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We're getting into bed with Russia. | 0:00:02 | 0:00:03 | |
If we want this friendship to succeed, | 0:00:03 | 0:00:05 | |
we must put the past behind us. | 0:00:05 | 0:00:07 | |
Elena wasn't just an asset, we were lovers. | 0:00:07 | 0:00:11 | |
-Sasha? -Because he's my son. | 0:00:11 | 0:00:13 | |
You're totally compromised with the Gavriks. | 0:00:13 | 0:00:16 | |
You can't expect complete trust from Harry. He can't even give that to himself. | 0:00:16 | 0:00:20 | |
-What brings you to London? -Your deal with the Russians. -How did you find out about that? | 0:00:20 | 0:00:25 | |
-I think I've figured out a way to get the proof against Jim Coaver. -Tell me it's clean and simple. | 0:00:25 | 0:00:29 | |
We'd need Elena and Sasha. | 0:00:29 | 0:00:31 | |
The CIA want to destroy the Partnership between our two countries before it's even signed. | 0:00:31 | 0:00:36 | |
This is an attack on both our nations. | 0:00:36 | 0:00:39 | |
She's a deniable asset for a Central Intelligence Agency. | 0:00:39 | 0:00:42 | |
Coaver sent her to kill you. | 0:00:42 | 0:00:44 | |
24 hours, Jim, then I'm coming after you. | 0:00:44 | 0:00:48 | |
We'll create a new role for you. | 0:00:48 | 0:00:50 | |
Tell me to stay and I will. | 0:00:50 | 0:00:51 | |
Go as soon as you can. I don't want you involved in what's coming. | 0:00:51 | 0:00:54 | |
PHONE RINGS | 0:00:56 | 0:00:58 | |
It's Sasha. | 0:00:58 | 0:01:00 | |
We need to talk. | 0:01:00 | 0:01:02 | |
Today. | 0:01:02 | 0:01:04 | |
-So what are you doing about Jim Coaver? -It's being taken care of. | 0:01:18 | 0:01:22 | |
That's what you came to ask me? | 0:01:24 | 0:01:26 | |
What happened with my mother in Berlin? | 0:01:30 | 0:01:34 | |
Whenever I ask her, she won't talk about it. | 0:01:34 | 0:01:38 | |
Changes the subject. | 0:01:38 | 0:01:40 | |
Elena didn't want to go back to Moscow with your father. | 0:01:41 | 0:01:45 | |
She begged me to extract her from Berlin. | 0:01:45 | 0:01:48 | |
But you didn't. | 0:01:48 | 0:01:50 | |
You abandoned her! | 0:01:50 | 0:01:52 | |
No! I was fully prepared to extract her. | 0:01:52 | 0:01:55 | |
We packed up the whole station. | 0:01:55 | 0:01:57 | |
As far as I was concerned, we were gonna collect her from the exit point at Treptower Park. | 0:01:57 | 0:02:02 | |
But Jim had other plans. | 0:02:04 | 0:02:07 | |
He said Elena's defection would compromise an ongoing operation | 0:02:07 | 0:02:10 | |
and possibly endanger the lives of innocent civilians. | 0:02:10 | 0:02:15 | |
He would kill me rather than allow that to happen. | 0:02:15 | 0:02:18 | |
-But why did Coaver do it? -He was protecting his agents. | 0:02:18 | 0:02:21 | |
For him, Elena was just another burned asset. | 0:02:21 | 0:02:25 | |
And what was she to you? | 0:02:25 | 0:02:27 | |
A loss. | 0:02:29 | 0:02:31 | |
You could have tried again? | 0:02:34 | 0:02:36 | |
Taken her from Moscow somehow. | 0:02:36 | 0:02:38 | |
Sasha, I understand your need for answers. But what's done is done. | 0:02:38 | 0:02:42 | |
And leave Jim Coaver to me. He has more recent sins to atone for. | 0:02:42 | 0:02:46 | |
Besides, would you have really wanted to have grown-up British? | 0:02:46 | 0:02:51 | |
I would have wanted what my mother wanted. | 0:02:51 | 0:02:54 | |
Sasha. | 0:03:00 | 0:03:01 | |
You called. | 0:03:18 | 0:03:19 | |
Our American friend is scheduled to fly to Rotterdam at 11am. | 0:03:19 | 0:03:24 | |
Right, that decides it. We take Jim Coaver. | 0:03:24 | 0:03:28 | |
Do we have any official authorisation for this? | 0:04:08 | 0:04:11 | |
-From the Home Secretary, for example? -Sadly, no. | 0:04:11 | 0:04:14 | |
Did we even try? | 0:04:14 | 0:04:15 | |
We did not. We assumed it would be futile. | 0:04:15 | 0:04:18 | |
What about Ruth? She must have him tied round her little finger by now. | 0:04:18 | 0:04:22 | |
Ruth's official title is security adviser to the Home Office. | 0:04:22 | 0:04:25 | |
She'll be liaising between them and us. She won't be disappearing. | 0:04:25 | 0:04:28 | |
Speaking of Ruth, are we gonna do anything? Bowling could be fun. | 0:04:28 | 0:04:32 | |
I'm sorry, we're about to kidnap a CIA Officer. | 0:04:32 | 0:04:34 | |
Why are we discussing Ruth's leaving do? | 0:04:34 | 0:04:37 | |
Erin's right, but I will take responsibility for whatever happens. | 0:04:37 | 0:04:40 | |
However, if anyone feels they can not fully commit to this operation... | 0:04:40 | 0:04:45 | |
Good. Calum, you're on mobile comms. Dimitri, I'll need you in a suit. | 0:04:45 | 0:04:49 | |
'Alpha Three, his car's arrived.' | 0:05:06 | 0:05:09 | |
Roger that. | 0:05:09 | 0:05:11 | |
RINGING | 0:05:14 | 0:05:15 | |
The driver's calling Coaver's phone. | 0:05:15 | 0:05:18 | |
No sign of security. You're clear to go. | 0:05:19 | 0:05:24 | |
PHONE RINGS | 0:05:24 | 0:05:25 | |
'Good morning, Mr Francis. Your car's waiting for you.' | 0:05:25 | 0:05:29 | |
Target's cover name is Francis. | 0:05:29 | 0:05:33 | |
-Car for Francis? -That's me. | 0:05:39 | 0:05:41 | |
Let's go. | 0:05:44 | 0:05:45 | |
He's in the foyer. | 0:05:54 | 0:05:56 | |
'In position.' | 0:05:56 | 0:05:58 | |
Mr Francis? | 0:06:07 | 0:06:09 | |
Yes. Thank you. | 0:06:09 | 0:06:10 | |
Right. | 0:06:10 | 0:06:12 | |
What the hell is this? | 0:06:20 | 0:06:22 | |
-Morning, Jim. You leaving the country? -Yeah, I'm going to the Hague. | 0:06:22 | 0:06:25 | |
Oh, you've got to be kidding. | 0:06:26 | 0:06:28 | |
I'm afraid you may have to postpone your mini-break. | 0:06:28 | 0:06:32 | |
Calum. | 0:07:31 | 0:07:33 | |
Ruth. | 0:07:33 | 0:07:34 | |
Back already? | 0:07:34 | 0:07:36 | |
Where is everyone? | 0:07:36 | 0:07:38 | |
Um...not sure. | 0:07:38 | 0:07:40 | |
Where's Harry? | 0:07:40 | 0:07:42 | |
Hey, you're the boss. Nobody tells me anything. | 0:07:42 | 0:07:44 | |
No. I'm not anyone's boss. | 0:07:44 | 0:07:47 | |
Listen, I'd better... | 0:07:48 | 0:07:50 | |
Sure. | 0:07:50 | 0:07:52 | |
PHONE RINGS | 0:07:52 | 0:07:54 | |
Home Secretary. | 0:07:54 | 0:07:57 | |
Are you with Harry? | 0:07:57 | 0:07:59 | |
'Er...no. Why?' | 0:07:59 | 0:08:00 | |
One of the CIA's bods didn't turn up for a flight. | 0:08:00 | 0:08:03 | |
They think he's been kidnapped. Or worse. | 0:08:03 | 0:08:06 | |
-Do you know the officer's name? -Yes, I've got it here. | 0:08:06 | 0:08:08 | |
It's James Jeffrey Coaver. They're quite het up about it. | 0:08:08 | 0:08:13 | |
Some American foetus just said he'd get medieval on my backside, whatever that means. | 0:08:13 | 0:08:18 | |
Can you shed any light? | 0:08:18 | 0:08:19 | |
Not currently. But, um... I'll see what I can do. | 0:08:19 | 0:08:22 | |
Calum? You remember how I said I wasn't your boss? | 0:08:29 | 0:08:33 | |
RINGING | 0:08:43 | 0:08:46 | |
Ruth. | 0:08:47 | 0:08:48 | |
Harry, what are you doing? | 0:08:48 | 0:08:50 | |
By your tone, I'd say you already know. | 0:08:50 | 0:08:52 | |
Then let him go before it's too late. | 0:08:52 | 0:08:54 | |
I'll take the consequences if I'm wrong. | 0:08:54 | 0:08:56 | |
How did you sell it to Erin and Dimitri? | 0:08:56 | 0:08:58 | |
That this is about justice for Tariq? | 0:08:58 | 0:09:01 | |
This is about Elena Gavrik and you know it. | 0:09:01 | 0:09:04 | |
You're still in love with her. And it's clouding your judgement. | 0:09:04 | 0:09:08 | |
I have to go. | 0:09:08 | 0:09:09 | |
Then I have to tell Towers what I know. | 0:09:09 | 0:09:13 | |
So be it. | 0:09:14 | 0:09:16 | |
Whoever that was, Hal, you should've listened to them. | 0:09:18 | 0:09:22 | |
You Brits! | 0:09:40 | 0:09:42 | |
Who do you think formulates CIA policy? Scooby-Doo? | 0:09:43 | 0:09:48 | |
The only reason we give a rat's ass about your country | 0:09:48 | 0:09:51 | |
is because you let it be a breeding ground for fanatics. | 0:09:51 | 0:09:54 | |
Are we happy that you're cuddling up to the Russians? No. | 0:09:54 | 0:09:58 | |
It's one more foot hole in Europe for them. | 0:09:58 | 0:10:01 | |
But if we wanted to stop you, | 0:10:01 | 0:10:03 | |
we wouldn't have to resort to scare tactics to do it. | 0:10:03 | 0:10:06 | |
That includes taking out your office boy. | 0:10:06 | 0:10:10 | |
Tariq was a bit more than that. | 0:10:10 | 0:10:12 | |
No offence. | 0:10:12 | 0:10:13 | |
Some taken. | 0:10:13 | 0:10:15 | |
So you don't know this woman? | 0:10:15 | 0:10:17 | |
No. | 0:10:17 | 0:10:18 | |
Do you often solicit girls from parked cars? | 0:10:18 | 0:10:23 | |
Is that a trick question? | 0:10:23 | 0:10:26 | |
I will speak to you alone. | 0:10:31 | 0:10:33 | |
Harry has kidnapped a CIA Officer? | 0:10:44 | 0:10:46 | |
Yes. | 0:10:46 | 0:10:48 | |
Do you know where he's taken him? | 0:10:48 | 0:10:50 | |
Yes. | 0:10:53 | 0:10:54 | |
Ruth, you're my adviser. | 0:10:55 | 0:10:58 | |
Advise me. | 0:10:58 | 0:11:00 | |
All right. | 0:11:04 | 0:11:05 | |
I'm acquainted with this woman. | 0:11:07 | 0:11:09 | |
She's not CIA, she's a private contractor, Israeli-trained. | 0:11:09 | 0:11:14 | |
Nom de guerre is Veronica Duran. | 0:11:14 | 0:11:17 | |
What's your business with her? | 0:11:17 | 0:11:19 | |
We use Duran for deniable ops in the UK. | 0:11:19 | 0:11:22 | |
That's why I was meeting with her. | 0:11:22 | 0:11:24 | |
Now if you think she's connected to this other stuff, | 0:11:24 | 0:11:27 | |
that is a matter of concern for both of us. | 0:11:27 | 0:11:30 | |
Don't you ever get tired of lying, Jim? | 0:11:31 | 0:11:34 | |
What? | 0:11:34 | 0:11:35 | |
Two days ago, Elena contacted you. She arranged to meet you. | 0:11:35 | 0:11:38 | |
You turn up near the meeting point, this woman approaches your car. | 0:11:38 | 0:11:41 | |
You talk. Straight after you leave, she attempts to kill Elena. | 0:11:41 | 0:11:45 | |
Now whoa, whoa, whoa! It was Duran, she fixed up the meeting place. | 0:11:45 | 0:11:49 | |
She had information for me, she told me, and I left. | 0:11:49 | 0:11:52 | |
Are you telling me, after that, she tried to kill Elena Gavrik? | 0:11:52 | 0:11:57 | |
-I don't believe you! -God damnit, Harry, if that's true, it's gotta be a set-up. | 0:11:57 | 0:12:01 | |
What have I done to earn your distrust? | 0:12:01 | 0:12:05 | |
I lie when I have to. | 0:12:05 | 0:12:07 | |
But I consider you a friend. | 0:12:07 | 0:12:10 | |
And you remember, | 0:12:10 | 0:12:12 | |
I have sat on everything I know about you | 0:12:12 | 0:12:14 | |
and Elena Gavrik for 30 years. | 0:12:14 | 0:12:16 | |
In our business, that practically makes me a saint. | 0:12:16 | 0:12:20 | |
I think that's the least you could do. | 0:12:20 | 0:12:24 | |
Oh, oh, I see. | 0:12:24 | 0:12:27 | |
You still blame me for that, huh? | 0:12:27 | 0:12:30 | |
Well, you believe what you need to believe, Harry. | 0:12:32 | 0:12:35 | |
What's that supposed to mean? | 0:12:35 | 0:12:37 | |
We lied to her, then we left her to rot. | 0:12:37 | 0:12:39 | |
Yeah, you see, I can't feel guilty about that. | 0:12:39 | 0:12:41 | |
Lying is how we turn people. That's what we do. | 0:12:41 | 0:12:45 | |
Falling in love with them, that's the cardinal sin. | 0:12:47 | 0:12:52 | |
Harry, we've got a problem. | 0:12:53 | 0:12:57 | |
Sir Harry Pearce? | 0:13:05 | 0:13:07 | |
-Yes? -Agent Lindsey Glenn, CIA. | 0:13:07 | 0:13:10 | |
We have reason to believe that you're holding one of our directors, Mr James Coaver, against his will. | 0:13:10 | 0:13:15 | |
-Is that correct, sir? -He's helping us with an inquiry, yes. | 0:13:15 | 0:13:19 | |
Mr Coaver has diplomatic status. | 0:13:19 | 0:13:21 | |
It's an offence to hold him without charge. Please surrender him into our custody. | 0:13:21 | 0:13:26 | |
If you don't comply immediately, we will use force. | 0:13:26 | 0:13:28 | |
Erin. | 0:13:30 | 0:13:32 | |
Mr Coaver. | 0:13:43 | 0:13:45 | |
-Well, the cavalry's here, huh? -Are you all right, sir? | 0:13:58 | 0:14:02 | |
Yeah. | 0:14:02 | 0:14:03 | |
-You are? -Glenn, sir. Special Activities Division. | 0:14:03 | 0:14:06 | |
SAD, huh? Well, that makes me feel important. | 0:14:06 | 0:14:09 | |
All right, Agent Glenn, at ease. | 0:14:09 | 0:14:11 | |
Maybe this situation isn't as bad as it seems. | 0:14:12 | 0:14:15 | |
I have orders to get you back to the Embassy. | 0:14:15 | 0:14:18 | |
Safely. Pearce is now regarded as a rogue officer. | 0:14:18 | 0:14:22 | |
Fine. So let's go. | 0:14:23 | 0:14:25 | |
This was a pretty dumb move, Harry. | 0:14:28 | 0:14:31 | |
I'll smooth things over. | 0:14:31 | 0:14:34 | |
And we'll figure this mess out. | 0:14:34 | 0:14:36 | |
Together. | 0:14:36 | 0:14:38 | |
OK, got it. | 0:14:43 | 0:14:44 | |
It was Ruth. | 0:14:44 | 0:14:46 | |
She told the Home Secretary. He told CIA. | 0:14:46 | 0:14:48 | |
How did Ruth find out? | 0:14:48 | 0:14:49 | |
Calum told her. He said she pulled rank. | 0:14:49 | 0:14:53 | |
-Harry Pearce? -That's me. | 0:14:55 | 0:14:57 | |
Agent Tom Defoe. I work with Jim Coaver. | 0:14:57 | 0:15:00 | |
-Where is he? -What do you mean? | 0:15:00 | 0:15:02 | |
What I mean is you're holding him. Where is he? | 0:15:02 | 0:15:05 | |
You're CIA? | 0:15:05 | 0:15:07 | |
No, the Mickey Mouse Club. | 0:15:07 | 0:15:08 | |
Where is Coaver? | 0:15:08 | 0:15:10 | |
-Oh, my god! -We've got to move. Trust me! | 0:15:10 | 0:15:13 | |
-All right, got it. It's a grey van. -Where is it? -Searching now. | 0:15:20 | 0:15:25 | |
Come on, Cal, I'm driving blind here. | 0:15:25 | 0:15:27 | |
They could have gone full circle and be heading the other way by now. | 0:15:27 | 0:15:31 | |
-If they want out of here fast, they'll head to an arterial road. -Got it! Heading north on Edgware Road. | 0:15:31 | 0:15:36 | |
55 seconds ago. | 0:15:36 | 0:15:37 | |
Heading northwest. Got it locked in. | 0:15:41 | 0:15:45 | |
Er, you've got a CIA car 100 yards behind you. | 0:15:45 | 0:15:48 | |
-Want me to keep them updated? -Yes. Good work. | 0:15:48 | 0:15:50 | |
All right, you should have an eyeball on the vehicle... | 0:15:50 | 0:15:56 | |
now. | 0:15:56 | 0:15:57 | |
Got it. | 0:16:02 | 0:16:03 | |
Come on, Dimitri, we've got our seatbelts on. | 0:16:23 | 0:16:26 | |
Can you get a shot on the tyres? | 0:16:26 | 0:16:28 | |
-Take the shot, Erin! -Harry, if he loses control! | 0:16:37 | 0:16:40 | |
Shoot. That's an order! | 0:16:49 | 0:16:50 | |
Sons of bitches! Whoa! | 0:16:56 | 0:16:58 | |
-We need an ambulance, now! -Jim. | 0:17:08 | 0:17:10 | |
-You keep still. There's an ambulance on its way. -Why? D'you think I need one(?) | 0:17:10 | 0:17:16 | |
Harry, listen. | 0:17:20 | 0:17:22 | |
In my hotel room...on my laptop... there's a file. | 0:17:24 | 0:17:30 | |
Get to it before someone else does. | 0:17:33 | 0:17:36 | |
What's on it, Jim? | 0:17:36 | 0:17:39 | |
Harry, I would never have done it, you know. | 0:17:41 | 0:17:45 | |
-What? -In Berlin. I would never have shot you. You know that, don't you? | 0:17:47 | 0:17:53 | |
I know that, Jim. | 0:17:54 | 0:17:56 | |
What the hell happened? | 0:18:03 | 0:18:04 | |
Mr Pearce, I'm going to have to ask you to come with me. | 0:18:08 | 0:18:12 | |
And, with regret, I'm going to have to decline. | 0:18:12 | 0:18:15 | |
Stop right there! | 0:18:15 | 0:18:17 | |
You killed a CIA officer. You don't walk away from that. | 0:18:17 | 0:18:20 | |
I didn't kill anyone. He was thrown from a moving van. | 0:18:20 | 0:18:23 | |
I know you kidnapped Jim Coaver and now he's dead. | 0:18:23 | 0:18:25 | |
I understand your anger, son. I feel it too. | 0:18:25 | 0:18:28 | |
But, contrary to what you may believe, you are on UK soil, | 0:18:28 | 0:18:31 | |
subject to British laws and we do not allow foreign agents to wave their guns around. | 0:18:31 | 0:18:35 | |
You want to call me to account, go through established channels. Is that clear, Agent Defoe? | 0:18:35 | 0:18:40 | |
OK, let's get back to Jim Coaver's hotel. | 0:18:50 | 0:18:53 | |
Are you sure? | 0:18:55 | 0:18:56 | |
Yes, thank you. | 0:18:58 | 0:18:59 | |
-Jim Coaver is dead. -What happened? | 0:19:05 | 0:19:08 | |
Unclear, so far. Only one thing is certain. | 0:19:08 | 0:19:11 | |
If Coaver had caught that plane, he'd still be alive. | 0:19:11 | 0:19:14 | |
'Elena didn't want to go back to Moscow with your father. | 0:19:29 | 0:19:33 | |
'We were going to collect her from the exit at Treptower Park.' | 0:19:35 | 0:19:39 | |
DISTANT MURMUR OF VOICES | 0:19:46 | 0:19:48 | |
-Ah, you are awake. -I wasn't asleep. I was thinking. | 0:19:55 | 0:20:01 | |
You should think less and sleep more. Tell him, Ilya. | 0:20:01 | 0:20:05 | |
He sleeps. But not in beds, like a normal person. | 0:20:05 | 0:20:08 | |
-Still, you'll be in your own bed in a week, with luck. -Will we? | 0:20:08 | 0:20:13 | |
If this morning's session goes well, we're on track to sign in seven days. | 0:20:13 | 0:20:19 | |
-Isn't that good news? -Mmm. -So, I might go shopping. -Oh, no. | 0:20:21 | 0:20:26 | |
I think there are some shops in London I have yet to see. | 0:20:26 | 0:20:29 | |
-Should I come with you? -No, no. You will just be bored. | 0:20:29 | 0:20:33 | |
Go with your father. I'll be fine. | 0:20:33 | 0:20:35 | |
Sasha, have the car come. | 0:20:37 | 0:20:39 | |
-What happened? -The CIA have moved his stuff to the American Embassy. | 0:20:52 | 0:20:56 | |
-So what now? -We have to retrieve that laptop, one way or another. | 0:20:56 | 0:21:00 | |
-By retrieve, do we mean steal? -From the American Embassy? | 0:21:00 | 0:21:04 | |
Why do we need to get it before they do? | 0:21:04 | 0:21:06 | |
-Surely they'll share any information they find? -We can't rely on that. Not after today. -That's not my point. | 0:21:06 | 0:21:11 | |
-What's on that laptop that we need to get to first? -That laptop is our only lead. | 0:21:11 | 0:21:15 | |
-If we let the Americans get to it first, they will bury it. -A CIA Director is dead | 0:21:15 | 0:21:19 | |
because of what we did this morning. Now you want to steal evidence from the American Embassy? | 0:21:19 | 0:21:25 | |
No. I am Section Chief. I will not condone another illegal and hostile act toward our allies. | 0:21:26 | 0:21:31 | |
Not without proper authorisation and certainly not without knowing why. | 0:21:31 | 0:21:36 | |
You're right, of course. Go back to the grid. | 0:21:38 | 0:21:41 | |
Find the people that killed Jim Coaver. | 0:21:41 | 0:21:43 | |
Thanks for the support(!) | 0:21:50 | 0:21:52 | |
He deserves our trust. | 0:21:52 | 0:21:54 | |
Even if it buries us all? | 0:21:54 | 0:21:55 | |
DOOORBELL RINGS | 0:22:10 | 0:22:12 | |
Thank you for coming. | 0:22:16 | 0:22:17 | |
-Tell me you don't live here. -Nobody lives here. Well, nobody real. | 0:22:22 | 0:22:28 | |
Best not. We're not supposed to be here. | 0:22:33 | 0:22:36 | |
Elena. Jim Coaver is dead. | 0:22:44 | 0:22:46 | |
-He was murdered this afternoon. -By whom? -I don't know. Yet. | 0:22:47 | 0:22:52 | |
-I can't feel sorry. He did try to kill me. -He denies that. | 0:22:56 | 0:23:01 | |
He says... He SAID...that he wasn't the person that's been running you. | 0:23:01 | 0:23:06 | |
-And you believe him? -I'm inclined to. | 0:23:06 | 0:23:10 | |
But who would be so desperate to kill the partnership as America? | 0:23:16 | 0:23:21 | |
If it was not Jim then who, Harry? | 0:23:21 | 0:23:24 | |
Who? | 0:23:24 | 0:23:25 | |
Any luck on the recog. | 0:23:30 | 0:23:32 | |
Only one returned match. Jovan Milic. Serbian. | 0:23:32 | 0:23:35 | |
-Of course. The Serbs. -After the war in Bosnia, he became a mercenary. | 0:23:35 | 0:23:39 | |
Spent some time in Sierra Leone, Colombia. | 0:23:39 | 0:23:41 | |
-Doesn't exactly narrow down who hired him. -Anything on the van? | 0:23:41 | 0:23:45 | |
They found it in Lewisham in a lay-by. | 0:23:45 | 0:23:47 | |
-Prints? DNA? -Burnt out. | 0:23:47 | 0:23:49 | |
Ilya. Has he changed over the years? | 0:23:54 | 0:23:58 | |
How do you mean? | 0:23:58 | 0:24:00 | |
As a man. As a...husband. | 0:24:00 | 0:24:04 | |
It took me many years to see him as that. | 0:24:06 | 0:24:10 | |
To begin with I felt like he was...my captor. | 0:24:10 | 0:24:16 | |
But after a while, I realised he and I were both trapped in our own ways. | 0:24:19 | 0:24:23 | |
Me, by my betrayal. Him, by his duty. | 0:24:23 | 0:24:28 | |
For a man you betrayed so completely, you speak fondly of him. | 0:24:30 | 0:24:34 | |
For all I hated his beliefs, his system that he defended. | 0:24:37 | 0:24:43 | |
He was a good man then and he's a good man now. | 0:24:43 | 0:24:47 | |
He never left me standing in Treptower Park with Sasha, | 0:24:47 | 0:24:51 | |
waiting for an extraction that never came. | 0:24:51 | 0:24:54 | |
Why are you asking about Ilya? | 0:25:00 | 0:25:02 | |
I don't believe Jim Coaver was behind what's been happening. | 0:25:02 | 0:25:07 | |
-Which only leaves Ilya. -No. I don't believe it. | 0:25:07 | 0:25:11 | |
Ilya is a modernist, a politician. He has put all that behind him. | 0:25:11 | 0:25:15 | |
You can't put it behind you. Look at us. | 0:25:15 | 0:25:17 | |
It can't be Ilya. | 0:25:18 | 0:25:21 | |
I share his bed. I would be able to tell. | 0:25:22 | 0:25:25 | |
-Maybe he kept it from you most of all, Elena. -What are you saying? | 0:25:25 | 0:25:32 | |
-That he might know about us? -We cannot underestimate him. | 0:25:32 | 0:25:36 | |
Elena. | 0:25:44 | 0:25:45 | |
-Kiss me. It is the least that you can do. -Elena. | 0:25:48 | 0:25:54 | |
I'm sorry. | 0:25:56 | 0:25:58 | |
I could have done so much more. | 0:25:58 | 0:26:01 | |
Please...please, don't let it be him. | 0:26:03 | 0:26:07 | |
If you think we'll gift-wrap him and drop him at Grosvenor House, you've got another think coming. | 0:26:16 | 0:26:21 | |
Well, this clearly warrants a face-to-face. Today at five? | 0:26:21 | 0:26:25 | |
Good. | 0:26:27 | 0:26:28 | |
Why the hell am I defending Harry? | 0:26:28 | 0:26:30 | |
The Americans want a scalp, I don't blame them. | 0:26:30 | 0:26:33 | |
PHONE RINGS Oh, er... | 0:26:33 | 0:26:36 | |
-I'm sorry, I have to take this. -Is it Harry? | 0:26:36 | 0:26:39 | |
No, it's er... It's my mother. | 0:26:39 | 0:26:42 | |
Just like old times. | 0:27:15 | 0:27:17 | |
-You look tired. -I feel tired. | 0:27:19 | 0:27:21 | |
I don't know who to trust any more. That includes myself. What? | 0:27:21 | 0:27:27 | |
Elena Gavrik said the same thing about you. | 0:27:27 | 0:27:31 | |
That you couldn't even trust yourself. | 0:27:31 | 0:27:33 | |
I didn't know what she meant. | 0:27:33 | 0:27:35 | |
You have the wrong idea about Elena and I. I don't blame you. | 0:27:35 | 0:27:40 | |
Guilt can look a lot like love. | 0:27:40 | 0:27:42 | |
I did try to extract Elena and Sasha from Berlin. | 0:27:44 | 0:27:48 | |
I wanted to bring them here, to Britain. | 0:27:48 | 0:27:50 | |
It was Jim Coaver that stopped me. | 0:27:51 | 0:27:54 | |
But the reason I didn't tell you about her wasn't heartbreak. | 0:27:55 | 0:28:00 | |
It was shame. | 0:28:02 | 0:28:04 | |
Shame of my own cowardice. | 0:28:04 | 0:28:07 | |
Really, she's a stranger to me. | 0:28:09 | 0:28:11 | |
But I feel this sense of duty to protect her. And him. | 0:28:13 | 0:28:19 | |
The boy, most of all. | 0:28:20 | 0:28:22 | |
Well, er... | 0:28:26 | 0:28:27 | |
..guilt is something I understand. | 0:28:28 | 0:28:31 | |
And jealousy, too, it would seem. | 0:28:33 | 0:28:36 | |
But both of them can blind you to the truth. | 0:28:40 | 0:28:43 | |
-The truth? -You said yourself... | 0:28:43 | 0:28:46 | |
whoever's behind this knows about your shared history with Jim and Elena. | 0:28:46 | 0:28:51 | |
'This is beginning to positively reek of Ilya Gavrik. | 0:28:51 | 0:28:55 | |
'Before Coaver died, he said it was all in a file on his laptop. | 0:28:55 | 0:29:00 | |
-'What? -They've taken that laptop to the American Embassy.' | 0:29:00 | 0:29:04 | |
Someone with a high level of diplomatic clearance might be able to lift it. | 0:29:04 | 0:29:08 | |
Oh, bloody hell. No, you are not serious. | 0:29:08 | 0:29:12 | |
-We'd give you the full backing of the Grid. -Harry, I'm a civil servant now. I have a PA called Margot. | 0:29:12 | 0:29:18 | |
I don't work for the security services any more. | 0:29:18 | 0:29:21 | |
This will be the last time. | 0:29:21 | 0:29:22 | |
And I will take full responsibility for all my actions | 0:29:22 | 0:29:26 | |
and that includes everything I've asked you to do. | 0:29:26 | 0:29:28 | |
I'm going to stand down after this mess. | 0:29:28 | 0:29:31 | |
-I'll resign my commission, whatever happens. -I'm not asking you for that. | 0:29:31 | 0:29:35 | |
I know. But we both know it's time. | 0:29:35 | 0:29:39 | |
OK, so I find this laptop, then what? | 0:29:44 | 0:29:47 | |
'Bring it straight to me. | 0:29:47 | 0:29:48 | |
'I need to see Jim's files before anybody else does.' | 0:29:50 | 0:29:53 | |
All right, we're up and running. | 0:30:14 | 0:30:17 | |
I want to be kept updated every step of the way. | 0:30:17 | 0:30:19 | |
-Not staying for the big show? -I have some thoughts to follow up on. | 0:30:19 | 0:30:23 | |
A "you're so amazing, Calum" would have been nice. | 0:30:25 | 0:30:28 | |
-'Celeste, do you hear me?' -Copy, Chimera. Approaching the Embassy now. | 0:30:30 | 0:30:34 | |
-Are you sure this earpiece won't set off any alarms? -'Absolutely.' | 0:30:34 | 0:30:37 | |
Plastic fantastic. | 0:30:37 | 0:30:39 | |
I do appreciate you coming along to this, Ruth. You didn't have to. | 0:30:41 | 0:30:44 | |
I need to learn the ropes, don't I? | 0:30:44 | 0:30:46 | |
Oh, well. Into the Valley Of Death. | 0:30:46 | 0:30:49 | |
Home Secretary. | 0:30:59 | 0:31:01 | |
Good afternoon, this is Ruth Evershed, my Security Adviser. | 0:31:01 | 0:31:04 | |
OK, did we know she was coming? | 0:31:04 | 0:31:06 | |
Miss Evershed has the highest security clearance. It's all been OK'ed. | 0:31:06 | 0:31:10 | |
-By who, sir? -By the Ambassador. | 0:31:10 | 0:31:13 | |
All right, sir. If you'd like to follow me, I'll take you up. | 0:31:15 | 0:31:19 | |
Hearing everything loud and clear, Celeste. | 0:31:20 | 0:31:23 | |
Now first we need to locate Coaver's laptop. | 0:31:23 | 0:31:25 | |
'Get the USB device I gave you into any computer on the Embassy network.' | 0:31:25 | 0:31:29 | |
If it's connected or even if it's just inventoried, | 0:31:29 | 0:31:32 | |
we'll be able to find that laptop. | 0:31:32 | 0:31:33 | |
I'll can only speak to you in between security sweep cycles so don't panic if comms go dead. | 0:31:33 | 0:31:38 | |
-Clear your throat if you understand. -RUTH CLEARS THROAT | 0:31:38 | 0:31:40 | |
-Is she in? -I thought you weren't condoning this. | 0:31:40 | 0:31:43 | |
Thought I'd best see what was going on. | 0:31:43 | 0:31:45 | |
Save me those awkward silences in the witness box. | 0:31:45 | 0:31:47 | |
They're sweeping for bugs, Celeste. We're going dark. Stand by. | 0:31:50 | 0:31:54 | |
If you'd like to take a seat, I'll see if they're ready for you. | 0:31:59 | 0:32:02 | |
-Hello, Richard. Ruth, Richard Croft from the Foreign Office. -Minister. | 0:32:02 | 0:32:07 | |
-Ruth Evershed, my security adviser. -Pleased to meet you. -So, where are we? | 0:32:07 | 0:32:11 | |
Word is they're going to kick a few of our people out of Washington. | 0:32:11 | 0:32:15 | |
Sorry, excuse me one minute. | 0:32:15 | 0:32:16 | |
Hi. I'm sorry to bother you. | 0:32:19 | 0:32:22 | |
-I don't suppose you've got any paracetamol, have you? -Oh, er... | 0:32:23 | 0:32:27 | |
-paracetamol. You know what, I... I don't. Let me ask around. -Thank you. | 0:32:27 | 0:32:31 | |
Sure. No problem. | 0:32:31 | 0:32:32 | |
-RICHARD CROFT: -Word is you've got some maverick running amok in Five. | 0:32:34 | 0:32:38 | |
-She's done it. -Well done, Celeste. -She can't hear you. | 0:32:45 | 0:32:49 | |
-How will she know when to remove it? -She won't, until we're back on line. | 0:32:49 | 0:32:53 | |
Jane, do you have any paracetamol around? OK, thank you. | 0:32:53 | 0:32:58 | |
Come on, where are you? | 0:32:58 | 0:33:00 | |
Thanks. | 0:33:04 | 0:33:06 | |
-This is taking too long. -Thanks. That's a big help. | 0:33:09 | 0:33:11 | |
I found some for you. | 0:33:11 | 0:33:13 | |
Oh, here's something. | 0:33:13 | 0:33:15 | |
No, it's logged in on the wrong date. It's not Coaver's. | 0:33:15 | 0:33:19 | |
-You're from California? -Oh, yes. | 0:33:24 | 0:33:28 | |
-I spent an exchange semester there, way back when. -Oh, really? | 0:33:30 | 0:33:34 | |
-Where were you? -Er, Berkeley. -Mm-hmm. | 0:33:34 | 0:33:39 | |
Got it! Storage room C266. | 0:33:39 | 0:33:44 | |
-What d'you study? -International relations. | 0:33:48 | 0:33:51 | |
-Comms are back open. -Er, Celeste, | 0:33:53 | 0:33:55 | |
we have the information. You're free disconnect. | 0:33:55 | 0:33:58 | |
-Crikey! Are these Brit-proof? -Here. D'you want me to try. -Thanks. | 0:33:58 | 0:34:02 | |
You have to line up the arrows... | 0:34:04 | 0:34:07 | |
-Pop. Yeah. There you go. -Thanks. | 0:34:09 | 0:34:12 | |
-Find the main corridor that leads to the stairs. -'Er, do you have a water cooler around here?' | 0:34:12 | 0:34:17 | |
'End of the corridor, turn left.' | 0:34:17 | 0:34:19 | |
'This place is crawling with cameras.' | 0:34:29 | 0:34:31 | |
'It's all right. I'm in complete control.' | 0:34:31 | 0:34:35 | |
Very clever. | 0:34:35 | 0:34:37 | |
-'I'm on the third floor, top of the stairwell.' -Take the first right. | 0:34:40 | 0:34:44 | |
'Now through the door, right in front of you.' | 0:34:51 | 0:34:54 | |
It's alarmed. | 0:34:54 | 0:34:56 | |
Disengaging it...now. | 0:34:56 | 0:34:59 | |
It's a storage room. | 0:35:05 | 0:35:06 | |
It needs a manual combination. | 0:35:07 | 0:35:10 | |
OK, give me a minute. | 0:35:10 | 0:35:12 | |
-All right, it's one, seven, seven, six. -1776? | 0:35:18 | 0:35:23 | |
That's unbelievable! | 0:35:23 | 0:35:25 | |
-Argh, it's huge. It's a warehouse. -Well, it's in there somewhere. | 0:35:30 | 0:35:34 | |
OK, right it's names. Names and dates. | 0:35:34 | 0:35:39 | |
OK, I've got a crate. It's today's date. | 0:35:45 | 0:35:48 | |
-Do you see the laptop? -Yeah, it's Coaver. Got it. | 0:35:48 | 0:35:52 | |
-Home and dry, Celeste. -She's wasted on the Home Office. -Now for the hard drive. | 0:35:52 | 0:35:57 | |
DOOR OPENS | 0:35:57 | 0:35:59 | |
FOOTSTEPS | 0:35:59 | 0:36:01 | |
DOOR CLOSES | 0:36:04 | 0:36:06 | |
The screws have been stripped down. They're not turning. | 0:36:06 | 0:36:09 | |
Towers is being called into the meeting! | 0:36:09 | 0:36:11 | |
-If you don't get back, they'll start looking for you. Get out of there! -OK, we'll resort to plan B. | 0:36:11 | 0:36:16 | |
'It's a risk. The laptop's been inventoried.' | 0:36:16 | 0:36:18 | |
-They'll know it's missing. -Yeah, but by then it'll be too late. | 0:36:18 | 0:36:22 | |
'This scan shield better work, like you says it does.' | 0:36:22 | 0:36:25 | |
We'll find out when you walk through security. | 0:36:25 | 0:36:28 | |
That's reassuring. Thank you. | 0:36:28 | 0:36:31 | |
Going dark, Chimera. | 0:36:33 | 0:36:35 | |
Ah, Ruth, we were beginning to think you'd been extraordinarily rendered. | 0:36:41 | 0:36:46 | |
-I'm sorry, this is Ruth Evershed, my Security Adviser. -Pleased to meet you, Mr Ambassador. | 0:36:46 | 0:36:51 | |
Er, listen, could you do without me on this one? | 0:36:53 | 0:36:56 | |
-What? Why? -Sorry, I'm not feeling very well. -Of course, of course. | 0:36:56 | 0:37:01 | |
SECURITY SCANNER BEEPS | 0:37:11 | 0:37:13 | |
Ms Evershed. | 0:37:16 | 0:37:18 | |
-'It's done.' -You have it? -'Yes.' | 0:37:29 | 0:37:32 | |
I don't know. I feel like I've been manipulated. | 0:37:32 | 0:37:35 | |
-What? -'I feel like you told me all those things.' | 0:37:35 | 0:37:37 | |
And they were good things to hear and brave things for you to admit | 0:37:37 | 0:37:41 | |
and then you ask me to do this, to lie to the Home Secretary. | 0:37:41 | 0:37:44 | |
Am I just another asset to you, Harry? Like Elena was? | 0:37:45 | 0:37:48 | |
'Maybe all you feel for me is guilt.' | 0:37:48 | 0:37:50 | |
They look the same, you said so yourself. | 0:37:50 | 0:37:53 | |
You're reading too much into this. I'm not exactly known for my tact. | 0:37:53 | 0:37:57 | |
This is the man who proposed to you at a funeral, remember? | 0:37:57 | 0:38:01 | |
Yeah, that's true. You do have the most awful timing. | 0:38:02 | 0:38:05 | |
'That is true.' | 0:38:05 | 0:38:07 | |
-Er, should I bring it to the Grid? -No. To my house. | 0:38:08 | 0:38:13 | |
Your house? No, no, it'll be encrypted. | 0:38:13 | 0:38:16 | |
'Come on. All those years at Cheltenham?' | 0:38:16 | 0:38:19 | |
You can read whatever there is to be read. | 0:38:19 | 0:38:22 | |
Let's just keep it contained, all right? | 0:38:22 | 0:38:25 | |
All right. I'll see you there. | 0:38:29 | 0:38:31 | |
The van used to transport Coaver was bought with cash from a second-hand dealership in Coventry. | 0:38:41 | 0:38:46 | |
-You got CCTV? -This is Sanzo Morales. | 0:38:46 | 0:38:50 | |
He's a legend in the bomb-making world. Cut his teeth with Forma, trained up the Basques. | 0:38:50 | 0:38:55 | |
Did some work for Mossad too. Another mercenary. | 0:38:55 | 0:38:58 | |
Looks like someone hired a small private army. | 0:38:59 | 0:39:02 | |
-What have you dug upon our mystery kidnappers? -Not much on two of them. | 0:39:28 | 0:39:32 | |
We don't even know who number three is. | 0:39:32 | 0:39:34 | |
We're assuming he's a mercenary, like the rest of them. | 0:39:34 | 0:39:37 | |
-You pulled everything you can get from other agencies? -Yes. | 0:39:37 | 0:39:40 | |
-Cross-referenced the two names you do have on our systems? -Yeah. | 0:39:40 | 0:39:44 | |
Cross-referenced them with index-linked global military databases, both active and defunct? | 0:39:44 | 0:39:50 | |
No? What do you people do all week? | 0:39:51 | 0:39:56 | |
Oh! | 0:40:32 | 0:40:33 | |
Rustam Ilescu. | 0:40:50 | 0:40:52 | |
-Hello, Agent Glenn. -Moldovan-born merc, US educated. | 0:40:57 | 0:41:00 | |
-The whole gang is there. -Gang is right. Seems like he's the ringleader of this lot. | 0:41:00 | 0:41:04 | |
Recruited the other two in Kosovo, training the Liberation Army. | 0:41:04 | 0:41:08 | |
Then again for assassination missions in Chechnya. Oh. | 0:41:08 | 0:41:12 | |
-That's not good. -What is it? | 0:41:12 | 0:41:15 | |
In between leaving the Moldovan army and becoming a mercenary, | 0:41:15 | 0:41:19 | |
Ilescu spent three years as a private bodyguard. | 0:41:19 | 0:41:22 | |
For Ilya Gavrik. | 0:41:24 | 0:41:26 | |
Start running image traces on all the CCTV we can. Dimitri, double-check the border agency. | 0:41:28 | 0:41:33 | |
Nothing's flagged up so far but we need to be certain these people aren't still in the country. | 0:41:33 | 0:41:37 | |
And find out where Gavrik is. | 0:41:37 | 0:41:40 | |
No, it's not right. | 0:41:50 | 0:41:52 | |
You're stalling for time. | 0:41:52 | 0:41:53 | |
-You have five more attempts before I kill you. -You won't. | 0:41:53 | 0:41:57 | |
You don't know me and you don't know who I've killed. | 0:41:57 | 0:42:01 | |
Now open these files! | 0:42:01 | 0:42:03 | |
-D? -Got passport data for everyone fitting the bill who's left the country since the kidnapping. | 0:42:08 | 0:42:13 | |
They're still here. | 0:42:13 | 0:42:15 | |
Credit card activity linked to the same address registered to Morales' forged driving license. | 0:42:17 | 0:42:22 | |
Chuck it to my screen. Transaction's only just been processed. | 0:42:22 | 0:42:27 | |
400 quid spend at... SGH Motor Sales. Three hours ago. | 0:42:27 | 0:42:34 | |
I think they just bought another vehicle. | 0:42:34 | 0:42:36 | |
-Are we going to be there on time, Christopher? -Yes, sir. -Shame. | 0:42:50 | 0:42:55 | |
Still. Bad form to keep the PM waiting, I suppose. | 0:42:55 | 0:42:59 | |
CAR BRAKES SCREECH | 0:42:59 | 0:43:01 | |
-Bloody hell! -Stay in the car, sir! | 0:43:08 | 0:43:10 | |
-That was a bomb. -No. | 0:43:32 | 0:43:35 | |
-I know the sound... -Keep working! | 0:43:35 | 0:43:37 | |
Sasha, please. Sasha, listen to me! | 0:43:42 | 0:43:44 | |
PHONE BEEPS | 0:43:49 | 0:43:52 | |
Home Secretary, how are you? | 0:44:03 | 0:44:04 | |
You'll have to speak up. I can hardly hear a thing. | 0:44:04 | 0:44:07 | |
Do you even know who's responsible? | 0:44:07 | 0:44:09 | |
My driver is dead. He has three daughters, Harry. Three! | 0:44:11 | 0:44:15 | |
I mean, what bloody use are you if this can happen?! | 0:44:17 | 0:44:19 | |
PHONE RINGS | 0:44:19 | 0:44:21 | |
-Erin? -'The people who planted the bomb are the ones who took Jim Coaver. | 0:44:23 | 0:44:27 | |
'Hired mercenaries, top level, no political affiliation.' | 0:44:27 | 0:44:30 | |
But Harry...the ringleader used to be Gavrik's personal bodyguard. | 0:44:30 | 0:44:35 | |
Harry? | 0:44:36 | 0:44:38 | |
-It's gone. -What? -The hard drive. I'm so sorry. -Gone? | 0:44:38 | 0:44:43 | |
-I couldn't stop him. -Who? -Sasha. He took it. I'm so sorry. | 0:44:43 | 0:44:47 | |
The Prime Minister has cancelled his trade trip to the Far East | 0:45:18 | 0:45:22 | |
following today's car bomb attack on Home Secretary William Towers | 0:45:22 | 0:45:25 | |
in which his driver, 33-year-old Christopher Waverly, was killed. | 0:45:25 | 0:45:29 | |
The minister himself sustained only minor injuries. | 0:45:29 | 0:45:32 | |
As yet, no group has claimed responsibility for the attack. | 0:45:32 | 0:45:36 | |
The BBC understands that there is concern at Downing Street | 0:45:36 | 0:45:39 | |
that the incident could affect the ongoing strategic partnership discussions | 0:45:39 | 0:45:43 | |
between Russia and the UK. | 0:45:43 | 0:45:45 | |
The Partnership, which would see British trade, defence | 0:45:45 | 0:45:48 | |
and energy interests allied closely with their Russian counterparts... | 0:45:48 | 0:45:51 | |
DOORBELL RINGS ..is seen by the government as key to... | 0:45:51 | 0:45:54 | |
I come in peace. | 0:46:01 | 0:46:03 | |
But I am, of course, prepared for war, should you prefer it. | 0:46:05 | 0:46:09 | |
We have houses like this in Russia. | 0:46:12 | 0:46:15 | |
Old soldiers of the Cold War live in them. | 0:46:15 | 0:46:18 | |
They are smaller than this and yet still too big. | 0:46:19 | 0:46:23 | |
It's very good of you to come all this way just to give me tips on home decor, Ilya. | 0:46:24 | 0:46:28 | |
I say it so you understand. I do not live in a house like this. | 0:46:29 | 0:46:34 | |
I have a wife and a son. | 0:46:34 | 0:46:36 | |
I have a tortoise in the garden, if you can believe that. | 0:46:37 | 0:46:41 | |
We have friends and relatives. | 0:46:42 | 0:46:45 | |
It is a place full of life. | 0:46:45 | 0:46:48 | |
It is a miracle for anyone to find love, Harry, | 0:46:50 | 0:46:54 | |
and especially people like us. | 0:46:54 | 0:46:56 | |
You cannot find the same solace in ideology. | 0:46:56 | 0:47:00 | |
You have to take a hold of love when you find it, | 0:47:00 | 0:47:03 | |
however imperfect, whatever the compromise, whatever the cost. | 0:47:03 | 0:47:09 | |
So, whilst I still work for Russia... | 0:47:10 | 0:47:15 | |
..I no longer have any dreams for her, nor any enmity towards the West. | 0:47:17 | 0:47:24 | |
We are all of us faded empires. | 0:47:24 | 0:47:28 | |
Whether we sign this treaty or not is of no personal interest. Me? | 0:47:28 | 0:47:33 | |
I have a tortoise in the garden. And you know what's funny? | 0:47:35 | 0:47:41 | |
-He looks a lot like you. -Sounds idyllic, | 0:47:41 | 0:47:43 | |
until you consider all the people you've executed to get there. | 0:47:43 | 0:47:47 | |
And, of course, you've never killed anyone, Harry. | 0:47:47 | 0:47:50 | |
The difference is, I changed my life. | 0:47:50 | 0:47:54 | |
It gets so much easier to kill as we rise. | 0:47:56 | 0:48:00 | |
All we have to do is pick up the phone. And I hate that. | 0:48:00 | 0:48:04 | |
I want the gun to be in my hand. Not in some boy's I have ordered. | 0:48:05 | 0:48:12 | |
Sitting behind a desk, being God? | 0:48:13 | 0:48:17 | |
That way lies a black soul. | 0:48:18 | 0:48:20 | |
A cold heart. | 0:48:23 | 0:48:25 | |
I didn't want to be you. | 0:48:28 | 0:48:30 | |
What do you want, Ilya? | 0:48:33 | 0:48:36 | |
I know Elena spied for you. | 0:48:36 | 0:48:39 | |
The KGB took her, less than two years after you fled from Berlin. | 0:48:41 | 0:48:45 | |
She was suspected of espionage, interrogated. | 0:48:45 | 0:48:49 | |
I thought at first it was a mistake. I soon realised it was not. | 0:48:49 | 0:48:54 | |
I felt betrayed, of course. | 0:48:54 | 0:48:57 | |
But I couldn't bear the thought of losing her. | 0:48:57 | 0:49:00 | |
I did everything I could. | 0:49:00 | 0:49:02 | |
Pleaded her innocence, even as I knew her guilt. | 0:49:02 | 0:49:06 | |
And...miraculously...it worked. | 0:49:06 | 0:49:11 | |
They let her go. | 0:49:11 | 0:49:13 | |
I never told her I was the one who secured her freedom. | 0:49:13 | 0:49:18 | |
-So, all this time, you knew. -That you had turned her. | 0:49:18 | 0:49:22 | |
That she had spied for you. | 0:49:22 | 0:49:26 | |
That she had loved you. And that it had ended. | 0:49:26 | 0:49:30 | |
Not many people live with betrayals. | 0:49:31 | 0:49:35 | |
It may be the least I deserve. | 0:49:37 | 0:49:39 | |
And look at you. What do you have to show for all these years? | 0:49:41 | 0:49:47 | |
I have a house and a wife and a son. | 0:49:47 | 0:49:51 | |
And a tortoise in the garden. | 0:49:53 | 0:49:55 | |
PHONE RINGS | 0:51:12 | 0:51:14 | |
ANSWERPHONE BEEPS | 0:51:28 | 0:51:31 | |
'Harry it's Towers. This thing with Jim Coaver. | 0:51:31 | 0:51:34 | |
'The Americans are proving difficult to appease and want their human sacrifice. | 0:51:34 | 0:51:38 | |
'I'll see you later but I wanted to send you an early smoke signal. | 0:51:38 | 0:51:41 | |
'give you a few hours, in case there's anything you need to... | 0:51:41 | 0:51:45 | |
'wrap up.' | 0:51:45 | 0:51:47 | |
The Americans want you. | 0:53:40 | 0:53:41 | |
I'm afraid we're going to have to give you to them. | 0:53:41 | 0:53:44 | |
Jim Coaver died in your custody. | 0:53:44 | 0:53:46 | |
Whatever he might have done, he was a CIA Deputy Director | 0:53:46 | 0:53:49 | |
and you're at least partly responsible for his death. | 0:53:49 | 0:53:52 | |
'They also seem to think you purloined some laptop or other.' | 0:53:52 | 0:53:55 | |
We'll look after you once you're over there, | 0:53:58 | 0:54:01 | |
make sure you're not in an orange jumpsuit having country music blasted at you day and night. | 0:54:01 | 0:54:06 | |
Will you go quietly or are you going to make a stink? | 0:54:06 | 0:54:09 | |
I'll go quietly if you do one thing. | 0:54:09 | 0:54:12 | |
Bring forward the signing of the Russian partnership to today. | 0:54:12 | 0:54:15 | |
Do it now to avoid any further attacks. Are the terms in place? | 0:54:15 | 0:54:20 | |
-Nearly. -Then sign it today. | 0:54:20 | 0:54:23 | |
You wouldn't refuse my last request? | 0:54:25 | 0:54:28 | |
What happened to you, Harry? | 0:54:33 | 0:54:35 | |
-I'll come and see you before you go. And I'll give evidence, I'll do whatever... -No. | 0:54:43 | 0:54:48 | |
Sorry you got roped in again. | 0:54:48 | 0:54:50 | |
It's odd. | 0:54:54 | 0:54:55 | |
I've put in an offer on a house. | 0:54:57 | 0:54:59 | |
It's in Suffolk, on the coast. It's lovely. | 0:55:00 | 0:55:05 | |
But the thing is... | 0:55:05 | 0:55:07 | |
-I can't picture myself actually living there. -You keep trying. | 0:55:07 | 0:55:11 | |
If you manage to form a semblance of a normal life after...everything, | 0:55:14 | 0:55:19 | |
it'll be your crowning achievement. | 0:55:19 | 0:55:22 | |
-Wait, Harry, no, this can't be the end. -Well, let's pretend it isn't. | 0:55:28 | 0:55:33 | |
'This is Sabre One, we're bringing him in.' | 0:55:33 | 0:55:37 | |
Jim Coaver served with my father in the 82nd Airborne. | 0:56:23 | 0:56:26 | |
You appear to have suffered a fall. | 0:56:31 | 0:56:34 | |
Let us know if you feel you require medical attention. | 0:56:34 | 0:56:38 | |
-I have to see Harry. I have new information. -I'm afraid that's impossible. | 0:57:02 | 0:57:07 | |
He's being taken to the US to answer questions about Coaver's death. | 0:57:07 | 0:57:10 | |
There's a US Hercules flying out of Welford. Secure diplomatic flight. I'm betting Harry'll be on it. | 0:57:10 | 0:57:15 | |
-We could try a direct extraction. -Stay where you are, both of you! | 0:57:15 | 0:57:20 | |
Jesus wept, Harry, what are you playing at?! | 0:57:20 | 0:57:23 | |
Then we must resort to the contingency plan, immediately. | 0:57:23 | 0:57:26 | |
-There is a Russian ultra-nationalist terrorist inbound to Heathrow. -God help us! | 0:57:26 | 0:57:32 | |
So leave the Service. With me. While we still know who we are. | 0:57:32 | 0:57:36 | |
-ILYA: -I speak with the full authority of my government. Reprisals will be immediate. | 0:57:36 | 0:57:41 | |
We're facing a terrorist threat. You're threatening us with an act of war! | 0:57:41 | 0:57:44 | |
-Where is my son? -Harry! -He's with me and so is your wife. -You won't! -Then I'm coming to get my family. | 0:57:44 | 0:57:49 | |
You couldn't possibly get here before she tells me the truth. | 0:57:49 | 0:57:52 | |
Harry, you better be more certain about this than anything you've ever told me. | 0:57:52 | 0:57:56 |