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This programme contains some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
Why is an SS Officer coming here? | 0:00:06 | 0:00:07 | |
You'll be working closely with Dr Huth. | 0:00:07 | 0:00:09 | |
We're going to be busy. | 0:00:09 | 0:00:10 | |
It's Barbara Barga, New York Times. | 0:00:10 | 0:00:12 | |
American. A journalist. | 0:00:12 | 0:00:14 | |
And a liar. | 0:00:14 | 0:00:16 | |
Jimmy, I need you to check on someone. | 0:00:16 | 0:00:17 | |
Draw a pistol and keep your wits about you. | 0:00:17 | 0:00:20 | |
-What are they going to do? -I don't know. | 0:00:20 | 0:00:22 | |
-Who are they? -Heroes, not collaborators like you lot! | 0:00:22 | 0:00:24 | |
-He's called John Spode. -He's after Douggie. | 0:00:24 | 0:00:27 | |
Why would he want your son, sir? | 0:00:27 | 0:00:28 | |
John Spode is Resistance. | 0:00:28 | 0:00:30 | |
They want to control me and get to me through my son. | 0:00:30 | 0:00:33 | |
# The service of my love. # | 0:00:33 | 0:00:36 | |
# I vow to thee, my country | 0:00:39 | 0:00:41 | |
# All earthly things above | 0:00:41 | 0:00:45 | |
# Entire and whole and perfect | 0:00:45 | 0:00:49 | |
# The service of my love | 0:00:49 | 0:00:53 | |
# The love that asks no questions... # | 0:00:53 | 0:00:56 | |
Superintendent Archer. | 0:00:56 | 0:00:58 | |
Headmaster. | 0:00:58 | 0:00:59 | |
So vital we keep up our standards. | 0:00:59 | 0:01:02 | |
Yes. DOOR OPENS | 0:01:02 | 0:01:04 | |
DOOR OPENS | 0:01:07 | 0:01:09 | |
Enjoying the show? | 0:01:13 | 0:01:14 | |
A hymn about a patriotic sacrifice. | 0:01:16 | 0:01:18 | |
How quaint. | 0:01:19 | 0:01:20 | |
Where's the man in charge? | 0:01:22 | 0:01:24 | |
What's the meaning of this outrage? | 0:01:24 | 0:01:25 | |
Outrage? Please. | 0:01:25 | 0:01:27 | |
Don't talk to me like that. | 0:01:27 | 0:01:29 | |
It sets such a bad example. | 0:01:29 | 0:01:31 | |
Who are you? | 0:01:31 | 0:01:32 | |
I'm the headmaster. | 0:01:32 | 0:01:34 | |
Where is he? | 0:01:35 | 0:01:37 | |
Speak up! | 0:01:37 | 0:01:38 | |
A man called John Spode. With one arm. | 0:01:38 | 0:01:41 | |
He's working with the choir. | 0:01:41 | 0:01:42 | |
The new fellow? He... I don't know. | 0:01:42 | 0:01:44 | |
He... He's due here, he might be somewhere. | 0:01:44 | 0:01:47 | |
Then we must find him. | 0:01:47 | 0:01:48 | |
The man is a suspected Resistance fighter. | 0:01:48 | 0:01:50 | |
Then, of course, I hope you find him. | 0:01:50 | 0:01:52 | |
TRANSLATION FROM GERMAN: | 0:01:52 | 0:01:54 | |
The area is being secured. | 0:01:56 | 0:01:57 | |
Sir, the SS is not needed here. | 0:01:57 | 0:02:00 | |
Spode is the subject of my investigation, | 0:02:00 | 0:02:02 | |
I must insist that his civil liberties are not infringed. | 0:02:02 | 0:02:04 | |
I will be the one to take him into custody. | 0:02:04 | 0:02:06 | |
Come on, Superintendent. You'll have scared him away. | 0:02:06 | 0:02:09 | |
But we'll have a thorough check all the same. | 0:02:09 | 0:02:12 | |
We are here to help - | 0:02:12 | 0:02:13 | |
not shoot him, if that's what you fear. | 0:02:13 | 0:02:15 | |
This man Spode, I don't know him. | 0:02:21 | 0:02:23 | |
Tell them! | 0:02:23 | 0:02:24 | |
You're working with them, I know you are. | 0:02:25 | 0:02:28 | |
Tell them I'm innocent! | 0:02:28 | 0:02:29 | |
My God, man, are you going to just stand there and watch? | 0:02:29 | 0:02:33 | |
Sir. | 0:02:43 | 0:02:44 | |
Douggie. Douggie come here. | 0:02:53 | 0:02:55 | |
Have you heard anything more from your secretary, Sylvia? | 0:03:10 | 0:03:13 | |
I know about the Trafalgar Square business. | 0:03:13 | 0:03:16 | |
You were followed, of course. | 0:03:16 | 0:03:18 | |
Of course. | 0:03:18 | 0:03:19 | |
But surely she was followed too? | 0:03:21 | 0:03:23 | |
The man assigned to her was not experienced enough. | 0:03:23 | 0:03:26 | |
Not for an agent like her. | 0:03:26 | 0:03:28 | |
You did not realise? A man like you? | 0:03:31 | 0:03:34 | |
We should have put her in the bag when we had the chance. | 0:03:36 | 0:03:39 | |
She smelled trouble and got out. | 0:03:39 | 0:03:40 | |
Or perhaps someone warned her. | 0:03:40 | 0:03:42 | |
Stay here. | 0:03:44 | 0:03:45 | |
Ah, Sergeant. You can take Inspector Archer's son home for him. | 0:03:53 | 0:03:56 | |
We have work to do. | 0:03:56 | 0:03:58 | |
Where's Mrs Sheenan? | 0:06:09 | 0:06:10 | |
She's gone to collect Bob. | 0:06:11 | 0:06:13 | |
The bastards are down at the school, ransacking the place, I hear. | 0:06:14 | 0:06:18 | |
Can I go to Tim's? | 0:06:20 | 0:06:21 | |
No, you're going nowhere. | 0:06:21 | 0:06:23 | |
-But why? -Because I said. | 0:06:23 | 0:06:24 | |
DOOR CLOSES | 0:06:31 | 0:06:33 | |
Thanks, Harry. | 0:06:39 | 0:06:40 | |
Glad you could trust me for something. | 0:06:43 | 0:06:46 | |
Why didn't you tell me you were onto this Spode? | 0:06:48 | 0:06:51 | |
You know damn well why. | 0:06:53 | 0:06:55 | |
You trust that bloody kid Dunn more than you trust me. | 0:06:55 | 0:06:58 | |
And I've known you for 15 years. | 0:07:00 | 0:07:02 | |
If you'd have just called me, | 0:07:04 | 0:07:06 | |
we could have rolled this up, | 0:07:06 | 0:07:08 | |
without those Nazis terrorising kids | 0:07:08 | 0:07:11 | |
in a church, for God's sake! | 0:07:11 | 0:07:12 | |
Do you think that was the last thing I wanted? | 0:07:12 | 0:07:15 | |
Spode's Resistance, | 0:07:15 | 0:07:17 | |
and I wasn't sure you wouldn't put your country above a friendship. | 0:07:17 | 0:07:19 | |
I wouldn't blame you. | 0:07:24 | 0:07:25 | |
One thing I will tell you... | 0:07:28 | 0:07:29 | |
..that kid, Dunn... | 0:07:30 | 0:07:31 | |
..he doesn't have the experience to handle a case like this. | 0:07:33 | 0:07:36 | |
It's too dangerous. | 0:07:36 | 0:07:38 | |
FRONT DOOR OPENS | 0:07:39 | 0:07:41 | |
Move. It's fine. Don't think about it. | 0:07:41 | 0:07:43 | |
DOOR CLOSES | 0:07:43 | 0:07:45 | |
Hello, Mrs Sheenan. | 0:07:50 | 0:07:51 | |
The children were held back. | 0:07:54 | 0:07:56 | |
Processed. | 0:07:56 | 0:07:57 | |
Some older ones taken away. | 0:07:57 | 0:07:59 | |
I'm sorry to hear that. | 0:08:01 | 0:08:02 | |
Take off your coat. | 0:08:07 | 0:08:08 | |
Mrs Sheenan? | 0:08:15 | 0:08:17 | |
I'm going to The Two Brewers with Sergeant Woods. | 0:08:17 | 0:08:21 | |
Don't answer the door to anyone. | 0:08:21 | 0:08:22 | |
What is it you want? | 0:08:38 | 0:08:40 | |
Hmm? | 0:08:40 | 0:08:41 | |
No Resistance? | 0:08:41 | 0:08:42 | |
No hope? Huh? | 0:08:42 | 0:08:44 | |
What I want is PC Dunn as well as you working on this case. | 0:08:46 | 0:08:51 | |
Young blood. All right? | 0:08:51 | 0:08:53 | |
Christ, did you see the way Mrs Sheenan looked at me? | 0:08:56 | 0:08:59 | |
And she likes me. | 0:09:01 | 0:09:02 | |
Yeah, you're in a pickle all right. | 0:09:04 | 0:09:06 | |
But what are you going to do, resign? | 0:09:06 | 0:09:08 | |
Get your work permit, your ration book taken away? | 0:09:08 | 0:09:11 | |
-You've got a son. -Don't I know it. | 0:09:11 | 0:09:13 | |
Murderers need catching. That's what you've always said, | 0:09:13 | 0:09:16 | |
and that's what you should keep doing, | 0:09:16 | 0:09:18 | |
cos you are Archer of the Yard, aren't you? | 0:09:18 | 0:09:20 | |
Piss off, Harry. | 0:09:20 | 0:09:21 | |
Oh, I nearly forgot. You got an invitation. | 0:09:27 | 0:09:30 | |
Do you remember someone called Sydney Garin? | 0:09:30 | 0:09:32 | |
Yeah, little Armenian art dealer. | 0:09:33 | 0:09:36 | |
Yeah, Graf von Garin now. | 0:09:36 | 0:09:38 | |
Famous expert on Aryan art. | 0:09:39 | 0:09:42 | |
Sell paintings, art treasures to the Germans - sell for them. | 0:09:42 | 0:09:46 | |
Anyway, he phoned and invited you | 0:09:48 | 0:09:50 | |
to some big do tomorrow night. | 0:09:50 | 0:09:53 | |
Black tie. | 0:09:53 | 0:09:54 | |
Oh, that's new. I wonder what he's got planned for me. | 0:09:54 | 0:09:57 | |
Well, maybe you shouldn't go. | 0:10:00 | 0:10:02 | |
An antique dealer might know something | 0:10:03 | 0:10:05 | |
about the Shepherd Market murder. | 0:10:05 | 0:10:07 | |
Or maybe he thinks you're in with the Germans, | 0:10:07 | 0:10:11 | |
just like he is. | 0:10:11 | 0:10:13 | |
I'm worried about you, Doug. | 0:10:14 | 0:10:16 | |
You walk around with your eyes half-shut. | 0:10:16 | 0:10:20 | |
You don't see the changes, you don't see what we've lost, | 0:10:21 | 0:10:24 | |
and it's only going to get worse. | 0:10:24 | 0:10:26 | |
And you don't trust me. | 0:10:26 | 0:10:29 | |
And you can't trust yourself. | 0:10:30 | 0:10:32 | |
You're wrong, Harry. | 0:10:35 | 0:10:36 | |
You know, being Huth's man... | 0:10:39 | 0:10:41 | |
..doesn't look good to some people. | 0:10:42 | 0:10:44 | |
You be careful out there, on the streets. | 0:10:46 | 0:10:49 | |
Thanks for the beer. | 0:10:51 | 0:10:52 | |
So good of you to come and see me. | 0:11:05 | 0:11:07 | |
There. Fantastic. Yes, fantastic. | 0:11:14 | 0:11:16 | |
How do you find, er, Standartenfuhrer Huth? | 0:11:38 | 0:11:41 | |
Enigmatic. | 0:11:44 | 0:11:45 | |
Yes. | 0:11:45 | 0:11:46 | |
Well, the Shepherd Market murder seems to have piqued his interest. | 0:11:47 | 0:11:51 | |
I understand that he's trying to piece together | 0:11:54 | 0:11:57 | |
some charred remains of some documents you found. | 0:11:57 | 0:12:01 | |
You expect him to find anything? | 0:12:01 | 0:12:03 | |
It would be easier to put Humpty Dumpty back together. | 0:12:03 | 0:12:05 | |
Humpty Dumpty! | 0:12:05 | 0:12:07 | |
What is that? | 0:12:08 | 0:12:09 | |
This is your famous Archer, yes? | 0:12:45 | 0:12:47 | |
Perhaps the celebrated policeman can explain to his confused superior | 0:12:49 | 0:12:53 | |
the niceties of property law under military occupation. | 0:12:53 | 0:12:58 | |
Well, I have to admit, some of the niceties elude even me, General. | 0:12:59 | 0:13:04 | |
Military intelligence. | 0:13:28 | 0:13:30 | |
Old von Ruff is disconsolate | 0:13:31 | 0:13:33 | |
that control of Britain will soon be passed | 0:13:33 | 0:13:35 | |
from the Commander-in-Chief of his beloved Army | 0:13:35 | 0:13:37 | |
to a Reichskommissar from our own SS ranks. | 0:13:37 | 0:13:40 | |
Then we'll see who has the King's horses. | 0:13:42 | 0:13:44 | |
Curiously named - | 0:13:49 | 0:13:51 | |
they call it Rotten Row. | 0:13:51 | 0:13:53 | |
Blame the French. | 0:13:54 | 0:13:56 | |
Rue de Roi. | 0:13:56 | 0:13:58 | |
Rue de Roi. | 0:13:58 | 0:14:00 | |
Rotten Row. | 0:14:01 | 0:14:02 | |
They must have known something. | 0:14:11 | 0:14:13 | |
DOOR OPENS | 0:14:20 | 0:14:21 | |
FOOTSTEPS | 0:14:22 | 0:14:27 | |
Scientific formulae. | 0:14:29 | 0:14:32 | |
Years of work, probably, and he burned it. | 0:14:32 | 0:14:34 | |
They steal the papers and destroy them. | 0:14:37 | 0:14:39 | |
These Resistance are playing a funny game. | 0:14:41 | 0:14:43 | |
My guess is they'll try to contact you again soon. | 0:14:47 | 0:14:50 | |
Probably not the girl next time, could be anyone. | 0:14:50 | 0:14:53 | |
Say yes to whatever they want. | 0:14:53 | 0:14:55 | |
Get their proposition. | 0:14:56 | 0:14:58 | |
Their proposition was to kidnap my son. | 0:14:59 | 0:15:01 | |
To blackmail you. | 0:15:01 | 0:15:03 | |
Show them they can trust you. | 0:15:03 | 0:15:05 | |
They'd do better by negotiation than by terror attacks. | 0:15:07 | 0:15:10 | |
I want to control this situation. | 0:15:10 | 0:15:11 | |
And will the Resistance really do better by negotiating? | 0:15:11 | 0:15:15 | |
Well, that's what I want you to tell them. | 0:15:15 | 0:15:18 | |
I'm a reasonable man. | 0:15:18 | 0:15:20 | |
Let me hear their demands. | 0:15:20 | 0:15:21 | |
Whoever gives me Spode can expect favours. | 0:15:22 | 0:15:25 | |
15 Resistance men are due to be hanged - or not, if I intercede. | 0:15:27 | 0:15:31 | |
-PHONE RINGS -They should know that. | 0:15:31 | 0:15:34 | |
Yeah? | 0:15:34 | 0:15:35 | |
HE HANGS UP PHONE | 0:15:41 | 0:15:43 | |
We have a tip-off about your secretary. | 0:15:45 | 0:15:47 | |
Is this her? | 0:16:06 | 0:16:07 | |
Yes. | 0:16:08 | 0:16:10 | |
FOOTSTEPS ON STAIRS | 0:16:10 | 0:16:12 | |
I'll check the roof. | 0:16:14 | 0:16:16 | |
Can't get away this time. | 0:16:27 | 0:16:28 | |
I suppose you've brought your friends to catch me? | 0:16:29 | 0:16:32 | |
Did you help John Spode go after my son? | 0:16:32 | 0:16:35 | |
I warned you, didn't I? | 0:16:35 | 0:16:39 | |
-I told you. -What were you thinking? | 0:16:39 | 0:16:41 | |
Douggie would have been safe with me. | 0:16:41 | 0:16:43 | |
John wouldn't have harmed him. | 0:16:43 | 0:16:45 | |
How the hell would you know? | 0:16:46 | 0:16:47 | |
Sie bleiben hier. | 0:16:49 | 0:16:50 | |
Anything? | 0:16:51 | 0:16:52 | |
The door was damned hard to open. | 0:16:59 | 0:17:02 | |
So she wouldn't have been able to? | 0:17:02 | 0:17:04 | |
No. | 0:17:04 | 0:17:05 | |
Did you know she was modelling for this decadent? | 0:17:17 | 0:17:19 | |
She's full of surprises. | 0:17:21 | 0:17:22 | |
She has friends in low places, this Sylvia. | 0:17:25 | 0:17:28 | |
Meet me at the Ministry of Information tomorrow, 1600 hours. | 0:17:31 | 0:17:35 | |
A routine check uncovered a Resistance vehicle. | 0:18:01 | 0:18:05 | |
A film can was hidden inside the spare wheel. | 0:18:05 | 0:18:07 | |
Have a seat. | 0:18:08 | 0:18:10 | |
Film ab, bitte. | 0:18:10 | 0:18:11 | |
TRIUMPHAL MUSIC PLAYS | 0:18:17 | 0:18:19 | |
'As the citizens of benighted Europe are drafted en masse | 0:18:21 | 0:18:24 | |
'into the German war machine, | 0:18:24 | 0:18:27 | |
'Uncle Sam considers which way to turn. | 0:18:27 | 0:18:30 | |
'Great Britain is pinning its hopes on this gentleman. | 0:18:32 | 0:18:35 | |
'"I'm your man!" says Rear Admiral Connolly. | 0:18:35 | 0:18:37 | |
'He claims to be the representative of the British nation, | 0:18:38 | 0:18:42 | |
'confirmed by Prime Minister Winston Churchill | 0:18:42 | 0:18:45 | |
'before his rumoured execution. | 0:18:45 | 0:18:47 | |
'But lawyers for Herr Hitler are denying his claims. | 0:18:48 | 0:18:52 | |
'They want to take control of the British Embassy in Washington. | 0:18:52 | 0:18:56 | |
'Good luck, Admiral - you're going to need it.' | 0:18:56 | 0:19:00 | |
Such even-handed reporting. | 0:19:07 | 0:19:09 | |
This is two weeks old. | 0:19:10 | 0:19:13 | |
The only way it could have been smuggled into the country | 0:19:13 | 0:19:15 | |
was on board the inaugural flight from New York. | 0:19:15 | 0:19:18 | |
So there was a sympathiser on board the plane? | 0:19:25 | 0:19:28 | |
I think that's an SS matter, sir, not police business. | 0:19:31 | 0:19:34 | |
I happen to know that an American reporter from that flight, | 0:19:37 | 0:19:40 | |
a Miss Barbara Barga, | 0:19:40 | 0:19:42 | |
has been asking questions about you of our press attache. | 0:19:42 | 0:19:46 | |
Well, I suppose I make an interesting story for outsiders. | 0:19:48 | 0:19:52 | |
All encounters with her I will expect to be reported. | 0:19:54 | 0:19:58 | |
Understood? | 0:19:59 | 0:20:00 | |
Any progress in your investigation, any hunches? | 0:20:07 | 0:20:10 | |
Nothing worthy of your attention, sir. | 0:20:13 | 0:20:16 | |
Don't let me detain you, then. | 0:20:19 | 0:20:21 | |
JAZZ MUSIC PLAYS | 0:20:40 | 0:20:43 | |
You have a wonderful Turner there, Superintendent. | 0:21:38 | 0:21:41 | |
Mr Garin. Good of you to invite me. | 0:21:41 | 0:21:43 | |
Oh, you're particularly welcome, Superintendent. | 0:21:43 | 0:21:45 | |
Quite a melange tonight. | 0:21:45 | 0:21:47 | |
Everyone here except the Prime Minister. | 0:21:47 | 0:21:49 | |
I've seen this before. | 0:21:51 | 0:21:53 | |
Ah, what a memory you have. | 0:21:53 | 0:21:56 | |
It once belonged to the Tate. | 0:21:56 | 0:21:58 | |
And now it's for sale? | 0:21:58 | 0:21:59 | |
Well, all the museums have to get rid of things. | 0:21:59 | 0:22:02 | |
No more state subsidies, | 0:22:02 | 0:22:04 | |
can't expect the German administration | 0:22:04 | 0:22:07 | |
to finance our art museums, can we? | 0:22:07 | 0:22:10 | |
Oh, God, no. | 0:22:10 | 0:22:11 | |
We find it cleaner and more business-like to buy from museums | 0:22:11 | 0:22:16 | |
then re-sell to our clients in our own time. | 0:22:16 | 0:22:19 | |
Well, and more profitable too, I should imagine. | 0:22:20 | 0:22:22 | |
The mind of a policeman. | 0:22:24 | 0:22:25 | |
Something a little more specialist? | 0:22:28 | 0:22:30 | |
Some of our German friends can't get enough of the occult stuff. | 0:22:30 | 0:22:34 | |
We had half a notion that Herr Himmler himself | 0:22:34 | 0:22:37 | |
was going to grace us with his presence this evening. | 0:22:37 | 0:22:39 | |
-Himmler's in London? -So they say. | 0:22:39 | 0:22:42 | |
Well, I hope the Resistance don't hear that. | 0:22:42 | 0:22:44 | |
They'd probably launch a mortar attack. | 0:22:44 | 0:22:46 | |
Garin, good evening. | 0:22:46 | 0:22:47 | |
Of course, you know Bernard Staines from Oxford days. | 0:22:47 | 0:22:51 | |
-Hello. -Bernard. | 0:22:51 | 0:22:52 | |
I was coach of the eight when Douglas got his blue. | 0:22:52 | 0:22:55 | |
Yes, I never see you at the Oxford and Cambridge, Douglas. | 0:22:55 | 0:22:58 | |
Well, these days people like to go to their clubs and let their hair down | 0:22:58 | 0:23:00 | |
without worrying a policeman might be listening. | 0:23:00 | 0:23:03 | |
-If you'll excuse me, gentlemen? -Good, good. | 0:23:03 | 0:23:05 | |
Yes, well, if anyone thinks he can relax anywhere in this town | 0:23:05 | 0:23:09 | |
without a block warden or a policeman listening to him, | 0:23:09 | 0:23:11 | |
he's a fool. | 0:23:11 | 0:23:13 | |
You're right, Bernard. | 0:23:13 | 0:23:14 | |
And don't you forget it. | 0:23:14 | 0:23:16 | |
Things will get better. | 0:23:16 | 0:23:18 | |
But only if we make them better. | 0:23:18 | 0:23:20 | |
And how would we do that? | 0:23:23 | 0:23:24 | |
Do you really want to know? | 0:23:26 | 0:23:27 | |
Yes, I do. | 0:23:28 | 0:23:30 | |
Good. Well, then, maybe we should have a chat later. | 0:23:30 | 0:23:34 | |
There's someone here I'd like you to meet. | 0:23:34 | 0:23:37 | |
Of course. | 0:23:37 | 0:23:38 | |
Splendid. I'll catch you. | 0:23:38 | 0:23:40 | |
Hello, Miss Barga. | 0:24:14 | 0:24:16 | |
What a nice surprise. | 0:24:18 | 0:24:19 | |
You may compliment me on the dress. | 0:24:23 | 0:24:25 | |
It's a Laurenti from Paris, cost me three months' salary. | 0:24:25 | 0:24:29 | |
It left me speechless. | 0:24:31 | 0:24:32 | |
Nice recovery, Superintendent. | 0:24:34 | 0:24:37 | |
Are you buying tonight? | 0:24:37 | 0:24:39 | |
Sadly, I've no more space on my walls. | 0:24:39 | 0:24:41 | |
Though I do like the Turners. | 0:24:42 | 0:24:44 | |
Apparently it's being shipped off to Goering tomorrow. | 0:24:44 | 0:24:46 | |
And he's getting eight or nine decadent surrealist pieces | 0:24:48 | 0:24:50 | |
confiscated from non-Aryan owners. | 0:24:50 | 0:24:52 | |
He plays the game well, does Garin. | 0:24:52 | 0:24:55 | |
Smooth as silk and twice as slippery. | 0:24:57 | 0:24:59 | |
But he sure knows how to throw a party. | 0:25:00 | 0:25:02 | |
Takes me back to my days in high school. | 0:25:03 | 0:25:05 | |
In the Midwest? | 0:25:07 | 0:25:09 | |
Wisconsin. | 0:25:09 | 0:25:10 | |
My boyfriend was on the football team and I was a cheerleader. | 0:25:10 | 0:25:13 | |
Well, I suppose you know how to dance, then. | 0:25:17 | 0:25:20 | |
We could give it a try. | 0:25:20 | 0:25:21 | |
# Never stray | 0:25:30 | 0:25:32 | |
# From my side | 0:25:32 | 0:25:35 | |
# If you love me... # | 0:25:35 | 0:25:38 | |
Say, you're good, Superintendent! | 0:25:41 | 0:25:44 | |
Well, you mustn't believe everything you read | 0:25:45 | 0:25:47 | |
about policeman and their feet. | 0:25:47 | 0:25:48 | |
I used to dance quite a lot at one time. | 0:25:49 | 0:25:51 | |
I heard about your wife, Superintendent. | 0:25:53 | 0:25:56 | |
That's a terrible thing. | 0:25:57 | 0:25:59 | |
And you have a little boy too. | 0:26:00 | 0:26:01 | |
I'm not alone in misfortune. | 0:26:02 | 0:26:04 | |
I like that you still wear the ring. | 0:26:05 | 0:26:07 | |
So you've been making enquiries about me? | 0:26:09 | 0:26:11 | |
It's a part of the job. | 0:26:14 | 0:26:15 | |
Though I should have caught your name | 0:26:15 | 0:26:17 | |
and realised you were Archer of the Yard. | 0:26:17 | 0:26:19 | |
Do you mind not being recognised? | 0:26:28 | 0:26:29 | |
Not being recognised is part of my job. | 0:26:31 | 0:26:33 | |
So what happened to the football player in Wisconsin? | 0:26:36 | 0:26:39 | |
I married him. | 0:26:40 | 0:26:42 | |
Any progress on that murder case? | 0:26:43 | 0:26:45 | |
But what the hell, you didn't ask me to dance | 0:26:46 | 0:26:48 | |
to talk about murder cases, did you? | 0:26:48 | 0:26:49 | |
Well, I... | 0:26:49 | 0:26:50 | |
I'm going to be very offended if you say yes to that one, mister. | 0:26:50 | 0:26:54 | |
Are you still married? | 0:26:58 | 0:27:00 | |
Now, that's more like it. | 0:27:01 | 0:27:03 | |
I love this song, you know that? | 0:27:08 | 0:27:09 | |
-SHE SINGS QUIETLY: -# Never stray from my side | 0:27:16 | 0:27:19 | |
# If you love me | 0:27:19 | 0:27:21 | |
# Do not hasten to bid me adieu. # | 0:27:24 | 0:27:29 | |
Don't go home without me, will you? | 0:27:37 | 0:27:39 | |
Excuse me. | 0:28:09 | 0:28:10 | |
Thank you for tearing yourself away from Miss Barga. | 0:28:20 | 0:28:23 | |
You know her? | 0:28:23 | 0:28:25 | |
Yeah, I've spent a bit of time in Washington and, er... | 0:28:25 | 0:28:27 | |
she's a popular girl. | 0:28:27 | 0:28:29 | |
And you seem popular with her. | 0:28:31 | 0:28:32 | |
Married woman. | 0:28:34 | 0:28:35 | |
Divorcee. | 0:28:36 | 0:28:38 | |
Hello, Archer. Good to see you. | 0:28:49 | 0:28:52 | |
Colonel Mayhew. | 0:28:55 | 0:28:56 | |
How's your friend Harry Woods? | 0:28:56 | 0:28:58 | |
Useful prop, back when I used to play. | 0:28:58 | 0:29:00 | |
Grumpy. He's finding it difficult. | 0:29:00 | 0:29:02 | |
Difficult for us all. | 0:29:02 | 0:29:04 | |
I wonder, have the family factories been taken by the Germans? | 0:29:07 | 0:29:11 | |
Just a question of time, my boy. | 0:29:11 | 0:29:14 | |
A question of time. | 0:29:14 | 0:29:15 | |
It's bridge. Penny a point. | 0:29:22 | 0:29:24 | |
Never thought I'd see the day | 0:29:24 | 0:29:26 | |
when I'd have to start an evening like this with a pack of used cards. | 0:29:26 | 0:29:29 | |
Archer. | 0:29:31 | 0:29:32 | |
We met at a counterintelligence briefing before the war. | 0:29:32 | 0:29:35 | |
Mayhew here reminded me. | 0:29:35 | 0:29:37 | |
There's no man I'd rather have with us this evening. | 0:29:38 | 0:29:41 | |
Thank you, Sir Robert. | 0:29:42 | 0:29:44 | |
But I'm afraid bridge isn't my strong suit. | 0:29:44 | 0:29:46 | |
Whist, then. | 0:29:46 | 0:29:48 | |
Wonderful. | 0:29:49 | 0:29:50 | |
Haven't played whist since the trenches. | 0:29:50 | 0:29:53 | |
Thank you. | 0:29:53 | 0:29:54 | |
I have the character flaw of only enjoying cards if it's for money. | 0:29:54 | 0:29:58 | |
Awkward, as Cabinet Secretary, if it came out - hence the secrecy. | 0:29:58 | 0:30:01 | |
Well, our host seems to be nicely in with the Germans. | 0:30:17 | 0:30:20 | |
It may be that Mr Garin's closeness with the Germans | 0:30:20 | 0:30:24 | |
isn't entirely selfish. | 0:30:24 | 0:30:27 | |
I had wondered. | 0:30:27 | 0:30:28 | |
In light of present company. | 0:30:30 | 0:30:32 | |
At least with a pack of cards, you can understand the rankings. | 0:30:32 | 0:30:36 | |
With the Germans I find it quite mystifying. | 0:30:36 | 0:30:38 | |
SS, SD... | 0:30:38 | 0:30:40 | |
Gestapo, Wehrmacht. | 0:30:40 | 0:30:41 | |
You're probably the best-placed Briton in the country | 0:30:41 | 0:30:43 | |
to have any understanding of this, Archer. | 0:30:43 | 0:30:45 | |
What a thing to be. | 0:30:45 | 0:30:46 | |
I'm guessing that the SS are trumps. Would you agree? | 0:30:46 | 0:30:49 | |
Not exactly. | 0:30:51 | 0:30:53 | |
Yes, they can only be tried in their own court, | 0:30:53 | 0:30:55 | |
but the same is true of the German armed forces. | 0:30:55 | 0:30:58 | |
The SS can't touch them. | 0:30:58 | 0:30:59 | |
Come along, we're playing cards. | 0:30:59 | 0:31:01 | |
I'm glad that you confirm that. | 0:31:03 | 0:31:05 | |
Some of the army chaps have been most helpful to us. | 0:31:05 | 0:31:09 | |
With the Gestapo on their tail, they might have to be more circumspect. | 0:31:09 | 0:31:13 | |
Some of the army are anti-Hitler? | 0:31:16 | 0:31:18 | |
Prussians aristocrats, mostly. | 0:31:18 | 0:31:20 | |
Old-school. | 0:31:20 | 0:31:22 | |
Can't abide the SS and their bully-boy ways. | 0:31:22 | 0:31:25 | |
And, erm, what about these fellows with honorary SS ranks? | 0:31:25 | 0:31:29 | |
Well, Himmler uses those to muzzle and bribe his opponents. | 0:31:29 | 0:31:33 | |
Some of those men are his most bitter enemies. | 0:31:33 | 0:31:36 | |
God, I've made a trick. | 0:31:40 | 0:31:41 | |
So the SS is divided within itself and at war with the German Army? | 0:31:41 | 0:31:46 | |
And yet they managed to beat us. | 0:31:47 | 0:31:49 | |
What about this fellow countryman of ours, Rear Admiral Connolly? | 0:31:52 | 0:31:56 | |
Well, he's a cool customer. | 0:31:58 | 0:32:00 | |
To walk off an aircraft carrier in Nova Scotia | 0:32:02 | 0:32:04 | |
and declare yourself the leader of Free Britain... | 0:32:04 | 0:32:07 | |
..and yet he's only a Commander on the Naval List. | 0:32:08 | 0:32:11 | |
And the rest are ours, I think. | 0:32:14 | 0:32:17 | |
Oh. | 0:32:17 | 0:32:18 | |
Mm. | 0:32:20 | 0:32:21 | |
Thank you. | 0:32:26 | 0:32:29 | |
Remember that French Army officer, de Gaulle? | 0:32:29 | 0:32:32 | |
He escaped to England when France fell. | 0:32:32 | 0:32:33 | |
He did more or less the same thing, as I remember - | 0:32:33 | 0:32:36 | |
promoted himself to General | 0:32:36 | 0:32:37 | |
and declared himself the voice of France. | 0:32:37 | 0:32:39 | |
But it never really came to anything. | 0:32:41 | 0:32:43 | |
This is different. | 0:32:43 | 0:32:44 | |
Connolly was acting on the instructions of the War Cabinet. | 0:32:44 | 0:32:47 | |
It was Winston's idea, | 0:32:47 | 0:32:50 | |
when he himself refused to go on one of the flying boats | 0:32:50 | 0:32:53 | |
that left for Iceland at the very end. | 0:32:53 | 0:32:55 | |
So I heard. | 0:32:55 | 0:32:57 | |
But no-one on this side of the Atlantic | 0:32:58 | 0:33:00 | |
really knows anything about it. | 0:33:00 | 0:33:02 | |
That's less important than shoring Connolly up for now. | 0:33:02 | 0:33:05 | |
His position in Washington is tenuous. | 0:33:05 | 0:33:07 | |
It's dicey. The Germans might take over our Embassy, | 0:33:07 | 0:33:11 | |
and that would be a bad blow for Connolly's prestige over there. | 0:33:11 | 0:33:14 | |
So you're in touch with him? | 0:33:16 | 0:33:18 | |
Have you heard the rumours that the King is unwell? | 0:33:22 | 0:33:25 | |
Some people are saying he's been moved | 0:33:27 | 0:33:29 | |
from the Tower of London to St George's. | 0:33:29 | 0:33:31 | |
Well, I know there's an SS Special Security Battalion | 0:33:35 | 0:33:38 | |
that's been quartered beside it at Hyde Park Corner. | 0:33:38 | 0:33:41 | |
It's quite a force. | 0:33:42 | 0:33:44 | |
You can't be thinking of trying to free him? | 0:33:57 | 0:33:59 | |
Of course not. | 0:34:07 | 0:34:08 | |
Why was I invited here this evening? | 0:34:10 | 0:34:12 | |
Is there some connection with the Shepherd Market murder? | 0:34:14 | 0:34:16 | |
Let's just stay on track, shall we? | 0:34:16 | 0:34:19 | |
We need nothing of you. | 0:34:19 | 0:34:21 | |
Except loyalty to your country. | 0:34:21 | 0:34:23 | |
We're at the knife's edge. | 0:34:24 | 0:34:26 | |
What about this fellow Huth? | 0:34:29 | 0:34:31 | |
Could he be of value to us? | 0:34:31 | 0:34:33 | |
In what venture? | 0:34:33 | 0:34:34 | |
There's bad blood between him and General Kellermann, | 0:34:36 | 0:34:39 | |
they loathe each other, but how can that help you? | 0:34:39 | 0:34:41 | |
We just want to open channels, | 0:34:41 | 0:34:43 | |
as we have with the German Army. | 0:34:43 | 0:34:45 | |
That's what he wants. | 0:34:48 | 0:34:49 | |
Though it could easily be a trap. | 0:34:50 | 0:34:53 | |
He wanted me to be "open to offers". | 0:34:53 | 0:34:55 | |
Well, do you trust him? | 0:35:01 | 0:35:03 | |
Could he be... | 0:35:04 | 0:35:05 | |
..useful to us? | 0:35:06 | 0:35:07 | |
Well, I don't know him. | 0:35:09 | 0:35:10 | |
He's clever, but unpredictable. | 0:35:10 | 0:35:12 | |
And Kellermann? | 0:35:12 | 0:35:14 | |
Predictable and not so clever? | 0:35:14 | 0:35:16 | |
I think that's the way he'd like to be seen. | 0:35:17 | 0:35:19 | |
Harry Woods calls them Laurel and Hardy. | 0:35:21 | 0:35:24 | |
God, and we're occupied by them. | 0:35:24 | 0:35:26 | |
I'll be the go-between. | 0:35:31 | 0:35:33 | |
Tell me what I have to do. | 0:35:34 | 0:35:35 | |
Now, wait a minute. Bernard... | 0:35:36 | 0:35:37 | |
Let's... | 0:35:39 | 0:35:40 | |
I need to get to know him better. | 0:35:41 | 0:35:44 | |
This is a massive risk to take. | 0:35:44 | 0:35:45 | |
Well, we... | 0:35:47 | 0:35:48 | |
We all of us have to take risks, Douglas. | 0:35:48 | 0:35:51 | |
We've taken one by telling you as much as we have. | 0:35:51 | 0:35:53 | |
You have nothing to fear. | 0:36:04 | 0:36:05 | |
I think that's enough for tonight. | 0:36:11 | 0:36:13 | |
I have to get going. | 0:36:13 | 0:36:14 | |
Ah, just a moment. | 0:36:14 | 0:36:16 | |
These gentlemen owe us money. | 0:36:17 | 0:36:19 | |
Cough up, Staines. | 0:36:20 | 0:36:21 | |
Thank you, Sir Robert. | 0:36:25 | 0:36:26 | |
Thank you. | 0:36:27 | 0:36:29 | |
SHE SIGHS | 0:36:42 | 0:36:44 | |
All those terrible people there tonight. | 0:36:44 | 0:36:46 | |
I've seen the same sort of greedy-eyed politicians | 0:36:48 | 0:36:50 | |
from Chaco to Addis Ababa. | 0:36:50 | 0:36:52 | |
Brown shirts, red shirts, black shirts... | 0:36:53 | 0:36:55 | |
They're all after the same thing. | 0:36:55 | 0:36:57 | |
Coloured shirts? SHE LAUGHS | 0:36:57 | 0:37:00 | |
That...and grabbing as much of the world as possible. | 0:37:00 | 0:37:03 | |
Sounds like you've been in a lot of wars. | 0:37:05 | 0:37:07 | |
I was 18 when my paper sent me down to Paraguay | 0:37:10 | 0:37:13 | |
to cover the fighting in Chaco. | 0:37:13 | 0:37:16 | |
Since then, I've filed stories from China, Ethiopia, Spain. | 0:37:16 | 0:37:22 | |
And last year, I was in Abbeville | 0:37:22 | 0:37:24 | |
when the German Panzer Divisions arrived. | 0:37:24 | 0:37:26 | |
-It's a strange job for a woman. -Oh! | 0:37:28 | 0:37:30 | |
Don't be such an English stuffed shirt! | 0:37:30 | 0:37:32 | |
So you were 18 when you saw your first war? | 0:37:40 | 0:37:42 | |
What did your father say? | 0:37:45 | 0:37:46 | |
He owned the newspaper. | 0:37:48 | 0:37:50 | |
Ah. | 0:37:50 | 0:37:51 | |
And you... | 0:37:56 | 0:37:59 | |
You went into the police force? | 0:37:59 | 0:38:01 | |
Is this off the record? | 0:38:01 | 0:38:03 | |
You can trust me. | 0:38:04 | 0:38:05 | |
I wanted to set the world to rights. | 0:38:11 | 0:38:13 | |
Hold the front page(!) | 0:38:14 | 0:38:16 | |
I know. | 0:38:16 | 0:38:17 | |
This isn't the way to The Dorchester. | 0:38:24 | 0:38:27 | |
Who said I was still there? | 0:38:27 | 0:38:29 | |
I'm renting now. | 0:38:29 | 0:38:31 | |
My lady. | 0:38:48 | 0:38:49 | |
I'd ask you in for a drink, | 0:38:51 | 0:38:52 | |
but they need the cars back for the other guests. | 0:38:52 | 0:38:55 | |
That's all right. | 0:38:55 | 0:38:57 | |
I can phone the Yard for a car. | 0:38:57 | 0:38:59 | |
Your own car. You must be important. | 0:38:59 | 0:39:01 | |
That's what people keep telling me. | 0:39:01 | 0:39:03 | |
You know they've had 14 break-ins along here | 0:39:10 | 0:39:12 | |
in the last three months. | 0:39:12 | 0:39:14 | |
Well, I can stand by the window if you like. | 0:39:14 | 0:39:16 | |
Well, this looks like a suite at the Dorchester. | 0:39:17 | 0:39:20 | |
But a lot more private. | 0:39:20 | 0:39:22 | |
Only problem is it's cold. | 0:39:22 | 0:39:24 | |
LIGHTER CLICKING | 0:39:30 | 0:39:32 | |
Let me. | 0:39:35 | 0:39:36 | |
Coffee, Superintendent? | 0:39:44 | 0:39:45 | |
Douglas, please. | 0:39:45 | 0:39:47 | |
People are calling me Douglas now. | 0:39:47 | 0:39:50 | |
It's all part of the new mood of informality | 0:39:50 | 0:39:52 | |
that the newspapers say that war brought. | 0:39:52 | 0:39:55 | |
Douglas, eh? | 0:39:56 | 0:39:57 | |
I think I like that better than Superintendent. | 0:39:58 | 0:40:01 | |
So would you? | 0:40:02 | 0:40:04 | |
Would I what? | 0:40:04 | 0:40:06 | |
Like coffee? | 0:40:06 | 0:40:08 | |
I have real grinds. They're hard to come by. | 0:40:10 | 0:40:12 | |
How real is your brandy? | 0:40:14 | 0:40:16 | |
Plenty real. Bring it over. | 0:40:16 | 0:40:18 | |
Winter in this town is going to kill me | 0:40:44 | 0:40:47 | |
if I don't find some way of keeping warm. | 0:40:47 | 0:40:50 | |
Maybe there I can help? | 0:40:50 | 0:40:51 | |
-Cheers. -Cheers. | 0:41:02 | 0:41:04 | |
See how freezing I am? | 0:41:16 | 0:41:18 | |
Maybe you're cold blooded. | 0:41:20 | 0:41:23 | |
I must be. | 0:41:23 | 0:41:24 | |
Well, that's cosy. | 0:41:39 | 0:41:41 | |
Don't tear anything. | 0:42:02 | 0:42:04 | |
I might not get another Paris gown as long as I live. | 0:42:06 | 0:42:09 | |
You're not going? | 0:42:40 | 0:42:42 | |
-I must. -To go home? | 0:42:46 | 0:42:49 | |
Well, it's a bit early for the office. | 0:42:50 | 0:42:52 | |
Don't be irritable. | 0:42:53 | 0:42:56 | |
I'm just trying to discover if there's someone else. | 0:42:56 | 0:43:00 | |
Not that I know of. | 0:43:00 | 0:43:01 | |
I have to get back for my son. | 0:43:04 | 0:43:06 | |
(Kiss me.) | 0:43:13 | 0:43:15 | |
Those people you spoke with tonight... | 0:43:38 | 0:43:40 | |
Sir Robert Benson, Colonel Mayhew and Staines. | 0:43:40 | 0:43:44 | |
Don't tell them "no." | 0:43:44 | 0:43:45 | |
Tell them "yes." | 0:43:47 | 0:43:48 | |
Tell them "next week," | 0:43:48 | 0:43:50 | |
or tell them "maybe." | 0:43:50 | 0:43:52 | |
But don't tell them "no." | 0:43:52 | 0:43:54 | |
-Was it them who told you to go along to the antiques shop that day? -No. | 0:43:57 | 0:44:01 | |
Then what were you doing there... | 0:44:01 | 0:44:03 | |
-..asking about a roll of film? -Lay off, will you, Doug? | 0:44:05 | 0:44:08 | |
Any other advice for me? | 0:44:13 | 0:44:15 | |
Just that a friend, a guy who covers the White House, | 0:44:18 | 0:44:21 | |
says that Bernard Staines met with Roosevelt | 0:44:21 | 0:44:24 | |
three times in the last month. | 0:44:24 | 0:44:26 | |
One of those meetings took place on the Presidential yacht | 0:44:26 | 0:44:29 | |
and lasted nearly two hours. | 0:44:29 | 0:44:31 | |
These guys are into something big, Douglas. | 0:44:31 | 0:44:34 | |
I'm telling you, don't go back there and say "no deal." | 0:44:34 | 0:44:37 | |
What if I did? | 0:44:38 | 0:44:39 | |
Then they'd kill you. | 0:44:41 | 0:44:43 | |
You know too much now to be allowed to stay uncommitted. | 0:44:43 | 0:44:46 | |
Like I said, | 0:44:49 | 0:44:51 | |
I've seen a thousand guys like this all over the world. | 0:44:51 | 0:44:55 | |
If it came to choosing between your life | 0:44:55 | 0:44:57 | |
and a chance to get US government recognition of the Connolly set-up, | 0:44:57 | 0:45:01 | |
do you think they would hesitate for one moment? | 0:45:01 | 0:45:04 | |
Can I use your phone? | 0:45:12 | 0:45:15 | |
CID duty officer. | 0:45:26 | 0:45:28 | |
-HUTH: -You fool, Archer! | 0:45:31 | 0:45:32 | |
Why do you think we authorise a car service for these big parties? | 0:45:32 | 0:45:35 | |
So we know where everyone goes. | 0:45:35 | 0:45:38 | |
Are you still with the girl? | 0:45:38 | 0:45:39 | |
Yes, sir. | 0:45:42 | 0:45:43 | |
Stay there. I'm sending someone to bring you to me. | 0:45:43 | 0:45:46 | |
AEROPLANES OVERHEAD | 0:46:17 | 0:46:19 | |
Herr Archer. | 0:46:26 | 0:46:28 | |
FOOTSTEPS | 0:48:26 | 0:48:28 | |
If you are as clever as I am told... | 0:48:42 | 0:48:44 | |
..you will have deduced how important this case is to us. | 0:48:45 | 0:48:49 | |
And why would that be? | 0:48:51 | 0:48:52 | |
Spode was an atomic physicist. | 0:48:58 | 0:49:00 | |
It looks like the Resistance killed him | 0:49:01 | 0:49:03 | |
because he was continuing his work under the Germans. | 0:49:03 | 0:49:06 | |
But not under the SS. | 0:49:06 | 0:49:07 | |
Or Dr Huth wouldn't need to bring in his own expert | 0:49:08 | 0:49:10 | |
-to determine what caused those burns on his corneas. -Hmm. | 0:49:10 | 0:49:13 | |
Go on. | 0:49:15 | 0:49:17 | |
Well... | 0:49:18 | 0:49:19 | |
Given the rivalry between the SS and the Army, | 0:49:20 | 0:49:23 | |
the Army being in control of a secret atomic programme | 0:49:23 | 0:49:26 | |
puts them in front, doesn't it? | 0:49:26 | 0:49:28 | |
Only if an atom bomb really is within their grasp. | 0:49:29 | 0:49:33 | |
It would have the ability to wipe out perhaps even an entire city. | 0:49:36 | 0:49:41 | |
That is why it is imperative | 0:49:42 | 0:49:45 | |
that we find the brother alive. | 0:49:45 | 0:49:47 | |
Schlussene. | 0:50:18 | 0:50:20 | |
The final act. | 0:50:20 | 0:50:21 | |
Your operation to take control of the atomic bomb. | 0:50:22 | 0:50:26 | |
Precisely. Then the Reich will be truly invincible. | 0:50:26 | 0:50:29 | |
I was under the impression you thought you already were. | 0:50:30 | 0:50:33 | |
HE CHUCKLES | 0:50:33 | 0:50:34 | |
There's always room for improvement, Archer. | 0:50:35 | 0:50:39 | |
With Germany holding the super-bomb, it will be an end to all war - | 0:50:40 | 0:50:45 | |
the final phase of our ascendency, prosperity and order. | 0:50:45 | 0:50:48 | |
We'll bring our industries here. | 0:50:50 | 0:50:52 | |
Bosch. Siemens. | 0:50:52 | 0:50:54 | |
Your people will be fully employed. | 0:50:55 | 0:50:58 | |
This country will be transformed. | 0:50:58 | 0:51:01 | |
Into what? | 0:51:01 | 0:51:02 | |
There's a standing instruction, Superintendent. | 0:51:05 | 0:51:08 | |
All senior police officers provide a contact address, | 0:51:08 | 0:51:11 | |
or phone number, day and night. | 0:51:11 | 0:51:14 | |
Yes. | 0:51:17 | 0:51:19 | |
Come on. I'm going to give you a lesson you will never forget. | 0:51:20 | 0:51:22 | |
Just wait. You will see what your friends are like. | 0:51:31 | 0:51:34 | |
This is the area where I used to live. | 0:51:55 | 0:51:57 | |
Why are you bringing me here? | 0:51:59 | 0:52:00 | |
What's going on? | 0:52:12 | 0:52:14 | |
This was my home. | 0:52:14 | 0:52:16 | |
GENERATOR STARTING | 0:52:46 | 0:52:49 | |
Jimmy! | 0:52:56 | 0:52:58 | |
"I was an English hunting dog, working for the German huntsmen." | 0:53:09 | 0:53:13 | |
The gallant British patriots. | 0:53:13 | 0:53:16 | |
Are you proud of them? | 0:53:16 | 0:53:17 | |
Don't turn your back, man. This is your doing! | 0:53:18 | 0:53:21 | |
HE LAUGHS | 0:53:35 | 0:53:37 | |
So at last a flicker of emotion. | 0:53:49 | 0:53:52 | |
I thought I would never see it. | 0:53:52 | 0:53:54 | |
Jimmy was just doing his job. | 0:53:57 | 0:53:59 | |
The gallant patriots of the Resistance murder him. | 0:53:59 | 0:54:02 | |
And you punch me. | 0:54:02 | 0:54:03 | |
My wife died here! | 0:54:04 | 0:54:06 | |
They were the ones who chose to put the body here. | 0:54:06 | 0:54:09 | |
-When did they find him? -22:47 hours. | 0:54:16 | 0:54:20 | |
Foot patrols on the clock, every two hours. | 0:54:20 | 0:54:23 | |
Not exactly making things difficult for The Partisans. | 0:54:23 | 0:54:26 | |
This is an announcement that they intend to kill you | 0:54:26 | 0:54:29 | |
unless you do as they say. You realise that, don't you? | 0:54:29 | 0:54:32 | |
No feelers yet? | 0:54:47 | 0:54:48 | |
Nobody asked you any subtle questions | 0:54:50 | 0:54:52 | |
about how you like working for the Huns? | 0:54:52 | 0:54:55 | |
No. | 0:54:55 | 0:54:56 | |
Curious. | 0:54:56 | 0:54:58 | |
Since your reputation has grown | 0:54:58 | 0:55:00 | |
I would have expected some whining and sniffing around you by now. | 0:55:00 | 0:55:03 | |
Yeah, well I'll go home and wait for a carrier pigeon! | 0:55:03 | 0:55:07 | |
Save your humour for Harry Woods. | 0:55:07 | 0:55:09 | |
Sergeants have to laugh at their superiors' jokes. | 0:55:09 | 0:55:12 | |
What about Barbara Barga, the American journalist? | 0:55:14 | 0:55:17 | |
She just wanted a story. | 0:55:24 | 0:55:25 | |
Everybody wants something, it seems. | 0:55:29 | 0:55:32 | |
These are dangerous people. | 0:55:33 | 0:55:34 | |
Don't try and play both ends against the middle. | 0:55:34 | 0:55:37 | |
Just remember, the axe never mourns the tree it fells. | 0:55:39 | 0:55:43 | |
Are you all right, Mr Archer? | 0:56:23 | 0:56:25 | |
Go to bed. | 0:56:26 | 0:56:28 | |
Is it your wife you're thinking of? | 0:56:39 | 0:56:41 | |
-I know how you must feel. -How can you possibly know... | 0:56:43 | 0:56:46 | |
..how I must feel? | 0:56:47 | 0:56:49 | |
-I'm sorry, I... -Leave me in peace. | 0:56:51 | 0:56:53 | |
Please. | 0:56:54 | 0:56:55 | |
Yeah. | 0:56:56 | 0:56:58 | |
HE SOBS | 0:57:15 | 0:57:17 | |
Jimmy was our last boy left. | 0:57:29 | 0:57:31 | |
-Whoever did this... -No, it was you, Doug. | 0:57:31 | 0:57:34 | |
You did this. | 0:57:34 | 0:57:35 | |
These people will turn on anyone they start to doubt. | 0:57:35 | 0:57:39 | |
Let him go! | 0:57:39 | 0:57:40 | |
What the hell are you doing here with German Army Intelligence? | 0:57:43 | 0:57:46 | |
I'm hoping to make an arrest, Captain. | 0:57:48 | 0:57:51 | |
Listen to me! Listen to me! We don't have much time. | 0:57:53 | 0:57:56 | |
I'm not a spy, Douglas. | 0:57:56 | 0:57:57 | |
I hear people lie to me all the time. | 0:57:57 | 0:57:59 |