here | 0:03:25 | 0:03:27 | |
I don't know about? | 0:03:27 | 0:03:30 | |
Um, FKL Incorporated at your service, ma'am. | 0:03:30 | 0:03:33 | |
Nigga, no. F-L-K Incorporated. | 0:03:33 | 0:03:35 | |
-Since when? -Nigga, you just got here. | 0:03:35 | 0:03:37 | |
Take these clowns back to the circus, please. | 0:03:37 | 0:03:39 | |
What you say, lady? We about business. | 0:03:39 | 0:03:41 | |
Look, lil' nigga, the only business you about, | 0:03:41 | 0:03:43 | |
you pick up a rag and start polishing wood. | 0:03:43 | 0:03:46 | |
Otherwise, I need you and your butt boy to get the fuck out of here. | 0:03:46 | 0:03:49 | |
-Did she just... -I'll handle it, man. It's all good. | 0:03:49 | 0:03:52 | |
Y'all getting paid either way. | 0:03:52 | 0:03:54 | |
Busted old bitch! | 0:03:54 | 0:03:56 | |
Forget her. Come on. | 0:03:56 | 0:03:57 | |
She don't know who she talkin' to. | 0:03:57 | 0:03:59 | |
I thought you was serious, young blood. | 0:04:02 | 0:04:05 | |
I am. | 0:04:05 | 0:04:06 | |
I just need folks I can trust. | 0:04:07 | 0:04:10 | |
You know what a cliche is? | 0:04:11 | 0:04:13 | |
Uh-huh. | 0:04:15 | 0:04:16 | |
Well, I'm gonna hit you with one right now. | 0:04:16 | 0:04:19 | |
The stuff you dealing in, | 0:04:19 | 0:04:21 | |
ain't nobody you can trust. | 0:04:21 | 0:04:23 | |
I'm only taking two. | 0:04:25 | 0:04:26 | |
Well, I've got four, and they all pure. | 0:04:26 | 0:04:30 | |
I told you, I am a purveyor of entertainment, | 0:04:30 | 0:04:32 | |
not a drug dealer. | 0:04:32 | 0:04:34 | |
Okay. | 0:04:37 | 0:04:38 | |
You know anybody...who might be interested? | 0:04:40 | 0:04:43 | |
No, Franklin, I do not know anybody who'd be interested. | 0:04:43 | 0:04:45 | |
Didn't you learn anything in your encounter with Lenny and Ray-Ray? | 0:04:45 | 0:04:48 | |
You're gonna have to get your dead presidents someplace else. | 0:04:48 | 0:04:51 | |
You stick around these four blocks, | 0:04:51 | 0:04:53 | |
you bound to catch fire. | 0:04:53 | 0:04:54 | |
Another cliche? | 0:04:55 | 0:04:57 | |
A prophecy. | 0:04:57 | 0:04:59 | |
You like that? | 0:05:03 | 0:05:05 | |
If you ever want me to teach you something, | 0:05:07 | 0:05:09 | |
you just come on back through, 'kay? | 0:05:09 | 0:05:11 | |
Till then, beat it. I'm busy. | 0:05:13 | 0:05:16 | |
It's like when the X-Men went up against the Hellfire Club. | 0:05:24 | 0:05:26 | |
How the hell they know how it's gonna go down? | 0:05:26 | 0:05:28 | |
Jean Gray fucked them over. | 0:05:28 | 0:05:30 | |
And all Mastermind had to do to get her to be the Black Queen | 0:05:30 | 0:05:34 | |
was get inside her head. | 0:05:34 | 0:05:36 | |
You do that to a trick, you'll have her forever. | 0:05:36 | 0:05:40 | |
What the fuck is you talking about? I thought you liked Phoenix. | 0:05:40 | 0:05:42 | |
No one ever really liked Phoenix. | 0:05:42 | 0:05:45 | |
Her soul was corrupted. | 0:05:45 | 0:05:47 | |
Look at this here. | 0:05:49 | 0:05:51 | |
Bitch-ass niggas out here, three for one. | 0:05:51 | 0:05:54 | |
Out here slippin'. | 0:05:54 | 0:05:56 | |
Hey, you sure you wanna take it there? | 0:05:56 | 0:05:58 | |
I mean, we robbed them, and they got us back. | 0:05:58 | 0:06:01 | |
Maybe we could let this shit slide... | 0:06:01 | 0:06:03 | |
Hey, niggas broke into my spot. | 0:06:03 | 0:06:04 | |
Tied me up and hit me with a motherfucking baseball bat, | 0:06:04 | 0:06:07 | |
and you talkin' about letting that shit ride, nigga? | 0:06:07 | 0:06:09 | |
What the fuck wrong with you? | 0:06:09 | 0:06:11 | |
Okay. | 0:06:11 | 0:06:13 | |
-I'm ready. -You rollin', nigga? -I'm ready. -You ready, nigga? | 0:06:13 | 0:06:17 | |
What? | 0:06:17 | 0:06:18 | |
Roll your window down. | 0:06:22 | 0:06:24 | |
What the fuck's wrong with the window, man? | 0:06:25 | 0:06:28 | |
It's not fucking opening. I need to roll the window down. | 0:06:28 | 0:06:31 | |
Is there a problem? | 0:06:34 | 0:06:36 | |
Don't know. | 0:06:36 | 0:06:37 | |
-What you boys doing here? -Nothin'. | 0:06:37 | 0:06:40 | |
We just cruisin'. | 0:06:40 | 0:06:42 | |
Then cruise. | 0:06:42 | 0:06:44 | |
I know you don't live around here. | 0:06:44 | 0:06:46 | |
So move along. | 0:06:46 | 0:06:48 | |
Or I can start my day off right by making an arrest. | 0:06:48 | 0:06:52 | |
Let's go, man. | 0:06:52 | 0:06:53 | |
Come on, man. | 0:06:55 | 0:06:57 | |
INDISTINCT CONVERSATION | 0:06:57 | 0:06:59 | |
All right. | 0:07:01 | 0:07:02 | |
My Mom's not home, too. | 0:07:08 | 0:07:10 | |
I know. I dropped her off. | 0:07:10 | 0:07:11 | |
-I can't wait to see this money. -You stupid. | 0:07:11 | 0:07:13 | |
LAUGHS | 0:07:13 | 0:07:15 | |
-Whoo! -Hoo-hoo! -THEY LAUGH | 0:07:25 | 0:07:27 | |
Oh, my God! | 0:07:27 | 0:07:30 | |
THEY WHOOP | 0:07:30 | 0:07:32 | |
Oh, yeah! Get that shit! Get that shit! | 0:07:32 | 0:07:35 | |
We rich! | 0:07:35 | 0:07:36 | |
Hey. Who your daddy? Who's your daddy? | 0:07:36 | 0:07:39 | |
What you call that bird? Melody? | 0:07:39 | 0:07:41 | |
Man, shut up, man. | 0:07:41 | 0:07:43 | |
-You know you want that doughnut-eater's daughter. -Agh! | 0:07:43 | 0:07:46 | |
And he got his shoes on my bed! | 0:07:46 | 0:07:48 | |
You can buy a new bed! | 0:07:48 | 0:07:50 | |
Keep her name out your mouth. | 0:07:50 | 0:07:52 | |
Get your own Melody. | 0:07:52 | 0:07:53 | |
Damn, nigga! | 0:07:53 | 0:07:55 | |
-Hey, you ever done it before? -What? With Melody? | 0:07:55 | 0:07:58 | |
No, get your head out of her ass, I'm talking about this nose candy. | 0:07:58 | 0:08:01 | |
Nah, man, that's the cardinal rule - | 0:08:01 | 0:08:03 | |
-don't get high on your own supply. -Motherfucker, | 0:08:03 | 0:08:05 | |
how we supposed to sell it if we don't know what it's like? | 0:08:05 | 0:08:06 | |
People who buy coke know what it feel like, dumbass. | 0:08:06 | 0:08:09 | |
Now, stop messing around and help me cut this shit. | 0:08:09 | 0:08:12 | |
-Man, cut it yourself. -Get your shoes off my bed, man! | 0:08:12 | 0:08:14 | |
Stop talking about this stupid bed, man. | 0:08:14 | 0:08:16 | |
LAUGHTER | 0:08:16 | 0:08:19 | |
Careful with that shit, man. | 0:08:21 | 0:08:23 | |
Hey, so you said 3/4's cocaine and... | 0:08:23 | 0:08:27 | |
1/4 baby formula, right? | 0:08:27 | 0:08:29 | |
-Uh-huh. -How you know that? | 0:08:29 | 0:08:30 | |
Israeli. | 0:08:30 | 0:08:31 | |
Hey, so how many of these bags are we supposed to be making? | 0:08:33 | 0:08:35 | |
Many as we can. | 0:08:35 | 0:08:36 | |
Probably go a little faster if we had some powder to help us out. | 0:08:36 | 0:08:39 | |
-Mm-hmm. -Claudia right about y'all two, man, huh? | 0:08:39 | 0:08:41 | |
You a couple clowns or you businessmen? | 0:08:41 | 0:08:43 | |
We a couple of clowns, fool. LAUGHS | 0:08:43 | 0:08:47 | |
KNOCKING ON DOOR | 0:08:47 | 0:08:49 | |
-Oh, shit! -Hide the shit and keep quiet. I got this. | 0:08:49 | 0:08:51 | |
-No, no, no! -You crazy? -Don't answer it! | 0:08:51 | 0:08:54 | |
-I'm-a just see who it is. -Hey, hey, man. How we supposed to hide this? | 0:08:54 | 0:08:57 | |
Figure it out. | 0:08:57 | 0:08:58 | |
Shit! I got the money, I got the money. | 0:08:58 | 0:09:01 | |
KNOCK ON FRONT DOOR Fuck! | 0:09:01 | 0:09:02 | |
-Let's get to work. -Oh, man. Uh, shit. | 0:09:19 | 0:09:22 | |
It's only Mel, man. | 0:09:22 | 0:09:24 | |
We was just talking about you! | 0:09:24 | 0:09:27 | |
Hey, y'all...y'all trippin', man! It's just Melly Mel! | 0:09:28 | 0:09:31 | |
-How you doin', girl? -What y'all doing? | 0:09:31 | 0:09:34 | |
Damn! | 0:09:34 | 0:09:35 | |
Great fucking hiding job! | 0:09:35 | 0:09:37 | |
-I want some! -See, listen to your girl, man. | 0:09:39 | 0:09:41 | |
-That's what I was saying. -For the last time, | 0:09:41 | 0:09:43 | |
-ain't nobody doing this damn coke! Damn! -You gonna sell it? | 0:09:43 | 0:09:46 | |
-Listen, I can help you sell it. -You're not helping, Mel. | 0:09:46 | 0:09:48 | |
We need to go back to Volpes, all right? | 0:09:48 | 0:09:50 | |
They got titties all over the place, | 0:09:50 | 0:09:52 | |
and your friend's mom is fine, too. I saw half her pussy the last time. | 0:09:52 | 0:09:54 | |
-Which half? -The Volpes already got enough coke, | 0:09:54 | 0:09:57 | |
and I ain't nickel-and-diming in the Valley. | 0:09:57 | 0:09:58 | |
-That's how you get arrested. -All right, all right. | 0:09:58 | 0:10:00 | |
-What about, like, Bel Air or some shit? -Ah-ah! | 0:10:00 | 0:10:03 | |
I heard folks up there got coin. | 0:10:03 | 0:10:04 | |
You wanna go door-to-door in Bel Air like we selling candy bars? | 0:10:04 | 0:10:06 | |
I don't know why y'all trippin'. | 0:10:06 | 0:10:08 | |
I told y'all I got a cousin named Devawn up in Oakland. | 0:10:08 | 0:10:11 | |
He got a gang of connections! We could take a road trip. | 0:10:11 | 0:10:14 | |
-Road trip? -Yeah. Hell, yeah! | 0:10:14 | 0:10:15 | |
Right? You wanna go on a road trip, Melly Mel? | 0:10:15 | 0:10:18 | |
-Maybe. -Yeah? -Y'all are sounding crazy. | 0:10:18 | 0:10:20 | |
-Y'all did some, didn't you? -No. | 0:10:20 | 0:10:22 | |
MEL STIFLES LAUGH | 0:10:26 | 0:10:28 | |
-Get your black asses out my house. -Hey, man... | 0:10:28 | 0:10:29 | |
Hey, what'd it feel like? | 0:10:29 | 0:10:31 | |
-Ah, man, I can't even... -Franklin, this shit's amazing! | 0:10:31 | 0:10:32 | |
I can't believe you. | 0:10:32 | 0:10:34 | |
-Come on, man. -Hey, man! Hold up! Where you gonna sell this shit at? | 0:10:34 | 0:10:37 | |
-Once I figure that out... -Hey! -..and y'all two fools sober up... | 0:10:37 | 0:10:40 | |
-Why I gotta leave?! -..I'll let y'all know, because I got shit to do. | 0:10:40 | 0:10:42 | |
-Hey, come on, man. -Things I gotta do. -Dang. | 0:10:42 | 0:10:45 | |
Man, get out. | 0:10:45 | 0:10:47 | |
Let's go find a pool or something, man. | 0:10:47 | 0:10:49 | |
Hey, man, I wanna swim. Don't y'all wanna swim? | 0:10:49 | 0:10:51 | |
-You don't know how to swim. -Man, of course I know how to swim. | 0:10:51 | 0:10:53 | |
Hey, you know, you look so good in bikinis... | 0:10:53 | 0:10:55 | |
-I'll take that, thank you. -Thanks, man. -You're welcome. | 0:10:55 | 0:10:57 | |
-Hey. -Come on, mnan. -Hey, don't shut us out. Hey! | 0:10:57 | 0:11:00 | |
How many of these places do you wanna check? | 0:11:01 | 0:11:04 | |
As many as we have to. | 0:11:04 | 0:11:06 | |
He might be dead already. | 0:11:09 | 0:11:11 | |
So, you know him from Texas? | 0:11:15 | 0:11:17 | |
Mm-hmm. | 0:11:17 | 0:11:18 | |
From foster care. | 0:11:19 | 0:11:21 | |
We came to LA together. | 0:11:22 | 0:11:23 | |
Why didn't you guys keep in touch? | 0:11:25 | 0:11:26 | |
Hernan. | 0:11:55 | 0:11:56 | |
What the fuck are you doing here? | 0:12:08 | 0:12:10 | |
Looking for you, ese. | 0:12:12 | 0:12:14 | |
I want to talk to you. | 0:12:15 | 0:12:17 | |
-You brought your girlfriend? -Business partner. Lucia. | 0:12:18 | 0:12:22 | |
Nice to meet you. | 0:12:22 | 0:12:24 | |
I don't know what kind of business you got with Gustavo, | 0:12:26 | 0:12:29 | |
but watch your back. | 0:12:29 | 0:12:30 | |
He tends to run when things get scary. | 0:12:30 | 0:12:33 | |
Right, vato? | 0:12:35 | 0:12:37 | |
How you doing, Hernan? | 0:12:39 | 0:12:40 | |
I don't know yet. | 0:12:41 | 0:12:43 | |
Any gang in the city would kill to have access to our product. | 0:12:48 | 0:12:51 | |
Why the fuck you talking to me like you know me, jaina? | 0:12:51 | 0:12:54 | |
Hernan... | 0:12:54 | 0:12:56 | |
all we're asking for is an introduction. | 0:12:56 | 0:12:59 | |
Those guys out there, they're my brothers now. | 0:12:59 | 0:13:02 | |
I say the word, and they bash both your fucking heads in. | 0:13:02 | 0:13:05 | |
They're gonna pay your bills, too? | 0:13:06 | 0:13:08 | |
Hmm? | 0:13:09 | 0:13:10 | |
They're gonna look after Nuvia and the children once you're gone? | 0:13:11 | 0:13:14 | |
With dialysis, you live, what? Five years? | 0:13:19 | 0:13:22 | |
My aunt lasted maybe three. | 0:13:22 | 0:13:24 | |
Right? | 0:13:29 | 0:13:30 | |
You can't afford not to help us, ese. | 0:13:34 | 0:13:36 | |
What are you offering? | 0:13:39 | 0:13:41 | |
A cut from everything Los Monarcas buy. | 0:13:44 | 0:13:47 | |
Set up the meet. | 0:13:51 | 0:13:52 | |
And if Stomper tells you to go fuck yourself? | 0:13:54 | 0:13:57 | |
Then we'll give you a half-ounce of blow. | 0:13:57 | 0:13:59 | |
Just for your trouble. | 0:13:59 | 0:14:01 | |
I owe you, vato. | 0:14:04 | 0:14:06 | |
I owe you. Let me pay you back. | 0:14:08 | 0:14:10 | |
Orale. | 0:14:11 | 0:14:12 | |
So, the guns are being held up at the depot | 0:14:16 | 0:14:19 | |
by this mid-level prick who thinks | 0:14:19 | 0:14:21 | |
he isn't getting enough respect from the Contras. | 0:14:21 | 0:14:23 | |
I'm sure the Ambassador just wants to be taken into consideration. | 0:14:23 | 0:14:26 | |
Okay, well, while he's waiting for his ego | 0:14:26 | 0:14:29 | |
to be properly stroked, our guys are dying down there. | 0:14:29 | 0:14:33 | |
It'll take some time to smooth it over with the prick. | 0:14:33 | 0:14:36 | |
How much time? | 0:14:36 | 0:14:37 | |
You really want another Bay of Pigs on your hands? | 0:14:37 | 0:14:39 | |
I thought you had this under control. | 0:14:40 | 0:14:43 | |
-I do. -And yet, here we are. | 0:14:43 | 0:14:45 | |
Look, I just need...a little push. | 0:14:45 | 0:14:48 | |
Be nice if it came from the top. | 0:14:49 | 0:14:51 | |
Looks like you had some trouble in Honduras. | 0:14:53 | 0:14:55 | |
I-I don't... What does that mean? | 0:14:56 | 0:14:58 | |
Do you need someone else working with you on this? | 0:14:58 | 0:15:01 | |
No. | 0:15:01 | 0:15:02 | |
I-I already have somebody. | 0:15:02 | 0:15:04 | |
He's a Nicaraguan national. He's military-trained. | 0:15:04 | 0:15:06 | |
He knows what the stakes are. | 0:15:06 | 0:15:07 | |
Okay, here's the progress report for the President. | 0:15:07 | 0:15:11 | |
The Contras will have everything they need once they get those guns. | 0:15:11 | 0:15:13 | |
You say that again | 0:15:15 | 0:15:16 | |
and you'll spend the rest of your career behind a desk. | 0:15:16 | 0:15:19 | |
Maybe I can go around the Ambassador, | 0:15:21 | 0:15:23 | |
hit up a buddy at the depot, might expedite things. | 0:15:23 | 0:15:25 | |
I'd appreciate that. | 0:15:26 | 0:15:27 | |
You look like shit, Teddy. | 0:15:29 | 0:15:31 | |
I appreciate that, too. | 0:15:32 | 0:15:34 | |
I hope I haven't made a mistake with you. | 0:15:36 | 0:15:39 | |
You haven't. | 0:15:39 | 0:15:40 | |
PHONE RINGS | 0:15:52 | 0:15:54 | |
-Hello? -Hey! | 0:15:57 | 0:16:00 | |
It's me. | 0:16:00 | 0:16:01 | |
Hi. | 0:16:02 | 0:16:04 | |
Yeah, I, uh, I tried the office. They said that you were home. | 0:16:05 | 0:16:08 | |
Sorry. | 0:16:14 | 0:16:15 | |
Were we supposed to talk today? | 0:16:16 | 0:16:18 | |
Wh... No, I'm here. I'm... I'm in DC. | 0:16:19 | 0:16:22 | |
-I landed this afternoon. -Oh. | 0:16:22 | 0:16:25 | |
You know, I-I had a-a meeting with James, | 0:16:26 | 0:16:28 | |
but also I was, uh, I was hoping I could see you. | 0:16:28 | 0:16:31 | |
About? | 0:16:32 | 0:16:33 | |
Okay. Um... | 0:16:35 | 0:16:37 | |
You know, I've...I've been doing a lot of thinking. | 0:16:39 | 0:16:41 | |
Um... | 0:16:41 | 0:16:42 | |
Soul searching or whatever. | 0:16:43 | 0:16:45 | |
Look, I-I haven't stopped thinking about you guys | 0:16:45 | 0:16:47 | |
since you were in Los Angeles. | 0:16:47 | 0:16:49 | |
And, um, I want us to be together. | 0:16:49 | 0:16:52 | |
-And I miss you and... -Teddy, stop. | 0:16:52 | 0:16:54 | |
-No, just hear me out, please. -Stop. -Give me that much, at least. | 0:16:54 | 0:16:57 | |
You know, I-I could've just shown up at your door, | 0:16:57 | 0:16:59 | |
but I'm trying to do this the right way. | 0:16:59 | 0:17:02 | |
Please. | 0:17:02 | 0:17:03 | |
Julia. | 0:17:05 | 0:17:06 | |
If you come over, | 0:17:06 | 0:17:08 | |
I don't want any bullshit. | 0:17:08 | 0:17:11 | |
Yeah. | 0:17:11 | 0:17:12 | |
And I don't know if I want us to be together. | 0:17:12 | 0:17:14 | |
I understand. | 0:17:16 | 0:17:17 | |
I want Thai food. | 0:17:19 | 0:17:21 | |
I'll see you at 8:00. | 0:17:22 | 0:17:24 | |
Hey. | 0:17:29 | 0:17:31 | |
Mmm-mm! Yeah, baby. | 0:17:31 | 0:17:33 | |
HE CHUCKLES | 0:17:36 | 0:17:38 | |
Uh! Toll House! | 0:17:38 | 0:17:40 | |
How many you want? | 0:17:42 | 0:17:43 | |
-Uh, two. -Ooh! | 0:17:43 | 0:17:45 | |
Thanks. | 0:17:45 | 0:17:47 | |
Ah! | 0:17:47 | 0:17:49 | |
Yeah. | 0:17:50 | 0:17:52 | |
A man gotta know how to survive. | 0:17:52 | 0:17:55 | |
Louie leave me, I know how to eat. | 0:17:55 | 0:17:57 | |
Why you laughing? | 0:17:59 | 0:18:00 | |
Um... | 0:18:01 | 0:18:02 | |
For the gun. | 0:18:06 | 0:18:09 | |
-Oh, yeah? -Mm. | 0:18:09 | 0:18:11 | |
Something tell me this more than the reason why you here. | 0:18:11 | 0:18:14 | |
Look, man, I... | 0:18:17 | 0:18:19 | |
I know you don't want in on the coke business. | 0:18:20 | 0:18:23 | |
I just wanna know why. | 0:18:24 | 0:18:26 | |
I-I mean, you smart, plenty hard. | 0:18:26 | 0:18:29 | |
Hmm. | 0:18:29 | 0:18:30 | |
And I know you like that paper. | 0:18:30 | 0:18:33 | |
So if you ain't in the game, there's gotta be a good reason. | 0:18:33 | 0:18:36 | |
About 18 months ago, | 0:18:36 | 0:18:38 | |
some niggas jacked this Mexican diesel truck. | 0:18:38 | 0:18:40 | |
Full of cocaine. | 0:18:40 | 0:18:42 | |
Before that, we were somewhat alright with the Mexicans. | 0:18:42 | 0:18:45 | |
And a lot of people got tapped behind that situation. | 0:18:45 | 0:18:48 | |
And that's the first reason I don't fuck with no yeyo. | 0:18:48 | 0:18:52 | |
SHE LAUGHS GENTLY | 0:18:52 | 0:18:53 | |
Rule number two, 'cause there ain't no winners. | 0:18:53 | 0:18:57 | |
Them pigs, they ready to put you in the clink. | 0:18:57 | 0:18:59 | |
-And they will. -Mm-hmm. | 0:18:59 | 0:19:01 | |
Now, rule number three... | 0:19:01 | 0:19:02 | |
..you gotta sell to white folk. | 0:19:04 | 0:19:06 | |
Them places where you gonna stick out, | 0:19:07 | 0:19:09 | |
target on your back. | 0:19:10 | 0:19:11 | |
That's right. | 0:19:11 | 0:19:13 | |
THEY CHUCKLE | 0:19:13 | 0:19:14 | |
There's gotta be a way I can do this without ending up dead or in jail. | 0:19:14 | 0:19:19 | |
Only way you can make it safe | 0:19:19 | 0:19:20 | |
is selling right here, in your own hood. | 0:19:20 | 0:19:24 | |
Just like I do with my bud. | 0:19:24 | 0:19:26 | |
Look, they can't afford no blow. | 0:19:29 | 0:19:31 | |
Take him to Knees'. | 0:19:33 | 0:19:34 | |
-Who? -Better he hear it from somebody who ain't related to him. | 0:19:37 | 0:19:40 | |
Go and wait out in the car. | 0:19:40 | 0:19:42 | |
Go on. I'll be out there in a minute. | 0:19:44 | 0:19:46 | |
-HE WHISPERS -What? I'm sayin'... | 0:19:51 | 0:19:53 | |
-Appreciate you handling with me. -Mm-hmm. | 0:19:59 | 0:20:02 | |
You sure did change your tune real quick. | 0:20:02 | 0:20:05 | |
What you got up your sleeve? | 0:20:06 | 0:20:07 | |
Nothin'. What you got up yours? | 0:20:07 | 0:20:10 | |
-Mm. -Mmm! | 0:20:10 | 0:20:12 | |
Look like he ain't the only one with a hard head. | 0:20:12 | 0:20:15 | |
You know, if he put his mind on something, | 0:20:17 | 0:20:18 | |
-it's gonna be tough to get him off, right? -Mm. | 0:20:18 | 0:20:21 | |
Gotta go. | 0:20:25 | 0:20:26 | |
PAUL CRYING | 0:20:44 | 0:20:46 | |
It's okay. Keep going. | 0:20:48 | 0:20:51 | |
Oh! Oh, shit. | 0:21:00 | 0:21:02 | |
Oh, shit. | 0:21:02 | 0:21:03 | |
Oh, my God. I've missed that. | 0:21:11 | 0:21:13 | |
I gotta check on Paul. | 0:21:13 | 0:21:14 | |
PAUL CRYING | 0:21:14 | 0:21:17 | |
Oh. | 0:21:17 | 0:21:19 | |
Oh, shit. | 0:21:24 | 0:21:26 | |
Okay. | 0:21:28 | 0:21:29 | |
So...what's changed? | 0:21:40 | 0:21:43 | |
I mean, clearly, something's happened. | 0:21:44 | 0:21:47 | |
Trust me. You don't want the details. | 0:21:47 | 0:21:49 | |
I said no bullshit. | 0:21:49 | 0:21:51 | |
Okay, look, | 0:21:51 | 0:21:52 | |
I know I can be difficult, | 0:21:52 | 0:21:55 | |
um, controlling, myopic. | 0:21:55 | 0:21:58 | |
Holy shit, should I be writing this down? | 0:21:58 | 0:22:00 | |
Okay, I'm admitting that you were right, | 0:22:00 | 0:22:02 | |
that maybe it's better if I can put some distance | 0:22:02 | 0:22:05 | |
between myself and the op. | 0:22:05 | 0:22:07 | |
What kind of distance? | 0:22:07 | 0:22:09 | |
Look, I finish getting everything set up, | 0:22:11 | 0:22:13 | |
I let Alejandro run point, | 0:22:13 | 0:22:14 | |
and then I oversee the whole operation from here. | 0:22:14 | 0:22:17 | |
You think you can do that? | 0:22:17 | 0:22:18 | |
Yeah, I'm in charge. I can do whatever I want. | 0:22:18 | 0:22:20 | |
I don't mean are you allowed to do it. I mean... | 0:22:20 | 0:22:23 | |
can you, Teddy E McDonald, | 0:22:23 | 0:22:25 | |
are you capable of doing that? | 0:22:25 | 0:22:27 | |
Yes. | 0:22:27 | 0:22:29 | |
Yes, if it means being here with you? | 0:22:29 | 0:22:32 | |
Yes. | 0:22:35 | 0:22:36 | |
I mean, come on, I'm dying here. | 0:22:45 | 0:22:47 | |
Be great if you were here. | 0:22:52 | 0:22:54 | |
But a week ago, you seemed pretty intent | 0:22:54 | 0:22:56 | |
on being out front on this thing. | 0:22:56 | 0:22:58 | |
Just, I mean, look... | 0:22:58 | 0:23:01 | |
A lot's happened in the last week, | 0:23:01 | 0:23:03 | |
but, you know, this is just the next step. | 0:23:03 | 0:23:06 | |
I need assurances, which means no half-truths, no hiding. | 0:23:09 | 0:23:12 | |
-Yes, I promise. I promise. -I call, you pick up. | 0:23:12 | 0:23:15 | |
And if you change your mind... | 0:23:15 | 0:23:17 | |
That's not...that's not gonna happen, okay? | 0:23:17 | 0:23:19 | |
Listen, I hear you. | 0:23:19 | 0:23:21 | |
I'm not gonna spend the next 10 years of my life | 0:23:21 | 0:23:24 | |
hanging my heart - and my son's heart - | 0:23:24 | 0:23:26 | |
-on your whims. -Okay, OUR son. | 0:23:26 | 0:23:28 | |
I'm giving you one more shot, Teddy. | 0:23:40 | 0:23:42 | |
Don't screw it up. | 0:23:46 | 0:23:48 | |
The '50s, we had clubs, | 0:23:54 | 0:23:56 | |
not gangs, like the crazy kids nowadays. | 0:23:56 | 0:24:00 | |
Back then, we had clubs, | 0:24:00 | 0:24:03 | |
to protect the neighborhood from the spook hunters. | 0:24:03 | 0:24:06 | |
Bunch of crazy-ass crackers trying to kill us. | 0:24:06 | 0:24:09 | |
We won that fight, though. | 0:24:10 | 0:24:12 | |
By the end of the '60s, whitey had flown away, | 0:24:12 | 0:24:16 | |
-and the hood was ours. -Knees. | 0:24:16 | 0:24:18 | |
We ain't here for no history lesson. | 0:24:18 | 0:24:20 | |
Young blood needs context. | 0:24:20 | 0:24:22 | |
Hand me them darts, man. | 0:24:24 | 0:24:25 | |
From '65 to '70, | 0:24:32 | 0:24:34 | |
there were no black gangs in LA. | 0:24:34 | 0:24:36 | |
We were all too busy protesting. We had purpose. | 0:24:36 | 0:24:40 | |
But when the FBI... | 0:24:43 | 0:24:45 | |
Infiltrated y'all, it destroyed the movement. | 0:24:45 | 0:24:48 | |
My Pop's a Panther. | 0:24:48 | 0:24:49 | |
Fuck you, Knees! | 0:25:08 | 0:25:09 | |
HE GRUNTS, YELPS | 0:25:09 | 0:25:10 | |
I thought you got a divorce. | 0:25:15 | 0:25:17 | |
Activism doesn't pay. | 0:25:19 | 0:25:22 | |
And them Korean soaps be selling like hotcakes. | 0:25:22 | 0:25:26 | |
Look, man, we ain't got all day, huh? | 0:25:26 | 0:25:28 | |
I need you to tell little man the real deal. | 0:25:28 | 0:25:31 | |
Tell him how you lost a nut. | 0:25:31 | 0:25:32 | |
Yeah. | 0:25:34 | 0:25:35 | |
A coke deal went all wrong. | 0:25:35 | 0:25:37 | |
Mexicans had my homeboy on his knees in front of my nutsack. | 0:25:40 | 0:25:43 | |
Bullet went straight through. | 0:25:45 | 0:25:47 | |
So you be careful what you're playing with, boy. | 0:25:47 | 0:25:49 | |
Told you. They run the whole cocaine flow. | 0:25:49 | 0:25:52 | |
One gang does. | 0:25:52 | 0:25:54 | |
I straightened out after I lost my nut. | 0:25:57 | 0:26:00 | |
All my dealings are on the level now. | 0:26:00 | 0:26:02 | |
What gang? | 0:26:02 | 0:26:03 | |
What does it matter? | 0:26:09 | 0:26:11 | |
You fucking with that white girl? | 0:26:11 | 0:26:13 | |
That coke life? | 0:26:13 | 0:26:15 | |
One nut be about the best scenario you can expect. | 0:26:15 | 0:26:18 | |
That's 14 kilos, 3 ounces, 4 grams. | 0:26:25 | 0:26:28 | |
And what are the chances your boy, uh... | 0:26:39 | 0:26:42 | |
Hernan is actually just setting us up to be robbed and killed? | 0:26:42 | 0:26:46 | |
Oh... | 0:26:46 | 0:26:48 | |
50/50. | 0:26:48 | 0:26:49 | |
Perfecto. | 0:26:52 | 0:26:53 | |
SHE SIGHS | 0:26:58 | 0:26:59 | |
Any word from Pedro? | 0:27:14 | 0:27:16 | |
No. He's probably on a bender. | 0:27:16 | 0:27:19 | |
Better keep an eye on him. | 0:27:21 | 0:27:25 | |
Well, I don't even wanna see him. | 0:27:25 | 0:27:27 | |
What do you do for fun? | 0:27:29 | 0:27:31 | |
This. | 0:27:33 | 0:27:34 | |
And what? Eat patas de mula, like my dad? | 0:27:36 | 0:27:40 | |
Work out? | 0:27:40 | 0:27:41 | |
Jerk off? | 0:27:42 | 0:27:43 | |
Salud. | 0:27:47 | 0:27:49 | |
SHE COUGHS | 0:27:53 | 0:27:54 | |
Now, uh... | 0:28:00 | 0:28:02 | |
Are you gonna tell me what happened between you and Hernan? | 0:28:02 | 0:28:06 | |
No. | 0:28:09 | 0:28:10 | |
Oh. | 0:28:44 | 0:28:46 | |
Hell, I figured I hadn't seen the last of you. | 0:29:21 | 0:29:23 | |
You want one? | 0:29:24 | 0:29:26 | |
No, thank you. | 0:29:26 | 0:29:28 | |
-I wanna know where... -I know what you want. | 0:29:30 | 0:29:32 | |
But even if I told you where to find them, | 0:29:33 | 0:29:36 | |
-they ain't gonna talk to your ass. -How much you want for an address? | 0:29:36 | 0:29:39 | |
You get three jewels in this life, son. | 0:29:49 | 0:29:52 | |
What your mama tells you... | 0:29:52 | 0:29:54 | |
..what these streets teach you.. | 0:29:55 | 0:29:57 | |
..and what the future holds, which nobody knows. | 0:29:58 | 0:30:01 | |
It's the last one you got control over. | 0:30:04 | 0:30:06 | |
You gotta ask yourself one question. | 0:30:08 | 0:30:10 | |
"Who's gonna own my life when it's all said and done?" | 0:30:12 | 0:30:15 | |
My uncle ain't here, man. | 0:30:15 | 0:30:17 | |
You don't have to lecture me. | 0:30:17 | 0:30:19 | |
You ain't grown enough to know good advice when you hear it. | 0:30:21 | 0:30:24 | |
That gold nugget... | 0:30:28 | 0:30:30 | |
..that was free. | 0:30:32 | 0:30:33 | |
This here? | 0:30:39 | 0:30:41 | |
Cost you a G. | 0:30:42 | 0:30:43 | |
Not bad. | 0:31:04 | 0:31:06 | |
It's pure, Stomper. | 0:31:06 | 0:31:07 | |
For this kind of product, you can charge a lot more. | 0:31:07 | 0:31:09 | |
We know you're expanding territory, vato. | 0:31:09 | 0:31:12 | |
Can get you as much as you need. | 0:31:13 | 0:31:15 | |
We get our shit through other channels. | 0:31:16 | 0:31:18 | |
Well, see, they're ripping you off, ese. | 0:31:18 | 0:31:21 | |
We're not affiliated with any cartel. | 0:31:21 | 0:31:23 | |
And we deliver the product right to you. | 0:31:23 | 0:31:25 | |
No more TJ pickups or drop-offs. | 0:31:25 | 0:31:27 | |
Less risk. | 0:31:27 | 0:31:28 | |
You vouch for them like that, vato? | 0:31:30 | 0:31:32 | |
I trust 'em enough to bring 'em here. | 0:31:35 | 0:31:37 | |
Hey. | 0:31:37 | 0:31:39 | |
Does she come with the deal? Huh? | 0:31:39 | 0:31:41 | |
'Cause I like me a little Chicanita. | 0:31:41 | 0:31:44 | |
Hey, hey. | 0:31:46 | 0:31:48 | |
I'm Memo. | 0:31:48 | 0:31:50 | |
Little Chicanita. | 0:31:50 | 0:31:52 | |
Whoo-hoo! | 0:31:52 | 0:31:54 | |
HE SPEAKS SPANISH | 0:31:55 | 0:31:56 | |
HE RESPONDS IN SPANISH | 0:31:59 | 0:32:01 | |
What comes in here... | 0:32:02 | 0:32:04 | |
..ah, is mine. | 0:32:07 | 0:32:10 | |
Memo, shut the fuck up. | 0:32:10 | 0:32:12 | |
Hey, but we look so good together, huh? | 0:32:12 | 0:32:15 | |
Lay the fuck off her, pendejo. | 0:32:15 | 0:32:18 | |
He just looks mad, Stomper, huh? | 0:32:19 | 0:32:21 | |
He wants to fight me. | 0:32:21 | 0:32:23 | |
You're a wrestler, right? | 0:32:24 | 0:32:27 | |
Not anymore. I'm here to talk business. | 0:32:27 | 0:32:31 | |
When I'm done with you, ese, you're not gonna be able to talk. | 0:32:31 | 0:32:33 | |
It looks like whether you got any fucking balls | 0:32:33 | 0:32:36 | |
is the business at hand. | 0:32:36 | 0:32:37 | |
-Huh? -Yeah! | 0:32:39 | 0:32:40 | |
Okay! | 0:32:40 | 0:32:42 | |
SHOUTING IN SPANISH | 0:32:42 | 0:32:43 | |
Beat his ass. | 0:32:53 | 0:32:55 | |
I'd rather die than get fucked by one of these marranos. | 0:32:55 | 0:32:58 | |
Hey, Mom. | 0:33:06 | 0:33:08 | |
-Hey, Mama! -Hey! What you got there? | 0:33:10 | 0:33:13 | |
Snacks, for you and the fine ladies of the Spades Club. | 0:33:13 | 0:33:16 | |
Ooh! | 0:33:16 | 0:33:17 | |
-You got money. -Got a job. | 0:33:22 | 0:33:24 | |
-Hey. -Working for the Volpes. | 0:33:24 | 0:33:26 | |
What, you're fluffin'? | 0:33:29 | 0:33:31 | |
Aw, damn, Mom, come on. It's just a production. | 0:33:31 | 0:33:35 | |
For porn shoots. | 0:33:35 | 0:33:36 | |
You spending nights there again? | 0:33:38 | 0:33:40 | |
No, I'm just coming home late. | 0:33:40 | 0:33:41 | |
Well, I guess it's a paycheck. | 0:33:45 | 0:33:47 | |
Think I could take the car for a few hours? | 0:33:47 | 0:33:50 | |
Oh, now I see what's happening. | 0:33:50 | 0:33:52 | |
-I'll get the oil changed. -Huh? Uh-huh. | 0:33:52 | 0:33:55 | |
-And...a wash. -Mm-hmm. | 0:33:55 | 0:33:57 | |
You know that car dirty. | 0:33:57 | 0:33:59 | |
-Fine. -Love you. -Go. | 0:34:00 | 0:34:02 | |
Love you, love you. Best in the world. | 0:34:02 | 0:34:04 | |
Come back for dinner, okay? | 0:34:04 | 0:34:06 | |
I'll be there. | 0:34:06 | 0:34:08 | |
All right. | 0:34:08 | 0:34:09 | |
ROOSTER CROWS | 0:34:24 | 0:34:26 | |
INDISTINCT SHOUTING | 0:34:26 | 0:34:28 | |
GRUNTING | 0:34:36 | 0:34:39 | |
INDISTINCT SHOUTING CONTINUES | 0:34:39 | 0:34:41 | |
GRUNTING CONTINUES | 0:34:41 | 0:34:44 | |
SPEAKS SPANISH | 0:34:56 | 0:34:57 | |
SHOUTS IN SPANISH | 0:35:02 | 0:35:05 | |
ALL SHOUTING IN SPANISH | 0:35:05 | 0:35:07 | |
-ALL: -Oh! | 0:35:10 | 0:35:13 | |
SHOUTS IN SPANISH | 0:35:13 | 0:35:16 | |
-Crowd: -Oh! | 0:35:20 | 0:35:22 | |
CROWD SHOUTING INDISTINCTLY | 0:35:22 | 0:35:25 | |
HE YELLS | 0:35:25 | 0:35:27 | |
Oso. | 0:35:27 | 0:35:28 | |
How much? | 0:35:40 | 0:35:41 | |
19 per key. | 0:35:47 | 0:35:48 | |
Then we need to talk protocol. | 0:35:56 | 0:35:58 | |
And then we celebrate. | 0:35:59 | 0:36:00 | |
Let's do it! | 0:36:02 | 0:36:03 | |
CHEERS AND APPLAUSE | 0:36:03 | 0:36:06 | |
When will they be delivered? | 0:36:15 | 0:36:17 | |
By the end of the week. | 0:36:17 | 0:36:18 | |
Why so long? | 0:36:18 | 0:36:20 | |
It's a CIA-run weapons facility. Why would there be delays? | 0:36:22 | 0:36:25 | |
Because people's egos have to be entertained. | 0:36:25 | 0:36:29 | |
Ah. Whose egos? | 0:36:29 | 0:36:30 | |
I don't know, man. Don't worry. | 0:36:32 | 0:36:34 | |
Next time, I'll fly you, if you want. | 0:36:37 | 0:36:39 | |
You'd rather fly me across the country than pick me up at LAX, | 0:36:41 | 0:36:44 | |
-wouldn't you? -Absolutely. | 0:36:44 | 0:36:46 | |
You have any luck finding another buyer for the coke? | 0:36:50 | 0:36:53 | |
Not yet. | 0:36:53 | 0:36:55 | |
That's okay. We'll figure it out. | 0:36:57 | 0:36:58 | |
Hey, pull over up here. I'm fucking starving. | 0:37:00 | 0:37:03 | |
23. 23. | 0:37:12 | 0:37:14 | |
You lost? Huh? | 0:37:34 | 0:37:36 | |
Who you looking for? | 0:37:36 | 0:37:39 | |
Who you looking for? | 0:37:41 | 0:37:42 | |
No one. | 0:37:42 | 0:37:44 | |
Oh, you must be looking for someone. | 0:37:44 | 0:37:46 | |
You stopped right here. | 0:37:46 | 0:37:48 | |
Nah, I think I'm on the wrong street. | 0:37:48 | 0:37:50 | |
Why you nervous? | 0:37:53 | 0:37:55 | |
-I'm just gonna head out. -Hold up, man. | 0:37:55 | 0:37:57 | |
You got a name? | 0:37:57 | 0:37:59 | |
Franklin. | 0:38:00 | 0:38:01 | |
Godspeed, Franklin. | 0:38:04 | 0:38:06 | |
HE YELLS | 0:38:18 | 0:38:20 | |
Yeah, yeah, you in the wrong fucking street, all right. | 0:38:27 | 0:38:30 | |
-You strapped? Huh? -No, man. | 0:38:30 | 0:38:32 | |
I-I just wanna offer you the product I'm selling. | 0:38:35 | 0:38:37 | |
-I'm not here to start any trouble. -Bullshit! | 0:38:37 | 0:38:40 | |
Please, man! | 0:38:40 | 0:38:42 | |
Get the fuck off me! | 0:38:44 | 0:38:45 | |
You're making a mistake, man! I'm not fucking... | 0:38:47 | 0:38:50 | |
I promise you, man! | 0:38:50 | 0:38:52 | |
You're making a mistake, man! | 0:38:52 | 0:38:54 | |
-Take him up in the house. -HE SPEAKS SPANISH | 0:38:56 | 0:38:59 | |
That's my jaina's goddaughter, vato. Get him upstairs now. | 0:38:59 | 0:39:01 | |
I don't want any trouble, man! | 0:39:01 | 0:39:03 | |
I'm just here to offer you the product I'm selling, man! | 0:39:03 | 0:39:06 | |
I-I don't want any fucking trouble! Come on, man! | 0:39:06 | 0:39:09 | |
I'm telling you the truth, man. | 0:39:09 | 0:39:11 | |
-I can explain everything. -Shut the fuck up, man! | 0:39:11 | 0:39:13 | |
You're making a mistake, man! | 0:39:13 | 0:39:14 | |
I'm just here to sell my product, man! | 0:39:14 | 0:39:16 | |
I-I'm here to offer you my product! | 0:39:16 | 0:39:17 | |
Oso. | 0:39:17 | 0:39:19 | |
Oso, vente! | 0:39:19 | 0:39:20 | |
I can explain all of this, man. | 0:39:20 | 0:39:23 | |
Wait, what? | 0:39:23 | 0:39:24 | |
Man, who the fuck are you? | 0:39:26 | 0:39:28 | |
What did he do? | 0:39:34 | 0:39:35 | |
He's a mayate in the wrong fucking neighborhood. | 0:39:35 | 0:39:38 | |
Maybe he came here to smoke us. | 0:39:38 | 0:39:40 | |
No, man. | 0:39:40 | 0:39:42 | |
He had this. | 0:39:45 | 0:39:46 | |
And I don't answer to you, so get the fuck outta here. | 0:39:47 | 0:39:50 | |
I know this vato. He's coming with me. | 0:39:51 | 0:39:54 | |
-I don't give a fuck... -WHISTLE BLOWS | 0:39:54 | 0:39:56 | |
You show your face here again, you a dead man. | 0:40:11 | 0:40:15 | |
You got a car? | 0:40:16 | 0:40:17 | |
-Hmm? -Huh? | 0:40:17 | 0:40:18 | |
You got a fucking car? | 0:40:18 | 0:40:21 | |
Hey, you okay? | 0:40:21 | 0:40:22 | |
-What? -You okay? | 0:40:22 | 0:40:25 | |
-What you doing here, Oso? Huh? -You need to go, okay? | 0:40:25 | 0:40:28 | |
I remember you, too. | 0:40:28 | 0:40:29 | |
Hey, you need to go. | 0:40:29 | 0:40:31 | |
Orale. | 0:40:31 | 0:40:33 | |
SPEAKS SPANISH | 0:40:33 | 0:40:34 | |
Uh, wait. I'm Franklin. | 0:40:38 | 0:40:41 | |
I'm Franklin Saint. | 0:40:43 | 0:40:44 | |
Y-you ever need anything, you come find me. | 0:40:44 | 0:40:46 | |
Okay, Franklin Saint. Get the fuck out of here. | 0:40:46 | 0:40:50 | |
Orale. | 0:40:50 | 0:40:51 | |
What? | 0:41:46 | 0:41:47 | |
You know her? | 0:41:53 | 0:41:56 | |
Yes. | 0:41:56 | 0:41:57 | |
Well, how? | 0:41:57 | 0:41:58 | |
She's one of the girls I killed. | 0:42:00 | 0:42:02 | |
# Smiling faces | 0:42:09 | 0:42:12 | |
# Sometimes pretend | 0:42:12 | 0:42:15 | |
# To be your friend | 0:42:15 | 0:42:18 | |
# Smiling faces show no traces | 0:42:18 | 0:42:22 | |
# Of the evil that lurks within | 0:42:22 | 0:42:26 | |
# Smiling faces | 0:42:26 | 0:42:28 | |
# Smiling faces sometimes | 0:42:28 | 0:42:32 | |
# They don't tell the truth | 0:42:32 | 0:42:35 | |
# Smiling faces smiling faces | 0:42:35 | 0:42:39 | |
# Tell lies and I got proof... # | 0:42:39 | 0:42:44 |