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This programme contains some scenes | 0:00:02 | 0:00:03 | |
which some viewers may find upsetting. | 0:00:03 | 0:00:05 | |
He may be Resistance, so draw a pistol, | 0:00:05 | 0:00:07 | |
and keep your wits about you. | 0:00:07 | 0:00:08 | |
He doesn't have the experience to handle a case like this. | 0:00:08 | 0:00:11 | |
It is too dangerous for him. | 0:00:11 | 0:00:13 | |
Why was I invited here this evening? | 0:00:16 | 0:00:18 | |
We need nothing of you, except loyalty to your country. | 0:00:18 | 0:00:21 | |
Have you heard the rumours that the King is unwell? | 0:00:21 | 0:00:23 | |
You can't be thinking of trying to free him? | 0:00:23 | 0:00:26 | |
I'm telling you, don't go back there and say, "No deal." | 0:00:26 | 0:00:29 | |
What if I did? | 0:00:29 | 0:00:30 | |
Then they'd kill you. | 0:00:30 | 0:00:31 | |
Gallant British patriots. | 0:00:31 | 0:00:33 | |
-Are you proud of them? -Jimmy! | 0:00:33 | 0:00:35 | |
This is your doing. | 0:00:35 | 0:00:36 | |
HE BREATHES HEAVILY | 0:00:37 | 0:00:39 | |
BAND PLAYS SOMBRE MUSIC | 0:00:55 | 0:00:58 | |
-Archer! -General Kellermann. | 0:01:00 | 0:01:02 | |
Ah - Molotov, Von Ribbentrop and Goebbels. What a trio. | 0:01:06 | 0:01:11 | |
Putting all your eggs in the basket, yes? | 0:01:11 | 0:01:13 | |
But after the Mall incident, | 0:01:15 | 0:01:17 | |
I am sure the Army will be keeping a tighter watch. | 0:01:17 | 0:01:21 | |
MEN CHANT: "SIEG HEIL!" | 0:01:21 | 0:01:23 | |
Hauptsturmfuehrer Schroder. | 0:01:25 | 0:01:26 | |
Ich finde es ganz wunderbar, | 0:01:29 | 0:01:30 | |
dass Sie jetzt die Reichsleitung der NSDAP hier vertreten. | 0:01:30 | 0:01:33 | |
Ich habe Ihre Rede gehoert, anfang des Monats. | 0:01:33 | 0:01:36 | |
Ausgezeichnet. Klar und... | 0:01:38 | 0:01:39 | |
..visionaer. | 0:01:40 | 0:01:42 | |
Weiter so. | 0:01:42 | 0:01:43 | |
Do you think Marx's corpse will prefer the mausoleum in Moscow? | 0:03:56 | 0:04:00 | |
The Russians think so. | 0:04:00 | 0:04:01 | |
Isn't that what's important? | 0:04:01 | 0:04:03 | |
Take a seat. | 0:04:05 | 0:04:06 | |
Thank you, sir. | 0:04:06 | 0:04:07 | |
Are you an angler, Superintendent? | 0:04:09 | 0:04:12 | |
No, sir. | 0:04:13 | 0:04:15 | |
Pity. | 0:04:15 | 0:04:16 | |
I caught that fellow, Superintendent. | 0:04:18 | 0:04:21 | |
Really, sir? | 0:04:21 | 0:04:22 | |
Standartenfuehrer Huth, on the other hand, is a ski champion. | 0:04:27 | 0:04:31 | |
He went to Garmisch for the 1936 Olympics. | 0:04:31 | 0:04:34 | |
For the combined downhill and slalom event. | 0:04:36 | 0:04:38 | |
He won no medals. | 0:04:41 | 0:04:42 | |
But it is a distinction to compete, hmm? | 0:04:43 | 0:04:46 | |
Of course, sir. | 0:04:46 | 0:04:47 | |
The sport a man chooses tells you a lot about his personality. | 0:04:47 | 0:04:51 | |
Standartenfuehrer Huth is always in a hurry. | 0:04:51 | 0:04:54 | |
HE TUTS | 0:04:54 | 0:04:56 | |
I am never in a hurry. | 0:04:56 | 0:04:57 | |
Do you understand, Superintendent? | 0:04:58 | 0:05:01 | |
It takes patience... | 0:05:07 | 0:05:09 | |
..to make a lure that works... | 0:05:10 | 0:05:12 | |
..that the fish will swallow without even knowing it. | 0:05:13 | 0:05:17 | |
Are you sure you won't have cream? | 0:05:19 | 0:05:21 | |
The Reichsfuehrer-SS, Heinrich Himmler, | 0:05:28 | 0:05:30 | |
was asking me about developments on this murder you're working on, | 0:05:30 | 0:05:33 | |
the one in Shepherd Market. | 0:05:33 | 0:05:35 | |
Developments? | 0:05:36 | 0:05:38 | |
Yes, sir. | 0:05:38 | 0:05:39 | |
The death of a good policeman. | 0:05:40 | 0:05:42 | |
Investigating what? | 0:05:42 | 0:05:44 | |
A photograph of a Professor Frick and his colleagues | 0:05:44 | 0:05:47 | |
was found in the suspect's house. | 0:05:47 | 0:05:49 | |
Well... | 0:05:51 | 0:05:53 | |
what do you think this all means? Who is this Professor Frick? | 0:05:53 | 0:05:57 | |
An atomic expert. | 0:05:57 | 0:05:59 | |
Like Dr Spode was. | 0:05:59 | 0:06:00 | |
So this explains Standartenfuehrer Huth's arrival, do you think - | 0:06:03 | 0:06:05 | |
the atomic business? | 0:06:05 | 0:06:07 | |
I suspect so, yes. | 0:06:08 | 0:06:09 | |
I'd like to be kept up-to-date on all this, Superintendent. | 0:06:12 | 0:06:16 | |
You are doing a fine job assisting Herr Dr Huth, | 0:06:16 | 0:06:19 | |
but please don't exclude the leader of your police force, hmm? | 0:06:19 | 0:06:24 | |
Good fellow. | 0:06:24 | 0:06:25 | |
-Here he is. -Yeah. | 0:06:35 | 0:06:37 | |
Go on, then - say it. | 0:07:04 | 0:07:05 | |
I went over. | 0:07:06 | 0:07:08 | |
Told his mother. | 0:07:08 | 0:07:09 | |
Jimmy was her last boy left. | 0:07:12 | 0:07:13 | |
-Whoever did this... -No, it's you, Doug. | 0:07:17 | 0:07:20 | |
You did this. | 0:07:20 | 0:07:22 | |
Right. | 0:07:22 | 0:07:23 | |
Cos I should have stuck with you. | 0:07:26 | 0:07:28 | |
They'd have left you alone. | 0:07:28 | 0:07:30 | |
Cos you're one of them. | 0:07:32 | 0:07:33 | |
Get me the fingerprinting kit. | 0:07:37 | 0:07:39 | |
Even I know it takes all sorts to make up the Resistance, Harry. | 0:07:43 | 0:07:46 | |
There are those that put sugar in German petrol tanks, | 0:07:46 | 0:07:49 | |
and those that scrawl anti-Nazi slogans on walls. Fine. | 0:07:49 | 0:07:53 | |
But then there are those that are willing to kill boys like Jimmy, | 0:07:53 | 0:07:56 | |
just to get a point across to their own bloody people. | 0:07:56 | 0:08:00 | |
Can you not understand people's anger? Hmm? They feel helpless. | 0:08:00 | 0:08:04 | |
They see us working with the Germans and they lash out, | 0:08:04 | 0:08:07 | |
and can you really blame them? | 0:08:07 | 0:08:08 | |
Yes, I bloody can! | 0:08:08 | 0:08:09 | |
Then you're a fool. | 0:08:11 | 0:08:13 | |
And you're out of touch, and that will ruin you as a copper. | 0:08:13 | 0:08:16 | |
For Christ's sakes, Harry. | 0:08:19 | 0:08:20 | |
What they did is no better than the bloody Nazis. | 0:08:21 | 0:08:24 | |
So what do you believe in, Dougie? Huh? | 0:08:31 | 0:08:33 | |
Justice. | 0:08:33 | 0:08:34 | |
Was this justice for Jimmy? | 0:08:36 | 0:08:38 | |
I don't know these people. | 0:08:38 | 0:08:40 | |
Well, they're bloody animals. | 0:08:42 | 0:08:44 | |
Who DO you know? | 0:08:49 | 0:08:50 | |
It's too dangerous for you, too, isn't it? | 0:08:57 | 0:08:59 | |
Maybe it's time to quit. | 0:09:00 | 0:09:02 | |
I'd understand. | 0:09:03 | 0:09:04 | |
Not on your life. | 0:09:04 | 0:09:05 | |
There are no prints on this. | 0:09:08 | 0:09:09 | |
They've wiped it clean. | 0:09:11 | 0:09:12 | |
So much for the heat of anger. | 0:09:13 | 0:09:15 | |
Like I said... | 0:09:15 | 0:09:16 | |
..I do not know these people. | 0:09:17 | 0:09:19 | |
Well, that's a shame. | 0:09:21 | 0:09:22 | |
Cos I'd like to think... | 0:09:25 | 0:09:26 | |
..you'd have helped me try and get them. | 0:09:28 | 0:09:30 | |
There's nothing I can do. | 0:09:35 | 0:09:36 | |
These people will turn on anyone they start to doubt. | 0:09:40 | 0:09:43 | |
Yeah, well, don't you worry about me. | 0:09:43 | 0:09:45 | |
-Like I said... -I'm not worried about you. | 0:09:45 | 0:09:47 | |
You know where she is. | 0:09:51 | 0:09:53 | |
Tell Sylvia she should get out. | 0:09:59 | 0:10:01 | |
Join that cousin of yours in the unoccupied zone. | 0:10:02 | 0:10:06 | |
She won't listen to me. | 0:10:06 | 0:10:07 | |
Let me try and persuade her. | 0:10:14 | 0:10:15 | |
Where is she? | 0:10:18 | 0:10:19 | |
You won't like it. | 0:10:21 | 0:10:22 | |
KNOCK AT DOOR | 0:10:34 | 0:10:35 | |
Hello? | 0:10:49 | 0:10:51 | |
It's all right. | 0:10:59 | 0:11:00 | |
I'm alone. | 0:11:00 | 0:11:01 | |
What do you want? | 0:11:03 | 0:11:04 | |
Help. | 0:11:06 | 0:11:07 | |
Not going to kick me out, then? | 0:11:10 | 0:11:11 | |
I don't see any harm in you being here. | 0:11:11 | 0:11:14 | |
It's not a crime scene any more. | 0:11:14 | 0:11:16 | |
I was the one who helped you get away, remember? | 0:11:17 | 0:11:20 | |
Who killed Jimmy Dunn? | 0:11:23 | 0:11:25 | |
-I don't know anything. -You know too much. | 0:11:25 | 0:11:27 | |
And if the Germans catch you, they'll make sure they know it, too. | 0:11:27 | 0:11:30 | |
Hmm. | 0:11:31 | 0:11:32 | |
And take great pleasure in it, I'm sure. | 0:11:32 | 0:11:35 | |
Don't stay here, Sylvia. | 0:11:46 | 0:11:47 | |
Leave the controlled zone - go to the Lakes. | 0:11:47 | 0:11:50 | |
You sound like Harry. | 0:11:50 | 0:11:52 | |
He's worried about you. | 0:11:52 | 0:11:54 | |
And these people you think are your friends... | 0:11:56 | 0:11:58 | |
Shut up about it, OK? | 0:11:58 | 0:11:59 | |
If you were going to visit... | 0:12:03 | 0:12:05 | |
..you could have brought some food. | 0:12:06 | 0:12:07 | |
Goodbye, Sylvia. | 0:12:13 | 0:12:14 | |
No! No! | 0:12:57 | 0:12:59 | |
Let him go! | 0:12:59 | 0:13:00 | |
Let him go! | 0:13:00 | 0:13:02 | |
THEY GRUNT | 0:13:02 | 0:13:04 | |
We know what we're doing. | 0:13:06 | 0:13:08 | |
SHE GAGS | 0:13:08 | 0:13:09 | |
SHE COUGHS | 0:13:11 | 0:13:13 | |
Let him go! | 0:13:13 | 0:13:15 | |
SHE GASPS FOR BREATH | 0:13:15 | 0:13:17 | |
SHE COUGHS | 0:13:19 | 0:13:20 | |
Scotland Yard duty officer, please. | 0:13:34 | 0:13:36 | |
Is that the duty officer? | 0:13:37 | 0:13:39 | |
This is Detective Superintendent Douglas Archer. | 0:13:40 | 0:13:43 | |
Something might be coming for me in the second post. | 0:13:44 | 0:13:46 | |
It's very important - can you look out for it for me? | 0:13:46 | 0:13:48 | |
Mm-hmm. | 0:13:52 | 0:13:53 | |
Yes. | 0:13:54 | 0:13:55 | |
Thank you. | 0:13:55 | 0:13:56 | |
TRAIN RUMBLES | 0:14:33 | 0:14:35 | |
THEY GRUNT | 0:14:59 | 0:15:01 | |
MAN GRUNTS | 0:15:10 | 0:15:12 | |
MAN SCREAMS | 0:15:12 | 0:15:13 | |
ARCHER PANTS | 0:15:15 | 0:15:17 | |
HE GASPS | 0:15:17 | 0:15:19 | |
HE GASPS | 0:15:23 | 0:15:24 | |
FOOTSTEPS APPROACH | 0:15:24 | 0:15:26 | |
You all right? | 0:15:27 | 0:15:28 | |
Call Scotland Yard, | 0:15:29 | 0:15:32 | |
tell them to collect a body, | 0:15:32 | 0:15:34 | |
and cut the power! | 0:15:34 | 0:15:35 | |
POWER SHUTS OFF WITH A CLANK | 0:15:51 | 0:15:53 | |
ARCHER PANTS | 0:16:12 | 0:16:14 | |
HE THUMPS ON CAR | 0:16:16 | 0:16:18 | |
HE PANTS | 0:16:27 | 0:16:29 | |
LIQUID SPLASHES | 0:16:39 | 0:16:41 | |
MUSIC: Key To The Highway by Big Bill Broonzy | 0:16:43 | 0:16:46 | |
Some of the teachers haven't come back to the school yet. | 0:17:01 | 0:17:05 | |
Any idea where they are? | 0:17:05 | 0:17:07 | |
No. | 0:17:07 | 0:17:09 | |
Ow! | 0:17:09 | 0:17:11 | |
That smart, does it? | 0:17:11 | 0:17:12 | |
I'll live. | 0:17:13 | 0:17:15 | |
It's a nasty one, all right. | 0:17:16 | 0:17:18 | |
Why did he attack you? | 0:17:23 | 0:17:24 | |
You know why. | 0:17:25 | 0:17:27 | |
Some people think police are helping the Germans. | 0:17:29 | 0:17:32 | |
If your Tom hadn't signed up with the army reservists, | 0:17:35 | 0:17:39 | |
he'd be in the same position. | 0:17:39 | 0:17:41 | |
Why didn't you sign up, Mr Archer? | 0:17:45 | 0:17:47 | |
I wasn't allowed - | 0:17:51 | 0:17:55 | |
reserved occupation. | 0:17:55 | 0:17:57 | |
Well, I'd rather have Tom here than him being a hero. | 0:18:05 | 0:18:11 | |
Not that, I mean... | 0:18:11 | 0:18:12 | |
I know what you mean. | 0:18:15 | 0:18:16 | |
Thank you, Mrs Sheenan. | 0:18:19 | 0:18:20 | |
No, well... | 0:18:20 | 0:18:21 | |
HARMONICA SOLO PLAYS | 0:18:23 | 0:18:25 | |
I like this record. | 0:18:28 | 0:18:30 | |
I first heard it with my wife. | 0:18:32 | 0:18:35 | |
We were at the Old Florida Club, in Bruton Mews. | 0:18:38 | 0:18:42 | |
Snakehips Johnson played that night. | 0:18:45 | 0:18:47 | |
It went on till five in the morning. | 0:18:51 | 0:18:53 | |
I thought the Germans had banned this music. | 0:18:57 | 0:19:00 | |
They have. | 0:19:00 | 0:19:02 | |
They label it degenerate, | 0:19:02 | 0:19:06 | |
but secretly they love it. | 0:19:06 | 0:19:08 | |
I got this from a Feldwebel. | 0:19:10 | 0:19:12 | |
I swapped it, like a kid in school. | 0:19:13 | 0:19:16 | |
You're lucky you still have something to hear it with. | 0:19:20 | 0:19:23 | |
-Got any more for upstairs? -Thank you. | 0:19:29 | 0:19:31 | |
Any post for me? | 0:19:33 | 0:19:34 | |
Yes, sir. | 0:19:34 | 0:19:36 | |
-All right? -Right you are. | 0:19:40 | 0:19:42 | |
DOOR BANGS | 0:20:12 | 0:20:14 | |
Anything interesting in the second post? | 0:20:14 | 0:20:16 | |
Dunn was looking for leads on Frick. | 0:20:20 | 0:20:22 | |
It seems the Professor's been written out of history. | 0:20:22 | 0:20:25 | |
But why use the mail? | 0:20:25 | 0:20:27 | |
Jimmy must have seen that he was being followed - | 0:20:29 | 0:20:32 | |
wanted to make sure this didn't fall into the wrong hands. | 0:20:32 | 0:20:35 | |
A caution, no doubt, instilled by you. | 0:20:35 | 0:20:38 | |
It might be a bitter pill to swallow, | 0:20:38 | 0:20:40 | |
but you're very much like us, Superintendent. | 0:20:40 | 0:20:42 | |
Excellent. Have some "wanted" posters made from that. | 0:20:44 | 0:20:47 | |
We'll put every name on that photograph | 0:20:47 | 0:20:49 | |
on a primary arrest sheet. | 0:20:49 | 0:20:51 | |
For the murder of Dr Spode? | 0:20:51 | 0:20:53 | |
For questioning in connection with the murder. | 0:20:53 | 0:20:54 | |
But aren't we assuming they're under the protection of the German Army? | 0:20:54 | 0:20:57 | |
That will force the Army to actually admit it. | 0:20:57 | 0:21:00 | |
What's that? | 0:21:02 | 0:21:04 | |
Oh, that's just an index from the photo library. | 0:21:04 | 0:21:07 | |
Do you have anything else? | 0:21:09 | 0:21:11 | |
Nothing. | 0:21:11 | 0:21:12 | |
Time is a sickle, Archer. | 0:21:16 | 0:21:18 | |
This fellow must be caught. | 0:21:18 | 0:21:19 | |
Of course. | 0:21:19 | 0:21:21 | |
Papers. | 0:21:36 | 0:21:37 | |
Guten tag. | 0:21:37 | 0:21:39 | |
GUARD SPEAKS GERMAN | 0:21:41 | 0:21:43 | |
Guten tag. | 0:22:05 | 0:22:06 | |
Hello. | 0:22:06 | 0:22:07 | |
Superintendent Douglas Archer. | 0:22:07 | 0:22:09 | |
Captain Hesse. | 0:22:09 | 0:22:10 | |
You wish to visit the issuing department, that's correct? | 0:22:10 | 0:22:14 | |
DOG BARKING If I could. | 0:22:14 | 0:22:17 | |
Do you have a willing workforce here, Captain? | 0:22:18 | 0:22:21 | |
We have British and Allied officers | 0:22:21 | 0:22:24 | |
of the rank of brigadier and upwards - | 0:22:24 | 0:22:26 | |
making artificial limbs provides work for them. | 0:22:26 | 0:22:29 | |
Ah, and I wish to meet one of their customers. | 0:22:29 | 0:22:33 | |
HEAVY DOOR SLAMS | 0:22:33 | 0:22:35 | |
Who gets limbs here? | 0:22:37 | 0:22:38 | |
British ex-servicemen who live in the southeastern control zone. | 0:22:38 | 0:22:42 | |
And what documentation do they need to get through that door? | 0:22:42 | 0:22:45 | |
No-one gets past even the outer gate without a pay-book, | 0:22:45 | 0:22:47 | |
proving discharge from the British Army. | 0:22:47 | 0:22:50 | |
When was the last time you sent someone to try and gain access | 0:22:50 | 0:22:53 | |
without those papers? | 0:22:53 | 0:22:54 | |
Do you want me to alert the sentries? | 0:22:55 | 0:22:57 | |
No, that's the last thing I want. | 0:22:57 | 0:22:58 | |
I want my man to get through. | 0:22:58 | 0:23:00 | |
Where do you keep your elbow-joints and pivots? | 0:23:00 | 0:23:03 | |
Is that a joke? | 0:23:03 | 0:23:04 | |
No. When I make jokes, I waggle my ears. | 0:23:04 | 0:23:06 | |
There should be an elbow-pivot here for John Spode. | 0:23:06 | 0:23:09 | |
I'm hoping to make an arrest, Captain. | 0:23:18 | 0:23:20 | |
I hope not here. | 0:23:21 | 0:23:23 | |
This is an army establishment - | 0:23:23 | 0:23:25 | |
it's nothing to do with the Civil Police or the SS. | 0:23:25 | 0:23:28 | |
But I'm investigating a murder. | 0:23:28 | 0:23:30 | |
The British Army always allowed the Civil Police... | 0:23:30 | 0:23:32 | |
I'm not interested in ancient history. | 0:23:32 | 0:23:35 | |
This camp, it's under German Army jurisdiction, | 0:23:35 | 0:23:38 | |
and you have no powers here. | 0:23:38 | 0:23:41 | |
Fine. | 0:23:41 | 0:23:42 | |
Then I'll wait outside the gate and arrest him off army property. | 0:23:43 | 0:23:47 | |
You would be in grave danger of being shot down by my sentries. | 0:23:48 | 0:23:52 | |
Why? | 0:23:58 | 0:23:59 | |
I won't be using a gun. | 0:23:59 | 0:24:01 | |
Herr Archer... | 0:24:10 | 0:24:13 | |
there's no need for this. | 0:24:13 | 0:24:15 | |
These walls are secure. | 0:24:15 | 0:24:17 | |
Much safer to arrest your man here. | 0:24:18 | 0:24:21 | |
I will make an exception. | 0:24:21 | 0:24:23 | |
ENGINE RUMBLES | 0:24:29 | 0:24:31 | |
DISTANT YELLING | 0:24:36 | 0:24:38 | |
CAR DOOR OPENS | 0:24:45 | 0:24:47 | |
You must be hungry. | 0:24:47 | 0:24:48 | |
Danke. | 0:24:49 | 0:24:50 | |
SIREN WAILS | 0:24:51 | 0:24:53 | |
IN GERMAN: | 0:24:59 | 0:25:01 | |
HESSE TAKES A DEEP BREATH | 0:25:07 | 0:25:09 | |
ENGINE RUMBLES | 0:25:16 | 0:25:18 | |
How long do you plan on keeping up this vigil? | 0:25:25 | 0:25:27 | |
Why not let us take over? | 0:25:28 | 0:25:30 | |
You go back and, if he comes, we will apprehend him. | 0:25:32 | 0:25:35 | |
Well, that's not your job. | 0:25:36 | 0:25:38 | |
And he will come. | 0:25:40 | 0:25:42 | |
ENGINE RUMBLES | 0:25:45 | 0:25:47 | |
FOOTSTEPS APPROACH | 0:26:22 | 0:26:24 | |
-Ow! -Listen to me. Listen to me! | 0:26:38 | 0:26:40 | |
We don't have much time. I can help you, Spode. | 0:26:40 | 0:26:42 | |
I know you burned the plans. Did you make copies? Photographs? | 0:26:42 | 0:26:44 | |
You know who I am. I can help you. | 0:26:44 | 0:26:47 | |
You? | 0:26:47 | 0:26:48 | |
Ah, you fool. | 0:26:50 | 0:26:52 | |
ARCHER PANTS | 0:26:52 | 0:26:54 | |
John Spode, you're under arrest. | 0:26:58 | 0:26:59 | |
For what? | 0:26:59 | 0:27:00 | |
Murder. | 0:27:00 | 0:27:01 | |
I warn you, anything you say may be taken down and used | 0:27:03 | 0:27:05 | |
in evidence against you. | 0:27:05 | 0:27:07 | |
Come on. | 0:27:07 | 0:27:09 | |
Are you John Spode, and is your brother William? | 0:27:15 | 0:27:19 | |
Yes, yes... | 0:27:21 | 0:27:23 | |
How did you get on to me? | 0:27:26 | 0:27:28 | |
The pivot for your false arm. | 0:27:30 | 0:27:32 | |
I found it at the flat at Shepherd's Market. | 0:27:34 | 0:27:38 | |
You must have been in quite a hurry, to leave that behind. | 0:27:38 | 0:27:41 | |
You're the great detective. | 0:27:43 | 0:27:45 | |
Do you deny killing your brother? | 0:27:47 | 0:27:50 | |
How could I? | 0:27:50 | 0:27:51 | |
I wouldn't have hurt your son. | 0:27:55 | 0:27:57 | |
I just needed a way to get you to listen, | 0:27:59 | 0:28:01 | |
so you'd help us. | 0:28:01 | 0:28:03 | |
And all everyone told me was that you were incorruptible. | 0:28:05 | 0:28:08 | |
For the purposes of this interview, | 0:28:08 | 0:28:10 | |
we're only concerned with the killing of your brother. | 0:28:10 | 0:28:13 | |
Has anyone got a cigarette? | 0:28:15 | 0:28:17 | |
I have some. | 0:28:21 | 0:28:22 | |
What do you prefer, Superintendent? | 0:28:24 | 0:28:27 | |
I have French, Turkish, American... | 0:28:27 | 0:28:30 | |
It's been a long time since I tasted a French cigarette. | 0:28:32 | 0:28:35 | |
I'll need you to make your confession in writing. | 0:28:41 | 0:28:44 | |
Do you permit the prisoner to smoke? | 0:28:49 | 0:28:51 | |
LIGHTER CLICKS | 0:29:00 | 0:29:02 | |
Why did you do it? | 0:29:13 | 0:29:15 | |
You have your confession - isn't that enough? | 0:29:17 | 0:29:20 | |
This is the best cigarette I've tasted in an age. | 0:29:27 | 0:29:29 | |
Won't find anything like this in prison, I expect. | 0:29:32 | 0:29:34 | |
It's not my job to chase Resistance fighters. | 0:29:41 | 0:29:46 | |
You lost your arm taking on a Panzer - | 0:29:49 | 0:29:53 | |
a friend of mine told me. | 0:29:53 | 0:29:55 | |
Were you in the fighting too? | 0:29:55 | 0:29:57 | |
No. | 0:29:59 | 0:30:00 | |
You didn't miss anything. | 0:30:00 | 0:30:03 | |
It was all over before it began. | 0:30:03 | 0:30:06 | |
Only a bloody fool tries to jam the sprocket wheel of a Mark IV | 0:30:06 | 0:30:09 | |
with a tyre lever. | 0:30:09 | 0:30:10 | |
He went past me without even noticing... | 0:30:10 | 0:30:13 | |
and took my arm with him. | 0:30:13 | 0:30:15 | |
You being there wouldn't have made much difference, Superintendent, | 0:30:20 | 0:30:23 | |
believe me. | 0:30:23 | 0:30:25 | |
Is it a confession you wanted, or absolution? | 0:30:28 | 0:30:32 | |
Understanding. | 0:30:35 | 0:30:36 | |
Your brother had his corneas burned by radiation. | 0:30:39 | 0:30:43 | |
Was he dying? | 0:30:48 | 0:30:51 | |
So, you put him out of his misery. | 0:30:51 | 0:30:54 | |
But why did you leave the pivot from your elbow behind? | 0:30:54 | 0:30:57 | |
Erm, d-do you have it with you? | 0:31:01 | 0:31:02 | |
PIVOT CLANKS ON TABLE | 0:31:08 | 0:31:10 | |
You found this in the room? | 0:31:22 | 0:31:24 | |
Yes. | 0:31:28 | 0:31:29 | |
SPODE SPLUTTERS | 0:31:32 | 0:31:34 | |
Spode. SPODE GAGS | 0:31:38 | 0:31:40 | |
Spode? | 0:31:40 | 0:31:42 | |
Jesus. | 0:31:42 | 0:31:44 | |
Get him some water! Your medical section! | 0:31:44 | 0:31:46 | |
He needs cardiac stimulants. | 0:31:46 | 0:31:47 | |
HESSE SPEAKS GERMAN | 0:31:47 | 0:31:50 | |
Cyanide capsules. | 0:31:50 | 0:31:52 | |
I have seen it on a man straight after Armistice. | 0:31:52 | 0:31:56 | |
I should have searched him. | 0:31:56 | 0:31:58 | |
What do you care? | 0:32:03 | 0:32:04 | |
HESSE SIGHS | 0:32:04 | 0:32:06 | |
Like he said, you have got your confession. | 0:32:06 | 0:32:10 | |
You can close the file now, can't you? | 0:32:10 | 0:32:13 | |
You just stood there and watched him, you stupid pig. | 0:32:17 | 0:32:21 | |
And this half-witted army officer, Hesse, watched too? | 0:32:21 | 0:32:25 | |
Yes. | 0:32:25 | 0:32:26 | |
Any chance that he passed him the capsule? | 0:32:28 | 0:32:30 | |
No, sir. | 0:32:30 | 0:32:31 | |
So from the moment you arrested Spode, | 0:32:33 | 0:32:35 | |
was there even the briefest opportunity for this damned | 0:32:35 | 0:32:37 | |
army officer, Hesse, to pass him anything at all? | 0:32:37 | 0:32:40 | |
No chance at all, sir. | 0:32:42 | 0:32:43 | |
If we get this one wrong, Superintendent Archer, | 0:32:43 | 0:32:46 | |
you'll find yourself in Dachau. | 0:32:46 | 0:32:49 | |
Do you know what Dachau is? | 0:32:49 | 0:32:50 | |
I've heard the rumours, sir. | 0:32:50 | 0:32:52 | |
They are all true, believe me. | 0:32:52 | 0:32:55 | |
PHONE HANGS UP | 0:32:55 | 0:32:57 | |
PHONE DIAL WHIRS AND CLICKS | 0:33:04 | 0:33:06 | |
Canonbury 7946. | 0:33:10 | 0:33:12 | |
Harry... | 0:33:14 | 0:33:16 | |
'Look, Dougie, I heard about the Tube attack.' | 0:33:16 | 0:33:18 | |
-Yeah? -'I should've...' | 0:33:18 | 0:33:19 | |
Don't worry, it wasn't your fault. I'm fine. | 0:33:19 | 0:33:23 | |
Look, I want you to check on an army artillery officer, | 0:33:23 | 0:33:27 | |
Captain Hesse. | 0:33:27 | 0:33:29 | |
Find out all you can. | 0:33:29 | 0:33:32 | |
Call me back in 15 minutes. | 0:33:32 | 0:33:33 | |
'Right you are. At Wittenham?' | 0:33:33 | 0:33:35 | |
All right. | 0:33:35 | 0:33:36 | |
ENGINE RUMBLES | 0:33:46 | 0:33:48 | |
DISTANT YELLING | 0:33:55 | 0:33:58 | |
MARCHING FOOTSTEPS APPROACH | 0:33:58 | 0:34:00 | |
PHONE RINGS | 0:34:03 | 0:34:05 | |
Yeah? | 0:34:12 | 0:34:13 | |
Yeah, I checked with the boys at Hendon - | 0:34:13 | 0:34:15 | |
Hesse is Army Intelligence. | 0:34:15 | 0:34:17 | |
But why would they want to keep a man down there? | 0:34:17 | 0:34:20 | |
I don't know, but I'm going to find out. | 0:34:20 | 0:34:23 | |
All right, thanks. | 0:34:23 | 0:34:24 | |
DOGS BARKING | 0:34:25 | 0:34:27 | |
ENGINE RUMBLES AND METAL CREAKS | 0:34:47 | 0:34:49 | |
METAL CREAKING | 0:34:52 | 0:34:54 | |
ENGINE PURRS | 0:35:01 | 0:35:03 | |
BRAKES SQUEAK | 0:35:27 | 0:35:29 | |
ENGINE PURRS | 0:35:36 | 0:35:38 | |
IN GERMAN: | 0:35:49 | 0:35:51 | |
Hello, handsome. | 0:36:05 | 0:36:06 | |
BELL CHIMES | 0:36:11 | 0:36:13 | |
I want to speak with Captain Hesse. | 0:36:25 | 0:36:27 | |
Superintendent Archer, you'd better come in. | 0:36:28 | 0:36:31 | |
It's all right, he's one of mine. | 0:36:36 | 0:36:38 | |
Colonel Mayhew, what a surprise! | 0:36:40 | 0:36:43 | |
How the devil did you find this place? | 0:36:43 | 0:36:45 | |
Captain Hesse here doesn't check his rear-view mirror quite as often | 0:36:49 | 0:36:52 | |
as one would imagine a man who just committed murder might. | 0:36:52 | 0:36:56 | |
He gave Spode a cyanide cigarette. | 0:36:56 | 0:36:58 | |
What's this? | 0:36:58 | 0:37:00 | |
You're imagining things. | 0:37:00 | 0:37:01 | |
I have the cigarette. | 0:37:01 | 0:37:03 | |
It seems it was more important to the Army that Spode be silenced | 0:37:04 | 0:37:07 | |
than let him to fall into the hands of the SS. | 0:37:07 | 0:37:11 | |
What were you afraid he'd tell them? | 0:37:11 | 0:37:13 | |
Archer. Archer! | 0:37:13 | 0:37:16 | |
We have more important matters at hand here. | 0:37:16 | 0:37:18 | |
More important than murder? | 0:37:18 | 0:37:20 | |
What exactly are you doing here? | 0:37:22 | 0:37:25 | |
DOOR OPENS | 0:37:25 | 0:37:27 | |
Hesse... | 0:37:30 | 0:37:31 | |
Well? | 0:37:41 | 0:37:42 | |
These men are all German Army Intelligence, yes? | 0:37:44 | 0:37:47 | |
What the hell's going on? | 0:37:48 | 0:37:49 | |
Miss Barga tells me that I should trust you, | 0:37:54 | 0:37:58 | |
but I'm not sure that I can. | 0:37:58 | 0:38:00 | |
LIQUID TRICKLES | 0:38:00 | 0:38:02 | |
You haven't answered my question. | 0:38:02 | 0:38:04 | |
What the hell are you doing here with German Army Intelligence? | 0:38:04 | 0:38:09 | |
We're in talks. | 0:38:09 | 0:38:11 | |
Talks? | 0:38:11 | 0:38:12 | |
About His Majesty. | 0:38:12 | 0:38:14 | |
The fact is that some of them feel it's incompatible with | 0:38:14 | 0:38:16 | |
the honour of the German Army that the King of England should be | 0:38:16 | 0:38:19 | |
in custody, guarded by SS units. | 0:38:19 | 0:38:22 | |
I know, old-fashioned buggers, aren't they? | 0:38:22 | 0:38:25 | |
More's our luck. | 0:38:25 | 0:38:26 | |
Remember our conversation about Rear Admiral Connolly, | 0:38:28 | 0:38:31 | |
over there in Washington? | 0:38:31 | 0:38:33 | |
If the King were free, and able to confirm publicly Connolly's rank | 0:38:33 | 0:38:37 | |
and position, it would transform Britain's position in the world. | 0:38:37 | 0:38:41 | |
You're not seriously suggesting that the German Army are | 0:38:41 | 0:38:44 | |
going to try and help free the King? | 0:38:44 | 0:38:46 | |
A certain few will do everything they can to help, | 0:38:46 | 0:38:48 | |
save getting into a fight. | 0:38:48 | 0:38:50 | |
What do they get out of it? | 0:38:50 | 0:38:52 | |
The escape of the King from SS custody would disgrace the SS | 0:38:52 | 0:38:55 | |
and consolidate the Army's Commander-in-Chief | 0:38:55 | 0:38:57 | |
in his position of power here, | 0:38:57 | 0:39:00 | |
and not just here - | 0:39:00 | 0:39:02 | |
the repercussions would be felt all the way to Berlin. | 0:39:02 | 0:39:04 | |
We have the support of the general staff in this business. | 0:39:04 | 0:39:08 | |
What's the catch? | 0:39:09 | 0:39:11 | |
DOOR OPENS | 0:39:11 | 0:39:13 | |
The General will see you both now. | 0:39:16 | 0:39:18 | |
So, the younger Spode is dead too? | 0:39:47 | 0:39:50 | |
As I understand it, yes. | 0:39:50 | 0:39:52 | |
And your police officer followed Captain Hesse here? | 0:39:52 | 0:39:54 | |
That's right. | 0:39:54 | 0:39:56 | |
I will come to you later. | 0:39:56 | 0:39:58 | |
Now, you listen to me, Major. | 0:39:58 | 0:40:00 | |
If you want my co-operation, | 0:40:03 | 0:40:06 | |
you're going to have to woo me, | 0:40:06 | 0:40:10 | |
and I'm very difficult to please. | 0:40:10 | 0:40:12 | |
You have the impertinent manner of the revolutionary. | 0:40:12 | 0:40:16 | |
It will get you nowhere. | 0:40:16 | 0:40:17 | |
Let me remind you of your position... | 0:40:17 | 0:40:19 | |
No. Let me remind you of your position. | 0:40:19 | 0:40:22 | |
IN GERMAN: | 0:40:24 | 0:40:26 | |
If there's any explaining to be done, | 0:40:46 | 0:40:49 | |
then you'll do it. | 0:40:49 | 0:40:51 | |
You're playing a dangerous game, Superintendent. | 0:40:55 | 0:40:57 | |
Not nearly as dangerous as the one you're playing. | 0:40:57 | 0:41:00 | |
If I submit a full report about young Spode's murder this afternoon, | 0:41:00 | 0:41:04 | |
the German C-in-C of Great Britain will likely | 0:41:04 | 0:41:07 | |
find it very healthy to distance himself from you, | 0:41:07 | 0:41:10 | |
as will your colleagues in Berlin. | 0:41:10 | 0:41:12 | |
You're not out of here yet. | 0:41:12 | 0:41:13 | |
My car is equipped with a radio telegraph. | 0:41:16 | 0:41:19 | |
I wouldn't come into a notorious district like this, | 0:41:19 | 0:41:21 | |
late at night, without taking precautions. | 0:41:21 | 0:41:24 | |
CORK SQUEAKS AND BOTTLE CLINKS | 0:41:24 | 0:41:26 | |
What have you said? | 0:41:28 | 0:41:29 | |
Nothing that can't be unsaid. | 0:41:32 | 0:41:33 | |
Congratulations on apprehending Dr Spode's killer, Superintendent. | 0:41:37 | 0:41:42 | |
Well, he was denied a trial, | 0:41:45 | 0:41:48 | |
so we'll never really know, will we? | 0:41:48 | 0:41:50 | |
Did he make a copy of the calculations his brother | 0:41:51 | 0:41:54 | |
stole from Bringle Sands? | 0:41:54 | 0:41:56 | |
I asked him. | 0:41:56 | 0:41:58 | |
He denied it. | 0:41:58 | 0:42:00 | |
Did you believe him? | 0:42:00 | 0:42:01 | |
In that case, I will hold you personally responsible if | 0:42:08 | 0:42:11 | |
a copy falls into the wrong hands. | 0:42:11 | 0:42:13 | |
I had a feeling you'd say something like that. | 0:42:16 | 0:42:19 | |
Captain Hesse must not be included in any reports to your authorities, | 0:42:19 | 0:42:24 | |
or the King has no chance of freedom. | 0:42:24 | 0:42:27 | |
Well, Archer? | 0:42:39 | 0:42:40 | |
Very well. | 0:42:45 | 0:42:46 | |
Good. | 0:42:46 | 0:42:48 | |
I'll need to know how you would dispose of His Majesty. | 0:42:48 | 0:42:51 | |
Our honour requires that his safety be assured. | 0:42:51 | 0:42:54 | |
We'll fly him out of a disused airfield. | 0:42:54 | 0:42:57 | |
Your staff are advising us on which one to choose, sir. | 0:42:57 | 0:42:59 | |
Will you go too? | 0:42:59 | 0:43:01 | |
I've no orders as yet, sir. | 0:43:01 | 0:43:02 | |
If we do decide to proceed, be ready to move fast. | 0:43:02 | 0:43:06 | |
Gute nacht. | 0:43:10 | 0:43:11 | |
ARCHER EXHALES | 0:43:22 | 0:43:24 | |
An aeroplane flying out of a disused airfield? | 0:43:30 | 0:43:34 | |
Now, was that just for the Huns, or is that really the best way | 0:43:34 | 0:43:36 | |
we've got of getting the King out of the country? | 0:43:36 | 0:43:38 | |
Have you got a better idea? | 0:43:38 | 0:43:40 | |
Ship him out as diplomatic mail. | 0:43:42 | 0:43:44 | |
HE CHUCKLES | 0:43:44 | 0:43:46 | |
You're a political innocent, Archer. | 0:43:46 | 0:43:48 | |
Forged documents, then - | 0:43:50 | 0:43:53 | |
ones that would make the Germans think he was | 0:43:53 | 0:43:55 | |
a diplomatic consignment. | 0:43:55 | 0:43:56 | |
Worse. | 0:43:56 | 0:43:57 | |
The escape of the King will be in every history book ever written. | 0:43:57 | 0:44:00 | |
Do you want it recorded that the only way we could get him out | 0:44:00 | 0:44:02 | |
of the country was by forging the signature of a foreigner? | 0:44:02 | 0:44:06 | |
The same reason we can't have him do anything ridiculous, | 0:44:06 | 0:44:08 | |
like dress up as a chambermaid, | 0:44:08 | 0:44:10 | |
or pretend to be a German lavatory attendant. | 0:44:10 | 0:44:13 | |
ARCHER SCOFFS | 0:44:13 | 0:44:16 | |
You operate in a very strange world, Colonel. | 0:44:17 | 0:44:19 | |
You have no idea. | 0:44:19 | 0:44:21 | |
Goodnight, Archer. | 0:44:27 | 0:44:28 | |
DOGS BARKING | 0:44:30 | 0:44:32 | |
CONTAINER CLICKS | 0:45:07 | 0:45:09 | |
A swordstick? It's so British. | 0:45:30 | 0:45:33 | |
It was worse than that - it was an umbrella-stick. | 0:45:33 | 0:45:36 | |
I'm glad you didn't die that way. | 0:45:36 | 0:45:39 | |
Me too. | 0:45:39 | 0:45:40 | |
And thanks for nursing my ear. | 0:45:41 | 0:45:43 | |
-SHE LAUGHS -It's the least I could do. | 0:45:43 | 0:45:46 | |
No feeling, sadly. | 0:45:52 | 0:45:54 | |
You won't get me that way. | 0:45:54 | 0:45:56 | |
Isn't the way to an Englishman's heart through his lobes? | 0:45:57 | 0:46:00 | |
SHE LAUGHS | 0:46:00 | 0:46:02 | |
Ow. | 0:46:05 | 0:46:06 | |
Ow! | 0:46:06 | 0:46:08 | |
Do you think he killed his own brother? | 0:46:17 | 0:46:19 | |
I didn't know him long enough to really decide. | 0:46:25 | 0:46:29 | |
Both brothers dead... | 0:46:32 | 0:46:33 | |
You knew the Spodes, didn't you? | 0:46:35 | 0:46:37 | |
LIGHTER CLICKS | 0:46:37 | 0:46:39 | |
You met them before the war, | 0:46:47 | 0:46:49 | |
when you were writing an article on Professor Frick and his work, | 0:46:49 | 0:46:55 | |
and I assume one of them contacted you with the plan to get | 0:46:55 | 0:46:58 | |
the atomic calculations into American hands, | 0:46:58 | 0:47:03 | |
and that's what you were doing, coming to collect the film that day. | 0:47:03 | 0:47:07 | |
You're very clever, | 0:47:08 | 0:47:10 | |
though you seemed to have confused interrogation with seduction. | 0:47:10 | 0:47:14 | |
I hope you're not saying I had anything to do with the murder? | 0:47:18 | 0:47:21 | |
Oh, I'd still like to seduce you... | 0:47:21 | 0:47:23 | |
..but I want to know. | 0:47:25 | 0:47:26 | |
Yes. You're right. | 0:47:33 | 0:47:34 | |
I interviewed the older one for the piece on Frick. | 0:47:34 | 0:47:37 | |
He remembered me. | 0:47:37 | 0:47:38 | |
I'm not surprised. | 0:47:38 | 0:47:39 | |
I asked Bernard Staines about the Spodes before I came out here. | 0:47:41 | 0:47:45 | |
Suddenly, I'm up to my neck in the Resistance. | 0:47:45 | 0:47:48 | |
Yeah, things have been going pretty fast for the two of us. | 0:47:48 | 0:47:52 | |
In the last 48 hours, I've lost one man, killed another... | 0:47:52 | 0:47:57 | |
Made love to me for the first time. | 0:47:59 | 0:48:01 | |
How can I forget? | 0:48:02 | 0:48:04 | |
You seem different. | 0:48:09 | 0:48:10 | |
Maybe I am. | 0:48:10 | 0:48:12 | |
I like you more. | 0:48:12 | 0:48:15 | |
Is the interrogation over? | 0:48:15 | 0:48:16 | |
Just one last thing. | 0:48:24 | 0:48:26 | |
You know, someone on that inaugural flight from New York | 0:48:30 | 0:48:33 | |
did a bit of smuggling. | 0:48:33 | 0:48:35 | |
Oh, really? | 0:48:35 | 0:48:36 | |
Now, a hatbox like this would be perfect for hiding away a newsreel. | 0:48:40 | 0:48:47 | |
You seem to be more interested in false bottoms than real ones. | 0:48:51 | 0:48:54 | |
Well... | 0:48:56 | 0:48:58 | |
we can't have that, can we? | 0:48:58 | 0:49:00 | |
SHE GIGGLES | 0:49:00 | 0:49:02 | |
This ceremony tomorrow is going to be bloody tedious. | 0:49:08 | 0:49:13 | |
Apparently, the Russians are even more long-winded than the Jerries. | 0:49:13 | 0:49:17 | |
I assume you're a guest of honour, darling. | 0:49:18 | 0:49:21 | |
SHE LAUGHS | 0:49:21 | 0:49:23 | |
Disinterring Karl Marx and mailing him back to Moscow | 0:49:23 | 0:49:26 | |
is quite the story, | 0:49:26 | 0:49:28 | |
but I'm sick of peddling their propaganda. | 0:49:28 | 0:49:31 | |
Let's find excuses. | 0:49:38 | 0:49:41 | |
We could have a morning together. | 0:49:41 | 0:49:43 | |
I can't. | 0:49:53 | 0:49:55 | |
So you were all ready to pass on the atomic plans to somebody | 0:50:14 | 0:50:17 | |
at the American Embassy? | 0:50:17 | 0:50:19 | |
Does it matter? | 0:50:22 | 0:50:23 | |
Yes, it does. | 0:50:25 | 0:50:27 | |
The guy I knew and trusted at the embassy just moved back home, | 0:50:29 | 0:50:33 | |
so I was going to have to play it by ear. | 0:50:33 | 0:50:36 | |
Ha! You have an answer for everything, don't you? | 0:50:36 | 0:50:39 | |
It only seems that way because you never stop asking me questions. | 0:50:41 | 0:50:45 | |
I'm not a spy, Douglas. | 0:50:52 | 0:50:54 | |
I hear people lie to me all the time. | 0:50:56 | 0:50:59 | |
So you can tell when I'm telling the truth? | 0:51:01 | 0:51:05 | |
You are cleverer than most. | 0:51:05 | 0:51:06 | |
Mm-hmm. | 0:51:06 | 0:51:07 | |
And that's why you like me. | 0:51:12 | 0:51:15 | |
Well, that's one of the reasons. | 0:51:15 | 0:51:16 | |
Have you heard anything about a plot to free the King | 0:51:23 | 0:51:28 | |
and take him to America? | 0:51:28 | 0:51:29 | |
Maybe I have, | 0:51:32 | 0:51:35 | |
but I don't give it much credence. | 0:51:35 | 0:51:38 | |
Or, at least, the American part. | 0:51:38 | 0:51:40 | |
Why not? | 0:51:42 | 0:51:43 | |
Because your King would be a liability to America. | 0:51:45 | 0:51:48 | |
Do you think Roosevelt wants to go into the schoolbooks as the man | 0:51:51 | 0:51:54 | |
who invited the King of England back to the US of A? | 0:51:54 | 0:51:58 | |
Don't go thinking Roosevelt is some kind of fanatical Anglophile. | 0:51:58 | 0:52:03 | |
He's a politician, and back home, that means a wily bird. | 0:52:03 | 0:52:07 | |
Well, of course, it's politically sensitive. | 0:52:10 | 0:52:12 | |
Politically, it's suicide. | 0:52:12 | 0:52:14 | |
Every politician is promising he won't get American boys | 0:52:14 | 0:52:17 | |
into a foreign war. | 0:52:17 | 0:52:19 | |
Do you think anyone's going to invite your King there, | 0:52:19 | 0:52:22 | |
when he's the focal point of the whole European wrangle? | 0:52:22 | 0:52:25 | |
Wrangle? | 0:52:27 | 0:52:28 | |
Over here, we call it war. | 0:52:31 | 0:52:32 | |
You can call it anything you like, | 0:52:32 | 0:52:34 | |
but for most people back home, it's in the past tense. | 0:52:34 | 0:52:37 | |
And the Germans - they changed the tense. | 0:52:37 | 0:52:40 | |
Sorry, Doug. | 0:52:57 | 0:52:59 | |
I needed to know where you stood. | 0:52:59 | 0:53:02 | |
Did it work? | 0:53:02 | 0:53:05 | |
I wasn't just joking around. | 0:53:22 | 0:53:24 | |
It's not going to be easy to draw America into the war. | 0:53:26 | 0:53:29 | |
No. | 0:53:32 | 0:53:33 | |
But with those calculations... | 0:53:35 | 0:53:37 | |
..they might have woken them up. | 0:53:40 | 0:53:42 | |
I guess we'll never know. | 0:53:45 | 0:53:47 | |
ENGINE RUMBLES | 0:53:51 | 0:53:53 | |
BELL CHIMES | 0:53:53 | 0:53:55 | |
Hello, Arthur. | 0:53:57 | 0:53:59 | |
Hello, Superintendent. | 0:53:59 | 0:54:00 | |
Any special instructions? | 0:54:06 | 0:54:08 | |
Over or under development? | 0:54:08 | 0:54:11 | |
The only special instruction is keep your mouth shut about it. | 0:54:11 | 0:54:14 | |
Righto. | 0:54:16 | 0:54:17 | |
Good man. Thanks. | 0:54:17 | 0:54:18 | |
BRASS BAND PLAYS | 0:54:24 | 0:54:26 | |
-Archer! -General Kellermann. | 0:54:29 | 0:54:32 | |
Ah, Molotov, Von Ribbentrop and Goebbels. What a trio! | 0:54:34 | 0:54:40 | |
Putting all your eggs in the basket, yes? | 0:54:40 | 0:54:42 | |
But after the Mall incident, | 0:54:44 | 0:54:46 | |
I am sure the army will be keeping a tighter watch. | 0:54:46 | 0:54:50 | |
MEN CHANT: "SIEG HEIL!" | 0:54:50 | 0:54:54 | |
Hauptsturmfuhrer Schroder. | 0:54:54 | 0:54:56 | |
IN GERMAN: | 0:54:58 | 0:55:00 | |
BRASS BAND CONTINUES PLAYING | 0:55:12 | 0:55:15 | |
-MEN: -Sieg Heil! Sieg Heil! | 0:56:30 | 0:56:32 | |
EXPLOSION | 0:56:32 | 0:56:35 | |
SCREAMING | 0:56:35 | 0:56:37 | |
YELLING IN GERMAN | 0:56:37 | 0:56:39 | |
SCREAMING | 0:56:39 | 0:56:42 | |
You're going to go to the unoccupied zone. | 0:56:45 | 0:56:47 | |
You'll be safer there. | 0:56:47 | 0:56:48 | |
GUNSHOTS | 0:56:48 | 0:56:51 | |
-It's starting. -What is? | 0:56:51 | 0:56:53 | |
GUNSHOTS | 0:56:55 | 0:56:57 | |
The crackdown. | 0:56:57 | 0:56:58 | |
Do you want to stay with me, Archer, on my personal staff? | 0:56:58 | 0:57:02 | |
You can come all the way to the top. | 0:57:02 | 0:57:05 | |
KNOCK AT DOOR | 0:57:05 | 0:57:07 | |
Harry Woods didn't turn up for a meeting with the Crime Super. | 0:57:07 | 0:57:10 | |
You don't think he could've been picked up? | 0:57:10 | 0:57:12 | |
They're arresting thousands | 0:57:12 | 0:57:13 | |
and drafting in interrogators from everywhere. | 0:57:13 | 0:57:16 | |
The Germans seem damn close to producing an atomic bomb. | 0:57:16 | 0:57:18 | |
We have no option but to go in and raid Bringle Sands. | 0:57:18 | 0:57:21 | |
Still, we can sabotage the rest. | 0:57:21 | 0:57:23 | |
You want me to get the King to Bringle Sands? | 0:57:23 | 0:57:25 |