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This programme contains some strong language some scenes which some viewers may find upsetting | 0:00:02 | 0:00:06 | |
-We've been sent a leg. -Whose leg did you think it was? | 0:00:06 | 0:00:08 | |
It might be a girl called Brittany Brockbank. | 0:00:08 | 0:00:10 | |
Do you still think it's one of those three men? | 0:00:10 | 0:00:12 | |
Whittaker got away with murder twice. | 0:00:12 | 0:00:14 | |
Laing charmed everyone while he kept his wife terrified. | 0:00:14 | 0:00:16 | |
Brockbank was a child rapist, | 0:00:16 | 0:00:17 | |
who managed to convince everyone that he was the injured party. | 0:00:17 | 0:00:20 | |
Careful exiting the hotel. We were followed last night. | 0:00:20 | 0:00:23 | |
-Are you having an affair? -Robs, please... I... | 0:00:25 | 0:00:29 | |
We've just found a young woman's body | 0:00:29 | 0:00:30 | |
in a building in Whitechapel High Street. | 0:00:30 | 0:00:32 | |
We found it was you that invited her there. | 0:00:32 | 0:00:34 | |
You've never met her? Kelsey Platt. | 0:00:34 | 0:00:38 | |
# You and me | 0:00:41 | 0:00:44 | |
# Me and you | 0:00:44 | 0:00:47 | |
# Somehow we made it through | 0:00:47 | 0:00:52 | |
# I may be gone | 0:00:52 | 0:00:55 | |
# I may be far away | 0:00:55 | 0:00:57 | |
# But I walk beside you | 0:00:59 | 0:01:02 | |
# Every step of the way | 0:01:02 | 0:01:06 | |
# When you're used | 0:01:06 | 0:01:09 | |
# Bruised | 0:01:09 | 0:01:11 | |
# Black and blue | 0:01:11 | 0:01:13 | |
# Don't think about it | 0:01:13 | 0:01:17 | |
# Never doubt it | 0:01:17 | 0:01:19 | |
# I'll walk beside you. # | 0:01:20 | 0:01:22 | |
REPORTERS ALL SPEAK AT ONCE | 0:01:32 | 0:01:38 | |
Let's start with the photograph. | 0:01:43 | 0:01:45 | |
Sent to the papers by a concerned friend, is that right? | 0:01:45 | 0:01:49 | |
Paedophile and murder suspect. | 0:01:49 | 0:01:50 | |
It's not a popular spot on the Venn diagram. | 0:01:50 | 0:01:52 | |
-Do you think the photo is doctored? -No. | 0:01:52 | 0:01:55 | |
Excuse me. Is this seat taken? | 0:01:55 | 0:01:57 | |
-No. -Thanks. | 0:01:57 | 0:01:59 | |
Simple as that. | 0:01:59 | 0:02:00 | |
If you're trying to make me look dodgy, at some point I'll look up | 0:02:00 | 0:02:03 | |
at the same moment you're looking at me. | 0:02:03 | 0:02:05 | |
The photo taken in that split second | 0:02:05 | 0:02:06 | |
will make it look like we're having a conversation. | 0:02:06 | 0:02:09 | |
You find the person who took that photograph... | 0:02:09 | 0:02:11 | |
..you'll have Kelsey's killer. | 0:02:11 | 0:02:12 | |
It's probably someone she trusted. What else? | 0:02:12 | 0:02:15 | |
That girl's wearing a vest top. So it was warm weather. | 0:02:15 | 0:02:17 | |
Probably taken at least five months ago. And she's reading a magazine. | 0:02:17 | 0:02:20 | |
If the papers were sent a high-res image that'll help you date it. | 0:02:20 | 0:02:23 | |
Anything else? Kelsey's holding a bottle of water. | 0:02:23 | 0:02:27 | |
Who goes to a coffee shop to sit and drink water? | 0:02:27 | 0:02:29 | |
I'd skew towards saying she came specifically to sit next to me, | 0:02:29 | 0:02:32 | |
rather than to enjoy | 0:02:32 | 0:02:33 | |
a freshly-prepared caffeinated beverage. | 0:02:33 | 0:02:35 | |
You seem annoyed. | 0:02:35 | 0:02:37 | |
Have you found the three men I told Wardle about? | 0:02:37 | 0:02:39 | |
I can't discuss that with you. | 0:02:39 | 0:02:40 | |
-Because it's now part of a murder investigation? -Exactly. | 0:02:40 | 0:02:43 | |
-I don't care. I'll pay the fine. -I have asthma. | 0:02:43 | 0:02:47 | |
Sorry. | 0:02:50 | 0:02:51 | |
Do we have a print out of Donald Laing's fundraising page? | 0:03:20 | 0:03:23 | |
Yes, somewhere. Where are you? | 0:03:23 | 0:03:24 | |
I just had a social down at the station. | 0:03:24 | 0:03:26 | |
-Right... Do they have a lead? -Yes, me. So we better get a move on. | 0:03:26 | 0:03:31 | |
Just coming up now. | 0:03:31 | 0:03:34 | |
This is the Strata building. Elephant and Castle. | 0:03:34 | 0:03:37 | |
We can use this to work out what block he lived in. | 0:03:37 | 0:03:39 | |
-There's no guarantee he's still there. -Great. | 0:03:39 | 0:03:42 | |
I called Brockbank last night. | 0:03:42 | 0:03:43 | |
He suggested meeting in Shoreditch, but then he hung up on me. | 0:03:45 | 0:03:49 | |
We know he has a history of bouncing round strip clubs. | 0:03:49 | 0:03:51 | |
-I thought that would be a good place to start. -Yeah. | 0:03:51 | 0:03:54 | |
I think he's living with a little girl. | 0:03:54 | 0:03:56 | |
OK. | 0:03:58 | 0:04:00 | |
Head down to Elephant and Castle. | 0:04:00 | 0:04:01 | |
If you see Laing, keep your distance. | 0:04:01 | 0:04:03 | |
No working after dark. Keep on the busy routes. | 0:04:03 | 0:04:05 | |
Yes, I have done counter-surveillance. | 0:04:05 | 0:04:07 | |
If it was up to me you'd stay in Yorkshire until he's caught. | 0:04:07 | 0:04:11 | |
He addressed the leg to you. He followed you. | 0:04:11 | 0:04:13 | |
-That's the pattern we have so far. -I know, and I will be careful. | 0:04:13 | 0:04:16 | |
Right, so you're checking out Laing. I'll look for Brockbank. | 0:04:16 | 0:04:20 | |
Do you know this guy? | 0:04:45 | 0:04:47 | |
No, don't think so, mate. Sorry. | 0:04:47 | 0:04:48 | |
-Have you been here before, darling? -No. -You know what this is? | 0:05:20 | 0:05:25 | |
Yeah, I think so. | 0:05:25 | 0:05:27 | |
You want to dance? Private dance with me? | 0:05:32 | 0:05:35 | |
-I'm looking for a friend. -I'll be your friend. | 0:05:35 | 0:05:39 | |
Not that kind of friend, sadly. | 0:05:43 | 0:05:46 | |
Perhaps you know my friend? Niall Brockbank? | 0:05:54 | 0:05:57 | |
-He owes me some money. -Des fired him. | 0:05:57 | 0:06:00 | |
You're no use as a bouncer if you have a fit and piss yourself. | 0:06:00 | 0:06:03 | |
Would anyone here have his address? | 0:06:03 | 0:06:05 | |
I think he lives with Alyssa. | 0:06:05 | 0:06:06 | |
She's got the worst taste in men. | 0:06:06 | 0:06:08 | |
-She's one of the dancers? -Mm. Des fired her as well. | 0:06:14 | 0:06:18 | |
They're in some council flat over in Bow. | 0:06:18 | 0:06:21 | |
She bitches about it but she likes the nursery her kids are in, so... | 0:06:21 | 0:06:25 | |
Could you introduce me to Des? | 0:06:27 | 0:06:29 | |
Thanks for the drink, darling, but I reckon you're trouble. | 0:06:29 | 0:06:32 | |
Normally I like trouble. | 0:06:32 | 0:06:34 | |
PHONE VIBRATES | 0:06:40 | 0:06:41 | |
What is it? What's wrong? | 0:06:45 | 0:06:47 | |
Uh, nothing, I'm fine. I've found Laing's block. | 0:06:47 | 0:06:50 | |
It could be one of 100 flats but... | 0:06:50 | 0:06:53 | |
Make sure you're home before sunset. | 0:06:53 | 0:06:55 | |
-How are the strip clubs? -Expensive. | 0:06:55 | 0:06:58 | |
Look, put yourself in a cab now, I can't... | 0:06:59 | 0:07:01 | |
Cormoran, you have to stop treating me like I'm part of the problem. | 0:07:01 | 0:07:04 | |
I'm having dinner with my mum tonight round the corner from work | 0:07:04 | 0:07:07 | |
-so I will be perfectly safe. -Right. | 0:07:07 | 0:07:09 | |
-Matt shouldn't have called you. -I'm glad he did. | 0:07:11 | 0:07:14 | |
I'm not stopping doing this job. Not for anyone. | 0:07:14 | 0:07:17 | |
Whatever you do, you'll always have mine and your dad's full support, | 0:07:17 | 0:07:20 | |
but, Robin, I do think it's time to make a decision. | 0:07:20 | 0:07:22 | |
The wedding day's nearly here. | 0:07:22 | 0:07:24 | |
Have you seen this guy, Donald Laing? | 0:07:38 | 0:07:41 | |
-No. -Thank you. | 0:07:41 | 0:07:44 | |
-Hello. -Hello. Do you know this guy? | 0:07:49 | 0:07:52 | |
No. | 0:07:52 | 0:07:53 | |
Would you like to come back to Masham for a bit? | 0:07:53 | 0:07:56 | |
-Be a bit looked after? -No. Sorry. | 0:07:56 | 0:08:00 | |
I don't mean it like that. I just, um... | 0:08:00 | 0:08:02 | |
I worry if... | 0:08:06 | 0:08:08 | |
I worry I'd feel like I did before. | 0:08:09 | 0:08:13 | |
Like I was shutting out the world. | 0:08:13 | 0:08:16 | |
I want to stay in it. | 0:08:18 | 0:08:20 | |
Is that the famous Cormoran Strike? | 0:08:35 | 0:08:37 | |
-Donny Laing. -You here to see me? | 0:08:37 | 0:08:40 | |
I'm not on licence or anything. | 0:08:42 | 0:08:45 | |
I'm a private investigator now. | 0:08:45 | 0:08:47 | |
Are you? Well... What're you here for, then? | 0:08:47 | 0:08:52 | |
I recently spoke to a woman in Corby. | 0:08:52 | 0:08:55 | |
-Not Lorraine, was it? -That's right. | 0:08:56 | 0:08:58 | |
I never hit her, you understand? | 0:08:58 | 0:09:02 | |
Lesson learned first fucking time. | 0:09:02 | 0:09:04 | |
Did you steal her jewellery? | 0:09:04 | 0:09:06 | |
You've come to find...? That was years ago! | 0:09:06 | 0:09:10 | |
Well, it had sentimental value. | 0:09:10 | 0:09:12 | |
Well, tell her I'm sorry but her stuff's long gone. | 0:09:12 | 0:09:16 | |
It's the truth. I didn't feel good about it. | 0:09:16 | 0:09:19 | |
I'll pass that back to her. | 0:09:21 | 0:09:23 | |
-What, is that it from you? -Yeah. | 0:09:26 | 0:09:30 | |
A fine private investigator you turned out! | 0:09:30 | 0:09:33 | |
Tracking down old bits of tat! | 0:09:33 | 0:09:36 | |
There's £500. | 0:10:01 | 0:10:04 | |
It could be the deposit on renting a flat of your own. | 0:10:04 | 0:10:07 | |
Or it could be a pair of really beautiful wedding shoes. | 0:10:07 | 0:10:11 | |
Cormoran? | 0:10:48 | 0:10:49 | |
-Thanks. -I, uh... | 0:11:22 | 0:11:25 | |
..came back for some files and you were... | 0:11:25 | 0:11:27 | |
Look. I've, um, been given some money. | 0:11:30 | 0:11:33 | |
Oh, it's only 500 quid but if we don't pay the bills | 0:11:33 | 0:11:36 | |
we won't be able to work here any more. | 0:11:36 | 0:11:39 | |
Someone's trying to destroy me. | 0:11:39 | 0:11:41 | |
I think I make a fairly poor prospect for investment. | 0:11:41 | 0:11:44 | |
Under the circumstances you're better off putting it on a horse. | 0:11:44 | 0:11:47 | |
Uh, I'm better off here. | 0:11:47 | 0:11:50 | |
Let me do this for us. | 0:11:50 | 0:11:51 | |
-Shit! -What? | 0:11:56 | 0:11:59 | |
Slept through a date. | 0:11:59 | 0:12:01 | |
Who's the lucky girl? | 0:12:03 | 0:12:04 | |
Swedish. Pretty. Doesn't give a fuck. | 0:12:04 | 0:12:07 | |
Sounds perfect. | 0:12:09 | 0:12:10 | |
I should go to bed. | 0:12:15 | 0:12:17 | |
Thanks for Donald Laing, by the way. | 0:12:20 | 0:12:23 | |
But it's a dead end. | 0:12:23 | 0:12:24 | |
Guy's even more crippled than I am. | 0:12:24 | 0:12:26 | |
-I really don't like you being out after dark. Take a cab. -Sure. | 0:12:28 | 0:12:34 | |
Night. | 0:12:39 | 0:12:40 | |
Night. | 0:12:41 | 0:12:42 | |
What's all this? | 0:13:01 | 0:13:03 | |
Uh, I made that Nigel Slater salmon thing you like. | 0:13:03 | 0:13:05 | |
Thanks. I ate with Mum. | 0:13:08 | 0:13:12 | |
How is she? | 0:13:16 | 0:13:18 | |
-She's fine. -Good. | 0:13:18 | 0:13:20 | |
Look, I've got something I need to say to you. | 0:13:21 | 0:13:24 | |
What I did was unforgivable. | 0:13:42 | 0:13:43 | |
I was 21. I was in so much pain. | 0:13:46 | 0:13:51 | |
I was incredibly lonely and I made a mistake. | 0:13:51 | 0:13:53 | |
You are the love of my life. | 0:13:56 | 0:13:57 | |
And I want to marry you. | 0:14:00 | 0:14:02 | |
More than anything that's what I want. | 0:14:02 | 0:14:04 | |
But that's for you to decide. So... | 0:14:05 | 0:14:08 | |
I'm asking you again. | 0:14:14 | 0:14:15 | |
And if you say no, I'll accept it, | 0:14:16 | 0:14:18 | |
and I'll leave the flat in the morning. | 0:14:18 | 0:14:20 | |
I love you, darling. | 0:14:44 | 0:14:46 | |
One day, you'll feel like that about somebody. | 0:14:46 | 0:14:48 | |
DOOR OPENS | 0:16:19 | 0:16:21 | |
Went for the knife. Very good. | 0:16:24 | 0:16:26 | |
I'm just checking the locks. | 0:16:26 | 0:16:28 | |
I can see your door at the back there is, um... | 0:16:28 | 0:16:30 | |
Well, it's not adequate. | 0:16:33 | 0:16:35 | |
I need to go back to Masham for a few days | 0:16:35 | 0:16:38 | |
for dress fittings and stuff. | 0:16:38 | 0:16:40 | |
I know it's not great timing but is that OK? | 0:16:40 | 0:16:43 | |
No, it's... | 0:16:43 | 0:16:44 | |
It's good. | 0:16:44 | 0:16:46 | |
Keeps you out of harm's way. | 0:16:46 | 0:16:48 | |
Good. | 0:16:48 | 0:16:50 | |
We'll just stick a padlock on that. | 0:16:50 | 0:16:52 | |
HORN TOOTS | 0:17:12 | 0:17:14 | |
Hi, Dad. | 0:17:21 | 0:17:23 | |
Where's Mum? | 0:17:23 | 0:17:25 | |
You've never met her... | 0:17:57 | 0:18:00 | |
Kelsey Platt? | 0:18:00 | 0:18:02 | |
Look... | 0:18:23 | 0:18:25 | |
Oh, my God, it's you. | 0:18:26 | 0:18:28 | |
I need to ask you about your sister. | 0:18:28 | 0:18:31 | |
-Please. -Who is it, love? | 0:18:31 | 0:18:32 | |
It's... | 0:18:33 | 0:18:35 | |
It's Cormoran Strike. | 0:18:35 | 0:18:37 | |
Why's he here? | 0:18:37 | 0:18:39 | |
Close the door! | 0:18:39 | 0:18:40 | |
Wait... | 0:18:40 | 0:18:42 | |
-Can, can you wait? -Yeah. | 0:18:42 | 0:18:44 | |
You saw those photos of him and Kelsey! | 0:18:45 | 0:18:47 | |
Look, I know what you're saying, but... | 0:18:47 | 0:18:49 | |
..the police say they think he got set up. | 0:18:49 | 0:18:51 | |
How's he even allowed to come here? | 0:18:51 | 0:18:52 | |
Look, I know, but Kelsey looked up to him... | 0:18:52 | 0:18:55 | |
Yeah, and look where she is now! | 0:18:55 | 0:18:58 | |
Look, sorry. | 0:18:58 | 0:18:59 | |
I know she was your sister but I cared about her, too. | 0:18:59 | 0:19:02 | |
Talk to him if you want, I won't. | 0:19:02 | 0:19:04 | |
You can come in. | 0:19:07 | 0:19:09 | |
Thank you. | 0:19:09 | 0:19:10 | |
Do you want to sit down? | 0:19:12 | 0:19:14 | |
-Could I...? -Yeah. | 0:19:15 | 0:19:17 | |
I'm very sorry for your loss. | 0:19:25 | 0:19:27 | |
I suppose the police have asked you a lot of questions. | 0:19:29 | 0:19:32 | |
Yeah, was I working? | 0:19:32 | 0:19:33 | |
Signed statements from colleagues, payslips. | 0:19:34 | 0:19:39 | |
Ray had to print off photos of him and Ritchie fishing. | 0:19:39 | 0:19:42 | |
Boat receipts, the lot. | 0:19:42 | 0:19:43 | |
They were away that week in Wales. | 0:19:45 | 0:19:48 | |
And, like, we're the ones who've lost her! | 0:19:48 | 0:19:50 | |
SHE SOBS | 0:19:50 | 0:19:53 | |
-Do you mind if I...? -No. | 0:19:53 | 0:19:54 | |
SHUTTER CLICKS | 0:20:02 | 0:20:04 | |
Do you have any idea who might have got close to Kelsey? | 0:20:04 | 0:20:06 | |
No. | 0:20:06 | 0:20:08 | |
No, she didn't have many friends. | 0:20:08 | 0:20:09 | |
She came and lived with us after our mum died | 0:20:11 | 0:20:14 | |
but there was always the age gap so... | 0:20:14 | 0:20:16 | |
SHUTTER CLICKS | 0:20:16 | 0:20:19 | |
..I don't know. | 0:20:19 | 0:20:20 | |
SHE SOBS | 0:20:22 | 0:20:25 | |
Could I use your loo? | 0:20:28 | 0:20:29 | |
It's upstairs. | 0:20:29 | 0:20:31 | |
SHUTTER CLICKS | 0:21:32 | 0:21:33 | |
TOILET FLUSHES | 0:21:40 | 0:21:44 | |
SHUTTER CLICKS | 0:21:48 | 0:21:50 | |
You didn't do it, did you? | 0:22:08 | 0:22:10 | |
No. | 0:22:12 | 0:22:14 | |
I didn't. | 0:22:14 | 0:22:16 | |
KNOCK ON DOOR | 0:22:19 | 0:22:21 | |
You all right? | 0:22:26 | 0:22:27 | |
Hmm. | 0:22:28 | 0:22:31 | |
You should redecorate in here. | 0:22:31 | 0:22:33 | |
It'll always be your room, love. | 0:22:33 | 0:22:35 | |
You stupid bastard. | 0:22:55 | 0:22:57 | |
Ray said it felt like you were attacking Hazel. | 0:23:00 | 0:23:02 | |
Can you imagine if he'd gone to the papers instead of us? | 0:23:02 | 0:23:05 | |
"Murder suspect shows up at grieving relatives' house | 0:23:05 | 0:23:08 | |
"and demands to check their alibis." | 0:23:08 | 0:23:09 | |
-That is not what I was... -You went there. It's unbelievable! | 0:23:09 | 0:23:13 | |
So, what do you think I should do? | 0:23:13 | 0:23:14 | |
Stay out of it, work your own cases. | 0:23:14 | 0:23:16 | |
Nobody wants to hire a detective | 0:23:16 | 0:23:17 | |
who's accused of being a paedophile and a murderer. | 0:23:17 | 0:23:19 | |
I can't afford the rent on this place next month. | 0:23:19 | 0:23:22 | |
I'll have to make my partner redundant | 0:23:22 | 0:23:24 | |
while she's on her honeymoon. | 0:23:24 | 0:23:25 | |
So, what exactly do you suggest I do | 0:23:25 | 0:23:27 | |
while someone's cutting up little girls on my account? | 0:23:27 | 0:23:29 | |
We need you to trust us to do our job! | 0:23:29 | 0:23:31 | |
The three names I gave you. | 0:23:31 | 0:23:32 | |
Who have you found? | 0:23:32 | 0:23:34 | |
We're still making enquiries. | 0:23:34 | 0:23:35 | |
Right, Whittaker's in Catford, | 0:23:35 | 0:23:37 | |
Laing was in Corby but is now in Elephant and Castle, | 0:23:37 | 0:23:39 | |
and Brockbank just got fired from a strip club in Shoreditch. | 0:23:39 | 0:23:42 | |
And your suggestion is I just sit back | 0:23:42 | 0:23:44 | |
and wait for London's finest to plod along to the finish line? | 0:23:44 | 0:23:47 | |
By the time you figure things out, | 0:23:47 | 0:23:48 | |
I'll be on the street and Robin will be dead. | 0:23:48 | 0:23:50 | |
We're on your side, you idiot! | 0:23:50 | 0:23:51 | |
I'm sorry, I don't know what else to do. | 0:23:53 | 0:23:55 | |
-ATTEMPTED EAST LONDON ACCENT: -"All right? It's Zahara's mum. | 0:24:08 | 0:24:11 | |
"Look, I haven't been getting any letters from you lot. | 0:24:11 | 0:24:13 | |
"I was thinking maybe you've got my address wrong?" | 0:24:13 | 0:24:15 | |
-HE SCOFFS -Shh! | 0:24:15 | 0:24:16 | |
-SHE WHISPERS: -Piss off. | 0:24:16 | 0:24:18 | |
"It's Alyssa, Zahara's mum." | 0:24:18 | 0:24:20 | |
"No. | 0:24:22 | 0:24:23 | |
"Oh, it's all right, it's all right. | 0:24:23 | 0:24:25 | |
"No worries. Thanks, thanks." | 0:24:25 | 0:24:27 | |
That was horrific. | 0:24:27 | 0:24:28 | |
It's work. | 0:24:28 | 0:24:30 | |
-AS ALYSSA: -"Hiya, it's Alyssa, Zahara's mum. | 0:24:36 | 0:24:39 | |
"Look, I've not been getting letters for a while, | 0:24:39 | 0:24:41 | |
"I was just checking that you're not still using the old address." | 0:24:41 | 0:24:44 | |
"Ah, yeah, no, that's fine. That's the right one, yeah. | 0:24:54 | 0:24:57 | |
"Which number are you using?" | 0:24:58 | 0:25:00 | |
Plate for the meat. | 0:25:31 | 0:25:33 | |
Come on, come on! | 0:25:33 | 0:25:34 | |
Ooh. | 0:25:40 | 0:25:41 | |
You make a gravy, love. | 0:25:41 | 0:25:43 | |
GLASS BREAKS | 0:25:51 | 0:25:53 | |
RADIO BLARES | 0:26:16 | 0:26:18 | |
HE SINGS ALONG | 0:26:20 | 0:26:25 | |
Darling, Matthew's on the phone. | 0:26:45 | 0:26:47 | |
Is he all right? | 0:26:47 | 0:26:48 | |
Matt, are you OK? | 0:26:50 | 0:26:52 | |
A what? | 0:26:55 | 0:26:56 | |
Friend of Matthew's. | 0:27:09 | 0:27:10 | |
Here to check he's all right. | 0:27:10 | 0:27:12 | |
OK, you can come in. | 0:27:12 | 0:27:13 | |
KNOCK ON DOOR | 0:27:26 | 0:27:28 | |
Robin asked me to check in on you. | 0:27:30 | 0:27:33 | |
I'm fine, thanks! | 0:27:33 | 0:27:35 | |
The police have got everything covered. | 0:27:35 | 0:27:36 | |
Well, she's driving down now. You know that, obviously. | 0:27:36 | 0:27:39 | |
What would it take for you to let her go? | 0:27:39 | 0:27:41 | |
-What? -She's been followed. | 0:27:41 | 0:27:43 | |
She's had body parts sent to her, | 0:27:43 | 0:27:45 | |
she's had her flat broken into by someone who butchers women. | 0:27:45 | 0:27:48 | |
I mean, you're just going to... like, see what happens to her next? | 0:27:49 | 0:27:52 | |
-I understand you're having a difficult morning... -Oh, piss off! | 0:27:52 | 0:27:55 | |
Robin's good at what she does. She's very good. She manages the risks. | 0:27:55 | 0:27:58 | |
If she ever decides to hand in her notice, that'll be her decision | 0:27:58 | 0:28:01 | |
but I would try to persuade her to stay. | 0:28:01 | 0:28:03 | |
The police will watch the flat at night. | 0:28:04 | 0:28:06 | |
I don't think he'll try anything here again. | 0:28:06 | 0:28:08 | |
Yeah, but you don't know anything...really, though, do you? | 0:28:08 | 0:28:12 | |
It's proving challenging. | 0:28:12 | 0:28:13 | |
Hiya. | 0:28:41 | 0:28:43 | |
-How's Matthew? -Oh, he's fine. | 0:28:51 | 0:28:53 | |
He went to work in the end. | 0:28:53 | 0:28:55 | |
You all right? | 0:28:55 | 0:28:56 | |
I spent about an hour checking the flat over and bleaching everything. | 0:28:58 | 0:29:01 | |
-You know the police will... -Yeah, I know. I just... | 0:29:01 | 0:29:04 | |
I got an exact address for Brockbank. | 0:29:06 | 0:29:08 | |
I called round all the nurseries in Bow pretending to be Alyssa | 0:29:08 | 0:29:12 | |
until one of them finally confirmed they had my address details right. | 0:29:12 | 0:29:15 | |
Very clever. | 0:29:15 | 0:29:17 | |
Let's just find this guy. | 0:29:17 | 0:29:18 | |
I can't go back to Whittaker, he saw me... | 0:29:18 | 0:29:21 | |
..but... | 0:29:21 | 0:29:23 | |
The person we're looking for is careful, deliberate. | 0:29:23 | 0:29:25 | |
Doesn't feel like Whittaker. | 0:29:25 | 0:29:28 | |
But I don't know. | 0:29:28 | 0:29:29 | |
I'll watch Whittaker. | 0:29:29 | 0:29:31 | |
-Are you sure? It's a long... -I'll watch Whittaker! | 0:29:31 | 0:29:34 | |
-Tea? -Yeah. | 0:29:36 | 0:29:38 | |
-Ta. -Thank you. | 0:29:43 | 0:29:44 | |
Gosh. | 0:29:55 | 0:29:57 | |
Are you all right? | 0:29:58 | 0:30:00 | |
Can I buy you some lunch? | 0:30:05 | 0:30:07 | |
What? | 0:30:07 | 0:30:09 | |
You look like you're having one of those days, I just thought... | 0:30:09 | 0:30:12 | |
Order what you want, I'll pay. | 0:30:12 | 0:30:14 | |
Anything I want? | 0:30:15 | 0:30:16 | |
Yeah, come on. Are you hungry? | 0:30:16 | 0:30:18 | |
Cheers. | 0:30:25 | 0:30:27 | |
-Sore tooth? -Mm-hmm. | 0:30:32 | 0:30:34 | |
Did your boyfriend do this? | 0:30:34 | 0:30:36 | |
-Where is he? -He's going away. | 0:30:38 | 0:30:40 | |
I didn't want him to go. | 0:30:40 | 0:30:41 | |
That's why he's done it. | 0:30:41 | 0:30:43 | |
I think he's got someone else. | 0:30:43 | 0:30:46 | |
He says he's only going with the band but I don't believe him. | 0:30:46 | 0:30:49 | |
What sort of music does he play? | 0:30:49 | 0:30:50 | |
Metal. | 0:30:50 | 0:30:52 | |
The band's called Death Cult. | 0:30:52 | 0:30:54 | |
He's lead guitar. | 0:30:54 | 0:30:56 | |
Do you go to all their gigs? | 0:30:56 | 0:30:57 | |
Yeah. They're good. | 0:30:57 | 0:31:00 | |
What's this? | 0:31:00 | 0:31:01 | |
What's your name? | 0:31:04 | 0:31:06 | |
-You made a little friend? -No. | 0:31:07 | 0:31:09 | |
Actually, I was just leaving. | 0:31:09 | 0:31:11 | |
Really? | 0:31:11 | 0:31:13 | |
Seems like such a shame. | 0:31:13 | 0:31:14 | |
Nice to meet you, Stephanie. | 0:31:14 | 0:31:16 | |
Fuck off. HE LAUGHS | 0:31:16 | 0:31:18 | |
Obviously not such good friends after all. | 0:31:18 | 0:31:20 | |
You've obviously tried very hard. | 0:31:20 | 0:31:22 | |
Just being kind, were you? | 0:31:28 | 0:31:31 | |
I was just concerned. | 0:31:31 | 0:31:32 | |
She looked a bit beaten up. | 0:31:32 | 0:31:34 | |
Oh, I wouldn't worry too much about her, | 0:31:34 | 0:31:37 | |
she can be a clumsy little bitch at times. | 0:31:37 | 0:31:40 | |
Get help for that tooth. | 0:31:40 | 0:31:42 | |
PHONE RINGS | 0:32:02 | 0:32:04 | |
Is everything OK? | 0:32:04 | 0:32:06 | |
Are you still out? It's late. | 0:32:06 | 0:32:08 | |
Yeah, but I'm heading back now. | 0:32:08 | 0:32:09 | |
Listen, I spoke to Stephanie | 0:32:09 | 0:32:11 | |
and Whittaker's in a band called Death Cult. | 0:32:11 | 0:32:14 | |
Hang on. | 0:32:14 | 0:32:15 | |
Everything OK? | 0:32:18 | 0:32:19 | |
Yeah, I'm fine, I was just looking something up. | 0:32:19 | 0:32:22 | |
I've taken a wrong turn. | 0:32:22 | 0:32:23 | |
Where are you? | 0:32:23 | 0:32:25 | |
Just gone under the shopping precinct. | 0:32:25 | 0:32:27 | |
Have you seen something? | 0:32:27 | 0:32:28 | |
No. No, I'm fine. I'm just a bit jumpy. | 0:32:29 | 0:32:32 | |
Where exactly are you? Street name. | 0:32:32 | 0:32:34 | |
What...? I'm not quiet sure this has a name, actually. | 0:32:34 | 0:32:37 | |
Robin? | 0:32:40 | 0:32:41 | |
Robin! | 0:32:41 | 0:32:43 | |
SHE SCREAMS | 0:32:43 | 0:32:45 | |
Robin! | 0:32:55 | 0:32:56 | |
Robin! | 0:33:00 | 0:33:01 | |
ALARM BLARES | 0:33:02 | 0:33:06 | |
SHE WHIMPERS | 0:33:12 | 0:33:14 | |
He cut me. | 0:33:27 | 0:33:28 | |
Sorry I messed up. | 0:33:30 | 0:33:32 | |
I'm not here to tell you off. | 0:33:32 | 0:33:34 | |
How did you manage to...? | 0:33:34 | 0:33:35 | |
I told you I did a self-defence course. | 0:33:35 | 0:33:37 | |
He grabbed me from behind so I did what they taught me. | 0:33:37 | 0:33:40 | |
Kneed him in the groin. | 0:33:40 | 0:33:42 | |
Whittaker's disappeared, they're looking for him. | 0:33:43 | 0:33:45 | |
I just... | 0:33:45 | 0:33:46 | |
Whittaker's sort of thin and he... | 0:33:48 | 0:33:51 | |
The guy that attacked me had a different build. | 0:33:51 | 0:33:54 | |
I looked up Whittaker's band. | 0:33:54 | 0:33:55 | |
They had a gig the night Kelsey was killed. | 0:33:55 | 0:33:58 | |
I just... | 0:33:58 | 0:33:59 | |
I don't think it's was him. | 0:33:59 | 0:34:01 | |
I still want to work. | 0:34:04 | 0:34:05 | |
FLATLY: Well, you've got your wedding to think about. | 0:34:05 | 0:34:08 | |
Don't patronise me. | 0:34:08 | 0:34:09 | |
-Thanks. -You can leave us alone now. | 0:34:09 | 0:34:11 | |
Robin needs her rest. | 0:34:11 | 0:34:12 | |
Matthew's right. You should rest. | 0:34:12 | 0:34:14 | |
Cormoran, what are we doing about Brockbank? | 0:34:14 | 0:34:17 | |
The police are watching him. | 0:34:17 | 0:34:18 | |
Well, it's not where he goes, it's what he does inside the flat. | 0:34:18 | 0:34:21 | |
We can't save everyone. | 0:34:21 | 0:34:22 | |
You were nearly killed tonight. | 0:34:22 | 0:34:24 | |
Let someone else take this one on. | 0:34:24 | 0:34:26 | |
Cormoran, we can't leave him with children. | 0:34:26 | 0:34:28 | |
-Fine, I need to rest. -I get why you want to help. | 0:34:32 | 0:34:34 | |
I need to rest. | 0:34:34 | 0:34:36 | |
Back in a minute. | 0:34:38 | 0:34:40 | |
Cormoran, this has to end. | 0:34:42 | 0:34:44 | |
She's barely trained and you sent her out, with no support. | 0:34:44 | 0:34:47 | |
You're a sociopath. | 0:34:47 | 0:34:49 | |
-PHONE RINGS -Hello? | 0:35:32 | 0:35:36 | |
Is that Ray? It's Cormoran Strike. | 0:35:36 | 0:35:38 | |
I'd like you and Hazel to look at some photos of suspects. | 0:35:38 | 0:35:42 | |
They're not great pictures, but they might jog a memory. | 0:35:42 | 0:35:46 | |
Hazel needs some space. | 0:35:46 | 0:35:48 | |
Don't you understand that, fella? | 0:35:48 | 0:35:50 | |
HE HANGS UP | 0:35:50 | 0:35:51 | |
PHONE RINGS | 0:35:56 | 0:35:58 | |
Oh, sorry. One second. | 0:35:58 | 0:36:00 | |
Can I just have a minute? | 0:36:03 | 0:36:05 | |
Shanker. Hi. Thanks for calling back. | 0:36:08 | 0:36:10 | |
Yeah. Yeah. He told me to give you a call. | 0:36:11 | 0:36:13 | |
I need some help. | 0:36:13 | 0:36:15 | |
Taking the girl to get her stitches out, innit. | 0:36:25 | 0:36:28 | |
Hang on a sec. | 0:36:28 | 0:36:29 | |
If that Cormoran Strike calls while I'm away, hang up. | 0:36:30 | 0:36:35 | |
I don't trust him. | 0:36:35 | 0:36:37 | |
I'm just popping out. | 0:36:48 | 0:36:50 | |
Where are you going? | 0:36:51 | 0:36:52 | |
Police interview. | 0:36:52 | 0:36:54 | |
Can't they come to you? | 0:36:54 | 0:36:55 | |
Well, they want me to have a look at some stuff | 0:36:55 | 0:36:57 | |
they can't take off-site. | 0:36:57 | 0:36:58 | |
-Are you sure you're OK? -Yeah, I'm fine. | 0:36:58 | 0:37:00 | |
I won't use the arm. | 0:37:00 | 0:37:02 | |
-She's coming. -Are we sure that's her? | 0:37:34 | 0:37:36 | |
Fit black girl, two kids. | 0:37:36 | 0:37:38 | |
-Positive you don't want me in there? -No. No, keep an eye out for him. | 0:37:38 | 0:37:41 | |
KNOCK ON DOOR | 0:37:45 | 0:37:47 | |
Oh! | 0:37:47 | 0:37:49 | |
-Who's that? -I don't know, darling. | 0:37:49 | 0:37:50 | |
Alyssa? | 0:37:52 | 0:37:53 | |
Yeah? | 0:37:53 | 0:37:54 | |
Could I have a word? It's about Niall. | 0:37:54 | 0:37:57 | |
What about him? | 0:37:57 | 0:37:59 | |
Erm... | 0:37:59 | 0:38:01 | |
Could we talk inside? | 0:38:01 | 0:38:03 | |
It's important. | 0:38:03 | 0:38:05 | |
Upstairs, Angel. | 0:38:05 | 0:38:07 | |
Take your sister. | 0:38:07 | 0:38:08 | |
I... | 0:38:22 | 0:38:23 | |
Well, spit it out, then. | 0:38:25 | 0:38:27 | |
My name's Robin. | 0:38:27 | 0:38:28 | |
I'm...an investigator. | 0:38:29 | 0:38:32 | |
Could, could we...? | 0:38:32 | 0:38:34 | |
Look, this is going to be quite hard to hear | 0:38:38 | 0:38:42 | |
but, during a course of a case we've been working on, we've found out... | 0:38:42 | 0:38:46 | |
Sorry, who's this "we"? | 0:38:46 | 0:38:48 | |
So, I work for an agency | 0:38:48 | 0:38:52 | |
that's run by a guy called Cormoran Strike | 0:38:52 | 0:38:54 | |
and we've been looking into Niall. | 0:38:54 | 0:38:56 | |
All right, then. You can get out now. | 0:38:56 | 0:38:58 | |
No, I really need to tell you this... | 0:38:58 | 0:39:00 | |
I know who Cormoran Strike is. | 0:39:00 | 0:39:01 | |
He gave my boyfriend epilepsy. | 0:39:01 | 0:39:03 | |
-Get out right now. -Please. Alyssa, please just listen to this... | 0:39:03 | 0:39:05 | |
You framed him up, ruined his marriage. | 0:39:05 | 0:39:08 | |
-I know all about you lot. -Niall sexually abuses young girls. | 0:39:08 | 0:39:11 | |
-I am really sorry... -Get out of my house | 0:39:11 | 0:39:14 | |
before I give you a proper smack. | 0:39:14 | 0:39:15 | |
He's been doing it a long time. | 0:39:15 | 0:39:17 | |
Just ask your daughters. | 0:39:17 | 0:39:18 | |
-Ow! -Get out! | 0:39:18 | 0:39:20 | |
Mum... | 0:39:21 | 0:39:24 | |
Just ask her. | 0:39:28 | 0:39:30 | |
Upstairs, Angel. Now. | 0:39:32 | 0:39:34 | |
What's going on? | 0:39:37 | 0:39:39 | |
-You all right, Angel? -No, this bitch is telling lies about you. | 0:39:39 | 0:39:42 | |
Is she now? | 0:39:42 | 0:39:43 | |
Says she's with Cormoran Strike. | 0:39:43 | 0:39:46 | |
Look after Angel. | 0:39:49 | 0:39:51 | |
You're not phoning anyone. | 0:39:54 | 0:39:57 | |
Stay there. | 0:39:57 | 0:39:58 | |
He done it to me. | 0:40:01 | 0:40:02 | |
What? | 0:40:04 | 0:40:05 | |
What's the idea, barging into people's houses, | 0:40:07 | 0:40:10 | |
upsetting their kids, eh? | 0:40:10 | 0:40:12 | |
SHE GROANS | 0:40:12 | 0:40:13 | |
What the lady said. | 0:40:13 | 0:40:15 | |
How's that, huh? Is it a bit sore? | 0:40:15 | 0:40:17 | |
What you talking about? | 0:40:17 | 0:40:19 | |
How's your bastard, Strike? | 0:40:19 | 0:40:21 | |
-SHE GROANS -Shanker! | 0:40:21 | 0:40:23 | |
Shanker! | 0:40:27 | 0:40:28 | |
You dirty nonce! I'll skin ya! | 0:40:30 | 0:40:32 | |
Shanker, do not stab him. | 0:40:32 | 0:40:35 | |
-Oh! -HE GRUNTS | 0:40:35 | 0:40:37 | |
Why didn't you say anything, darling? | 0:40:49 | 0:40:52 | |
-WHISPERS: -Because he said he'd hurt Zahara. | 0:40:52 | 0:40:54 | |
SHE SOBS | 0:40:57 | 0:40:59 | |
DOORBELL RINGS AND KNOCK AT DOOR | 0:41:08 | 0:41:11 | |
-Look, we're actually packing to go to... -I don't care. | 0:41:12 | 0:41:15 | |
Robin? | 0:41:17 | 0:41:18 | |
I told you we were leaving Brockbank to the police. | 0:41:24 | 0:41:27 | |
-I know. -And you went in anyway. | 0:41:27 | 0:41:28 | |
He was raping Alyssa's daughter. | 0:41:30 | 0:41:32 | |
Wardle thinks I sent you in there and now, thanks to you, | 0:41:32 | 0:41:34 | |
-Brockbank's vanished. -Don't you dare put that on me. | 0:41:34 | 0:41:37 | |
-I do. -If you hadn't have messed up, | 0:41:37 | 0:41:39 | |
Brockbank would've been in prison years ago. | 0:41:39 | 0:41:41 | |
Laing is a cripple, you ruled out Whittaker, | 0:41:41 | 0:41:43 | |
that means that Brockbank was our number-one suspect, | 0:41:43 | 0:41:45 | |
and now he's off the radar. | 0:41:45 | 0:41:47 | |
We're finished. | 0:41:47 | 0:41:48 | |
-You don't mean that. -I'll send your last salary on. | 0:41:48 | 0:41:51 | |
Quick and clean. | 0:41:51 | 0:41:52 | |
Gross misconduct. | 0:41:52 | 0:41:54 | |
-It's probably for the best, love. -Eh... | 0:42:04 | 0:42:06 | |
Goodbye forever, Cormoran Strike. | 0:42:24 | 0:42:26 | |
MOBILE RINGS | 0:43:11 | 0:43:13 | |
-Hello. -Uncle Ted. | 0:43:25 | 0:43:28 | |
Oh, hello, Cormoran. | 0:43:28 | 0:43:29 | |
Were you at Mum's grave recently? | 0:43:29 | 0:43:31 | |
I wasn't, but I had a friend pop something on the grave | 0:43:31 | 0:43:36 | |
for the anniversary. | 0:43:36 | 0:43:37 | |
It's sea holly, isn't it? | 0:43:37 | 0:43:39 | |
Not much to look at right now, but come June it'll be rather special. | 0:43:39 | 0:43:44 | |
Call me next time you're up, all right? | 0:43:44 | 0:43:46 | |
-Right. -Take care. -Bye. | 0:43:46 | 0:43:48 | |
Gotcha. | 0:43:50 | 0:43:52 | |
Donnie did some work for Mrs Williams across the road. | 0:43:54 | 0:43:58 | |
87 with the lawn to cut | 0:43:58 | 0:44:00 | |
and all her family have gone abroad. | 0:44:00 | 0:44:02 | |
Why's he here? Close the door. | 0:44:02 | 0:44:04 | |
Is that the famous Cormoran Strike? | 0:44:05 | 0:44:08 | |
I need the number for the Fire Service. | 0:44:11 | 0:44:13 | |
Not the emergency number, | 0:44:13 | 0:44:14 | |
the one for people who hire firemen. | 0:44:14 | 0:44:16 | |
Let me guess - you want a favour. | 0:44:43 | 0:44:44 | |
I need you to watch my back. | 0:44:44 | 0:44:47 | |
Can you meet me at Elephant at eight? | 0:44:47 | 0:44:49 | |
Right. | 0:44:49 | 0:44:50 | |
I'll text you the address. | 0:44:50 | 0:44:52 | |
Cheers. | 0:44:53 | 0:44:55 | |
Donnie? That you, Donnie? | 0:45:30 | 0:45:33 | |
What's that smell? | 0:45:33 | 0:45:34 | |
Gas. We got a call from upstairs. | 0:45:34 | 0:45:36 | |
Probably coming from here. | 0:45:36 | 0:45:37 | |
We're not going to get blown up, are we? | 0:45:37 | 0:45:39 | |
Well, don't light any cigarettes. | 0:45:39 | 0:45:41 | |
Shit. | 0:45:41 | 0:45:42 | |
All right. Is Donnie in there? He owes me 40 quid. | 0:45:42 | 0:45:45 | |
Afraid I can't help you, mate. | 0:45:45 | 0:45:47 | |
Cheers. | 0:45:47 | 0:45:48 | |
THEY GRUNT | 0:47:25 | 0:47:27 | |
Where are you, Bunsen? | 0:47:40 | 0:47:41 | |
HE YELLS | 0:47:41 | 0:47:43 | |
Bunsen. | 0:47:45 | 0:47:46 | |
Bunsen! | 0:47:50 | 0:47:51 | |
Bunsen! | 0:47:52 | 0:47:54 | |
-Oh! -Bunsen! | 0:48:02 | 0:48:03 | |
What's going on? | 0:48:08 | 0:48:10 | |
Bunsen, open up. | 0:48:10 | 0:48:11 | |
PHONE RINGS | 0:48:17 | 0:48:19 | |
Calls to this number have been blocked. | 0:48:21 | 0:48:23 | |
DOOR CREAKS What kept you? | 0:48:27 | 0:48:29 | |
That's a steel door. | 0:48:30 | 0:48:32 | |
They're still cleaning up but forensics think there's more | 0:48:40 | 0:48:42 | |
than one body in there. | 0:48:42 | 0:48:44 | |
So what made you think Ray and Laing were the same person? | 0:48:46 | 0:48:49 | |
The photo Ray gave the police has him | 0:48:49 | 0:48:51 | |
on the beach next to sea holly in full bloom, supposedly in April. | 0:48:51 | 0:48:56 | |
It was like the coffee shop photo. | 0:48:56 | 0:48:57 | |
It was staged. | 0:48:59 | 0:49:01 | |
Are you sure you're all right? | 0:49:01 | 0:49:02 | |
Yeah. | 0:49:02 | 0:49:04 | |
Sea holly doesn't flower in the wild till June. | 0:49:04 | 0:49:07 | |
If you find the other bloke, | 0:49:07 | 0:49:08 | |
Ritchie, I'm sure he'll tell you they were taken last year. | 0:49:08 | 0:49:11 | |
Height of summer, but they put coats on to try and look cold. | 0:49:11 | 0:49:14 | |
Ritchie probably thought he was taking part in a benefits scam | 0:49:14 | 0:49:17 | |
or something. | 0:49:17 | 0:49:18 | |
I'm imagining Ritchie's none too clever. | 0:49:18 | 0:49:21 | |
There was a certificate for bravery hanging in Kelsey's sister's house. | 0:49:21 | 0:49:25 | |
I called the Fire Service. | 0:49:27 | 0:49:28 | |
The real Ray Williams, Mrs Williams' son, retired to Spain six years ago. | 0:49:28 | 0:49:33 | |
Laing stole his identity. | 0:49:33 | 0:49:35 | |
He was good at accents | 0:49:35 | 0:49:36 | |
and he spent a lot of money disguising his appearance. | 0:49:36 | 0:49:39 | |
He even managed to find a girl who'd made the mistake of having | 0:49:39 | 0:49:41 | |
a crush on me. | 0:49:41 | 0:49:42 | |
I'll come down the station tomorrow morning. | 0:49:47 | 0:49:49 | |
Sounds good. | 0:49:49 | 0:49:51 | |
MOBILE VIBRATES | 0:49:53 | 0:49:55 | |
We picked up Brockbank. | 0:49:58 | 0:50:00 | |
Get some sleep. | 0:50:02 | 0:50:04 | |
FOOTSTEPS RECEDE | 0:50:06 | 0:50:09 | |
Daddy wouldn't do that. | 0:50:43 | 0:50:44 | |
I didn't mean any of it. | 0:50:45 | 0:50:47 | |
I'm a friend of Brittany. BABY CRIES | 0:51:05 | 0:51:07 | |
I won't be long. All right? | 0:51:10 | 0:51:12 | |
What will happen to him now? | 0:51:50 | 0:51:51 | |
Nothing that involves you. | 0:51:53 | 0:51:55 | |
He'll be tried and put away for a very long time, | 0:51:55 | 0:51:59 | |
and when he's released he'll be on the sex offenders register for life. | 0:51:59 | 0:52:03 | |
That's good. | 0:52:03 | 0:52:04 | |
I wanted you to know | 0:52:06 | 0:52:08 | |
before, you know... | 0:52:08 | 0:52:09 | |
He should've been put in prison a long time ago. | 0:52:12 | 0:52:15 | |
We failed you there, Brittany. | 0:52:15 | 0:52:17 | |
I failed you. | 0:52:18 | 0:52:19 | |
You believed me, though. | 0:52:19 | 0:52:21 | |
And you tried. | 0:52:21 | 0:52:23 | |
That helped a lot. | 0:52:23 | 0:52:24 | |
Was it you who caught him? | 0:52:27 | 0:52:28 | |
No. It was my partner. | 0:52:30 | 0:52:32 | |
For a case you were doing? | 0:52:32 | 0:52:34 | |
No. | 0:52:34 | 0:52:35 | |
But she did it anyway? | 0:52:35 | 0:52:37 | |
Yeah. | 0:52:37 | 0:52:39 | |
Is she all right? | 0:52:39 | 0:52:40 | |
She's a bit bruised, but she'll live. | 0:52:41 | 0:52:43 | |
Will you thank her for us? | 0:52:45 | 0:52:46 | |
What's her name? Your partner. | 0:52:48 | 0:52:50 | |
Her name is Robin. | 0:52:52 | 0:52:53 | |
We've got a second stop. | 0:53:00 | 0:53:01 | |
Yorkshire. | 0:53:01 | 0:53:02 | |
Where's that? | 0:53:02 | 0:53:04 | |
Yorkshire! The county. You know. | 0:53:04 | 0:53:07 | |
HE IMITATES YORKSHIRE ACCENT Yorkshire! | 0:53:07 | 0:53:11 | |
Just keep going north till I tell you to stop. | 0:53:11 | 0:53:13 | |
CAR ENGINE STARTS | 0:53:13 | 0:53:15 | |
Put your foot down. | 0:53:44 | 0:53:45 | |
-It's down. -Put it down further. | 0:53:45 | 0:53:47 | |
Jeez. I am not having this for the next hundred miles. | 0:53:47 | 0:53:51 | |
Well, that's you sorted then, innit? | 0:53:57 | 0:54:00 | |
Back to being the hero of the hour. | 0:54:00 | 0:54:01 | |
Yeah. | 0:54:01 | 0:54:02 | |
I mean, there's no fixing everything, but... | 0:54:03 | 0:54:06 | |
Nah. Nah, there's not. That's just life, innit, mate? | 0:54:06 | 0:54:08 | |
What's the deal, then, Bunsen, you going to go full-on Graduate? | 0:54:17 | 0:54:20 | |
"Elaine! | 0:54:20 | 0:54:21 | |
"Elaine! What about me?" | 0:54:21 | 0:54:24 | |
No, I was invited. I'm a friend, a guest. | 0:54:24 | 0:54:27 | |
Oh, you're a friend, yeah, right. | 0:54:27 | 0:54:28 | |
You sacked her, mate. | 0:54:28 | 0:54:30 | |
That's not exactly a friend where I come from. | 0:54:30 | 0:54:31 | |
Reminds me of your mum. | 0:54:35 | 0:54:37 | |
Who? | 0:54:37 | 0:54:38 | |
Who?! Your Robin. | 0:54:38 | 0:54:40 | |
She's kind, isn't she? Like the way she wanted to save that kid. | 0:54:40 | 0:54:45 | |
Well, I'm going to try and get her back, aren't I, | 0:54:45 | 0:54:47 | |
-but next time she calls you, if she calls you... -Yeah, all right, yeah. | 0:54:47 | 0:54:50 | |
-Call you first, yeah. All right. -Yeah? | 0:54:50 | 0:54:52 | |
Jesus, Dad! | 0:54:52 | 0:54:53 | |
First I am required to ask anyone present who knows a reason | 0:54:54 | 0:54:58 | |
why these persons may not lawfully marry to declare it now. | 0:54:58 | 0:55:02 | |
Do you, Matthew John Cunliffe, | 0:55:18 | 0:55:20 | |
take Robin Venetia Ellacott to be your wife? | 0:55:20 | 0:55:25 | |
Will you love her, comfort her, honour and protect her | 0:55:25 | 0:55:30 | |
and, forsaking all others, be faithful to her, | 0:55:30 | 0:55:34 | |
as long as you both shall live? | 0:55:34 | 0:55:36 | |
I do. | 0:55:37 | 0:55:39 | |
Do you, Robin Venetia Ellacott, take Matthew John Cunliffe to be your | 0:55:39 | 0:55:45 | |
husband? Will you love him, comfort him, honour and protect him and | 0:55:45 | 0:55:52 | |
forsake all others, be faithful to him as long as you both shall live? | 0:55:52 | 0:55:57 | |
Sorry. | 0:56:01 | 0:56:02 | |
I do. | 0:56:09 | 0:56:10 | |
# Romeo and Juliet | 0:56:41 | 0:56:43 | |
# Are together in eternity | 0:56:43 | 0:56:46 | |
# Romeo and Juliet | 0:56:46 | 0:56:47 | |
# 40,000 men and women every day | 0:56:47 | 0:56:49 | |
# Like Romeo and Juliet | 0:56:49 | 0:56:51 | |
# 40,000 men and women every day | 0:56:51 | 0:56:53 | |
# Redefine happiness | 0:56:53 | 0:56:54 | |
# Another 40,000 coming every day | 0:56:54 | 0:56:56 | |
# We can be like they are | 0:56:56 | 0:56:58 | |
# Come on, baby | 0:56:58 | 0:57:00 | |
# Don't fear the reaper | 0:57:00 | 0:57:01 | |
# Baby, take my hand | 0:57:01 | 0:57:03 | |
# Don't fear the reaper... # | 0:57:03 | 0:57:05 |