Browse content similar to Baby Teeth. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains very strong language | 0:00:02 | 0:00:09 | |
-You know her? -She's one of the girls I killed. | 0:00:09 | 0:00:10 | |
We need to figure out who's looking for her. | 0:00:10 | 0:00:12 | |
-I'm Victoria, by the way. -Reed Thompson. | 0:00:12 | 0:00:14 | |
-You'll be ready to purchase another 25 keys? -No problem. -We'll be in contact. | 0:00:14 | 0:00:18 | |
Since when do we care what Gustavo wants? | 0:00:18 | 0:00:20 | |
I made him a partner. | 0:00:20 | 0:00:21 | |
Papa? I've got to tell you something. | 0:00:24 | 0:00:27 | |
Niggas broke into my spot, tie me up, | 0:00:27 | 0:00:29 | |
and hit me with a motherfucking baseball bat. | 0:00:29 | 0:00:33 | |
You see that? You see those rocks? | 0:00:33 | 0:00:35 | |
-It's my new favourite. -I ain't never seen that before. | 0:00:35 | 0:00:39 | |
-Fuck is that? -Our future. | 0:00:42 | 0:00:44 | |
Y'all cutting that shit too small, man. | 0:00:52 | 0:00:54 | |
Man, we've been at this shit for like a hour. | 0:01:08 | 0:01:10 | |
Can't we get some bitches to do this? | 0:01:10 | 0:01:12 | |
Already did. | 0:01:12 | 0:01:13 | |
Nigga got jokes. | 0:01:14 | 0:01:16 | |
We should be out there hustling right now. | 0:01:16 | 0:01:18 | |
No, no, no. | 0:01:18 | 0:01:20 | |
We're not selling this batch. | 0:01:20 | 0:01:21 | |
We gonna give it away. | 0:01:22 | 0:01:24 | |
What? For free? | 0:01:24 | 0:01:26 | |
Motherfucker, you done lost your mind? | 0:01:26 | 0:01:28 | |
Man, how we supposed to get paid, man? | 0:01:28 | 0:01:30 | |
Avi called this shit garbage. | 0:01:30 | 0:01:32 | |
Threw it in my face. Why? | 0:01:32 | 0:01:34 | |
Because he don't know what it is. | 0:01:34 | 0:01:35 | |
Nobody in L.A. knows what it is, not yet. | 0:01:36 | 0:01:38 | |
Ain't a market for it. | 0:01:39 | 0:01:40 | |
So...we gonna create it. | 0:01:41 | 0:01:43 | |
This motherfucker talking about markets like he Dow Jones. | 0:01:44 | 0:01:47 | |
Y'all weren't there. This ain't no regular high. | 0:01:47 | 0:01:50 | |
One taste from this shit, motherfuckers be feenin'. | 0:01:50 | 0:01:52 | |
And when they do, you tell them to bring their cash | 0:01:52 | 0:01:54 | |
to MLK Park tomorrow, all right? | 0:01:54 | 0:01:55 | |
So, uh... | 0:01:57 | 0:01:59 | |
..you're gonna let us sample the product this time, right? | 0:01:59 | 0:02:02 | |
I mean, this ain't coke. We gotta gain a little knowledge | 0:02:02 | 0:02:05 | |
if we're gonna educate the masses. | 0:02:05 | 0:02:06 | |
Just tell 'em it's good. | 0:02:06 | 0:02:08 | |
Yeah, but I wanna know how good. | 0:02:08 | 0:02:10 | |
Fine. | 0:02:15 | 0:02:16 | |
Really? | 0:02:16 | 0:02:17 | |
On you. | 0:02:19 | 0:02:20 | |
But develop a taste for that shit, | 0:02:22 | 0:02:24 | |
and you can go back to moving furniture to make your ends. | 0:02:24 | 0:02:26 | |
Man, my couch humping days are over. Don't worry 'bout me. | 0:02:26 | 0:02:29 | |
What do you think? This will work? | 0:02:29 | 0:02:30 | |
I don't know. | 0:02:30 | 0:02:32 | |
One small step for man, right? | 0:02:33 | 0:02:35 | |
-Oh, fuck. -Let's see that shit. | 0:03:00 | 0:03:02 | |
Fuck. | 0:03:03 | 0:03:05 | |
Shit. | 0:03:07 | 0:03:09 | |
Holy fuck. | 0:03:09 | 0:03:11 | |
Oh, man. | 0:03:12 | 0:03:13 | |
Oh, fuck. | 0:03:18 | 0:03:20 | |
Yo, I'm good. | 0:03:22 | 0:03:23 | |
We gonna make bank. | 0:03:31 | 0:03:32 | |
-Order up! -Thank you. | 0:03:42 | 0:03:44 | |
-Relax. -Mm. | 0:03:50 | 0:03:51 | |
Everybody in LA's at least 10 minutes late for everything. | 0:03:51 | 0:03:54 | |
-Thank you for coming with me. -Seriously? | 0:03:55 | 0:03:58 | |
-Finding Kristin could mean finding Jess. -Right. | 0:04:00 | 0:04:03 | |
You got some way of contacting him or... | 0:04:10 | 0:04:11 | |
Just his name. | 0:04:11 | 0:04:14 | |
Mm. Jim Stewart. | 0:04:14 | 0:04:16 | |
-Wait, what? -Ooh... | 0:04:19 | 0:04:20 | |
Sorry, it's just...Jimmy Stewart? | 0:04:20 | 0:04:24 | |
Oh, my God. | 0:04:26 | 0:04:28 | |
Wait, do you think it's a scam? | 0:04:28 | 0:04:30 | |
I don't know. I mean, could be a coincidence. | 0:04:30 | 0:04:33 | |
Sh... | 0:04:33 | 0:04:34 | |
-Hey... -24, order up. | 0:04:34 | 0:04:36 | |
"The money's in Joe's house Right next to yours. | 0:04:38 | 0:04:41 | |
"And the Kennedys' house, and Mrs Macklin's house, too, | 0:04:41 | 0:04:44 | |
-"and 100 others." -"And 100 others." | 0:04:44 | 0:04:46 | |
I'm sorry. Oh... | 0:04:47 | 0:04:50 | |
I love Jimmy Stewart. Are you a fan? | 0:04:50 | 0:04:52 | |
Oh, no, at heart, I'm more of a Cary Grant girl, so... | 0:04:53 | 0:04:56 | |
Hmm. | 0:04:58 | 0:04:59 | |
Oh, gosh. | 0:05:02 | 0:05:04 | |
Do you wanna keep waiting or should we get out of here? | 0:05:05 | 0:05:07 | |
Fuck it. Let's just... Let's go, OK? | 0:05:09 | 0:05:12 | |
-Oh, God. -Hello? | 0:05:13 | 0:05:15 | |
-Ah, I can see the resemblance. -Are you Jim Stewart? | 0:05:16 | 0:05:20 | |
Yeah. Yeah, it's in the nose, in the eyes. | 0:05:20 | 0:05:23 | |
Faces worth remembering. | 0:05:23 | 0:05:25 | |
Wait, um, so you really knew Kristin? | 0:05:25 | 0:05:28 | |
Well, don't know if I'd go that far. | 0:05:28 | 0:05:31 | |
We partied one night. | 0:05:31 | 0:05:33 | |
There was an Asian chick there as well. | 0:05:33 | 0:05:35 | |
She had fake bits. It was brilliant. | 0:05:36 | 0:05:38 | |
-So where was this? -Some club. | 0:05:38 | 0:05:40 | |
Don't quite remember the name. | 0:05:41 | 0:05:43 | |
I might be able to remember better if my tourist visa wasn't expiring. | 0:05:45 | 0:05:49 | |
Wait, what? | 0:05:51 | 0:05:52 | |
Money to hire a lawyer. | 0:05:52 | 0:05:54 | |
That would almost certainly jog my memory. | 0:05:54 | 0:05:57 | |
I reckon a few thousand should do it. | 0:05:58 | 0:06:00 | |
She had a dimple on her chin, | 0:06:04 | 0:06:06 | |
and she did a mean Bonnie Tyler, | 0:06:06 | 0:06:08 | |
just in case you think I'm not for real. | 0:06:08 | 0:06:11 | |
Wait. But... | 0:06:12 | 0:06:14 | |
I mean, I don't have a few thousand dollars. | 0:06:14 | 0:06:17 | |
I do. | 0:06:17 | 0:06:18 | |
I got more in the car. I keep it there for emergencies. | 0:06:20 | 0:06:22 | |
Come on. | 0:06:22 | 0:06:24 | |
Now, you're doing me a real favour here, mate. | 0:06:26 | 0:06:28 | |
If I just get this visa sorted, then... | 0:06:28 | 0:06:30 | |
-Sure. It's in the trunk. So... -...then I can gig again. | 0:06:30 | 0:06:33 | |
It's a punk rock thing. | 0:06:33 | 0:06:35 | |
Now I'm right at the vanguard of this... Aah! Aah! Aah! Aah! | 0:06:35 | 0:06:38 | |
You are a special kind of piece of shit, aren't you? | 0:06:38 | 0:06:41 | |
-Fuck! -Tell me the name of the club right now | 0:06:41 | 0:06:43 | |
or I'm gonna break your fucking arm, Jimmy. | 0:06:43 | 0:06:45 | |
All right, all right! | 0:06:45 | 0:06:47 | |
It's the Glitter Club. | 0:06:47 | 0:06:49 | |
Fuck. | 0:06:51 | 0:06:52 | |
Wow. | 0:06:52 | 0:06:54 | |
Gustavo. | 0:07:03 | 0:07:05 | |
Nice boots. | 0:07:06 | 0:07:07 | |
I see we're taking good care of you, hmm? | 0:07:09 | 0:07:11 | |
I bought them for him. | 0:07:11 | 0:07:12 | |
His old ones had holes in them. | 0:07:12 | 0:07:14 | |
Yeah, well, Lucia. | 0:07:14 | 0:07:16 | |
Your father is in the study. He's been askin' for ya. | 0:07:20 | 0:07:23 | |
OK. | 0:07:23 | 0:07:24 | |
Don't take too long. He needs his strength. | 0:07:24 | 0:07:27 | |
I haven't seen you in a couple of days. | 0:07:32 | 0:07:34 | |
Yeah. | 0:07:34 | 0:07:35 | |
I've been busy. | 0:07:36 | 0:07:38 | |
KNOCK AT DOOR | 0:07:57 | 0:07:59 | |
Hey. | 0:08:09 | 0:08:10 | |
I've been calling you. | 0:08:12 | 0:08:14 | |
What's wrong? | 0:08:14 | 0:08:16 | |
The camp was hit. | 0:08:19 | 0:08:20 | |
-When? -Early this morning. | 0:08:22 | 0:08:24 | |
Elena? | 0:08:24 | 0:08:26 | |
-I don't know yet. -The coke? | 0:08:27 | 0:08:29 | |
You think I give a shit about the fucking coke right now? | 0:08:31 | 0:08:33 | |
Right, sorry. I... | 0:08:33 | 0:08:35 | |
I'll, um, I'll ask around. | 0:08:35 | 0:08:37 | |
I'll see what intel I can scrounge up. | 0:08:37 | 0:08:40 | |
No, no, I'm going down there, Teddy. | 0:08:40 | 0:08:42 | |
Right now. We both should. | 0:08:42 | 0:08:44 | |
What? | 0:08:49 | 0:08:51 | |
Does Club Glitter mean anything to you? | 0:08:51 | 0:08:53 | |
All right, look, don't worry. | 0:08:57 | 0:08:58 | |
Just... you go. I'll stay here. | 0:08:58 | 0:09:00 | |
I'll make sure she doesn't get any further than that. | 0:09:00 | 0:09:03 | |
I thought approaching her was a bad idea, but... | 0:09:07 | 0:09:10 | |
..you were right. | 0:09:11 | 0:09:13 | |
Look, if you're gonna go down there, be careful. | 0:09:16 | 0:09:18 | |
The whole area's probably still hot. | 0:09:18 | 0:09:20 | |
And the last thing I need is you getting yourself killed. | 0:09:20 | 0:09:22 | |
I will. | 0:09:25 | 0:09:27 | |
Thanks, Teddy. | 0:09:27 | 0:09:28 | |
It's like that, uh, "Prince and the Pauper" nigga. | 0:09:36 | 0:09:38 | |
Them old motherfuckers from back in the day, man, you know? | 0:09:38 | 0:09:41 | |
But except ain't no prince. He's just a rich white boy from Wall Street, right? | 0:09:41 | 0:09:44 | |
And he get tricked to switch places with Eddie | 0:09:44 | 0:09:46 | |
by these other crusty old rich white guys, right? | 0:09:46 | 0:09:48 | |
And Eddie becomes a Wall Street dude, man. | 0:09:48 | 0:09:50 | |
And the Wall Street dude, he turn poor and shit | 0:09:50 | 0:09:52 | |
and they start treating whitey like he a nigga. | 0:09:52 | 0:09:55 | |
Shit crazy, man. | 0:09:55 | 0:09:56 | |
And then, Eddie on the floor pretending like | 0:09:56 | 0:09:58 | |
he ain't got no legs and the police come over, man, | 0:09:58 | 0:10:00 | |
And they start, "hey, man, what are you doing?" | 0:10:00 | 0:10:02 | |
-And he's like... -Nigga, I was with you, all right? | 0:10:02 | 0:10:04 | |
We saw that shit, like, two weeks ago with Franklin. | 0:10:04 | 0:10:06 | |
Really? Are you sure? | 0:10:06 | 0:10:08 | |
-Oh, yeah. -Hear y'all giving away some new high. | 0:10:08 | 0:10:11 | |
He got you. | 0:10:12 | 0:10:13 | |
Hey, hold up. Hold up, hold up, hold up. | 0:10:14 | 0:10:16 | |
Spread the word, all right? | 0:10:17 | 0:10:19 | |
Tell everybody. | 0:10:19 | 0:10:21 | |
Hey, man, um, how many of these we give away? Like...like 30? | 0:10:21 | 0:10:25 | |
-Nah, more like 10. -Really? | 0:10:25 | 0:10:27 | |
Ain't given away 30 rocks, nigga. | 0:10:27 | 0:10:28 | |
You sure? | 0:10:28 | 0:10:30 | |
-Really? -Hey, what you all giving, man? | 0:10:31 | 0:10:34 | |
Something new and improved. | 0:10:34 | 0:10:36 | |
-Shit, hit me with a couple. -Nah, nigga, you getting one. | 0:10:36 | 0:10:39 | |
Let me have two, man. | 0:10:39 | 0:10:40 | |
Hey, cuz, I said you getting one, all right? | 0:10:40 | 0:10:42 | |
Now you can come back tomorrow and pay 10. | 0:10:42 | 0:10:44 | |
-All right. -Hey, hook this nigga up. | 0:10:45 | 0:10:47 | |
All right, come here. | 0:10:47 | 0:10:49 | |
-Who's that? -What's up? -We got that new high. | 0:10:52 | 0:10:55 | |
He gonna hook y'all up when he done. | 0:10:55 | 0:10:57 | |
Hey! Hey, man. Hey, Leon! Leon! | 0:10:57 | 0:10:59 | |
-Come on! Come on! -Calm down, bitch! | 0:10:59 | 0:11:01 | |
-Hey! Hey, Leon! -The fuck off me! | 0:11:01 | 0:11:02 | |
-Get the fuck off my homie! -Whoo! | 0:11:05 | 0:11:07 | |
Hey, kick his ass! | 0:11:07 | 0:11:08 | |
Get... hey, man, these my new Adidas! | 0:11:08 | 0:11:11 | |
-Hey, let go of my leg, man! -Hey, what the fuck you doing? | 0:11:11 | 0:11:13 | |
-Get him off me, Leon! -Get the fuck off his leg. | 0:11:13 | 0:11:15 | |
Man, these my new Adidas, cuz! Get off me, man! | 0:11:15 | 0:11:17 | |
We have to talk. | 0:11:35 | 0:11:37 | |
About what's gonna happen with the business. | 0:11:39 | 0:11:41 | |
Always so impatient. | 0:11:41 | 0:11:43 | |
Ever since you were little. | 0:11:45 | 0:11:47 | |
I remember one time your mum was doing cemitas. | 0:11:50 | 0:11:53 | |
You wanted one, but she said no. | 0:11:53 | 0:11:55 | |
That evening, she was doing the wash. | 0:11:59 | 0:12:01 | |
And she sees you coming out of the kitchen | 0:12:03 | 0:12:05 | |
wearing these old, dirty overalls. | 0:12:05 | 0:12:07 | |
I've never worn overalls. | 0:12:09 | 0:12:11 | |
Mm. | 0:12:12 | 0:12:13 | |
She stripped you right there in the hallway. | 0:12:15 | 0:12:17 | |
Two cemitas come tumbling out. | 0:12:18 | 0:12:20 | |
THEY LAUGH | 0:12:20 | 0:12:22 | |
Oh...the reason I remember is | 0:12:26 | 0:12:29 | |
you said that extra cemita was for your sister. | 0:12:29 | 0:12:32 | |
I know it's hard to let someone in after what happened to this family. | 0:12:36 | 0:12:40 | |
But Mija... | 0:12:42 | 0:12:43 | |
..you're smart, innovative, fierce. | 0:12:45 | 0:12:49 | |
But you can't do it alone. | 0:12:49 | 0:12:51 | |
You need people that you can count on. | 0:12:51 | 0:12:53 | |
That's what helps you prosper. | 0:12:55 | 0:12:56 | |
That's what makes a life. | 0:12:59 | 0:13:00 | |
Uh, you take the bar, I'll take the floor. | 0:13:33 | 0:13:37 | |
OK. | 0:13:38 | 0:13:40 | |
-Hey. -Hi. | 0:14:26 | 0:14:28 | |
Any luck? | 0:14:29 | 0:14:30 | |
No, you? | 0:14:32 | 0:14:33 | |
No. | 0:14:33 | 0:14:34 | |
Fuck. | 0:14:36 | 0:14:38 | |
You know, I really thought there would be something here, right? | 0:14:38 | 0:14:41 | |
-I'm sorry. -It's OK. | 0:14:41 | 0:14:43 | |
Come on, you wanna get out of here? | 0:14:43 | 0:14:45 | |
No. | 0:14:55 | 0:14:57 | |
Let's get shitfaced and dance. | 0:14:57 | 0:14:59 | |
-Yeah, I don't dance. -Come on. | 0:15:01 | 0:15:04 | |
I seem to remember Stewart getting down in It's A Wonderful Life. | 0:15:04 | 0:15:06 | |
Or does your impression just end at the voice? | 0:15:06 | 0:15:09 | |
Bartender, uh, we'll have a shot over here. | 0:15:12 | 0:15:14 | |
What do you want? Um, anything but tequila. | 0:15:14 | 0:15:17 | |
-Oh, I'd love a shot of tequila, please. -Coming up. | 0:15:17 | 0:15:20 | |
Oh! | 0:15:31 | 0:15:33 | |
-Another round. -You got it. | 0:15:33 | 0:15:35 | |
Price point's right. | 0:15:40 | 0:15:41 | |
We don't have to sell to white folks or Mexicans. | 0:15:41 | 0:15:44 | |
We sell it right here, and, uh, same as weed. | 0:15:44 | 0:15:46 | |
But for big paper. | 0:15:46 | 0:15:48 | |
That takes care of your problems with yeyo, right? | 0:15:49 | 0:15:52 | |
How big? | 0:15:53 | 0:15:55 | |
You would know big. | 0:15:55 | 0:15:56 | |
Off a single key, the way we cut it, | 0:15:57 | 0:15:59 | |
we make 50... Selling nickels. | 0:15:59 | 0:16:01 | |
But it catches on and we set the market, we sell dimes. | 0:16:02 | 0:16:05 | |
-100,000 off a single key? -Uh-huh. | 0:16:06 | 0:16:08 | |
And people be coming back. | 0:16:09 | 0:16:10 | |
-Try it if you want. -Oh, fuck that. | 0:16:12 | 0:16:15 | |
Nah, I've been with fools into freebase. That shit is nasty. | 0:16:15 | 0:16:18 | |
All I know is, this will catch on. | 0:16:18 | 0:16:21 | |
And when it does... | 0:16:22 | 0:16:24 | |
..we could be makin' seven figures a month. | 0:16:25 | 0:16:27 | |
All right. We'll give your little shit away for right now | 0:16:33 | 0:16:35 | |
and we can see how it go. | 0:16:35 | 0:16:37 | |
Thanks, Unc. | 0:16:40 | 0:16:42 | |
-See you, Aunt Lou. -Bye. | 0:16:42 | 0:16:44 | |
Hey, if it do pop off the way that you're thinkin', | 0:16:44 | 0:16:47 | |
it's gonna make some noise. | 0:16:47 | 0:16:48 | |
You thought about what you gonna tell your mama? | 0:16:48 | 0:16:51 | |
I'm thinking on that. | 0:16:51 | 0:16:52 | |
Keep thinkin'. | 0:16:53 | 0:16:55 | |
Franklin going to do this with or without us. | 0:17:00 | 0:17:03 | |
Be better for him if we in on it. | 0:17:03 | 0:17:05 | |
What? You trying to protect the boy? | 0:17:05 | 0:17:07 | |
We got a good life here, don't we? Damn. | 0:17:08 | 0:17:11 | |
Yeah. | 0:17:12 | 0:17:14 | |
But it still ain't enough, right? | 0:17:15 | 0:17:17 | |
When I was a little girl in Baton Rouge, | 0:17:20 | 0:17:24 | |
we ain't had no TV, but we had this big 'ol radio | 0:17:24 | 0:17:27 | |
with a record player on top. | 0:17:27 | 0:17:29 | |
And that mug would transmit all the way from Chicago. | 0:17:29 | 0:17:33 | |
WLS. | 0:17:33 | 0:17:35 | |
And on Sunday nights, they would play live big band. | 0:17:36 | 0:17:39 | |
And I would imagine the women in their evening dresses | 0:17:40 | 0:17:44 | |
and the men in their tuxedos. | 0:17:44 | 0:17:47 | |
And, baby, I wanted more than anything to be in that room. | 0:17:48 | 0:17:53 | |
You sound like a little girl right now. | 0:17:54 | 0:17:56 | |
Maybe I do. | 0:17:58 | 0:18:00 | |
But seven figures a month, baby, | 0:18:00 | 0:18:02 | |
this world will be whatever the fuck we want it. | 0:18:02 | 0:18:04 | |
Yes! Mm! | 0:18:10 | 0:18:12 | |
Yes! Mm! | 0:18:12 | 0:18:13 | |
Yes! | 0:18:13 | 0:18:15 | |
No, no, no, no, no. | 0:18:16 | 0:18:19 | |
HE SPEAKS SPANISH | 0:18:19 | 0:18:21 | |
Hey! | 0:18:23 | 0:18:25 | |
What are you doing out here skulking like a thief? | 0:18:25 | 0:18:27 | |
Just took a walk. | 0:18:28 | 0:18:30 | |
Pedro. Take him. | 0:18:30 | 0:18:32 | |
I'll catch up with you, OK? | 0:18:32 | 0:18:33 | |
If I had known you'd been around, I would've invited you. | 0:18:37 | 0:18:40 | |
You ever been riding at night? | 0:18:40 | 0:18:41 | |
I've never been riding, senor. | 0:18:42 | 0:18:44 | |
-Never? -Never. | 0:18:44 | 0:18:46 | |
What kind of a Mexican are you? | 0:18:46 | 0:18:48 | |
Your father never took you? | 0:18:51 | 0:18:52 | |
HE SPEAKS SPANISH | 0:18:56 | 0:18:58 | |
He still around, your father? | 0:19:00 | 0:19:02 | |
No, senor. | 0:19:02 | 0:19:03 | |
What happened? | 0:19:10 | 0:19:12 | |
Killed. | 0:19:13 | 0:19:15 | |
When I was young. | 0:19:16 | 0:19:17 | |
Sorry to hear. | 0:19:19 | 0:19:21 | |
There is nobody, senor. | 0:19:26 | 0:19:28 | |
Well, at least you still have us, huh? | 0:19:38 | 0:19:40 | |
I do think you need some riding lessons. | 0:19:44 | 0:19:45 | |
Hey. Hey! | 0:20:17 | 0:20:19 | |
-I can help you. -Good. Thank you. | 0:20:19 | 0:20:21 | |
I can help you. | 0:20:21 | 0:20:22 | |
No, I... | 0:20:25 | 0:20:26 | |
-You're looking for Kristin, right? -What? | 0:20:26 | 0:20:29 | |
-You're looking for Kristin? -Yeah. | 0:20:29 | 0:20:32 | |
-Let's go talk. Let's go talk. -OK. | 0:20:32 | 0:20:34 | |
Of course she was here. I was the one who invited her. | 0:20:43 | 0:20:45 | |
See, we had just started doubling up in class | 0:20:45 | 0:20:47 | |
-and she was my partner, and this was... -Wait. Class? What class? | 0:20:47 | 0:20:50 | |
Uh, you know, aerial dance, the art of trapeze. | 0:20:50 | 0:20:52 | |
You know, I was wondering if... | 0:20:52 | 0:20:54 | |
Wait, so were you guys hanging out that night, or... | 0:20:54 | 0:20:56 | |
Yeah. Well, well, I was working, but she was partying, though. | 0:20:56 | 0:21:00 | |
She had to blow off some steam, you know, because of Nate. | 0:21:00 | 0:21:03 | |
-That fucking asshole. I told her that... -So what happened then? Did she leave alone? | 0:21:03 | 0:21:06 | |
-Um, no, she met some guys and left with them. -Guys? What guys? | 0:21:06 | 0:21:10 | |
I don't know. One kind of had like a faint frat-holey thing going on. | 0:21:10 | 0:21:14 | |
The other one was really hot. | 0:21:15 | 0:21:16 | |
Kinda looked like a heavier Latino Freddie Mercury. | 0:21:16 | 0:21:19 | |
OK, so who were they, though? Do you know their names or anything? | 0:21:19 | 0:21:22 | |
No, just that they were going to keep partying | 0:21:22 | 0:21:24 | |
at the frat-hole's place. | 0:21:24 | 0:21:25 | |
-And they asked me to go and I was going to, but then I... -So where were they headed? | 0:21:25 | 0:21:29 | |
-What was the address? -Um, I...you know what? | 0:21:29 | 0:21:31 | |
-I might have written it down. That's possible. -Coming through. | 0:21:31 | 0:21:34 | |
Let's see... | 0:21:34 | 0:21:36 | |
This is a disaster. | 0:21:36 | 0:21:38 | |
What does that say? | 0:21:38 | 0:21:39 | |
Oh, no, no, no, no. | 0:21:39 | 0:21:41 | |
No, I don't know. | 0:21:41 | 0:21:43 | |
Oh, my God. That guy's such a creep. | 0:21:45 | 0:21:47 | |
I'm so sorry. I like, never write anything... | 0:21:48 | 0:21:50 | |
Oh, my God. Wait, no, no, no. | 0:21:50 | 0:21:52 | |
Fuck me sideways with a tire iron. That's it. | 0:21:52 | 0:21:54 | |
-That's it? -Yeah, that's it! -Oh, thank you! -Wow! -Oh, my God! | 0:21:54 | 0:21:57 | |
-OK. I never write shit down. -Can I take this? | 0:21:57 | 0:22:00 | |
-This has never happened to me before. -Thank you. -Yeah, wow. | 0:22:00 | 0:22:03 | |
-I hope you find Kristin. -Yeah. -She's like... | 0:22:03 | 0:22:04 | |
-She had the best straddle whip in class. -Thank you. | 0:22:04 | 0:22:07 | |
-And she always brought me Skittles. -Yeah, thank you. -And I thought that was so sweet. -Thank you so much. | 0:22:07 | 0:22:11 | |
-Bye, guys. Bye! -You know what? I gotta use the rest room. | 0:22:11 | 0:22:13 | |
-Just two minutes. I'll meet you by the front door. -OK. | 0:22:13 | 0:22:15 | |
Don't take too long. Uh... | 0:22:15 | 0:22:17 | |
Hey, it's McDonald. Uh, listen, I need you... | 0:22:31 | 0:22:34 | |
I don't know. As long as it takes. | 0:22:41 | 0:22:43 | |
Please just do it. | 0:22:43 | 0:22:44 | |
Thank you. | 0:22:45 | 0:22:46 | |
-Excuse me. -Yeah? | 0:22:51 | 0:22:52 | |
Er... | 0:22:52 | 0:22:54 | |
Can I have these drinks? Thanks. | 0:22:55 | 0:22:57 | |
-Ah! -What the fuck, man? | 0:23:30 | 0:23:32 | |
-Back off! -Shit! | 0:23:37 | 0:23:39 | |
OK, OK! | 0:23:41 | 0:23:43 | |
Are you OK? | 0:23:43 | 0:23:44 | |
I think I need you to take me home. | 0:23:46 | 0:23:47 | |
Tio. | 0:23:54 | 0:23:56 | |
This used to be the setting porch. | 0:23:59 | 0:24:01 | |
You used to love to play here. | 0:24:04 | 0:24:06 | |
Your father moved out all the furniture, | 0:24:06 | 0:24:08 | |
turned it into this. | 0:24:08 | 0:24:09 | |
It makes him happy. | 0:24:10 | 0:24:12 | |
It gives him peace. | 0:24:12 | 0:24:14 | |
You make him happy. | 0:24:14 | 0:24:15 | |
Uh-huh. You should talk, then... | 0:24:19 | 0:24:21 | |
..about how you see everything moving forward in this business. | 0:24:22 | 0:24:25 | |
I'm not sure I understand what you mean. | 0:24:28 | 0:24:30 | |
Well, you know, you're bright, ambitious. | 0:24:30 | 0:24:32 | |
I'm sure you have ideas. | 0:24:32 | 0:24:34 | |
You know, changes that you might want to make. | 0:24:34 | 0:24:37 | |
How you see things into the future. | 0:24:38 | 0:24:40 | |
Pedro told you, didn't he? | 0:24:45 | 0:24:47 | |
Of course he told me. | 0:24:49 | 0:24:51 | |
I think you should stop sleeping in the stash house. | 0:25:09 | 0:25:12 | |
You have some money now. | 0:25:13 | 0:25:14 | |
Get out of that shithole and go find your own place. | 0:25:14 | 0:25:17 | |
OK. OK. | 0:25:17 | 0:25:18 | |
I got it. I got it. | 0:25:37 | 0:25:39 | |
-So it's just there, um... -Shit. | 0:25:42 | 0:25:44 | |
-...there on the right. -Oh, shit, oh, shit, oh, shit, shit. | 0:25:44 | 0:25:46 | |
-Would you grab me that medical kit. -Yeah, I got it, OK. | 0:25:46 | 0:25:49 | |
-It's just under the seat. -Mm-hmm. Yeah, OK. | 0:25:49 | 0:25:52 | |
OK. | 0:26:20 | 0:26:22 | |
-Here you go. -Oh, thanks. | 0:26:24 | 0:26:26 | |
Oh, God. Oh, fuck, I need some water. | 0:26:29 | 0:26:31 | |
Uh... | 0:26:33 | 0:26:34 | |
That's your nephew? | 0:26:46 | 0:26:48 | |
Um... | 0:26:51 | 0:26:53 | |
no, actually. | 0:26:53 | 0:26:55 | |
-Oh, you're married? -Separated. | 0:26:56 | 0:26:59 | |
How long? | 0:27:00 | 0:27:02 | |
I'm sorry, do you mind if we don't... | 0:27:02 | 0:27:03 | |
Yeah, no, sorry. Of course. | 0:27:03 | 0:27:05 | |
I shouldn't have asked. | 0:27:05 | 0:27:07 | |
OK. | 0:27:11 | 0:27:12 | |
Are you gonna be all right? | 0:27:12 | 0:27:14 | |
Yeah, I think I'll live. | 0:27:14 | 0:27:16 | |
OK. | 0:27:16 | 0:27:17 | |
Hey, thank you so much for everything. | 0:27:19 | 0:27:21 | |
I'm gonna... I'm gonna head out. | 0:27:22 | 0:27:24 | |
-Wait, where are you goin'? -What do you mean? | 0:27:24 | 0:27:26 | |
I just, uh. We both had a lot to drink. | 0:27:26 | 0:27:28 | |
And, um, it's probably just safer for you to crash here. | 0:27:28 | 0:27:31 | |
-I'll sleep on the couch. -No, I'm gonna go to that house, Reed. | 0:27:31 | 0:27:33 | |
It's like one in the morning. | 0:27:33 | 0:27:35 | |
I don't give a fuck what time it is, OK? | 0:27:35 | 0:27:36 | |
-She said that they host late night parties. -All right, all right, just... | 0:27:36 | 0:27:39 | |
-I'm gonna go change real fast. And... -No, I really think that you should rest. | 0:27:39 | 0:27:42 | |
Hey, we're in this together. Right? | 0:27:42 | 0:27:46 | |
OK. | 0:27:48 | 0:27:49 | |
Hurry up. | 0:27:52 | 0:27:54 | |
You know he crazy, right? | 0:27:54 | 0:27:56 | |
What's up with it? How's shit goin'? | 0:28:08 | 0:28:11 | |
Told you, nigga. | 0:28:11 | 0:28:12 | |
-Fat-ass hobo pulled a knife on me. -Oh, shit. | 0:28:12 | 0:28:14 | |
Got his blood all over my fucking kicks, man. | 0:28:14 | 0:28:16 | |
Damn. | 0:28:16 | 0:28:18 | |
-You good, though? -Yeah, he ain't stick me. | 0:28:18 | 0:28:20 | |
But you're gonna reimburse me for these shoes, though. | 0:28:21 | 0:28:24 | |
HE LAUGHS Yeah, sure. | 0:28:24 | 0:28:26 | |
Give you 50 cents, you can walk your ass down to Goodwill. | 0:28:26 | 0:28:29 | |
Man, fuck you. Your mama dress you up your whole life, | 0:28:30 | 0:28:33 | |
-but I gotta pay for my own shit. -Hold up. Are you for real? -Real as death, nigga. | 0:28:33 | 0:28:36 | |
And I want a little extra pay for my frayed nerves. | 0:28:36 | 0:28:38 | |
Hazard pay. | 0:28:38 | 0:28:40 | |
It's fair, Saint. I mean, we are putting our lives on the line for this thing, man. | 0:28:40 | 0:28:43 | |
You wanna talk about lives on the line? | 0:28:43 | 0:28:45 | |
I almost died twice since I started this shit. | 0:28:45 | 0:28:47 | |
Man, this nigga full of excuses, | 0:28:47 | 0:28:48 | |
but you ain't nothing but a cheap ass motherfucker. | 0:28:48 | 0:28:50 | |
You get poked one time by some junkie ass blade. | 0:28:50 | 0:28:53 | |
What about me? I've been robbed, beat, shot at. | 0:28:53 | 0:28:56 | |
You wanna talk about hazard pay, where's my hazard pay, motherfucker? | 0:28:56 | 0:28:59 | |
You know what? Fine. | 0:28:59 | 0:29:01 | |
You want money? Here, take some money. | 0:29:01 | 0:29:03 | |
Man, who done all the fucking killing for you, man? | 0:29:03 | 0:29:06 | |
-Step the fuck back. -But now you're some king or some shit? | 0:29:06 | 0:29:08 | |
-You gonna tell me how to wipe my own fucking ass? -I said step the fuck back! -Hey. | 0:29:08 | 0:29:11 | |
-Fuck... -Hey, man. Hey, what the... | 0:29:12 | 0:29:14 | |
Hey, man. What are y'all doing, man? | 0:29:14 | 0:29:16 | |
Hey, hey! Come on, man. | 0:29:16 | 0:29:17 | |
Give me what you owe me, you square ass Mama boy! | 0:29:17 | 0:29:19 | |
Get the fuck off me, you jailbird motherfucker! | 0:29:19 | 0:29:21 | |
-Hey, hey, hey... -Fuck you, bougie-ass motherfucker! | 0:29:21 | 0:29:24 | |
-Hey, fuck you... -Hey, be cool, man! | 0:29:24 | 0:29:26 | |
Cool out, man! | 0:29:29 | 0:29:31 | |
Hey! Cool out, man! | 0:29:31 | 0:29:33 | |
Y'all acting like some bitches. | 0:29:33 | 0:29:35 | |
Fuck! | 0:29:35 | 0:29:37 | |
We're sitting on a silent fucking gold mine | 0:29:38 | 0:29:40 | |
-if y'all don't fuck it up! -Man, fuck you! And fuck all this shit. | 0:29:40 | 0:29:43 | |
Man, I don't have time to be baby-sitting y'all, man. | 0:29:43 | 0:29:45 | |
-Leon Sim is the man with the fucking plans, huh? -Ah, fuck you! | 0:29:45 | 0:29:48 | |
Come on, Le! Le! Leon! | 0:29:50 | 0:29:54 | |
Quiet neighbourhood. | 0:30:06 | 0:30:08 | |
Just do... | 0:30:16 | 0:30:17 | |
Hello? Is anyone there? | 0:30:21 | 0:30:22 | |
-Hello?! -Whoa, whoa, hey. | 0:30:30 | 0:30:31 | |
What? | 0:30:31 | 0:30:33 | |
Great. Now we're trespassing. | 0:30:37 | 0:30:39 | |
It's OK. Well, then, don't come. | 0:30:39 | 0:30:41 | |
Oh, no, no, getting shot would be the perfect end to this day. | 0:30:41 | 0:30:45 | |
Hope they don't have a dog. | 0:30:45 | 0:30:47 | |
Excuse me? What do you think you're doing? | 0:30:47 | 0:30:50 | |
Oh, sorry. Hey, this is your house? | 0:30:50 | 0:30:53 | |
Yes, and it's private property. | 0:30:53 | 0:30:55 | |
I'm sorry. Uh, all right, this is... | 0:30:55 | 0:30:58 | |
I'm looking for someone... My sister. | 0:30:59 | 0:31:01 | |
She went missing a couple of weeks ago and somebody told me | 0:31:01 | 0:31:04 | |
that she went to a party at this house | 0:31:04 | 0:31:06 | |
the last night that anyone saw her. | 0:31:06 | 0:31:08 | |
A party here? | 0:31:08 | 0:31:10 | |
The only kind of parties we throw come with birthday hats | 0:31:10 | 0:31:12 | |
and kids under nine. | 0:31:12 | 0:31:14 | |
I have a photograph. | 0:31:15 | 0:31:17 | |
Do you... Do you recognise her? | 0:31:19 | 0:31:21 | |
No. And as sorry as I am to hear about your sister, | 0:31:22 | 0:31:26 | |
I want you to leave, or I'm calling the police. | 0:31:26 | 0:31:29 | |
Yeah, OK. Hey... | 0:31:29 | 0:31:31 | |
Of course. | 0:31:31 | 0:31:32 | |
Sorry for bothering you. | 0:31:33 | 0:31:35 | |
So, look, if you remember anything else, | 0:31:35 | 0:31:38 | |
my name's Reed Thompson. | 0:31:38 | 0:31:39 | |
-It's in the book. -Of course, Mr Thompson. | 0:31:39 | 0:31:41 | |
WHISPERS: The robe's a nice touch. | 0:31:43 | 0:31:44 | |
Thank you for your help. | 0:31:45 | 0:31:47 | |
I miss her so much. | 0:32:04 | 0:32:06 | |
Trapeze class? I mean, what was she gonna do? | 0:32:11 | 0:32:12 | |
Run off and join Barnum & Bailey? | 0:32:12 | 0:32:15 | |
I don't know, I guess I just didn't know her any more. | 0:32:18 | 0:32:21 | |
-You all right? -Mn-mnh. | 0:32:40 | 0:32:42 | |
Uh, nah, man. | 0:32:44 | 0:32:47 | |
Our world ain't on fire any more, huh? | 0:32:47 | 0:32:48 | |
I feel like this tiny animal gnawing at my brain, man. | 0:32:50 | 0:32:52 | |
Yeah, probably best to leave it out the sales pitch. | 0:32:52 | 0:32:55 | |
Yeah, you right. | 0:32:55 | 0:32:56 | |
Heard from Leon? | 0:32:58 | 0:32:59 | |
No. | 0:33:00 | 0:33:02 | |
Don't worry he'll come around. | 0:33:02 | 0:33:04 | |
Man, come on. He always do. | 0:33:04 | 0:33:06 | |
Like that time you bought the same exact shirt as him. | 0:33:08 | 0:33:10 | |
He always come back and eat pie at the end of the day, right? | 0:33:11 | 0:33:14 | |
Eat pie? | 0:33:16 | 0:33:18 | |
You know, like, eat pie. Humble pie. Humble. | 0:33:18 | 0:33:23 | |
Oh, you wouldn't know nothin' about that. | 0:33:25 | 0:33:27 | |
You think they here for us? | 0:33:38 | 0:33:40 | |
Yes, they are. | 0:33:42 | 0:33:44 | |
Breakfast time, ladies and gentlemen. | 0:33:46 | 0:33:48 | |
Who's first? | 0:33:48 | 0:33:50 | |
You fucking piece of shit! | 0:34:04 | 0:34:06 | |
You have the balls to come in here after running to Daddy? | 0:34:08 | 0:34:11 | |
Look at this place. | 0:34:17 | 0:34:18 | |
You two have really put your work in, huh? | 0:34:23 | 0:34:25 | |
I'm not sure that this is how I would've done it, but, uh... | 0:34:30 | 0:34:33 | |
Looks good. | 0:34:37 | 0:34:38 | |
Anyone else here? | 0:34:41 | 0:34:43 | |
Gustavo? | 0:34:45 | 0:34:46 | |
I don't know where he is. | 0:34:49 | 0:34:50 | |
You tell him about our discussion? | 0:34:54 | 0:34:56 | |
-'Cause if I find out you lied to me again... -He doesn't know anything. | 0:35:00 | 0:35:03 | |
Good. | 0:35:06 | 0:35:08 | |
Let's go here and, uh, have a talk. | 0:35:12 | 0:35:14 | |
Hey, Saint. You home? | 0:35:37 | 0:35:39 | |
Hey, my nigga. My bad about yesterday, all right? | 0:35:41 | 0:35:43 | |
Open up if you in there. Come on. | 0:35:43 | 0:35:46 | |
Come on, Saint. | 0:35:54 | 0:35:55 | |
Let's squash all this. | 0:35:59 | 0:36:00 | |
Come on, man. | 0:36:02 | 0:36:03 | |
You're giving me a headache. It was fun but this business, all right? | 0:36:06 | 0:36:09 | |
Mnh-mnh. That ain't cool. You know I good for it. | 0:36:10 | 0:36:15 | |
It's 10 or nothing, sweetheart. I don't make the rule. | 0:36:15 | 0:36:17 | |
-Get you free Frosties for life. -Frosties? | 0:36:17 | 0:36:19 | |
Do you think I got this body tossing back milkshakes, huh? | 0:36:19 | 0:36:23 | |
Finish what you got, man. | 0:36:23 | 0:36:24 | |
-I'm gonna head back to the crib and restock, all right? -All right, I got you. | 0:36:24 | 0:36:27 | |
-Back in 20. -Cool. -Baby, you ain't listenin'. | 0:36:27 | 0:36:30 | |
I done my shift, I pay you double. | 0:36:30 | 0:36:32 | |
Walk away, Mama. | 0:36:32 | 0:36:34 | |
This ain't no credit union, bitch. | 0:36:34 | 0:36:36 | |
Or I tell your mama. What's up, man? | 0:36:38 | 0:36:40 | |
Thank you, thank you. | 0:36:41 | 0:36:43 | |
Leon. | 0:37:31 | 0:37:32 | |
Leon! | 0:37:34 | 0:37:36 | |
Motherfucker caught me slippin', man. | 0:37:39 | 0:37:40 | |
I'm... I'm calling an ambulance, all right? | 0:37:53 | 0:37:56 | |
Wait. | 0:37:56 | 0:37:58 | |
Hello? I need an ambulance. | 0:38:05 | 0:38:07 | |
My friend's been shot. | 0:38:07 | 0:38:09 | |
1127 West 56th. | 0:38:10 | 0:38:13 | |
I called them. They on their way. It's gonna be all right. | 0:38:16 | 0:38:18 | |
-The crack. -Hey. | 0:38:18 | 0:38:20 | |
-The crack. -What? | 0:38:20 | 0:38:22 | |
The crack, the crack. The crack. The crack. | 0:38:22 | 0:38:26 | |
Fuck, fuck! Fuck! | 0:38:28 | 0:38:32 | |
I'm coming! Aah! | 0:38:48 | 0:38:50 | |
Fuck! | 0:38:56 | 0:38:58 | |
Aah! | 0:39:04 | 0:39:05 | |
I'm coming, man! | 0:39:16 | 0:39:18 | |
I'm coming out! | 0:39:19 | 0:39:20 | |
I got it. | 0:39:22 | 0:39:24 | |
Shh, shh. Hold on. Hold on. They on their way. | 0:39:28 | 0:39:31 | |
They on their way, man, huh? | 0:39:32 | 0:39:34 | |
You're not gonna die. You're not gonna die. Shh. | 0:39:36 | 0:39:40 | |
DISTANT SIRENS OK? | 0:39:40 | 0:39:41 | |
-Fuck. -You're not gonna die. | 0:39:41 | 0:39:43 |