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Call an ambulance! | 0:00:02 | 0:00:03 | |
You know her? | 0:00:03 | 0:00:05 | |
She's one of the girls I killed. | 0:00:05 | 0:00:06 | |
No... | 0:00:07 | 0:00:09 | |
I'm giving you one more shot, Teddy. | 0:00:11 | 0:00:14 | |
You go to your father's and look him in the eye. | 0:00:14 | 0:00:16 | |
You fuck this up, and I'm going to kill you. | 0:00:16 | 0:00:18 | |
There's nothing I wouldn't do for you. | 0:00:27 | 0:00:29 | |
I'm only taking two. | 0:00:30 | 0:00:32 | |
Well, I've got four. | 0:00:32 | 0:00:34 | |
The Volpes already got enough coke, | 0:00:34 | 0:00:35 | |
and I ain't nickel-and-dimin' in the Valley. | 0:00:35 | 0:00:37 | |
-That's how you get arrested. -All right, all right, all right. | 0:00:37 | 0:00:40 | |
-What about, like, Bel Air or some shit? -Unh-unh. | 0:00:40 | 0:00:42 | |
Told y'all I got a cousin named Devon up in Oakland. | 0:00:42 | 0:00:46 | |
Think I could take the car for a few hours? | 0:00:46 | 0:00:48 | |
Aah! | 0:00:48 | 0:00:49 | |
Going to offer you my product. | 0:00:49 | 0:00:51 | |
Get the fuck out of here. | 0:00:53 | 0:00:55 | |
# Hey, hey! Come on | 0:01:02 | 0:01:04 | |
# Soul | 0:01:06 | 0:01:08 | |
# Searching Hey... # | 0:01:08 | 0:01:10 | |
Hello. | 0:01:14 | 0:01:16 | |
Thought you might've taken off for Vegas. | 0:01:16 | 0:01:18 | |
Well, I was driving down 52nd, | 0:01:18 | 0:01:21 | |
some kids tossed a baseball. | 0:01:21 | 0:01:23 | |
Smashed your driver's side window. | 0:01:23 | 0:01:25 | |
You're kidding me. | 0:01:25 | 0:01:26 | |
I got it fixed. 50 bucks at Big Earl's. | 0:01:28 | 0:01:31 | |
That's my Cho money. So I took some more. | 0:01:31 | 0:01:34 | |
"How you doin', Franklin?" | 0:01:34 | 0:01:35 | |
"I'm fine, Mama. Thanks for asking." | 0:01:35 | 0:01:37 | |
Right, right. | 0:01:37 | 0:01:38 | |
-Thanks for fixing it. -Yeah. | 0:01:38 | 0:01:40 | |
But call me next time, OK? | 0:01:40 | 0:01:42 | |
Didn't want to interrupt the spades club. | 0:01:42 | 0:01:43 | |
-How'd it go? -Me and Agatha was | 0:01:43 | 0:01:46 | |
breakin' fools left and right. | 0:01:46 | 0:01:48 | |
Whoo! Attagirl. | 0:01:48 | 0:01:50 | |
Good for you. | 0:01:50 | 0:01:51 | |
# Everywhere I go | 0:01:51 | 0:01:53 | |
# Soul searching | 0:01:53 | 0:01:58 | |
# On the radio | 0:01:58 | 0:02:01 | |
# Soul searching everywhere I go... # | 0:02:02 | 0:02:05 | |
Mrs Hamilton. | 0:02:10 | 0:02:12 | |
Hi, it's, Franklin. | 0:02:12 | 0:02:14 | |
Is Kev up? | 0:02:14 | 0:02:16 | |
..Thank you. | 0:02:16 | 0:02:18 | |
What's up with it? | 0:02:22 | 0:02:24 | |
Talk to me about Oakland. | 0:02:24 | 0:02:26 | |
If we don't start trusting each other, | 0:02:45 | 0:02:47 | |
these deals are going to take a long time. | 0:02:47 | 0:02:48 | |
Are you in a hurry? | 0:02:50 | 0:02:52 | |
Most of that... | 0:03:25 | 0:03:26 | |
..goes towards the next shipment, OK? | 0:03:28 | 0:03:29 | |
So don't get too attached. | 0:03:29 | 0:03:32 | |
Hernan's cut. | 0:03:41 | 0:03:43 | |
You're trouble, sabas? | 0:03:46 | 0:03:49 | |
This is for you. | 0:03:49 | 0:03:50 | |
You saved our asses. | 0:03:51 | 0:03:54 | |
Gracias. | 0:03:54 | 0:03:56 | |
Are you going to go give it to him right now? | 0:04:08 | 0:04:10 | |
Si. I'll pick up some food on my way back. | 0:04:10 | 0:04:13 | |
Shh. | 0:04:21 | 0:04:23 | |
Si. | 0:04:55 | 0:04:56 | |
PANTING | 0:05:12 | 0:05:14 | |
Yeah. | 0:05:20 | 0:05:22 | |
SHE MOANS | 0:05:24 | 0:05:25 | |
Oso. | 0:05:26 | 0:05:28 | |
Oso. | 0:05:33 | 0:05:35 | |
Yeah... | 0:05:39 | 0:05:41 | |
It was a mess. | 0:05:42 | 0:05:43 | |
Logan ODing, the girl screaming. | 0:05:43 | 0:05:45 | |
Kristin ran for the phone, was dialling 911. | 0:05:45 | 0:05:47 | |
What would you have done? Let the cops find 50 keys and a dead CIA officer? | 0:05:47 | 0:05:51 | |
No, see, I would've told the truth | 0:05:51 | 0:05:52 | |
when the next CIA officer asked me about it | 0:05:52 | 0:05:54 | |
instead of insisting that he was paranoid and crazy. | 0:05:54 | 0:05:57 | |
I didn't know you. Couldn't risk poisoning the well like that. | 0:05:57 | 0:05:59 | |
Yeah, no, I'm here. Go ahead. | 0:05:59 | 0:06:01 | |
No. That's...that's great for now. | 0:06:03 | 0:06:07 | |
..OK. | 0:06:07 | 0:06:09 | |
I'll be in touch. Bye. | 0:06:09 | 0:06:11 | |
They trace the number? | 0:06:13 | 0:06:15 | |
Yeah, the number's registered to Kristin's apartment. | 0:06:15 | 0:06:18 | |
She mention a roommate or boyfriend or... | 0:06:18 | 0:06:20 | |
No, but, boyfriend is unlikely. | 0:06:20 | 0:06:22 | |
OK. Well, whoever's looking for her | 0:06:23 | 0:06:28 | |
is staying at her place. | 0:06:28 | 0:06:29 | |
We need to figure out who that is. | 0:06:29 | 0:06:31 | |
CAMERA SHUTTER CLICKS | 0:06:31 | 0:06:33 | |
CAR DOOR SHUTS | 0:06:47 | 0:06:48 | |
ENGINE STARTS | 0:06:48 | 0:06:49 | |
Jesus. | 0:07:02 | 0:07:04 | |
She looks like her. | 0:07:04 | 0:07:06 | |
-Want a beer? -Sure. | 0:07:06 | 0:07:08 | |
That's the only intel the agency could get us. | 0:07:08 | 0:07:11 | |
PHONE RINGS | 0:07:11 | 0:07:12 | |
She's a graduate student? | 0:07:12 | 0:07:14 | |
She was. She dropped out. | 0:07:14 | 0:07:16 | |
You want to get that? | 0:07:21 | 0:07:23 | |
She's working as a paralegal. ANSWERPHONE: Hello, I'm not in right now. | 0:07:23 | 0:07:26 | |
Best I can tell...after maybe a week of not hearing from her sister... | 0:07:26 | 0:07:31 | |
she decides to get in the car | 0:07:31 | 0:07:32 | |
and drive out here. | 0:07:32 | 0:07:34 | |
So we need to figure out what else she knows. | 0:07:35 | 0:07:38 | |
She's a grad student. What can she do? | 0:07:39 | 0:07:42 | |
Exactly what she's been doing. | 0:07:42 | 0:07:44 | |
She can ask around, she can make some noise. | 0:07:44 | 0:07:46 | |
She can go to the police. | 0:07:46 | 0:07:47 | |
So I, for one, will sleep much better knowing | 0:07:47 | 0:07:49 | |
that she's not gotten any traction. | 0:07:49 | 0:07:51 | |
I imagine probably you will, too. | 0:07:51 | 0:07:53 | |
And there is...one more thing I need to talk to you about. | 0:07:56 | 0:08:00 | |
OK, what's that? | 0:08:02 | 0:08:03 | |
The bodies. | 0:08:06 | 0:08:07 | |
You didn't just dump 'em in the canyon, did you? | 0:08:07 | 0:08:10 | |
No, I took them all out of town, buried them. | 0:08:10 | 0:08:13 | |
Where? | 0:08:13 | 0:08:15 | |
I'm not sure exactly. | 0:08:16 | 0:08:18 | |
Right, you're not sure exactly | 0:08:18 | 0:08:19 | |
where you buried three dead girls? | 0:08:19 | 0:08:21 | |
It was somewhere off Highway 14 in the Antelope Valley. | 0:08:21 | 0:08:24 | |
I could take you out there if you want to. | 0:08:26 | 0:08:28 | |
God, no. I don't...that's... | 0:08:28 | 0:08:29 | |
I just need to know that they're not going to be a problem. | 0:08:29 | 0:08:31 | |
Hey, look, I drove out as far as I could | 0:08:31 | 0:08:33 | |
and I dug until I couldn't feel my arms, OK? | 0:08:33 | 0:08:36 | |
Now can I ask you a question? | 0:08:40 | 0:08:42 | |
If, by some chance, this... the sister does have traction... | 0:08:42 | 0:08:45 | |
You mean, if, um, | 0:08:45 | 0:08:48 | |
she's found something that would jeopardize the op? | 0:08:48 | 0:08:50 | |
Yeah. | 0:08:50 | 0:08:52 | |
Then we have to deter her. | 0:08:54 | 0:08:56 | |
Let's hope it hasn't come to that. | 0:08:59 | 0:09:00 | |
So how far is Oakland? | 0:10:03 | 0:10:06 | |
Man. It's not too bad. Only, like, seven hours. | 0:10:06 | 0:10:08 | |
-Seven hours? -Yeah, man. | 0:10:08 | 0:10:10 | |
You know that road trips take time, man. | 0:10:10 | 0:10:13 | |
It's an experience. | 0:10:13 | 0:10:14 | |
All right, all right. | 0:10:20 | 0:10:22 | |
Cho got himself a new butler? | 0:10:22 | 0:10:24 | |
You know where we going? | 0:10:24 | 0:10:25 | |
I thought you've been to Oakland before. | 0:10:26 | 0:10:28 | |
Once. Way back when, though. | 0:10:28 | 0:10:30 | |
-Take a Ding-a-Ling. -Ding Dongs, man. | 0:10:30 | 0:10:32 | |
Hey, you know, Leon ain't never been outside of LA? | 0:10:32 | 0:10:35 | |
Man, whatever, homie. I'm gambling my life around with you in this bucket. | 0:10:35 | 0:10:38 | |
Hey, don't distract my hoo-ride. | 0:10:38 | 0:10:40 | |
Sure your cousin got it hooked up? | 0:10:40 | 0:10:42 | |
I told you, my cousin Devon say he going to make sure we straight. | 0:10:42 | 0:10:44 | |
We going to be straight when this piece of shit | 0:10:44 | 0:10:46 | |
blow up on the freeway? | 0:10:46 | 0:10:48 | |
Y'all worry too much. Y'all going to love Oakland. | 0:10:48 | 0:10:50 | |
So just relax, baby. Damn! | 0:10:50 | 0:10:52 | |
ENGINE STARTS | 0:10:52 | 0:10:53 | |
We here? | 0:11:23 | 0:11:24 | |
Look lively, niggas. | 0:11:24 | 0:11:26 | |
-'Bout time. -Man, what the fuck? | 0:11:26 | 0:11:27 | |
I told you he ride. | 0:11:27 | 0:11:29 | |
So we're just going to walk two keys into a damn biker rally? | 0:11:29 | 0:11:31 | |
Man, we can't even see to get in there. | 0:11:31 | 0:11:33 | |
Should've came strapped. | 0:11:33 | 0:11:35 | |
What part of family do y'all not understand? | 0:11:35 | 0:11:36 | |
We all good. | 0:11:36 | 0:11:38 | |
I gotta piss, so come on. | 0:11:38 | 0:11:39 | |
Hey, for real, homie, where the door at? | 0:11:48 | 0:11:50 | |
MUSIC PLAYS | 0:11:57 | 0:11:58 | |
Hey, the record's fucking skippin'. | 0:12:04 | 0:12:05 | |
Nicky! Go! | 0:12:05 | 0:12:08 | |
-Fuck that shit, man. Fuck that. -What's that music? | 0:12:08 | 0:12:10 | |
Hey, who the fuck let y'all in? | 0:12:21 | 0:12:23 | |
Whoa, whoa, hold on, man. Hey... | 0:12:23 | 0:12:24 | |
I'm Devon's cousin. Little Kev from LA? | 0:12:24 | 0:12:28 | |
Devon said if we came up here, | 0:12:28 | 0:12:30 | |
everything would be good and... | 0:12:30 | 0:12:32 | |
-Get out the way, man. -All right... All right, cool. | 0:12:32 | 0:12:34 | |
A'ight, so you just going to let him know we here, then? | 0:12:34 | 0:12:36 | |
Family? That's your mama's side or your dad's? | 0:12:36 | 0:12:38 | |
Mama's, but I ain't never really met him like that. | 0:12:38 | 0:12:41 | |
Go ahead, girl! Whoo! | 0:12:44 | 0:12:47 | |
Whoo! | 0:12:50 | 0:12:52 | |
Y'all seen Devon? | 0:12:58 | 0:13:01 | |
Hey, Kev. | 0:13:04 | 0:13:06 | |
He going to be here, man. | 0:13:06 | 0:13:09 | |
-The fuck you still so skinny? -I'm going to punch you. | 0:13:09 | 0:13:11 | |
You better punch me. | 0:13:11 | 0:13:12 | |
-What's up, cos? -What's up with it? | 0:13:12 | 0:13:14 | |
-Hey, man. -Yeah, yeah, what... | 0:13:14 | 0:13:16 | |
This place look great, man. | 0:13:16 | 0:13:17 | |
Shit, this the motherfucking hub here. | 0:13:17 | 0:13:19 | |
-Hey, these my peeps. -What's up, man? | 0:13:19 | 0:13:20 | |
-What up, homie? -How's it going? | 0:13:20 | 0:13:22 | |
What up? | 0:13:22 | 0:13:24 | |
You're Two Keys, right? | 0:13:24 | 0:13:25 | |
Franklin. Little Joe here? | 0:13:25 | 0:13:27 | |
No, but you're on the radar. | 0:13:27 | 0:13:29 | |
Kick your feet up for a minute. The bar over there. | 0:13:29 | 0:13:31 | |
-How long you going to be? -Man, we just got here. | 0:13:31 | 0:13:34 | |
Let's do the deal, get the money, | 0:13:34 | 0:13:35 | |
and get the fuck outta here. | 0:13:35 | 0:13:37 | |
You refusing my motherfucking hospitality? | 0:13:37 | 0:13:40 | |
Hey, I'm cool to party while we wait. | 0:13:40 | 0:13:41 | |
They'll like him. He like to party. | 0:13:41 | 0:13:43 | |
But you refusing my motherfucking hospitality. | 0:13:43 | 0:13:45 | |
Hey, look, he don't know no better. | 0:13:45 | 0:13:48 | |
Look, | 0:13:48 | 0:13:50 | |
whether Little Joe rolls up in a minute | 0:13:50 | 0:13:52 | |
or a motherfucking hour, I can't say. | 0:13:52 | 0:13:54 | |
But he'll be here. A'ight? | 0:13:54 | 0:13:57 | |
All right. | 0:13:57 | 0:13:59 | |
A'ight? | 0:13:59 | 0:14:01 | |
A'ight? | 0:14:01 | 0:14:03 | |
Shit, man, let's have some fun around this bitch. | 0:14:03 | 0:14:06 | |
Hey, can I get in on that game? | 0:14:06 | 0:14:07 | |
Hell, yeah. I told you, man, you home, man. | 0:14:07 | 0:14:10 | |
Watch that nigga. | 0:14:10 | 0:14:11 | |
We home, man. | 0:14:11 | 0:14:13 | |
Hey, look, so what you going to do? | 0:14:15 | 0:14:17 | |
-You going to chill? -Do your thing, man. | 0:14:17 | 0:14:19 | |
-I'm-a hang back. -All right. | 0:14:19 | 0:14:20 | |
You're supposed to be selling. | 0:14:27 | 0:14:29 | |
Come on, man. I just need a little come up | 0:14:29 | 0:14:31 | |
for the tricks, man. | 0:14:31 | 0:14:32 | |
All right, go find some place. Last thing I need | 0:14:34 | 0:14:36 | |
is these motherfuckers knowing I got this shit, all right? | 0:14:36 | 0:14:38 | |
Getting' into our samples, man. | 0:14:40 | 0:14:41 | |
I'm about to get in some coochie. | 0:14:41 | 0:14:43 | |
I'll let you know if she got a friend. | 0:14:43 | 0:14:44 | |
Yeah, yeah. | 0:15:21 | 0:15:23 | |
I love this song! | 0:15:30 | 0:15:32 | |
Hey, hold still now before I fuck this up. | 0:15:32 | 0:15:34 | |
Yeah! | 0:15:37 | 0:15:38 | |
Y'all know if Devon in there? | 0:15:40 | 0:15:42 | |
Maybe. Whiteboy Bobby hotboxing the shit out... | 0:15:42 | 0:15:44 | |
Hey, he brought acid, too. | 0:15:44 | 0:15:47 | |
Hey, hey, hey. | 0:15:47 | 0:15:48 | |
How's she lookin'? | 0:15:48 | 0:15:50 | |
Come on. See for yourself. | 0:15:50 | 0:15:52 | |
Look at that, man. | 0:15:52 | 0:15:54 | |
-Wow. -Yeah. | 0:15:56 | 0:15:57 | |
I know. | 0:15:57 | 0:15:59 | |
I always wanted to be an artist. | 0:15:59 | 0:16:01 | |
But life derailed my dreams, man. | 0:16:02 | 0:16:05 | |
Hey, you want a tat? | 0:16:05 | 0:16:07 | |
-Nah. I'm good. -You sure? | 0:16:08 | 0:16:10 | |
Hey, man. I'm good. I did a dime in San Quentin. | 0:16:10 | 0:16:12 | |
I'm the best. | 0:16:12 | 0:16:15 | |
What's up with this backpack, cutie? | 0:16:27 | 0:16:30 | |
You got class? | 0:16:30 | 0:16:31 | |
I got to do somethin'. | 0:16:31 | 0:16:35 | |
Yeah, yeah.... | 0:16:36 | 0:16:38 | |
You broke it, man. | 0:16:52 | 0:16:54 | |
Hey, what the fuck is up in there? | 0:16:54 | 0:16:56 | |
Any word from Little Joe? | 0:16:56 | 0:16:57 | |
-Little Joe? -Put the music back on, man! | 0:16:57 | 0:16:59 | |
Somebody's got blow? Is it him? | 0:16:59 | 0:17:01 | |
He ain't got nothing that concerns you. | 0:17:01 | 0:17:03 | |
Hey, the fuck he don't. Why he holding out? | 0:17:03 | 0:17:05 | |
Came here to do a deal, man. | 0:17:05 | 0:17:06 | |
Man, watch your motherfucking tone when you're around me, man. | 0:17:06 | 0:17:08 | |
Hey! | 0:17:08 | 0:17:10 | |
Whoa, whoa, whoa, whoa. | 0:17:10 | 0:17:13 | |
Her pussy turned into a fucking mouth on me, man. | 0:17:13 | 0:17:15 | |
Her cooze was a mouth! | 0:17:15 | 0:17:17 | |
It's still just my pussy, Bobby. Chill. | 0:17:17 | 0:17:20 | |
Hey, hey, hey... | 0:17:20 | 0:17:21 | |
Hey, man, where you going? Put that thing away, man! | 0:17:21 | 0:17:23 | |
Bobby! | 0:17:23 | 0:17:25 | |
Yo, that's why I never licked no pussy right there. | 0:17:27 | 0:17:30 | |
We sold the rest of the first shipment. | 0:17:44 | 0:17:47 | |
I see that. | 0:17:47 | 0:17:48 | |
The powder wasn't moving quick enough, | 0:17:48 | 0:17:50 | |
and Alejandro was going to cut us off if we couldn't pay. | 0:17:50 | 0:17:53 | |
So you just made a deal behind my back? | 0:17:53 | 0:17:54 | |
Yeah, with Gustavo's people. He wanted to keep things simple. | 0:17:54 | 0:17:57 | |
Since when do we care what Gustavo wants? | 0:17:57 | 0:18:00 | |
Since he found a way to move the product. | 0:18:00 | 0:18:02 | |
So where's my cut? | 0:18:05 | 0:18:07 | |
Or does he get that, too? | 0:18:07 | 0:18:09 | |
I made him a partner. | 0:18:24 | 0:18:25 | |
It was the only way he was going to help us. | 0:18:27 | 0:18:29 | |
OK. | 0:18:29 | 0:18:31 | |
-OK? -Sure. | 0:18:33 | 0:18:35 | |
You made the deal, you can pay him out of your end. | 0:18:35 | 0:18:37 | |
Pedro, that's fucked up. | 0:18:37 | 0:18:38 | |
More fucked up than you giving Gustavo | 0:18:38 | 0:18:40 | |
a third of this business without consulting me? | 0:18:40 | 0:18:42 | |
I didn't have a choice. | 0:18:42 | 0:18:43 | |
-You would've done the same thing. -No, I wouldn't have. | 0:18:43 | 0:18:45 | |
What's going on with you? | 0:18:45 | 0:18:48 | |
You're the hardest bitch I know, | 0:18:48 | 0:18:49 | |
and now you're just giving away our business? | 0:18:49 | 0:18:51 | |
Come on. | 0:18:51 | 0:18:53 | |
Pedro. | 0:19:02 | 0:19:03 | |
Pedro, we need him. | 0:19:03 | 0:19:05 | |
Bullshit, you like him. | 0:19:05 | 0:19:06 | |
-I'm just trying to keep this alive. -You fucking him? | 0:19:06 | 0:19:09 | |
-Excuse me? -You heard me. | 0:19:10 | 0:19:12 | |
Tell me you're not, that it's just business. | 0:19:12 | 0:19:15 | |
Then I'll know I can trust you. | 0:19:15 | 0:19:17 | |
I'm not fucking him. | 0:19:17 | 0:19:19 | |
Bueno. | 0:19:23 | 0:19:25 | |
HE SPITS | 0:19:44 | 0:19:45 | |
HE COUGHS | 0:19:59 | 0:20:00 | |
Come on. | 0:20:25 | 0:20:26 | |
No fucking way. | 0:20:33 | 0:20:35 | |
HUBBUB OF VOICES | 0:20:45 | 0:20:47 | |
Sure, that's going to St Augustine by this afternoon. | 0:20:51 | 0:20:54 | |
I'm going to need you to understand what it is to... | 0:21:32 | 0:21:35 | |
..have your dignity, | 0:21:35 | 0:21:37 | |
your self-respect, and make sure that other people | 0:21:37 | 0:21:40 | |
respect you, too. | 0:21:40 | 0:21:42 | |
Chest out. | 0:21:42 | 0:21:44 | |
Head up. | 0:21:44 | 0:21:45 | |
Shoulders high. | 0:21:45 | 0:21:47 | |
My son. | 0:21:49 | 0:21:50 | |
My son. | 0:21:53 | 0:21:55 | |
Who are you? | 0:22:01 | 0:22:03 | |
My bad. Sorry. I ain't know anybody else was in here. | 0:22:05 | 0:22:07 | |
-I can go. -Hold on. | 0:22:07 | 0:22:09 | |
Are you... OK? | 0:22:11 | 0:22:14 | |
Yeah. | 0:22:14 | 0:22:15 | |
Um... | 0:22:22 | 0:22:23 | |
Do you have any idea if this used to be a Black Panther office? | 0:22:23 | 0:22:27 | |
I think it was. | 0:22:29 | 0:22:31 | |
I think I came here when I was a kid to see my dad. | 0:22:32 | 0:22:35 | |
Well, back when he was doing his thing. | 0:22:35 | 0:22:38 | |
We're all just doing our thing. | 0:22:38 | 0:22:41 | |
Yeah, I guess. | 0:22:45 | 0:22:47 | |
So what you doin' up in here? | 0:22:50 | 0:22:52 | |
I mean, you too fine to be hanging out... | 0:22:52 | 0:22:54 | |
Come on. | 0:23:04 | 0:23:06 | |
Ta-da. | 0:23:14 | 0:23:16 | |
Wh-What's that? | 0:23:17 | 0:23:20 | |
It's my new favourite. | 0:23:20 | 0:23:22 | |
Let me see. | 0:23:22 | 0:23:24 | |
-I-I won't... -Ooh. | 0:23:24 | 0:23:26 | |
I-I won't touch it. | 0:23:26 | 0:23:27 | |
-Just...hold it out. -Ooh. | 0:23:27 | 0:23:30 | |
OK, but be careful. This is the last of it. | 0:23:30 | 0:23:34 | |
I ain't never seen that before. | 0:23:58 | 0:24:00 | |
Where you get it from? | 0:24:01 | 0:24:03 | |
You're a star. | 0:24:06 | 0:24:07 | |
You know where to get more? | 0:24:07 | 0:24:09 | |
The star...is a door. | 0:24:10 | 0:24:14 | |
This room... | 0:24:15 | 0:24:17 | |
is a door life. | 0:24:17 | 0:24:19 | |
Is...is life, is all doors. | 0:24:19 | 0:24:24 | |
They're just...you know, they're just...just opening. | 0:24:24 | 0:24:28 | |
-Yeah. -Opening... | 0:24:28 | 0:24:31 | |
You on your way to space, for sure. | 0:24:31 | 0:24:32 | |
Opening. | 0:24:32 | 0:24:35 | |
I want to see what it is. Go get some more? | 0:24:35 | 0:24:38 | |
I'll buy it. | 0:24:38 | 0:24:40 | |
I like you, Star. | 0:24:46 | 0:24:49 | |
I like you, too. | 0:24:49 | 0:24:51 | |
Well, you're not about to walk around here barefoot? | 0:25:04 | 0:25:06 | |
Why not? It feels...it feels good. | 0:25:06 | 0:25:08 | |
Well, you're going to mess those pretty feet up. | 0:25:08 | 0:25:10 | |
You think they're pretty? | 0:25:10 | 0:25:13 | |
You know you got beautiful feet. | 0:25:13 | 0:25:15 | |
Thank you, Star. | 0:25:15 | 0:25:17 | |
..get that quarter piece, man. | 0:25:17 | 0:25:19 | |
Smoke this right now, brother. | 0:25:19 | 0:25:20 | |
Hey, don't even think about firing that shit up here. | 0:25:20 | 0:25:22 | |
Move your ass along. | 0:25:22 | 0:25:24 | |
All right. All right, all right. | 0:25:24 | 0:25:26 | |
-What you need, man? -What's up? | 0:25:27 | 0:25:28 | |
Hey, there, girlie girl. | 0:25:28 | 0:25:30 | |
Back already with them pretty-ass toes? | 0:25:30 | 0:25:32 | |
You got 20? | 0:25:34 | 0:25:35 | |
20? Yeah. | 0:25:35 | 0:25:37 | |
..20. | 0:25:37 | 0:25:39 | |
OK, come on. Let's go. | 0:25:45 | 0:25:49 | |
-Actually, I can't right now. -No... | 0:25:49 | 0:25:52 | |
Why don't you go back to the special place | 0:25:52 | 0:25:54 | |
and maybe I'll see you later? | 0:25:54 | 0:25:55 | |
OK. | 0:25:55 | 0:25:57 | |
Bye, Franklin. | 0:25:57 | 0:25:59 | |
You probably right, yeah. She fine, but she crazy. | 0:26:00 | 0:26:05 | |
How long's that going to last her? | 0:26:07 | 0:26:08 | |
I don't know. She'll probably be back tonight. | 0:26:08 | 0:26:10 | |
And it's coke? | 0:26:10 | 0:26:11 | |
Rocked up, yeah. | 0:26:11 | 0:26:13 | |
-Why is it so cheap? -I ain't no cook, nigga. | 0:26:13 | 0:26:15 | |
I just move the shit. | 0:26:15 | 0:26:18 | |
I'll buy everything you got. | 0:26:21 | 0:26:23 | |
If you show me who cooked it. | 0:26:26 | 0:26:28 | |
Crossin' a line now, blood. | 0:26:29 | 0:26:31 | |
I ain't got no piece, man. | 0:26:38 | 0:26:39 | |
Country motherfucker. What the fuck are you doing? | 0:26:52 | 0:26:54 | |
No tricks, no games, man. | 0:26:54 | 0:26:56 | |
I just want to know how y'all make what y'all making. | 0:26:56 | 0:26:59 | |
Nice shoes. | 0:27:03 | 0:27:05 | |
You want to meet the Wizard? | 0:27:16 | 0:27:18 | |
Hell, yeah. | 0:27:19 | 0:27:21 | |
All right, hold down the spot. | 0:27:23 | 0:27:25 | |
Wait. You seriously going to take him to Swim? | 0:27:25 | 0:27:27 | |
This nigga got two keys of coke on him. Hell, yeah. | 0:27:27 | 0:27:31 | |
Let's go, Dorothy. | 0:27:31 | 0:27:33 | |
Watch your shit. That's mud right there. | 0:27:40 | 0:27:44 | |
-Good looking out. -Yeah, yeah. | 0:27:45 | 0:27:48 | |
Go ahead. | 0:28:00 | 0:28:02 | |
Come on, man. | 0:28:02 | 0:28:03 | |
Where the fucking E key? | 0:28:10 | 0:28:12 | |
Hey, man. He cool. | 0:28:13 | 0:28:15 | |
He from LA. | 0:28:15 | 0:28:16 | |
Why you didn't say that at first, man? | 0:28:18 | 0:28:20 | |
He from LA? | 0:28:20 | 0:28:22 | |
So who are you, Michael Jackson? | 0:28:22 | 0:28:24 | |
No, this nigga too dark to be Michael Jackson. | 0:28:25 | 0:28:27 | |
He more like Sidney Poitier. | 0:28:27 | 0:28:29 | |
No. | 0:28:29 | 0:28:31 | |
I don't know why this Bobby Womack-ass nigga | 0:28:31 | 0:28:33 | |
brought you here to my place of business | 0:28:33 | 0:28:35 | |
when he should have had his ass out there working. | 0:28:35 | 0:28:37 | |
Look, Swim. This nigga right here cleaned me out | 0:28:37 | 0:28:39 | |
just so he can meet you. | 0:28:39 | 0:28:40 | |
And you see what he packin'. | 0:28:40 | 0:28:42 | |
Nigga, you stupid right now. | 0:28:42 | 0:28:43 | |
It's my fault. I asked. | 0:28:43 | 0:28:45 | |
I just want to know how y'all make what y'all makin'. | 0:28:45 | 0:28:48 | |
Go on. | 0:28:55 | 0:28:57 | |
Go knock that shit off, | 0:28:58 | 0:29:00 | |
and don't come back till you're done, boy. | 0:29:00 | 0:29:01 | |
What's your name? | 0:29:03 | 0:29:05 | |
Franklin. | 0:29:05 | 0:29:07 | |
They call me Swim, cos I'm either swimming in some money | 0:29:07 | 0:29:09 | |
or swimming in some pussy. | 0:29:09 | 0:29:11 | |
Shit don't make no sense, man. | 0:29:20 | 0:29:22 | |
I agree. | 0:29:22 | 0:29:23 | |
Either you make it make sense to me, | 0:29:23 | 0:29:25 | |
or I just gotta simplify. | 0:29:25 | 0:29:27 | |
And you know what I mean, right? | 0:29:27 | 0:29:29 | |
I can't tell you if my luck's been running good or bad, man. | 0:29:29 | 0:29:32 | |
But y'all doing something here and I'm trying to get in on. | 0:29:34 | 0:29:36 | |
Now, I might be taking a leap of faith. | 0:29:38 | 0:29:42 | |
Shit, I might be dumb as fuck. | 0:29:42 | 0:29:43 | |
But this shot, this shot, | 0:29:45 | 0:29:48 | |
it feels like it's worth takin'. | 0:29:48 | 0:29:50 | |
Cos I got things I gotta do. | 0:29:51 | 0:29:54 | |
Things I want. | 0:29:54 | 0:29:56 | |
You understand what I'm sayin'? | 0:29:58 | 0:30:00 | |
If you're the man cookin' this up, | 0:30:08 | 0:30:10 | |
it means you an artist. | 0:30:10 | 0:30:12 | |
In my experience, artists create, | 0:30:14 | 0:30:17 | |
and they want the whole world to experience it. | 0:30:17 | 0:30:20 | |
You an artist, Swim? | 0:30:21 | 0:30:23 | |
Maybe. | 0:30:25 | 0:30:26 | |
So teach me. Show me how to create the way you do. | 0:30:26 | 0:30:29 | |
I'll take it back to LA and I'll spread the word. | 0:30:29 | 0:30:33 | |
Angelico. | 0:31:10 | 0:31:12 | |
We're going to cook up one more batch tonight. | 0:31:13 | 0:31:16 | |
Keep up now. We going to go fast, you dig? | 0:31:18 | 0:31:21 | |
So these Peruvians, right, when they make they cocaine, | 0:31:21 | 0:31:24 | |
they got this paste. | 0:31:24 | 0:31:26 | |
This cocaine paste at the bottom of their barrel. | 0:31:26 | 0:31:29 | |
They call it "bah-say." Nasty shit. | 0:31:29 | 0:31:32 | |
But you take this "bah-say," you roll it into a cigarette, | 0:31:32 | 0:31:35 | |
that shit gets you fucked up, Jack. | 0:31:35 | 0:31:37 | |
I had some of my boys who flew down to Peru for a weekend. | 0:31:37 | 0:31:41 | |
They chasing pussy and whatnot, getting some sunshine. | 0:31:41 | 0:31:44 | |
They smoke this bah-say with some bitches | 0:31:44 | 0:31:46 | |
and they love it. Bitches love it, too. | 0:31:46 | 0:31:48 | |
And they keep hearin' it. | 0:31:48 | 0:31:50 | |
Bah-say, bah-say, bah-say, bah-say. | 0:31:50 | 0:31:52 | |
It keeps going in their head. | 0:31:52 | 0:31:53 | |
Bah-say, bahss, bahss, bahss, bahss, bahss. | 0:31:53 | 0:31:56 | |
Base. | 0:31:56 | 0:31:57 | |
Come back to the Bay Area | 0:31:57 | 0:31:59 | |
thinkin' that bah-say was more than what it was. | 0:31:59 | 0:32:01 | |
Pull out their chemistry sets, try to figure out a way | 0:32:01 | 0:32:05 | |
to free the base from the cocaine. | 0:32:05 | 0:32:07 | |
They didn't even know what the fuck they was doing, | 0:32:07 | 0:32:09 | |
but next thing you know, they unlocked some whole new shit. | 0:32:09 | 0:32:12 | |
And like many other inventions in America, | 0:32:12 | 0:32:14 | |
it was just a big, beautiful mistake. | 0:32:14 | 0:32:16 | |
Now crack is the same thing, but it's cheaper, simpler, | 0:32:16 | 0:32:19 | |
and safer to make. | 0:32:19 | 0:32:21 | |
We don't fuck with no ether no more, do we, Angel? | 0:32:21 | 0:32:23 | |
Nah, ether do what ether want to do. | 0:32:24 | 0:32:27 | |
Those the only ingredients? | 0:32:27 | 0:32:29 | |
It's like bacon and eggs, Bert and Ernie. | 0:32:29 | 0:32:31 | |
Sometime it only take two things that complement each other | 0:32:31 | 0:32:33 | |
-to make something great. -Peas and carrots. | 0:32:33 | 0:32:36 | |
Peas and fucking carrots. | 0:32:36 | 0:32:38 | |
Now here's the tricky part. | 0:32:40 | 0:32:42 | |
Yeah. You see that? | 0:32:42 | 0:32:44 | |
See those rocks? They're starting to swim like tadpoles. | 0:32:44 | 0:32:47 | |
Can I get high from breathing these fumes in? | 0:32:49 | 0:32:51 | |
You get a contact, but you won't get high. | 0:32:51 | 0:32:54 | |
You want to hit this shit when we done? | 0:32:54 | 0:32:56 | |
Nah, I don't use. | 0:32:56 | 0:32:59 | |
You should consider it, my nigga. | 0:32:59 | 0:33:00 | |
That shit open up dark places in your brain, | 0:33:00 | 0:33:02 | |
these places ain't never been touched. | 0:33:02 | 0:33:04 | |
Deep, dark places. | 0:33:04 | 0:33:07 | |
Light you up like you never been lit. | 0:33:07 | 0:33:09 | |
Now here we go. Like the Earth, | 0:33:13 | 0:33:16 | |
she cools down until she hardens. | 0:33:16 | 0:33:20 | |
Thus creation is born. | 0:33:22 | 0:33:24 | |
You get 50 for this rock, man. | 0:33:25 | 0:33:27 | |
He tweakin'. | 0:33:30 | 0:33:32 | |
We can make some more? | 0:33:32 | 0:33:35 | |
Shit. How much more? | 0:33:35 | 0:33:37 | |
All of it. | 0:33:38 | 0:33:39 | |
And you're sure about that? | 0:33:48 | 0:33:50 | |
Was anyone there to pick her up? | 0:33:50 | 0:33:52 | |
And is this your first report about it? | 0:33:57 | 0:34:00 | |
All right. | 0:34:00 | 0:34:02 | |
So what time was that? | 0:34:02 | 0:34:03 | |
OK. | 0:34:05 | 0:34:06 | |
Hi. | 0:34:06 | 0:34:08 | |
Excuse me. Excuse me. | 0:34:09 | 0:34:11 | |
Hi, hi. | 0:34:11 | 0:34:13 | |
Can I just talk to you for just one sec? I just need one sec. | 0:34:13 | 0:34:15 | |
It's about a missing person. Please. | 0:34:15 | 0:34:17 | |
I just need to talk to you. I'm trying... | 0:34:17 | 0:34:19 | |
I'm trying to find my friend. She's a missing person. | 0:34:19 | 0:34:22 | |
Her name is Jess Avon. Please, I know... | 0:34:22 | 0:34:23 | |
I can see that you are busy here... | 0:34:23 | 0:34:24 | |
Sir, can you please keep calm and lower your voice? | 0:34:24 | 0:34:27 | |
-We'll get to you when we can. -Unbelievable. | 0:34:27 | 0:34:29 | |
Excuse me. | 0:34:31 | 0:34:33 | |
Sorry, I didn't mean to bother you. | 0:34:33 | 0:34:35 | |
But did...did you say that your friend's name was Jess Avon? | 0:34:35 | 0:34:39 | |
Yeah. | 0:34:40 | 0:34:42 | |
Why? You know her? | 0:34:42 | 0:34:43 | |
No, um, I know of her. | 0:34:43 | 0:34:46 | |
Can we talk for a minute? | 0:34:46 | 0:34:48 | |
Yeah, yeah, yeah. Sure. | 0:34:48 | 0:34:50 | |
OK. | 0:34:50 | 0:34:51 | |
I'm Victoria, by the way. | 0:34:51 | 0:34:53 | |
Reed Thompson. | 0:34:54 | 0:34:56 | |
Hi. Um... | 0:34:56 | 0:34:57 | |
Bueno. | 0:35:02 | 0:35:04 | |
Ay! | 0:35:12 | 0:35:14 | |
Someday soon it's going to be foot soldiers doing all the runs | 0:35:14 | 0:35:17 | |
instead of rancheros. | 0:35:17 | 0:35:18 | |
Even though seem to think nothing's changing. | 0:35:18 | 0:35:21 | |
Too much up for grabs. | 0:35:22 | 0:35:24 | |
These bastards are changing the tempo of the whole thing | 0:35:24 | 0:35:27 | |
and from prison. | 0:35:27 | 0:35:28 | |
Shit. They're going to redraw the whole map. | 0:35:28 | 0:35:31 | |
That's what they're going to do. | 0:35:31 | 0:35:33 | |
Being boss? Always looking ahead. | 0:35:33 | 0:35:36 | |
Yeah? What can you see? | 0:35:42 | 0:35:44 | |
What's up with you? | 0:35:53 | 0:35:55 | |
Nothing. | 0:35:58 | 0:35:59 | |
Listen, the other night at the party, um... | 0:36:00 | 0:36:03 | |
..that's a nice thing you said. | 0:36:04 | 0:36:06 | |
Sorry I got on your case, you know. | 0:36:09 | 0:36:11 | |
I was, um... you know. | 0:36:11 | 0:36:13 | |
Papa? | 0:36:18 | 0:36:19 | |
I've gotta tell you something. | 0:36:22 | 0:36:23 | |
-What time is it? -What's up, man? | 0:36:43 | 0:36:46 | |
Saint. | 0:36:46 | 0:36:48 | |
Little Joe ever show up? | 0:36:49 | 0:36:50 | |
Did he ever. Fuck is wrong with you? | 0:36:50 | 0:36:53 | |
Devon was mad as hell, man. You almost got me killed. | 0:36:53 | 0:36:56 | |
Shit would've been better, though. | 0:36:56 | 0:36:58 | |
I'm never drinking again. | 0:36:58 | 0:36:59 | |
My bad, man. Sorry I left. | 0:36:59 | 0:37:01 | |
Just had to leave, man. Get my mind right. | 0:37:01 | 0:37:03 | |
-All night? -Got caught up. | 0:37:03 | 0:37:06 | |
Come on, man. Open the door. Shit. | 0:37:08 | 0:37:10 | |
-Shotgun. -Man, shotgun. | 0:37:10 | 0:37:13 | |
Hey, we hit 7-Eleven before we hit the highway? | 0:37:13 | 0:37:15 | |
Yeah. Sure, baby. You know. | 0:37:15 | 0:37:17 | |
Soon as Franklin tell us why he blew the deal | 0:37:17 | 0:37:20 | |
we drove all the way the fuck out here for. | 0:37:20 | 0:37:22 | |
And why he got me kicked out my own cousin's spot. | 0:37:22 | 0:37:25 | |
And where the hell he been all night. | 0:37:25 | 0:37:26 | |
Then we can go to 7-Eleven, Leon. | 0:37:26 | 0:37:28 | |
-What the hell? -The fuck is that? | 0:37:33 | 0:37:36 | |
Our future. | 0:37:37 | 0:37:39 | |
Man... | 0:37:39 | 0:37:41 | |
Nigga, you crazy, man. | 0:37:41 | 0:37:43 | |
-"Our future." -Fool trippin'. | 0:37:43 | 0:37:44 | |
Fuck you talking about? | 0:37:44 | 0:37:46 | |
I don't want to hear all that. We going home. | 0:37:47 | 0:37:50 | |
-"The future." -What future? | 0:37:52 | 0:37:54 |