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Elena wasn't just an asset. We were lovers. | 0:00:02 | 0:00:04 | |
Sasha, he's your son. | 0:00:04 | 0:00:06 | |
You're totally compromised with the Gavriks. Even you must see that. | 0:00:06 | 0:00:11 | |
You can't expect complete trust from Harry. | 0:00:13 | 0:00:17 | |
He can't even give that to himself. | 0:00:17 | 0:00:19 | |
They're bringing the signing of the partnership forward | 0:00:19 | 0:00:22 | |
to this afternoon. | 0:00:22 | 0:00:23 | |
I've put in an offer on a house. | 0:00:26 | 0:00:28 | |
It's in Suffolk, on the coast. It's lovely. | 0:00:28 | 0:00:30 | |
24 hours, Jim, then I'm coming after you. | 0:00:30 | 0:00:33 | |
Stop right there! | 0:00:34 | 0:00:36 | |
You killed a CIA Officer. You don't walk away from that. | 0:00:36 | 0:00:39 | |
The Americans want you. I'm afraid we're going to have to give you to them. | 0:00:39 | 0:00:43 | |
-What happened to you, Harry? -You wouldn't refuse my last request? | 0:00:43 | 0:00:46 | |
-This can't be the end. -Let's pretend it isn't. | 0:00:46 | 0:00:49 | |
MOBILE RINGS | 0:01:03 | 0:01:06 | |
'All right, why do I feel that your news won't be happy?' | 0:01:19 | 0:01:24 | |
They've brought the signing forward to today. | 0:01:24 | 0:01:28 | |
Then we must resort to the contingency plan immediately. | 0:01:29 | 0:01:32 | |
'He's on his way.' | 0:01:33 | 0:01:35 | |
-Can't we...? -PHONE GOES DEAD | 0:01:35 | 0:01:38 | |
Congratulations to you. | 0:03:55 | 0:03:57 | |
Ruth, I have to see Harry. I have new information. | 0:04:12 | 0:04:15 | |
I'm afraid that's impossible. | 0:04:15 | 0:04:18 | |
He's being taken to the US to answer questions about Jim Coaver's death. | 0:04:18 | 0:04:22 | |
You don't understand. Lives are at risk. But I can only speak to him. | 0:04:22 | 0:04:27 | |
What do you mean? | 0:04:28 | 0:04:30 | |
The woman who shot at me is Veronica Duran, | 0:04:34 | 0:04:38 | |
a freelance Black Ops asset who worked for the CIA. | 0:04:38 | 0:04:43 | |
Collison, the man who tried to assassinate my husband, | 0:04:43 | 0:04:46 | |
gained entry by hacking into the security database | 0:04:46 | 0:04:50 | |
with a rix-net worm. | 0:04:50 | 0:04:53 | |
The poison used to kill Tariq Masood was a hydrogen cyanide derivative, | 0:04:54 | 0:05:00 | |
administered by an intradermal punch needle. | 0:05:00 | 0:05:04 | |
Now, do you see why I have to speak to Harry? | 0:05:04 | 0:05:08 | |
Get me in a room with Harry. | 0:05:14 | 0:05:16 | |
Today. | 0:05:16 | 0:05:18 | |
RUTH: 'We have to get them together. Now. Today.' | 0:05:36 | 0:05:38 | |
Official channels are a dead end. | 0:05:38 | 0:05:40 | |
No way the Americans will lend him back for the afternoon. | 0:05:40 | 0:05:43 | |
Have you tried talking to your boss? | 0:05:43 | 0:05:44 | |
No, I already know what he'll say. | 0:05:44 | 0:05:46 | |
He's trying to patch things up with DC. | 0:05:46 | 0:05:48 | |
Talking of DC, a US Hercules is flying there out of Welford today. | 0:05:48 | 0:05:52 | |
Secure diplomatic flight. I'm betting Harry'll be on it. | 0:05:52 | 0:05:55 | |
We could try a direct extraction. | 0:05:55 | 0:05:57 | |
Hang on, Chuck Norris. | 0:05:57 | 0:05:59 | |
We spring him from the CIA, | 0:05:59 | 0:06:01 | |
we're not just getting fired, we're going to prison. | 0:06:01 | 0:06:04 | |
Not if Elena's right. | 0:06:04 | 0:06:06 | |
Well, I've heard some ifs in my time, but... | 0:06:06 | 0:06:09 | |
Fine. Dimitri and I can handle it. | 0:06:10 | 0:06:12 | |
So you two can be all noble and self-sacrificing by yourselves? | 0:06:12 | 0:06:16 | |
Oh, no. I don't think so. | 0:06:16 | 0:06:18 | |
'Dimitri, find out when and where the Americans are moving Harry.' | 0:06:18 | 0:06:22 | |
-Cal, help Ruth get Elena out. -Erin, I don't have clearance. | 0:06:22 | 0:06:25 | |
Ruth, if we're going to do this, we need you. | 0:06:25 | 0:06:29 | |
'You're our inside woman.' | 0:06:29 | 0:06:32 | |
In my eyes, there have always been more similarities | 0:06:38 | 0:06:41 | |
between us than differences. | 0:06:41 | 0:06:44 | |
After all, we are both experts in the loss of empire. | 0:06:44 | 0:06:48 | |
-KNOCK ON DOOR -Piotr, let me. | 0:06:48 | 0:06:51 | |
Setting aside the deflation of the egos of our great... | 0:06:51 | 0:06:56 | |
Ah, Mrs Gavrik, some ladies from the Women's Institute are here. | 0:06:56 | 0:07:00 | |
They'd like to talk to you | 0:07:00 | 0:07:02 | |
about the role of the wives in the making of this deal. | 0:07:02 | 0:07:05 | |
Thank you. | 0:07:05 | 0:07:07 | |
..obviously we can be of mutual advantage. | 0:07:07 | 0:07:11 | |
-Gas, for example... -Ilya, have fun. I have an interview of my own. | 0:07:11 | 0:07:16 | |
Yes, gas, the supply to those... | 0:07:20 | 0:07:25 | |
You need to shake him now. | 0:07:34 | 0:07:37 | |
Piotr, I've left my scarf. It's on the bed. Would you get it? | 0:07:40 | 0:07:44 | |
We'll wait here. | 0:07:44 | 0:07:46 | |
Elena, if you've withheld information | 0:08:00 | 0:08:02 | |
that could have helped us earlier, we're going to have problem. | 0:08:02 | 0:08:06 | |
Do you understand the guilt Harry's always felt about me? About Sasha? | 0:08:06 | 0:08:12 | |
Do you think it's what kept you from being together? | 0:08:13 | 0:08:16 | |
Don't worry, Harry will see things differently soon. | 0:08:20 | 0:08:24 | |
Where to, girls? Don't say south of the river(!) | 0:08:47 | 0:08:51 | |
-Sasha! -What is this? Where are you going? | 0:08:51 | 0:08:57 | |
I need to speak with Harry urgently. They're taking me to him. | 0:08:57 | 0:09:00 | |
-You're going to meet him now? -Yeah. | 0:09:01 | 0:09:05 | |
I'd quite like to talk to him myself. Drive. | 0:09:06 | 0:09:10 | |
Nothing like a nice day out with all the family(!) | 0:09:10 | 0:09:13 | |
MOBILE BEEPS | 0:09:31 | 0:09:33 | |
They've got Elena. And Sasha's with them. | 0:09:38 | 0:09:43 | |
Great(!) | 0:09:43 | 0:09:44 | |
They're coming. | 0:09:51 | 0:09:53 | |
Gator Two, we've lost power. | 0:10:32 | 0:10:33 | |
I hear you, Gator One. Should we transfer the package? | 0:10:33 | 0:10:36 | |
No, I don't like it. | 0:10:36 | 0:10:37 | |
-Continue on to the airbase. Don't stop for anything. -Copy. | 0:10:37 | 0:10:40 | |
-'Gator One, we are under attack! Repeat, under attack!' -Go! | 0:11:09 | 0:11:13 | |
'Do not stop, Gator Two! Repeat, do not stop!' | 0:11:15 | 0:11:19 | |
Stay where you are, both of you! Hands behind your heads now! | 0:11:27 | 0:11:31 | |
This is likely to come up in your pay review. | 0:11:41 | 0:11:45 | |
This is Gator One. | 0:12:00 | 0:12:03 | |
We've lost the package. I repeat, we've lost the package. | 0:12:03 | 0:12:07 | |
I didn't think this place still existed. | 0:13:06 | 0:13:08 | |
It doesn't, officially. I thought it would be right. | 0:13:08 | 0:13:11 | |
-Has Elena said anything else? -No. She'll only talk to you. | 0:13:11 | 0:13:14 | |
-I hear Sasha's joined us. -Mmm. Yeah, he wouldn't give up his gun. | 0:13:14 | 0:13:19 | |
-I think he just wants to know what's going on. -Don't we all? | 0:13:19 | 0:13:22 | |
Did you find her? | 0:13:33 | 0:13:34 | |
Sorry, Minister, there's still no sign of your wife. | 0:13:34 | 0:13:38 | |
Sir, we can't find Sasha either. | 0:13:38 | 0:13:42 | |
What are we doing here, Harry? | 0:14:00 | 0:14:03 | |
I'm hoping your mother is going to enlighten us. | 0:14:03 | 0:14:06 | |
You're welcome to listen to our conversation, Sasha, | 0:14:06 | 0:14:09 | |
but you'll have to give me your side arm. | 0:14:09 | 0:14:12 | |
I read Jim Coaver's file. | 0:14:22 | 0:14:26 | |
I know. | 0:14:26 | 0:14:27 | |
MOBILE RINGS | 0:14:37 | 0:14:39 | |
It's my fa... | 0:14:41 | 0:14:43 | |
It's Ilya Gavrik. | 0:14:45 | 0:14:48 | |
Let me speak to him. | 0:14:48 | 0:14:51 | |
-Ilya. -Harry?! Where is my son? | 0:14:52 | 0:14:58 | |
He's with me. And so is your wife. | 0:14:58 | 0:15:02 | |
She has information. I'm about to hear it. | 0:15:02 | 0:15:05 | |
I'm informing your Home Secretary. Then I'm coming to get my family. | 0:15:05 | 0:15:09 | |
Certainly. I'll send you our coordinates. | 0:15:09 | 0:15:11 | |
Why would you do that? | 0:15:11 | 0:15:14 | |
Because you couldn't possibly get here before she tells me the truth. | 0:15:14 | 0:15:19 | |
-Everything all right, sir? -Bring the car around to the front. | 0:15:19 | 0:15:23 | |
I'll drive myself. | 0:15:23 | 0:15:25 | |
What is this? She is not your prisoner! | 0:15:36 | 0:15:39 | |
It'll be all right. The door will remain unlocked. | 0:15:39 | 0:15:42 | |
Sasha, it's all right. | 0:15:42 | 0:15:45 | |
Come on, this way. | 0:15:45 | 0:15:48 | |
There is a major attack planned on London in a few hours. | 0:16:09 | 0:16:12 | |
I don't know any details. | 0:16:12 | 0:16:14 | |
All I have is a number of a go-between - 020 7946 0628. | 0:16:14 | 0:16:20 | |
-He handles their communications. -Who are they? | 0:16:20 | 0:16:23 | |
I will tell you everything I know, but, please, you must find this man. | 0:16:23 | 0:16:28 | |
There isn't much time. | 0:16:28 | 0:16:31 | |
Harry, they want hundreds of deaths. | 0:16:32 | 0:16:37 | |
The number she gave is registered to an Edward Flueling, aged 41. | 0:16:49 | 0:16:54 | |
I'll get an address. | 0:16:54 | 0:16:55 | |
I'll go with you. Cal, get us everything you can en route. | 0:16:55 | 0:16:57 | |
Can we trust Elena? We still don't know how she's involved. | 0:16:57 | 0:17:01 | |
I intend to ask her. | 0:17:01 | 0:17:03 | |
But we can't afford not to trust her. | 0:17:03 | 0:17:05 | |
We need to speak to the Home Secretary. | 0:17:05 | 0:17:08 | |
MOBILE RINGS | 0:17:10 | 0:17:12 | |
D'you mind if I call you back? | 0:17:13 | 0:17:15 | |
Ruth, where the hell are you? | 0:17:18 | 0:17:20 | |
-Some latter-day Robin Hood has sprung Harry. -Home Secretary. | 0:17:20 | 0:17:23 | |
Jesus wept, Harry! What are you playing at? | 0:17:23 | 0:17:25 | |
'Elena Gavrik has intelligence | 0:17:25 | 0:17:27 | |
'that there's a major attack planned on London for today.' | 0:17:27 | 0:17:30 | |
What sort of attack? | 0:17:30 | 0:17:32 | |
-We're following leads. -'You don't know what the bloody thing is!' | 0:17:32 | 0:17:35 | |
No, but I believe Ilya Gavrik is involved, | 0:17:35 | 0:17:38 | |
'in which case the deal you've just signed is worthless.' | 0:17:38 | 0:17:40 | |
I'll convene COBRA | 0:17:40 | 0:17:41 | |
and try to convince the Americans not to invade to get you back. | 0:17:41 | 0:17:44 | |
I want you in here with me. | 0:17:45 | 0:17:48 | |
Have you found him? The go-between. | 0:18:29 | 0:18:32 | |
We have an address. My team are on their way. | 0:18:32 | 0:18:35 | |
Elena, we need to know everything. You've been protecting the person | 0:18:35 | 0:18:39 | |
behind the attacks on the partnership, and I understand why, | 0:18:39 | 0:18:42 | |
but it has to stop. Now. | 0:18:42 | 0:18:45 | |
It wasn't Jim, was it? | 0:18:46 | 0:18:48 | |
It was me, Harry. | 0:18:51 | 0:18:53 | |
Ilya wants this deal. He always has. | 0:18:56 | 0:18:59 | |
I know the details of the attacks because I ordered them. | 0:19:00 | 0:19:04 | |
How? Why? | 0:19:04 | 0:19:05 | |
Have you ever told anyone the truth about how you recruited me? | 0:19:05 | 0:19:10 | |
You know? | 0:19:11 | 0:19:13 | |
Yes. | 0:19:13 | 0:19:15 | |
I can see from your face he never told you. | 0:19:19 | 0:19:22 | |
Too ashamed? | 0:19:24 | 0:19:26 | |
Yes. | 0:19:28 | 0:19:29 | |
What has this got to do with the attack, Elena? | 0:19:29 | 0:19:32 | |
Harry and I were in love. | 0:19:32 | 0:19:33 | |
Or at least, we thought we were. | 0:19:33 | 0:19:37 | |
But Harry had to choose between being a good man... | 0:19:38 | 0:19:42 | |
..or a good spy. | 0:19:44 | 0:19:46 | |
My parents were killed in a car accident... | 0:19:48 | 0:19:51 | |
..but Harry and Jim forged a KGB case file | 0:19:52 | 0:19:55 | |
showing that they had been wrongly arrested... | 0:19:55 | 0:19:58 | |
..tortured... | 0:19:59 | 0:20:01 | |
..murdered. | 0:20:02 | 0:20:04 | |
He used that lie to turn me. | 0:20:05 | 0:20:08 | |
He asked me to spy on my country, my husband. | 0:20:10 | 0:20:14 | |
To risk my life every day, to risk the safety of his own son. | 0:20:14 | 0:20:19 | |
It was the making of him. | 0:20:20 | 0:20:22 | |
Do you see him differently now? | 0:20:25 | 0:20:28 | |
Yes. | 0:20:38 | 0:20:40 | |
I see he's given more than I thought possible. | 0:20:41 | 0:20:46 | |
Got it. Pelham Road, Barnet, Unit 18. | 0:20:56 | 0:21:00 | |
-We'll be there in 12 minutes. -Ten. | 0:21:00 | 0:21:03 | |
-Gavrik's here. -Let him in. | 0:21:46 | 0:21:50 | |
How did you find out I'd lied to you? | 0:22:00 | 0:22:02 | |
-Sasha, what's happening? -I don't know. | 0:22:06 | 0:22:10 | |
I didn't find out. I always knew. | 0:22:10 | 0:22:15 | |
I was a spy before you met me. You were not recruiting me. | 0:22:16 | 0:22:20 | |
I was recruiting you. | 0:22:22 | 0:22:25 | |
Poor, sweet Harry. | 0:22:29 | 0:22:33 | |
I was recruited by a group of men within the KGB | 0:22:34 | 0:22:36 | |
who handled unofficial operations. | 0:22:36 | 0:22:39 | |
They knew that you were planning to turn me... | 0:22:39 | 0:22:43 | |
..so they asked me to sleep with you. | 0:22:44 | 0:22:47 | |
To pretend to be your loyal agent, your lover. | 0:22:47 | 0:22:51 | |
That part was not hard. | 0:22:51 | 0:22:54 | |
The night you told me the lie about my parents, | 0:22:55 | 0:22:58 | |
my handlers had warned me what to expect. | 0:22:58 | 0:23:00 | |
I was desperate for you not to tell me. My feelings for you were real. | 0:23:02 | 0:23:07 | |
I wanted you to prove everyone wrong. | 0:23:09 | 0:23:12 | |
For a moment, I wanted to tell you the truth. | 0:23:13 | 0:23:17 | |
I tried to call, but you weren't there. | 0:23:17 | 0:23:20 | |
From that moment on, I was a double agent. | 0:23:21 | 0:23:26 | |
They were right. | 0:23:29 | 0:23:31 | |
They were the only ones I could trust. | 0:23:31 | 0:23:35 | |
It's impossible. You gave me good intel for years. | 0:23:36 | 0:23:39 | |
Some. To gain your confidence. | 0:23:39 | 0:23:42 | |
The long-term plan was to use you to channel disinformation to the West | 0:23:42 | 0:23:46 | |
and eventually to turn you. | 0:23:46 | 0:23:48 | |
But you were too decent, you burned me, | 0:23:48 | 0:23:52 | |
so then I was to pretend to defect, become a plant, | 0:23:52 | 0:23:56 | |
but Jim Coaver stopped you. | 0:23:56 | 0:23:58 | |
And Ilya knew all this? | 0:24:02 | 0:24:05 | |
He knew nothing. | 0:24:05 | 0:24:07 | |
I was recruited two weeks after we were married. | 0:24:07 | 0:24:10 | |
He was never told. | 0:24:10 | 0:24:12 | |
Ilya did know. | 0:24:12 | 0:24:14 | |
He found out you'd been spying for me but he forgave you. | 0:24:14 | 0:24:19 | |
He kept quiet, for the sake of your family. | 0:24:19 | 0:24:23 | |
He is a good man. | 0:24:25 | 0:24:27 | |
Ask me, Harry. Be brave. | 0:24:31 | 0:24:34 | |
Is Sasha my son? | 0:24:39 | 0:24:41 | |
No. | 0:24:50 | 0:24:52 | |
He is Ilya's. | 0:24:52 | 0:24:54 | |
It was a lie designed to bond me to you. | 0:24:58 | 0:25:03 | |
To compromise me. | 0:25:03 | 0:25:06 | |
You let me believe for almost 30 years that he was my son. | 0:25:07 | 0:25:10 | |
What about your lie?! You told me my parents were tortured... | 0:25:10 | 0:25:14 | |
died in fear and pain - shot in the head like dogs! | 0:25:14 | 0:25:20 | |
The only difference is my lie was believed. | 0:25:27 | 0:25:30 | |
-Cal, what's our ETA? -Four minutes, ignoring traffic lights. | 0:25:39 | 0:25:43 | |
KNOCK ON DOOR | 0:25:47 | 0:25:49 | |
So, why tell us about this attack? | 0:26:23 | 0:26:25 | |
That's it, Ruth, back to the matter in hand. | 0:26:25 | 0:26:29 | |
Your specialty - analysis, intelligence. | 0:26:29 | 0:26:34 | |
But not so good with people. | 0:26:34 | 0:26:36 | |
I would like some water, please. | 0:26:41 | 0:26:43 | |
Maybe later. | 0:26:44 | 0:26:45 | |
First, tell us everything you know about this attack. Who ordered it? | 0:26:45 | 0:26:51 | |
The group who recruited me have grown over the years. | 0:26:52 | 0:26:55 | |
They're not just intelligence officers now, | 0:26:55 | 0:26:58 | |
they are business people, politicians, | 0:26:58 | 0:27:00 | |
united by patriotism - nationalism, you would call it. | 0:27:00 | 0:27:05 | |
They believe Russia is becoming too weak. | 0:27:05 | 0:27:08 | |
They couldn't allow the partnership between our countries. | 0:27:08 | 0:27:11 | |
It humiliates Russia. I agree with them. | 0:27:11 | 0:27:15 | |
I have first-hand experience of western hypocrisy. | 0:27:16 | 0:27:20 | |
They would rather open conflict than this deal. | 0:27:22 | 0:27:25 | |
They'll launch an attack so destructive, | 0:27:26 | 0:27:29 | |
the partnership is irrelevant. | 0:27:29 | 0:27:32 | |
You've killed people already. Why the sudden attack of conscience? | 0:27:32 | 0:27:35 | |
I will not sacrifice innocent lives. I'm not a terrorist. | 0:27:35 | 0:27:39 | |
We all have a line we can't cross, don't we, Harry? | 0:27:41 | 0:27:46 | |
I am at mine. | 0:27:47 | 0:27:50 | |
Forced entry. | 0:28:06 | 0:28:08 | |
We're going in. | 0:28:08 | 0:28:10 | |
He's not been dead long. We've got comms equipment and a body. | 0:28:37 | 0:28:41 | |
And a face. | 0:28:44 | 0:28:46 | |
Got it. | 0:28:50 | 0:28:51 | |
My God. Pavel Zykov. | 0:28:53 | 0:28:56 | |
Former Spetsnaz. One of the most dedicated agents they have. | 0:28:57 | 0:29:01 | |
Harry, they've been saving him for a suicide mission. | 0:29:01 | 0:29:04 | |
We've got a file on Zykov. | 0:29:04 | 0:29:06 | |
He was sighted at a cafe this morning in Moscow... | 0:29:06 | 0:29:09 | |
..at Domodedovo Airport. | 0:29:11 | 0:29:13 | |
Did he board a flight? | 0:29:13 | 0:29:16 | |
Elena, you know these people. | 0:29:16 | 0:29:17 | |
What kind of attack will it be? A bomb? Hijack? | 0:29:17 | 0:29:20 | |
They want a spectacular. | 0:29:20 | 0:29:22 | |
Something that will ruin relations between us for years. | 0:29:22 | 0:29:25 | |
He's on board Russian Air flight 474, heading to Heathrow. | 0:29:25 | 0:29:29 | |
Air Traffic Control reports | 0:29:29 | 0:29:31 | |
they failed to respond to a routine status request... | 0:29:31 | 0:29:35 | |
..two minutes ago. | 0:29:36 | 0:29:37 | |
PHONE RINGS | 0:29:49 | 0:29:51 | |
-Harry. -'Home Secretary, there is a Russian ultra-nationalist terrorist | 0:29:51 | 0:29:55 | |
'on board Russian Air flight 474 from Moscow,' | 0:29:55 | 0:29:58 | |
inbound to Heathrow. | 0:29:58 | 0:29:59 | |
They plan to bring the plane down over London. | 0:29:59 | 0:30:02 | |
God help us. I'll call the PM. | 0:30:02 | 0:30:04 | |
'There's no time. The flight failed to respond to a routine contact.' | 0:30:04 | 0:30:08 | |
-The terrorist may have control. -So we shoot down a passenger jet? | 0:30:08 | 0:30:11 | |
We have nine minutes before it's over the British mainland, | 0:30:11 | 0:30:14 | |
'after which, shooting it down is no longer an option.' | 0:30:14 | 0:30:17 | |
Harry, you'd better be more certain about this | 0:30:17 | 0:30:20 | |
than anything you've ever told me. | 0:30:20 | 0:30:21 | |
-'That plane is full of civilians.' -312, mostly Russians and Brits. | 0:30:21 | 0:30:26 | |
If the plane crashes in central London, there'll be thousands more. | 0:30:26 | 0:30:30 | |
I can vouch for this intel. We should scramble interceptors now. | 0:30:30 | 0:30:34 | |
Harry, Elena was never your asset. She's your enemy. | 0:30:36 | 0:30:42 | |
-How can you vouch for her intel now? -Because she's given up everything, | 0:30:42 | 0:30:46 | |
her cover, her life, her family, all to try and stop this. | 0:30:46 | 0:30:49 | |
I only hope I would do the same. | 0:30:49 | 0:30:51 | |
Gold One and Two, you are cleared for take-off. | 0:31:01 | 0:31:04 | |
Copy that. | 0:31:04 | 0:31:06 | |
-TANNOY: -Ladies and gentlemen, | 0:31:15 | 0:31:18 | |
we're now beginning our final descent into London Heathrow... | 0:31:18 | 0:31:21 | |
What's happening? | 0:31:36 | 0:31:37 | |
Your phoney defection, that night in, erm, Treptower Park, | 0:31:38 | 0:31:42 | |
when Harry was supposed to collect you... | 0:31:42 | 0:31:45 | |
..you were taking Sasha with you. | 0:31:48 | 0:31:50 | |
You were going to bring him into the lie that Harry was his father. | 0:31:50 | 0:31:55 | |
You, the Russian patriot, would have let him grow up British. | 0:31:55 | 0:31:59 | |
-An odd way to show a mother's love. -I would have protected him. | 0:32:00 | 0:32:04 | |
You used your own son as an asset, to help you sell the lie. | 0:32:05 | 0:32:11 | |
-He was just a little boy, Elena. -I love my son! | 0:32:12 | 0:32:16 | |
But you always put your country first... | 0:32:16 | 0:32:19 | |
..and that makes you a fanatic. | 0:32:20 | 0:32:23 | |
MOBILE RINGS | 0:33:07 | 0:33:09 | |
-Ruth. -'Are you still at the scene?' -Yes, what is it? | 0:33:11 | 0:33:15 | |
I'm not as ready to believe in Elena's change of heart as Harry is. | 0:33:15 | 0:33:18 | |
'I want to be sure we're seeing everything.' | 0:33:18 | 0:33:21 | |
Is there anything that's... not right? | 0:33:21 | 0:33:25 | |
D, we're searching for things that aren't right. | 0:33:25 | 0:33:30 | |
Apart from the guy with a bullet hole in his head? | 0:33:30 | 0:33:32 | |
Ruth, what are we looking for? | 0:33:32 | 0:33:34 | |
I just want to know why I feel like I'm in an audience. | 0:33:34 | 0:33:37 | |
Zykov's picture... | 0:33:37 | 0:33:40 | |
..we were lucky to find it. | 0:33:41 | 0:33:43 | |
Jammed. Deliberately. | 0:33:51 | 0:33:54 | |
Someone wanted us to find that photo. | 0:33:54 | 0:33:56 | |
Harry! | 0:33:58 | 0:34:00 | |
-Elena's still lying. -What are you talking about? | 0:34:00 | 0:34:03 | |
I spoke to Erin. The shredder at the house was jammed | 0:34:03 | 0:34:06 | |
so we'd find out about Zykov. | 0:34:06 | 0:34:08 | |
Harry, she wants us to shoot down that plane. | 0:34:09 | 0:34:12 | |
She told us the truth about the other attacks. | 0:34:12 | 0:34:15 | |
Because it's the best way to make you believe her. | 0:34:15 | 0:34:18 | |
Sasha. | 0:34:21 | 0:34:23 | |
You heard everything? | 0:34:24 | 0:34:25 | |
Everything that I have done, I have done for the future of our country. | 0:34:27 | 0:34:32 | |
And you are that, Sasha. | 0:34:32 | 0:34:34 | |
The people she works for want conflict between us and Russia. | 0:34:34 | 0:34:38 | |
It's far better for them | 0:34:38 | 0:34:39 | |
to let us start it by blowing up an innocent Russian passenger jet. | 0:34:39 | 0:34:43 | |
-She wouldn't kill hundreds of innocent people. -You never knew her. | 0:34:43 | 0:34:46 | |
You can't know what she'd do. | 0:34:47 | 0:34:50 | |
You need to decide if she's telling the truth, right now. | 0:34:51 | 0:34:55 | |
So let's ask. | 0:35:00 | 0:35:02 | |
I forgive you. | 0:35:04 | 0:35:06 | |
-Harry... -Harry! Stop! | 0:35:08 | 0:35:12 | |
Don't struggle, Sasha. | 0:35:13 | 0:35:15 | |
You're lying. There's no plan to crash the plane. | 0:35:15 | 0:35:19 | |
-You want us to shoot it down, correct? -I don't know what you're talking about. | 0:35:19 | 0:35:24 | |
-You won't. -Why not? What is he to me? One more Russian spy. | 0:35:25 | 0:35:28 | |
I've killed them before. It's not as if he's my son! | 0:35:28 | 0:35:31 | |
You held a gun to my head not long ago, boy. How does it feel? | 0:35:32 | 0:35:36 | |
Harry, stop this, please! | 0:35:36 | 0:35:38 | |
I'd be doing him a favour, after the life you've given him. | 0:35:38 | 0:35:42 | |
This is your last chance, Elena, to tell the truth. | 0:35:43 | 0:35:47 | |
Harry... I am. | 0:35:48 | 0:35:51 | |
I have sacrificed everything to tell you the truth. | 0:35:52 | 0:35:57 | |
Yeah, that's what frightens me. | 0:35:57 | 0:36:00 | |
GUNSHOT FIRES | 0:36:07 | 0:36:10 | |
Why couldn't you lie to me? | 0:36:15 | 0:36:18 | |
Why couldn't you just tell me what I wanted to hear | 0:36:19 | 0:36:23 | |
to save him? | 0:36:23 | 0:36:25 | |
You would have sacrificed your son for the success of your operation. | 0:36:26 | 0:36:30 | |
You're ten times the spy I ever was. | 0:36:33 | 0:36:36 | |
-No, Sasha. I knew he wouldn't shoot you. I knew that. -No... | 0:36:47 | 0:36:51 | |
No, you didn't. | 0:36:53 | 0:36:56 | |
PHONE RINGS | 0:37:15 | 0:37:17 | |
Confirmation? | 0:37:17 | 0:37:19 | |
Elena Gavrik's been manipulating us. | 0:37:19 | 0:37:21 | |
There are no plans to bring a plane down. | 0:37:21 | 0:37:23 | |
Christ, Harry, you've told me we can't risk letting that aircraft reach the mainland. | 0:37:23 | 0:37:27 | |
Interceptors are making contact in 60 seconds. | 0:37:27 | 0:37:30 | |
They're trying to force us to do it for them. We have to abort. | 0:37:30 | 0:37:33 | |
It's not that simple, Harry. | 0:37:33 | 0:37:34 | |
The fighters can't get a visual and they're still not responding. | 0:37:34 | 0:37:38 | |
Zykov, their man on board, interfering with communications. | 0:37:38 | 0:37:43 | |
It's not a bomb, it's a jammer. | 0:37:43 | 0:37:45 | |
That may well be, but we have a non-responsive aircraft. | 0:37:45 | 0:37:48 | |
-'We can't let it get over London.' -The intel is good! | 0:37:48 | 0:37:51 | |
-How late can we issue the go? -We should find out. | 0:37:51 | 0:37:54 | |
-How late, damn it? -Six minutes, but we'd risk debris striking land. | 0:37:54 | 0:37:58 | |
For God's sake, Harry, how can I possibly take your word for it? | 0:37:58 | 0:38:01 | |
We have visual contact with target. Over. | 0:38:08 | 0:38:11 | |
Copy that, Gold One. Maintain strike distance. Stand by. | 0:38:11 | 0:38:15 | |
Ilya. Elena wants us to shoot the plane down. | 0:38:26 | 0:38:30 | |
I can't convince my Government to abort. You might be able to. | 0:38:30 | 0:38:34 | |
You can speak with the full authority of the Kremlin. | 0:38:34 | 0:38:37 | |
I want to speak to Miss Evershed. | 0:38:39 | 0:38:41 | |
Alone. | 0:38:41 | 0:38:43 | |
Minister, we only have a few minutes. | 0:38:55 | 0:38:57 | |
I'll do as Harry asks, | 0:38:57 | 0:38:59 | |
in exchange for the key to the room my wife is in. | 0:38:59 | 0:39:03 | |
I can't ask Harry. | 0:39:04 | 0:39:06 | |
He could never agree. | 0:39:06 | 0:39:08 | |
But you can. | 0:39:08 | 0:39:10 | |
Gavrik's going to help us, | 0:39:20 | 0:39:23 | |
but he wants to make the call in there. | 0:39:23 | 0:39:27 | |
I'll get him. | 0:39:40 | 0:39:42 | |
Ilya. | 0:40:26 | 0:40:28 | |
-How long have you been here? -Sit down, Elena. | 0:40:29 | 0:40:33 | |
Command target now descending rapidly at 16,000 feet. Over. | 0:40:46 | 0:40:50 | |
Home Secretary, we have 50 seconds. | 0:40:50 | 0:40:52 | |
After that we can't guarantee the plane won't come down | 0:40:52 | 0:40:55 | |
-in a built-up area. -Sir. | 0:40:55 | 0:40:57 | |
-Yes? -'This is Ilya Gavrik. Harry Pearce is right.' | 0:40:58 | 0:41:03 | |
The plane is not a threat. You're being tricked. | 0:41:03 | 0:41:06 | |
'With all due respect, Minister,' | 0:41:06 | 0:41:08 | |
we can't take that risk. The aircraft won't respond. | 0:41:08 | 0:41:10 | |
'I speak with the full authority of my government.' | 0:41:10 | 0:41:12 | |
If you bring down the plane, | 0:41:12 | 0:41:14 | |
the partnership between our countries will count for nothing. | 0:41:14 | 0:41:18 | |
Reprisals will be immediate. | 0:41:18 | 0:41:21 | |
We will start with your submarine fleet in the North Atlantic. | 0:41:21 | 0:41:25 | |
We can remove your nuclear capability in 12 hours. | 0:41:25 | 0:41:30 | |
-'I've seen the plans.' -You're threatening us with an act of war! | 0:41:30 | 0:41:34 | |
-We're facing a terrorist threat here. -I assure you, you are not. | 0:41:34 | 0:41:38 | |
Command target is over land. Good missile tone. Weapons on line. Over. | 0:41:40 | 0:41:44 | |
20 seconds. Fighters have missile lock. | 0:41:44 | 0:41:47 | |
We need the order, sir. | 0:41:56 | 0:41:59 | |
Weapons primed. Weapons primed. | 0:42:01 | 0:42:03 | |
Tell the PM to rescind the firing order. We have new intelligence. | 0:42:03 | 0:42:06 | |
-Disarm. -We're aborting. | 0:42:06 | 0:42:08 | |
-Abort! Abort! -Copy Command. Breaking contact. | 0:42:10 | 0:42:13 | |
They're not going to fire. | 0:42:14 | 0:42:17 | |
When the plane lands, have a team standing by to take Zykov. | 0:42:21 | 0:42:25 | |
I need some air. | 0:42:25 | 0:42:27 | |
You need to get in there, now. | 0:42:37 | 0:42:40 | |
Minister Gavrik, open up! | 0:42:54 | 0:42:57 | |
You really would have let those people die | 0:43:02 | 0:43:06 | |
and told yourself it was for Russia? | 0:43:06 | 0:43:09 | |
Yes. | 0:43:22 | 0:43:24 | |
What happened to you? | 0:43:31 | 0:43:34 | |
All the lies. | 0:43:37 | 0:43:39 | |
I've carried too many for too long. | 0:43:40 | 0:43:43 | |
It's alright, Ilya. | 0:44:02 | 0:44:04 | |
No! No! | 0:44:07 | 0:44:09 | |
Stop! | 0:44:09 | 0:44:11 | |
Stop! | 0:44:16 | 0:44:17 | |
Sasha, stand back! | 0:44:19 | 0:44:21 | |
MOBILE RINGS | 0:45:41 | 0:45:43 | |
The plane's safe. | 0:46:01 | 0:46:03 | |
Are you all right? | 0:46:07 | 0:46:09 | |
I don't know. She talked about the line we don't cross. | 0:46:09 | 0:46:13 | |
I think you can stop hating yourself for the lies you told her. | 0:46:13 | 0:46:17 | |
I always thought that with every lie we tell... | 0:46:21 | 0:46:24 | |
..our true selves got buried that little bit deeper. | 0:46:25 | 0:46:28 | |
And I worry that one day I'll wake up and look for it, | 0:46:30 | 0:46:33 | |
look for me... | 0:46:33 | 0:46:35 | |
..and I won't be there anymore. | 0:46:36 | 0:46:39 | |
But that hasn't happened, Harry, to either of us. | 0:46:44 | 0:46:48 | |
Not yet. | 0:46:48 | 0:46:50 | |
I left because, erm, | 0:46:50 | 0:46:51 | |
I thought there would always be too many secrets between us. | 0:46:51 | 0:46:55 | |
It's stupid, really, because... | 0:46:56 | 0:46:58 | |
..you and I, we're made of secrets. | 0:46:59 | 0:47:03 | |
So leave the Service... | 0:47:06 | 0:47:09 | |
..with me. | 0:47:11 | 0:47:14 | |
While we still know who we are. | 0:47:14 | 0:47:17 | |
Move away. Go back to the bunker. | 0:47:36 | 0:47:41 | |
-Sasha, what is it? -She's dead. He killed her. | 0:47:41 | 0:47:46 | |
You gave him the key, didn't you? | 0:47:47 | 0:47:49 | |
-I had to, Sasha. He wouldn't have made that call otherwise. -Harry... | 0:47:49 | 0:47:53 | |
-Go back to the bunker. -You knew he'd do it. | 0:47:53 | 0:47:55 | |
-I'm sorry, Sasha. I'm sorry for everything. -Shut up! | 0:47:57 | 0:48:00 | |
Sasha, it was me. Your father asked me for the key. | 0:48:00 | 0:48:04 | |
-I gave it to him. Harry had no part in it. -What? | 0:48:04 | 0:48:07 | |
She's lying, Sasha, to protect me. | 0:48:07 | 0:48:09 | |
-Harry, he's got a... -Ruth! | 0:48:09 | 0:48:11 | |
It's funny...I can't breathe. | 0:48:30 | 0:48:34 | |
You're all right, you're all right. | 0:48:34 | 0:48:36 | |
-I'll get a medikit. -Cal, get the Air Medevac. | 0:48:36 | 0:48:40 | |
Ruth, you've been stabbed. Your lung's collapsing. | 0:48:42 | 0:48:45 | |
You know that's serious, but it's not going to kill you. Understand? | 0:48:45 | 0:48:49 | |
We need you to stay responsive, so let's keep talking. | 0:48:49 | 0:48:52 | |
My face is cold. | 0:48:52 | 0:48:54 | |
-Let me. -I've got it. | 0:48:56 | 0:48:58 | |
Harry, she said that her face is cold. | 0:48:58 | 0:49:02 | |
-Is that better? -Yeah. Yes. | 0:49:10 | 0:49:14 | |
Thank you. | 0:49:14 | 0:49:16 | |
Tell me about your house, Ruth. | 0:49:16 | 0:49:19 | |
The one you're going to buy by the seaside. Describe it to me. | 0:49:19 | 0:49:23 | |
All right. | 0:49:24 | 0:49:26 | |
It's got a green front door. | 0:49:26 | 0:49:29 | |
Paint peeling. | 0:49:29 | 0:49:32 | |
The woman said I'd want to change it, but I love it. | 0:49:32 | 0:49:37 | |
12 minutes for the helicopter. | 0:49:40 | 0:49:41 | |
And inside? Tell me about the inside. | 0:49:46 | 0:49:49 | |
How many bedrooms has it got? | 0:49:49 | 0:49:51 | |
Two. | 0:49:51 | 0:49:53 | |
One... One's only small, though. | 0:49:53 | 0:49:56 | |
I thought it could be your office. | 0:49:57 | 0:49:59 | |
My office? | 0:49:59 | 0:50:01 | |
I told you I couldn't picture myself living there. | 0:50:02 | 0:50:05 | |
But really, I couldn't picture myself living there... | 0:50:07 | 0:50:12 | |
..without you. | 0:50:13 | 0:50:16 | |
Then we are going to live there, Ruth. Do you hear me? | 0:50:20 | 0:50:23 | |
We're going to live there together. | 0:50:23 | 0:50:26 | |
We're going to have a home and a life. | 0:50:26 | 0:50:29 | |
Come on! | 0:50:32 | 0:50:34 | |
Harry... | 0:50:35 | 0:50:37 | |
..we were never meant to have those things. | 0:50:38 | 0:50:41 | |
-She's arresting. -Come on! | 0:50:47 | 0:50:49 | |
There's no defib. It'll have to be adrenaline. | 0:50:50 | 0:50:53 | |
-Her heart's stopped. You need to go right now! -Quick! | 0:50:53 | 0:50:55 | |
Let's leave them be. | 0:51:39 | 0:51:41 | |
Mr Inness? | 0:53:02 | 0:53:05 | |
I'm Carolyn. We spoke on the phone. | 0:53:05 | 0:53:08 | |
You're here for the viewing? | 0:53:08 | 0:53:10 | |
We'll start with the kitchen. | 0:53:19 | 0:53:22 | |
Quite big, as you can see. | 0:53:23 | 0:53:25 | |
And the dining room's full of light. | 0:53:25 | 0:53:28 | |
'So leave the Service...with me.' | 0:53:36 | 0:53:41 | |
Mr Innes? | 0:53:55 | 0:53:57 | |
-HOME SECRETARY: -'I won't be so crass as to ask how you are. | 0:54:07 | 0:54:11 | |
'Harry... | 0:54:11 | 0:54:13 | |
'no-one expects you to come back to work.' | 0:54:13 | 0:54:16 | |
Ever. | 0:54:17 | 0:54:19 | |
I want you to know, wherever you want to go, | 0:54:20 | 0:54:24 | |
whoever you want to be... | 0:54:24 | 0:54:26 | |
'..I'll support you.' | 0:54:28 | 0:54:30 | |
Harry, Miss Watts informs me | 0:54:32 | 0:54:34 | |
'you've engaged an outside agency to deal with our friend Levrov.' | 0:54:34 | 0:54:39 | |
I'll need full details and... | 0:54:39 | 0:54:42 | |
Actually, never mind. | 0:54:44 | 0:54:46 | |
I have an appointment with Mikhail Levrov. He's expecting me. | 0:55:18 | 0:55:22 | |
No...leave him. | 0:57:33 | 0:57:36 | |
OK, have we read the Rawalpindi briefing from this morning? | 0:57:43 | 0:57:47 | |
Cal? | 0:57:48 | 0:57:50 | |
Cal, give me a synopsis. | 0:57:50 | 0:57:53 | |
Bad people want to kill us. | 0:57:53 | 0:57:55 | |
PHONE RINGS | 0:58:13 | 0:58:15 | |
Harry Pearce. | 0:58:30 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 | |
E-mail [email protected] | 0:58:39 | 0:58:41 |