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This programme contains some scenes which some viewers may find upsetting and very strong language | 0:00:02 | 0:00:09 | |
POP MUSIC PLAYS | 0:00:11 | 0:00:12 | |
Before you say anything, it's like a family heirloom | 0:00:15 | 0:00:18 | |
and it still drives really well. | 0:00:18 | 0:00:20 | |
I can't see Matthew driving to work in this. | 0:00:22 | 0:00:24 | |
I know. He's desperate for an Audi. | 0:00:24 | 0:00:27 | |
Did you ever have a pony? | 0:00:31 | 0:00:32 | |
Why? | 0:00:35 | 0:00:36 | |
This feels like a Land Rover that's done a lot of gymkhanas. | 0:00:36 | 0:00:40 | |
You're sure you don't want me to come? | 0:00:42 | 0:00:44 | |
The client's asked to see me alone. | 0:00:44 | 0:00:46 | |
Thanks for the ride. | 0:00:49 | 0:00:51 | |
Sorry I'm late - work. | 0:01:01 | 0:01:02 | |
Oh, does he keep you out late every night? | 0:01:02 | 0:01:04 | |
Thanks. Er, we're just busy at the moment. | 0:01:04 | 0:01:08 | |
-Are you still just temping? -No, I've gone full-time. | 0:01:08 | 0:01:11 | |
She's paid less than when she was there on agency fees! | 0:01:11 | 0:01:13 | |
Well, money's not everything. | 0:01:13 | 0:01:15 | |
He's a bit beaten-up looking. | 0:01:25 | 0:01:26 | |
But then that looks good on some men, doesn't it? Looking a bit used. | 0:01:26 | 0:01:29 | |
Well, most of us chaps are a bit second-hand at this point. | 0:01:29 | 0:01:31 | |
I think a second leg might be higher up Cormoran's list. | 0:01:31 | 0:01:33 | |
Is it still just the two of you in the office? | 0:01:41 | 0:01:44 | |
Oh, well, he's out most of the time. | 0:01:44 | 0:01:46 | |
So, Sarah, how's your work going? | 0:01:46 | 0:01:48 | |
AUTOMATED VOICE: Doors opening. | 0:02:14 | 0:02:16 | |
Doors closing. | 0:02:18 | 0:02:20 | |
Hello? | 0:02:36 | 0:02:37 | |
# You and me | 0:02:47 | 0:02:49 | |
# Me and you | 0:02:50 | 0:02:52 | |
# Somehow we make it through | 0:02:53 | 0:02:57 | |
# I may be gone | 0:02:59 | 0:03:01 | |
# I may be far away | 0:03:02 | 0:03:04 | |
# But I walk beside you | 0:03:05 | 0:03:08 | |
# Every step of the way | 0:03:09 | 0:03:11 | |
# When you're used, bruised | 0:03:13 | 0:03:16 | |
# Black and blue Don't think about it | 0:03:17 | 0:03:21 | |
# Never doubt it | 0:03:23 | 0:03:26 | |
# I'll walk beside you. # | 0:03:26 | 0:03:28 | |
BANGING ON DOOR | 0:03:53 | 0:03:54 | |
Oh, hello, Cormoran Strike. | 0:03:54 | 0:03:56 | |
Oh, Ellacott, that's me. | 0:03:57 | 0:03:59 | |
Hiya. | 0:04:08 | 0:04:10 | |
Any post? | 0:04:10 | 0:04:11 | |
Bills, mostly. | 0:04:11 | 0:04:13 | |
Have you, er, picked up your e-mail? There's a new client request. | 0:04:13 | 0:04:18 | |
Thinks his girlfriend's cheating. | 0:04:18 | 0:04:20 | |
Can we fit him in? | 0:04:20 | 0:04:21 | |
-Oh, I'm not sure we've got time. -Thanks. | 0:04:21 | 0:04:23 | |
She's a LSE student and a part-time stripper on Tottenham Court Road. | 0:04:23 | 0:04:27 | |
I suppose it depends how often she's cheating. | 0:04:27 | 0:04:30 | |
I'll call him now and give him our rates. | 0:04:30 | 0:04:32 | |
-PHONE RINGS -Cormoran Strike's office. | 0:04:32 | 0:04:34 | |
-Robin speaking. -This is Cormoran Strike, you sent us an e-mail enquiry? | 0:04:34 | 0:04:37 | |
Ah, hello, yes, thank you very much for calling back. | 0:04:37 | 0:04:40 | |
So we really like the salmon for starter and then the beef for main, | 0:04:40 | 0:04:43 | |
but we thought maybe risotto was a little bit boring for vegetarian? | 0:04:43 | 0:04:47 | |
Where's she working now? | 0:04:47 | 0:04:48 | |
Well, there's ten in total but three are vegan and one's paleo-vegan. | 0:04:48 | 0:04:53 | |
Er, yeah, no, I'll put my team onto it. | 0:04:53 | 0:04:57 | |
I suppose we could do with and without cheese? | 0:04:57 | 0:05:01 | |
And what's her name? | 0:05:01 | 0:05:02 | |
PHONE CLATTERS TO THE FLOOR | 0:05:04 | 0:05:05 | |
Er, can I call you back? | 0:05:10 | 0:05:12 | |
Cheers. | 0:05:12 | 0:05:13 | |
Robin? | 0:05:14 | 0:05:15 | |
-You OK? -I'm fine. | 0:05:43 | 0:05:46 | |
We'll get back to you. | 0:05:55 | 0:05:57 | |
Yeah. | 0:06:02 | 0:06:03 | |
We've been sent a leg. | 0:06:03 | 0:06:05 | |
-A leg? -It's not even in my size. | 0:06:08 | 0:06:12 | |
All right, I'm on my way. | 0:06:12 | 0:06:14 | |
Cup of tea? Something stronger? I've got beer. | 0:06:15 | 0:06:18 | |
Tea sounds good. | 0:06:18 | 0:06:19 | |
I'll put the kettle on. | 0:06:19 | 0:06:21 | |
Don't touch it. | 0:06:29 | 0:06:31 | |
Why would I touch it? | 0:06:31 | 0:06:32 | |
You've gone white. | 0:06:42 | 0:06:44 | |
Whose leg did you think it was? | 0:06:49 | 0:06:52 | |
I don't know. | 0:06:52 | 0:06:54 | |
Well, you mightn't know but something occurred to you. | 0:06:54 | 0:06:57 | |
What were you thinking? | 0:06:57 | 0:06:58 | |
There was a scar, an old scar, I'd say the leg belongs to | 0:07:01 | 0:07:05 | |
somebody in their teens, maybe their early twenties. | 0:07:05 | 0:07:09 | |
And I'd seen scarring like that before. | 0:07:09 | 0:07:13 | |
It might be a girl called Brittany Brockbank. | 0:07:13 | 0:07:16 | |
Her father was Major Niall Brockbank. | 0:07:16 | 0:07:19 | |
He had a reputation for cruelty. | 0:07:19 | 0:07:22 | |
Brittany told a school friend that Brockbank was having sex with her | 0:07:22 | 0:07:25 | |
and she was worried she might get pregnant. | 0:07:25 | 0:07:28 | |
Her friend's dad told SIB, so I was there as the investigating officer | 0:07:28 | 0:07:32 | |
when she was interviewed - the poor thing denied everything, of course. | 0:07:32 | 0:07:36 | |
She must have been terrified. | 0:07:36 | 0:07:38 | |
Brockbank had threatened to cut her legs off if anyone found out. | 0:07:38 | 0:07:42 | |
The scars were his idea of a warning. | 0:07:42 | 0:07:45 | |
I made it up. It were a joke. | 0:07:45 | 0:07:48 | |
Has your dad ever threatened to hurt you? | 0:07:52 | 0:07:54 | |
Daddy wouldn't do that. | 0:07:56 | 0:07:58 | |
I didn't mean any of it. | 0:08:00 | 0:08:01 | |
If you want to tell me anything, Brittany, you can. | 0:08:04 | 0:08:08 | |
-What happened to him? -No charges brought. | 0:08:11 | 0:08:14 | |
But he still has good reason to hate me. | 0:08:14 | 0:08:16 | |
-He thinks I injured him. -Did you? | 0:08:16 | 0:08:19 | |
His arrest went badly. | 0:08:20 | 0:08:21 | |
The only other man who's sick enough and hates me enough to send me | 0:08:23 | 0:08:26 | |
a leg is a Scot called Donald Laing. | 0:08:26 | 0:08:28 | |
He used to write me threatening letters, | 0:08:28 | 0:08:30 | |
-they'll be on file somewhere. -I'll get cracking. | 0:08:30 | 0:08:33 | |
No, we're just arriving. Forensics are here. | 0:08:33 | 0:08:35 | |
A fucking leg? | 0:08:42 | 0:08:45 | |
What about the bike? | 0:08:45 | 0:08:47 | |
It was a Black Honda. Big. 600cc at least. | 0:08:47 | 0:08:50 | |
The courier was in black leathers. His helmet had a dark visor | 0:08:50 | 0:08:53 | |
and he kept it down. | 0:08:53 | 0:08:54 | |
He looked big but the jacket could have just padded him out. | 0:08:54 | 0:08:57 | |
Not a fat bastard, like the boss? | 0:08:57 | 0:08:59 | |
-And you signed for it? -Yeah. | 0:08:59 | 0:09:02 | |
Oh, it was addressed to me. | 0:09:02 | 0:09:03 | |
-Could just be them demonstrating they've done their homework. -Any ideas? | 0:09:03 | 0:09:06 | |
I think there's something underneath it. | 0:09:06 | 0:09:09 | |
It could be a note. | 0:09:09 | 0:09:10 | |
"A harvest of limbs, of arms and of legs, the toes that crawl... | 0:09:21 | 0:09:26 | |
"The knees that jerk, the necks like swans that seem to turn, | 0:09:26 | 0:09:29 | |
"As if inclined to gasp or pray." | 0:09:29 | 0:09:32 | |
Last verse of Mistress Of The Salmon Salt by Blue Oyster Cult. | 0:09:32 | 0:09:35 | |
-You're a fan? -They were my mum's favourite band. | 0:09:36 | 0:09:40 | |
She had that particular song title... | 0:09:40 | 0:09:42 | |
..tattooed. | 0:09:44 | 0:09:45 | |
-And where's your mum today? -Whitechapel cemetery. | 0:09:46 | 0:09:49 | |
Her second husband killed her. | 0:09:50 | 0:09:53 | |
Never went down for it, though. | 0:09:53 | 0:09:55 | |
Jeff Whittaker. | 0:09:55 | 0:09:57 | |
-Who'd you reckon left that one, then? -It's probably Uncle Ted. | 0:10:18 | 0:10:21 | |
That's an Erica carnea, | 0:10:21 | 0:10:22 | |
or it was before winter in Whitechapel. | 0:10:22 | 0:10:24 | |
He grows 'em. | 0:10:24 | 0:10:26 | |
I dunno what those are. | 0:10:33 | 0:10:34 | |
Garage had 'em on sale. | 0:10:34 | 0:10:36 | |
How's the stump, then? | 0:10:39 | 0:10:41 | |
It's not like an old relative. | 0:10:41 | 0:10:43 | |
You don't have to ask after it. | 0:10:43 | 0:10:45 | |
Top girl, your mum. | 0:10:53 | 0:10:55 | |
Thanks. | 0:11:26 | 0:11:27 | |
Sorry. | 0:11:32 | 0:11:34 | |
So...it was addressed to you? | 0:11:39 | 0:11:42 | |
Hm. But meant for Strike, obviously. | 0:11:42 | 0:11:46 | |
A severed woman's leg was sent to you, and for what? | 0:11:47 | 0:11:50 | |
Slightly less than the minimum wage? | 0:11:50 | 0:11:53 | |
Would it be all right if I was on 100 grand? | 0:11:54 | 0:11:57 | |
How many share options make a girl's severed limb worth me dealing with? | 0:11:57 | 0:12:02 | |
I've got work to do. | 0:12:04 | 0:12:06 | |
You up for killing Whittaker yet? | 0:12:10 | 0:12:13 | |
Still a "no" from me. | 0:12:13 | 0:12:14 | |
I need you to find him, though. | 0:12:15 | 0:12:17 | |
That's why I wanted to see you. | 0:12:17 | 0:12:19 | |
I received a severed leg in this morning's post, | 0:12:19 | 0:12:22 | |
with some Blue Oyster Cult lyrics. | 0:12:22 | 0:12:24 | |
He holds grudges. | 0:12:25 | 0:12:27 | |
This feels like him. | 0:12:27 | 0:12:29 | |
The police are looking but they won't find him. | 0:12:29 | 0:12:31 | |
No, he's probably squatting somewhere. | 0:12:31 | 0:12:33 | |
He'll be in some shitty band an' all. | 0:12:33 | 0:12:36 | |
It was addressed to my partner. | 0:12:36 | 0:12:39 | |
-Pretty girl. -Exactly. | 0:12:39 | 0:12:41 | |
So, work fast. | 0:12:41 | 0:12:42 | |
ROBIN WHIMPERS IN HER SLEEP | 0:12:46 | 0:12:48 | |
Hey...Rob. | 0:12:51 | 0:12:53 | |
WHIMPERING CONTINUES | 0:12:53 | 0:12:56 | |
Rob, Rob, Rob? | 0:12:57 | 0:12:59 | |
Jesus! That sound you were making! | 0:13:04 | 0:13:06 | |
What sound? | 0:13:06 | 0:13:08 | |
You were doing what you used to do. | 0:13:09 | 0:13:11 | |
Look, we're getting married. | 0:13:16 | 0:13:18 | |
And seeing you in this state... | 0:13:18 | 0:13:20 | |
..it's not good for you and you know that. | 0:13:22 | 0:13:24 | |
I'm fine. | 0:13:24 | 0:13:26 | |
Honestly. | 0:13:26 | 0:13:27 | |
I'm sure Strike's delighted. | 0:13:41 | 0:13:43 | |
What are you talking about? | 0:13:47 | 0:13:48 | |
Well, he's going to make a pass at you at some point. | 0:13:48 | 0:13:51 | |
And you just getting worked up into this state it, like, gives... | 0:13:51 | 0:13:54 | |
He won't. And I'd be perfectly capable of shoving him off. | 0:13:54 | 0:13:57 | |
Of course you would. | 0:13:57 | 0:13:58 | |
Oh, Jesus! What is wrong with you? | 0:13:58 | 0:14:01 | |
You're so naive! | 0:14:01 | 0:14:03 | |
He...he is my colleague and friend, like Sarah is your friend | 0:14:03 | 0:14:06 | |
and it's not like the two of you have ever... | 0:14:06 | 0:14:09 | |
Have you? | 0:14:13 | 0:14:14 | |
Oh, you have. | 0:14:16 | 0:14:18 | |
-You've slept with her. -No. | 0:14:18 | 0:14:20 | |
-This is ridiculous. -When? | 0:14:20 | 0:14:22 | |
Can we both just put down our boxing gloves and... | 0:14:22 | 0:14:25 | |
Don't lie to me, Matthew. I saw it in your face. | 0:14:25 | 0:14:27 | |
I saw it. | 0:14:27 | 0:14:28 | |
You can't take it back. | 0:14:28 | 0:14:30 | |
-Are you having an affair? -No. | 0:14:31 | 0:14:34 | |
100%, no. I promise. | 0:14:34 | 0:14:36 | |
Tell me, it... | 0:14:38 | 0:14:39 | |
Tell me it wasn't then. | 0:14:41 | 0:14:42 | |
Oh. | 0:14:46 | 0:14:47 | |
Robs, please, I haven't even... | 0:14:50 | 0:14:52 | |
SHE SOBS | 0:14:54 | 0:14:56 | |
SHE WAILS | 0:15:04 | 0:15:06 | |
Rob, I've messed up. | 0:15:25 | 0:15:27 | |
I've messed up. | 0:15:29 | 0:15:31 | |
-AUTOMATED VOICE: -Message deleted. Next new message. | 0:15:31 | 0:15:34 | |
I've been trying to get hold of you. Call me back, will you? | 0:15:35 | 0:15:39 | |
Message deleted. | 0:15:39 | 0:15:40 | |
Next new message. | 0:15:40 | 0:15:42 | |
Why aren't you picking? | 0:15:42 | 0:15:44 | |
Message deleted. Next new message. | 0:15:44 | 0:15:47 | |
Robin, please... | 0:15:47 | 0:15:48 | |
Message deleted. Next new message. | 0:15:48 | 0:15:51 | |
-Ellacott, call me AS... -Message deleted. | 0:15:51 | 0:15:53 | |
PHONE RINGS | 0:16:57 | 0:16:59 | |
Hi, I'm here. | 0:17:00 | 0:17:02 | |
Yeah, I was still following that stripper. | 0:17:02 | 0:17:04 | |
We were sent a severed leg yesterday! | 0:17:04 | 0:17:06 | |
He even spelt your name with two T's, | 0:17:06 | 0:17:08 | |
so keep your phone on and pick the damn thing up when I call! | 0:17:08 | 0:17:10 | |
Yeah, I'll try. | 0:17:10 | 0:17:12 | |
Meet me in the office at five. | 0:17:12 | 0:17:14 | |
Can I have another? | 0:17:32 | 0:17:34 | |
PHONE RINGS | 0:18:05 | 0:18:07 | |
MUSIC: If I Should Fall From Grace With God by The Pogues | 0:18:07 | 0:18:10 | |
It's ten past six. | 0:18:14 | 0:18:16 | |
Are you all right? | 0:18:16 | 0:18:18 | |
Erm, Cormoran, I'm just... I'm not sure I'm up to this today. | 0:18:18 | 0:18:23 | |
What are you doing? | 0:18:28 | 0:18:30 | |
-Nothing. -Are you alone? | 0:18:31 | 0:18:34 | |
I'm waiting for someone. | 0:18:34 | 0:18:36 | |
-Can I wait with you? -No, you can't. | 0:18:36 | 0:18:39 | |
Right, what's going on with you? | 0:18:42 | 0:18:45 | |
How did you know I was here? | 0:18:45 | 0:18:47 | |
I'm a detective. | 0:18:47 | 0:18:49 | |
I could hear The Pogues playing when I called you. | 0:18:49 | 0:18:51 | |
They always play in here. | 0:18:51 | 0:18:53 | |
What do you need? | 0:18:54 | 0:18:56 | |
I don't need anything. What's going on? | 0:18:57 | 0:19:00 | |
Nothing. | 0:19:00 | 0:19:01 | |
Don't give me that. | 0:19:01 | 0:19:03 | |
I've never seen you look so bad. SHE SNORTS | 0:19:03 | 0:19:05 | |
Morale duly boosted... | 0:19:06 | 0:19:08 | |
Where's your engagement ring? | 0:19:13 | 0:19:15 | |
Put two and two together. You're the detective. | 0:19:17 | 0:19:19 | |
Matthew cheated on me. | 0:19:25 | 0:19:27 | |
Oh. Right. | 0:19:30 | 0:19:33 | |
What a moron. | 0:19:33 | 0:19:34 | |
It was a long time ago, | 0:19:36 | 0:19:38 | |
but it was with one of the most annoying women I know. | 0:19:38 | 0:19:42 | |
-Is she still around? -Yep. | 0:19:43 | 0:19:45 | |
We had dinner with her the other night. | 0:19:47 | 0:19:50 | |
SHE SNIFFS | 0:20:01 | 0:20:02 | |
They started just after I left uni. | 0:20:05 | 0:20:07 | |
I'm surprised he'd admit to it now. | 0:20:07 | 0:20:09 | |
He didn't, I just... I just knew. | 0:20:09 | 0:20:12 | |
He looked ashamed of himself, because of... | 0:20:14 | 0:20:17 | |
..because of...when... | 0:20:19 | 0:20:21 | |
I dropped out of uni... | 0:20:30 | 0:20:31 | |
..because something happened to me, | 0:20:34 | 0:20:35 | |
and afterwards, I had problems. | 0:20:35 | 0:20:38 | |
I was coming back from a friend's halls. | 0:20:43 | 0:20:47 | |
It wasn't even late. | 0:20:47 | 0:20:49 | |
Apparently, he'd tried to attack someone else | 0:20:50 | 0:20:53 | |
and there'd been a warning about him on the news... | 0:20:53 | 0:20:56 | |
I played dead and he ran. | 0:21:01 | 0:21:04 | |
That's how I survived. | 0:21:07 | 0:21:08 | |
He was wearing a rubber gorilla mask | 0:21:11 | 0:21:13 | |
but he had this white patch of skin behind his ear. | 0:21:13 | 0:21:17 | |
My evidence got him put away. | 0:21:18 | 0:21:21 | |
Rape and attempted murder. | 0:21:21 | 0:21:23 | |
It was 20 bad minutes out of a whole life and I am still the same person. | 0:21:24 | 0:21:28 | |
I know that. That's just a horrible thing to have happened to you. | 0:21:28 | 0:21:33 | |
Afterwards I... I couldn't leave my room. | 0:21:36 | 0:21:40 | |
I had to go home to Mum and Dad, that's when... | 0:21:40 | 0:21:45 | |
..Matthew and Sarah. | 0:21:48 | 0:21:50 | |
Well, I'll see you in the morning. | 0:21:53 | 0:21:55 | |
-Where are you staying? -Oh... | 0:21:55 | 0:21:57 | |
Everyone I know in London is Matthew's friend. | 0:21:57 | 0:22:01 | |
Erm, I'll get a youth hostel or a YMCA. | 0:22:01 | 0:22:04 | |
-Do they still have those? -I'll take you somewhere proper. | 0:22:04 | 0:22:07 | |
I'm totally skint. | 0:22:07 | 0:22:09 | |
Well, that's probably my fault. | 0:22:09 | 0:22:12 | |
I'll pay. | 0:22:12 | 0:22:14 | |
We'll call it a wedding-cancellation present. | 0:22:14 | 0:22:17 | |
Where is it, then? | 0:22:26 | 0:22:28 | |
Wow. | 0:22:41 | 0:22:43 | |
This is really nice. | 0:22:45 | 0:22:46 | |
I do your books, remember. | 0:22:48 | 0:22:49 | |
I know you can't afford this. | 0:22:49 | 0:22:51 | |
Checkout's at 11. Keep this door locked. | 0:22:51 | 0:22:54 | |
And stay away from the mini-bar. | 0:22:54 | 0:22:56 | |
POUNDING MUSIC PLAYS | 0:23:25 | 0:23:27 | |
You got sent a leg. Any idea who it's from? | 0:24:36 | 0:24:39 | |
PHONE RINGS | 0:25:16 | 0:25:18 | |
Mate, it's nearly midnight. | 0:25:18 | 0:25:20 | |
-Who leaked it? -I have no idea. | 0:25:20 | 0:25:22 | |
The press are outside my door. | 0:25:22 | 0:25:24 | |
It's not good for my business, being sent limbs in the post. | 0:25:24 | 0:25:27 | |
I'm sure you appreciate that. | 0:25:27 | 0:25:29 | |
You know how it is. | 0:25:29 | 0:25:31 | |
Whoever sent me that leg also knows how it is. | 0:25:31 | 0:25:33 | |
So let's not play their game, shall we? | 0:25:33 | 0:25:35 | |
Listen, how am I su... | 0:25:35 | 0:25:37 | |
What you got? | 0:26:13 | 0:26:14 | |
Body of a young girl, hands and legs sawn off. | 0:26:14 | 0:26:17 | |
Caucasian, maybe aged around 16. | 0:26:17 | 0:26:19 | |
A cleaner found her. | 0:26:19 | 0:26:20 | |
Anything found on the scene apart from the body? | 0:26:20 | 0:26:22 | |
There's a phone but no bag or wallet or anything. | 0:26:22 | 0:26:24 | |
Nothing to ID her. Phone's gone to forensics. | 0:26:24 | 0:26:26 | |
-How about CCTV? -The camera in the lobby. | 0:26:26 | 0:26:28 | |
We're doing the tapes. Might get lucky. | 0:26:28 | 0:26:31 | |
Right. | 0:26:31 | 0:26:32 | |
REPORTERS CLAMOUR | 0:26:36 | 0:26:39 | |
-Hello. -Oh... Hi... | 0:26:42 | 0:26:45 | |
There's a scrum of parasites on my doorstep. | 0:26:46 | 0:26:49 | |
I need to find this guy before we're put out of business. | 0:26:49 | 0:26:52 | |
SHE VOMITS | 0:26:52 | 0:26:53 | |
I know it's a Saturday but this can't wait. | 0:26:53 | 0:26:56 | |
Did you just throw up? | 0:26:58 | 0:27:00 | |
Oh. | 0:27:00 | 0:27:01 | |
I promise, I'm fine to work. | 0:27:01 | 0:27:04 | |
Never doubted you. | 0:27:04 | 0:27:05 | |
Have 'em send you up a bacon sandwich. | 0:27:05 | 0:27:07 | |
Oh, don't talk about food. | 0:27:07 | 0:27:09 | |
-Have you got a pen. -Er, yeah. | 0:27:09 | 0:27:11 | |
I'm giving you Nick and Ilsa's address. | 0:27:11 | 0:27:14 | |
It's 80 Octavia Street. | 0:27:14 | 0:27:16 | |
Oh, by the way, careful exiting the hotel. | 0:27:16 | 0:27:18 | |
We were followed last night. | 0:27:18 | 0:27:19 | |
Right, what's the address? | 0:27:21 | 0:27:23 | |
MACHINE WHIRS | 0:27:23 | 0:27:25 | |
Sorry. | 0:27:29 | 0:27:30 | |
I'm down to two clients overnight. | 0:27:31 | 0:27:33 | |
The rest have run screaming to the hills. | 0:27:33 | 0:27:36 | |
Well, a severed leg on the front pages will do that. | 0:27:36 | 0:27:39 | |
Business'll pick up again. | 0:27:39 | 0:27:41 | |
If this guy wanted to kill me, it's not difficult. | 0:27:41 | 0:27:44 | |
I'm a big enough target... | 0:27:44 | 0:27:45 | |
That reminds me, we should talk about your cholesterol. | 0:27:45 | 0:27:48 | |
The leg, the Blue Oyster Cult lyrics, | 0:27:48 | 0:27:50 | |
that's someone going to a lot of effort to get inside my head. | 0:27:50 | 0:27:52 | |
And butchering someone to use as a prop. | 0:27:52 | 0:27:55 | |
It's Robin, isn't it? That's who you're worried about. | 0:27:55 | 0:27:58 | |
Robin has, and I quote her verbatim, | 0:27:58 | 0:28:01 | |
"A certificate for a three-day self-defence course." | 0:28:01 | 0:28:04 | |
I like Robin. | 0:28:04 | 0:28:05 | |
Well, so do I. I just don't need to add her to the dead | 0:28:07 | 0:28:10 | |
and maimed women I carry around in my head. | 0:28:10 | 0:28:12 | |
And this is the same night, about 18 minutes earlier. | 0:28:25 | 0:28:28 | |
Yeah. | 0:28:32 | 0:28:33 | |
You'll have to bring him in. | 0:28:38 | 0:28:40 | |
PHONE RINGS | 0:28:41 | 0:28:42 | |
That's right. | 0:29:09 | 0:29:10 | |
Talk to you later. | 0:29:10 | 0:29:12 | |
-Coffee? -Ah, yes, please. | 0:29:14 | 0:29:16 | |
I feel awful. | 0:29:16 | 0:29:17 | |
That's because you drank every bottle of wine in London. | 0:29:17 | 0:29:23 | |
Radford called me on the way here. | 0:29:23 | 0:29:24 | |
Cancelled his job with us. | 0:29:24 | 0:29:27 | |
Just one client now. | 0:29:27 | 0:29:28 | |
-He says he's really sorry but, oh, just, exposure and... -No... | 0:29:30 | 0:29:36 | |
..I get it. | 0:29:37 | 0:29:39 | |
I've got an old address for Brockbank's sister, Holly, | 0:29:39 | 0:29:41 | |
-somewhere... Barrow-in-Furness. -Mm-hm. | 0:29:41 | 0:29:45 | |
It's the only solid lead we've got | 0:29:45 | 0:29:46 | |
and business isn't exactly thriving, so I thought I'd start there. | 0:29:46 | 0:29:50 | |
Great, well, I'll come with you. | 0:29:50 | 0:29:52 | |
You would be more use in the office. | 0:29:52 | 0:29:55 | |
I can do the research work from anywhere. | 0:29:55 | 0:29:57 | |
And I've got the Land Rover and you can't drive, | 0:29:57 | 0:30:00 | |
which will save us time and money | 0:30:00 | 0:30:02 | |
and I need this case solved before we go bust and I lose my job. | 0:30:02 | 0:30:05 | |
And if you're worried about my safety, | 0:30:05 | 0:30:07 | |
I'll be better off out of London, won't I? | 0:30:07 | 0:30:10 | |
-What will Matthew think? -Matthew can shove his thoughts up his own arse. | 0:30:10 | 0:30:14 | |
-Robin, please... -Don't touch me. | 0:30:32 | 0:30:34 | |
-All set? -Oggy had to nip off to see the police. -Oh. | 0:31:09 | 0:31:13 | |
Do you fancy some lunch? | 0:31:13 | 0:31:15 | |
A glass of water would be great. | 0:31:15 | 0:31:17 | |
Have you been in Whitechapel recently? | 0:31:19 | 0:31:22 | |
-Yes. -What took you there? | 0:31:22 | 0:31:23 | |
-A client. -Who was the client? | 0:31:23 | 0:31:25 | |
We never ended up meeting. | 0:31:25 | 0:31:27 | |
-His name was Valley, I think. -Where did you meet? | 0:31:27 | 0:31:31 | |
-We didn't meet. -Where did you try to meet? | 0:31:31 | 0:31:33 | |
It was a short-let office building. | 0:31:33 | 0:31:37 | |
I can find you the address. | 0:31:37 | 0:31:38 | |
We've just found a young woman's body in a building in Whitechapel High Street. | 0:31:38 | 0:31:42 | |
Both legs removed. There was a phone at the scene, with her prints on it. | 0:31:42 | 0:31:46 | |
Forensics got it unlocked for us. | 0:31:46 | 0:31:49 | |
Right. What did you find? | 0:31:49 | 0:31:52 | |
We found it was you that invited her there. | 0:31:52 | 0:31:54 | |
Hi, it's Cormoran Strike, I'm here. | 0:31:58 | 0:32:00 | |
You're....not. | 0:32:02 | 0:32:05 | |
Invented this at med school. | 0:32:10 | 0:32:12 | |
Vitamins, anti-inflammatories | 0:32:12 | 0:32:15 | |
and a raw egg prove you're the hardest bastard in the room. | 0:32:15 | 0:32:20 | |
-Let's get going. -So what did the police want? | 0:32:22 | 0:32:25 | |
Interviewed me under caution. | 0:32:25 | 0:32:27 | |
Just shy of having me arrested for murder. | 0:32:27 | 0:32:29 | |
Needed that. Come on! | 0:32:32 | 0:32:35 | |
Well, at least Wardle believes you. | 0:32:35 | 0:32:38 | |
That I'm not grooming teenage girls to carve up? | 0:32:38 | 0:32:40 | |
Yeah, it's a real vote of confidence. | 0:32:40 | 0:32:43 | |
Can you send Wardle all we've got on the client | 0:32:45 | 0:32:47 | |
-I was supposed to meet in Whitechapel? -Sure. | 0:32:47 | 0:32:50 | |
So how does it help frame you, him sending you her leg? | 0:32:54 | 0:32:57 | |
Depends what the killer's trying to achieve. | 0:32:57 | 0:32:59 | |
If they want to make sure I never work again, send me the leg, | 0:32:59 | 0:33:01 | |
involve me in a murder case. Let the press do the rest. | 0:33:01 | 0:33:05 | |
Do you still think it's one of those three men? | 0:33:31 | 0:33:33 | |
Yeah, I do. | 0:33:33 | 0:33:35 | |
More than ever. Whittaker got away with murder, twice. | 0:33:35 | 0:33:38 | |
Laing charmed everyone while he kept his wife terrified. | 0:33:38 | 0:33:40 | |
Brockbank was a child rapist | 0:33:40 | 0:33:42 | |
who managed to convince everyone that he was the injured party. | 0:33:42 | 0:33:45 | |
And you think he could cut off his own daughter's leg? | 0:33:45 | 0:33:48 | |
I don't know what to think, but I know he wants revenge on me. | 0:33:48 | 0:33:51 | |
Major Brockbank, Sergeant Strike, SIB. | 0:33:54 | 0:33:59 | |
Brittany, back inside. | 0:33:59 | 0:34:02 | |
So he might be living with his sister? | 0:34:14 | 0:34:17 | |
Brockbank's Army pension goes to her address in Barrow every month. | 0:34:17 | 0:34:20 | |
She's our only lead. | 0:34:20 | 0:34:21 | |
-How you doing? -Pfft! A bit shit. | 0:34:30 | 0:34:34 | |
Matthew keeps texting. | 0:34:36 | 0:34:38 | |
Would you like to hear about the migratory patterns of the black marlin? | 0:34:38 | 0:34:41 | |
We have two hours to go. | 0:34:41 | 0:34:43 | |
4-3-1-Y-U-T. | 0:35:12 | 0:35:15 | |
Receiving. | 0:35:15 | 0:35:16 | |
-Owner is a Mr Michael Ellacott. -Are you Michael Ellacott? | 0:35:23 | 0:35:27 | |
Erm, er, no, that's my dad. | 0:35:27 | 0:35:29 | |
You're parked on a double-yellow. | 0:35:30 | 0:35:32 | |
There's no loitering near a nuclear facility. | 0:35:32 | 0:35:34 | |
Can I see your licence, please? | 0:35:34 | 0:35:36 | |
Er, yeah. | 0:35:36 | 0:35:37 | |
Is that what, erm... that what that is? | 0:35:37 | 0:35:41 | |
Shipyard, yeah. Where do you live? | 0:35:41 | 0:35:44 | |
Oh, not...not together. | 0:35:44 | 0:35:45 | |
-Denmark Street, London. -Ealing, London. | 0:35:45 | 0:35:48 | |
You up here on holiday? | 0:35:48 | 0:35:50 | |
Does anyone ever come to Barrow-in-Furness on holiday? | 0:35:50 | 0:35:54 | |
The abbey's popular. | 0:35:54 | 0:35:55 | |
And the nature reserves. | 0:35:55 | 0:35:57 | |
We're, er, hoping to catch up with a friend on the way to Scotland. | 0:35:57 | 0:36:01 | |
Where can I get a half-decent coffee? | 0:36:01 | 0:36:03 | |
No photography in this area, all right? | 0:36:03 | 0:36:06 | |
Roger that. | 0:36:06 | 0:36:07 | |
Yeah, it was nowt. | 0:36:09 | 0:36:11 | |
-Morning. -Morning. | 0:36:11 | 0:36:13 | |
"Roger that"? | 0:36:13 | 0:36:15 | |
You weren't exactly helpful! "Who'd holiday in Barrow?" | 0:36:15 | 0:36:18 | |
She's obviously from here. | 0:36:18 | 0:36:20 | |
-Where are you going? -To ask after Brockbank. | 0:36:20 | 0:36:22 | |
No, no, no, don't knock on Holly's door. He might still live there. | 0:36:22 | 0:36:25 | |
No. I'm going to go and ask that woman. | 0:36:25 | 0:36:27 | |
She looks like she'd be the type to gossip. | 0:36:27 | 0:36:29 | |
Hey, excuse me. | 0:36:31 | 0:36:33 | |
Sorry, I, er, wondered if you might be able to help me? | 0:36:33 | 0:36:35 | |
It has to be me. | 0:36:37 | 0:36:39 | |
If Holly recognises you, she'll tell Niall that you're looking for him. | 0:36:40 | 0:36:43 | |
Anyway, this will work. | 0:36:43 | 0:36:45 | |
I don't like it. | 0:36:45 | 0:36:47 | |
You don't have to like it. | 0:36:47 | 0:36:48 | |
It's still a good idea. | 0:36:48 | 0:36:50 | |
Great. | 0:37:19 | 0:37:20 | |
Well, the good news is my hangover's finally lifting. | 0:37:21 | 0:37:24 | |
PHONE RINGS | 0:37:24 | 0:37:25 | |
Er, I, I'd better get this. It's my mum. Sorry. | 0:37:25 | 0:37:30 | |
Hi, Mum. | 0:37:30 | 0:37:32 | |
Matthew called me. He told me the two of you had broken up. | 0:37:34 | 0:37:37 | |
-He said you've left him. -Did he tell you why? | 0:37:37 | 0:37:39 | |
Look, I... I can't really talk right now. I'm away with Strike. | 0:37:39 | 0:37:42 | |
Oh. I see. | 0:37:42 | 0:37:44 | |
No, not like that! It's work. | 0:37:44 | 0:37:46 | |
We're, erm, someone sent him a l... | 0:37:46 | 0:37:48 | |
Anyway, it doesn't matter, it's...it's work. | 0:37:48 | 0:37:51 | |
Are you all right? | 0:37:51 | 0:37:53 | |
Yeah, erm, oh, I don't know. | 0:37:53 | 0:37:56 | |
I... I can't really talk about Matt right now. | 0:37:57 | 0:37:59 | |
It's, erm, it's all so new, so, er... | 0:37:59 | 0:38:01 | |
I'm going to come and see you as soon as you're back to London. | 0:38:01 | 0:38:04 | |
-Yeah, that'd be nice. Thanks. -Bye, then. | 0:38:04 | 0:38:07 | |
Love you. Bye. | 0:38:07 | 0:38:09 | |
So according to that old lady, Holly's in here every lunchtime. | 0:38:16 | 0:38:20 | |
Let's hope she's a nicer Brockbank than her brother. | 0:38:21 | 0:38:24 | |
-You good? -Yeah. | 0:38:27 | 0:38:29 | |
Thanks, love. | 0:38:44 | 0:38:46 | |
Hi, I'm looking for Holly Brockbank. | 0:38:50 | 0:38:52 | |
Holly Brockbank? | 0:38:56 | 0:38:57 | |
Who are thoo? | 0:38:57 | 0:38:59 | |
Sorry? | 0:38:59 | 0:39:00 | |
Who...are...you? | 0:39:00 | 0:39:02 | |
My name's Venetia Hall. I'm a lawyer. | 0:39:02 | 0:39:05 | |
-I'm trying to find Niall. -Don't know, don't care. | 0:39:05 | 0:39:08 | |
Only...I believe he's owed money. | 0:39:08 | 0:39:10 | |
Him and his family. | 0:39:10 | 0:39:12 | |
-His family? -Oh, his close family. | 0:39:13 | 0:39:16 | |
Parents and siblings. | 0:39:16 | 0:39:17 | |
Anyone who he's lived with. | 0:39:17 | 0:39:20 | |
Why's that, then? | 0:39:20 | 0:39:21 | |
Well, my company specialises in gaining reparations | 0:39:22 | 0:39:26 | |
for servicemen who have been injured outside of combat operations. | 0:39:26 | 0:39:30 | |
Right. | 0:39:30 | 0:39:32 | |
I'd like to help you make a lot of money off the government, Holly. | 0:39:32 | 0:39:36 | |
All you have to do is tell me your side of things. | 0:39:36 | 0:39:39 | |
-Wardle. -Hey, have you found Whittaker yet? | 0:39:44 | 0:39:47 | |
No, not yet. | 0:39:47 | 0:39:48 | |
I think you should look in to Donald Laing, spelt "A-I". | 0:39:48 | 0:39:51 | |
I got him sent down for 16 years but he's probably out by now. | 0:39:51 | 0:39:55 | |
He did his time in Glasgow, I'll text you the details. | 0:39:55 | 0:39:58 | |
-Yeah, send me anything you've got. -I will. | 0:39:58 | 0:40:01 | |
So... | 0:40:05 | 0:40:07 | |
Nice one. | 0:40:07 | 0:40:08 | |
Well, we know that Niall suffered some problems | 0:40:08 | 0:40:11 | |
during his time in the Army. | 0:40:11 | 0:40:13 | |
Problems? Some fuckin' police copper smashed his head in! | 0:40:13 | 0:40:16 | |
Damaged 'im for life. | 0:40:16 | 0:40:17 | |
Er, do you mind if I, er...? | 0:40:17 | 0:40:19 | |
You don't happen to remember the copper's name? | 0:40:19 | 0:40:21 | |
Course I do. Cormoran Strike. | 0:40:21 | 0:40:23 | |
Fuckin' gadgee! Destroyed 'im. | 0:40:23 | 0:40:26 | |
Niall started having fits. | 0:40:26 | 0:40:27 | |
-Couldn't get any work anywhere after that, not properly. -Right. | 0:40:27 | 0:40:30 | |
He'd come round to ours, smash the place up, smash me up. | 0:40:30 | 0:40:33 | |
Have you seen this nose? Fuckin' seen that? | 0:40:34 | 0:40:37 | |
That's a nose that's been hit hard. That wants paying for by the Army! | 0:40:37 | 0:40:40 | |
Oh, absolutely. Look, I'm sorry you've suffered. | 0:40:40 | 0:40:43 | |
-I have. -Really, we're going to try and secure you a solid pay-out. | 0:40:43 | 0:40:47 | |
But...but the truth is, Miss Hall, I've had a properly shit life. | 0:40:51 | 0:40:55 | |
Me and Niall both did when we were kids, | 0:40:57 | 0:41:00 | |
but at least he got all the way to be a major in the Army. | 0:41:00 | 0:41:03 | |
That's good money and good respect. | 0:41:04 | 0:41:07 | |
And all of that went after Cormoran Strike bashed his head in. | 0:41:07 | 0:41:12 | |
How, how's Niall coping now? | 0:41:12 | 0:41:15 | |
Oh, works shit jobs in rubbish strip joints. | 0:41:15 | 0:41:18 | |
They'll have him for a bouncer. | 0:41:18 | 0:41:20 | |
Not what it was, though. | 0:41:20 | 0:41:21 | |
Don't last long. | 0:41:21 | 0:41:23 | |
He's in London now. | 0:41:23 | 0:41:25 | |
More work there for him. | 0:41:25 | 0:41:27 | |
Author of The Affluent Society. Nine letters? | 0:41:31 | 0:41:33 | |
-Er... -You all right to drive? | 0:41:33 | 0:41:35 | |
Half a glass of wine. I'm fine. | 0:41:35 | 0:41:37 | |
He's not here. | 0:41:37 | 0:41:39 | |
But I've got a number for him. | 0:41:39 | 0:41:42 | |
Well bloody done! Shall we call him? | 0:41:42 | 0:41:44 | |
Apparently he's in London. | 0:41:44 | 0:41:46 | |
I think we should give it a day or two, in case Holly calls him? | 0:41:46 | 0:41:50 | |
Let the story bed in. | 0:41:50 | 0:41:52 | |
You know, if we lose the business, I might try personal injury claims. | 0:41:52 | 0:41:55 | |
I think I've got a knack for it. | 0:41:55 | 0:41:57 | |
What could you get me for my missing leg? | 0:41:57 | 0:42:00 | |
Packet of crisps and a pint. | 0:42:00 | 0:42:02 | |
Anywhere cheap to stay around here? | 0:42:06 | 0:42:08 | |
There's a Comfort City Express down the road. | 0:42:08 | 0:42:10 | |
Thanks. | 0:42:10 | 0:42:12 | |
Holly told me you smashed Niall's head in. | 0:42:12 | 0:42:14 | |
Is that true? | 0:42:14 | 0:42:16 | |
Arguably, the interview I'd seen with Brittany... | 0:42:19 | 0:42:21 | |
..framed my response to him. | 0:42:22 | 0:42:24 | |
He had a pre-existing concussion from playing rugby that week. | 0:42:48 | 0:42:51 | |
He started to have epileptic fits, got invalided out. | 0:42:51 | 0:42:55 | |
In between the fits, | 0:42:55 | 0:42:57 | |
he'd tell anyone who'd listen that he was going to destroy me. | 0:42:57 | 0:43:00 | |
Perks of the job. | 0:43:00 | 0:43:01 | |
What happened to Brittany? | 0:43:02 | 0:43:04 | |
I spoke to the wife. | 0:43:06 | 0:43:08 | |
She wouldn't hear a word of it. | 0:43:08 | 0:43:10 | |
Brittany was telling tales, a naughty little liar. | 0:43:10 | 0:43:13 | |
Niall was a good man and a good father. | 0:43:13 | 0:43:16 | |
And off they went. | 0:43:16 | 0:43:19 | |
She was 12. | 0:43:19 | 0:43:20 | |
After that, he knew she'd told on him. | 0:43:21 | 0:43:23 | |
And she knew that help wasn't coming. | 0:43:23 | 0:43:26 | |
She's the one I find hard to live with. | 0:43:27 | 0:43:30 | |
We have to find him and put him away. | 0:43:30 | 0:43:32 | |
If he's our killer. | 0:43:32 | 0:43:34 | |
He's a child rapist. | 0:43:34 | 0:43:35 | |
The Army did their job properly. | 0:43:35 | 0:43:37 | |
There wasn't enough evidence for a case. | 0:43:37 | 0:43:40 | |
I know this must be hard... | 0:43:40 | 0:43:42 | |
Don't! Do not! You promised. | 0:43:42 | 0:43:45 | |
It's hard for anyone to hear. | 0:43:47 | 0:43:49 | |
What are we supposed to do? Hunt them all down? | 0:43:50 | 0:43:52 | |
Yeah. | 0:43:52 | 0:43:54 | |
All of that, and pay off the utilities bill? | 0:43:54 | 0:43:57 | |
I'll tell British Gas that's what we've decided. | 0:43:57 | 0:44:00 | |
Thanks. | 0:44:10 | 0:44:11 | |
Good evening. Are you looking for...? | 0:44:25 | 0:44:27 | |
-Two singles, please. -Two singles. | 0:44:27 | 0:44:29 | |
Right. OK. | 0:44:29 | 0:44:30 | |
Is that one room with two single beds or... | 0:44:30 | 0:44:33 | |
Erm, if you've got two different rooms. | 0:44:33 | 0:44:35 | |
-Two rooms, one bed in each of 'em. -Single in each. | 0:44:35 | 0:44:38 | |
Right. | 0:44:38 | 0:44:40 | |
-I'm not trying to pry. I have to check. -No, it's fine! -No. | 0:44:40 | 0:44:43 | |
Is your leg all right? | 0:44:45 | 0:44:47 | |
No. It's been blown-off. | 0:44:47 | 0:44:50 | |
You're limping. | 0:44:50 | 0:44:52 | |
You offering me a piggyback? | 0:44:52 | 0:44:54 | |
It could be the last thing you ever do. | 0:44:54 | 0:44:57 | |
I'm stronger than I look. | 0:44:57 | 0:44:58 | |
It's all those gymkhanas I did. | 0:44:58 | 0:45:00 | |
Did you carry the horse? | 0:45:00 | 0:45:02 | |
If you hear anything, I'm just in here. | 0:45:03 | 0:45:06 | |
OK. | 0:45:06 | 0:45:08 | |
KNOCK ON DOOR | 0:45:32 | 0:45:33 | |
Hello? | 0:45:33 | 0:45:35 | |
It's me. I've just heard from Wardle. | 0:45:35 | 0:45:38 | |
We're not going home just yet. | 0:45:38 | 0:45:40 | |
Wardle's found an old address for Laing. He was living with someone in Corby. | 0:45:40 | 0:45:44 | |
-Great. -We should check it out tomorrow. | 0:45:44 | 0:45:46 | |
-Well, er, night. -Night. I was just telling you now, in case | 0:45:46 | 0:45:48 | |
-you were making other plans for tomorrow. -Yeah. | 0:45:48 | 0:45:51 | |
-Sleep well. -Sleep well. | 0:45:51 | 0:45:53 | |
Yeah, you too. | 0:45:53 | 0:45:54 | |
Give us one, then. | 0:46:28 | 0:46:29 | |
Thanks. | 0:46:36 | 0:46:37 | |
Thanks. | 0:46:49 | 0:46:50 | |
So how did you meet Laing? | 0:46:52 | 0:46:53 | |
I was on a drugs case in Cyprus, undercover, | 0:46:55 | 0:46:58 | |
buying grass off a local guy who dealt with a lot of soldiers. | 0:46:58 | 0:47:01 | |
He told me about a squaddie who said he'd chained his wife up | 0:47:01 | 0:47:04 | |
when she'd threatened to leave him. | 0:47:04 | 0:47:06 | |
Sounded like grandstanding, but... | 0:47:06 | 0:47:08 | |
..I checked it out anyway... | 0:47:09 | 0:47:11 | |
When no-one answered the door, I kicked it in. | 0:47:12 | 0:47:14 | |
The smell hit me first. I went upstairs and found his wife in the bedroom. | 0:47:14 | 0:47:20 | |
He told the court she was kinky, liked to be tied up. | 0:47:20 | 0:47:23 | |
She'd broken her wrist and dislocated her shoulder | 0:47:23 | 0:47:27 | |
trying to get free and there were internal injuries. | 0:47:27 | 0:47:30 | |
Tell me he didn't get off. | 0:47:40 | 0:47:41 | |
Went down for 16 years. | 0:47:41 | 0:47:43 | |
Probably did eight. | 0:47:43 | 0:47:44 | |
He'll have been out a while now. | 0:47:46 | 0:47:48 | |
-Are you Lorraine McNaughton? -Who are you? | 0:48:01 | 0:48:04 | |
I'm a detective. I'm looking for information on Donald Laing. | 0:48:04 | 0:48:07 | |
I heard he lived here a few years ago. | 0:48:07 | 0:48:09 | |
What's Donnie done now? | 0:48:09 | 0:48:11 | |
-Is he still here? -No, thank Christ. | 0:48:11 | 0:48:14 | |
Would you mind if my partner and I asked you a few questions? | 0:48:14 | 0:48:17 | |
Was it robbery he's done? | 0:48:21 | 0:48:23 | |
Why do you say that? | 0:48:23 | 0:48:24 | |
Because he robbed me when he left. | 0:48:24 | 0:48:27 | |
He took my jewellery. | 0:48:27 | 0:48:29 | |
He took my mum's ring. | 0:48:29 | 0:48:30 | |
I'm sorry. That's terrible. | 0:48:30 | 0:48:32 | |
How did you meet Donald? | 0:48:32 | 0:48:34 | |
Pub. | 0:48:34 | 0:48:35 | |
He was very charming. | 0:48:36 | 0:48:38 | |
Sorry, I know that sounds stupid. | 0:48:39 | 0:48:41 | |
He had his own company in Scotland but he got ill. | 0:48:41 | 0:48:45 | |
What did he get ill with? | 0:48:46 | 0:48:48 | |
Oh, it was nasty. | 0:48:48 | 0:48:50 | |
Psoriatic arthritis. | 0:48:50 | 0:48:52 | |
-Some days he couldn't even move. -Here, let me take that. | 0:48:53 | 0:48:56 | |
Oh, thank you. | 0:48:56 | 0:48:57 | |
Were you together long? | 0:48:57 | 0:48:58 | |
Not even a year. | 0:48:58 | 0:49:00 | |
It was after my mum died. | 0:49:00 | 0:49:02 | |
Donnie did some work for | 0:49:02 | 0:49:04 | |
Mrs Williams, at number 37, across the road. | 0:49:04 | 0:49:08 | |
87 with a lawn to cut and all her kids have gone abroad, you know. | 0:49:08 | 0:49:13 | |
He was nice to me. And he did raise money for charity. | 0:49:16 | 0:49:20 | |
Despite it all, erm, I miss him.. | 0:49:20 | 0:49:23 | |
-He was never violent? -No. | 0:49:24 | 0:49:27 | |
And I told the police that. | 0:49:27 | 0:49:29 | |
Was this when you reported your jewellery missing? | 0:49:29 | 0:49:31 | |
No, Mrs Williams was robbed and attacked. | 0:49:31 | 0:49:35 | |
Is she OK? | 0:49:35 | 0:49:37 | |
She's passed since then. | 0:49:37 | 0:49:39 | |
Poor old Mrs Williams, beaten shitless for a couple of quid. | 0:49:41 | 0:49:45 | |
So do you reckon that was Laing? | 0:49:45 | 0:49:47 | |
Cased it while he mowing her lawn, didn't he? | 0:49:47 | 0:49:49 | |
Men like Laing and Brockbank and Whittaker - | 0:49:49 | 0:49:53 | |
women are things to be used. | 0:49:53 | 0:49:54 | |
And she still misses him. | 0:49:57 | 0:49:58 | |
Here we go. | 0:50:10 | 0:50:11 | |
-Donald Laing's great charity efforts. -Go on! -£40... | 0:50:11 | 0:50:14 | |
-Oh. Oh. -..raised for psoriatic arthritis. | 0:50:14 | 0:50:18 | |
Well, it's not nothing. | 0:50:18 | 0:50:20 | |
Well, he's only set it up | 0:50:20 | 0:50:21 | |
so he can show it to people who've started to realise he's a leech. | 0:50:21 | 0:50:24 | |
Yeah. | 0:50:24 | 0:50:25 | |
Where are you going to stay? | 0:50:30 | 0:50:33 | |
At the flat. At least for tonight. | 0:50:33 | 0:50:36 | |
Matthew's away, so... | 0:50:36 | 0:50:39 | |
Right. | 0:50:39 | 0:50:41 | |
-Thank you. Goodnight. -You too. | 0:51:02 | 0:51:04 | |
PHONE RINGS | 0:51:23 | 0:51:25 | |
All right, Bunsen? Where are you? | 0:51:30 | 0:51:33 | |
Office. | 0:51:33 | 0:51:34 | |
I've found Whittaker. | 0:51:35 | 0:51:37 | |
The little girl said, "Daddy, Daddy, I love that pig." | 0:51:39 | 0:51:42 | |
And the farmer said, "Well, we all used to love the pig | 0:51:42 | 0:51:46 | |
"but the pig's become diseased and it won't stop squealing!" | 0:51:46 | 0:51:49 | |
Wait. | 0:51:53 | 0:51:54 | |
All right, Bunsen? | 0:51:55 | 0:51:56 | |
Very nice. | 0:52:05 | 0:52:06 | |
See you later. | 0:52:06 | 0:52:08 | |
Get in. Banjo, get me some fags. | 0:52:30 | 0:52:33 | |
Well, look who it is, Sherlock fucking Holmes, | 0:52:35 | 0:52:39 | |
as I live and breathe. | 0:52:39 | 0:52:40 | |
Steph, come here, let me tell you a little story about this guy. | 0:52:40 | 0:52:45 | |
I was banging his mummy back in the day, for a while. I gave her a kid. | 0:52:46 | 0:52:51 | |
Now, she...she was a juicy old tart. | 0:52:51 | 0:52:54 | |
This man kills women. | 0:52:54 | 0:52:56 | |
You think this one gives a shit? | 0:52:56 | 0:52:58 | |
She barely knows where she is half the time, bless her. | 0:52:58 | 0:53:00 | |
I love him, darling. | 0:53:00 | 0:53:02 | |
Do you know what Mummy used to like to do? | 0:53:03 | 0:53:06 | |
-She used to like to suck me off after I sang to her. Hm? -Mm-hm. | 0:53:06 | 0:53:10 | |
Sing her a song and then down she'd go - Pavlovian response. | 0:53:10 | 0:53:15 | |
HE GRUNTS | 0:53:15 | 0:53:16 | |
Fuck. | 0:53:16 | 0:53:17 | |
I can find you somewhere to stay. | 0:53:19 | 0:53:20 | |
Fucking get in that van. | 0:53:20 | 0:53:22 | |
Motherfucker! | 0:53:24 | 0:53:25 | |
-CHILD: -Hello? | 0:53:35 | 0:53:36 | |
Hello. | 0:53:36 | 0:53:38 | |
Zahara, give that here. | 0:53:38 | 0:53:40 | |
BABY GURGLES | 0:53:40 | 0:53:42 | |
-Who's this? -Hello, is that Mr Brockbank? | 0:53:42 | 0:53:45 | |
-Aye. -This is, er...Venetia Hall. | 0:53:45 | 0:53:48 | |
I'm a personal injury claims lawyer. | 0:53:48 | 0:53:50 | |
I spoke to your sister, Holly, about getting | 0:53:50 | 0:53:52 | |
compensation from the Army for the injuries they caused you. | 0:53:52 | 0:53:55 | |
How's that? | 0:53:55 | 0:53:56 | |
Well, I'd be very happy to go over it with you if you're able to meet. | 0:53:56 | 0:54:00 | |
Where might be convenient? | 0:54:00 | 0:54:02 | |
What about Shoreditch? | 0:54:02 | 0:54:03 | |
Could I maybe have a home address for you? | 0:54:04 | 0:54:07 | |
And then I can send you our paperwork. | 0:54:07 | 0:54:10 | |
Do I know you, little girl? | 0:54:10 | 0:54:12 | |
I'm pretty sure we've never met. | 0:54:14 | 0:54:16 | |
HE ENDS THE CALL | 0:54:18 | 0:54:20 | |
I love him, darling. | 0:54:38 | 0:54:40 | |
One day, you'll feel like that about somebody. | 0:54:41 | 0:54:44 | |
DOOR ENTRY BUZZER | 0:54:58 | 0:55:00 | |
BUZZER CONTINUES | 0:55:02 | 0:55:04 | |
BUZZER CONTINUES | 0:55:09 | 0:55:11 | |
Who is it? | 0:55:19 | 0:55:21 | |
It's Wardle, open the door. | 0:55:21 | 0:55:22 | |
Hold on. | 0:55:22 | 0:55:24 | |
I've got to get my leg on. | 0:55:24 | 0:55:25 | |
REPORTERS CLAMOUR | 0:55:25 | 0:55:27 | |
We've just got a few questions. | 0:55:35 | 0:55:37 | |
Have you ever met this girl? | 0:55:40 | 0:55:42 | |
-No. -Have a good look. | 0:55:45 | 0:55:47 | |
I haven't met her. | 0:55:50 | 0:55:51 | |
Who is she? | 0:55:51 | 0:55:52 | |
She's the girl we found in Whitechapel. | 0:55:55 | 0:55:58 | |
So you've identified the body? | 0:55:58 | 0:55:59 | |
Well, I'm not sure we can claim all the credit. | 0:55:59 | 0:56:02 | |
Took the morning papers for us to piece it together. | 0:56:02 | 0:56:04 | |
You've never met her? Kelsey Platt? | 0:56:14 | 0:56:18 | |
The three names I gave you. Who have you found? | 0:56:57 | 0:56:59 | |
We're still making enquiries. | 0:56:59 | 0:57:01 | |
He addressed the leg to you. He followed you. | 0:57:01 | 0:57:03 | |
-That's the pattern we have so far. -I know. And I will be careful. | 0:57:03 | 0:57:06 | |
-Oh, my God, it's you. -I need to ask you about your sister. | 0:57:06 | 0:57:10 | |
Robin, I do think it's time to make a decision. | 0:57:10 | 0:57:13 | |
The wedding day's nearly here. | 0:57:13 | 0:57:14 | |
She's been followed. | 0:57:14 | 0:57:15 | |
-She's had body parts sent to her... -Robin's good at what she does. | 0:57:15 | 0:57:18 | |
She's very good. She manages the risks. | 0:57:18 | 0:57:21 | |
Shanker! | 0:57:21 | 0:57:22 | |
You're a sociopath. | 0:57:22 | 0:57:24 | |
Have you seen something? | 0:57:24 | 0:57:25 | |
SHE SCREAMS We're finished. | 0:57:25 | 0:57:27 | |
Let's just find this guy. | 0:57:29 | 0:57:30 | |
Gotcha! | 0:57:30 | 0:57:32 |