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This programme contains some violent scenes. | 0:00:02 | 0:00:03 | |
AIRCRAFT APPROACHES | 0:00:03 | 0:00:05 | |
-RADIO: -This is the BBC Home Service. | 0:00:25 | 0:00:28 | |
On orders from the German army, | 0:00:28 | 0:00:31 | |
the curfew will be relaxed from Monday | 0:00:31 | 0:00:33 | |
to celebrate German-Soviet Friendship Week. | 0:00:33 | 0:00:36 | |
In anticipation of the celebrations, | 0:00:36 | 0:00:39 | |
one of the few surviving Spitfires | 0:00:39 | 0:00:41 | |
will be presented to Soviet General Zhukov on The Mall today | 0:00:41 | 0:00:45 | |
by German air ace Helmut Vig. | 0:00:45 | 0:00:48 | |
Vice Marshal Goering commented that Herr Helmut Vig's 58 kills | 0:00:48 | 0:00:52 | |
was a decisive factor in the battle for air supremacy over Britain | 0:00:52 | 0:00:55 | |
that finally brought peace to Europe... | 0:00:55 | 0:00:59 | |
HE BREATHES DEEPLY | 0:01:03 | 0:01:05 | |
Urgh! | 0:01:13 | 0:01:14 | |
PANICKED SHOUTS | 0:01:14 | 0:01:17 | |
HE BREATHES DEEPLY | 0:01:17 | 0:01:20 | |
ANGRY SHOUTS | 0:01:29 | 0:01:31 | |
DOG BARKS | 0:01:31 | 0:01:34 | |
REFLECTIVE PIANO MUSIC | 0:02:11 | 0:02:14 | |
MUSIC PLAYS | 0:03:42 | 0:03:45 | |
I have to go. | 0:03:45 | 0:03:47 | |
No, no, no, no, don't rush off. | 0:03:47 | 0:03:49 | |
It's the first whole night we've had together in ages. | 0:03:49 | 0:03:51 | |
HE SIGHS | 0:03:51 | 0:03:53 | |
Believe me, I'd love to stay. | 0:03:53 | 0:03:55 | |
Then let's not go in. There's that flu going around. | 0:03:55 | 0:03:58 | |
-What, both of us? -A-huh. | 0:04:00 | 0:04:02 | |
I hate that place now. | 0:04:03 | 0:04:05 | |
It's very plush here. | 0:04:20 | 0:04:22 | |
Who else uses these rooms? | 0:04:22 | 0:04:24 | |
A Reichspropagandaleiter. | 0:04:24 | 0:04:27 | |
-What if they come back? -We'll be shot. | 0:04:28 | 0:04:31 | |
HE CHUCKLES | 0:04:31 | 0:04:32 | |
He's visiting the South West controlled zone. | 0:04:34 | 0:04:37 | |
Aren't you the clever one(!) | 0:04:37 | 0:04:39 | |
If I quit, would you still see me? | 0:04:46 | 0:04:49 | |
Of course. | 0:04:49 | 0:04:50 | |
-But don't. -It's all right for you. | 0:04:52 | 0:04:55 | |
-Archer of the Yard, all that power. -Huh! | 0:04:56 | 0:04:59 | |
Don't talk daft, Sylvia. | 0:05:01 | 0:05:03 | |
HUBBUB | 0:05:04 | 0:05:07 | |
For God's sake, get away from the window! | 0:05:12 | 0:05:14 | |
Come in. | 0:05:16 | 0:05:18 | |
Don't you like it? It's covering my modesty. | 0:05:19 | 0:05:22 | |
-Doesn't it do the same for you? -Don't be a bloody fool. | 0:05:22 | 0:05:25 | |
PHONE RINGS | 0:05:25 | 0:05:29 | |
Ja? | 0:05:38 | 0:05:40 | |
HE SIGHS | 0:05:42 | 0:05:44 | |
All right. Have you got the murder bag? | 0:05:44 | 0:05:47 | |
Good. | 0:05:48 | 0:05:50 | |
HE SIGHS | 0:05:50 | 0:05:53 | |
Harry Woods. | 0:05:53 | 0:05:54 | |
A death above an antique shop, Shepherd Market. | 0:05:54 | 0:05:58 | |
Take that thing off, will you? | 0:06:01 | 0:06:04 | |
LOW CHATTER | 0:06:07 | 0:06:09 | |
Yes, Harry? | 0:06:21 | 0:06:23 | |
Do you get a thrill out of taking stupid risks, huh, Doug? | 0:06:23 | 0:06:27 | |
Not very subtle, what you're doing with Sylvia. | 0:06:27 | 0:06:30 | |
How do you know what we get up to? | 0:06:30 | 0:06:32 | |
I don't know what's got into you. | 0:06:32 | 0:06:35 | |
Then just drive, Harry. | 0:06:35 | 0:06:36 | |
Look, all I'm saying is, not on your own doorstep, | 0:06:36 | 0:06:39 | |
not with your own secretary, for Christ's sake! | 0:06:39 | 0:06:41 | |
In the...Fritz Ritz! | 0:06:41 | 0:06:43 | |
Those Herberts might act as if they like you just now, | 0:06:50 | 0:06:53 | |
but they could turn on you any time. | 0:06:53 | 0:06:55 | |
Mind your own business, Sergeant. | 0:06:55 | 0:06:58 | |
Listen, if you have to have it off, | 0:06:58 | 0:06:59 | |
what about that, er...big-titted German bird | 0:06:59 | 0:07:02 | |
in the Waffen-SS liaison, huh? | 0:07:02 | 0:07:03 | |
THEY LAUGH No? I heard she puts it about a bit. | 0:07:03 | 0:07:07 | |
I thought you disapproved of consorting with the Germans. | 0:07:07 | 0:07:09 | |
What's the use? | 0:07:09 | 0:07:12 | |
What do the Resistance hope to achieve with this? | 0:07:12 | 0:07:15 | |
He gets strung up and his family sent to a labour camp. | 0:07:15 | 0:07:18 | |
Defiance. | 0:07:19 | 0:07:21 | |
Nothing wrong with a bit of that. | 0:07:21 | 0:07:24 | |
What if the Russki had been killed instead, huh? | 0:07:24 | 0:07:27 | |
That would've put the dampers on their friendship ceremony, wouldn't it? | 0:07:27 | 0:07:30 | |
Yeah. | 0:07:30 | 0:07:31 | |
I remember I took you around here when it was my beat. | 0:07:52 | 0:07:55 | |
Young and innocent, you were. | 0:07:55 | 0:07:57 | |
Brand-new diploma, not a clue in the world. | 0:07:57 | 0:08:01 | |
-You're choking me up, Harry(!) -HARRY CHUCKLES | 0:08:01 | 0:08:04 | |
No, I'm just saying, when it was my beat, it was nice. | 0:08:05 | 0:08:10 | |
No, it wasn't. | 0:08:10 | 0:08:12 | |
Ah, maybe not. The girls were always friendly. | 0:08:12 | 0:08:15 | |
Well, friendship's not always free around here, is it? | 0:08:15 | 0:08:18 | |
-Hiya, love. -Hello, Sergeant. | 0:08:18 | 0:08:19 | |
What's going on here? | 0:08:21 | 0:08:22 | |
Well, you ought to know, you're working with 'em. | 0:08:22 | 0:08:24 | |
Ought to know what? | 0:08:24 | 0:08:26 | |
The Herberts have decided we need to be examined by their doctors. | 0:08:26 | 0:08:29 | |
Go back in the line! | 0:08:29 | 0:08:30 | |
So it's true, they're turning the whole area | 0:08:30 | 0:08:33 | |
into an official Wehrmacht brothel. | 0:08:33 | 0:08:35 | |
To the victor, the spoils, huh? | 0:08:35 | 0:08:38 | |
You won't be able to come around here any more, Harry. | 0:08:38 | 0:08:40 | |
Yeah, very funny(!) | 0:08:40 | 0:08:42 | |
Inspector Archer? | 0:08:43 | 0:08:45 | |
Sir, is it true the SS are using the police to chase Resistance fighters? | 0:08:45 | 0:08:50 | |
It's nonsense. We're non-political and we always will be. | 0:08:50 | 0:08:53 | |
BARRAGE OF QUESTIONS | 0:08:53 | 0:08:55 | |
-Morning, Denham. -Sir. | 0:09:03 | 0:09:05 | |
-Is that the way to the roof? -Yes, sir. | 0:09:05 | 0:09:07 | |
Morning. | 0:09:08 | 0:09:10 | |
CLOCK TICKS | 0:09:11 | 0:09:13 | |
Sorry to disturb, Doc. | 0:09:17 | 0:09:19 | |
FAINT SHOUTS IN THE STREET | 0:09:19 | 0:09:22 | |
Huh! Fancy some petrol coupons, Harry? | 0:09:25 | 0:09:30 | |
You could get to Timbuktu on this lot. | 0:09:31 | 0:09:33 | |
Looks like our antique dealer had a couple of sidelines. | 0:09:35 | 0:09:38 | |
Remember that gang that murdered the warehouse manager in Fulham? | 0:09:38 | 0:09:41 | |
They were forging Luftwaffe petrol coupons. | 0:09:41 | 0:09:44 | |
Could be the same mob. | 0:09:44 | 0:09:45 | |
Well, Doc? | 0:09:46 | 0:09:49 | |
First bullet in the chest, second one into the top of the lung. | 0:09:51 | 0:09:53 | |
Death probably instantaneous. | 0:09:53 | 0:09:55 | |
Has the pathologist been? | 0:09:55 | 0:09:57 | |
No, he's probably stuck at some roadblock. | 0:09:57 | 0:09:59 | |
That Resistance shooting caused a bit of a stink. | 0:09:59 | 0:10:02 | |
Good teeth. | 0:10:04 | 0:10:05 | |
-There's blood in the mouth. -He probably hit his face when he fell. | 0:10:07 | 0:10:10 | |
AIRCRAFT OVERHEAD | 0:10:13 | 0:10:15 | |
What's this? | 0:10:18 | 0:10:19 | |
Cataracts? Was he blind? | 0:10:22 | 0:10:25 | |
I couldn't tell you. They're not like any cataracts I've seen. | 0:10:25 | 0:10:28 | |
Fine clothes. Not short of money. | 0:10:28 | 0:10:32 | |
Although they could fit better. | 0:10:34 | 0:10:35 | |
Maybe it was an argument with his tailor, huh? | 0:10:35 | 0:10:38 | |
Oooh...! | 0:10:43 | 0:10:45 | |
That's worth a small fortune. | 0:10:46 | 0:10:47 | |
A-hem! | 0:10:52 | 0:10:54 | |
What have you got, Harry? | 0:11:06 | 0:11:08 | |
Eight pounds, three shillings, keys. | 0:11:08 | 0:11:11 | |
Railway ticket, monthly. Return and a half. | 0:11:11 | 0:11:15 | |
From London to Bringle Sands. | 0:11:15 | 0:11:17 | |
Here, Peter Thomas. | 0:11:26 | 0:11:29 | |
ID issued at, er...Kingston Record Office. | 0:11:29 | 0:11:32 | |
Kingston? That's the one the Resistance burned down. | 0:11:32 | 0:11:35 | |
-Yeah. -Convenient. Can't be traced. | 0:11:35 | 0:11:39 | |
Care to hazard a time of death, Doctor? | 0:11:43 | 0:11:45 | |
Er...between six and seven this morning. | 0:11:45 | 0:11:49 | |
Harry, would you bag up these ashes, please? | 0:11:49 | 0:11:52 | |
Yeah. I'll have a word with the neighbours. | 0:11:52 | 0:11:55 | |
Thanks, Doc. | 0:11:57 | 0:11:58 | |
FAINT BARKING OUTSIDE | 0:12:07 | 0:12:09 | |
DOG BARKS OUTSIDE | 0:12:26 | 0:12:28 | |
DISTANT CONVERSATION | 0:12:36 | 0:12:39 | |
HUBBUB | 0:12:52 | 0:12:54 | |
ANGRY SHOUTS | 0:13:06 | 0:13:09 | |
Get your men under control! It's disgusting what you're doing! | 0:13:13 | 0:13:16 | |
-Argh! -SHOCKED GASPS | 0:13:16 | 0:13:18 | |
LOW CHATTER | 0:13:43 | 0:13:45 | |
Do you come here often with Peter Thomas? | 0:13:57 | 0:13:59 | |
I'm Chief Superintendent Douglas Archer. | 0:13:59 | 0:14:02 | |
And you are...Madam? | 0:14:02 | 0:14:05 | |
Miss. I'd rather not be mistaken for a madam. | 0:14:05 | 0:14:08 | |
It's Barbara Barga, New York Times. | 0:14:08 | 0:14:11 | |
Have you been in London long? | 0:14:11 | 0:14:13 | |
I arrived ten days ago on the inaugural Lufthansa flight. | 0:14:13 | 0:14:17 | |
With Goebbels and Goering. | 0:14:17 | 0:14:19 | |
You must be important. | 0:14:19 | 0:14:22 | |
Yet you just walked away from the scene of a crime. | 0:14:24 | 0:14:26 | |
I saw you. | 0:14:29 | 0:14:31 | |
What is the crime? | 0:14:33 | 0:14:35 | |
Well, from the way you disappeared, I thought you'd guessed. | 0:14:35 | 0:14:38 | |
The menu, sir. | 0:14:38 | 0:14:39 | |
Foul play. Isn't that what you call it over here? | 0:14:41 | 0:14:45 | |
You don't seem surprised. | 0:14:45 | 0:14:47 | |
No. | 0:14:47 | 0:14:49 | |
But I hoped it wasn't. | 0:14:49 | 0:14:51 | |
For Peter's sake. | 0:14:53 | 0:14:55 | |
What was it? | 0:15:01 | 0:15:03 | |
Suicide? | 0:15:07 | 0:15:08 | |
He was shot. | 0:15:11 | 0:15:12 | |
Any idea why? | 0:15:15 | 0:15:17 | |
He was what we call a hustler. | 0:15:19 | 0:15:21 | |
Who knows what deals he was into? | 0:15:21 | 0:15:23 | |
And what was your relationship? | 0:15:26 | 0:15:28 | |
He was helping me on a piece about Americans | 0:15:30 | 0:15:32 | |
who chose to stay in London. | 0:15:32 | 0:15:34 | |
A year of occupation, that kind of thing. | 0:15:34 | 0:15:36 | |
Poor old Peter. | 0:15:38 | 0:15:41 | |
I ran out of film yesterday, he said he'd get me a roll. | 0:15:42 | 0:15:45 | |
But I guess everything in the apartment | 0:15:45 | 0:15:47 | |
is considered evidence now. | 0:15:47 | 0:15:48 | |
So you walked away to avoid getting involved. | 0:15:52 | 0:15:55 | |
Didn't do me much good. | 0:15:56 | 0:15:59 | |
Well...that outfit's always going to get you noticed. | 0:15:59 | 0:16:04 | |
I'm not sure all policemen would be so observant. | 0:16:07 | 0:16:09 | |
GERMAN CONVERSATION | 0:16:11 | 0:16:14 | |
I guess dealers like him will be rubbing their hands at the thought | 0:16:17 | 0:16:20 | |
of all the new stuff that will come from the fighting in the North. | 0:16:20 | 0:16:23 | |
You are well-informed. | 0:16:23 | 0:16:26 | |
Funny. I'm not hungry any more. | 0:16:30 | 0:16:32 | |
I'll need to see you again. | 0:16:36 | 0:16:37 | |
Where can I reach you? | 0:16:39 | 0:16:41 | |
The Dorchester. | 0:16:41 | 0:16:42 | |
For some reason, I never got invited to the reopening. | 0:16:42 | 0:16:45 | |
Hm. It's not what it was. | 0:16:45 | 0:16:48 | |
Nothing is. | 0:16:49 | 0:16:51 | |
I don't know. | 0:16:52 | 0:16:54 | |
Some things can improve with age. | 0:16:54 | 0:16:56 | |
HE SIGHS | 0:17:06 | 0:17:08 | |
HE EXHALES | 0:17:12 | 0:17:14 | |
TRAFFIC CONGESTION | 0:17:15 | 0:17:17 | |
LOW CHATTER | 0:17:23 | 0:17:25 | |
What is it? | 0:17:32 | 0:17:33 | |
I've been summoned. In there. | 0:17:35 | 0:17:39 | |
Do you know why? | 0:17:42 | 0:17:44 | |
You tell me. | 0:17:44 | 0:17:45 | |
Danke schon. | 0:17:56 | 0:17:57 | |
-Hi, Doug. -Harry. | 0:18:07 | 0:18:09 | |
-Sir. -Thank you, Jimmy. | 0:18:11 | 0:18:13 | |
So, what have you been up to? | 0:18:17 | 0:18:20 | |
I'm not entirely sure. | 0:18:20 | 0:18:22 | |
What did you get? | 0:18:22 | 0:18:25 | |
Er...well, according to the neighbours, | 0:18:25 | 0:18:27 | |
Peter Thomas was involved with some Luftwaffe Feldwebel. | 0:18:27 | 0:18:32 | |
Big guy, spectacles. | 0:18:32 | 0:18:34 | |
Probably from the Quartermaster's Depot in Marylebone. | 0:18:34 | 0:18:37 | |
Supplied them with all their goodies for their parties. | 0:18:37 | 0:18:40 | |
You know, drugs, painted ladies. | 0:18:40 | 0:18:43 | |
I'm going to send his description to the Military Police. | 0:18:43 | 0:18:46 | |
If the Military are involved, they take over. | 0:18:46 | 0:18:48 | |
Puts us in a spot, doesn't it? | 0:18:51 | 0:18:53 | |
-Eh? -That antique shop, it was a Resistance safe house. | 0:18:53 | 0:18:56 | |
A transmitter aerial hidden in the ceiling. | 0:18:58 | 0:19:01 | |
Well, if it is Resistance, that becomes an SS job, | 0:19:04 | 0:19:07 | |
not Military Police. | 0:19:07 | 0:19:09 | |
Either way, it's not our responsibility. | 0:19:09 | 0:19:11 | |
Right. Well, I'll...just send the file. | 0:19:14 | 0:19:17 | |
What do you want to do with these ashes? | 0:19:18 | 0:19:20 | |
We'll keep hold of those for now, I think. | 0:19:24 | 0:19:26 | |
What is it? | 0:19:29 | 0:19:30 | |
That look. I've seen that a thousand times. | 0:19:33 | 0:19:36 | |
What? | 0:19:37 | 0:19:38 | |
A woman, this morning. | 0:19:41 | 0:19:43 | |
Well, she was headed for Peter Thomas' place, | 0:19:43 | 0:19:46 | |
until she saw the bobbies outside, then made herself scarce. | 0:19:46 | 0:19:48 | |
Right. Well, let's get her description, then, huh? | 0:19:48 | 0:19:52 | |
I managed to talk to her. | 0:19:53 | 0:19:55 | |
American. A journalist. | 0:19:55 | 0:19:58 | |
And a liar. | 0:19:58 | 0:20:00 | |
She claims she was after Thomas for film, | 0:20:01 | 0:20:03 | |
but someone like that can get that sort of stuff easily from the US Embassy, | 0:20:03 | 0:20:06 | |
or the German Press Bureau. | 0:20:06 | 0:20:09 | |
She doesn't need the black market. | 0:20:09 | 0:20:10 | |
PHONE RINGS | 0:20:10 | 0:20:13 | |
Weekly debrief with Kellermann. | 0:20:17 | 0:20:19 | |
Yes, sir, immediately. I was just on my way up. | 0:20:21 | 0:20:25 | |
Right up my arse(!) | 0:20:28 | 0:20:30 | |
THEY SPEAK GERMAN | 0:20:31 | 0:20:34 | |
CONVERSATION IN GERMAN CONTINUES | 0:20:34 | 0:20:38 | |
Superintendent, come in. Come in. | 0:20:38 | 0:20:40 | |
These gentlemen are from The Signal Magazine in Berlin. | 0:20:40 | 0:20:44 | |
Ja, sehr gut. Er...foto? | 0:20:47 | 0:20:49 | |
Could you and SS-Gruppenfuhrer Kellermann step behind the table | 0:20:52 | 0:20:56 | |
and look at some notes or a map? | 0:20:56 | 0:20:58 | |
The new flag for the event with our Russian friends. | 0:21:00 | 0:21:03 | |
Foto. | 0:21:03 | 0:21:04 | |
I think they've made the cross of St George a little too small, hm? | 0:21:04 | 0:21:09 | |
-Could you point at it? -Yeah. | 0:21:09 | 0:21:11 | |
Both of you. Please. | 0:21:14 | 0:21:16 | |
Foto. | 0:21:18 | 0:21:20 | |
Superintendent Archer, is it true here at Scotland Yard, | 0:21:20 | 0:21:24 | |
the men call General Kellermann Father? | 0:21:24 | 0:21:26 | |
Do I not know what goes on in my force, hm? | 0:21:28 | 0:21:31 | |
GENERAL KELLERMANN CHUCKLES | 0:21:31 | 0:21:33 | |
If Scotland Yard's finest detective says it is so, hm, | 0:21:33 | 0:21:37 | |
-then who am I to question it? -So... | 0:21:37 | 0:21:39 | |
Come! | 0:21:42 | 0:21:44 | |
GENERAL KELLERMANN SIGHS | 0:21:45 | 0:21:47 | |
I'm sorry about all that. Ah! | 0:21:50 | 0:21:52 | |
Anything to report? | 0:21:55 | 0:21:56 | |
A murder in Shepherd Market. | 0:21:56 | 0:21:59 | |
Looks like German involvement, | 0:21:59 | 0:22:01 | |
so I expect the Feldgericht der Luftwaffe will take it over. | 0:22:01 | 0:22:05 | |
PHONE RINGS | 0:22:05 | 0:22:07 | |
Kellermann. | 0:22:07 | 0:22:08 | |
Well... | 0:22:31 | 0:22:32 | |
It seems a senior officer of the Sicherheitsdienst | 0:22:33 | 0:22:36 | |
will be joining us from Berlin. Today. | 0:22:36 | 0:22:39 | |
DOOR OPENS | 0:22:48 | 0:22:49 | |
-Herr Gruppenfuhrer? -Ah, Glott. | 0:22:51 | 0:22:54 | |
Jawohl, Gruppenfuhrer! | 0:23:01 | 0:23:03 | |
Naturlich. | 0:23:05 | 0:23:07 | |
GENERAL KELLERMANN SIGHS | 0:23:07 | 0:23:09 | |
The reception at The Savoy tonight, | 0:23:14 | 0:23:17 | |
we can make it in his honour. | 0:23:17 | 0:23:19 | |
Standartenfuhrer Dr Huth is on the personal staff of Reichsfuhrer Himmler. | 0:23:19 | 0:23:22 | |
We want him to feel welcome. | 0:23:22 | 0:23:25 | |
Why is an Intelligence SS officer coming here, sir? | 0:23:26 | 0:23:29 | |
I don't know. | 0:23:29 | 0:23:30 | |
But, er...fortunately, | 0:23:32 | 0:23:34 | |
you'll be working closely with Herr Dr Huth, | 0:23:34 | 0:23:37 | |
so his thoughts will not be a mystery, if you get my meaning. | 0:23:37 | 0:23:40 | |
HUBBUB | 0:23:43 | 0:23:45 | |
What did they want? | 0:23:55 | 0:23:57 | |
I've been reassigned. Genealogy. | 0:23:58 | 0:24:00 | |
They want details on all the support staff. | 0:24:02 | 0:24:04 | |
Family histories, bloodlines. | 0:24:04 | 0:24:07 | |
Weed out the undesirables. | 0:24:07 | 0:24:09 | |
Hm. | 0:24:11 | 0:24:12 | |
I thought... | 0:24:12 | 0:24:14 | |
Well, I hoped it wouldn't come to this. | 0:24:16 | 0:24:18 | |
Not so quickly. | 0:24:18 | 0:24:20 | |
Look, I'll go upstairs and insist you stay working with me. | 0:24:22 | 0:24:25 | |
I thought it was your job to protect all of us. | 0:24:25 | 0:24:29 | |
You don't get it, do you? | 0:24:30 | 0:24:32 | |
We'll talk tomorrow. | 0:24:38 | 0:24:39 | |
Were you always like this, or was it her dying that did it to you? | 0:24:41 | 0:24:44 | |
Here. | 0:25:46 | 0:25:48 | |
-Hello? -Hello, Mr Archer. | 0:25:51 | 0:25:53 | |
Dad! Is it murder? | 0:25:53 | 0:25:55 | |
Murder at the antiques shop, wasn't it, Mr Archer? | 0:25:55 | 0:25:57 | |
It was in the early edition. | 0:25:57 | 0:25:59 | |
Detective Bob Sheenan. | 0:25:59 | 0:26:01 | |
DOUGGIE CHUCKLES | 0:26:01 | 0:26:02 | |
You like 'em soft, don't you, Mr Archer? | 0:26:05 | 0:26:07 | |
I put one in as soon as I heard you on the stairs. | 0:26:07 | 0:26:09 | |
I've had my eggs for the week, Mrs Sheenan. | 0:26:09 | 0:26:11 | |
Not to worry, we've got six from Mrs Custance. | 0:26:11 | 0:26:13 | |
-I don't know how you do it. -Well, you helped. | 0:26:13 | 0:26:15 | |
I gave her that smelly old sweater of yours to unravel for wool. | 0:26:15 | 0:26:18 | |
All the eggs are yours, really. | 0:26:18 | 0:26:20 | |
I liked that jumper. | 0:26:20 | 0:26:23 | |
I thought... | 0:26:23 | 0:26:24 | |
Men! You're as bad as my Tom. | 0:26:27 | 0:26:29 | |
-Good day at school, boys? -Yeah. | 0:26:29 | 0:26:32 | |
Did you behave yourself today, Bob? | 0:26:33 | 0:26:36 | |
Yes, Mr Archer. | 0:26:36 | 0:26:37 | |
Ha-ha-ha-ha! Why don't I believe you? | 0:26:37 | 0:26:40 | |
I've put one spoonful of real tea in it. | 0:26:43 | 0:26:45 | |
-You look like you could use it. -Thank you. | 0:26:45 | 0:26:48 | |
Well, it was a murder enquiry, | 0:26:49 | 0:26:51 | |
but it doesn't look like I'm going to be involved. | 0:26:51 | 0:26:54 | |
-Was it a juicy one? -Douggie! | 0:26:54 | 0:26:57 | |
MUSIC: Key To The Highway by John Lee Hooker | 0:26:57 | 0:27:01 | |
# I got the key to the highway | 0:27:08 | 0:27:12 | |
# And I'm billed out and bound to go | 0:27:12 | 0:27:16 | |
# I'm going to leave here running | 0:27:17 | 0:27:21 | |
# Because walking is most too slow | 0:27:21 | 0:27:24 | |
# I'm going down on the border...# | 0:27:27 | 0:27:32 | |
Dad! Dad! Come and see! | 0:27:32 | 0:27:34 | |
Hurry! | 0:27:37 | 0:27:39 | |
It's a Jaguar! | 0:27:44 | 0:27:45 | |
HE SIGHS | 0:27:50 | 0:27:51 | |
Na gut. | 0:28:13 | 0:28:15 | |
CAR STARTS | 0:28:23 | 0:28:25 | |
Yeah. I don't like the look of his liver. | 0:29:25 | 0:29:28 | |
Explain to me. | 0:29:31 | 0:29:33 | |
It's diseased. | 0:29:34 | 0:29:36 | |
It's most interesting. | 0:29:36 | 0:29:37 | |
I...I've never seen one quite like it. | 0:29:37 | 0:29:41 | |
I wonder how your antique dealer carried on. | 0:29:41 | 0:29:43 | |
How near to death by liver failure was he? | 0:29:45 | 0:29:47 | |
I wouldn't have given him more than...two months. | 0:29:47 | 0:29:52 | |
What about the eyes? | 0:29:54 | 0:29:56 | |
I saw something like that in the Great War. | 0:29:59 | 0:30:02 | |
Glare from magnesium shells. | 0:30:02 | 0:30:05 | |
Photokeratitis. | 0:30:06 | 0:30:08 | |
I want all his internal organs and his eyes | 0:30:10 | 0:30:13 | |
packed and ready to be flown to Berlin on the morning flight. | 0:30:13 | 0:30:17 | |
Then there is nothing to keep me. | 0:30:17 | 0:30:20 | |
Sir John, your knowledge and experience is invaluable. | 0:30:20 | 0:30:24 | |
Please, finish the postmortem so a report can accompany the remains. | 0:30:24 | 0:30:29 | |
But for now, you will all leave this room. | 0:30:29 | 0:30:32 | |
Except for Inspector Archer. | 0:30:34 | 0:30:35 | |
You were on your way to a party? | 0:31:08 | 0:31:09 | |
There's a reception at The Savoy in your honour, | 0:31:15 | 0:31:17 | |
Standartenfuhrer Dr Huth. | 0:31:17 | 0:31:19 | |
Kellermann. He has the subtlety of a pig. | 0:31:19 | 0:31:22 | |
What else does he have planned for me? | 0:31:25 | 0:31:27 | |
General Kellermann thought you might like to see the Houses of Parliament on the way, sir. | 0:31:28 | 0:31:32 | |
As I say, a pig. | 0:31:32 | 0:31:34 | |
Does that mean you would or wouldn't like to see the Houses of Parliament? | 0:31:37 | 0:31:40 | |
It means, my dear Superintendent, | 0:31:40 | 0:31:42 | |
that I do not have the slightest intention of spending the evening | 0:31:42 | 0:31:45 | |
watching a roomful of army officers and their overdressed women | 0:31:45 | 0:31:49 | |
guzzling champagne and, between mouthfuls of smoked salmon, | 0:31:49 | 0:31:53 | |
telling me the best place to buy Staffordshire china. | 0:31:53 | 0:31:55 | |
Very well, then, I'll take you to your accommodation on Brook Street. | 0:31:59 | 0:32:02 | |
You will take me to my office. | 0:32:02 | 0:32:03 | |
And then you will requisition a car for your permanent use. | 0:32:03 | 0:32:07 | |
As I need you to be mobile, Inspector Archer. | 0:32:09 | 0:32:11 | |
We are going to be busy, you and I. | 0:32:11 | 0:32:14 | |
HORN BLARES | 0:32:22 | 0:32:23 | |
LOW CHATTER | 0:32:25 | 0:32:26 | |
In some way, it's a shame the battle spared such dreary areas. | 0:32:28 | 0:32:31 | |
I'm sorry. | 0:32:33 | 0:32:35 | |
Your wife was killed in one such action. | 0:32:35 | 0:32:37 | |
I'm afraid the blame is Winston Churchill's. | 0:32:38 | 0:32:40 | |
None of this need have happened. | 0:32:40 | 0:32:42 | |
Well, from what I heard, he paid his debt. | 0:32:44 | 0:32:46 | |
The rumours, the V sign in the face of the firing squad, | 0:32:47 | 0:32:51 | |
Pure propaganda put out by your Resistance. | 0:32:51 | 0:32:53 | |
So...this Peter Thomas murder...? | 0:32:54 | 0:32:57 | |
Well, it looks like a black-market killing. | 0:32:57 | 0:32:59 | |
A flat full of military cigarettes, | 0:32:59 | 0:33:01 | |
alcohol, petrol coupons. | 0:33:01 | 0:33:03 | |
We already have a statement from a neighbour | 0:33:03 | 0:33:06 | |
saying that a Luftwaffe Feldwebel was a frequent visitor. | 0:33:06 | 0:33:08 | |
Yes. | 0:33:08 | 0:33:10 | |
You sent the files to the Feldgendarmerie straightaway. | 0:33:13 | 0:33:17 | |
And within the hour, the SS claimed them back | 0:33:17 | 0:33:19 | |
and a teleprinter message from Berlin | 0:33:19 | 0:33:21 | |
instructed the army to pass all papers back to you. | 0:33:21 | 0:33:23 | |
But that instruction could've only come from the Supreme Commander. | 0:33:27 | 0:33:29 | |
Heil Hitler. | 0:33:29 | 0:33:31 | |
LOW CHATTER | 0:33:31 | 0:33:32 | |
Of course, you speak excellent German. | 0:33:34 | 0:33:36 | |
You took modern languages at Oxford. Pembroke. | 0:33:36 | 0:33:39 | |
I was at King's College. | 0:33:39 | 0:33:41 | |
Happy times there. | 0:33:42 | 0:33:43 | |
How long did you resist working for us? | 0:33:49 | 0:33:51 | |
I'm not sure General Kellermann gave me any choice. | 0:33:54 | 0:33:57 | |
That is the problem with having a reputation. | 0:33:59 | 0:34:02 | |
You don't think for a minute it's a black-market murder. | 0:34:03 | 0:34:06 | |
In my experience, the truth doesn't offer itself up just like that. | 0:34:10 | 0:34:13 | |
No loose ends? | 0:34:13 | 0:34:15 | |
A railway ticket, from Bringle Sands. | 0:34:18 | 0:34:21 | |
It's a resort on the South Coast. | 0:34:22 | 0:34:24 | |
I know exactly where it is. | 0:34:24 | 0:34:25 | |
You are having misgivings about this investigation. | 0:34:27 | 0:34:30 | |
You got Sir John Shields to perform the autopsy. | 0:34:30 | 0:34:33 | |
He's the top pathologist in the country. Physician to His Majesty. | 0:34:33 | 0:34:36 | |
-Your point? -If you have a strong suspicion | 0:34:36 | 0:34:38 | |
of what Peter Thomas was suffering from, I ought to be told. | 0:34:38 | 0:34:41 | |
Have you seen anything like this before? | 0:34:45 | 0:34:47 | |
No, but some of my staff have. | 0:34:47 | 0:34:49 | |
They inform me it is far more dangerous | 0:34:49 | 0:34:52 | |
than any Black Death or such. | 0:34:52 | 0:34:54 | |
So it's infectious? | 0:34:56 | 0:34:57 | |
We are fine. | 0:35:00 | 0:35:02 | |
And what caused it? | 0:35:02 | 0:35:04 | |
Something at Bringle Sands? | 0:35:05 | 0:35:07 | |
Quite possibly. | 0:35:07 | 0:35:09 | |
Very nice. Now, get rid of all this silly junk. | 0:35:19 | 0:35:22 | |
Get lockable filing cases and a metal desk. | 0:35:22 | 0:35:26 | |
Telephones, four direct lines | 0:35:26 | 0:35:28 | |
that do not go through Kellermann's switchboard. | 0:35:28 | 0:35:31 | |
And I need a table and chair in the corridor for my sentry. | 0:35:31 | 0:35:34 | |
-Where's my sentry? -Sentry, sir? | 0:35:34 | 0:35:36 | |
Don't stand there repeating everything I say. | 0:35:36 | 0:35:39 | |
Get on to the SS guard commander at Cannon Row, | 0:35:39 | 0:35:41 | |
tell him to send a sentry and half-a-dozen men | 0:35:41 | 0:35:43 | |
to clear this furniture out. | 0:35:43 | 0:35:45 | |
I doubt there'll be workmen available at this time of night, sir. | 0:35:46 | 0:35:49 | |
I will be in conference room number three with Major Steiger. | 0:35:49 | 0:35:52 | |
I expect it all to be done before I return. | 0:35:52 | 0:35:54 | |
And in the morning, I want to see a team piecing together these ashes | 0:35:54 | 0:35:58 | |
you found in the grate at the murder scene. | 0:35:58 | 0:36:00 | |
Talk about a new broom, eh? | 0:36:09 | 0:36:11 | |
I haven't seen this much activity | 0:36:11 | 0:36:13 | |
since the night the invasion started. | 0:36:13 | 0:36:15 | |
Four new lines, tested and functioning. | 0:36:21 | 0:36:24 | |
Are you all right? | 0:36:25 | 0:36:27 | |
Well... | 0:36:27 | 0:36:29 | |
Sylvia, she, er...she's gone and done it. | 0:36:29 | 0:36:32 | |
She...she walked out and grabbed a handful of blank SIPO passes, | 0:36:32 | 0:36:37 | |
from what it looks like. | 0:36:37 | 0:36:38 | |
She's got herself on the list. | 0:36:40 | 0:36:42 | |
Damn it! | 0:36:44 | 0:36:46 | |
Yeah. | 0:36:46 | 0:36:47 | |
PHONE RINGS | 0:36:47 | 0:36:50 | |
Standartenfuhrer Huth's office. | 0:36:56 | 0:36:59 | |
Archer. Splendid. Is the Standartenfuhrer with you? | 0:36:59 | 0:37:03 | |
He's in number three conference room, sir. | 0:37:03 | 0:37:05 | |
Unfortunately, he's left orders | 0:37:05 | 0:37:07 | |
that no calls should be put through to him there. | 0:37:07 | 0:37:09 | |
That doesn't apply to me, of course, | 0:37:09 | 0:37:11 | |
but there appears to be something wrong | 0:37:11 | 0:37:13 | |
with the phone in the conference room. | 0:37:13 | 0:37:15 | |
That's probably because the Signals staff are changing the lines, sir. | 0:37:15 | 0:37:18 | |
What? At this time of night? | 0:37:18 | 0:37:21 | |
Changing phones in my office? | 0:37:21 | 0:37:23 | |
Standartenfuhrer Huth's a very busy man, sir. | 0:37:23 | 0:37:25 | |
Which is why he never arrived at The Savoy. | 0:37:25 | 0:37:27 | |
Achtung! | 0:37:27 | 0:37:28 | |
Archer? | 0:37:28 | 0:37:30 | |
Alle raus, bitte. | 0:37:30 | 0:37:31 | |
Should I come over there now? | 0:37:31 | 0:37:33 | |
Standartenfuhrer has just walked in, sir. | 0:37:33 | 0:37:36 | |
Do not discuss the workings of this office with outsiders. | 0:37:55 | 0:38:00 | |
-It was General Kellermann, sir. -How do you know? | 0:38:01 | 0:38:04 | |
I'm reliably informed your drunken friend here | 0:38:04 | 0:38:07 | |
can manage a fairly convincing imitation | 0:38:07 | 0:38:09 | |
of General Kellermann's English, for instance. | 0:38:09 | 0:38:12 | |
The Peter Thomas murder investigation is part of an operation | 0:38:12 | 0:38:15 | |
we have codenamed Schlussene, the Final Act. | 0:38:15 | 0:38:18 | |
I shall be notified of all arrests in connection with this case | 0:38:18 | 0:38:22 | |
and no information goes outside this room without my written permission, | 0:38:22 | 0:38:26 | |
or that of Reichsfuhrer Heinrich Himmler. Clear? | 0:38:26 | 0:38:30 | |
Unforgettably so, sir. | 0:38:30 | 0:38:31 | |
Any breach of this instruction | 0:38:31 | 0:38:33 | |
is not only a capital offence under Section 134 | 0:38:33 | 0:38:37 | |
of the Military Orders of the Commander-in-Chief Great Britain, | 0:38:37 | 0:38:39 | |
for which the penalty is a firing squad, | 0:38:39 | 0:38:41 | |
but also under Section 11 of your own Emergency Powers | 0:38:41 | 0:38:45 | |
German Occupation Act 1941, | 0:38:45 | 0:38:47 | |
for which they hang offenders at Wandsworth Prison. | 0:38:47 | 0:38:49 | |
Would the hanging or the shooting come first, sir? | 0:38:52 | 0:38:54 | |
HE CHUCKLES | 0:38:54 | 0:38:56 | |
We must always leave something for the jury to decide. Gentlemen. | 0:38:56 | 0:39:00 | |
HUBBUB | 0:39:06 | 0:39:09 | |
-Morning. -Dad! Was it an all-night party? | 0:39:18 | 0:39:21 | |
If only. | 0:39:21 | 0:39:22 | |
-Morning. -Morning. | 0:39:24 | 0:39:26 | |
-Thank you. -Oh, I'll make something for you. | 0:39:26 | 0:39:28 | |
No, I'm fine. | 0:39:28 | 0:39:30 | |
Boys...I've got a car. | 0:39:30 | 0:39:33 | |
So I'm going to take you to school in half an hour. | 0:39:33 | 0:39:35 | |
-Is it the Jaguar? -No, it's not. | 0:39:35 | 0:39:38 | |
You're not going back there without a rest? | 0:39:38 | 0:39:40 | |
I'm just getting my second wind. | 0:39:40 | 0:39:42 | |
The bathwater's still warm. Only the children have used it. | 0:39:44 | 0:39:48 | |
Woman down the street saw an ambulance train going south | 0:39:57 | 0:40:00 | |
through Clapham Junction Monday. | 0:40:00 | 0:40:02 | |
It was full of wounded German soldiers. | 0:40:04 | 0:40:06 | |
Two Red Cross coaches on the back. | 0:40:06 | 0:40:08 | |
I'd be careful who you tell that to, Mrs Sheenan. | 0:40:08 | 0:40:11 | |
Oh, I wouldn't tell anyone, that block warden might hear about it. | 0:40:11 | 0:40:13 | |
But I can talk to you, Mr Archer. | 0:40:15 | 0:40:16 | |
Well, in the towns, | 0:40:19 | 0:40:21 | |
it's just the odd murder here and there of German soldiers. | 0:40:21 | 0:40:24 | |
But in the country, there are bigger groups | 0:40:24 | 0:40:27 | |
ambushing whole German patrols. | 0:40:27 | 0:40:31 | |
So, the fighting's not over? There's still a chance? | 0:40:35 | 0:40:38 | |
Well, I'm afraid the winter's coming. | 0:40:40 | 0:40:42 | |
You mean the cold will get them? | 0:40:44 | 0:40:46 | |
Well, they can't light fires for fear of smoke. | 0:40:46 | 0:40:49 | |
There'll be no leaves left, so no cover. | 0:40:50 | 0:40:53 | |
Spotter planes will have it easy. | 0:40:54 | 0:40:56 | |
I think that'll be it for the Resistance. | 0:40:57 | 0:40:59 | |
Except maybe in the north, in the unoccupied zone. | 0:40:59 | 0:41:02 | |
Yeah, they say it's bad up there. | 0:41:02 | 0:41:04 | |
Shortages. | 0:41:04 | 0:41:06 | |
Those poor boys! | 0:41:07 | 0:41:09 | |
You think I'll ever see my Tom again? | 0:41:15 | 0:41:17 | |
I don't know what to tell Bob. | 0:41:19 | 0:41:21 | |
The Germans have promised to return all POWs as soon as possible. | 0:41:22 | 0:41:26 | |
What do the Germans care? | 0:41:26 | 0:41:28 | |
They're getting cheap labour. | 0:41:29 | 0:41:31 | |
What can our government offer in exchange? | 0:41:31 | 0:41:33 | |
Give it time, Mrs Sheenan. | 0:41:43 | 0:41:46 | |
SHE SIGHS | 0:41:46 | 0:41:48 | |
You mustn't let Bob see you unhappy. | 0:41:48 | 0:41:50 | |
SHE SNIFFS | 0:41:53 | 0:41:54 | |
The POW camps are more comfortable than the internment ones. | 0:41:54 | 0:41:58 | |
I know that's not much consolation. | 0:42:00 | 0:42:02 | |
Dad... | 0:42:21 | 0:42:23 | |
Do you work for the Gestapo? | 0:42:23 | 0:42:25 | |
No. | 0:42:28 | 0:42:30 | |
I'm a detective with the Metropolitan Police. You know that. | 0:42:31 | 0:42:34 | |
The Gestapo are at Scotland Yard. | 0:42:34 | 0:42:36 | |
They're in the building next door. | 0:42:36 | 0:42:38 | |
And they're mostly all Germans. | 0:42:38 | 0:42:41 | |
But you work with the Gestapo? | 0:42:42 | 0:42:44 | |
Is that what you've heard? | 0:42:45 | 0:42:47 | |
The boys at school said so. | 0:42:47 | 0:42:48 | |
I don't. | 0:42:51 | 0:42:53 | |
Dad...me and some of the boys at school were wondering, | 0:42:55 | 0:42:59 | |
could you get a Gestapo badge? | 0:42:59 | 0:43:01 | |
The Gestapo don't have badges, Douggie. | 0:43:04 | 0:43:06 | |
They use identity tags. | 0:43:06 | 0:43:08 | |
Well, could you get one of the SS armbands? | 0:43:09 | 0:43:12 | |
Or one of the silver-wire SD badges? | 0:43:12 | 0:43:15 | |
Yeah. No-one at school's got one of them. | 0:43:15 | 0:43:17 | |
Boys...one day, the Germans will be gone. | 0:43:23 | 0:43:26 | |
And we'll carry on | 0:43:27 | 0:43:29 | |
and get back to the way we were and how things were. | 0:43:29 | 0:43:33 | |
If we let things fall apart now | 0:43:38 | 0:43:40 | |
because they're here, then it's going to be difficult | 0:43:40 | 0:43:44 | |
or impossible to get back there. | 0:43:44 | 0:43:47 | |
The law is all we have. | 0:43:48 | 0:43:50 | |
And, quite frankly...I'm it. | 0:43:53 | 0:43:56 | |
HE STARTS THE CAR | 0:43:59 | 0:44:01 | |
-Doug. -Sylvia! | 0:44:33 | 0:44:36 | |
You shouldn't be anywhere near here. Are you mad? | 0:44:39 | 0:44:42 | |
Don't you know Whitehall has regular Gendarmerie patrols? | 0:44:42 | 0:44:45 | |
When you stole those passes, | 0:44:48 | 0:44:50 | |
you ended up on every Gestapo list in the occupied zone. | 0:44:50 | 0:44:52 | |
Christ! It's not for you, it's for The Mall shooting. | 0:44:57 | 0:45:00 | |
-Argh! -SMASH! | 0:45:00 | 0:45:03 | |
-There's a side door. -No! | 0:45:03 | 0:45:04 | |
They'll have plain-clothes men watching for anyone acting suspiciously. | 0:45:04 | 0:45:07 | |
What the hell are you doing?! | 0:45:10 | 0:45:11 | |
Herr Unteroffizier? | 0:45:15 | 0:45:17 | |
What are you doing? | 0:45:24 | 0:45:25 | |
You're hurting my wrist, you bloody bastard! | 0:45:25 | 0:45:28 | |
-Danke. -Bitte. Next! | 0:45:45 | 0:45:48 | |
The Germans view those SIPO passes you took | 0:45:57 | 0:45:59 | |
as just about the most valuable piece of paper a foreigner can be given. | 0:45:59 | 0:46:02 | |
A foreigner?! | 0:46:02 | 0:46:04 | |
-That's not how I meant it. -Yes, it is. | 0:46:04 | 0:46:06 | |
That's what we are, as far as you're concerned - foreigners. | 0:46:06 | 0:46:09 | |
The Germans are the ones with the right to be here | 0:46:09 | 0:46:11 | |
and we're the intruders who have to bow and bloody scrape. | 0:46:11 | 0:46:13 | |
-Calm down! -Get your hands off me, you bloody Gestapo bastard! | 0:46:13 | 0:46:16 | |
-Have you been drinking? -So what? -Sylvia! | 0:46:19 | 0:46:22 | |
-GUNFIRE -Look at you. You're pathetic! | 0:46:22 | 0:46:26 | |
I've got friends who don't go in fear and trembling of the hunt. | 0:46:26 | 0:46:29 | |
You wouldn't understand that, would you? | 0:46:29 | 0:46:31 | |
No. Too busy doing their dirty work for them. | 0:46:31 | 0:46:35 | |
I'm a bloody fool for not having guessed. | 0:46:38 | 0:46:40 | |
You're Resistance. | 0:46:42 | 0:46:43 | |
Why are you here? | 0:46:43 | 0:46:46 | |
And what have we been doing these past months? | 0:46:46 | 0:46:49 | |
Lucky old me, it's not your job to hunt us down. | 0:46:49 | 0:46:52 | |
-Not yet, anyway. -What do you want, Sylvia? | 0:46:52 | 0:46:54 | |
Have you run out of information to hand on? | 0:46:54 | 0:46:56 | |
Well, we both got something, didn't we? | 0:46:56 | 0:46:58 | |
You didn't answer my question. | 0:46:58 | 0:47:00 | |
Maybe I wanted to tell you you needed to be more careful. | 0:47:05 | 0:47:09 | |
There are some a lot more determined than me. | 0:47:09 | 0:47:12 | |
I don't doubt that. | 0:47:12 | 0:47:14 | |
They'd do anything to make people like you cooperate. | 0:47:14 | 0:47:17 | |
-I've said enough. -What do you mean? | 0:47:17 | 0:47:19 | |
-Just leave me alone! -What are they going to do? | 0:47:19 | 0:47:21 | |
-I don't know! -Who are they?! | 0:47:21 | 0:47:23 | |
Heroes, not collaborators, like you lot! | 0:47:23 | 0:47:26 | |
I'm doing this for all of us, you bloody fool! | 0:47:26 | 0:47:29 | |
Give me a name. | 0:47:35 | 0:47:36 | |
John. | 0:47:40 | 0:47:41 | |
I don't know his surname. | 0:47:41 | 0:47:43 | |
He comes and goes, he always has a different scheme. | 0:47:44 | 0:47:47 | |
Now it's you. | 0:47:47 | 0:47:48 | |
Me? Where can I find him? | 0:47:48 | 0:47:51 | |
Where? | 0:47:54 | 0:47:55 | |
The Coach And Horses, Hammersmith. | 0:47:58 | 0:48:00 | |
They say he took out a Panzer with a tyre iron. | 0:48:02 | 0:48:05 | |
Cost him his arm. | 0:48:05 | 0:48:06 | |
If you've only just guessed about me, | 0:48:08 | 0:48:10 | |
I suppose you haven't twigged to Harry yet. | 0:48:10 | 0:48:12 | |
SHE SCOFFS | 0:48:12 | 0:48:13 | |
Morning, Jimmy. Busy? | 0:49:00 | 0:49:02 | |
All these bloomin' arrangements for the friendship ceremony | 0:49:02 | 0:49:06 | |
between them and the Russkies. | 0:49:06 | 0:49:08 | |
Maybe it's a good thing I'm borrowing you, then. | 0:49:10 | 0:49:12 | |
Oh, great. Plain clothes? | 0:49:14 | 0:49:15 | |
Get changed. | 0:49:17 | 0:49:18 | |
Yeah, well, I keep my old suit in the locker since last time. | 0:49:18 | 0:49:21 | |
Good. I'll walk with you. | 0:49:21 | 0:49:23 | |
I need you to check on someone. | 0:49:29 | 0:49:31 | |
A character called John. | 0:49:31 | 0:49:32 | |
He's a regular at The Coach And Horses. | 0:49:38 | 0:49:39 | |
Upper Mall, Hammersmith. Missing an arm. | 0:49:39 | 0:49:42 | |
I would do it myself, but I think he knows me. | 0:49:43 | 0:49:46 | |
This isn't strictly police business. | 0:49:50 | 0:49:52 | |
He may be Resistance. | 0:49:52 | 0:49:53 | |
So I understand if you don't want to do it. | 0:49:53 | 0:49:55 | |
If you think it needs to be done, sir, I'm in. | 0:50:00 | 0:50:03 | |
Good. Draw a pistol and keep your wits about you. All right? | 0:50:03 | 0:50:09 | |
Anything wrong, Super? | 0:50:40 | 0:50:41 | |
I ran into Sylvia. | 0:50:46 | 0:50:48 | |
Christ! Is she all right? | 0:50:50 | 0:50:53 | |
Of course, you knew she was Resistance, didn't you? | 0:50:57 | 0:51:00 | |
Just like you know everything else. | 0:51:02 | 0:51:04 | |
Well, you can hardly blame her. | 0:51:06 | 0:51:08 | |
Having your parents killed like that. | 0:51:08 | 0:51:10 | |
Oh, I, er...did some digging. | 0:51:20 | 0:51:24 | |
That American dame, seems to be who she says. | 0:51:24 | 0:51:28 | |
Barbara Barga has quite a reputation. | 0:51:28 | 0:51:31 | |
Do you think she could be Resistance, too? | 0:51:33 | 0:51:35 | |
It seems everyone is. | 0:51:37 | 0:51:38 | |
A Yank? Why would she get involved? | 0:51:39 | 0:51:42 | |
I don't know. | 0:51:44 | 0:51:45 | |
But she had a rendezvous at that safe house. | 0:51:47 | 0:51:49 | |
Are you sure you're not talking yourself around | 0:51:51 | 0:51:53 | |
so you can go and see her again? | 0:51:53 | 0:51:55 | |
PHONE RINGS | 0:51:55 | 0:51:58 | |
Archer. | 0:52:11 | 0:52:13 | |
Sir, a barman gave me information. | 0:52:13 | 0:52:16 | |
He's called John Spode. | 0:52:16 | 0:52:18 | |
I've got the address. | 0:52:18 | 0:52:20 | |
Well done. Where? | 0:52:20 | 0:52:21 | |
Peveril Lane, Hammersmith. | 0:52:21 | 0:52:23 | |
I've gained access with a bit of force, if you know what I mean. | 0:52:23 | 0:52:27 | |
All right. | 0:52:28 | 0:52:29 | |
This was hidden. | 0:53:37 | 0:53:38 | |
A team of scientists. | 0:54:00 | 0:54:02 | |
That must be our man - John Spode. | 0:54:10 | 0:54:12 | |
And that's our dead man from Shepherd Market. | 0:54:15 | 0:54:17 | |
William Spode. | 0:54:20 | 0:54:22 | |
Brothers. | 0:54:25 | 0:54:26 | |
-Check on those scientists in the picture. -Will do. | 0:54:26 | 0:54:28 | |
That from the Peter Thomas shooting? | 0:55:11 | 0:55:13 | |
The William Spode shooting, we can call it now. | 0:55:13 | 0:55:16 | |
I'll bet there's no such person as Peter Thomas. | 0:55:17 | 0:55:20 | |
And this places his younger brother at the shooting. | 0:55:20 | 0:55:23 | |
My guess is he'll be back for this. | 0:55:26 | 0:55:28 | |
So he killed his own brother? | 0:55:29 | 0:55:31 | |
It's hard to imagine. | 0:55:34 | 0:55:35 | |
Perhaps. | 0:55:37 | 0:55:38 | |
Find out the part number and how to get a replacement. | 0:55:40 | 0:55:43 | |
Letter from a school, | 0:55:46 | 0:55:48 | |
confirming position of assistant music teacher. | 0:55:48 | 0:55:51 | |
Beech Road! | 0:55:51 | 0:55:53 | |
-What is it, sir? -That's my son's school. | 0:55:53 | 0:55:55 | |
He's after Douggie! | 0:55:57 | 0:55:59 | |
Call Central! Get them to put a watch put on this place in case he comes back! | 0:55:59 | 0:56:02 | |
-Why would he want your son, sir? -John Spode's Resistance. | 0:56:02 | 0:56:06 | |
They want to control me and get to me through my son. | 0:56:06 | 0:56:08 | |
What else could it be? | 0:56:08 | 0:56:10 | |
Call Harry Woods! | 0:56:11 | 0:56:13 | |
# I vow to thee, my country | 0:56:18 | 0:56:22 | |
# All earthly things above | 0:56:22 | 0:56:26 | |
# Entire and whole and perfect | 0:56:26 | 0:56:30 | |
# The service of my love | 0:56:30 | 0:56:34 | |
# The love that asks no questions | 0:56:34 | 0:56:38 | |
# The love that stands the test | 0:56:38 | 0:56:41 | |
# That lays upon the altar...# | 0:56:41 | 0:56:45 | |
-Douggie would have been safe with me. -How the hell do you know?! | 0:56:53 | 0:56:56 | |
Schlussene, the Final Act. | 0:56:56 | 0:56:58 | |
It would have the ability to wipe out an entire city. | 0:56:58 | 0:57:02 | |
Don't go home without me, will you? | 0:57:02 | 0:57:03 | |
We need nothing of you, except loyalty to your country. | 0:57:05 | 0:57:09 | |
We all of us have to take risks, Douglas. | 0:57:09 | 0:57:11 | |
We've taken one by telling you as much as we have. | 0:57:11 | 0:57:13 | |
Don't go back there and say no deal. | 0:57:13 | 0:57:15 | |
-What if I did? -Then they'd kill you. | 0:57:15 | 0:57:17 | |
You know too much now to be allowed to stay uncommitted. | 0:57:17 | 0:57:19 | |
I'm going to give you a lesson you will never forget. | 0:57:19 | 0:57:22 | |
I'm worried about you, Doug. Being Huth's man. | 0:57:22 | 0:57:25 | |
It doesn't look good to some people. | 0:57:25 | 0:57:27 | |
Don't turn your back, man, this is your doing. | 0:57:27 | 0:57:30 | |
PIANO MUSIC | 0:57:34 | 0:57:36 |