Episode 3 The A Word


Episode 3

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Transcript


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The older he gets, the more distressing it is for him

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to be in a world that he doesn't understand.

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It's real distress, Paul. Real pain.

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It is ridiculous that you're avoiding me like some teenage boy.

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I don't want to lose a friend because he can't satisfy my needs.

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-Keys.

-Keys?

-You start in a week.

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I know what it's like growing up round here.

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Having sex seems like a good way to pass the time until you leave.

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Hello? Rebecca?

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Just be sure that's what YOU want.

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They just need a plan.

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There's a brilliant speech and language therapist

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who I'm going to refer them to.

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-What's with the sign?

-It's for the best.

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Do I not even get a say in this?

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It doesn't matter to you if it's the right decision

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as long as it's your decision.

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This programme contains some strong language.

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HE SINGS ALONG TO MUSIC: # Space travel's in my blood

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# There ain't nothing I can do about it

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# Long journeys wear me out but I know I can't live without it

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# Oh, no, I think I'm on another world with you

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# With you

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# I'm on another planet with you HORN BEEPS

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# With you

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# Another girl

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# Who's loving you now

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# Another planet

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# Who's holding you down

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# Another planet. #

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CLASSICAL MUSIC PLAYS

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Hey, Mozart!

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Where've you been?

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-Hey?

-I missed you.

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I'll be in a bit late this morning, lads. We've got a family thing.

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-OK.

-You still playing nice with Eddie, are you?

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You talking to my guys?

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I hope you're not trying to get back in with them

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now you've put the restaurant on the market.

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What's that got to do with you?

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I think the rebranding should be more radical.

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Take a leaf out of BrewDog's book.

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Hey, that's my speech therapy notebook.

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I don't want your scribble on it.

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I'm not sure it's the notebook kind of therapy, Dad.

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Well, if there's role-play consider me gone.

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I don't think she's that kind of therapist, is she, Nicola?

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I don't know.

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Oh, but, I mean, she's the best, right?

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I don't think there's a league table,

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but I hear she does good work

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with families of children on the spectrum.

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Oh, "children on the spectrum". Is that what we say nowadays?

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Sounds like a charity single.

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Let's just all try and, you know, be ourselves.

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Are you sure that's wise?

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-DOORBELL RINGS

-Oh, my God!

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One last chance to tell me I'm adopted.

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Eh, eh, come here.

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Joe!

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Come on, Joe.

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Oh...oh, my God. Margaret?

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Margaret White? It's me.

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I, I was, er, Alison Scott? Do you remember?

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Yes, I remember. Hello, Alison.

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-I prefer Maggie, by the way.

-Oh, sure, sure.

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Goodness, what a surprise.

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-How long's it been?

-16 years.

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Have you not been back since you left school, really?

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Never been back until now.

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Wow! Well, come in!

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Sorry, come in.

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Just through here.

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Dad, do you remember Margaret White?

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Er, Maggie. Sorry, it's Maggie.

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Is this part of the test, or can I be honest?

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Don't worry. It's not a test.

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None of this is a test.

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Right, well, shall I make some coffee? Have you eaten?

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Do you want...?

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Er, that's Joe. This is Joe.

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Erm, where you staying? How was your journey?

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Hello, Joe.

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Is that a table tennis table?

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Shall we have a game?

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No, no, let me...

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Maurice.

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Come on, Maurice, this way.

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This is my bat. I can tell by the handle.

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-Come on.

-I'm thinking if online sales take off,

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-we might want to convert one of the outbuildings.

-Yeah.

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Topspin!

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Would one of you two find another clamp for this net

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-and stop showing off?

-Eh?

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All right?

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Alison! Get a move on.

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How long does it take to brew up? Come on, everybody's waiting!

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That's Margaret White!

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-Right?

-The Cookie Monster!

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We hated each other at school.

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She used to cry if she didn't come top of the class.

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She used to steamroller over me in netball.

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Well, this is table tennis, so I think you'll be OK.

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-Oh...

-Come on. Come on.

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Come on, come on.

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OK. OK.

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-Let!

-Did it touch the net?

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I don't want to label him at such a young age.

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Why not?

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I just worry that people will treat him differently.

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And why would that be so bad?

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I just don't want it to be public knowledge.

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We need to talk about that.

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Fine, but it's not up for negotiation.

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Beautiful. Ooh, great shot! One-nil.

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-Come on.

-OK.

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Thank you, Joe.

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Well done! You clever boy.

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Have a game. Come on.

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Try not to tell him "well done" all the time.

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A lot of this isn't about getting it right or praising him.

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It's about building up a back and forth.

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-Does that make sense?

-I've set up a Twitter feed for the brewery.

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-A what?

-Get walking, Maurice.

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You did that on purpose!

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Hey, hey, come on. Let's let Joe have a go, shall we?

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Come on. You ready? So, erm...

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-Here we go, then. Ready?

-Yeah, that's it.

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Just a slow one, Eddie.

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A slow one. Try not to overcompensate.

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He's just a kid, all right? You ready?

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So, grab that. Come on.

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Come on. Hey, hey, hey. Come here. Look at me. Come on. Hey, hey, hey.

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-Come here, come here. Listen, listen, listen.

-I don't think so.

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Shh, shh, shh. You're singing - # World shut your mouth

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# Shut your mouth...

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TOGETHER: # Put your head back in the clouds and shut your mouth. #

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OK, then. Are we ready?

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Hold that.

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Here it comes.

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-Ohh!

-Yeah! We did it! Oh, yeah!

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My boy! Oh!

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Lad! Lad! Wahey!

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Right, come on, then.

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-Come on. Another one?

-Here.

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All communication is an exchange.

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It's like table tennis.

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Look at us all sitting here, all feeling self-conscious.

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This is unnatural.

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Hey, it is in this family. Nobody interrupted you.

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By the time we're Joe's age,

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most of our communication is automatic, unthinking, spontaneous.

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Funny, even.

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Hey, were I here for that day, Maurice?

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So there we are.

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Ping. Maurice makes a joke

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to mask the fact that he's feeling uncomfortable.

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Pong. Paul returns the serve, but can't help revealing

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his own insecurity by making a joke at Maurice's expense.

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Well, as long as you don't ask me why I'm uncomfortable,

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I think I can go along with this.

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I don't need to. Why wouldn't you feel uncomfortable?

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You don't know what's going to happen next.

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You don't know what this lunatic woman's going to say.

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That's how Joe feels all the time.

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Under pressure every time anybody asks him anything,

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unless it's about his music, food, or his walks.

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He's a kid who can't make himself heard in a family of loudmouths.

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I know that feeling.

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I'm not sure you can start equating your position with Joe's.

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Really? You didn't grow up with this crowd.

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Give it six months and you'll know what I am getting at.

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I know what you're getting at. I just don't agree.

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This unresolved tension here.

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It doesn't matter what it's about.

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What matters is that they're playing it out by arguing about Joe.

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Joe becomes the lightning rod for family tension.

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This in turn informs your dealings with him.

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You communicate that anxiety whether you mean to or not.

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No wonder he wears headphones.

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He wears headphones because...

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He wears headphones because he loves music.

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Of course he loves music. Music doesn't answer back.

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Music keeps the world at arm's length,

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calms him down when he feels distressed.

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Well, we're always talking about music together.

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If that's not social, then I don't know what is.

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It's lovely that you have music,

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but it isn't communication.

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For Joe, it's self-preservation.

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Paul folds his arms defensively

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because he's worried about what I'll be saying next.

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I think we're all worried.

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Paul sends another return on the back of defensive humour.

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I had no idea my game was so predictable.

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Are you going to be giving us a booklet at the end of this

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or something? Because I'm more of a "read the instructions" type.

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No.

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HE SIGHS

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Rebecca, meanwhile, obsessively checks her phone

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in the hope that'll take her out of here.

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She doesn't want to be here.

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And I don't blame her.

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I'll be late for rehearsals. I'm doing the school play.

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Yeah, Antigone. I noticed.

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What was our school play, Maggie?

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I don't remember.

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Er, would you mind, Maggie?

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Of course not. If that's OK with your mum,

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we can talk some other time.

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DOOR CLOSES

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I know this is tough,

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but you hired me to help Joe.

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I'm not sure this is helping.

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You need to come up with strategies

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in which Joe becomes part of the game.

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But at the moment, the communication in his family,

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spoken, unspoken -

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it's not stuff you even see yourself, so imagine being Joe.

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He doesn't understand the message in the first place,

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and doesn't have the tools to respond even if he did.

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How much easier life is if every conversation

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turns on rote-learned details of pop music.

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So, if Joe's ever going to communicate,

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we need to learn how to communicate ourselves.

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Where did you read that?

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-I didn't read that anywhere. I just thought it.

-Really?

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-THEY LAUGH

-He's the kind of guy that would

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buy the books that they have at the checkout at the bookshop.

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"Buddhism For Shallow People."

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"Things The Dalai Lama Said On One Of His Bad Days."

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This is exactly what Maggie's talking about.

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This, right here, is our problem. We never shut up!

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Alison's absolutely right. You don't listen to each other.

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You leave no space for nuance, or exchange, or doubt.

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Is it just me or are you a tough crowd, Maggie?

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Humour's a great defence mechanism, Maurice.

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It puts the recipient at an immediate disadvantage.

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I laugh, you've won.

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I don't laugh and I'm a stereotypical humourless therapist,

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borderline lesbian, so you've won there, too.

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Where you going?

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I, er, can give Joe lifts and I can take him for walks,

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but I'm, I'm not sure I can do any of this. It's beyond me.

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And I don't want to mess up anything you and Maggie are cooking up

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-to help Joe, so, excuse me. Thank you.

-Before you've even tried?

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Well, thank you for being so honest.

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You, too.

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KNOCK AT DOOR

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Hi.

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-You're a day early.

-Yes. I wanted to talk to you.

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Well, I'm giving a lesson right now.

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I just wanted to say, I was hasty when I said what I said.

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When I turned you down the other day.

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Perhaps I should reconsider...

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..if you haven't moved on.

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Are you reconsidering or are you saying you'd like to sleep with me?

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I hate to hurry you but, like I say, I'm giving a lesson right now.

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I'm saying yes.

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Would you like to wait?

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Will you be bringing the ukulele?

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Not unless you want me to.

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It's upstairs on the left.

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My bedroom.

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UKULELE PLAYS

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Look, there's you on holiday, isn't it? Joe?

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You know it is. Do you remember?

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Hey? You do!

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And there's Rebecca holding you as a baby.

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Look how tiny you are there.

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Oh, baby Joe.

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Look at that.

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No, come on, Joe. You love these photos. You always do.

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Come on, now.

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ALBUM CLATTERS

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OK. So, maybe the book wasn't a great idea.

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Joe?

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Boo!

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-IN MONSTER VOICE:

-Joe, now will you look at the book with me?

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Eh? Now will you look at the book?

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This is where I lose the will to live.

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Ah. I can see you on holiday. That looks like fun.

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Where's Rebecca?

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Oh, and here's your birthday party. An octopus cake!

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That looks absolutely delicious.

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It doesn't matter at this stage that one of us

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is not really looking. It doesn't matter at this stage

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that one of us is not really saying anything.

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What matters is setting up an exchange. Ping pong.

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But we don't want to crowd a young one out at this point.

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We just want him to join in. Do you see?

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-I'm in his face all the time, aren't I?

-You are.

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And that makes him anxious that he doesn't have what it takes

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to fulfil your overwhelming need.

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Oof. That's a bit harsh.

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It will be a bit harsh, but I hope not for Joe.

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That's the main thing, isn't it?

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It will get better than that. I promise.

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What makes you think you get a second chance?

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That was one of my little jokes, Maurice.

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I slept with one woman for 35 years

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and, after she went, nobody.

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That would explain all that running you do.

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No, I, I...

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It's strange, isn't it?

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Different...body.

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-Different geography.

-Different geography?!

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Maybe you should bring a compass next time.

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No, what I mean is...

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Must be even longer for you, since your husband left.

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Five years.

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There has been someone since then, Maurice.

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Oh, right.

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I see.

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Didn't work out. We were both on the rebound.

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I, I, don't need to know.

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He was my lodger. Music student.

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We got on very well.

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A student?

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But he was so young and demanding.

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Mid-twenties.

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That generation have come of age with hardcore pornography, you see?

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Very strange expectations of what might be enjoyable...

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..or desirable...

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..or even physically possible, come to that.

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Craft beer is booming.

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Real ale is over. OK?

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Dad?

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What's the difference?

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Nothing in the taste. Everything in the brand.

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Real ale is goblins and prog rock.

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Craft beer is social media and punk.

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Is this what you wanted to talk to me about?

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We go big online, there'll be a spike in demand.

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We need to be ready for that.

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So, we're going to have to convert some of the outbuildings

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and install a dual-purpose conditioning vessel.

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-Yes, OK.

-So, you're giving me the go-ahead

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-for all that?

-Well, you're the boss, aren't you?

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-You don't want time to think it over?

-Like I say, you're in charge.

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Yes!

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Pick up the apple.

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Pick up the apple.

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Put it in the pan.

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In the pan.

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Right in the pan.

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That's it. Your turn. Your turn to ask me.

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I can't hear you, Joe, so I don't know what to do.

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Pick up the button.

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OK.

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I don't know where it should go.

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In the sock.

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In the sock? OK. What should I do now?

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Put the pen...

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OK.

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..in...

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..the cup.

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In the green cup or the blue cup?

0:19:140:19:16

-Blue cup.

-Blue cup. OK.

0:19:170:19:20

Now, find the apple and put it in the red bowl.

0:19:200:19:24

In the red bowl.

0:19:260:19:27

That's it!

0:19:270:19:29

Now...

0:19:290:19:31

Hiya.

0:19:310:19:32

Hey! Have you heard those two?

0:19:320:19:34

She's got him eating out the palm of her hand.

0:19:340:19:37

Ooh, is that a social skill he's ever really going to need?

0:19:370:19:40

I think we should get her to come and work with Joe

0:19:400:19:42

three times a week. We've found our miracle worker.

0:19:420:19:45

I think the real miracle is how we'd pay for that.

0:19:450:19:48

Well, here's a tip. Not by selling the restaurant.

0:19:480:19:50

There's interest already

0:19:510:19:53

and if they offer the asking price then we're in the clear.

0:19:530:19:56

Yeah, but then what?

0:19:560:19:58

The diner doesn't pay enough. Eddie's got your old job.

0:19:580:20:00

Have you any idea how much we've spent already?

0:20:000:20:03

-No, I haven't, because you won't ever talk about it.

-Well...

0:20:030:20:06

we're talking about it now,

0:20:060:20:08

and I'm not even using humour as a defence mechanism.

0:20:080:20:11

It's important that you practise speech with him where the response

0:20:110:20:15

is physical and clear and not abstract or emotional.

0:20:150:20:20

-Do you see how that might help?

-Yeah, yeah, sure. Yeah.

0:20:200:20:22

Sit down, Maggie. Sit down. Paul. Open some wine. Or beer?

0:20:220:20:25

You look like you might be a craft beer sort of a girl.

0:20:250:20:28

-Is that a joke?

-No. I was genuinely, we've got some, some...

0:20:280:20:31

No, it's me that uses jokes to mask my feelings, remember?

0:20:310:20:35

Nothing for me, thank you. I need to go now.

0:20:350:20:38

Oh, you're not going to eat with us?

0:20:380:20:40

No, but thank you. I've booked dinner at the Red Lion.

0:20:400:20:43

-I'm seeing an old friend.

-Oh, really. Who?

0:20:430:20:45

-She isn't local. You wouldn't know her.

-Oh, well, invite her along.

0:20:450:20:49

Come on, please, you need to tell me

0:20:490:20:50

everything you know about Joe. We need to make plans.

0:20:500:20:52

I'm very sorry. But I've already made other arrangements.

0:20:520:20:55

I'll see you both in the morning. Bye, Joe.

0:20:550:20:57

Miss Wallace says that if Creon doesn't know his lines

0:20:580:21:01

by tomorrow morning she's going to have to recast. Can you imagine?

0:21:010:21:04

Well, I practically know the part. And I've got the legs for a toga.

0:21:040:21:07

-It's modern dress.

-Maggie thinks that drama might be good for Joe.

0:21:070:21:10

Mum, you forgot to put the cheque in the envelope for the tickets.

0:21:110:21:14

That's a good idea. Eh, Mozart, want to do some acting?

0:21:140:21:17

Hmm. Let me see.

0:21:170:21:20

I don't think so, no.

0:21:200:21:23

Rebecca, will you check if your Saturday drama class

0:21:230:21:25

-has any spaces?

-Can't you do that?

0:21:250:21:26

Well, you're there every week, so I think it's easier if you do.

0:21:260:21:29

I don't ask you for much, so just do this one thing, would you?

0:21:320:21:34

JOE TURNS MUSIC ON

0:21:340:21:36

-Eh, eh, eh, eh, come on, big man!

-PAUL TURNS MUSIC OFF

0:21:360:21:39

Come on, eat your tea.

0:21:390:21:40

Have some of your spaghetti, Joe.

0:21:400:21:42

"What more do you want? Kill me, and have done with it."

0:21:490:21:51

"Nothing more than your death. That'll be enough."

0:21:510:21:53

"Then what are you waiting for...?"

0:21:530:21:55

Ice cream, ladies?

0:21:550:21:57

If only Creon had offered Antigone an ice cream.

0:21:570:22:00

Why didn't he think of that? She's a girl, for God's sake!

0:22:000:22:03

Eddie likes to demonstrate his liberalism

0:22:030:22:05

-by making ironic sexist remarks.

-Mum said they used to call you

0:22:050:22:08

the Ice Cream King when you were growing up.

0:22:080:22:10

Yeah, it was the only job her and your grandad trusted me with.

0:22:100:22:12

You might want to think about how you feel about your own brother

0:22:120:22:15

-and put some of that into it.

-Right.

0:22:150:22:18

And how serious is it with your boyfriend? That might help too.

0:22:180:22:21

-You don't need to answer that, Rebecca.

-What?

0:22:210:22:24

Nicola doesn't do small talk.

0:22:240:22:26

KNOCKING

0:22:260:22:28

A-ha, so that's where you ran off to. Very cosy.

0:22:280:22:33

Nicola knows the play. I told you.

0:22:330:22:35

Twice. Thanks for helping me with the play.

0:22:350:22:38

-I've got to go and meet a friend.

-On a school night? Really?

0:22:380:22:42

It's about schoolwork.

0:22:420:22:44

OK. Well, don't be late.

0:22:440:22:46

Teenage strop.

0:22:480:22:50

I think she just needed to get away from you and your house for a while.

0:22:500:22:53

Right. Well thank you, Nicola, for telling it like it is.

0:22:530:22:57

-Is her boyfriend nice?

-She hasn't got a boyfriend.

0:22:570:23:00

I just wanted to say thank you for coming this morning.

0:23:010:23:03

I hope you're not feeling too bruised after Maggie's session.

0:23:030:23:06

-Oh, no, not at all. It's her job.

-Yeah.

0:23:060:23:09

I think it's right that she locates the unresolved tension

0:23:090:23:12

in the whole family and not just in Joe.

0:23:120:23:14

Yeah, sure. Yeah.

0:23:150:23:16

Well, some of the family, anyway.

0:23:160:23:18

Well, night, then.

0:23:240:23:26

DOOR OPENS AND CLOSES

0:23:280:23:30

So...shall we call it Michael?

0:23:350:23:38

Our "unresolved tension"?

0:23:380:23:40

I don't think we can lay all our unresolved tension

0:23:400:23:43

at Michael's door, can we?

0:23:430:23:45

-Be nice to park it somewhere.

-Are you serious?

0:23:450:23:48

Actually, do we need to talk about this right now?

0:23:480:23:51

-You brought it up.

-When people say,

0:23:510:23:52

"Do we need to talk about this right now?"

0:23:520:23:54

it generally means they don't want to.

0:23:540:23:56

So how do we resolve that tension?

0:23:560:23:59

We could try the ancient art of sexual intercourse.

0:23:590:24:03

Do you really think that'll help?

0:24:030:24:05

It's got to be worth a try.

0:24:050:24:07

RADIO: 'But I got into a debate about the difference

0:24:140:24:18

'between implied and inferred.'

0:24:180:24:21

What?

0:24:230:24:24

MUFFLED SPEECH ON RADIO

0:24:290:24:32

-What?

-Nothing.

0:24:390:24:42

She's just realised that she still loves Sam Smith.

0:24:420:24:45

Sam Smith's gay.

0:24:450:24:47

But Rebecca thinks she can turn him.

0:24:470:24:49

She leaned in on me at a party once and it got very messy.

0:24:490:24:52

Talk to yourself.

0:24:540:24:56

-I'm sorry.

-Can we lose the commentary, Tom?

0:24:560:24:58

I could. But then Rebecca would discover how dull you truly are.

0:24:580:25:02

Come on. Let's go for some chips.

0:25:030:25:06

He's fast asleep.

0:25:510:25:52

She's tired him out.

0:25:520:25:54

Excellent! Let's seize the moment.

0:25:540:25:58

If Maggie agrees three times a week,

0:25:580:26:00

I think we can manage the rest between all of us.

0:26:000:26:02

Ping.

0:26:040:26:06

The male makes a clumsy display of affection.

0:26:060:26:09

Pong.

0:26:160:26:18

The female returns the male's sexual advances.

0:26:180:26:20

Stop it.

0:26:200:26:22

Ping. She chastises him.

0:26:220:26:24

Pong. He rather likes it.

0:26:240:26:26

It makes him aroused. Ping.

0:26:280:26:29

It makes her aroused. Pong.

0:26:290:26:31

-Stop it, I mean it, don't make fun of it.

-OK. OK. OK.

0:26:310:26:34

Ping. He serves again, she returns.

0:26:380:26:40

Stop.

0:26:400:26:43

-OK, I promise.

-No. I can hear Rebecca practising her lines.

0:26:430:26:46

Oh, no, no, no, no, no, we'll just, we'll just be quiet.

0:26:460:26:48

-Very quiet.

-MUFFLED SPEECH THROUGH WALL

0:26:480:26:52

I'm not really feeling it with Antigone next door.

0:26:550:26:58

Is it me or are your knock-back lines getting that bit classier?

0:26:590:27:02

Sorry.

0:27:040:27:05

Let me go.

0:27:050:27:07

'You are quite mistaken.

0:27:120:27:13

'None of the Thebans anywhere in the city thinks as you do.'

0:27:130:27:16

They all do! But they keep their mouths shut when you're here!

0:27:160:27:19

-'Not at all...'

-KNOCK ON DOOR

0:27:190:27:20

'..and you should be ashamed setting yourself up against the majority.'

0:27:200:27:24

Time to wrap it up now, love. It's a big week for you this week.

0:27:240:27:27

-OK.

-Goodnight. Night.

0:27:270:27:29

-Did you hear that?

-'Yeah.'

0:27:300:27:32

I'm going to have to go.

0:27:320:27:34

-'Goodnight.'

-I'll see you tomorrow.

0:27:340:27:37

MAURICE CLEARS HIS THROAT

0:28:210:28:23

Morning.

0:28:270:28:29

Don't let me interrupt.

0:28:290:28:30

-See you later.

-See ya.

0:28:370:28:39

-REBECCA PRACTISES HER LINES

-Maggie's great for him, isn't she?

0:28:390:28:42

If she's what Joe needs then I think the world of her.

0:28:420:28:44

Never mind her just assessing Joe.

0:28:440:28:46

I think we should ask her to come three times a week

0:28:460:28:48

and work with him and help us deal with him.

0:28:480:28:51

-She won't come cheap.

-No. I know, that's what Paul said.

0:28:510:28:54

That's why he's adamant on selling the restaurant.

0:28:540:28:56

He doesn't need to sell the restaurant to help Joe.

0:28:560:28:58

The money's there. In my account. Your mother's life insurance.

0:28:580:29:02

-I can't think of a better use for it.

-Don't undermine him, though.

0:29:020:29:05

When have I ever undermined anybody?

0:29:050:29:06

Any interest?

0:29:080:29:09

Huh?

0:29:120:29:13

Oh, yeah, estate agent rang this morning. Got somebody coming round.

0:29:140:29:18

How much are you asking?

0:29:180:29:20

A quid more than I owe the bank'd be nice.

0:29:200:29:23

Still...nice when it lasted.

0:29:230:29:26

-The dream. Living it and all that.

-Yeah.

0:29:260:29:28

Catching up on old times?

0:29:300:29:32

No. I just needed a good internet signal.

0:29:320:29:35

Oh, well, you've got Alison to thank for that.

0:29:350:29:38

Yeah, she set up the Wi-Fi for the whole place.

0:29:380:29:40

-She thinks of everything.

-Yes.

0:29:420:29:44

That were quite a battering you give us yesterday.

0:29:510:29:54

I didn't do it for effect. I did it so you can help Joe.

0:29:540:29:57

No, I know, I know. I just, it's just, um...

0:29:570:30:00

..are we really doing that badly?

0:30:050:30:07

No. I can see that you get on with him.

0:30:070:30:09

I can see that you make Joe happy.

0:30:090:30:11

I'm just doing what any dad would do, I think.

0:30:110:30:14

So it's understandable if you overcompensate a bit.

0:30:140:30:16

Well. That's dads for you, eh?

0:30:180:30:20

Right, well, I'd better get up the hill.

0:30:250:30:27

I was working with this family once.

0:30:270:30:29

And I said that I thought at family meal times it would be a good idea

0:30:290:30:32

to let the child - Alfie - serve the food up at the table.

0:30:320:30:36

It was a way of getting the child to socialise

0:30:360:30:38

without feeling the pressure.

0:30:380:30:40

And the dad said, "Well, that sounds like a good idea,

0:30:400:30:43

"but unfortunately I'm always up a ladder at family mealtimes."

0:30:430:30:47

I asked him why and he said,

0:30:470:30:49

"Alfie won't eat his food unless I'm up a ladder outside the house."

0:30:490:30:52

That's insane.

0:30:520:30:53

Yes. And this family were clever, sane people.

0:30:530:30:57

But the dad being up a ladder at mealtimes

0:30:570:30:58

seemed a small price to pay to keep their boy happy.

0:30:580:31:01

Why are you telling me this?

0:31:020:31:04

You're doing fine with Joe. He loves you and he likes you.

0:31:040:31:08

Relax. You don't need to be the one outside on the ladder.

0:31:080:31:11

Has the vendor got figures for flooring costs

0:31:260:31:29

-and second-fix electrics?

-Maurice!

0:31:290:31:31

It's lovely of you to drop in, but I've got a potential buyer coming...

0:31:310:31:35

-I know.

-So, if you don't...

-It's me. I'm the potential buyer.

0:31:350:31:39

This is nonsense, Maurice,

0:31:400:31:42

and you know it. You're wasting your time.

0:31:420:31:44

Why? If I buy the place, you can still run it.

0:31:440:31:46

The costs are too high to finish the job.

0:31:460:31:49

Do you think you can run a restaurant or not?

0:31:490:31:51

Look, it's different now, with Joe, it's...

0:31:510:31:53

It's just, now is not the time to be risking all of this,

0:31:530:31:58

and we're going to be taking Maggie on.

0:31:580:32:00

I'll take care of that. You worry about this place.

0:32:000:32:03

What if I want to take care of Joe, hmm? His dad.

0:32:030:32:07

My own son.

0:32:070:32:09

Honestly, you and Alison. Unbelievable!

0:32:110:32:14

Get Michael in.

0:32:140:32:16

Get Maggie in. Take him out of school.

0:32:160:32:19

Put him back into school. Go private!

0:32:190:32:21

Takeover! Takeover! Takeover!

0:32:220:32:24

-With all due respect...

-Oh, fuck "all due respect."

0:32:240:32:27

..I think Joe's welfare is more important than your ego.

0:32:270:32:30

It's not about the ego.

0:32:300:32:32

It's about the fact that I've got something to say.

0:32:320:32:34

I have ideas!

0:32:340:32:37

I will not be the one outside the house up a ladder at tea-time!

0:32:370:32:41

What?

0:32:410:32:43

I don't even know why you're here, Maurice.

0:32:430:32:46

I know you can't really afford the place.

0:32:460:32:48

I'll sell the brewery.

0:32:480:32:49

Pull the other one.

0:32:490:32:51

Why not? The business plan for this place is sound.

0:32:510:32:55

You worked for me from the age of 16 up till six months ago.

0:32:550:32:58

So, you know, we'll know what we're getting into.

0:32:580:33:00

It'll be just like it always was.

0:33:000:33:02

Listen, I know you dreamed of running your own place,

0:33:020:33:06

but don't kick yourself to death if management's not for you.

0:33:060:33:08

I'll be in touch.

0:33:150:33:16

He is a bastard. He's a bastard!

0:33:250:33:28

I think he's overdue a camomile tea.

0:33:440:33:46

Two-bag job, by the look of it.

0:33:460:33:49

Sorry, no. That won't be happening.

0:34:070:34:10

How do you mean, no? Do you mean yes?

0:34:100:34:11

I came here to write a plan and recommend someone local to help you,

0:34:110:34:15

but it won't be me.

0:34:150:34:16

-So, when can you start? Come on, three mornings a week.

-Alison...

0:34:160:34:21

I'm very sorry, but I can't work with Joe on a regular basis.

0:34:210:34:23

You knew that all along.

0:34:230:34:24

No, no, no, no, no, no, no, no. You don't get away that easily.

0:34:240:34:27

You are brilliant for Joe and I won't take no for an answer.

0:34:270:34:30

I know you find that hard, but you're going to have to.

0:34:300:34:32

There are people with the same expertise.

0:34:320:34:35

-Please, Maggie. Name your price.

-I am sorry.

0:34:350:34:37

Joe's a lovely boy, but I am not the only person who can help him.

0:34:370:34:41

It was lovely to meet you, Joe. Bye now.

0:34:410:34:44

If I have to lie down in the road in front of the car, then I will.

0:34:440:34:48

You, Maggie, are GOING to work with Joe.

0:34:480:34:50

You can't always have what you want, Alison. Not even you.

0:34:500:34:53

Is that a "maybe"?

0:34:530:34:54

-Oh, come on.

-You are blind to everybody's needs but your own.

0:34:540:34:58

You are a bully, Alison. You bullied me at school

0:34:580:35:00

and you are bullying me now.

0:35:000:35:02

Well, too bad. I will send through my report.

0:35:020:35:05

I will help you find someone local.

0:35:050:35:07

But I won't be bullied by you again.

0:35:070:35:09

CAR ENGINE STARTS

0:35:140:35:17

Are you coming in, kiddo?

0:35:290:35:32

Come on.

0:35:320:35:33

Joe?

0:35:370:35:39

Was I really a bully? Is that possible?

0:35:430:35:45

Hey, it's not funny, Paul.

0:35:480:35:50

Hey, I'm the one who uses humour as a defence mechanism, remember?

0:35:500:35:54

Well, now you're using "humour as a defence mechanism"

0:35:540:35:57

as humour as a defence mechanism.

0:35:570:35:58

And now you're bullying me. So maybe Maggie had a point.

0:35:580:36:01

-D'you think?

-No, no, course not.

0:36:010:36:04

Not now, maybe, but at school you might have been and not known it.

0:36:040:36:07

Look she was a big, strange girl. I remember that.

0:36:090:36:12

But we were all strange. We were insecure. We were teenagers.

0:36:120:36:15

You're always telling us that you were voted

0:36:150:36:17

Miss Wordsworth High two years on the run.

0:36:170:36:19

That was a joke thing that the boys did.

0:36:190:36:21

It was nothing official.

0:36:210:36:23

Although it was three years on the run, since you mention it.

0:36:230:36:25

Yeah, so you must've been a bit more secure than Maggie, then?

0:36:250:36:28

Good-looking, slim.

0:36:280:36:30

Thank you, lovely, but I wasn't a bully.

0:36:300:36:32

And anyone who says differently is going to get a Chinese burn.

0:36:320:36:35

Listen.

0:36:420:36:44

Kids pull all sorts of stunts when they're young.

0:36:440:36:47

-Hmm.

-You're with the "in" crowd one minute and then suddenly you're not.

0:36:470:36:50

You're talking about wanking at Cub camp

0:36:530:36:56

and then back at school the same boys are suddenly ripping the piss

0:36:560:36:59

out of you in front of everyone and calling you Wanker Hughes.

0:36:590:37:02

For example.

0:37:030:37:04

-I suspect that one might be more of a boy thing.

-Maybe.

0:37:060:37:09

You didn't say it was impossible I was a bully.

0:37:130:37:15

It is impossible that you were a bully.

0:37:210:37:25

MUSIC: Disco 2000 by Pulp

0:37:280:37:31

-JOE SINGS:

-# Let's all meet up in the year 2000

0:37:360:37:39

# Won't it be strange when we're all fully grown?

0:37:390:37:44

# Be there two o'clock

0:37:440:37:46

-# By the fountain down the road... #

-Right! Music off and then breakfast.

0:37:460:37:50

HE SWITCHES MUSIC OFF

0:37:500:37:52

-HE SWITCHES MUSIC ON

-# Your house was very small

0:37:540:37:57

# With woodchip on the wall

0:37:570:37:59

-# When I came round to call... #

-Can you turn it off for me?

0:37:590:38:02

-# ..You didn't notice me at all. #

-I am noticing you right now.

0:38:020:38:08

D'you remember the games you played with Maggie? That'd be fun. Yeah?

0:38:080:38:11

-Is this day one?

-What are you talking about?

0:38:110:38:14

The new regime. The Joe plan.

0:38:140:38:16

-I've always done stuff like this with him.

-No, you haven't.

0:38:160:38:19

And you're talking in your patient voice,

0:38:190:38:21

-which means you're about to blow. Have you got £30?

-What?

0:38:210:38:24

Tickets for the play. You didn't put a cheque in the envelope.

0:38:240:38:27

Joe, headphones...off.

0:38:270:38:30

Ah, no. That's not the deal.

0:38:300:38:33

Joe, no, come on now.

0:38:350:38:36

And I'm not allowed to do this,

0:38:360:38:38

but I'm going to put reserve notices on the front-row seats.

0:38:380:38:41

Ah, ah, ah, don't pull it. OK.

0:38:410:38:43

-OK?

-Put it on the table.

-Mum?

0:38:430:38:44

Put it on the table, Joe.

0:38:440:38:46

-Are you listening?

-Put it on the table.

0:38:460:38:48

Pulp. Disco 2000.

0:38:540:38:56

Single. 1995.

0:38:560:38:59

-The money for the tickets?

-Oh, for God's sake!

0:39:030:39:06

You can get the cash out my coat pocket. All right?

0:39:060:39:08

"The grey rock petrified her by inches, and she died.

0:39:310:39:33

"Her story is mine. Today I shall share her rocky bed."

0:39:330:39:37

"Today I shall share her rocky bed."

0:39:370:39:39

Say that again.

0:39:390:39:41

Five minutes, Joe.

0:39:410:39:42

# Let's all meet up in the Year 2000. #

0:39:470:39:50

You are a genius.

0:39:510:39:53

MUSIC: Disco 2000 by Pulp

0:40:010:40:03

The schools want someone to go and talk about the measles jab.

0:40:200:40:23

-I'd like you to do it.

-Oh. Right. Thank you.

0:40:230:40:26

I'm not flattering you. I just don't want to do it myself.

0:40:260:40:29

How's your nephew? ADHD, wasn't it?

0:40:290:40:31

Autism spectrum.

0:40:310:40:33

Right. That must've been another boy. I write a lot of letters.

0:40:330:40:37

Mainly for parents trying to get into the better secondary schools.

0:40:370:40:40

-This isn't tactical autism. It's real.

-Sure.

0:40:400:40:43

Don't forget to hand out the leaflets when you do the jab talk.

0:40:430:40:46

-Hello.

-Hi.

0:40:530:40:55

Yes, I'll write you out a prescription.

0:40:550:40:57

Don't look like you've failed.

0:40:570:40:59

Plenty of men your age have erectile dysfunction.

0:40:590:41:01

-I haven't got erectile dysfunction. I...

-Hey. I'm not here to judge.

0:41:010:41:06

Is that it?

0:41:090:41:11

Unless it's me you're planning on sleeping with, then, yes, that's it.

0:41:110:41:14

-You don't want to check my health out or anything?

-Maurice.

0:41:140:41:17

I see you running up the side of a mountain every morning.

0:41:170:41:19

I think your health's probably better than mine.

0:41:190:41:22

It's not a mountain. It's a fell. Are there any side effects?

0:41:220:41:24

Some people complain of headaches.

0:41:240:41:26

But sometimes a headache is a small price to pay...

0:41:260:41:31

depending on the woman. Or the man.

0:41:310:41:33

-Does your daughter-in-law think she's settling in here?

-What?

0:41:360:41:40

-Her job here. Has she said anything?

-Is this the right time or place

0:41:400:41:43

to be talking about my daughter-in-law's job?

0:41:430:41:45

-I think she's made a good start.

-Good.

0:41:450:41:48

-Don't forget to tell her.

-I'm hardly likely to.

0:41:480:41:50

Mrs Brownlow?

0:41:550:41:56

-Oh, hi, Maurice.

-Hello. Hello, there.

0:41:560:42:00

-Nicola.

-Nicola.

0:42:000:42:03

Cancel it? What? I thought you said to go ahead.

0:42:110:42:14

You said it was a good idea. I've already started working on it!

0:42:140:42:17

We can't afford any changes right now.

0:42:170:42:19

The rebranding and rebuilding go hand in hand.

0:42:190:42:21

I've already started spending money with your blessing.

0:42:210:42:24

Just get on with running the business, Edwin.

0:42:240:42:26

Don't call me Edwin. D'you want to see the figures?

0:42:260:42:28

I can show you the figures.

0:42:280:42:30

-Is this about Joe?

-Why would it be about Joe?

0:42:310:42:33

If you want to save money cos you need it for Joe

0:42:330:42:36

then I'm fine with that.

0:42:360:42:37

Well, if you're fine with it why would you say it?

0:42:370:42:39

Is it about Joe? You said we could afford it two days ago.

0:42:390:42:42

Is there something else I should know about the finances?

0:42:420:42:44

Yes. We make beer. We sell beer. People drink beer.

0:42:440:42:48

They feel good. They fall over. They want more. We make more.

0:42:480:42:51

Now go and Twitter that for size.

0:42:510:42:53

THEY SPEAK IN POLISH

0:42:580:43:01

MOBILE RINGS

0:43:010:43:02

Hello.

0:43:040:43:06

'Hi, Eddie. I've had to go to Manchester. Paul's not picking up.'

0:43:060:43:08

I've been trying to get hold of Maya for hours.

0:43:080:43:10

Is David working there today?

0:43:100:43:12

'Has he got a landline number for her? Would you mind asking him?'

0:43:120:43:15

What am I? Directory Enquiries? D'you think this is a hobby?

0:43:150:43:19

Do the whole family think it's just a hobby I'm doing here?

0:43:190:43:22

-HE HANGS UP

-Fuck's sake.

0:43:220:43:24

How it works, love, is this -

0:43:300:43:32

you go and see your GP. He refers you to us.

0:43:320:43:34

We send a letter to your home address

0:43:340:43:36

asking you to phone the appointments line.

0:43:360:43:38

The appointments line, which is in Newcastle, informs us,

0:43:380:43:41

then we write you a letter to give you a time and a date to come here.

0:43:410:43:43

-It's quite straightforward.

-I don't need an appointment.

0:43:430:43:46

-You do if you want to see Ms White.

-I just need you to tell her

0:43:460:43:48

that I'm here and that I need five minutes of her time.

0:43:480:43:51

See, the problem is all these people have got appointments.

0:43:510:43:53

OK. Could you just give her this note?

0:43:530:43:56

Here.

0:43:560:43:58

There.

0:43:580:43:59

Thank you very much.

0:43:590:44:02

CLOCK TICKS

0:44:080:44:10

Sarah Jones.

0:44:140:44:16

-Hello. Go on through.

-Hello there.

0:44:260:44:29

Maggie!

0:44:290:44:30

DOOR CLOSES

0:44:350:44:36

Bye-bye, everyone.

0:44:470:44:49

You hold my hand to cross the road, Joe?

0:45:170:45:19

OK. We can just touch hands if you want. OK? Hmm?

0:45:210:45:25

I just wanted to see you for ten minutes.

0:46:030:46:05

You aren't going to change my mind, Alison.

0:46:050:46:07

I'm not here to change your mind, I'm here to apologise.

0:46:070:46:10

I'm sorry for trying to bully you into working with Joe.

0:46:100:46:13

-And I'm begging you to think again.

-Oh. I see.

0:46:130:46:16

I realise there's probably some compromise.

0:46:160:46:19

Maybe you could oversee someone and just come once a month.

0:46:190:46:21

Or once a fortnight, maybe? I can't do it on my own.

0:46:210:46:24

I've tried to do what you do with Joe and it just doesn't work.

0:46:240:46:26

Yeah, I thought for a moment you were going to apologise to me

0:46:260:46:29

for bullying me at school.

0:46:290:46:31

Well, I would, but I, I honestly don't remember.

0:46:320:46:35

Of course if I did, then I apologise for that, I mean...

0:46:350:46:37

I love that modern way of apologising.

0:46:370:46:40

"If I gave offence, I apologise." That isn't an apology.

0:46:400:46:42

That's saying, "The problem's yours, not mine."

0:46:420:46:45

Well. I mean from where I'm standing, we were teenagers.

0:46:450:46:48

We all have our own stuff to deal with.

0:46:480:46:50

-I was probably just as insecure as you.

-I am sure that's true.

0:46:500:46:53

But you chose to exercise that insecurity by refusing to

0:46:530:46:56

sit next to me, by making jokes about me.

0:46:560:46:59

I knew I was the weird kid, Alison.

0:46:590:47:01

The best I could hope for was to be ignored,

0:47:010:47:03

and you didn't even give me that.

0:47:030:47:04

I don't know what to say.

0:47:070:47:09

Of course I'm sorry.

0:47:090:47:11

I don't remember it that way, I really don't.

0:47:110:47:14

I mean, it's a long time ago.

0:47:140:47:17

And if that was happening to Rebecca I would be...

0:47:170:47:20

I don't know what else I can do about that now

0:47:220:47:24

except to just keep saying I'm sorry.

0:47:240:47:26

You could pay for my years of therapy, I suppose.

0:47:260:47:28

Well, if you never discovered therapy,

0:47:280:47:30

you might not be doing what you're doing.

0:47:300:47:32

That was a joke, by the way.

0:47:350:47:36

And, look, I know what you think about humour as a defence mechanism and you're dead right.

0:47:360:47:40

I'm just...I'm begging you, Maggie. You opened up something in Joe.

0:47:400:47:43

It's a technique, an approach. I'm a trained therapist, not Jesus.

0:47:430:47:46

Please. I'll do anything to help my child.

0:47:460:47:48

That's what all parents say. And it's true.

0:47:480:47:50

But do you see it's about you again, not your child?

0:47:500:47:53

"I" will do anything to help "my" child.

0:47:530:47:56

Wait, are you...?

0:47:560:47:58

Are you refusing to take on Joe to get back at me.

0:47:580:48:01

Is that what's going on here?

0:48:010:48:03

I would never punish a child by denying my professional help

0:48:030:48:06

and advice, no matter how I felt about their parents.

0:48:060:48:09

I will send through my report, my recommendations,

0:48:090:48:12

and my suggestions for local people in the area,

0:48:120:48:14

for Joe,

0:48:140:48:16

because I can see how many problems he's facing.

0:48:160:48:19

You know what?

0:48:200:48:22

I think you're enjoying this.

0:48:220:48:24

Alison, my advice to you...

0:48:240:48:27

..get some therapy.

0:48:280:48:29

Fuck you, Maggie!

0:48:290:48:31

Shit.

0:49:010:49:03

-Do we need that many downlighters over the bar?

-You need them.

0:49:320:49:35

Unless you plan to supply the barman with a head torch.

0:49:350:49:39

PHONE VIBRATES

0:49:390:49:41

Well, why don't we lose the sidelights, right,

0:49:410:49:45

just have candles?

0:49:450:49:47

D'you want to get that?

0:49:470:49:48

No, no, come on, I want to sort this out.

0:49:480:49:50

Stay still, or you'll end up looking like Liz McDonald.

0:49:510:49:54

-Argh!

-That Hollywood agent a no-show?

-Very funny.

0:49:540:49:58

Look at you. If those eyebrows don't say,

0:50:000:50:02

"Young woman who wants to bury her brother within the city walls

0:50:020:50:05

"in defiance of her uncle and under threat of death,"

0:50:050:50:08

then I don't know what does.

0:50:080:50:09

For the first time today I thought, yeah, might be OK here.

0:50:200:50:25

-The job, you know, it's helping.

-That's a coincidence.

0:50:250:50:29

For the first time today, I thought this is never going to work.

0:50:290:50:32

That's unfortunate.

0:50:320:50:34

Thank you for your heartfelt sympathy.

0:50:360:50:38

We're a hit. We're a hit.

0:50:430:50:45

We're a hit.

0:50:450:50:47

Rumours of a transfer to Barrow-in-Furness!

0:50:470:50:49

-Did you see my mum and dad?

-All I saw was my public, darling.

0:50:490:50:52

Here he comes, Un-Father Christmas.

0:51:010:51:04

-Hi, Maurice.

-Hello.

0:51:100:51:12

Alison? You've got ten minutes. We've saved seats down the front.

0:51:120:51:15

Maya's sat with Joe, but I'm not sure it's his thing.

0:51:150:51:18

Is it like Pingu at all?

0:51:190:51:21

-Good luck.

-And you.

0:51:210:51:23

And if anyone mentions an opening-night party, say no.

0:51:230:51:27

No? Really?

0:51:270:51:30

Mum and Dad are away for the night. We can...

0:51:300:51:32

Beginners into position.

0:51:320:51:34

Good luck.

0:51:420:51:43

MUSIC PLAYS

0:51:560:51:58

Ismene, listen, the same blood flows through both our veins, doesn't it?

0:52:130:52:17

My sister, the blood of Oedipus.

0:52:170:52:20

And suffering, which was his destiny, is our punishment too.

0:52:200:52:22

(Sorry.)

0:52:220:52:23

The sentence passed on all his children, physical pain...

0:52:230:52:28

-(Sorry.)

-..contempt, insult, every kind of dishonour -

0:52:280:52:31

we've seen them all, endured them all, the two of us.

0:52:310:52:35

No-one has told me anything, Antigone. I have heard nothing...

0:52:350:52:40

All these senators of yours, they all agree with me

0:52:400:52:43

in their hearts, but there is no gag like terror.

0:52:430:52:46

Is there, gentlemen?

0:52:460:52:48

And tyrants must have their way, both in word and action.

0:52:480:52:51

That's their privilege.

0:52:510:52:53

You are quite mistaken.

0:52:530:52:55

None of the Thebans anywhere in the city think as you do.

0:52:550:52:57

They all do. But they keep their mouths shut when you're here.

0:52:570:53:00

-Not at all.

-You see, senators, my time has run out.

0:53:000:53:04

There is no more left.

0:53:040:53:06

I am the last of the royal blood, a daughter of kings.

0:53:060:53:10

And I die his victim unjustly, for upholding justice

0:53:100:53:15

and the humanity of humankind.

0:53:150:53:18

BOOING

0:53:280:53:31

CHEERING

0:53:360:53:40

SHE MOUTHS

0:54:070:54:08

You are going to come round later, aren't you?

0:54:130:54:15

My family want to celebrate my brilliance, so sorry, but, you know.

0:54:150:54:19

So make an excuse.

0:54:190:54:22

Get a room, ladies. It's what Sophocles would've wanted.

0:54:220:54:26

I will be there tomorrow night. Wild horses couldn't keep me away.

0:54:320:54:35

-Great.

-Is this about Joe?

0:54:350:54:38

Your dad said he was a bit of a nightmare.

0:54:380:54:40

No, Mum. It's not about Joe. It's about you!

0:54:400:54:44

You could've been there and you weren't and that is so shit.

0:54:440:54:47

Love, listen, I went to speak to Maggie about Joe.

0:54:470:54:50

It couldn't wait.

0:54:500:54:52

I thought you'd be grown up enough to understand that.

0:54:520:54:54

You went to see Maggie? When did we decide this?

0:54:540:54:57

Well, it's not every day you discover your granddaughter's

0:54:580:55:01

even more talented than you thought she was.

0:55:010:55:03

You were brilliant. Pained. Angry.

0:55:030:55:06

And not stupid-angry like you can be in real life.

0:55:060:55:08

A tip, Rebecca. Never ask Nicola

0:55:080:55:10

unless you want the unvarnished truth.

0:55:100:55:12

How's the job going?

0:55:120:55:14

Oh...yeah, you know, the joys of being a practice nurse.

0:55:140:55:17

Do you get access to everybody's medical records?

0:55:170:55:21

Suppose so. As long as I'm still working there.

0:55:210:55:23

Why? What do you want to know?

0:55:230:55:25

I'm joking, Maurice.

0:55:260:55:28

What did you say to Maggie? Am I allowed to know?

0:55:280:55:31

Doesn't matter, she's not coming back.

0:55:310:55:33

And you made sure of that, I'm sure.

0:55:330:55:35

No! I swallowed my pride to talk to her.

0:55:350:55:37

But she's got this bloody bullying thing going

0:55:370:55:39

-and I couldn't change her mind.

-I can't believe you went to see her

0:55:390:55:42

-without telling me.

-What would've been the point in telling you?

0:55:420:55:45

There doesn't have to be a point. I'm his dad.

0:55:450:55:48

I'm not having you running this thing

0:55:480:55:49

-as though he's all yours to change.

-MUSIC PLAYS

0:55:490:55:52

Anyone would think YOU think I'm a bully.

0:55:520:55:54

No. Not exactly. Joe, turn that down!

0:55:540:55:57

Not exactly?!

0:55:570:55:59

Well, maybe our boy needs a bully out there fighting his corner.

0:56:000:56:03

-I will not be the one outside up a ladder.

-Hey?

0:56:030:56:05

He keeps saying that.

0:56:050:56:07

Joe needs a champion. That's not the same as a bully.

0:56:070:56:10

-Oh, so I am a bully!

-Yeah, you are. Yeah.

0:56:100:56:12

-JOE SINGS:

-# I said rip it up and start again... #

0:56:120:56:16

Can we all just pipe down and raise a glass to Rebecca?

0:56:160:56:19

# I said rip it up and rip it up Rip it up and rip it up

0:56:190:56:23

-# Rip it up and start again. #

-Sure.

0:56:230:56:25

If you can tell me where she is.

0:56:250:56:27

Don't spend all your time being a bitch

0:56:440:56:46

and then playing the understanding mum when it suits you.

0:56:460:56:49

My father is having a sexual relationship.

0:56:490:56:51

That's just another thing not to think about.

0:56:510:56:53

I don't care if it's good news or bad news, but you talk to her,

0:56:530:56:56

you don't just ignore her like a prick.

0:56:560:56:58

Haven't talked shite like this for a long time.

0:56:580:57:00

-Happy to oblige.

-Me and Sally?

0:57:000:57:02

-You two have got history.

-You know what it's like! You can be yourself.

0:57:020:57:05

Must be killing you wondering what's going on.

0:57:050:57:07

-I know when to be discreet.

-Certainly do!

0:57:070:57:09

-It's Grandma.

-Do you remember that?

0:57:090:57:11

This is empathy. It's like he's turned a corner.

0:57:110:57:14

# Rip it up and start again

0:57:140:57:18

# Rip it up

0:57:240:57:26

# Rip it up

0:57:270:57:29

# Rip it up

0:57:330:57:34

# Rip it up... #

0:57:370:57:39

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